www.To contact us: Email feedback@ praisecharts.com or call (800) 695-6293 Lor Wo Arran Based on the popul“I C The PraiseCharts Worship Band Series is a unique an are geared towards a contemporary “R&B horns” prThe core parts (rhythm, vocals, and brass) may be en Rhythm section: The Rhythm part is for the section play The Lead Sheet is a combination rhythm and vocal chart m includes a full piano part in “songbook format” for those nadvised to simplify this part in order to "stay out of the waVocals: We include both an SAT Lead Sheet and a SATB V melody (soprano) down an octave – any exceptions are list done as a solo. This method provides a contemporary soun Alternate keys: There is at least one alternate key includ playable key, or to make the vocal range more accessible if Other notes: Rehearsal numbers are given in the form oimpromptu changes during worship. Normally, “1” is the v section is repeated in its entirety later in the arrangement, changes. Finally, each instrumental part includes lyric cues Parts included Lead Sheet (SAT) – for worship leader and vocal team Rhythm – a more detailed chart for keyboard, guitars, a Core Worship Band instrumental parts (written Trumpet 1-2 Trumpet 3 (doubles A Alto Sax Tenor Sax 1-2 (doublTrombone 1-2 Additional Orchestral parts (these enhance the a Bass Trombone/T Bari Sax (doubles Horn 1-2 (French Flute/Oboe 1-3 Clarinet (doubles Individual string p Strings (Synth) – s Written with core brass Written as a section Written as a section praisecharts.com d, Reign In Me rds & music by Brenton Brown nged by Christopher Schopmeyer ar recording from the albums “WOW Worship Green” an Could Sing Of Your Love Forever – Vol. 1” nd growing series of arrangements by some of today’s top new aise band sound while at the same time being scalable up to a nhanced with the other parts in any combination. yer (pianist, guitarist, or drummer) with all the specific rhythms and cho eant for the vocalists, worship leader, or rhythm player needing more ot comfortable with playing from a chord chart. When playing with a c y". Vocal/Piano score. When using the SAT part (soprano/alto/tenor), the ed on the score. When the part is written in unison, the men should si nd in an easy-to-learn fashion. ded to accommodate either a keyboard-based band or a guitar-based b f necessary. f “1”, “2”, and “3”, providing the easy use of finger signals by the worsh erse of the song, “2” is the chorus, and “3” is a bridge or other section, it is labeled “1a” or “2a”, etc. All endings and repeats are clearly notat s to aid the player in keeping their place. A note on brass stylings: For most tbe interpreted with jazz articulations an have been notated very carefully to aid interpretation. d in the PraiseCharts Worship Band Series Piano/Vocal (SATB) – includes written-out pianand drums. Ac. Guitar – modified Rhythm part in appropriaas a section): Alto Sax) es Trombone) arrangement, but the Worship Band parts may also stand alon Tuba Percussion 1,2 (Timpan s Bass Trombone) Horn) 3 rd Flute) parts - Violin, Viola, Cello-Bass (note, all multi-note parts are divisi) string reduction for keyboards nd arrangers. These arrangements medium-sized church orchestra. ords necessary for the arrangement. vocal cues. The Piano, Vocal part omplete band the pianist would be baritone/basses should sing the ng it down one octave or it may be band, to give the orchestra a more hip leader who may want to make but there are exceptions. When a ed to facilitate these impromptu itles, the brass parts should nd inflections in mind. They the player in this o part and SATB vocals te capo keys ne): ni, Bells, Sus. Cym., etc)
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
www.p
To contact us:
Email feedback@
praisecharts.com or call
(800) 695-6293
LorWo
Arran
Based on the popula“I C
The PraiseCharts Worship Band Series is a unique anare geared towards a contemporary “R&B horns” praThe core parts (rhythm, vocals, and brass) may be en
Rhythm section: The Rhythm part is for the section playThe Lead Sheet is a combination rhythm and vocal chart mincludes a full piano part in “songbook format” for those noadvised to simplify this part in order to "stay out of the way
Vocals: We include both an SAT Lead Sheet and a SATB Vmelody (soprano) down an octave – any exceptions are listdone as a solo. This method provides a contemporary soun
Alternate keys: There is at least one alternate key includplayable key, or to make the vocal range more accessible if
Other notes: Rehearsal numbers are given in the form ofimpromptu changes during worship. Normally, “1” is the vsection is repeated in its entirety later in the arrangement, changes. Finally, each instrumental part includes lyric cues
Parts included Lead Sheet (SAT) – for worship leader and vocal team Rhythm – a more detailed chart for keyboard, guitars, a Core Worship Band instrumental parts (written a Trumpet 1-2 Trumpet 3 (doubles AAlto Sax Tenor Sax 1-2 (doubleTrombone 1-2 Additional Orchestral parts (these enhance the a Bass Trombone/T
Bari Sax (doublesHorn 1-2 (French
Flute/Oboe 1-3 Clarinet (doubles Individual string pStrings (Synth) – s
Written with core brass
Written as a section
Written as a section
praisecharts.com
d, Reign In Me
rds & music by Brenton Brown
nged by Christopher Schopmeyer
ar recording from the albums “WOW Worship Green” anCould Sing Of Your Love Forever – Vol. 1”
nd growing series of arrangements by some of today’s top new aise band sound while at the same time being scalable up to a mnhanced with the other parts in any combination.
