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Logic Language Hippias

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    The Logic and Language of the Hippias MajorAuthor(s): G. M. A. GrubeSource: Classical Philology, Vol. 24, No. 4 (Oct., 1929), pp. 369-375Published by: The University of Chicago PressStable URL: http://www.jstor.org/stable/263410 .

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    THE LOGIC AND LANGUAGEOF THEHIPPIAS MAJORBY G. M. A. GRUBE

    HAVE discussedelsewhere' he generalquestionof the authentic-ity of the Hippias Major, and attempted to show that those whoclass the dialogue as spurious rely on very insufficient evidence.

    Since then Miss D. Tarrant, who takes the view that it is the work ofa pupil of Plato, has published a further article in reply to me,2 andalso an edition with commentary.3 I will not reopen the whole ques-tion here, for I think that most of my arguments still hold good, butwill confine myself to a discussion of the logical content, and of afew points of language on which I think further light can be thrown.The strongest argument for authenticity is the fact that the philo-sophical content of this little work is thoroughly Platonic. The threedefinitions of "beauty" given in the second half represent the threeaspects of the beautiful which reappear throughout the works ofPlato,4 and the harmless pleasures of 303e point to the pure pleasuresof the Republic and the Philebus. The same, I think, can be shown tobe the case in Logic.5

    CONTRIBUTION OF THE "HIPPIAS MAJOR " TO PLATO S LOGIC

    Apelt has pointed out6 that the Hippias Major might be describedas a vade mecum for the student of logic, as in the first part Hippiascommits three logical blunders, namely, confusion of the general withthe particular, failure to differentiate between abstract and concrete,I "The Authenticity of the Hippias Major," Class. Quart., July-October, 1926.2 "On the Hippias Major," Jour. Phil., Vol. XXXV (1920), and "The Authorshipof the Hippias Major," Class. Quart., April, 1927.3 The Hippias Major. Cambridge University Press, 1928.4 I have worked this out at length in my paper, "Plato's Theory of Beauty,"Monist, April, 1927.5 In spite of Lutoslawski's dogmatic assertion that the Hippias Major is one ofthose spurious works which "contain nothing which could be included in Plato'sLogic" (Growth and Development of Plato's Logic, p. 194).6 0. Apelt, Platonische Aufsatze, p. 220 n.

    [CLASSICALHILOLOGY,XIV, October, 929] 369

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    370 G. M. A. GRUBEand petitio principii, or inclusion of the term to be defined in the defi-nition.' It has also been observed that from the concrete and theparticular in the first three definitions proposed by Hippias we passon to the abstract and universal in the last three. But it is furtherworth noting that there is, even in the first part of the discussion, adefinite advance and that certain elementary errorsare cleared by theway: Hippias' first definition of "beauty," as a beautiful maiden, isplainly only a particular concrete example of beauty. When this ispointed out he proposes gold; which is, no doubt, still a particularconcrete, but it would not at once appear to be so to an untrainedmind, since gold is beautiful in combination with a large number ofdifferent things. This gives Socrates an opportunity to make plain that7rpoo-Lyvyeoatwhen applied to ideas, is not to be understood in theliteral physical sense, that the universal is not something which isadded to the particular from outside. It is natural for Hippias, whohas now at least understood that what we seek is not concrete, topropose his third answer, a happy life. For although still a particular,it is scarcely a concrete example of beauty in the same sense as thefirst two. The stupidity of Hippias is not overdone if we rememberthat at this time universal and abstract ideas were by no means gen-erally understood. In fact, the sophist is made to go through the dif-ferent stages which lead to the comprehension of the notions of ab-straction and universality. This comprehension he does not achieve,as is amply proved by his again defining "beauty" as a particular in304, and his confused criticism in 301b. But his mistakes help theauthor to dispel similar errors in the minds of his readers.The most important passage from a logical point of view, how-ever, is that in which Socrates tries to justify the definition of "beau-ty" as the pleasures of sight and hearing. It is here that we go be-yond what is found in other short Platonic dialogues. We are toldthat this definition is merely an enumeration of the kinds of pleasuresthat we call beautiful;2 a proper definition must do more-it musttell us what the quality is which these pleasures have in common, andwhich justifies us in applying a common predicate to them. This

    1291d-e.2 There is a similarly unsatisfactory defiinition of "beauty" in the Gorgias (474d),where we are told that a thing is beautiful because it is either pleasant (St' 'oviz') oradvantageous (Ot c+q5sXiav).

