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aking the Case for Media Preservation Context, Tools, and Strategy Mike Casey Director of Technical Operations Media Digitization and Preservation Initiative Indiana University Chris Lacinak President AVPreserve
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Making the Case for Media Preservation Context, Tools, and Strategy Mike Casey Director of Technical Operations Media Digitization and Preservation Initiative.

Jan 21, 2016

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Presentation Title

Making the Case for Media PreservationContext, Tools, and StrategyMike CaseyDirector of Technical OperationsMedia Digitization and Preservation InitiativeIndiana University Chris LacinakPresidentAVPreserve

Making the Case for Media PreservationContext, Tools, and StrategyKey Topics

Why media preservation action is urgentWhat is lost with no actionWhat actions are other institutions takingWhat strategies help make the case

Why Media Preservation Cant WaitThe Gathering StormMike CaseyDirector of Technical OperationsMedia Digitization and Preservation InitiativeIndiana University July, 2015

Website: http://www.mdpi.iu.edu

Slide design by Mike LeeFlickr @garry

Once Upon A Time . . .Flickr @garry

The King & Queen of Media

it is alarming to realize that nearly all recorded sound is in peril of disappearing or becoming inaccessible within a few generations.

--National Recording Preservation Board in Capturing Analog Sound

Creative Commons: Flickr @james_clear6

in the mid- to long-term there is a major risk that carrier degradation combined with playback obsolescence will defeat the efforts of archivists--International Association of Sound and Audiovisual Archives

Creative Commons: Flickr @james_clear7Audiovisual materials are the fastest growing segment of our nations archives and special collections.--The Library of Congress National Recording Preservation Plan, page 6

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What is the problem?Large numbersDegradationObsolescenceHigh research valueShort time windowIndiana NumbersMore than 560,000 audio, video, film objects364,000 audio (64%)125,000 video (22%)78,000 film (14%)80 units50+ formats

DegradationAll analog and physical digital media objects actively degradingsome catastrophically

Vinegar SyndromeSticky Shed SyndromeFungusDelaminationPlasticizer ExudationColor FadingCurlingWindowingSheddingUndiagnosed UnplayabilityMechanical IssuesShrinkageScratchesBreakingHydrolysisOxidationEfflourescenceBinder BreakdownCuppingCrystalline Residue

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This is part of the Roaming Scout collection -- the oldest known recording of extended narrative in any Native American language. The whitening visible in the groove suggests that the "wax" has undergone significant chemical breakdown since the cylinder was last played about twenty-five years ago.

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ObsolescenceMedia formatsEquipment (playback machines, test devices)Repair partsPlayback expertiseRepair expertiseToolsSuppliesObsolescenceTechnics SP-15 turntable main bearing unavailable at any priceStyli made by one small companySony PCM-70x0 series DAT machine capstan motors unavailable at any priceNo new open reel audio machinesAudio alignment tapesone companyLast run of playback heads for Studer tape machinesone company left --information courtesy of George Blood

--information courtesy of George BloodObsolescenceSony ends sales of new videotape machines1 video machines, parts, playback expertise scarce Type C head assembly $16,000Not enough working audio and video playback machines to digitize everything currently in vaults

--information courtesy of George BloodObsolescenceQuad (video) machines, parts, playback expertise very scarceStandard industry professional formatEstimated 100-200 machines left worldwideAmpex AVR-1 (1970s) compressed air diaphragm unavailable at any costPlayback heads must be replaced every three months

ObsolescenceOne supplier technician is age 65Company appealing for money to continue refurbishing programTrouble getting supplies2009 cost for new head= $35002012 cost = $5200

--information courtesy of George Blood

ObsolescenceAll analog audio and video formats are at different points on a similar obsolescence slope

Degradation/ObsolescenceFor video the problem is even sharper: complete disappearance of an (affordable) ability to transfer.

--Richard Wright, AMIA list, 2/17/2013Creative Commons: Flickr @MichaelBolognesi1

Degradation/Obsolescence75% of the analogue video held in Europe in 2006 will be lost by 2023 when video digitisation will simply have "ceased to be."

--Richard Wright, PrestoCentre Answers, 2/5/2013Creative Commons: Flickr @MichaelBolognesi1

Degradation/Obsolescence There is a massive disaster happening here.

-- Clifford Lynch, Coalition for Networked Information,2011Creative Commons: Flickr @MichaelBolognesi1Flickr @garry

Degralescence Attacks the Kingdom of Media

Flickr @garry

Prince Codec Brandishes the Sword of Migration

Flickr @garry

The Sands of Time Slip Away

Degradation/ObsolescenceHow much time do we have?

15-20 years

[email protected]

Degradation/Obsolescence

many analog audio recordings must be digitized within the next 15 to 20 years before sound carrier degradation and the challenges of acquiring and maintaining playback equipment make the success of these efforts too expensive or unattainable. --The Library of Congress National Recording Preservation Plan, page 7Degradation/ObsolescenceHow much time do we have?

15-20 years Less for some formatsDegradation + Obsolescence = Impossible/Too ExpensiveVendors and a few institutions stockpiling

Degradation/ObsolescenceHow much time do we have?10-15 Years

StrategiesAudio and VideoHow long will it take?

At our current pace

Archives of Traditional Music: 58 yearsMusic Library: 120 years

Key Words: Massive, rapid, considered

Flickr @garry

The Battle for Media Commences

Flickr @garry

Degralescence is Brought under Control

Flickr @garry

The End

Why Media Preservation Cant WaitThe Gathering StormMike CaseyDirector of Technical OperationsMedia Digitization and Preservation InitiativeIndiana University July, 2015

Website: http://www.mdpi.iu.eduFlickr @Old Woman Shoe

nullOther49841.027Perfect Thunder StormMike KoenigBlues20532.246