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Waking Life Script with Revisionsby Richard Linklater
Table of Contents (based on Waking Life DVD scene chapters)
1. Dream is Destiny 1
2. Anchors Aweigh 1
. Life Lessons 2
!. Alienation 2
". Death and Reality 1
#. $ree Will and %hysics 2
&. 'he Aging %arado( 2
). *oise + Silence 2
,. What-s the Story 2
1/. Dreams 1
11. 'he 0oly oment 2
Read my thoghts and share yor own
12. Society 3s a $rad 1
1. Dreamers 1
1!. Ants 1
1". We Are the Athors 2
1#. eet 4orself 1
1&. %erformance
1
1). 'rapped in a Dream 1
1,. Wake 5p6 1
2/. 7nd 'itles (not included here)
Waking Life: Chapter 1 - Dream is Destiny
8'wo kids 99 a girl and a boy 99 playing a game of :frog:;
5m< pick a color.
=le.
=9L9597. %ick a nmber.
7ight.
1< 2< < !< "< #< &< ). %ick one more
nmber.
1".
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1< 2< < !< "< #< &< )< ,< 1/<
11< 12< 1< 1!< 1". %ick another nmber.
Si(.
>kay. :Dream is destiny.:
???
8'he 'osca 'ango orchestra is rehearsing in a hose;
Rock ot. Rock and roll. @o strings. =egin. Sara< will yo try
that< the thing yo asked me
abot
4eah.
Will yo try it a little more sbded
>kay.
ibrato. Bst try it and see what yo think. =t what 3 want 9 3
mean< 3 want it to sond rich
and maybe almost a little wavy de to being slightly ot of
tne.
Do yo want it< m 9
3 think it shold be slightly detached.
'hat-s what 3 was wondering.
4eah< yeah< yo got it.
>kay< pick p to 2/< please.
7rik< this is a pickp to 2/.
>kay.
1< 2< .
Waking Life: Chapter - !nchors
!"eigh
8ain character walks throgh the airport and telephones
his friend 9 22.//1. 'here-s a girl there< and he sees
her.;
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0ey man< it-s me. 5m< 3 Cst got back into town. 3 thoght
maybe 3 cold bm a ride off yo
or something< bt that-s cool. 3 cold probably Cst take a
cab< something like that. 5m 99
4eah< 3 gess 3-ll hang ot with yo later< something like
that.
???
8A boat car drives p in front of the airport;
Ahoy there matey6 4o in for the long hal 4o need a
little hitch in yor get9along< a little lift on down the
line
>h< m< yeah< actally< 3 was waiting for a cab
or
something< bt if yo want to ...
All right. Don-t miss the boat.
80e gets in.; 0ey< thanks.
*ot a problem. Anchors aweigh6
So what do yo think of my little vessel She-s what we call
:see9worthy.: S9797. See with
yor eyes. 3 feel like my transport shold be an e(tension of my
personality. oila. And this
'his is like my little window to the world< and every minte
it-s a different show. *ow< 3 may
not nderstand it. 3 may not even necessarily agree with it. =t
3-ll tell yo what< 3 accept it
and Cst sort of glide along. 4o want to keep things on an even
keel 3 gess is what 3-m
saying. 4o want to go with the flow. 'he sea refses no river.
'he idea is to remain in a state
of constant departre while always arriving. Saves on
introdctions and good9byes. 'he ridedoes not reire an e(planation.
Bst occpants. 'hat-s where yo gys come in. 3t-s like yo
come onto this planet with a crayon bo(. *ow< yo may get the
)9pack< yo may get the 1#9
pack. =t it-s all in what yo do with the crayons< the colors
that yo-re given. And don-t
worry abot drawing within the lines or coloring otside the
lines. 3 say color otside the
lines. 4o know what 3 mean Eolor right off the page. Don-t bo(
me in. We-re in motion to
the ocean. We are not landlocked< 3-ll tell ya that. So where
do yo want ot
5h< who< me Am 3 first 5m< 3 don-t know. Really<
anywhere is fine.
Well< Cst 99 Cst give me an address or something< okay
5h 99
8'he gy sitting ne(t to him in the back seat speaks p; 'ell yo
what< go p three more
streets< take a right< go two more blocks< drop this gy
off on the ne(t corner.
Where-s that
Well 3 don-t know either< bt it-s somewhere< and it-s
going to determine the corse of the rest
of yor life. All ashore that-s going ashore. 0a ha ha ha ha.
