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Leica M Catalogus 2013_Eng

Mar 30, 2016

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Page 1: Leica M Catalogus 2013_Eng

LEICA M - SYSTEM the�most�advanced�generation�ever.

Page 2: Leica M Catalogus 2013_Eng

Editorial� 04

lEica�camEra�aG� 06

lEica�rEPortaGE� 10Unknown�Kyrgysztan.� 12Happy�anniversary,�Bishkek.� 28country�life�–�far�from�idyllic.� 42Feathered�hunting�aids.� 52Haggling,�Kyrgyz-Style.� 64an�ancient�craft�with�a�long�tradition.� 74Home�is�where�the�yurt�is.� 86

lEica�m-SYStEm� 16

lEica�m� 30

lEica�m-E� 44

lEica�m�moNocHrom� 54

lEica�m7/mP�� 66

lEica�À�la�cartE� 72

m�-�SYStEm�lENSES� 76

m�-�SYStEm�EXtraS� 102

m�-�SYStEm�tEcHNical�data� 120

lEica�camEraS�aNd�SPort�oPticS� 132

coNtENtS

Page 3: Leica M Catalogus 2013_Eng

top:�Bishkek,�ala-too�Square�in�march�2000.�Under�the�eyes�of�lenin�–�preparations�for�the�122nd�anniversary�of�the�city’s�foundation.�Bottom:�Bishkek,�ala-too�Square,�12�years�later�–�preparations�for�the�134th�birthday�of�the�capital�city�around�the�new�monument�to�manas,�the�Kyrgyz�national�hero.

dear�friend�of�leica,

Unlike�any�other�camera,�the�leica�m�embodies�a�uniquely�individual�approach�to�photography.�it�is�and�always�has�been�an�exquisite�instrument�that�enables�you�to�experience�a�unique�view�of�life.�a�leica�m�gives�photo�g�raphers�complete�creative�freedom,�while�also�maximising�their�options�to�achieve�their�own�vision�of�the�perfect�picture.�For��photographs�that�have�the�capacity�to�capture�the�otherwise�hidden�or�unnoticed�aspects�of�life.

Since�the�introduction�of�the�rangefinder�principle�in�1954,�photojournalists�and�photographic�artists�have��influenced�our�image�of�the�world�with�their�discreet,�fast�leica�m-cameras.�rangefinder�cameras�are�ideal�for��taking�vibrant,�authentic�images�of�events�as�they�happen,�and�many�photographers�have�benefited�from�this,�including�those�from�the�world’s�first�independent�photo�agency,�magnum,�founded�in�1947�by�legendary�photog�rapher�Henri�cartier-Bresson�and�others.�then�as�now,�members�of�magnum�believed�that�photographers�must�have�a�perspective�in�their�imagery�that�transcends�a�simple,�clichéd�recording�of�reality.

We�are�therefore�particularly�pleased�that�it�is�once�again�a�magnum�photographer,�Jean�Gaumy,�who�added�the�new�leica�m,�the�latest�milestone�in�the�history�of�leica�m-cameras,�to�his�luggage�on�his�most�recent�trip.�His�unusual�destination�fulfilled�the�promise�of�unusual�pictures.�look�forward�to�seeing�an�example�of�documentary�photography�that�shows�how�individual�moments�can�become�chapters�in�a�living�story:�absolute�authenticity,�straight�from�the�heart�of�life�itself.�

Yours,leica�camera�aG�

� lEica�Editorial� i� 05�

Page 4: Leica M Catalogus 2013_Eng

� lEica�camEra�aG� i� 07�� 06� i� lEica�camEra�aG

Leica M8:�the�fi�rstdigital�rangefi�nder�camera.

Leica X2:�the�trailblazer�in�its�class�for�image�quality.

Leica S2: the�professional�digital�camera�sets�new�standards�in�medium-format�photography.

Leica M9:�the�smallest�digital�system�camera�with�a�full-frame�sensor.

Leica X1:�the�fi�rst�compact�camera�with�an�aPS-format�sensor.

Leica Noctilux-M50 mm f/0.95 ASPH.:the�world’s�fastest�everaspherical�lens.�

1913/14 1925 1930 1932

Leica I�with�a�fi�xed�lensis�presented�at�the�leipzig�Spring�Fair.

the�fi�rst�leica�with�interchangeable�thread-mount�lenses�appears�on�the�market.

Leica II:�the�fi�rst�camera�with�a�coupled�rangefi�nder.

oskar�Barnack�constructsthe�Ur-Leica.

Sketched�construction�diagram�by�oskar�Barnack.oskar�Barnack�(1879–1936). the�leitz�optics�building,�Wetzlar. installation�of�the�control�board�on�the�rear�shell�of�the�leica�S2. lens�element�and�assembled�lens�testing.

1954

Leica M3�with�combined�bright-line�viewfi�nder/rangefi�nder�and�bayonetlens�mount.

1966

Leica Noctilux-M 50 mm f/1.2:�the�first�lens�with�an�aspherical�element.

19961965 1971

Leicafl ex:�the�fi�rst�leicasingle�lens�refl�ex�cameragoes�into�production.�

Leica M5:�the�fi�rst�rangefi�ndercamera�with�selective�metering�through�the�lens.

�lEica�CAMERA AGPassionate�about�photography.

Leica S: medium�format�–�reducedto�the�maximum.

Leica M:�the�new�m�generation�with�a�leica�max�24�mP�sensor,�live�View,�and�video.

‘Kissing�in�the�rearview�mirror,’�by�magnum�photographerElliott�Erwitt,�1955.

Leica S1:�the�fi�rst�digital�camera�with�75-megapixel�resolution.

Leica M Leica X2

20122006 2009Leica M9 Leica X1Leica S2

2008Leica S

leica�camera�shares�something�with�countless�people�around�the�world:�a�love�of,�and�a�passion�for,�photography.�it’s�the�fascination�of�capturing�a�moment�in�time;�shaping�it,�transforming�it�into�something�timeless,�and�experi�-encing�it�again�and�again�as�a�unique�photograph.�this�is�what�has�driven�leica�for�almost�100�years.�We�create��cameras�using�the�highest�quality�materials�and�assemble�them�meticulously�by�hand,�so�that�every�leica�delivers�unwavering�reliability�and�quality�over�a�lifetime.�Whether�it’s�used�professionally,�artistically�or�simply�out�of�the�

joy�of��documenting�life,�one�thing�connects�all�leica�cameras:�they�all�help�the�photographer�to�concentrate�on�the�essentials�–�a�great�photograph.�Each�device�is�a�small�masterpiece.�leica�cameras�are�compact,�ageless,�elegant,�easy�to�use�and�yet�uncompromising�in�their�optical,�mechanical�and�technical�quality.�they�are�the�perfect�tools�for�anyone�who�understands�the�fascination�of�photography�and�who�appreciates�a�unique�photograph.

Page 5: Leica M Catalogus 2013_Eng

‘Felix,�Gladys,�and�rover’�is�one�of�the�best-known�pictures�by�the�magnum�photographer�Elliott�Erwitt.�it�was�captured�during�a�fashion�shoot�for�the�New�York�times�magazine�in�1974.�copyright�by�Elliott�Erwitt,�1974,�magnum�Photos.�

innovation�and�development�since�then�has�been�measured�against�this�strict�criterion.�With�the�launch�of�the�leica�m8�in�2006,�a�new�era�in�the�history�of�rangefinder�cameras�began:�the�m-System�turned�digital.�then,�in�2009,�leica�set�a�further�milestone�in�digital�photography�with�the�leica�m9.�it�is�the�world’s�first�rangefinder�cam-era�with�a�full-size,�35�mm�format�sensor�(24�×�36�mm).�in�2012,�the�latest�digital�generation�continued�the�evolution�of�the�legendary�m-System�and�its�unique�benefits:�this�generation�includes�the�leica�m�monochrom,�the�world’s�first�35�mm�digital�camera�exclusively�for�black-and-white�photography,�followed�by�the�leica�m-E,�a�camera�that�embodies�the�philosophy�of�the�system�in�its�purest�form.�However,�only�the�new�leica�m�can�truly�lay�a�claim�to�the�title�of�‘a�new�milestone’�in�the�m-Family.�Featuring�live�View,�video�capability,�and�new,�additional�focusing�methods,�it�is�the�most�innovative�and�versatile�m-camera�of�all�time.

Photography�cannot�stop�the�course�of�time,�but�it�can�capture,�document�and�interpret�its�fleeting�moments,�preserving�memories�of�those�poignant�seconds�for�eternity.�indeed,�the�transformation�of�the�transitory�into��the�eternal�is�one�of�the�main�reasons�we�take�pictures.�and�thanks�in�part�to�the�pioneering�spirit�of�leica,�it��is�now�possible�for�everyone�to�record�their�memories�conveniently�as�they�happen.�it�all�began�around�a��century�ago,�when�oskar�Barnack�changed�photography�with�a�stroke�of�genius�–�designing�the�first�leica,�a�small,��robust,�easy-to-use�24�×�36�mm�format�camera�that�paved�the�way�for�photography�as�we�know�it�today.�in�1954,�the�launch�of�the�leica�m-System,�with�its�brilliant�combined�viewfinder�and�coupled�rangefinder,�opened�up�vast�new�horizons�in�reportage�and�artistic�photography.�in�the�eyes�of�photographers,�a�leica�m�has�always�been�the�per-fect�tool�for�capturing�the�fascination�of�a�moment�discreetly,�silently,�without�hesitation,�and�with�perfect�image�quality.�indeed,�unsurpassed�image�quality�was,�is,�and�always�will�be�the�key�founding�principle�of�leica.�Every�

�lEica�CAMERA AGFrom�an�idea�to�a�legend.

� lEica�camEra�aG� i� 09�� 08� i� lEica�camEra�aG

Page 6: Leica M Catalogus 2013_Eng

mountain�steppe�on�the�way�from�Kochkor�to�the�mountain�lake�Song�Kul�and�its�‘jailoos’�(Kyrgyz�for�‘summer�pastures’).

lEica�REPORTAGE

Page 7: Leica M Catalogus 2013_Eng

� 12� i� lEica�rEPortaGE

top:�the�Jayma�bazaar�in�osh�is�one�of�central�asia’s�largest�bazaars.�Bottom:�two�women�cross�the�road�in�the�provincial�capital�of�Naryn.

lEica�REPORTAGE Unknown�Kyrgyzstan.

Kirghizia,�Kirghiz�republic,�or�Kyrgyzstan?�For�most�people�from�the�western�hemisphere,�confusion�begins�on�hear-ing�the�different�names�of�the�country.�Not�many�know�that�all�three�names�have�been�used�over�the�years�or�that�the�Kyrgyz�people�prefer�to�say�‘Kyrgyzstan’�to�emphasize�their�turkic�heritage.�many�would�also�have�difficulty�trying�to�locate�the�country�on�a�map,�let�alone�be�versed�in�the�culture�or�history�of�the�former�Soviet�republic.�the�same�could�be�said�for�the�prominent,�multiple-award-winning�magnum�photographer�Jean�Gaumy�in�2000�when�his�agency�asked�him�if�he�would�like�to�work�in�one�of�the�states�of�the�former�USSr�as�part�of�a�cultural�project.�looking�through�a�list,�his�eye�was�caught�by�the�name�‘Kyrgyzstan’�that,�in�his�own�words,�was�‘about�as�unknown�to�me�as�the�planet�mars’�and,�for�precisely�this�reason,�awakened�his�curiosity�and�passion�for�adventure.�So,�the�beginning�of�the�new�millennium�found�Jean�Gaumy�in�the�then�still�young�Kyrgyz�republic,�as�it�is�officially�known.

Exactly�ten�years�later,�a�French�radio�programme�described�Kyrgyzstan�and�its�capital�city�of�Bishkek�as�‘probably�the�least�known�places�on�Earth,’�which�inspired�Jean�Gaumy�to�revisit�the�central�asian�republic.�With�a�new�leica�m�in�his�luggage,�Gaumy�set�out�in�the�fall�of�2012�to�bring�back�impressions�from�the�‘terra�incognita’�of�Kyrgyzstan�and�its�people.�the�outcome�is�a�multi-faceted�portrait�of�a�country�that�has�been�in�turmoil�since�declaring�its�independence�from�the�Soviet�Union�in�1991.�ancient�nomadic�traditions,�clan�interests,�and�the�common�legacy�of�the�Soviet�era�clash�with�the�dreams�and�hopes�of�a�young�generation�who�increasingly�join�the�migration�from�rural�areas�to�the�cities�and�begin�to�embrace�Western�culture�ahead�of�their�recent�russian�heritage:�it�is�a�nation�that�dreams�of�a�better�future�while�still�struggling�to�establish�a�national�identity.

Page 8: Leica M Catalogus 2013_Eng

� lEica�rEPortaGE� i� 15�

in�recent�years,�the�search�for�unity�and�national�identity�has�been�characterised�at�a�political�level�by�attempts�to�emphasise�the�majority�of�the�Kyrgyz�peoples’�nomadic�roots.�during�his�first�visit�to�the�country’s�capital�city�of�Bishkek,�Jean�Gaumy�recalls�that�the�main�square�was�dominated�by�a�monumental�statue�of�lenin,�which�can�be�seen�in�one�of�his�earlier�photos.�in�2003,�the�communist�leader�had�to�go�to�make�room�for�the�Erkindik�statue�of�liberty,�a�winged�female�figure�standing�on�a�globe�and�holding�out�a�flaming�tunduk�(the�frame�of�the�smoke�hole�of�a�Kyrgyz�yurt).�Nevertheless,�the�lenin�statue�was�not�destroyed�after�its�removal;�it�was�merely�relocated�to�the�back�of�the�Kyrgyz�national�museum.�the�statue�of�liberty�was�removed�on�the�occasion�of�the�20th�anniversary�of�the�nation’s�independence�in�august�2011�and�replaced�by�a�statue�of�manas,�the�Kyrgyz�national�hero�who,�according�to�legend,�united�the�40�Kyrgyz�tribal�clans�and�led�their�battle�against�the�Uighurs.�the�40�rays�of�the�sun�around�a�yurt�viewed�from�above�on�the�flag�of�Kyrgyzstan�symbolise�these�40�clans.

the�mountainous�country�of�Kyrgyzstan�is�around�half�the�size�of�Germany.�it�shares�borders�in�the�north�and�north-east�with�Kazakhstan,�in�the�west�and�northwest�with�Uzbekistan,�in�the�south�and�southwest�with�tajikistan,�and�in�the�south�and�southeast�with�china.�Bishkek,�the�capital�city�in�the�north,�is�the�political�and�commercial�centre�of�the�nation.�the�ancient�pilgrim�city�of�osh,�founded�over�2,000�years�ago�and�often�described�as�the�capital�city�of�the�south,�lies�on�the�edge�of�the�fertile�Fergana�valley�and�is�famous�for�the�cotton�grown�in�the�region.�With�40�%�of�the�country�at�an�altitude�over�3,000�metres,�the�topography�of�Kyrgyzstan�is�characterised�by�the�massive�moun-tain�chains�of�the�tien�Shan�and�the�northern�foothills�of�the�Pamirs.�at�a�height�of�7,439�metres,�Jengish�chokusu,�on�the�border�with�china,�is�the�country’s�highest�mountain.�Even�the�pastures�around�lake�Song�Kul,�used�for�cen-turies�as�grazing�land�by�the�nomadic�tribes�and�visited�by�Jean�Gaumy�and�his�team,�are�situated�at�the�unbelievable�altitude�of�3,016�metres.�let�us�take�you�to�on�a�journey�to�a�country�that�could�not�be�more�fascinating�–�a�country�of�extremes�between�tradition�and�the�modern�age,�between�the�cultures�of�the�East�and�West.

top:�Women�in�prayer�on�Solomon’s�throne,�the�holy�mountain�close�to�the�ancient�trading�centre�of�osh,�Kyrgyzstan’s�second-largest�city.�Bottom:�typical�Kyrgyz�cattle�market�near�osh,�in�the�southeastern�part�of�the�country.

