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Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex retina: four comparisons of rod-based and cone-based vision Dark adaptation and pigment bleaching Light adaptation: Weber’s Law The response of visual neurons
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Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Dec 18, 2015

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Alisha Wilcox
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Page 1: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Light and dark adaptation• The range of light levels over which we can

see

• Why do we need adaptation?

• The design problem

• Role of pupil changes

• The duplex retina: four comparisons of rod-based and cone-based vision

• Dark adaptation and pigment bleaching

• Light adaptation:

Weber’s Law

The response of visual neurons

Page 2: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Luminance and retinal illumination

The range of luminances (left) and retinal illumination (right)found in the natural world

Sun

Fluorescent light/bulbs

White paper, full sunlightCandle flame

Comfortable reading

Print read with difficultyWhite surface, moonlightThreshold for cone vision

White surface, moonless nightVisual threshold

Page 3: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Rod and cone operating ranges

cone vision

day

LUMINANCE RANGE

rod vision

Page 4: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Light reflected from a surface under low and high illumination

The ratio of light intensities reflected from the white surround and the black letter is 9:1 under both low and high illuminations.

Page 5: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Consider and comment:

A white page inside a room reflects less light than a black stone on a sunny beach, yet the page looks white and the stone looks black

Page 6: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

The sensations of blackness and lightness depend on the contrast of the stimulus, not on the absolute amount of light reflected off any one part of it.

Page 7: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Luminance difference between ‘L’ and background = 80 units 8000 units

Background = 90 units 9000 units

Response Difference/Background 80/90 (89%) 8000/9000 (89%)

Page 8: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

A piece of white paper that is dimly lit (A) looks white because its luminance lies at the top of its local scale, even though this luminance may be less than that of a piece of black paper that is brightly lit (B).

log illuminance

log lu

min

ance

The eye’s sliding scale of brightness

Page 9: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Mechanisms that enable us to see over a wide range of light

intensities:• Pupil changes

• Duplex retina: rods & cones

• Dark adaptation & pigment bleaching

• Light adaptation of the visual system

and individual neurons (Webers Law)

Page 10: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Rods & cones: 4 key differences between scotopic and photopic

vision

• Contrast sensitivity

• Distribution of rods and cones

• Spectral sensitivity of rods and cones

• Sensitivity to light of rods and cones.

Page 11: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

1. Contrast sensitivity functions at three different light levels

Spatial Frequency (cycles/mm on retina)

Spatial frequency (cycles/degree)S

en

siti

vit

y (

1/t

hre

shold

con

trast

)

Page 12: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

2. Distribution of rods and cones

visual eccentricity (deg)

spatial density(cells/square mm) macula lutea

conesrods

retinal eccentricity (mm)

Page 13: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Convergence

receptors130 million

bipolars20 million

ganglion cells1 million

optic nerve fibres

Page 14: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

3. Spectral sensitivity curves for rod and cone vision

Rela

tive s

en

siti

vit

y

Wavelength (nm)

Page 15: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Purkinje effect

• A shift in the colour appearance at dusk.

• Reds look darker, blues look brighter

Page 16: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

4. Sensitivity to light of rods & cones: Dark Adaptation

LowLo

g.

lig

ht

se

nsi

tivit

y

High

Time in dark (min)

7 minutes

Page 17: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Duplex function

• 1. Rods are more sensitive than cones (x50)

• 2. There are more rods than cones (x10)

• 3. Ganglion cells have larger RFs for rods than cones (i.e. more post-receptoral summation)

Page 18: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Dark adaptation curves

LowLo

g.

lig

ht

se

nsi

tivit

y

High

Time in dark (min)

ConesRods

Page 19: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

The “design” problem

• To detect differences in luminances across the visual scene

• Scale the response to these differences according to the ambient light level

In solving the problem, we must:

1. Have good sensitivity to luminance differences

2. Be able to operate across a wide range of ambient light levels

3. Cope with a limited neural response range

Page 20: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Contrast sensitivity and operating range

Large operating range but poor contrast sensitivity

Relative light intensity Intensity

Bri

ghtn

ess

Bri

ghtn

ess

Good contrast sensitivity but small operating range

Page 21: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Increment threshold curve

WEBER’S LAW

Log background intensity (I)

Log

in

crem

en

t th

resh

old

(d

elt

a I)

Page 22: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Weber’s Law

∆ I/I = constant

• Our sensation is determined by the percentage difference in the luminance of a surface relative to its background

• This holds over a wide range of background (ambient) luminances

Page 23: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

I1 I2 I3R

esp

on

se (

ips)

1 1.5 10 15 100 150

Flash intensity log

Mean light levels

I I

I = 0.5 I = 5 I = 50

A single neuron can shift its operating range according to the mean light level. The light increment (delta I) required to obtain a criterion response is scaled up or down, according to the mean light level. This is known as GAIN CONTROL.

Page 24: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Ganglion cell adaptation

Page 25: Light and dark adaptation The range of light levels over which we can see Why do we need adaptation? The design problem Role of pupil changes The duplex.

Receptoral adaptation