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Let’s magnify the critical bit.

Dec 31, 2015

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Let’s magnify the critical bit. Edges are important. Inferring edges. Subjective contours. Read me…. Shadow letters are surprisingly easy to read. Minimal shadow can give you faces. http://www.techfak.uni-bielefeld.de/ags/ni/projects/cognitivrobot/eyetrack/eye_concept.html. - PowerPoint PPT Presentation
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Page 1: Let’s magnify the critical bit.
Page 2: Let’s magnify the critical bit.

Let’s magnify

the critical

bit.

Page 3: Let’s magnify the critical bit.

Edges are important

Page 4: Let’s magnify the critical bit.

Inferring edges

Subjective contours

Page 5: Let’s magnify the critical bit.

Read me…...

Page 6: Let’s magnify the critical bit.
Page 7: Let’s magnify the critical bit.

C O WC O W

Page 8: Let’s magnify the critical bit.
Page 9: Let’s magnify the critical bit.
Page 10: Let’s magnify the critical bit.
Page 11: Let’s magnify the critical bit.

C O WC O W

Shadow letters are Shadow letters are surprisingly easy to read.surprisingly easy to read.

Page 12: Let’s magnify the critical bit.

http://www.techfak.uni-bielefeld.de/ags/ni/projects/cognitivrobot/eyetrack/eye_concept.html

Minimal shadow can give you faces

Page 13: Let’s magnify the critical bit.

http://www.techfak.uni-bielefeld.de/ags/ni/projects/cognitivrobot/eyetrack/eye_concept.html

If you obey the rules

inversion

Page 14: Let’s magnify the critical bit.

http://www.techfak.uni-bielefeld.de/ags/ni/projects/cognitivrobot/eyetrack/eye_concept.html

What is the problem here?

Page 15: Let’s magnify the critical bit.

http://www.techfak.uni-bielefeld.de/ags/ni/projects/cognitivrobot/eyetrack/eye_concept.html

Weird color is no problem

But shadow must be darker

Page 16: Let’s magnify the critical bit.

W h ic h g r a y l in e i s a l i k e l y

c o n t i n u a t i o n o f t h e b la c k

l i n e ?

g o o d b e t

n o t b a d

m a y b e

n o t l i k e l y

Page 17: Let’s magnify the critical bit.
Page 18: Let’s magnify the critical bit.
Page 19: Let’s magnify the critical bit.

g o o d b e t

n o t b a d

Page 20: Let’s magnify the critical bit.

W h ic h g r a y l in e is a l i k e ly

c o n t in u a t io n o f t h e b la c k

l in e ?

g o o d b e t

n o t b a d

m a y b e

n o t l i k e l y

Page 21: Let’s magnify the critical bit.

WHAT IS THIS?

Page 22: Let’s magnify the critical bit.

Does this seem likely?

Page 23: Let’s magnify the critical bit.

This seems more likely

“Good continuation”

Page 24: Let’s magnify the critical bit.

Depth Cues

From 2D-3D

Page 25: Let’s magnify the critical bit.

Occlusion

Page 26: Let’s magnify the critical bit.

Is this likely?

Page 27: Let’s magnify the critical bit.

Size

Page 28: Let’s magnify the critical bit.

Texture

Page 29: Let’s magnify the critical bit.

Relative position (height in field)

Page 30: Let’s magnify the critical bit.

Here is why it works

Page 31: Let’s magnify the critical bit.

You don’t need to recognize the objects

Page 32: Let’s magnify the critical bit.

Areal Perspective (haze)

The misty mountains far away

Page 33: Let’s magnify the critical bit.

Linear Perspective

Vanishing point

Page 34: Let’s magnify the critical bit.

Linear Perspective?

Where is the vanishing point?

Page 35: Let’s magnify the critical bit.

Linear Perspective?

These local bits don’t add up

Page 36: Let’s magnify the critical bit.

Linear Perspective?

These add up…ambiguously

Page 37: Let’s magnify the critical bit.

ShadowsShadows

But where is the sun?

Page 38: Let’s magnify the critical bit.

And let’s not forget

Stereopsis,Vergence,

andMotion parallax