Page 9: Leica M Catalogus 2013_Eng

Preparations�for�the�134th�anniversary�of�the�founding�in�the�Kyrgyz�capital�Bishkek.the�leica�reportage�continues�on�page�28:�Happy�anniversary,�Bishkek.

lEicaM - SYSTEM

Page 10: Leica M Catalogus 2013_Eng

What�you�see�through�the�viewfi�nder�of�an�m-camera.�the�inner�bright-line�frame�shows�the�image�boundaries�for�a�90�mm�lens,�while�the�outer�frame�shows�the�boundaries�for�a�28�mm�lens.�the�grey�rectangle�in�the�centre�is�the�rangefi�nder�focusing�area.

�lEica�M - SYSTEMm�as�in�‘messsucher’.�

tHE�raNGEFiNdEr/ViEWFiNdEr�SYStEm

an�optical�masterpiece�created�for�the�best�in�photography.�compared�to�Slr�photography,�where�focusing�takes�place�through�the�lens,�and�lens�focal�length�and�aperture�set�limits�on�focusing�accuracy,�the�rangefinder�base�of�the�leica�m�remains�precisely�the�same�regardless�of�the�lens�being�used,�and�therefore�allows�extraordinarily�precise�focusing�with�all�lenses.�this�is�the�fundamental�reason�why�the�focusing�precision�of�the�m-System�is�far�superior�to�that�of�Slr�cameras,�particularly�with�short�focal�length�lenses.�the�high-contrast�rangefi�nder�rectangle�in�the�centre�of�the�viewfi�nder�guarantees�fast,�precise,�and�pin-sharp�focusing,�even�under�the�most�adverse�lighting�conditions.�Since�the�position�of�the�six�different�bright-line�frames�is�automatically�corrected�for�parallax�at�all�focusing�dis-tances,�they�show�the�image�boundaries�for�the�selected�focal�length.�the�bright-line�viewfi�nder�shows�all�information�relevant�to�the�capture�of�a�perfect�image�including�the�peripheral�area�around�the�main�subject,�thus�providing�sig-nificant�advantages�when�creating�spontaneous�photographs.�Unobtrusively�and�with�absolute�discretion.

� lEica�m�-�SYStEm� i� 19�� 18� i� lEica�m�-�SYStEm

leica�m-cameras�are�a�living�legend.�the�m�stands�for�messsucher,�the�German�term�for�a�combined�rangefi�nder�and�viewfi�nder,�and�for�an�individual�style�of�photography.�this�system,�generally�described�in�abbreviated�form�as�a�rangefi�nder,�has�particular�merits�that�enable�photographers�to�develop�an�unmistakable�visual�language�that�transforms�their�uniquely�personal,�subjective�visual�concepts�into�photographic�realities.�at�the�same�time,�the�leica�m�has�intuitive�controls�and�is�simple�to�use�–�even�for�photographers�who�have�previously�only�used�Slr�cameras.�With�a�leica�m,�there�are�no�superfl�uous�functions�and�no�overcomplicated�menus.�Photographers�are�given�the�opportunity�to�concentrate�on�the�essential:�creating�memorable�pictures.

the�rangefi�nder�system,�above�all�others,�enables�photographers�to�capture�authentic,�natural�images,�taken�from�real�life.�in�a�way,�leica�m-Photographers�become�part�of�the�action�in�framing�whatever�they�wish�to�capture�in�the�viewfinder�–�a�scene,�a�mood,�a�special�moment.�at�the�same�time,�the�photographer�still�perceives�what�is�going�on�outside�the�viewfi�nder�frame.�the�decisive�moment�thus�becomes�more�predictable,�and�it�can�be�captured�at�precisely�the�right�time.�the�clear�view�of�the�subject�remains�visible�even�during�the�exposure�and�even�under�the�most�diffi�cult�lighting�conditions.�the�bright,�high-contrast�viewfi�nder�combined�with�the�world-renowned�m-System�rangefinder,�ensures�extremely�fast�and�precise�focusing.�the�minimal�delay�between�releasing�the�shutter�and�capturing�the�shot�makes�the�leica�m-camera�the�fastest,�most�responsive�in�the�world.�along�with�the�legendary�mP�and�m7�35�mm�cameras,�the�m8�and�the�m8.2�–�the�first�digital�leica�m�models�–�advanced�the�noble�heritage�of�the�leica�m-System.�the�leica�m9�already�set�a�new�milestone�as�the�world’s�smallest�system�camera�with�a�full-format�24�×�36�mm�sensor�in�2009.�it�was�followed�by�an�even�more�discreet�version,�the�leica�m9-P.�With�the�launch�of�the�leica�m�monochrom,�the�leica�m-E,�and�the�new�leica�m�in�2012,�a�new�generation�of�digital�cameras�now�paves�the�way�for�the�future�of�the�m-System.

Page 11: Leica M Catalogus 2013_Eng

top�and�bottom:�Preparations�for�the�134th�anniversary�of�its�founding�in�the�Kyrgyz�capital�of�Bishkek.

No�other�professional�camera�is�as�compact�as�a�leica�m.�Because�the�camera�needs�no�mirror�box,�it�can�be�constructed�with�a�depth�of�less�than�42�mm,�as�in�the�case�of�the�new�leica�m.�the�m-lenses�also�benefi�t�from�the�short�distance�between�the�mount�and�the�image�plane,�which�permits�the�construction�of�lenses�with�extremely�small�dimensions�and�low�weights.�the�extraordinary�compactness�of�m-cameras�and�m-lenses�also�makes�them�the�ideal�camera�system�for�travel�and�reportage�photo-graphy.�mirror�slap�and�related�shake�effects�in�captured�images�are�problems�never�encountered�by�m-Photographers.

Unobtrusiveness,�clarity�of�design,�and�a�barely�audible�shutter�also�play�a�signifi�cant�role�in�creating�the�unique�charisma�of�leica�m��images.�time�and�again,�photographers�working�with�m-cameras�in�areas�of�social�and�political�tension�around�the�world�report�that�they�are�not�perceived�as�journalists,�and�can�capture�images�that�remain�unattainable�for�users�of�other�camera�systems.�the�fast�m-lenses�also�make�handheld�shooting�possible�for�a�long�time�in�failing�light,�without�the�need�for�a�tripod�or�fl�ash�unit.�Portraits�appear�more�relaxed�because�the�camera�does�not�hide�the�photo�grapher’s�face,�and�eye�contact�with�the�subject�is�maintained.�an�even�more�discreet�approach�to�photography�is�now�opened�up�by�the�live�View�monitor�of�the�new�leica�m.�this�offers�an�alternative�to�the�conspicu-ous�act�of�raising�the�viewfi�nder�to�the�eye.�

Everything�newly�designed�or�further�developed�in�the�evolutionary�process�of�the�leica�m-System�satisfi�es�a�genuine�photographic�need.�this�principle�was�also�constantly�kept�in�mind�throughout�the�development�of�the�latest�m-Generation�–�the�leica�m�monochrom,�the�leica�m-E,�and�the�leica�m.�the�outcome�is�three�digital�rangefi�nder�cameras�that�quite�intentionally�do�not�offer�everything�made�possible�by�modern�technology,�but�limit�them-selves�exclusively�to�what�makes�real�sense�in�terms�of�photography.�these�essentials�include�the�m-typical�rapid�manual�focusing�with�the�viewfi�nder/rangefi�nder�and�the�focusing�ring�of�the�lens,�but�also�the�option�of�selecting�automatically�determined�or�manually�set�shutter�speeds.�Even�in�automatic�mode,�corrections�can�be�made�manually�with�the�aperture�ring�to�ensure�that�photographers�are�constantly�in�control�of�‘their�picture.’�

a�special�role�in�the�new�digital�leica�m-Family�is�played�by�the�leica�m.�Just�like�the�leica�m�monochrom�and�the�leica�m-E,�the�latest�milestone�in�the�m-System�naturally�offers�all�manual�setting�options.�in�addition�to�these,�it�also�features�live�View,�full-Hd�video,�and�new,�additional�focusing�methods�for�those�who�don’t�want�to�miss�out�on�contemporary�camera�technologies.�in�this�way,�it�successfully�expands�the�possibilities�of�the�m-System�while�remaining�true�to�its�traditional�values.

comPact

diScrEEt

FocUSEd

� lEica�m�-�SYStEm� i� 21�

Page 12: Leica M Catalogus 2013_Eng

top:�market�scene�in�the�capital.�Bottom:�Wedding�photo�in�front�of�Bishkek’s�wedding�palace,�where�on�some�days,�up�to�100�marriages�take�place.

toUGH People�who�take�photography�seriously�usually�live�their�lives�at�the�edge;�in�searing�heat�or�bitter�cold,�pouring�rain�or�swirling�dust.�the�m�is�built�to�be�consistent,�dependable,�and�tough�under�almost�any�imaginable�condi-tions.�this�is�why�resilience�and�endurance�are�always�prime�concerns�in�the�design�and�construction�of�every�m-camera.�it�also�explains�why�the�body�is�manufactured�exclusively�from�only�the�best�materials:�brass�for�the�top�and�baseplates�and�high-impact�magnesium�alloy�for�the�body.�the�new�leica�m�also�features�the�extra�protection�of�a�monitor�cover�glass�in�particularly�tough�and�scratch-resistant�corning®�Gorilla®�glass.�Specially�designed�rubber�seals�offer�the�body�of�the�new�m�additional�protection�against�dust�and�splashes.�the�digital�components�of�all�leica�m-cameras�are�carefully�selected�for�endurance�and�reliability�in�everyday�use.�Elabo-rate�manufacturing�and�assembly�processes�guarantee�functional�reliability�for�decades�to�come.

UNiQUE��cUStomEr�commitmENt

Precision�is�the�be-all�and�end-all�in�the�construction�of�any�leica�product.�No�product�ever�leaves�the�leica�factory�before�all�critical�manufacturing�phases�have�been�rigorously�checked.�Products�that�can�still�be�serviced�and�repaired�decades�after�they�were�built�are�extremely�rare�in�these�times�of�planned�obsolescence�and�disposable�products.�But�the�customer�Ser-vice�department�at�leica�still�services�and�repairs�all�m-cameras�–�from�the�fi�rst�one�built�in�1954�to�the�very�latest�models!

� 22� i� lEica�m-SYStEm

Page 13: Leica M Catalogus 2013_Eng

top:�in�the�amusement�park�in�the�capital�city�of�Bishkek.�Bottom:�Kyrgyz�‘art’�on�sale�in�Bishkek’s�market.

UNriVallEd�PErFormaNcE

the�construction�of�the�extremely�compact�leica�m-lenses�is�focused�on�one�single�aim:�delivering�imaging�excellence�in�film�and�digital�photography.�leica�engineers�continuously�invest�enormous�effort�and�innovative�ingenuity�in�their�quest�for�perfect�optical�solutions.�the�out-come:�lenses�with�unrivalled�performance.�they�often�have�fewer�optical�elements�in�order�to�reduce�the�number�of�air-glass�surfaces�that�light�rays�must�pass�through�to�a�minimum.�this�design�concept,�made�pos-sible�by�the�use�of�the�highest�quality�glass�and�precision�manufacturing�techniques,�creates�the�basis�for�images�endowed�with�an�unmistakable�character�–�not�only�in�contrast�and�resolution,�but�also�in�structure�and�tonal�richness.�they�have�a�uniquely�natural�signature�that’s�particularly�noticeable�in�images�shot�under�adverse�lighting�conditions.�this�is�further�enhanced�by�the�sheer�pleasure�of�a�silky-smooth�focusing�ac-tion�without�a�trace�of�play.�this�outstanding�quality�is�ensured�for�every�single�lens�we�produce�by�the�experienced�hands�of�our�factory’s�preci-sion�optical�and�mechanical�engineers.�Yet�another�reason�why�leica�lenses�are�considered�by�many�veteran�photographers�and�imaging�experts�to�be�the�best�in�the�world.

modErNtEcHNoloGY�at�YoUr�SErVicE�

the�superior�performance�of�leica�lenses�is�based�on�the�most�modern�technologies:�aspherical�elements�enable�the�construction�of�highly�compact�lenses�that�provide�breathtaking�performance.�the�use�of�fl�oa-ting�elements�(differentially�movable�optical�groups)�ensures�superb�resolution�at�close�focusing�distances.�apochromatic�correction�in�the�optical�systems�of�telephoto�lenses�guarantees�brilliant�reproduction�without�any�colour�fringing�effects.�Sophisticated�solutions�for�the�sup-pression�of�internal�refl�ections�enhance�contrast�and�shadow�detail.�it�is�safe�to�say�that�every�leica�lens�delivers�superb�performance�even�at�its�maximum�aperture.�Stopping�down�serves�mainly�to�increase�the�depth�of�fi�eld.

comPatiBilitY� leica�engineers�created�a�timeless�standard�when�they�designed�the�leica�m�bayonet�in�the�1950s.�this�lens�mount�ensures�system�compat-ibility�to�the�present�day�and�the�latest,�digital�generation�of�m-cameras.�almost�all�m-lenses�are�suitable�for�use�in�combination�with�the�digital�m-cameras.�However,�system�compatibility�is�decidedly�forward-looking,�and�not�a�sign�of�stagnation.�thanks�to�6-bit�coding,�the�leica�m�mono-chrom,�the�leica�m-E,�and�the�leica�m�recognize�the�characteristics�of�the�attached�lens�and�employ�this�information�for�internal�processing.�Uncoded�leica�lenses�can�also�be�used�on�the�new�digital�m-cameras�with�their�advanced�m-Bayonet�mount.�Similarly,�the�new,�6-bit�coded�lenses�are�also�perfectly�at�home�on�any�of�the�earlier�m�fi�lm�cameras.