'oot< toot.
???
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8ain character gets ot< sees a note on the grond< it says
look to
yor right< and he does and gets hit by a car. 0e wakes p and
gains
color< dresses< eats. @oes to class. %hilosophy professor
is lectring.;
Waking Life: Chapter # - Life Lessons
8%hilosophy professor Robert Solomon< at the 5niversity of
'e(as at Astin;
'he reason why 3 refse to take e(istentialism as Cst another
$rench fashion or historical
criosity is that 3 think it has something very important to
offer s for the new centry. 3-m
afraid we-re losing the real virtes of living life
passionately< sense of taking responsibility for
who yo are< the ability to make something of yorself and
feeling good abot life.
7(istentialism is often discssed as if it-s a philosophy of
despair. =t 3 think the trth is Cstthe opposite. Sartre once
interviewed said he never really felt a day of despair in his life.
=t
one thing that comes ot from reading these gys is not a sense of
angish abot life so mch
as a real kind of e(berance of feeling on top of it. 3t-s like
yor life is yors to create. 3-ve
read the postmodernists with some interest< even admiration.
=t
when 3 read them< 3 always have this awfl nagging feeling
that
something absoltely essential is getting left ot. 'he more that
yo
talk abot a person as a social constrction or as a conflence
of
forces or as fragmented or marginaliFed< what yo do is yo
open p
a whole new world of e(cses. And when Sartre talks abot
responsibility< he-s not talking abot something abstract.
0e-s not
talking abot the kind of self or sol that theologians wold
argeabot. 3t-s something very concrete. 3t-s yo and me talking.
aking
decisions. Doing things and taking the conseences. 3t might be
tre that there are si( billion
people in the world and conting. *evertheless< what yo do
makes a difference. 3t makes a
difference< first of all< in material terms. akes a
difference to other people and it sets an
e(ample. 3n short< 3 think the message here is that we shold
never simply write orselves off
and see orselves as the victim of varios forces. 3t-s always or
decision who we are.
???
8A blonde woman is talking in a hose 9 Gim GriFan<
screenwriter;
Ereation seems to come ot of imperfection. 3t seems to come ot
of a striving and a
frstration. And this is where 3 think langage came from. 3
mean< it came from or desire to
transcend or isolation and have some sort of connection with one
another. And it had to be
easy when it was Cst simple srvival. Like< yo know<
:water.: We came p with a sond for
that. >r :Saber9toothed tiger right behind yo.: We came p
with a sond for that. =t when
it gets really interesting< 3 think< is when we se that
same system of symbols to commnicate
all the abstract and intangible things that we-re e(periencing.
What is< like< frstration >r
what is anger or love When 3 say :love
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what we perceive cannot be e(pressed. 3t-s nspeakable. And
yet< yo know< when we
commnicate with one another< and we feel that we-ve
connected< and we think that we-re
nderstood< 3 think we have a feeling of almost spirital
commnion. And that feeling might
be transient< bt 3 think it-s what we live for.
???
8A very intense man is talking in front of a fish tank<
gestring wildly 9 7amonn 0ealyh< yeah< definitely. $or
e(ample< 3 wake p and it is 1/H12< and then 3 go back to
sleep and 3
have those long< intricate< beatifl dreams that seem to
last for hors< and then 3 wake p and
it-s ... 1/H1.
4eah< e(actly. So then si( to twelve mintes of brain
activity< 3 mean< that cold be yorwhole life. 3 mean< yo
are that woman looking back over everything.
>kay< so what if 3 am 'hen what wold yo be in all that
Whatever 3 am right now. 3 mean< yeah< maybe 3 only e(ist
in yor mind. 3-m still Cst as real
as anything else.
4eah. 3-ve been thinking also abot something yo said.
What-s that
Bst abot reincarnation and where all the new sols come from over
time. 7verybody always
say that they-ve been the reincarnation of Eleopatra or
Ale(ander the @reat. 3 always want to
tell them they were probably some dmb fck like everybody else. 3
mean< it-s impossible.
'hink abot it. 'he world poplation has dobled in the past !/
years< right So if yo really
believe in that ego thing of one eternal sol< then yo have
only "/J chance of yor sol
being over !/. And for it to be over 1"/ years old< then it-s
only one ot of si(.
