High Renaissance: Leonardo: The Virgin of the Rocks Painting as an instrument of knowledge relationship human-nature Monalisa Michelangelo: David Classicism and politics Sistine Chapel the artist as genius - the artwork as divine creation Raphael: the School of Athens the history of knowledge a rational choice Durer Reformation and the Reproduction of the work of art
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Leonardo: High Renaissance: The Virgin of the Rocks Monalisa · The Virgin of the Rocks ... knowledge relationship human-nature Monalisa Michelangelo: David Classicism and politics
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High Renaissance:Leonardo:
The Virgin of the Rocks
Painting as an instrument of
knowledge
relationship human-nature
Monalisa
Michelangelo:
David
Classicism and politics
Sistine Chapel
the artist as genius - the artwork
as divine creation
Raphael:
the School of Athens
the history of knowledge
a rational choice
Durer
Reformation and the
Reproduction of the work of art
Leonardo da
Vinci, Virgin
of the Rocks,
ca. 1485, oil
on wood
new High-Renaissance concept of artist-
genius
botany, geology, geography, cartography, zoology,
military engeneering, animal lore, anatomy, and aspect
of physical science, including hydraulics and mechanics
Leonardo da
Vinci, Virgin
of the Rocks,
ca. 1485, oil
on wood
Painting as instrument of
knowledge
reality continuously changing
Leonardo’s great ambition discover
the laws underlying the flux of
nature
1474 1508-191483
1506
Connoisseurship: A term derived from the
French word connoisseur, meaning "an expert."
and signifying the study and evaluation of art
based primarily on formal, visual, and stylistic
analysis. A connoisseur studies the style and technique
of an object to deduce its relative quality
and possible maker.This is done through visual
association with other, similar objects and styles.