Even�greater�compatibility�for�the�leica�m�is�provided�by�the�leica�r-adapter.�When�the�6-bit�coded�adapter�is�mounted�on�the�camera,�users�may�choose�from�more�than�20�different�r-lenses�that�also�offer�both�a�calibrated�image�work�fl�ow�and�Exif�lens�recognition.�With�a�wide�range�of�wide-angle,�telephoto,�zoom,�and�macro�lenses,�r-lenses�offer�attrac-tive�opportunities�for�leica�m-Photographers�to�expand�the�capabilities�of�their�camera.�

leica�m�bayonet�in�the�1950s.�this�lens�mount�ensures�system�compat-ibility�to�the�present�day�and�the�latest,�digital�generation�of�m-cameras.�almost�all�m-lenses�are�suitable�for�use�in�combination�with�the�digital�m-cameras.�However,�system�compatibility�is�decidedly�forward-looking,�and�not�a�sign�of�stagnation.�thanks�to�6-bit�coding,�the�leica�m�mono-chrom,�the�leica�m-E,�and�the�leica�m�recognize�the�characteristics�of�the�attached�lens�and�employ�this�information�for�internal�processing.�Uncoded�leica�lenses�can�also�be�used�on�the�new�digital�m-cameras�with�their�advanced�m-Bayonet�mount.�Similarly,�the�new,�6-bit�coded�lenses�are�also�perfectly�at�home�on�any�of�the�earlier�m�fi�lm�cameras.

Even�greater�compatibility�for�the�leica�m�is�provided�by�the�leica�r-adapter.�When�the�6-bit�coded�adapter�is�mounted�on�the�camera,�users�may�choose�from�more�than�20�different�r-lenses�that�also�offer�both�a�

� lEica�m�-�SYStEm� i� 25�

Page 14: Leica M Catalogus 2013_Eng

Zoom�lENSES

lEica�Elmarit�-�m�28�mm�f/2.8�aSPH.

lEica�Elmar�-�m�24�mm�f/3.8�aSPH.

lEica�SUmmicroN�-�m35�mm�f/2�aSPH.

lEica�SUmmarit�-�m�75�mm�f/2.5

lEica�macro�-�Elmar�-�m90�mm�f/4

lEica�aPo�-�tElYt�-�m135�mm�f/3.4

lEica�SUmmarit�-�m90�mm�f/2.5

lEica�aPo�-�SUmmicroN�-�m90�mm�f/2�aSPH.

HiGH-SPEEd�lENSES�

�lEica M - SYSTEMEverything�at�a�glance.

lEica�m�-�camEraS

FaSt�aNd�comPact�lENSES SUmmarit�lENSES

lEica�SUPEr-Elmar�-�m�21�mm�F/3.4�aSPH.

lEica�tri�-�Elmar�-�m�16-18-21�mm�f/4�aSPH.

lEica�SUPEr-�Elmar�-�m�18�mm�f/3.8�aSPH.

lEica�SUmmicroN�-�m�50�mm�f/2

lEica�SUmmarit�-�m�50�mm�f/2.5

lEica�aPo�-�SUmmicroN�-�m75�mm�f/2�aSPH.

lEica�SUmmarit�-�m35�mm�f/2.5

lEica�m-Eavailable�in�anthracite-grey�paint.

lEica�mavailable�in�black�paint�or�silver�chrome.

lEica�m�monochromavailable�in�black�chrome�fi�nish.

lEica�mPavailable�in�silver�chrome�and�black�paint�fi�nish.

lEica�m7available�in�silver�chrome�and�black�chrome.

lEica�NoctilUX�-�m�50�mm�f/0.95�aSPH.

lEica�SUmmilUX�-�m�21�mm�f/1.4�aSPH.

lEica�SUmmilUX�-�m�24�mm�f/1.4�aSPH.

lEica�SUmmilUX�-�m35�mm�f/1.4�aSPH.

lEica�SUmmilUX�-�m�50�mm�f/1.4�aSPH.

lEica�SUmmicroN�-�m28�mm�f/2�aSPH.

lEica�aPo-SUmmicroN�-�m�50�mm�f/2�aSPH.

� lEica�m�-�SYStEm� i� 27�� 26� i� lEica�m�-�SYStEm

Page 15: Leica M Catalogus 2013_Eng

� lEica�rEPortaGE� i� 29�

lEica REPORTAGEHappy�anniversary,�Bishkek.

as�luck�would�have�it,�Jean�Gaumy�arrived�just�in�time�for�the�festivities�for�134th�anniversary�of�the�founding�of�the�capital.�this�was�an�amazingly�bright�and�colourful�spectacle�in�which�the�traditional�elements�of�nomadic�heritage�combine�with�those�of�a�more�modern�age�in�scenes�more�reminiscent�of�Soviet�propaganda�events�of�the�1970s�or�early�1980s.�instead�of�the�portraits�of�former�communist�revolutionaries,�manas,�the�Kyrgyz�national�hero,�looks�down�from�enormous�posters�–�he�is�still�portrayed�in�socialist�realist�style,�but�today�with�traditional�ethnic�trappings.�the�weddings�so�typical�for�today’s�young�citizens�of�the�capital�stand�in�clear�contrast.�For�any�self-respecting�happy�couple,�the�dreams�of�a�better�future�begin�in�Bishkek’s�Wedding�Palace.�the�ceremony�is�brief.�the�next�couples�are�already�standing�in�line.�anyone�hoping�to�see�traditional�wedding�costume�will�certainly�be�disappointed:�much�like�in�the�Western�world,�the�bride�wears�white�and�the�groom�a�black�suit.�Bunches�of�roses�wrapped�in�plastic�foil�are�everywhere,�and�at�the�end,�the�bride�and�groom�drive�away�in�a�white�limousine�bearing�the�emblem�of�a�prominent�German�automobile�brand.

top:�People�in�the�crowd�under�a�monumental�banner�showing�national�hero�manas�at�Bishkek’s�134th�anniversary�festivities.Bottom:�among�the�favorite�pastimes�of�the�Kyrgyz�people�are�equestrian�sports,�for�instance�horse�racing,�as�seen�here�in�Bishkek.�

Page 16: Leica M Catalogus 2013_Eng

the�hay�harvest�between�Bishkek�and�Kochkor.the�leica�reportage�continues�on�page�42:�country�life�–�far�from�idyllic.

lEica M

Page 17: Leica M Catalogus 2013_Eng

� lEica�m� i� 33�� 32� i� lEica�m

��lEica Mthe�future�of�the�m-System.�

the�new�leica�m�is�the�most�innovative�and�versatile�m-camera�–�in�every�respect.�its�consistent�preservation�of�the�philosophy�of�the�system�is�what�makes�it�a�particularly�signifi�cant�milestone.�the�new�leica�m�reaps�the�benefi�ts�of�more�than�50�years�of�experience�with�the�rangefi�nder�system.�at�the�same�time,�it�exploits�forward-looking�digital�technologies:�it�features�a�new�high-resolution,�full-format�cmoS�sensor�that,�in�combination�with�its�high-performance�processor�and�legendary�m-lenses,�delivers�outstanding�image�results�–�in�fact,�it�is�a��typical�m.�But�with�live�View,�video�recording,�and�new�focusing�methods,�it�is�also�the�m�for�photographers��looking�for�the�ultimate�in�modern�digital�technology.�the�new�m�successfully�expands�the�scope�of�the�m-System�while�remaining�true�to�its�fundamental�principles.�

1� a�trUE�m

2� lEica�maX�24-mP�SENSor

3� lEica�maEStro�imaGE�ProcESSor

4� �liVE�ViEW�aNd�tHE�ViSoFlEX�

�ElEctroNic�ViEWFiNdEr

5� FUll-Hd�VidEo�WitH�lEica�lENSES

  6� SimPlE�aNd�PrEciSE�FocUSiNG�

  7� �SPlaSH-ProoF�camEra�BodY�

  8� loNG�BattErY�liFE

  9� ErGoNomic�HaNdliNG

10� comPatiBilitY�WitH�lEica�r-lENSES

leica�m,�full-size�view,�available�in�black�paint�or�silver�chrome. leica�m,�full-size�view.

discover�the�fascination�of�leica�m�www.m.leica-camera.com

Page 18: Leica M Catalogus 2013_Eng

� lEica�m� i� 35�� 34� i� lEica�m

Uncompromising�image�quality�has�been�the�most�important�factor�in�the�development�of�the�leica�m-System�since�the�very�fi�rst�model.�Every�innovation�and�improvement�over�time�has�been�measured�by�this�principle.�it�is�not�surprising,�then,�that�the�new�leica�m�is�the�fi�rst�digital�leica�m�in�which�every�component�involved�in�image�creation�–�from�the�lens�to�the�image�fi�le�–�has�been�developed�in-house�at�leica.�this�was�the�only�way�to�ensure�the�perfect�co-ordination�of�sensor�and�processor�performance,�as�well�as�interaction�with�the�unique��characteristics�of�leica�lenses,�resulting�in�outstanding�performance�and�images�of�unique�quality.

��lEica Mm�for�maximum�image�quality.�

leica�m,�full-size�view,�available�in�black�paint�or�silver�chrome.

1 a�trUE�m the�new�leica�m�unites�more�than�50�years�of�experience�developing�the�rangefi�nder�system�with�the�innovative�potential�offered�by�the�digital�age.�as�the�latest�milestone�in�the�current�m�family,�it�is�one�of�the�most�compact�full-format�system�cameras�currently�available.�For�example,�its�new�24�×�36�mm�cmoS�sensor�delivers�full�35�mm�format�without�compromise.�System�compatibility�has�always�been�a�characteristic�feature�of�the�leica�m-System,�and�the�new�m�is�no�exception:�it�benefi�ts�from�access�to�the�entire�portfolio�of�m-lenses,�recognised�as�the�world’s�best�lens�system.�introduced�in�1954,�it�has�been�continuously�advanced�and�improved�over�time.�and�today,�almost�every�m-lens�ever�built�is�compatible�for�use�with�the�digital�m.�But�that’s�not�all:�with�the�new�leica�r-adapter,�almost�every�leica�r-lens�can�also�be�used�with�the�leica�m,�expanding�its�options�into�the�world�of�leica�r-Photography,�too.�the�successful�story�of�the�leica�m-System�continues.

2 lEica�maX�24-mP�SENSor

the�leica�m�features�a�newly-designed�high-resolution,�24-megapixel�cmoS�sensor�in�full�35�mm�format.�in�combination�with�the�leica�maestro�image�processor,�originally�featured�only�in�the�leica�S-System,�the�leica�max�24-mP�sensor�generates�the�outstanding�image�quality�of�the�leica�m.�For�the�fi�rst�time�in�the�history�of�the�digital�m-System,�every�compo-nent�in�the�image�creation�fl�ow,�from�lens�to�image�fi�le,�are�leica�in-house�developments.�as�a�result,�our�team�of�engineers�has�successfully�perfected�the�entire�image�creation�chain�for�use�with�m-�and�r-lenses�without�compromise,�in�order�to�exploit�the�full�potential�of�these�lenses.�the�consequence�of�this�is�images�with�superior�sharpness�and�the�fi�nest�reproduc-tion�of�detail.�the�new�m�delivers�extremely�low-noise�and�richly�detailed�images,�even�at�higher�sensitivities�of�up�to�iSo�6400.�in�combination�with�fast�leica�lenses,�this�low�noise�performance�makes�the�camera�an�ideal�tool�for�available-light�photography.�the�integrated�imaging�electronics�of�the�leica�maestro�processor�also�allow�particularly�fast�response�times�and�an�almost�instantaneous�start-up�time�–�and�ensure�that�the�photographer�is�always�ready�to�shoot.�

3 lEica�maEStro�imaGE�ProcESSor

the�combination�of�new�sensor�and�leica�maestro�processor�sets�entirely�new�standards�in�terms�of�image-processing�speed.�it�processes�the�image�data�arriving�from�the�sensor�and�transforms�it�into�visible�images�at�very�high�speed.�this�meticulously�designed�and��developed�sensor�ensures�high�speed�performance,�as�well�as�other�useful�benefits.�the��maestro�processor�contains�several�independent�segments�that�allow�it,�for�example,�to�process�an�incoming�image�while�it�is�still�writing�the�previous�image�to�the�memory�card.�it�can�also�perform�complex�processing�steps�at�extremely�high�speed.�at�the�same�time,�its�particularly�low�power�consumption�has�a�positive�effect�on�battery�life.�thanks�to�its�power-ful�image�processor,�and�despite�the�high-resolution�sensor,�the�leica�m�can�simultaneously��generate�a�high-quality�JPEG�fi�le�in�the�camera�at�the�same�time�as�the�dNG�raw�data�fi�le�destined�for�fi�nal�post-production�on�a�computer,�if�required.�

Page 19: Leica M Catalogus 2013_Eng

� lEica�m� i� 37�� 36� i� lEica�m

the�new�leica�m�is�also�the�fi�rst�m�to�feature�full-Hd�video�and�two�new�focusing�methods�as�additional�alternatives�to�conventional�rangefi�nder�focusing.�it�therefore�exploits�the�oppor-tunities�offered�by�modern�camera�technology�in�a�logical�expansion�of�the�leica�m-System.�in�particular,�its�full-Hd�video�recording�capability�opens�up�new�creative�horizons�for�the�m-System�photographer�that�go�far�beyond�classic�photography.�However,�the�new�leica�m�would�not�have�been�a�true�‘m’�without�the�dedication�of�leica’s�design�engineers�to�address�the�most�important�issue�of�image�quality�–�translating�the�characteristic�look�of�m�images�to�the�new�medium�without�compromise.

leica�m,�full-size�view,�available�in�black�paint�or�silver�chrome.

��lEica Mtimeless�and�pioneering.

4 liVE�ViEW�aNd�tHE�ViSoFlEX�ElEctroNic��ViEWFiNdEr

the�new�leica�m�is�the�fi�rst�ever�m�to�feature�live�View�and�live�View�Focusing.�this�means�that,�for�the�fi�rst�time,�m-System�images�can�be�composed�using�the�actual�image�produced�by�the�lens�–�with�complete�control�over�depth�of�fi�eld,�exposure,�precise�framing�and��focusing.�its�large,�high-resolution�3"�monitor�with�920,000�pixels�allows�precise�assessment�of�each�potential�image�with�regard�to�sharpness,�correct�exposure�and�colour.�this�opens�up�entirely�new�opportunities�for�m-Photographers�that�previously�lay�beyond�the��possibilities�of�view-fi�nder-controlled�photography,�in�particular,�when�shooting�macro�or�telephoto�exposures.�it�also�allows�the�photographer�to�shoot�even�more�discreetly,�using�the�monitor�instead�of�the�traditional�viewfi�nder.�the�new�live�View�function�can�be�used�to�its�full�extent�with�both�m-�and�r-lenses.�indirectly,�the�live�View�option�offers�an�additional�benefi�t�for�r-lens��owners.�it�enables�the�use�of�an�optional�Visofl�ex�EVF2�electronic�viewfi�nder�with�live�View.�this�means�that�a�leica�m�with�an�r-adapter,�r-lenses,�and�a�viewfi�nder�can�be�used�exactly�like�an�Slr,�without�using�the�monitor.