Right< so what are yo saying 'hat reincarnation doesn-t
e(ist< or that we-re all yong sols
like where half of s are first rond hmans
*o< no. What 3-m trying to say is that somehow 3 believe
reincarnation is Cst a 9 a poetic
e(pression of what collective memory really is. 'here was this
article by this biochemist that 3
read not long ago< and he was talking abot how when a member
of or species is born< it has
a billion years of memory to draw on. And this is where we
inherit or instincts.
3 like that. 3t-s like there-s this whole telepathic thing going
on that we-re all a part of< whether
we-re conscios of it or not. 'hat wold e(plain why there are all
these< yo know< seemingly
spontaneos< worldwide< innovative leaps in science< in
the arts. 4o know< like the same
reslts poppin- p everywhere independent of each other. Some gy
on a compter< he figres
something ot< and then almost simltaneosly a bnch of other
people all over the world
figre ot the same thing. 'hey did this stdy. 'hey isolated a
grop of people over time< andthey monitored their abilities at
crossword pFFles< right< in relation to the general
poplation.
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And they secretly gave them a day9old crossword< one that
had
already been answered by thosands of other people< right. And
their
scores went p dramatically< like 2/ percent. So it-s like
once the
answers are ot there< people can pick p on -em. 3t-s like
we-re all
telepathically sharing or e(periences.
???
8@y with red face is in Cail.;
3-ll get yo motherfckers if it-s the last thing 3 do. >h<
yo-re going to pay for what yo did to
me. $or every second 3 spend in this hellhole< 3-ll see yo
spend a year in living hell6 >h< yo
fcks are going to beg me to let yo die. *o< no< not yet. 3
want yo cocksckers to sffer.
>h< 3-ll fi( yor fckin- asses all right. aybe a long
needle in yor eardrm. A hot cigar in
yor eye. *othin- fancy. Some molten lead p the ass. >oh6
>r< better still< some of that old
Apache shit. Et yor eyelids off. 4eah. 3-ll Cst listen to yo
fcks screamin-. >h< what sweet
msic that-ll be. 4eah< 3-ll do it in a hospital. With doctors
and nrses so yo pricks don-t dieon me too ick. 4o know the best
part 'he best part is yo dick9smokin- faggots will have
yor eyelids ct off< so yo-ll have to watch me do it to yo<
yeah. 4o-ll see me bring that
cigar closer and closer to yor wide9open eyeball till yo-re
almost ot of yor mind. =t not
ite -case 3 want it to last a long< long time. 0h. 3 want yo
to know that it-s me< that 3-m
the one who is doing it to yo. e6 And that sissy psychiatrist
What nmitigated ignorance6
'hat old drnken fart of a Cdge6 What a pompos ass6 Bdge not lest
ye be Cdged6 All of yo
pkes are gonna die the day 3 get ot of this shithole6 3 garantee
yo-ll regret the day yo
ever met me6
???
Waking Life: Chapter ' - ree Will and hysics
8%hilosopher professor talking in his office 9 5niversity of
'e(asH Astin philosophy professor
David Sosa;
3n a way< in or contemporary world view< it-s easy to
think that science has come to take the
place of @od. =t some philosophical problems remain as trobling
as ever. 'ake the problem
of free will. 'his problem has been arond for a long time<
since before Aristotle in "/ =.E.
St. Agstine< St. 'homas Ainas< these gys all worried abot
how we can be free if @od
already knows in advance everything yo-re gonna do. *owadays we
know that the world
operates according to some fndamental physical laws< and
these laws govern the behavior of
every obCect in the world. *ow< these laws< becase they-re
so trstworthy< they enable
incredible technological achievements. =t look at yorself. We-re
Cst physical systems tooh< well< it-s Cst an historical
anecdote. 3t-s sophomoric. 3t-s a estion with no answer. Bst
forget abot it.: =t the estion keeps staring yo right in the
face. 4o think abot
individality for e(ample< who yo are. Who yo are is mostly a
matter of the free choices
that yo make. >r take responsibility. 4o can only be held
responsible< yo can only be
fond gilty< or yo can only be admired or respected for things
yo did of yor own freewill. So the estion keeps coming back< and
we don-t really have a soltion to it. 3t starts to
look like all or decisions are really Cst a charade.
'hink abot how it happens. 'here-s some electrical activity in
yor brain. 4or nerons fire.