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    LOGICANDLANGUAGE FTHE "HIPPIASMAJOR" 371common quality is the Kowvov,nd several such KOIYa are suggested inturn:1. Theyarepleasures;-but so are all otherpleasures,whichshould henalsobe called beautiful[298c].2. To speakof all pleasuresas beautifulwould be ridiculous;-but this is noargument 299a].3. They arepleasuresof sight [8L&'/Ea];-but if this is theessenseofbeauty,the pleasuresof the ear cannot be beautiful[299e].4. They are pleasuresof the ear [&' &Ko ^]];-then pleasuresof sightcannotbe beautiful[300a].Neither of the last two suggestions will do, for we are trying to findone common quality corresponding to the epithet KaXov, not two.Socrates has also made it clear that the pleasures of eye and ear arebeautiful both separately and when they appear together, so that wemust find a quality which appears to them both together and sepa-rately.

    The argument is here interrupted by a question of Hippias: Surelyany quality that is applicable to both together must also apply toeach separately? Which comes to saying that any predicate that canbe applied to a whole must be applicable to its parts. Socrates provesthat this is not necessarily the case. "Alone," he says, "you and I areone and not two, while together we are two and not one [302a]."Though this seems obscure and artificial to us, it is really the sim-plest answer to Hippias' question. And it was an important step inthe history of logic to realize clearly that a predicate which applies totwo species or individuals when considered as a whole does not neces-sarily apply to them when considered individually, and vice versa.Having got Hippias to admit this, Socrates comes back to the mainargument as quickly as possible,' and suggests another possible KOLVOV:5. They are pleasuresof eye and ear [80 0'frEw KaL aKOTg] ;-but theni neitherkindof pleasurecanbe beautifulby itself, as neithera thingseenonly, orheardonly, affectsboth senses at once [302e].This last suggestion might be right if only those pleasant things whichare both seen and heard are beautiful, and Hippias tries to save thesituation by saying that this is the case. Socrates refutes this by an

    1The words itapKe' CO Irirta, ayair7)ra .... raira seem to imply that he was wellaware that this argument could be further developed. But he had obtainied enoughfor his immediate purpose, namely, that the common predicate he was trying to findmust be proved to apply to these two kinds of pleasure both conjointly and separately.

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    372 G. M. A. GRUBEargument which is fallacious, but which Plato probably thought valid,namely, that although it has been proved that certain predicates mayapply to two things together and not apply to them separately, beauti-ful is not such, and that if two things together are beautiful, they mustalso be individually beautiful.' Plato's mistake is not, therefore, thathe thought it worth while to establish a valuable principle of logic,that a whole may have predicates which are not applicable to itsvarious parts, but that he did not go far enough, and failed to see that"beautiful" is such a predicate. But although Socrates' argument isfallacious, he is right in rejecting the last suggestion, and the definitionof "beauty" as the pleasant to eye and ear is then definitely rejectedafter the sixth and last attempt at finding a common quality provesunsatisfactory:6. They are the most harmless pleasures [aotvEo-TaaraL]2-but harmless isidentifiedwith advantageous,and the same objectionholdsgood as wasbroughtup againstthe previousdefinitionof beautyas the advantageous

    [i'0EAX/Aov]amely that the causeof good cannotbe identicalwith it.Now in insisting in this manner that a definition must explain thecommon quality expressed by the word to be defined, Socrates fore-shadows in the Hippias Major Plato's later theory of baLpEOs,whereby, to find a proper definition of any word, we must proceed by

    division not merely according to names, but according to meaning(not Kar' ov6,uara, but car' el'8fl). Our division of pleasures into twoclasses, those of sight and hearing, on the one hand, and all otherpleasures, on the other, is unsound unless we can find a commonquality which they share and which the other pleasures do not possess.It is not enough to assert that there is such a quality, the beautiful,we must define what it is. And if we cannot do this, our division is asarbitrary as that of humanity into men and women, which is con-demned in the Republic,3as not corresponding to any fundamentaldifference (except for the purpose of procreation), or that which theGreeks are apt to make when they divide humanity into Greeks andnon-Greeks, rejected in the Politicus. This method of division is, of