5 FUll-Hd�VidEo�WitH�lEica�lENSES

leica�lenses�are�famous�for�their�superior�resolution,�high�speeds�and�attractive�bokeh.�and�now,�the�unique�quality�of�leica�lenses�can�be�exploited�with�the�1080�pixel,�full-Hd�video�recording�feature�of�the�leica�m.�recording�can�be�started�directly�with�a�separate�release�button.�complete�control�over�exposure�and�capture�settings�enables�photographers�to��complement�their�still�images�with�professional�video�recordings,�with�the�same�look�and�quality�so�well�known�in�leica�m-Photography.�the�leica�m�offers�the�option�of�recording�images�as�motion�JPEGs,�i.e.�as�true,�individual�full�frames,�which�brings�enormous�advantages�for�video�editing.�as�with�still�images,�the�new�leica�r-adapter�also�allows�video�recording�with�r-lenses�mounted�on�the�leica�m�with�full�functionality.�Perfect�sound�is�ensured�by�an�optional�leica�microphone�adapter�set,�comprising�an�adapter�and�a�stereo�microphone.�other�brands�of�microphone�can�also�be�attached�using�the�adapter.

6 SimPlE�aNd�PrEciSE��FocUSiNG�

the�classic�rangefinder�system�guarantees�fast,�precise�and�crystal-clear�focusing�with��superior�accuracy,�whichever�lens�is�used,�but�particularly�with�wide-angle�lenses.�the�new�leica�m�now�offers�two�additional�focusing�methods,�which�can�be�activated�quickly�and��easily�with�the�new�focus�button.

the�new�‘live�View�Zoom’�enables�up�to�10�×�magnification�of�the�live�View�display�for��complete�control�and�precise�focusing�on�fine�details�or�at�the�close�focusing�range.��another�highlight�is�‘live�View�Focus�Peaking’:�here,�automatic�highlighting�of�contours�in�red�provides�convenient�focus�control.�this�contour�display�enables�precise�assessment�of�focusing�accuracy.�depending�on�the�situation�or�the�photographer’s�preferences,�m�users�can�now�choose�from�several�options�for�guaranteeing�outstandingly�sharp�images.

Page 20: Leica M Catalogus 2013_Eng

� 38� i� lEica�m

��lEica M the�perfect�tool�to�experience�the�fascination�of�photography.�

top:�With�the�Kylich�family�on�the�long�trip�from�Bishkek�to�Kochkor.Bottom:�Bokonbayevo�on�the�southern�shores�of�the�mountain�lake�issyk�Kul.

    7 SPlaSH-ProoF�camEra�BodY�

robust�and�enduring,�it�is�not�rare�for�a�leica�to�become�its�owner’s�lifelong�companion.�this�applies�particularly�in�the�case�of�the�new�m.�thanks�to�the�many�years�of�experience�gained�by�our�engineers�in�the�construction�of�camera�bodies,�not�only�the�m-System,�but�also�the��r-�and�S-Systems�are�built�for�maximum�stability�and�perfect�sealing.�its�top�and�base�plates�are�machined�from�solid�brass�blanks�and�its�full-metal�body�is�created�in�one�piece�from�high-strength�magnesium�alloy.�the�glass�covering�plate�of�its�high-resolution�monitor�screen�is�manufactured�from�particularly�tough�and�scratch-resistant�corning®�Gorilla®�Glass.��Specially�designed�rubber�seals�protect�its�body�against�splashes,�moisture�and�dust,�making�the�leica�m�a�pleasure�to�use�in�any�weather�conditions.

    8 loNG�BattErY�liFE the�new�lithium-ion�battery�(1800�mah)�in�the�leica�m�means�even�extremely�long�shooting�sessions�can�be�achieved�without�having�to�recharge�or�change�over�battery.�thanks�to�the��high-performance�rechargeable�battery,�energy-saving�exposure�metering�electronics,�the�imaging�electronics�of�the�leica�maestro�image�processor�and�the�new�sensor,�a�single�charge�guarantees�an�extremely�large�number�of�exposures,�which�is�particularly�useful�when�shooting�in�remote�locations.�

    9 ErGoNomic�HaNdliNG

intuitive�handling,�direct�manual�setting�options,�and�rapid�access�to�all�the�important�photo-graphic�functions�were�essential�ingredients�of�the�digital�m-System�philosophy�right�from�the�beginning.�the�new�and�attractive�features�of�the�leica�m�have�changed�nothing�in�this�respect.�in�addition�to�manual�focusing�and�direct�aperture�and�shutter�speed�setting�options,�the�combination�of�an�ergonomically-positioned�control�wheel�on�the�top�plate�and�intuitive�menu�navigation�are�at�the�heart�of�the�leica�m�operating�concept.�the�newly-designed�and�user-friendly�menu�interface�displayed�on�the�large�rear�monitor�guarantees�a�clear�overview�of�all�camera�settings�at�all�times.�and�this�guarantees�that�m-camera�owners�can�always�concentrate�on�what’s�essential�–�their�pictures.

true�to�the�principles�of�the�m-Philosophy,�the�video�and�live�View�features,�and�the�new�focus�functions,�each�have�their�own�controls.�the�new�focus�button�on�the�front�of�the�camera�allows�selection�of�live�View�Zoom�and�live�View�Focus�Peaking,�as�well�as�fast�and�easy�exposure�corrections�in�combination�with�the�control�wheel.�iSo�sensitivity�settings�are�also�controlled�by�a�dedicated�button.�the�Set�button�provides�direct�access�to�white�balance,�image�file�compression,�resolution,�exposure�compensation,�bracketing,�and�user�profiles.�in�user�profiles,�any�camera�and�exposure�settings�can�be�saved�under�a�user-selected�name�and�rapidly�retrieved�whenever�required.�For�added�convenience,�these�profiles�can�be�saved�to�an�Sd�card.�the�new�leica�m�now�also�features�an�ergonomically�formed�thumb�rest�at�the�top-right�end�of�the�top�plate,�for�improved�handling.�this�ensures�ideal�grip�and�stability�in�even�the�most�demanding�shooting�situations.�in�addition�to�this,�the�new,�generously�dimensi-oned�3"�monitor�guarantees�maximum�ease�of�use.�

10 comPatiBilitY�WitH��lEica�r-lENSES

the�new�leica�r-adapter�allows�almost�all�leica�r-lenses�to�be�mounted�on�the�new�leica�m.�the�extensive�range�of�r-lenses,�from�various�wide-angles,�telephoto,�and�macro�lenses�to�a�selection�of�zooms,�offers�almost�limitless�new�opportunities�for�expanding�the�capabilities�of�the�leica�m-System.�additional�support�for�the�use�of�r-lenses�is�provided�by�the�optional�Visoflex�EVF2�electronic�accessory�viewfinder.�

Page 21: Leica M Catalogus 2013_Eng

� lEica�m� i� 41�� 40� i� lEica�m

2

2

1

1

NEW�SENSor� in�conjunction�with�the�high-performance�leica�maestro�processor,�the�leica�max�24-mP�high-resolution,�full-format�(35�mm)�sensor�ensures�the�maximum�image�quality�and�speed�of�the�leica�m.�the�new�sensor�is�an�innovative,�high-tech�product�developed�by�leica�in�collaboration�with�cmoSiS�especially�for�the�new�leica�m�and�for�use�with�m-�and�r-lenses.�this�development�has�successfully�transferred�the�characteristic�advantages�of�ccd�sensors�to�a�cmoS�sensor,�and�preserves�the�natural,�brilliant�colour�rendition�and�impressive�detail�resolution�associated�with�ccd�sensors.�But�that�is�by�no�means�the�only�impressive�feature�of�this�energy-saving�sensor.�its�particularly�fl�at�pixel�architecture�enables�the�positioning�of�the�light-sensitive�area�of�each�pixel�much�further�forward.�this�means�that�each�individual�pixel�can�capture�light�from�all�directions�and�large�angles�of�incidence.�an�additional�micro-lens�array�gathers�even�more�light.�thanks�to�the�intelligent�sensor�design,�more�space�is�also�available�for�each�individual�pixel.�the�end�result�of�this�complex�sensor�development�is�impressive�dynamic�range�and�excellent�contrast�rendition,�which�ensure�noise-free�and�brilliant�image�results.

EaSiEr�FocUSiNG Fast�and�simple�focusing�is�also�offered�by�the�new�‘live�View�Focus�Peaking’�function.�it�automatically�highlights�all�contours�in�the�focused�image�in�red.�this�line�display�indicates�when�a�subject�is�sharply�focused�or�whether�a�focusing�adjustment�should�be�applied.�in�addition�to�live�View�Zoom�and�classic�focusing�with�the�rangefi�nder,�this�gives�users�a�third,�alternative�option�for�precise�focusing.

lENSES�WitH�SiX-Bit�codiNG(not�illustrated)

the�extremely�high-performance�image�sensor�of�the�new�leica�m�demands�a�particularly�high�spatial�resolution�that�is,�above�all,�offered�by�the�latest�m-lenses.�the�excellent��correction�of�optical�aberrations�and�the�high�resolution�make�them�all�the�more�suitable�for�digital�use.�current�m-lenses�are�supplied�with�six-bit�coding�on�the�bayonet�mount,�which�is�scanned�optically�by�the�leica�m�as�soon�as�the�lens�is�mounted.�if�required,�the�leica�m�can�compensate�for�extremely�low�system-inherent�vignetting�effects�on�the�basis�of�this�coded�information.�in�addition,�the�lens�type�is�recorded�in�the�Exif�data�of�the�image�fi�les�and,�when�using�modern�fl�ash�units�like�the�leica�SF�58,�the�refl�ector�is�automatically�adjusted�to�match�the�focal�length�of�the�lens�attached.�on�request,�leica’s�customer�care�department�can�retrofi�t�six-bit�coding�to�the�mounts�of�existing�m-lenses.

the�leica�max�24�mP�sensor�with�intelligent�sensor�design�for�brilliant�image�results

image�processing�at�maximum�speed�with�the�leica�maestro�processor.�

�lEica Mtechnical�details.

microlens microlens microlens

microlens

colour�filter colour�filter colour�filter

Photodiode Photodiode Photodiode

Photodiode

Pixel Pixel Pixel

Pixel

microlens

Photodiode

Pixel

microlens

colour�filter colour�filtercolour�filter

Photodiode

Pixel

 Sensor architecture of a standard CMOS sensor(schematic�diagram)

1��microlens�design�with�

normal�radius.

2��relatively�large�distance�

between�colour�filter�

and�photodiode.

 Sensor architecture of the Leica Max 24 MP sensor(schematic�diagram)

1��microlens�design�with�

normal�radius.

2��reduced�distance�

�between�the�colour�filter�

and�the�photodiode.

incoming�light

incoming�light

in�the�case�of�the�leica�max�24�mP�sensor,�and�in�contrast�to�standard�cmoS�sensors,�even�light�rays�with�large�

angles�of�incidence,�e.g.�from�wide-angle�lenses�or�large�apertures,�are�captured�precisely�by�the�photodiodes�of�

the�sensor.�this�is�enabled�by�the�special�microlens�design�and�the�smaller�distance�between�the�colour�filter�and�

photodiode,�which�allows�more�light�to�enter�the�system,�and�ensures�that�it�falls�more�directly�on�the�respective�

photodiodes.�

With�some�cmoS�sensors,�rays�of�incoming�light�at�large�angles�of�incidence�can�fail�to�reach�the�photodiode�

of�the��corresponding�pixel�and�reach�only�the�adjacent�pixel.�or�they�are�shadowed�or�reflected�on�the�way�to�

the�pixel�with�the�effect�that�the�overall�amount�of�light�received�by�the�pixels�is�less�than�the�amount�arriving�

through�the�microlenses.�

Page 22: Leica M Catalogus 2013_Eng

� 42� i� lEica�rEPortaGE

many�city-dwelling�Kyrgyz�keep�a�small�piece�of�land�in�the�surrounding�rural�areas�for�growing�crops�or�raising�cattle�as�an�additional�source�of�income�or�subsistence�farming.�as�means�of�transport�–�with�the�exception�of�pack�ani-mals�–�are�rather�rare�in�Kyrgyzstan,�it�was�hardly�surprising�that�a�Kyrgyz�family�in�Bishkek�approached�Jean�Gaumy�and�his�team�to�ask�for�a�lift�out�into�the�country.�this�turned�out�to�be�an�excellent�opportunity�to�find�out�more�about�rural�life�in�Kyrgyzstan�first�hand.�With�all�their�baggage,�the�whole�family�along�with�some�of�their�friends�set�out�with�Gaumy�on�the�way�to�their�countryside�home�several�miles�out�of�the�capital.�Not�a�traditional�yurt,�but�a�modest�wooden�cabin.�life�in�the�country�in�Kyrgyzstan�is�simple.�most�of�the�work�is�done�by�hand,�and�everyone�lends�a�hand�when�it’s�time�to�bring�in�the�hay�or�harvest�potatoes.�at�mealtimes,�young�and�old�gather�around�a�long�table�to�enjoy�local�dishes�such�as�‘qurut’�–�a�kind�of�cheese�usually�made�from�drained�sour�sheep’s�milk.�‘Qurut’�is�a�typical�snack�in�central�asia�that�the�Kyrgyz�like�to�serve�rolled�into�small�balls.

�lEica REPORTAGEcountry�life�–�far�from�idyllic.

top:�the�region�around�Bokonbayevo,�on�the�southern�shores�of�the�mountain�lake�issyk�Kul.Bottom:�a�break�from�the�hard�work�and�a�typical�Kyrgyz�snack�of�homemade�‘qurut’�cheese.

Page 23: Leica M Catalogus 2013_Eng

Hunting�meet�at�the�100th�anniversary�festivities�in�Bokonbayevo.the�leica�reportage�continues�on�page�52:�Feathered�hunting�aids.

lEica M-E

Page 24: Leica M Catalogus 2013_Eng

� lEica�m-E� i� 47�� 46� i� lEica�m-E

��lEica M-Ethe�quintessence�of�rangefi�nder�photography.

With�the�introduction�of�the�rangefi�nder�system�in�1954,�leica�m�fi�lm�cameras�became,�for�many�photographers,�the�perfect�tools�for�capturing�the�fascination�of�a�moment�- �discreetly,�silently�and�without�hesitation.�Naturally,�in�uncompromising�quality.�the�fi�rst�digital�m-cameras�began�a�new�chapter�in�this�success�story.�today,�it�is�the�leica�m-E�that�continues�the�story,�together�with�the�leica�m�and�the�leica�m�monochrom.�However,�it�is�the�leica�m-E�in�particular�that�embodies�the�m-System�philosophy�in�its�purest�form:�the�camera�concentrates��exclusively�on�essential�photographic�functions,�ensuring�simple�and�intuitive�operation.�at�the�same�time,�it�is�a�part�of�the�most�compact�full-format�camera�system�available�and�enjoys�access�to�lenses�acknowledged�as�the�best�in�the�world.�a�camera�designed�to�allow�the�world�to�discover�the�fascination�of�m-Photography.