'hey send a signal down into yor nervos system. 3t passes along
down into yor mscle
fibers. 'hey twitch. 4o might< say< reach ot yor arm. 3t
looks like it-s a free action on yor
part< bt every one of those 9 every part of that process is
actally governed by physical law. Cob
of Slavery< 3ncorporated6 'he trth is ot there in front of
yo< bt they lay ot this bffet oflies. 3-m sick of it< and 3-m
not going to take a bite ot of it6 Do yo got me Resistance is
not
ftile. We-re gonna win this thing. 0mankind is too good6 We-re
not a bnch of
nderachievers6 We-re gonna stand p and we-re gonna be hman
beings6 We-re gonna get
fired p abot the real things< the things that matterH
creativity and the dynamic hman spirit
that refses to sbmit6 Well that-s it6 'hat-s all 3 got to say6
3t-s in yor cort.
???
8>ld man sitting at a table. >tto 0ofmann.;
'he est is to be liberated from the negative< which is really
or own will to nothingness.
And once having said yes to the instant< the affirmation is
contagios. 3t brsts into a chain of
affirmations that knows no limit. 'o say yes to one instant is
to say yes to all of e(istence.
???
8African9American writer Aklil @ebrewold;
'he main character is what 3 call :the mind:. 3ts mastery<
its capacity to represent.
'hroghot history< attempts have been made to contain those
e(periences which happen at
the end of the limit where the mind is vlnerable. =t 3 think we
are in a very significantmoment in history. 'hose moments< those
what yo might call liminal< limit< frontier< edge
Fone e(periences are actally now becoming the norm. 'hese
mltiplicities and distinctions
and differences that have given great difficlty to the old mind
are actally throgh entering
into their very essence< tasting and feeling their nieness.
>ne might make a breakthrogh
to that common something that holds them together.
And so the main character is< to this new mind<
greater< greater mind. A mind that yet is to be.
And when we are obviosly entered into that mode< yo can see a
radical sbCectivity< radical
attnement to individality< nieness to that which the mind
is< opens itself to a vast
obCectivity. So the story is the story of the cosmos now. 'he
moment is not Cst a passing
empty nothing< yet 9 and this is the way in which these
secret passages happen 9 yes< it-sempty with sch fllness that
the great moment< the great life of the niverse< is plsating
in
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it. And each one< each obCect< each place< each act
leaves a mark. And that story is singlar.
=t< in fact< it-s story after story.
???
Waking Life: Chapter * - The !ging arado+
8'wo women are having lnch 9 7nglish professor Lisa oore and
athor Earole Dawson;
'ime Cst dissolves into ick9moving particles that are swirling
away. 7ither 3-m moving fast
or time is. *ever both simltaneosly.
3t-s sch a strange parado(. 3 mean< while< technically<
3-m closer to the end of my life than
3-ve ever been< 3 actally feel more than ever that 3 have all
the time in the world. When 3 wasyonger< there was a
desperation< a desire for certainty< like there was an end to
the path< and
3 had to get there.
3 know what yo mean< becase 3 can remember thinking<
:>h< someday< like in my mid9
thirties maybe< everything-s going to Cst somehow gel and
settle< Cst end.: 3t was like there
was this platea< and it was waiting for me< and 3 was
climbing p it< and when 3 got to the
top< all growth and change wold stop. 7ven e(hilaration. =t
that hasn-t happened like that =7@3* A@A3* ... $R> '07
=7@3**3*@:
is placed on the screen. A yong male-s face is flashed on the
screen< and the proCector rnsot of film.;
???
8ain character sitting with a man in a barrestarant. 5niversity
of 'e(as at Astin
philosophy professor Lois ackey.;
'here are two kinds of sfferers in this worldH those who sffer
from a lack of life and those
who sffer from an overabndance of life. 3-ve always fond myself
in the second category.
When yo come to think of it< almost all hman behavior and
activity is not essentially any
different from animal behavior. 'he most advanced technologies
and craftsmanship bring skay.
8ain character grabs the remote and begins changing the channels
on '.;
... bareback riding. Eopenhagen William and his horse Same
Deal.
... for a hat band. Sew it into the inside of the ...
$or 3 do not await the ftre< anticipating salvation<
absoltion< not even enlightenment
throgh process. 3< 3 sbscribe to the premise that this ...
this flawed perfection is sfficientand complete in every single
ineffable moment.