    1 This is, of course, not the case. See Valentine, The Psychology of Beauty, p. 95.That Plato made this mistake is not surprising. Plotinus also thought that a beautifulwhole must be composed of beautiful parts. See Bosanquet, History of Aesthetics, p. 117.2 We also find the expression 2M5ovfis aove1s n Laws ii. 670d.3 Rep. v. 454 and 455d.

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    LOGIC AND LANGUAGE OF THE "HIPPIAS MAJOR" 373course developed in the Sophist and the Politicus,l but throughoutPlato is arguing against the same divisions that do not correspondto acommon quality, such as that of pleasure in our dialogue. It wouldseem then that the Hippias Major does contribute something to thedevelopmeut of logic, and that what it contributes is thoroughlyPlatonic.

    LINGUISTIC EVIDENCEMany of the words and expressions condemned by Miss Tarranthave been discussed in the articles referred to above. Here I will onlydeal with such points of language upon which I think further light

    can be thrown:281b: Oajutgwt" T7vOc8Eov's7T7rovsis used with the dativein Rep.i. 328c(quotedby the editor),and ab-solutelyin Lawsviii. 843b. A glanceat the lexiconswillshow that theusage of this somewhatrareandepicwordwas not fixed.281d: 6etKVELqOatis said to be "chieflypoetic,"but Liddleand Scott give fifteenproseexamples. The usualprose meaning s "to attain" (Thuc.i. 70, etc.);while in Prot.311d it must mean "to suffice,"whichis probably hemeaninghere.Aat&aXovWilamowitz,as our editornotes, says that this pointof view (i.e., thatthe workof Daedaluswould seem ridiculouscomparedwith modernlsculpture) eems un-Platonic Platon,II, 38, n. 3). It shouldbe obvi-vious that Socrates s beingironicaland that he considers he preten-sions of modern sculptors as absurd as those of Hippias (4aatv oLalVpLarTLruoLoL)O.

    282d: rTQvKaXva Hippianperiphrasisor o08Ev KaXo'v: "You'reall wrongabout this."284e: ovopaLGetv ovTrOWe are told that "this absolute use of ovo%taJtavto use words thus],with an adverb only, is not paralleled in Plato." But the identical useappears in Theaet. 201d: ovr7O- Kat ovoFuagwv. See also Theaet. 160b.285c: ra ovpavta raSrBThis use of the adjective with 7r'A is paralleledby Ion 285b,Tr&V'pavt'wvWaOlq/AnTwV.

    I See the definition of the sophist, where Plato insists that it is not the word, butthe thing itself that is to be defined (Sophist 218). Another attempt is made in 264b,where we get more information about the method e'osav avro6 rT KOLVa 7ravra b8tXovres.In the Politicus, though the details are carelessly worked out and a step is left out inrepetition (cf. 264e and Soph. 223a; also Soph. 219d and 255a), the same emphasis islaid on the necessity of a logical division KaT' eZ6b,wherein each A'poscorresponds to an'6os. See also Politicus 263b, 265a, 286d, 287e; Philebus 14e, 16 c-e).

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    374 G. M. A. GRUBE286d: dvap.axoiVJEvo0The word s transitive n Arist.andTheophr. refereneesn LiddleandScott),andmay wellbe so in Phaedo89c (VLK-O-ava/aXO/IEos .. .. ToV

    Xo'yov)s well as in Herod.v. 21 andviii. 109.2S7a: ,u TLK)XVO)For the "unique"use of this verb with a personal subject see Lysis 207e:Kat /uaXa yE 7roXXaO)XvovOrt;Laws viii. 824. Cf. Gorg.458d: To' y' OvOV&V KO)XVU.,EL7rELpOS IEC/L TOV aVTLXA7//EWVshould be translated: "I am well versed in the objections" (i.e., theobjections which the imaginary speaker would make). There is noreference to Socrates' dialectical skill.