1� �tHE�ESSENcE�oF�

raNGEFiNdEr��PHotoGraPHY

2� m�For�mESSSUcHEr

3� UNcomPromiSiNG�imaGE�QUalitY

4� claSSic�m-dESiGN�

5� SilENt,�diScrEEt,�comPact

6� coNcENtratioN�oN�ESSENtialS

leica�m-E,�full-size�view,�in�anthracite-grey�paint. leica�m-E,�full-size�view.

discover�the�sheer�fascination�of�rangefi�nder�photography�at�www.m-e.leica-camera.com

Page 25: Leica M Catalogus 2013_Eng

� lEica�m-E� i� 49�� 48� i� lEica�m-E

��lEica M-Ethe�fascination�of�the�rangefi�nder.

leica�m-E,�full-size�view,�in�anthracite-grey�paint.

2 m�For��mESSSUcHEr

the�‘m’�in�the�name�of�the�leica�m-E�also�stands�for�a�rather�special�kind�of�photography.�Because,�in�contrast�to�Slr�photography,�where�focusing�takes�place�through�the�lens,�the�rangefi�nder�(messsucher�in�German)�baseline�of�the�leica�m�remains�the�same,�regardless�of�the�lens�in�use.�this�is�the�reason�why�its�focusing�precision�is�immensely�superior�to�that�of�Slr�cameras�for�short�focal�lengths.�the�high-contrast�rangefi�nder�rectangle�in�the�centre�of�the�viewfi�nder�guarantees�fast,�precise�and�crystal-clear�focusing,�even�under�particularly�adverse�lighting�conditions.�mirror�slap�and�related�shake�effects�in�captured�images�are�problems�never�encountered�by�m-Photographers.

3 UNcomPromiSiNG�imaGE�QUalitY

the�leica�m-E�features�an�18-megapixel�high-resolution�ccd�sensor�in�full�35�mm�format.�a�characteristic�property�of�ccd�sensors�is�their�particularly�high�sensitivity�to�light.�the�sensor�is�perfectly�attuned�to�its�role�in�the�very�compact�m-System�and�the�superior�performance�of�m-lenses.�the�special�layout�of�the�micro�lens�makes�it�tolerant�of�oblique�light�rays�impinging�on�its�surface,�and�guarantees�uniform�exposure�and�maximum�sharpness�from�corner�to�corner�in�every�image.�the�optimised�signal�to�noise�ratio�of�the�sensor�reduces�the�need�for�digital�post-processing�and�ensures�that�images�possess�a�particularly�natural�visual�impact.�

4 claSSic�m-dESiGN�

it�is�obvious�at�first�glance�that�the�leica�m-E�is�a�member�of�the�leica�m-System�fami-ly.�distinctively�functional�styling�lends�the�camera�an�absolutely�timeless�character.�the�quintessence�of�the�m-System�is�also�expressed�by�its�design.�the�top�and�base�plates�are�discreetly�and�unobtrusively�fi�nished�in�anthracite-grey�paint.�the�design�of�its�body�is�intense-ly�focused�and�expresses�clarity,�and�its�leather�trim�offers�superior�grip.�the�familiar,�almost�inaudible�mechanical�signature�sound,�greatly�appreciated�by�many�lovers�of�leica�cameras,�remains�as�a�reminder�that�this�m,�too,�is�a�masterpiece�of�unparalleled�craftsmanship.

5 SilENt,�diScrEEt,�comPact

discretion�and�unobtrusiveness�are�particular�strengths�of�the�m-System.�For�instance,�the�shutter�action�of�the�leica�m-E�is�extremely�quiet.�a�sophisticated,�almost�noiseless�motor/gear-train�system�tensions�the�shutter�–�in�discreet�mode�only�after�the�camera�is�returned�to�its�hiding�place,�for�instance�under�a�jacket,�and�the�photographer’s�fi�nger�is�taken�from�the�release�button.�at�the�same�time,�the�combination�of�camera�and�lens�is�more�compact�than�any�other�full-format�camera�system:�a�reason�why�m-Photographers�often�go�unnoticed�and�simply�become�a�part�of�the�scene.

6 coNcENtratioN�oN�ESSENtialS

Everything�developed�in�the�evolutionary�process�of�the�leica�m-System�satisfi�es�a��genuine�photographic�need.�this�also�applies�to�the�leica�m-E:�a�digital�rangefinder�camera�that��consciously�declines�to�offer�everything�that�is�technically�possible,�but�rather�limits�itself�to�what�is�essential�to�photography.�these�essentials�include�the�typical�rapid�manual��focusing�with�the�viewfinder/rangefinder�and�the�focusing�ring�of�the�lens,�but�also�the�option�of�selecting�automatically�determined�or�manually�set�shutter�speeds.�

1 tHE�ESSENcE�oF�raNGEFiNdEr�PHotoGraPHY

leica�cameras�were�the�fi�rst�ever�successful�35�mm�cameras.�an�homage�to�this�tradition,�the�digital�leica�m-E�features�a�sensor�with�the�capability�of�precisely�reproducing�the�full�35�mm�frame�format�of�24��36�mm.�thanks�to�the�compact�construction�of�the�rangefi�nder�system,�it�is�the�smallest�full-format�system�camera�of�all�time.�the�leica�m-Bayonet�also�has�an�impressive,�long�history.�First�constructed�in�1954,�it�still�ensures�full�system�compatibility�today,�which�means�that�almost�all�m-lenses�ever�built�can�be�used�with�the�digital�leica�m-E.�and,�as�with�all�other�m-cameras,�the�leica�m-E�concentrates�purely�on�photographic�func-tions.�manual�focusing�based�on�the�combined�viewfi�nder�and�rangefi�nder�principle�and�an�automatic�aperture�priority�exposure�mode�ensure�full�photographic�creative�freedom.�

Page 26: Leica M Catalogus 2013_Eng

� lEica�m-E� i� 51�� 50� i� lEica�m-E

1

1

3

2

�lEica M-Etechnical�details.

micro-lENS�laYoUt WorKFloW�SoFtWarE�iS�iNclUdEd

�lENS�WitH��6-Bit�codiNG(not�illustrated)

the�extremely�high-performance�image�sensor�of�the�leica�m-E�demands�a�particularly�high�spatial�resolution�that�is,�above�all,�offered�by�the�latest�m-lenses.�the�excellent�correction�of�optical�aberrations�and�the�high�resolution�make�them�all�the�more�suitable�for�digital�use.�the�current�m-lenses�are�supplied�with�6-bit�coding�on�the�bayonet�mount�that�is�scanned�optically�by�the�leica�m�as�soon�as�the�lens�is�mounted.�if�required,�the�leica�m-E�can�com-pensate�for�the�extremely�low�system-inherent�vignetting�effects�on�the�basis�of�this�coded�information.�in�addition,�the�lens�type�is�recorded�in�the�Exif�data�of�the�image�files�and,�when�using�modern�flash�units�like�the�leica�SF�58,�the�reflector�is�automatically�adjusted�to�match�the�focal�length�of�the�lens�attached.�typically�leica:�on�request,�customer�care�can�retrofit�6-bit�coding�to�the�mounts�of�existing�m-lenses.

iNcrEaSEd��SENSitiVitY�tHroUGH��micro-lENS��tEcHNoloGY

micro�lenses�are�employed�to�ensure�that�more�light�reaches�each�individual�pixel�of�the�sen-sor.�as�a�consequence�of�the�extremely�compact�design�of�leica�m-E�cameras,�rays�of�light�at�the�edges�of�the�image�impinge�obliquely�on�the�sensor�and�would�be�only�inadequately�captured�by�conventional�micro�lenses.�therefore,�the�image�sensor�of�the�m-E�employs�even�more�advanced�and�meticulously�designed�micro�lenses�with�a�low�refractive�index.�the�micro�lenses�at�the�sensor�edges�are�laterally�displaced�towards�the�image�center�to�precisely�match�the�characteristics�of�m-lenses.�this�optimized�micro-lens�design,�based�on�many�years�of�experience,�captures�and�concentrates�even�oblique�rays�of�light�on�the�sensor�and�thus�re-liably�prevents�image�brightness�fall-off�at�the�edges�of�the�image.�this�ensures�that�all�existing�leica�m-lenses�also�maintain�their�full�performance�when�used�for�digital�photography.

WorKFloW��iNclUSiVE

adobe®�Photoshop®�lightroom®�4�is�a�professional�workflow�solution�for�apple�mac®�oS�X,�microsoft�Windows®�Vista,�and�microsoft®�Windows�7*.�the�software�is�available�as�a�free�online�download�for�all�leica�m-E�customers.�it�offers�a�wide�range�of�functions�for�the�manage-ment,�processing,�and�exporting�of�digital�images.�the�latest�release�now�enables�the�creation�of�simple�print�layouts,�slide�shows,�and�photo�books.�in�addition,�many�of�its�functions,�inclu-ding�its�processing�speed,�have�been�improved.�if�the�images�from�the�m-E�are�saved�as�raw�data�in�the�standardized�and�future-proof�adobe®�digital�Negative�Format�(dNG),�adobe®�Photoshop®�lightroom®�4,�with�its�sophisticated�and�precise�processing�options,�guarantees�direct�and�extremely�high-quality�image�processing�with�maximized�image�quality.

*as�adobe®�Photoshop®�lightroom®�4�no�longer�supports�Windows®�XP,�XP�users�may�download�version�3.6�online.

toNal�ValUE�HiStoGram(not�illustrated)

the�leica�m-E�can�display�a�precise�rGB�tonal�value�histogram�of�the�captured�image�after�each�shot,�and�offer�optional�integration�of�the�histogram�in�the�automatic�image�view�display.�the�clipping�warning�display�shows�the�over-�and�under-exposed�zones,�and�warns�the�photo-grapher�of�potentially�unusable�images.�the�histogram�is�recalculated�every�time�a�new�part�of�the�image�is�viewed,�thus�enabling�a�precise�quality�assessment�of�small�areas�and�even�the�finest�image�details.

1� Pixel�diagram2� centered�micro�lens�in�the�middle�of�the�sensor3� laterally�displaced�micro�lens�at�the�edge�of�the�sensor

leica�m-E�customers�can�download�the�digital�workflow�solution�adobe®�Photoshop®�lightroom®�4�free�of�charge.

Page 27: Leica M Catalogus 2013_Eng

� 52� i� lEica�rEPortaGE

a�participant�at�the�hunting�meet�with�his�eagle.

the�region�around�the�Kyrgyz�town�of�Bokonbayevo,�on�the�southern�shores�of�the�mountain�lake�issyk�Kul,�is�con-sidered�to�be�the�centre�of�the�ancient�art�of�falconry,�or�hunting�with�birds�of�prey.�during�their�visit�to�the�town�on�the�100th�anniversary�of�its�founding,�Jean�Gaumy�and�his�team�found�themselves�in�the�midst�of�an�event�dedicated�to�this�form�of�hunting,�which�was�once�widespread�in�central�asia�and�considered�to�be�a�fine�art.�Falconers�from�every�corner�of�Kyrgyzstan�have�travelled�here�with�their�birds.�many�of�the�men�wear�traditional�dress�and�the�typical�Kyrgyz�‘kalpak’,�a�felt�hat.�they�proudly�display�their�eagles,�hawks,�and�buzzards�on�leather-gloved�fists.�two�days�before�the�actual�contest,�Gaumy�enjoyed�a�rare�opportunity�to�watch�the�falconers�preparing�and�training�their�birds�for�the�contest.�in�one�training�method,�a�rider�drags�a�dead�rabbit�on�a�rope�behind�his�horse.�at�precisely�the�right�moment,�the�raptor�is�thrown�onto�the�prey�by�the�falconer�and�must�seize�it�in�its�talons�as�quickly�as�possible.�at�least�that�is�the�idea.�

�lEica REPORTAGEFeathered�hunting�aids.

Page 28: Leica M Catalogus 2013_Eng

Every�Sunday,�at-Bashy�is�the�scene�of�a�big�cattle�market.the�leica�reportage�continues�on�page�64:�Haggling,�Kyrgyz-Style.

lEica M MOnOChROM

Page 29: Leica M Catalogus 2013_Eng

� lEica�m�moNocHrom� i� 57�� 56� i� lEica�m�moNocHrom

��lEica M MOnOChROMthe�fascination�of�monochrome�photography�enters�the�digital�age.�

leica�m�monochrom,�full-size�view,�black�chrome�fi�nish. leica�m�monochrom,�full-size�view.

1� UNcomPromiSiNG�imaGE�QUalitY

2� comPatiBilitY�aS�a�mattEr�oF�PriNciPlE

3� ENdUriNG�PErFormaNcE�aNd�ValUE

4� SilENcE�aNd�diScrEtioN

5� SPEEd�aNd�FlEXiBilitY

  6   comPlEtE�coNtrol�oF�all�imaGE�ParamEtErS

  7� �FUll�FramE�24�×�36�–�WitHoUt�comPromiSE

  8� NEW�SENSor

  9� iNtUitiVE�coNtrolS

10    FUll�iNFormatioN�at�tHE�PUSH�oF�a�BUttoN

discover�the�fascination�of�the�leica�m�monochrom�at�www.m-monochrom.leica-camera.com

the�leica�m�monochrom�perpetuates�the�tradition�of�its�legendary�fi�lm�predecessors�that�made�history�with�their�numerous�groundbreaking�innovations:�it�is�the�world’s�fi�rst�35�mm�digital�camera�exclusively�for�black-and-white�photography.�it�does�more�than�transform�analogue�black-and-white�photography�into�digital:�it�sets�a�new�bench-mark�in�state-of-the-art�photographic�technology.�thanks�to�its�full-format�sensor�and�the�absence�of�colour�fi�lters,�it�achieves�unique�image�results�with�outstanding�clarity�and�unmatched�dynamics.�that�makes�it�the�perfect�camera�for�contemporary�fi�ne-art�photography,�and�all�who�share�a�fascination�for�black�and�white.

Page 30: Leica M Catalogus 2013_Eng

� lEica�m�moNocHrom� i� 59�� 58� i� lEica�m�moNocHrom

at�fi�rst�glance,�the�leica�m�monochrom�is�almost�indistinguishable�from�other�m-cameras.�its�top�plate,�leather�trim�and�carrying�strap�in�perfect�matt�black�maintain�a�discreetlylow�profi�le.�the�camera�type�is�engraved�unobtrusively�on�its�accessory�shoe.�and,�just�like�every�other�m-camera,�the�design�of�the�leica�m�monochrom�concentrates�purely�on�the�essential�photographic�functions.�its�manual�focusing,�based�on�the�combined�viewfi�nder�and�rangefi�nder�concept�and�aperture�priority�exposure�mode,�is�an�aid�to�photographers�rather�than�imposing�undesired�limitations�on�their�creative�freedom.�in�combination�with�the�lcd�monitor�on�the�back�of�the�body,�the�simple�and�intuitive�menu�navigation,�managed�by�only�a�few�control�elements,�ensures�rapid�access�to�all�the�camera�functions.

��lEica M MOnOChROMSharpness�redefi�ned.

leica�m�monochrom,�full-size�view,�black�chrome�fi�nish.