'he =londe =ee< the $irefly< %raying antis ...
... lnatic macaroni mnchkin with my googat ...
... venerable tradition of sorcerers< shamans and other
visionaries who have developed and
perfected the art of dream travel< the so9called lcid dream
state where by consciosly
controlling yor dreams< yo-re able to discover things beyond
yor capacity to apprehend in
yor awake state.
... series< winning back9to9back ...
... why don-t yo tell s abot what $eli( is doing ...
... a single ego is an absrdly narrow vantage from which to view
this ... this e(perience. And
where most consider their individal relationship to the
niverse< 3 contemplate
relationships ... of my varios selves to one another.
While most people with mobility problems are having troble Cst
getting arond< at age ,2h< a lot of people< a lot of
talking. 4o know< some of it was kind of absrdist< like from
a
strange movie or something. ostly it was Cst people going off
abot whatever< really
intensely. 3 woke p wondering where did all this stff come
from
4o can control that yo know.
Do yo have these dreams all the time
0ell< yeah. 3-m always going to make the best of it. =t the
trick is< yo got to realiFe that
yo-re dreaming in the first place. 4o got to be able to
recogniFe it. 4o got to be able to ask
yorself< :0ey man< is this a dream: See< most people
never ask themselves that when
they-re awake< or especially when they-re asleep. Seems like
everyone-s sleep9walking throgh
their waking state< or wake9walking throgh their dreams.
7ither way< they-re not going to get
mch ot of it.
'he thing that snapped me into realiFing 3 was dreaming was<
h< was my digital clock. 3
coldn-t really read it. 3t was like the circitry was all screwed
p or something.
4eah< that-s real common. And small printed material is
pretty togh too. ery nstable.
Another good tip9off is trying to adCst light levels. 4o can-t
really do that. 3f yo see a light
switch nearby< trn it on and off and see if it works. 'hat-s
one of the few things yo can-t do
in a lcid dream. What the hell. 3 can fly arond< have an
interesting conversation with Albert
SchweitFer. 3 can e(plore all these new dimensions of
reality< not to mention 3 can have any
kind of se( 3 want< which is way cool. So 3 can-t adCst light
levels. So what
=t that-s like one of the things that yo do to test if yo-re
dreaming or not< right
4eah< like 3 said< yo can totally train yorself to
recogniFe it. 3 mean Cst hit a light switch
every now and then. 3f the lights are on< and yo can-t trn
them off< then most likely yo-re
dreaming. And then yo can get down to bsiness. And believe
me< it-s nlimited. 0ey< yo
know what 3-ve been working on lately
What-s that
>h man< it-s way ambitios< bt 3-m getting better at it.
4o-re going to dig this. 'hree9si(ty
vision< man. 3 can see in all directions. %retty cool<
hh
4eah< man. Well< 3 got to go man.
>kay< later man. Sper profndo on the early eve of yor
day.
What-s that mean
Well< yo know< 3-ve never figred it ot. aybe yo can. 'his
gy always whispers it in my
ear. Lois. 0e-s a reoccrring dream character.
8ain character trns the light switch on and off as he-s leaving
9 ! and a half times 9 and the
light stays on. >ther gy shrgs his sholders. ain character
begins and contines floating
throgh to the ne(t part.;
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Waking Life: Chapter 11 - The 3oly
4oment
8We enter a movie theatre where< on the screen< we see a
film of two
men who are talking with one another. 'he first speaker is
filmmakerEaveh Mahedi 9 to the right in the image below 9 and the
second is
poet David Bewell.;
'07 0>L4 >7*'
Einema< in its essence< is< well it-s abot an
introdction to reality< which is that< like< reality
is actally reprodced. And for him< it might sond like a
storytelling medim< really. And he
feels like< m ... like ... like ... like literatre is better
for telling a story. 4o know< and if yo
tell a story or even like a Coke< like yo know :'his gy walks
into a bar and< yo know< he
sees a dwarf.: 'hat works really well becase yo-re imagining
this gy and this dwarf in the
bar and there-s this kind of imaginative aspect to it. =t in
film< yo don-t have that becaseyo actally are filming a specific
gy< in a specific bar< with a specific dwarf< of a
specific
height< who looks a certain way< right
So like< m< for =aFin< what the ontology of film has to
do is it has to deal with< yo knowbviosly< there-s
narrativity to cinema -case it-s in
time< Cst the way there-s narrativity to msic. =t< yo
know< yo don-t first think of the storyof the song< and then
make the song. 3t has to come ot of that moment. And that-s what
film
http://strivinglife.com/words/post/Waking-Life-Chapter-11---The-Holy-Moment.aspxhttp://strivinglife.com/words/post/Waking-Life-Chapter-11---The-Holy-Moment.aspxhttp://strivinglife.com/words/post/Waking-Life-Chapter-11---The-Holy-Moment.aspxhttp://strivinglife.com/words/post/Waking-Life-Chapter-11---The-Holy-Moment.aspx
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has. 3t-s Cst that moment< which is holy. 4o know< like
this moment< it-s holy. =t we walk
arond like it-s not holy. We walk arond like there-s some holy
moments and there are all the
other moments that are not holy< right< bt this moment is
holy< right And if film can let s
see that< like frame it so that we see< like< :Ah<
this moment. 0oly.: And it-s like :0oly< holyn the way to
discovering what we love< we will find everything we hate<
everything that
blocks or path of what we desire.
