Making Research Actionable: A case study Ushering in a new Era of Audience Development at the NAC Orchestra November 20, 2008
Making Research Actionable: A case studyUshering in a new Era of Audience Development at the NAC Orchestra
November 20, 2008
Showcase a whole-of-business approach to data analysis, audience research, strategy development
and marketing execution.
Insights, decisions, actions Institutional culture change
Audience Relevance
To be actionable, research must be
Timely
Relevant to decision
Translated into decision-making terms
Shared effectively with decision-makers
Audience Development ProjectBusiness Issue: Need to understand the factors that
affect the Orchestra’s subscriber base
Purpose: Strategy for rebuilding and sustainably expanding audiences over the next 5 years
Mandate:Diagnosis and Prescription
Sponsor: CEOReporting: Managing Director, NAC Orchestra and
Director of Marketing
Lots of data, but what’s the story?
Contextualizing internal data with external data
Each series had its own dynamics• Interviews were
invaluable to understanding
Family Income (in 2004$)
Inflation
Avg ticket price(in 2005$)
Attendance rate
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Answering critical business questions e.g.: A question of supply?
Capacity for Main series has not changed in 12 years
– Mid-1990s rebuilding aided by reduction in capacity
Revenue has risen until the last 2 years due to price increases
The supply question misses the point. – Concert experience– Value for money– Relationship building– Relevance to audiences– Community engagement– Artistic quality
Data-driven insights help redefine the issues
• NACO’s cumulative reach is significant• Benchmarked to secondary research sources
• Few true “new” leads means need to shift marketing and programming approaches toward re-acquisition
• Re-acquisition requires re-introduction
New ways of looking at the business dynamic
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Pricing
Packaging&
Schedule
Supply &
Capacity
Learning&
Discovery
ConcertExperience
Repertoire &
Star Power
Audiences&
Motivators
Community Engagement
MarketingDirect
On/Off-line
CustomerRelationship Management
(CRM)
Reputation Mgmt& Buzz
CustomerService
Living Strategy• Findings used to implement changes for 07/08 season
and changes used as strategy test case• Goal: increase number of subscribers (by 5.5% overall -
with specific sub goals) and maintain 06/07 revenue• Subscriber events (segmented)• Volunteer engagement• New packaging options• New pricing strategy• Enhance concert experience• Toward story-driven marketing• Strengthen community presence
• Monitor and evaluate
Increase in subscriptions of over 13% Highest number of subscriptions in 19 seasonsIncrease in overall revenue
Overall campaign targets were met Evaluation of pricing strategy suggests it is working as intended
Results for 2007/08
LIVING STRATEGYCollaboration, Creativity, Challenge
Fire-Aim-Fire• Subscription campaign– February to December 2007
• Concurrent strategy development process– Organize for success
• Multi-functional working group, topical sub-working groups, coaching
• Define audience development as responsibility of entire institution
Create Research Framework
Diversity: Ottawa a “market of niches”
Audience becomes defined as “markets” and “communities”
GLBT: est. 55,000 to 75,000 Diplomatic Corps: est. 6,000 to 8,000
Generational imperative: Seniors ~ 15%, Boomers ~31%
2001 census
Ottawa Gatineau Toronto Vancouver Montreal Calgary
Population 806,096 257,568 4,647,955 1,986,965 3,426,350 951,395
Immigrants 21.8% 5.0% 45% 39% 20.4% 21.7%
Visible minorities
18.0% 3.7% 36.8% 36.9% 13.6% 17.5%
Chinese 27,775 1,030 409,535 342,664 52,110 51,855
Black 34,875 3,310 310,500 18,405 139,305 13,665
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Statistics Canada data on motivators and inhibitorsReasons for Attending Live Performances or Artistic Events - May 2000 (STATSCAN)
Total Mentio
n %
To be entertained, to relax or enjoy oneself 71
Interest in specific events, performers or work 23
To learn, to stimulate or challenge oneself
12
To accompany friends or relatives 10
Just for something to do9
To educate/entertain children5
To see well-known works or performers 4
Reasons for NOT Attending Live Performances or Artistic Events - May 2000
Total Mentio
n%
Not enough time40
Not interested/too boring31
Too expensive29
Few performances/facilities in my area 12
Hard to get to venue/too far16
Health problems6
Family responsibilities5
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Focus Groups enlighten how it’s never just one motivator at work“I prefer to have intellectual and emotional content, but I still enjoy a good time.” (ET)
“The single most important thing to me is knowing the music, but a sense of discovery is important, too. I want to be surprised by it. I want to walk in there and learn something new.” (POPS - Senior single ticket buyer/gen pop)
“I was tapping my toes the whole time. It was the whole package. The big thing is that it made me laugh. That trumps setting and perfect acting.” (BC Scenes)
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Redefining Competitive Landscape• Look to other sectors that appeal to same audience• Evolve benefit statements and value propositions• Competitors, e.g.:• Spas (relax and rejuvenate)• Movie Theatre (big action, visual, story)• Museums (hands on exploration and discovery)• Pro-Sports (tribe)
• Complementary, e.g.: • Other live performing arts venues• Music and art supply stores
Test and Experiment• Focus groups
• Pops Programming and Marketing• 3rd year for focus groups – and 1st year to supplement with online survey• Continue work on decision-drivers to purchase, post-purchase evaluation (what makes a
concert memorable), loyalty drivers• Concert experience experiments
– Post-concert talk back• Survey participants to gain instant feedback• Number of participants regular part of programming promoted in subscription brochure
– Post-concert live podcast recording pilot (Principal bassoon, conductor, soloist, audience questions)• Survey participants to gain instant feedback live podcast recording as part of season opening week – special event and 300 to 400
people stay– On stage seating
• Survey audience special perk (NACO Week)• Online Surveys
– Beethoven festival (07/08) festival concept ideas tested and put on highly successful artistically and sold-out Mozart-Brahms festival to open 08/09
Programming and Marketing for 2008/2009
Interim results positive
Customer Relationship Management
(Process and Software)
Articulate Vision: A Customer-Centric Institution
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Adopted as 5th pillar in 2008-2013 NAC Strategic Plan
Actionable Research Design – Step 1
Actionable Research Design – Step 2
Research• Research objectives• Methodology • Implementation/
Logistics• Report of findings
Actionable Research Design – Step 3
What does it mean? insight
Ideally, a creative and collaborative process with decision-makers
Seize the Opportunity
ResearcherFacilitatorStrategistPartner
Change agent
Getting in touch
Inga Petri, CMRPPrincipalStrategic MovesOttawa, Ontario
On the go: 613-558-8433 Wired: 613-237-8433
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