1 UNcomPromiSiNG�imaGE�QUalitY

the�m�monochrom�features�a�new�full-frame,�35�mm�format�sensor�developed�especially�for�black-and-white�photography.�in�contrast�to�conventional�sensors,�it�has�no�need�for�colour�fi�lters�for�individual�pixels,�and�therefore�requires�no�interpolation�for�the�calculation�of�lumi-�nance�values.�this�means�that�raw�data�and�even�JPEG�image�fi�les�from�the�m�monochrom�can�be�used�directly�and�without�any�further�processing.�this�enables�photographers�to�cap-ture�images�with�greater�brilliance,�superior�sharpness�and�contrast�resolution�that�can�equal�the�quality�of�medium�format.�due�to�their�low�compression�rate,�JPEG�fi�les�from�the�camera�also�satisfy�professional�demands.�

2 comPatiBilitY�aS�a�mattEr�oF�PriNciPlE

the�m�monochrom�offers�access�to�the�complete�range�of�leica�m-lenses,�long�since�recog-nised�as�being�the�best�in�the�world.�the�fi�rst�m-camera�was�built�in�1954,�and�the�system�has�been�continuously�developed�and�improved�ever�since.�the�high-resolution,�full-format�image�sensor�fully�exploits�the�performance�of�the�lenses�from�corner�to�corner�in�every�image.

3 ENdUriNG�PErFormaNcE�aNd�ValUE

it�is�not�rare�for�a�leica�to�become�its�owner’s�lifelong�companion.�this�applies�particularly�to�the�digital�leica�m�monochrom:�its�top�and�base�plates�are�machined�from�solid�brass.�its�full-metal�housing�is�manufactured�in�one�piece�from�high-strength�magnesium�alloy,�and�offers�perfect�protection�for�its�precious�inner�mechanisms.�the�digital�components�and�shutter�assembly�of�the�m�monochrom�are�similarly�constructed�with�a�lifetime�of�endurance�in�mind.�in�short:�an�m�monochrom�is�a�long-term�investment.

4 SilENcE�aNd�diScrEtioN

discretion�and�unobtrusiveness�are�particular�strengths�of�the�m-System.�the�shutter�of�the�m�monochrom�is�also�extremely�quiet.�the�very�low�noise�level�when�cocking�the�shutter�is�ensured�by�a�sophisticated�motor�gearing�system.�in�discreet�mode,�the�shutter�is�only�cocked�after�the�photographer’s�fi�nger�is�taken�from�the�shutter�release�button,�when,�for�instance,�the�camera�is�concealed�under�a�jacket.�then�again,�when�longer�exposure�times�requiring�a�steady�camera�stance�are�essential,�even�slight�pressure�on�the�shutter�release�button�in�‘soft’�release�mode�is�suffi�cient.�at�the�same�time,�the�combination�of�camera�and�lens�is�signifi�cantly�more�compact�than�any�other�full-frame�camera�system:�this�contributes�to�the�fact�that�m-Photog-raphers�frequently�go�unnoticed�and�often�simply�melt�into�the�background.

5 SPEEd�aNd�FlEXiBilitY

the�leica�m�monochrom�adapts�fl�exibly�to�its�intended�use.�its�sensitivity�range�extends�from�iSo�320�to�iSo�10000.�at�the�same�time,�very�low�image�noise�and�fi�nest�resolution�of�details�in�shadows�and�highlights�are�achieved�throughout�the�sensitivity�range,�even�at�the�highest�set-tings:�the�m�monochrom�delivers�razor-sharp�images�with�the�fi�nest�grain,�even�at�iSo�10000.�Very�low�image�noise�characteristics,�a�bright�viewfinder/rangefinder,�low-vibration�shutter�release�and�fast�lenses�make�the�m�monochrom�the�perfect�camera�for�available-light�photog-raphy.

6 comPlEtE�coNtrol�oF�all�imaGE�ParamEtErS

the�leica�m�monochrom�aids�photographers�with�automatic�functions�whenever�required,�but�it�never�dictates�how�to�shoot.�depending�on�the�lighting�situation,�the�automatic�iSo�shift�function�increases�the�sensitivity�of�the�camera�as�soon�as�a�defi�ned�shutter�speed�is�ex-ceeded.�at�the�same�time,�it�also�limits�the�shift�to�a�maximum�value�set�by�the�photographer.�this�means�that�correct�exposure�without�camera�shake�and�the�lowest�possible�sensitivity�is�always�available�to�guarantee�the�best�possible�image�quality�in�all�situations.�in�addition,�the�m�monochrom�also�offers�automatic�exposure�bracketing�with�a�user-select�able�number�of�shots�and�incremental�exposure�values.�this�function�ensures�that�even�high-contrast�sub-jects�are�captured�perfectly.

Page 31: Leica M Catalogus 2013_Eng

� lEica�m�moNocHrom� i� 61�� 60� i� lEica�m�moNocHrom

the�leica�m�monochrom�embodies�the�heritage�and�amassed�experience�of�more�than�fi�ve�decades�of�the�m-System.�at�the�same�time,�it�is�a�digital�system�camera�at�the�cutting�edge�of�contemporary�technology.�For�leica�designers,�the�photographic�image�has�always�been�their�prime�concern�–�no�matter�whether�fi�lm�or�digital,�in�black-and-white�or�in�colour.�the�combination�of�an�extremely�effi�cient�black�and�white�image�sensor,�the�latest�digital�compo-nents�and�the�classic�viewfinder/rangefinder�principle,�consistently�optimised�over�many�years,�make�the�leica�m�monochrom�absolutely�unique.

leica�m�monochrom,�full-size�view.

�lEica M MOnOChROMthe�ultimate�in�rangefi�nder�precision�meets�cutting-edge�digital�technology.

7 FUll�FramE�24�×�36�–�WitHoUt�comPromiSE

the�ccd�image�sensor�specifi�cally�designed�and�developed�for�the�leica�m�monochrom�offers�full�35�mm�fi�lm�format�without�compromise.�all�m-lenses�mounted�on�the�m�monochrom�offer�the�angle�of�view�they�had�when�using�fi�lm�and�are�therefore�used�to�optimum�effect.�in�other�words:�all�the�outstanding�characteristics�of�the�lenses�are�now�fully�maintained�for�digital�photography,�too.�Because�of�its�high�resolution�and�superior�image�quality,�the�m�monochrom�has�the�ability�to�fully�exploit�the�enormous�potential�of�m-lenses.

8 NEW�SENSor When�leica�created�the�m�monochrom,�it�wasn’t�a�matter�of�modifying�the�lenses�to�match�theimage�sensor,�but�rather�the�other�way�around:�the�monochrome�sensor�was�perfectly�attuned�to�its�role�in�the�compact�m-System,�and�the�superior�performance�of�m-lenses,�during�its�development.�the�omission�of�the�colour�fi�lter�signifi�cantly�increases�the�basic�sensitivity�of�each�individual�pixel.�it�also�means�that�the�m�monochrom�captures�images�with�signifi�cantly�greater�contrast�and�clarity�at�all�iSo�settings.�the�special�layout�of�the�microlenses�found�only�in�the�digital�m-camera�sensor�makes�it�tolerant�of�oblique�light�rays�impinging�on�its�surface,�and�guarantees�uniform�exposure�and�extreme�sharpness�from�corner�to�corner�in�every�image.�therefore,�future�lenses�can�be�designed�and�optimised�with�uncompromising�dedication�to�achieve�both�high�performance�and�compact�construction.�a�special�glass�sensor�cover�en-sures�the�suppression�of�infrared�light.�the�intentional�decision�to�dispense�with�a�moiré�fi�lter,�a�cause�of�image�deterioration�through�loss�of�resolution,�ensures�maximum�resolution�of�details.��

9 �iNtUitiVE�coNtrolS

the�key�control�element�of�the�m�monochrom�is�an�intuitive�four-way�switch�and�dial�com-bination�used�in�conjunction�with�the�large�lcd�screen�on�the�back.�Setting�the�sensitivity�requires�only�continued�pressure�on�the�iSo�button�while�simultaneously�turning�the�dial�to�select�the�required�setting.�all�other�functions�important�for�everyday�situations�are�quickly�and�easily�accessible�by�pressing�the�‘Set’�button:�these�include�image-data�compression,�resolution,�exposure�correction,�exposure�bracketing�and�programmable�user�profiles.�User�profi�les�can�be�programmed�with�any�camera�and�shooting�settings,�stored�under�a�specifi�c�name�and�accessed�quickly�whenever�required�for�a�particular�situation.�all�other�functions,�from�automatic�lens�recognition�and�six-bit�lens-mount�coding�to�sensor�cleaning,�are�easy�to�fi�nd�in�the�clearly�laid-out�main�camera�menu.

10 FUll�iNFormatioN�at�tHE�PUSH�oF�a�BUttoN

When�the�‘info’�button�is�pressed�in�shooting�mode,�the�monitor�on�the�back�of�the�camera�displays�the�precise�charge�level�of�the�battery,�the�remaining�capacity�on�the�memory�card�and�the�most�important�basic�shooting�settings,�for�example�the�shutter�speed.�in�review�mode,�users�can�toggle�between�an�image-only�view,�with�a�zoom�option�up�to�single-pixel�level�oper-ated�by�turning�the�dial,�and�other�image�information.�this�includes,�for�instance,�information�on�the�sensitivity�setting,�the�shutter�speed�and�a�precise�histogram�display.

Page 32: Leica M Catalogus 2013_Eng

� 62� i� lEica�m�moNocHrom

�lEica M MOnOChROMtechnical�details.

coloUr�aNd�moNocHromE�SENSorS�–�a�comPariSoN BlacK-aNd-WHitE�WorKFloW

leica�m�monochrom�customers�can�take�advan-tage�of�a�free�download�of�the�digital�workflow�solution�Adobe® Photoshop® Lightroom® 4.

m�monochrom�customers�are�also�entitled�to�a�free�download�of�the�Nik Software Silver Efex Pro™�software�package.

*�as�adobe®�Photoshop®�lightroom®�4�no�longer�supports�Windows®�XP,�adobe®�Photoshop®�lightroom®�3.6�is�also�available�as�a�free�download�for�XP�users.

With�a�full�native�resolution�of�18�megapixels,�the�leica�m�monochrom�delivers�100�%�sharper�images�than�a�colour�sensor.�as�its�sensor�does�not�‘see’�colours,�every�single�pixel�records�true�luminance�values.��this�means�that�the�m�monochrom�delivers�a�‘true’�black-and-white�image�straight�from�the�sensor.�the�combination�of�the�brilliant�imaging�qualities�of�leica�lenses�and�perfect�harmonisation�of�the�sensor�with�the�m-System�results�in�images�with�outstanding�sharpness�and�natural�brilliance,�without�the�need�for�sharpening�in�post-processing�software.�the�result�is�an�incomparable�image�quality�that�would�normally��be�expected�only�from�a�medium-format�camera.

the�impressive�quality�of�the�native�raw�data�from�the�m�monochrom�not�only�enables�images�to�be�used�directly,�but�also�allows�them�to�be�stored�in�JPEG�format�with�identical�resolution.�thanks�to�the�choice��of�a�low�compression�rate,�the�quality�of�the�JPEG�files�is�even�comparable�with�that�of�professionally�processed�tiFF�files.

the�leica�m�monochrom�more�than�satisfies�the�expectations�of�discerning�users�and�fine-art�photog-raphers,�with�a�raw�data�histogram�for�the�precise�assessment�of�tonal�values.�the�difference�compared�to�conventional�histograms�is�that�it�displays�original,�unprocessed�and�unmodified�raw�data.�the�combin-ation�of�this,�with�a�configurable�clipping�display�in�particular,�allows�precise�correction�or�optimisation�of�exposures.�the�subdivision�of�the�raw�data�histogram�into�stops�enables�dedicated�black-and-white�photographers�to�employ�a�digital�interpretation�of�the�zone�system.�

With�the�leica�m�monochrom,�photographers�can�apply�characteristic�toning�effects�from�analogue�black-�and-white�photography,�such�as�sepia,�cold�or�selenium�toning�to�their�images,�at�the�touch�of�a�button.�the�user�saves�the�image�in�JPEG�format�and�selects�the�desired�toning�effect�–�simply�and�conveniently,�and�without�the�need�for�post-processing.

moNocHromE�SENSor��

raW�data��HiStoGram��(not�illustrated)

lENSES�WitH��SiX-Bit�codiNG(not�illustrated)

BlacK-aNd-WHitE�WorKFloW�

USEFUl�EFFEctS�(not�illustrated)

adobe®�Photoshop®�lightroom®�4�is�a�professional�workflow�solution�for�apple�mac®�oS�X,�microsoft�Windows®�Vista�and�microsoft�Windows�7*.�the�software�is�available�as�an�online�download�for�all�new�leica�m�monochrom�customers,�after�online�camera�registration.�it�offers�a�wide�range�of�functions�for�the�management,�processing�and�exporting�of�digital�images.�the�latest�release�now�enables�the�creation��of�simple�print�layouts,�slide�shows�and�photo�books.�in�addition,�many�of�its�functions,�including�its�processing�speed,�have�been�improved.�if�the�images�from�the�m�monochrom�are�saved�as�raw�data�in�the�standardised�and�future-proof�adobe®�digital�Negative�Format�(dNG),�adobe®�Photoshop®�lightroom®�4,�with�its�sophisticated�and�precise�processing�options,�guarantees�direct�and�extremely�high-quality�image�processing�with�maximum�image�quality.��

in�addition�to�this,�the�package�also�includes�a�plug-in�version�of�the�Nik�Silver�Efex�Pro™�software,�con-��sidered�to�be�the�most�powerful�tool�for�the�creation�of�high-quality�digital�black-and-white�images.�For�pictures�that�perfectly�recreate�the�look�of�analogue�exposures,�Silver�Efex�Pro™�offers�selective�control�of�tonal�values�and�contrast�and�an�extensive�collection�of�profiles�for�the�simulation�of�black-and-white�film�types,�grain�structures�and�much�more.

the�high-performance�image�sensor�of�the�m�monochrom�demands�a�particularly�high�spatial�resolution�that�is,�above�all,�offered�by�the�latest�m-lenses.�the�excellent�correction�of�optical�aberrations�and�high�resolution�makes�them�all�the�more�suitable�for�digital�use.�the�current�m-lenses�are�supplied�with�a�six-bit�code�on�the�bayonet�mount�that�is�scanned�optically�by�the�m�monochrom�as�soon�as�the�lens�is�mounted.�if�required,�the�m�monochrom�can�compensate�for�extremely�minor,�system-inherent�vignetting�effects�on�the�basis�of�this�coded�information.�in�addition,�the�lens�type�is�recorded�in�the�Exif�data�of�the�image�files�and,�when�using�the�latest�flash�units�such�as�the�leica�SF�58,�automatically�adjusts�the�reflector�to�match�the�focal�length�of�the�lens�attached.�in�most�cases,�leica�customer�care�can,�on�request,�retrofit�six-bit�coding�to�the�mounts�of�existing�m-lenses.