'he comfort will never be comfortable for those who seek what is
not on the market.
A systematic estioning of the idea of happiness.
We-ll ct the vocal chords of every empowered speaker. We-ll yank
the social symbols
throgh the looking glass We-ll devale society-s crrency.
'o confront the familiar.
Society is a frad so complete and venal that it demands to be
destroyed beyond the power of
memory to recall its e(istence.
Where there is fire< we will carry gasoline.
'o interrpt the continm of everyday e(perience and all the
normal e(pectations that go
with it.
'o live as if something actally depended on one-s actions.
'o rptre the spell of the ideology of the commodified consmer
society so that or
repressed desires of a more athentic natre can come forward.
'o demonstrate the contrast between what life presently is and
what it cold be.
'o immerse orselves in the oblivion of actions and know we-re
making it happen.
'here will be an intensity never before known in everyday life
to e(change love and hate< life
and death< terror and redemption< replsions and
attractions.
An affirmation of freedom so reckless and nalified< that it
amonts to a total denial of
every kind of restraint and limitation.
???
8'he same for gys see an old man p on a telephone pole.;
0ey< old man< what yo doin- p there
Well< 3-m not sre.
4o need any help getting down< sir
*o< don-t think so.
Stpid bastard.
*o worse than s. 0e-s all action and no theory. We-re all theory
and no action.
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???
8'he same for gys see an old man sitting at a bench;
Why so glm< r. Debord
What was missing was felt irretrievable. 'he e(treme
ncertainties of sbsisting withot
working made e(cesses necessary and breaks definitive. 'o ote
StevensonH :Sicide carried
off many. Drink and the devil took care of the rest.:
???
Waking Life: Chapter 1# - Dreamers
8ain character is walking along railroad tracks< beside a
train. A gy Cmps ot of the train
with a :$ree Radio: t9shirt on;
0ey.
0ey.
4o a dreamer
4eah.
0aven-t seen too many arond lately. 'hings have been togh lately
for dreamers. 'hey say
dreaming-s dead< that no one does it anymore. 3t-s not
dead< it-s Cst been forgotten. Removedfrom or langage. *o one
teaches it so no one knows it e(ists. 'he dreamer is banished
to
obscrity. Well 3-m trying to change all that< and 3 hope yo
are too. =y dreaming every day.
Dreaming with or hands and dreaming with or minds. >r planet
is facing the greatest
problems it-s ever faced. 7ver. So whatever yo do< don-t be
bored. 'his is absoltely the most
e(citing time we cold have possibly hoped to be alive. And
things are Cst starting.
???
8ain character is walking with a thin looking boy< who
gradally trns into something else
as he talks.;
A thosand years is bt an instant. 'here-s nothing new<
nothing different. 'he same pattern
over and over. 'he same clods< the same msic< the same
insight 3 felt an hor or an eternity
ago. 'here-s nothing here for me now< nothing at all. *ow 3
remember. 'his happened to me
before. 'his is why 3 left. 4o have begn to find yor answers.
Althogh it will seem
difficlt< the rewards will be great. 7(ercise yor hman mind
as flly as possible< knowing it
is only an e(ercise. =ild beatifl artifacts< solve
problems< e(plore the secrets of the
physical niverse< savor the inpt from all the senses< feel
the Coy and sorrow< the laghter