yer (pianist, guitarist, or drummer) with all the specific rhythms and choeant for the vocalists, worship leader, or rhythm player needing more vot comfortable with playing from a chord chart. When playing with a cy".
Vocal/Piano score. When using the SAT part (soprano/alto/tenor), the ed on the score. When the part is written in unison, the men should si
nd in an easy-to-learn fashion.
ded to accommodate either a keyboard-based band or a guitar-based bf necessary.
f “1”, “2”, and “3”, providing the easy use of finger signals by the worsherse of the song, “2” is the chorus, and “3” is a bridge or other section,it is labeled “1a” or “2a”, etc. All endings and repeats are clearly notat
s to aid the player in keeping their place.
A note on brass stylings: For most tibe interpreted with jazz articulations anhave been notated very carefully to aid interpretation.
d in the PraiseCharts Worship Band Series
Piano/Vocal (SATB) – includes written-out pianoand drums. Ac. Guitar – modified Rhythm part in appropriat
as a section):
Alto Sax) es Trombone)
arrangement, but the Worship Band parts may also stand alon
Tuba Percussion 1,2 (Timpan
s Bass Trombone) Horn)
3rd Flute) parts - Violin, Viola, Cello-Bass (note, all multi-note parts are divisi) string reduction for keyboards
nd
arrangers. These arrangements medium-sized church orchestra.
ords necessary for the arrangement. vocal cues. The Piano, Vocal part omplete band the pianist would be
baritone/basses should sing the ng it down one octave or it may be
band, to give the orchestra a more
hip leader who may want to make but there are exceptions. When a ed to facilitate these impromptu
itles, the brass parts should nd inflections in mind. They
the player in this
o part and SATB vocals te capo keys
ne):
ni, Bells, Sus. Cym., etc)
& 44Easy Rock q = 91
FC G
Œ œ œ œ œ œ.– j– –
el. gtr. cuesFull band
’ ’ ’ ’F F
G
wC G
Œ œ œ œ œ œ.– j– – |
F
& ..1 Verse
5
ŒF œ œ .œ œ œ œC G
1. Ov -2. Ov -
erer
alleve -
thery
earth,thought,
E.G. back down
Œ œ œ .œ œ œ œF G
Youo - ver
reigneve -
onry
high,word,
Œ œ œ .œ œ œ œC G
eve -may
rymy
moun-life
tainre -
stream,flect
&8
‰ Jœ œœ œœ ..œœ œœ œœ œœF G
theeve -
beau-ryty
sun -of
setthe Lord.
sky.sing cue notes 2x
‰ jœ œœ œ .œ œ œ œAm G
'CauseButYou
mymean
onemore
re -to
quest,me
Œ œ œ .œ œ œ œF G
Lord,than
myan -
on -y
lyearth -
aim,ly
&11
˙ ‰ jœ œ œDm7
isthing,
thatso
Youwon't
E.G. back in and build œœœ œœœ œœœ œœœ œœœ œœœF G
reignYou
in me a-gain.
2 Chorus
Œf
œœœ ...œœœ œœœ œœœ œœœC G
Lord, reign in me,
Œ œœœ ...œœœ œœœ œœœ œœœF G
reign in Your pow'r.
&15
Œ œœœ œœœ ...œœœ œœœ œœœ œœœC G
O - ver all my dreams
Œ œœœ œœœ œœœ œœœ œœœF G
in my dark - est hour.
Œ œœœ œœœ œœœ œœœAm G
You are the Lord
Œ œœœ œœœ œœœ œœœF G
of all I am,
& Last X to Codaı
19
˙ ‰ jœœ œœ œœDm7
so won't You
œœœ œœœ œœœ œœœ œœœ œœœF G
reign in me a - gain.
œœœC
œ œ œ œ.– j– –
el. gtr. cues
& ..22
’ ’ ’ ’F
w1 - Repeat to verseAm G
Œ œ œ œ œ œ.– j– – to 1
’ ’ ’ ’F
w2
Am G
Œ œ œ œ œ œ.– j– –
Lead Sheet (SAT)Key: C
Lord, Reign In Me(based on the recording from the compilation album "I Could Sing of Your Love Forever (Vol. 1)")