to�allow�an�image�sensor�to�‘see�in�colour’,�colour�filters�in�the�basic�colours�–�red,�green�and�blue�–�are�allocated�to�individual�pixels.�How-ever,�before�a�visible�image�can�be�created,�the�colour�information�recorded�by�neighbouring�pixels�must�be�combined�–�an�additive�process�that�naturally�reduces�the�native�sharpness.

the�sensor�of�the�leica�m�monochrom�does�not�see�colours.�as�a�result,�each�individual�pixel�records�true�luminance�values�from�which�a�truly�monochrome�image,�characterised�by�a�native�and�incomparable�sharpness,�can�be�created�without�any�additional�processing.�

colour�filter

Sensor�pixel

Sensor�pixel

Page 33: Leica M Catalogus 2013_Eng

� lEica�rEPortaGE� i� 65�

Even�today,�big�and�seemingly�archaic�cattle�markets�are�still�a�common�sight�in�many�Kyrgyz�towns�and�cities.�Neither�quiet�nor�squeamish,�the�dealers�and�buyers�haggle�at�the�tops�of�their�voices�–�above�all�over�goats,�sheep,�pigs,�horses,�cattle,�and�yaks.�today�more�than�ever,�cattle-breeding�plays�an�important�role�in�Kyrgyzstan.�Because,�following�the�collapse�of�the�Soviet�Union�and�their�withdrawal�from�the�country,�many�non-agricultural�jobs�simply�disappeared.�in�addition�to�this,�the�mountainous�areas�of�Kyrgyzstan�are�much�more�suitable�for�grazing�than�for�the�production�of�cash�crops.�Since�gaining�their�independence,�increasing�numbers�of�Kyrgyz�attempt�to�secure�an�existence,�or�at�least�earn�a�little�on�the�side,�with�animal�husbandry.�of�equal�importance�is�that�cattle�in�par-ticular�are�seen�as�a�safe�investment�in�times�of�economic�insecurity.�So�the�intensity�of�the�haggling�at�Kyrgyz�cattle�markets�is�by�no�means�surprising.�and�it�takes�time.�Haggling�over�a�single�beast�can�take�at�least�10�to�15�minutes.�in�contrast�to�Western�customs,�the�process�here�begins�with�a�handshake.�While�dealers�and�buyers�argue�over�the�price,�they�maintain�a�strong�grip�on�each�others’�hands�and�begin�to�shake�them�theatrically.�the�handshaking�stops�as�soon�as�the�price�is�settled�to�the�satisfaction�of�both�parties,�and�the�bargain�is�sealed.

�lEica REPORTAGEHaggling,�Kyrgyz-Style.

top:�at�a�cattle�market�near�osh.�Bottom:�Goats�in�Kyrgyzstan�can�also�be�pretty�stubborn.

Page 34: Leica M Catalogus 2013_Eng

Private�house�in�Naryn,�where�Kyrgyz�felt�carpets�known�as�‘shyrdaks’�are�made.the�leica�reportage�continues�on�page�74:�an�ancient�craft�with�a�long�tradition.

lEica�M7/MP

Page 35: Leica M Catalogus 2013_Eng

� 68� i� lEica�m7 � lEica�m7� i� 69�

classics�are�works�that�have�a�curious�relationship�with�the�present.�they�are�never�reformulated�with�respect�to�their�essential�character,�but�rather�reinterpreted�on�the�basis�of�a�changed�world.�the�leica�m7�fi�lm�camera�is�just�such�a�classic.�like�every�other�leica�m-camera,�the�m7�is�primarily�a�mechanical�and�optical�precision�in-strument.�However,�because�of�the�intelligent�use�of�the�latest�electronics,�it�is�simultaneously�the�most�versatile�and�most�precise�leica�m�fi�lm�camera�ever�built.�For�example,�leica�m7�photographers�can�select�a�continuously�variable�aperture�priority�exposure�mode�–�leaving�the�photographer�free�to�concentrate�on�the�creative�essen-tials�of�focusing�and�framing�the�subject.

�lEica M7 the�crowning�glory�of�classic�leica�m�photography.

leica�m7,�full-size�view;�available�in�silver�chrome�and�black�chrome.

ENHaNcEd�PrEciSioN�PlUS�maNUal�BacKUP

the�legendary�leica�horizontal�cloth�focal�plane�shutter�incorporated�in�all�previous�m-Series�fi�lm�cameras�was�fundamentally�revised�for�the�m7.�it’s�barely�audible�when�controlling�the�shutter�speeds�electronically,�and�constitutes�an�essential�element�of�the�aperture�priority�exposure�system.�the�commonly�used�shutter�speeds�of�1/60�sec�and�1/125�sec�function�without�battery�power.

crEatiVE�FlaSH�oPtioNS

in�combination�with�a�special�dedicated�fl�ash�unit,�the�m7�also�offers�second-curtain�fl�ash�synchronisation.�the�advantage:�a�more�natural�look�to�captured�images�of�moving�subjects�including�time�exposures�with�fill-in�flash.�in�addition�to�the�standard�synchronisation�speed�of�1/50�sec,�the�m7�also�synchronises�at�a�speed�of�up�to�1/1000�sec�when�used�in�combination�with�certain�Sca-dedicated�metz�fl�ash�units.

aVoidiNG�iNcorrEct�EXPoSUrES

the�leica�m7�offers�photographers�the�choice�of�setting�the�film�speed�(iSo)�manually�or�by�using�the�contactless�automatic�fi�lm-speed�detection�built�into�the�camera�body�(dX�coding).�this�effectively�avoids�incorrect�exposures�due�to�wrongly�set�iSo�fi�lm�speeds.�as�a�further�option,�in�automatic�exposure�mode,�photographers�can�input�exposure�corrections�of�up�to�±2�stops.

aUtomatic�EXPoSUrE�altErNatiVES

as�an�alternative�to�the�familiar�manual�exposure�metering�of�other�m-cameras�–�which,�of�course,�is�still�an�option�with�the�m7�–�the�camera�offers�a�convenient,�continuously�variable�aperture�priority�exposure�mode�with�aE�lock�that�is�acti-vated�by�lightly�depressing�the�shutter�release.

rEadY�to�Go�...�or�StoW

the�oN/oFF�switch,�ergonomically�located�directly�next�to�the�shutter�release,�has�two�important�functions:�fi�rstly,�it�activates�the�electronics�of�the�leica�m7�and,�secondly,�it�locks�the�shutter�release�when�the�camera�is�turned�off.

PictUrE�ParamEtErS�at�a�GlaNcE

a�system�unique�to�leica�rangefi�nder�cameras�clearly�displays�all�relevant�infor-mation�in�the�brilliant�viewfi�nder�of�the�leica�m7:�the�shutter�speed�determined�by�the�aperture�priority�exposure�system,�over- �and�underexposure�values�in�manual�metering�mode,�a�flash-ready�signal�when�a�flash�unit�is�attached�and�ready�to�fi�re,�and�a�warning�icon�when�the�camera�batteries�are�low.

leica�m7,�full-size�view.

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� lEica�mP� i� 71�� 70� i� lEica�mP

leica�mP,�full-size�view.

it�is�noteworthy�to�mention�that�even�in�this�increasingly�electronic�age,�the�leica�mP�is�a�purely�mechanical�camera�that�transforms�the�act�of�capturing�compelling�images�into�something�indescribably�exciting�and�sensual.�more�than�80�years�of�experience�and�expertise�in�the�design�and�construction�of�exclusively�mechanical�rangefinder�cameras�has�culminated�in�the�current�leica�mP.�this�timeless�classic�embodies�the�essence�of�fi�ne�mechanical�precision.�it�is�a�veritable�masterpiece�possessing�an�instinctive�and�emotional�quality�that�captivates�any�photog-rapher�at�the�very�fi�rst�touch.�in�this�era�of�accelerating�transition,�the�leica�mP�stands�supreme�as�a�camera�for�a�lifetime.

leica�mP,�full-size�view;�available�in�silver�chrome�and�black�paint�fi�nish.

�lEica MP a�masterpiece�of�mechanical�precision.

EmPoWEriNG By�definition,�photography�is�writing�with�light.�But�leica�m-Photo�g�raphy�means�something�more�–�the�ability�to�create�images�that�articulate�a�recognizable�and�distinctive�character�even�with�the�bare�mini-mum�of�available�light.�the�leica�mP�empowers�the�photographer�to�master�even�the�most�diffi�cult�lighting�situations,�because�the�camera�never�tries�to�think�on�its�own.�its�selective�ttl�metering�system�merely�provides�precise�and�comprehensible�data�to�support�photographers�in�their�selection�of�the�ideal�expo-sure�parameters,�ensuring�complete�creative�control.

ENdUriNG the�leica�mP�is�built�for�long�life�and�lasting�value.�this�is�guaranteed�by�leica’s�commitment�to�using�only�the�fi�nest�materials�and�the�highest�precision�manufacturing�techniques.�time�and�time�again,�the�leica�mP�has�proven�its�robustness�and�dependability�under�the�most�adverse�conditions.�it�has�been�used�in�sub-freezing�environments�where�cameras�relying�on�batteries�cannot�function�reliably�—�all�whilst�de-livering�a�number�of�shutter�release�cycles�that�other�camera�simply�could�not�match.�this�unparalleled�quality�is�also�the�underlying�reason�why�leica�is�prepared�to�offer�an�extraordinarily�long�warranty�period�of�fi�ve�years�for�registered�users�who�purchase�their�camera�at�an�authorised�leica�dealer.

maXimUm�rEliaBiltY

the�construction�of�the�leica�mP�is�so�uncompromising�that�it�is�always�dependable.�its�incredibly�strong�and�rugged�body�will�withstand�the�worst�conditions�without�a�whimper.�all�its�crucial�control�elements�are�crafted�exclusively�in�metal.�Yes,�the�mP�depends�on�the�skills�of�the�user�–�but�it�certainly�doesn’t�depend�on�batteries.�they�are�needed�solely�for�metering.�indeed,�anyone�skilled�in�estimating�shutter�speeds�and�apertures�can�completely�ignore�the�electronics.

iNdiVidUaliSm�tHat�imProVES�WitH�aGE

the�leica�mP�is�available�in�two�different�body�fi�nishes:�silver�chrome�and�black�paint.�after�years�of�hard�use,�when�a�little�brass�begins�to�show�through�the�black�or�silver�at�the�corners�and�edges,�it’s�a�sure�sign�to�savvy�photographers�that�the�camera�and�its�owner�have�shared�many�memorable�experiences.

UNdErStatEd it�is�well�known�that�most�professionals�just�love�the�red�leica�dot�on�their�cameras,�but�for�the�sake�of�maintaining�a�low�profi�le,�many�mask�the�tell-tale�dot�with�tape.�this�is�why�the�leica�mP�was�manufac-tured�without�this�iconic�emblem�right�from�the�start.�of�course,�knowledgeable�owners�and�afi�cionados�can�identify�a�leica�anywhere�without�the�need�for�special�branding.�the�leica�inscription�on�the�top�plate�is�identifi�cation�enough.

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� lEica�À�la�cartE� i� 73�� 72� i� lEica�À�la�cartE

Personalised�engraving,�signature Personalised�engraving,�signature

Personalised�engraving,�name Personalised�engraving,�name

illustrated�here:�leica�mP,�silver�chrome.illustrated�here:�leica�mP,�black�chrome.illustrated�here:�leica�mP,�black�paint.

illustrated�here:�leica�mP,�silver�chrome.illustrated�here:�leica�mP,�black�paint. illustrated�here:�leica�mP,�black�chrome.

Performance,�precision�and�reliability�–�these�are�attributes�that�all�leica�m-cameras�have�in�common.�Neverthe-less,�the�design�of�m7�and�mP�fi�lm�cameras�can�be�changed�in�a�variety�of�unique�ways�to�express�your�individual�tastes.�Even�technical�details�can�be�modifi�ed�to�match�any�photographer’s�personal�use�profi�le.�this�is�how�a�fully�personalised�leica�m-camera�is�born.�a�choice�of�the�fi�nest�materials*,�different�styles�and�colours,�and�a�multitude�of�variable�elements�and�functional�details�open�up�almost�endless�creative�opportunities�–�from�an�unobtrusive�professional�street-shooter’s�tool�to�an�extravagant�and�eye-catching�lifestyle�icon.�the�individual�components�are�assembled�by�hand.�Up�to�and�including�final�quality�control,�each�à�la�carte�leica�m7�or�mP�is�custom-crafted�according�to�the�precise�specifi�cations�of�each�individual�order.

�lEica À LA CARTE Handcrafted�and�one�of�a�kind.

ENGraViNG

lEatHEr�trim�m7/mP

FiNiSHES�m7/mP

FUNctioNal�oPtioNS

Viewfinder�frames�and�magnification�can�be�custom-ordered�to�meet�the�requirements�of�the�lenses�you�prefer.�the�à�la�carte�program�offers�a�choice�of�universal�viewfi�nder�magnifi�cations:�the�standard�0.72�x�version,�the�wide-angle�and�eyeglasses-wearer’s�version�with�0.58�x�magnifi�-cation,�and�the�telephoto�version�with�0.85�x.�

the�choice�of�control�elements�allows�you�to�tailor�the�camera�precisely�to�your�shooting�requirements,�for�example�to�favour�ruggedness�or�faster�operation.

0,58�x 0,72�x 0,85�x

diVErSitY more�than�4,000�different�confi�guration�options�fulfi�l�even�the�most�unusual�wishes.�Visit�www.leica-a-la-carte.com�to�fi�nd�out�more�about�the�wide�variety�of�combina-tion�options.

aEStHEtic�oPtioNS

a�selection�of�top�plate�colours�and�body�coverings�in�a�wide�range�of�organically�tanned�leathers�in�various�textures�and�colours�is�available�to�complement�the�body�fi�nish.�camera�bags,�cases�and�carrying�straps�are�also�available�in�matching�leathers.�and,�last�but�not�least,�personalised�engraving�in�the�form�of�signatures,�monograms,�graphic�elements,�or�family�crests�make�any�leica�a�truly�unique�and�unmistakable�work�of�art.

discover�our�range�of�exclusive�leica�à�la�carte�accessories�on�page�108.