    290a: TWOaCTrETaLaAXXAaravvhows tllat the verb is felt to be a strong one, as T7) O'VTLdoesin Rep. v. 474b.290b: OTL"to explainithe fact that"; see Euthyphro2a and Burnet's note ad loc.290d: 'HpaKXiS^The editor says, "a frequelntexclamation in comedy," anidquotes threeexamples from Aristophanes. But see Euthyphro 4a; Sympos. 213b;

    Rep. i. 337a; Meno 91c; Charm. 154d.290e: yEvvaolovis only used of food here and in Rep. ii. 372b, as far as I know; but theword is so common as to be applicable to almost anything (see Ast'sLexic. Platon.).292b: Kat E#OL"Hippias," says the editor, "shows surprising meekness in thus agree-ing witlh Socrates' judgment." But clearly, what Hippias means is"Well, if you're fool enough to thinikso, then you do deserve it."296d: a7rXASTo the references given in Class. Quart., XX, 140, add Laches 178d,Rep. i. 331c and 380d. Also for qlv' add Symp. 215e, 218a; Apol. 29e,where see Burnet's note.297e: 7racrasas 'ovaSis not cognate accusative of Xacpavywhich would indeed be an unusualconstruction, but object of 45apEvunderstood. Translate: "If we wereto say that that whieh gives us pleasure, that is not all pleasuresbut thepleasant through hearing and sight, if we were to say that this is thebeautiful.300c: Vt$s XoyWVrefers to the kind, method, or style of the discussion, as opposed to the

    subject matter, Cf. Apol. 17d: a7EXVOs OVV $EVO3 EX) TV/S 'EV9aSeXe'EO)z.

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    LOGIC AND LANGUAGE OF THE "HIPPIAS MAJOR" 375AL$s is also opposed o the matterunder discussion n Rep. iii. 400d:"I wouldindeed be ignorantof the nature of these things and of thekind of discussionwe are now holding."For derisivemeaning ee Parmen.131b.

    I would also point out that if we have here a parody of the styleof Hippias, we may naturally expect a certain number of expressionswhich are not typical of Plato to be put in the mouth of the sophist.This would account for such expressions as ov 'ob.os (284c), C_V&KOS(292b), eV'Oq5qua293a), to which the 3VoJIaM of Socrates is a naturalreply, StaVEKii (301e) (where Socrates merely repeats Hippias' word),To 6Xov roiro (288e), KV' -aara, ptr,./ara (304a), and one or tworather stilted constructions such as alraXX4aetLsavrz'v (291), 7re2roPvLasI-t T-V OvTwv 300b), X6yovKaracrra4vov (304a). Hippias also dis-plays a fondness for high-sounding adverbs (in which he is echoed bySocrates) such as cVJ36Aws287e), .ewyaXetws 291e). Also the imaginaryinterlocutor is spoken of with awe, and a few words with an epicflavor are very effective in this connection: aX&'rXws in its Homericsense of "hard-hearted" (289e), gueppepos(290e) -yeywvc-v 292d) whilethe words .'vtv (282a) and reploTo-iXXl'v (291e) are used by Hippiasin their exact sense: the former of the wrath of the gods, the latterof wrapping up a corpse. Though this admittedly leaves us with a fewunusual words, there are some such in every Platonic work, and thereseems no reason to consider this in any way sufficient to declare ourdialogue spurious.1 If we add to this the fact that the philosophiccontent is thoroughly Platonic,2 the case for authenticity seems over-whelming.

    TRINITY COLLEGETORONTO

    1This is also the opinion of Professor A. E. Taylor, whose name may therefore beadded to the list of those who uphold the genuineness of the Hippica Major. See Plato,The Man and His Work,pp. 13-14: "an unusual word or two.......21Even if one were to believe with Miss Tarrant that our dialogue contains a criti-

    cism of the ontological terminology of the Phaedo, and that the Parmenides containstraces of this criticism, it is surely more likely that this criticism should come from Platohimself than from an imaginary pupil, brought into existence for the special purpose ofsolving the difficulties of modern scholars.

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