LIVE SOUND ENGINEERING ACCELERATED PROGRAM September 2014 Intake Class Schedule LIVE SOUND ENGINEERING Entry Requirements: • Minimum age 15 years • No formal requirements • Familiar with basic computer operations Course taught in : Indonesian Registration Fee Course Fee Duration Qualification Rp 500.000,- Rp 10.000.000, - 3 Months, (2x) 3 hour / week + practical time Certificate in Live Sound Engineering Aimed at those who want to make sound engineering a career and get work in the live industry. The course includes essential in-depth theory on the principles of sound, acoustics and gain structure, and from this moves onto the equipment, components and setting you should use. There is in-depth training on patching in and using the mixing desk, understanding and using EQ, Grouping and Routing, using the matrix and record- ing a live mix. On successful completion students can develop careers in numerous areas of the live sound industry. Some examples include: - Rehearsal studios - Sound hire - Sound Installation - Music venues - Theatres - Audio equipment retail - Outside broadcast - Self employment Career options: - Stage Monitor Engineering - Front of House (FOH) Engineering - Rigging & Cabling - Virtual Stadium Mixing - and many more TBA
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LIVE SOUND ENGINEERINGACCELERATED PROGRAM
September 2014
Intake Class Schedule
LIVE SOUND ENGINEERING
Entry Requirements:
• Minimum age 15 years • No formal requirements
• Familiar with basic computer operations
Course taught in : Indonesian
Registration Fee
Course Fee
Duration
Qualification
Rp 500.000,-
Rp 10.000.000,-
3 Months, (2x) 3 hour / week + practical time
Certificate in Live Sound Engineering
Aimed at those who want to make sound engineering a career and get work in the live industry. The course includes essential in-depth theory on the principles of sound, acoustics and gain structure, and from this moves onto the equipment, components and setting you should use.
There is in-depth training on patching in and using the mixing desk, understanding and using EQ, Grouping and Routing, using the matrix and record-ing a live mix.
On successful completion students can develop careers in numerous areas of the live sound industry.
Some examples include: - Rehearsal studios- Sound hire- Sound Installation- Music venues- Theatres- Audio equipment retail- Outside broadcast- Self employment
Career options:- Stage Monitor Engineering- Front of House (FOH) Engineering- Rigging & Cabling- Virtual Stadium Mixing- and many more
TBA
Subject
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2
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5
6
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4
Session
Lecture
Method Lecturer
Syllabus
Norman Hajadi/Ozon
Lecture Norman Hajadi/Ozon
Lecture Norman Hajadi/Ozon
Lecture/Workshop Norman Hajadi/Ozon
Lecture/Workshop Norman Hajadi/Ozon
Lecture/Workshop Norman Hajadi/Ozon
Lecture
Lecture
Norman Hajadi/Ozon
Norman Hajadi/Ozon
• Live sound overview• Safe Work• Maintain Personal Safety Standards• Equipment Used in Live Sound• Role in Live Sound• Grounding requirements and safety• Signal ground, Earth and Chassis ground• Ground Loops• Single and Multiple point grounding• Floating ground• Hazardous solutions to grounding issues
• Sound Theory- Definition of Sound- Frequency- Amplitude- Wavelength- Speed of Sound- Phase
• Power Amplifiers and Crossovers- Fundamentaloperation of the Power Amplifier- Power Amplifier transistor types and class A/B/AB operation- Power Amplifier inputs and outputs- Power Amplifier bridging and daisy chaining- Speaker load impendence matching- Power Amplifierspecifications
• Loudspeakers• Loudspeakers Driver Types
- Subwoofer- Mid-Range Driver- High-Range Driver- Full Range
Mixing ConsolePower AmplifierDynamic ProcessorTime Based Processor
• Loudspeaker Management System- Fundamental operation of the activecrossover- Active crossover input/output connection- Active crossover parameter adjustment- Active crossover signal flow diagram
• LoudspeakerWorkshop
Syllabus
Lecture/Workshop
Lecture/Workshop
Subject
19
20
21
22
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Session
Method Lecturer
Norman Hajadi/Ozon
Norman Hajadi/Ozon
Lecture/Workshop Norman Hajadi/Ozon
Lecture/Workshop Norman Hajadi/Ozon
Lecture/Workshop Norman Hajadi/Ozon
Lecture/Workshop Norman Hajadi/Ozon
• Tuning the stage monitor system• Signal flow of an eight send active stage monitor system• Power ratings of a single and three phase outlets• Three phase distribution• FOH Speaker protection using a limiter• Room tuning the FOH• Acoustics Treatment in Live Sound
LECTURERS
OZONISASI - Live, Mixing & Mastering Engineer for Slank, Steven & the coconut trees, Samsons, Syaharani & the Queenfireworks, Saint Loco, Lightning Seeds (UK), Crystal Water (USA), Kerispatih and many more.
- Java Jazz Festival FOH Engineer for Kaori Kabayashi, Monday Michiru, Jose James and many more.
- Sound Reinforcement Manager at @America
NORMAN HAJADILive Sound Engineer for RAN, Raisa, Kerispatih, Seurieus, Saint Loco, Kripik Peudeus, Brandals, Nidji, Koil, Ecoutez and many more.