*all�real-leather�options�offered�here�are�exclusively�premium-quality�full-grain�cowhides.�real�leather�is�not�employed�for�the�standard�trim�of�leica�m7�and�leica�mP�models,�or�for�vulcanite�trim�options.

m7 mP Vulcanite Saddle�leather,�black

Nappa�leather,�racing�green

calf�leather,�smooth,�blue calf�leather,�smooth,�mocha

calf�leather,�smooth,�red Naturally-tanned�leather,�cognac

lizard�style�embossed�leather,�black

ostrich�style�embossed�leather,�black

ostrich�style�embossed�leather,�chestnut

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� lEica�rEPortaGE� i� 75�

Naryn,�the�capital�of�Kyrgyzstan’s�administrative�province�of�the�same�name,�is�situated�at�an�altitude�of�2,000�metres�above�sea�level.�it�is�the�last�large�city�in�Kyrgyzstan�before�reaching�the�border�with�china�at�the�torugat�Pass.�the�city�is�a�familiar�starting�point�for�all�travelers�taking�the�pass�route�–�and�is�also�famous�for�its�carpets.�it�is�said�the�best�‘shyrdaks’�are�made�in�Naryn.�these�special,�double-layered,�felted-wool�carpets�with�stitched�patterns�are�made�completely�by�hand�by�local�women.�the�‘wet-felting’�technique�they�use�is�one�of�the�world’s�most�ancient�textile�working�methods�there�is.�Since�time�immemorial,�shyrdaks�have�been�used�for�carpeting�and�insulating�their�yurts.�the�extreme�natural�temperature�fluctuations�that�the�wool�in�the�mountains�of�Kyrgyzstan�is�subjected�to�endow�it�with�rather�special�qualities.�the�graphical,�modern-looking�patterns�of�the�carpets�are�predominantly�modeled�on�animal�and�plant�motifs�from�the�natural�world.�many�families�have�their�own�traditional�patterns�that�are�passed�down�from�generation�to�generation.�the�simple�beauty�of�these�Shyrdaks�stands�in�in-tense�contrast�to�the�textile�decorations�or�pictures�that�can�be�encountered,�for�example,�in�the�city’s�restaurants.�

�lEica REPORTAGE an�ancient�craft�with�a�long�tradition.

top�an�bottom:�in�a�restaurant�in�the�provincial�capital�of�Naryn.

Page 39: Leica M Catalogus 2013_Eng

the�construction�of�traditional�yurts�to�celebrate�the�100th�anniversary�of�the�founding�of�the�town�of�Bokonbayevo.�the�leica�reportage�continues�on�page�86:�Home�is�where�the�yurt�is.

m�-�SYStEmLEnSES

Page 40: Leica M Catalogus 2013_Eng

in�an�abstracted�form,�the�‘tunduk’,�the�crowning�point�of�every�Kyrgyz�yurt,�is�also�a�key�element�in�the�national�fl�ag.

�lEica nOCTILUX - M�50�mm�f/0.95�aSPH.King�of�the�night.

in�2008,�leica�proudly�announced�the�fastest�aspherical�lens�the�world�had�ever�seen:�the�remarkable�leica�Noctilux-m�50�mm�f/0.95�aSPH.,�a�replacement�for�the�legendary�leica�Noctilux-m�50�mm�f/1,�which�had�been�a�highlight�of�the�leica�m-lens�range�since�1975.�the�combination�of�cutting-edge�optical�and�mechanical�technol-ogies�has�made�it�possible�to�achieve�a�marked�improvement�in�its�performance�compared�to�its�illustrious�predecessor.�although�its�dimensions�are�almost�identical,�a�significantly�higher�speed�has�been�successfully�attained.�at�full�aperture,�its�extremely�shallow�depth�of�fi�eld�allows�the�photographer�to�create�compelling�portraits�and�scenic�impressions�characterised�by�an�incomparably�natural-looking�play�of�sharpness�and�softness.�Stop�down�a�little�and�the�lens�delivers�outstanding�image�quality�comparable�to�that�of�the�leica�Summilux-m�50�mm�f/1.4�aSPH.,�the�lens�generally�consid-ered�to�be�the�reference�standard�for�all�other�normal�lenses.�When�used�for�available�light�photography,�the�Noctilux-m�actually�exceeds�the�resolving�power�of�the�human�eye.�the�use�of�a�fl�oating�element�ensures�that�this�lens�provides�top�performance�down�to�its�closest�focusing�distance.�Vignetting�and�distortion�have�also�been�noticeably�improved�compared�to�the�50�mm�f/1.all�views�of�lenses�full-size�(unless�otherwise�indicated).

hIGh-SPEEDLEnSES

� m�-�SYStEm�lENSES� i� 79�

Page 41: Leica M Catalogus 2013_Eng

top�and�bottom:�the�summer�months�see�numerous�herders�on�the�mountain�pastures�–�like�here�at�lake�Song�Kul.�the�grazing�season�ends�in�September�when�herders�drive�their�animals�to�lower�altitudes.

�lEica APO�-�SUMMICROn�-�M�50�mm�f/2�aSPH.anything�but�a�standard�lens.

the�enormous�speed�of�developments�in�the�fi�eld�of�digital�photography�in�recent�years�has�brought�cameras�with�ever�increasing�resolution�and,�correspondingly,�constantly�increasing�demands�on�lens�quality.�So�the�time�was�ripe�for�a�lens�constructed�on�the�basis�of�optical�calculations�refi�ned�and�perfected�over�many�years.�and�now,�our�engineers�have�impressively�redefi�ned�the�limits�of�the�technically�possible,�and�have�set�entirely�new�standards�in�image�quality,�in�the�form�of�the�leica�aPo-Summicron-m�50�mm�f/2�aSPH.�lens.�the�challenge�they�set�themselves�was�to�explore�the�limits�of�what�is�possible�within�standard�specifications�when�a�fast�aperture,�an�extreme�angle�of�view�and�the�effort�to�be�invested�are�not�taken�into�account.�this�situation�made�it�possible�to�concentrate�entirely�on�achieving�ultimate�perfec-tion�in�image�quality�from�the�beginning.�the�result�is�a�lens�that,�for�the�fi�rst�time�ever,�exploits�the�immense�potential�of�contemporary�high-resolution�camera�systems�without�compromise.�

the�aPo-Summicron-m�50�mm�f/2�aSPH.�features�a�total�of�eight�lens�elements.�the�design�of�the�optical�group�in�front�of�the�diaphragm�is�based�on�that�of�the�outstanding�leica�Summi-lux-m�50�mm�f/1.4�aSPH.�the�group�behind�it�is�similar�to�that�of�the�Summilux-m�35�mm�f/1.4�aSPH.�as�in�the�case�of�the�Summilux,�this�is�a�fl�oating�element�that�ensures�excellent�image�quality�from�infi�nity�to�the�closest�focusing�range.�Furthermore,�the�lens�employs�ex-tremely�complex�and�elaborate�apochromatic�correction,�to�correct�chromatic�aberrations.�this�minimises�colour�fringing�on�sharp�edges�to�ensure�natural�rendition�of�every�detail.�this�is�achieved,�for�instance,�by�the�ingenious�incorporation�of�glass�with�anomalous�partial�dispersion�in�its�optical�design.�consequently,�photographers�benefi�t�from�the�best�possible�image�quality�for�prints�in�any�format.�

� m�-�SYStEm�lENSES� i� 81�

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lEica SUMMILUX�-�M�35�mm�f/1.4�aSPH.

the�leica�Summilux-m�35�mm�f/1.4�aSPH.�is�the�succes-sor�to�the�extremely�popular�previous�version�of�the�lens.�thanks�to�the�further�development�of�its�optical�and�mechanical�systems,�it�now�sets�standards�in�the�world�of�fast,�wide-angle�lenses.�in�contrast�to�its�predecessor,�the�new�leica�Summilux-m�35�mm�f/1.4�aSPH.�features�a�fl�oating�element�that�ensures�excellent�imaging�quality�in�the�close-up�range.�the�lens�reveals�its�outstanding�per-formance�characteristics�at�maximum�aperture.�thanks�to�its�extraordinary�qualities,�this�35�mm�lens�is�a�universal�tool�for�every�photographer.�its�moderate�wide-angle�cha-racteristics,�on�the�one�hand,�and�its�natural�reproduction�of�perspectives,�on�the�other,�make�it�ideal�for�a�particu-larly�broad�spectrum�of�photographic�uses�ranging�from�portraiture�to�landscapes.�it�is�ideal�as�a�fi�rst�lens�when�beginning�to�build�a�leica�m-System.

lEica SUMMILUX - M�24�mm�f/1.4�aSPH.

the�super-speed�leica�Summilux-m�24�mm�f/1.4�aSPH.�is�the�ideal�photographic�tool�for�professional�photojourna-lists.�indeed,�it�was�virtually�predestined�for�use�in�avail-able�light�situations.�like�the�21�mm�f/1.4,�its�optical�sys-tem�consists�of�ten�elements�in�eight�groups.�Prior�to�the�introduction�of�aspherical�blank�moulding�technology�for�optical�elements,�creating�lenses�of�the�speed�and�quali-ty�of�the�Summilux-m�series�would�have�been�impossible.�Extreme�attention�has�been�paid�to�correcting�chromatic�aberration,�and�to�this�end,�the�optical�design�of�the�24�mm�lens�contains�no�less�than�fi�ve�elements�with�anoma-lous�partial�dispersion.�Vignetting�and�distortion�are�so�superbly�corrected�that�they�are,�for�practical�purposes,�non-existent.�Even�at�the�relatively�wide�aperture�of�f/2.8,�only�natural�vignetting�due�to�the�laws�of�physics�re-mains.�the�image�quality�of�the�lens�is�equal�in�every�way�to�the�performance�of�the�leica�Summilux-m�21�mm�f/1.4�aSPH.�a�patented�rectangular�lens�hood�permits�the�use�of�Series�Vii�fi�lters.

lEica SUMMILUX�-�M�21�mm�f/1.4�aSPH.

the�leica�Summilux-m�21�mm�f/1.4�aSPH.�is�the�world’s�first�and�only�21�mm�lens�for�35�mm�format�photography�with�this�exceptional�maximum�aperture.�the�outstanding�image�quality,�wide�angle�of�view,�and�compact�size�of�both�the�leica�Summilux-m�21�mm�f/1.4�aSPH.�and�the�leica�Summilux-m�24�mm�f/1.4�aSPH.�make�these�lenses�al-most�indispensable�for�many�applications�in�the�world�of�professional�photography.�they�provide�extremely�shallow�depth�of�fi�eld�at�full�aperture�for�maximum�aesthetic�con-trol.�in�close-up�photography,�for�instance,�a�foreground�subject�can�be�effectively�isolated�from�the�background�to�create�expressive�and�uniquely�natural�photographic�effects.�Stopped�down�to�medium�apertures,�their�depth�of�fi�eld�is�so�great�that�all�elements�in�an�expansive�scene,�from�closest�distances�to�infinity,�will�be�in�sharp�focus.�the�use�of�a�fl�oating�element�ensures�that�their�high�re-solving�power�is�maintained�even�at�the�closest�focusing�distance.�Vignetting�and�distortion�are�extremely�well�corrected�for�wide-angle�lenses�with�such�large�maximum�apertures.�a�patented�rectangular�lens�hood�permits�the�use�of�Series�Viii�fi�lters.

lEica SUMMILUX - M�50�mm�f/1.4�aSPH.

thanks�to�this�fl�oating�element,�this�outstanding�standard�lens�is�perfect�for�highly�expressive�available-light�shots�and�high-contrast�images�with�superb�resolution�of�fine�structures,�even�at�its�maximum�aperture�and�closest�focusing�distance.�Precise�color�separation,�almost�com-plete�correction�of�coma,�and�excellently�controlled�in-ternal�reflection�characteristics�make�it�ideal�for�natural�compositions�in�the�low�light�of�evening.�in�addition�to�the�use�of�glasses�with�a�high�refractive�index,�two�additional�elements�with�anomalous�partial�dispersion�guarantee�consistently�high�imaging�performance�across�the�entire�image�fi�eld.�Portraits�are�particularly�effective�thanks�to�the�shallow�depth�of�field�at�maximum�aperture�and�a�subtle�contrast�gradation.�also�available�in�silver�chrome.

� m�-�SYStEm�lENSES� i� 83�� 82� i� m�-�SYStEm�lENSES

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this�fast,�short,�and�compact�telephoto�lens�already�de-livers�excellent�image�quality�at�maximum�aperture�from�infinity�to�its�closest�focusing�distance.�it�unites�every�capability�offered�by�today’s�high-performance�optical�technologies,�and�its�construction�includes�aspherical�surfaces,�special�glasses�with�anomalous�partial�disper-sion,�and�floating�elements.�an�integrated,�extendable�lens�hood�provides�protection�against�stray�light�and�dirt�and,�thanks�to�its�balanced�proportions,�it�is�comfortable�to�use�for�longer�periods�of�time.�a�photographic�tool�that�represents�the�absolute�peak�of�optical�excellence.�ideal�for�available-light�portraits�and�for�emphasizing�details�in�reportage�photography.

this�compact�wide-angle�lens�is�extremely�fast�and�there-fore�particularly�recommendable�for�available-light�photo-graphy.�thanks�to�an�angle�of�view�of�75°,�the�wide�fi�eld�it�covers�also�makes�it�ideal�for�vivid�reportage�photography.�it�offers�uncompromising�imaging�quality�and�high�contrast�even�at�maximum�aperture.�the�reproduction�of�even�the�fi�nest�details�guarantees�images�with�extraordinary�depth�and�brilliance.�Even�in�critical�lighting�situations,�for�in-stance�shooting�against�the�light,�refl�ections�and�fl�are�are�almost�completely�eliminated.�its�large�maximum�aperture�of�f2�also�enables�the�use�of�selective�focus�in�wide-angle�photography.

this�lens�sets�new�standards�in�its�class�in�terms�of�image�quality.�this�is�the�fi�rst�time�ever�that�apochromatic�correc-tion�and�an�aspherical�lens�surface�have�been�combined.�Even�wide�open,�the�quality�of�its�brilliance�and�resolution�guarantees�superlative�images�and�makes�it�the�perfect�lens�for�portraits,�reportage,�and�studio�photography.�the�distortion�is�so�low�as�to�be�almost�invisible�in�even�the�most�critical�images.�maximum�optical�performance�is�already�achieved�at�moderate�distances�and�is�maintained�to�a�great�extent�at�the�closest�focusing�distances.�its�compact�construction�and�high�speed�make�it�ideal�for�handheld�shooting.

lEica APO - SUMMICROn - M�75�mm�f/2�aSPH.

lEica SUMMICROn - M�28�mm�f/2�aSPH. lEica APO – SUMMICROn – M�90mm�f/2�aSPH.

Naryn�in�southern�Kyrgyzstan�is�considered�to�be�one�of�the�most�important�centers�for�the�production�of�‘Shyrdaks’,�the�traditional�Kyrgyz�felt�carpets.

� 84� i� m�-�SYStEm�lENSES � m�-�SYStEm�lENSES� i� 85�

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� 86� i� lEica�rEPortaGE

�lEica REPORTAGE Home�is�where�the�yurt�is.

Yurts�have�been�used�as�transportable�homes�by�the�nomadic�peoples�of�central�asia�for�centuries.�the�term�‘yurt’�has�turkish�origins�and�means�‘home.’�in�the�Kyrgyz�language�however,�the�yurt�is�called�a�‘ger’.�the�principles�of�yurt�construction�have�changed�very�little�over�the�centuries,�and�the�differences�in�the�construction�of�mongolian,�Kazakh,�and�Kyrgyz�yurts�are�practically�unnoticeable.�common�to�all�is�the�wooden�framework�constructed�in�a�circular�form�and�covered�with�camel-hair�or�sheep’s�wool�felt�and�the�smoke-hole�opening�at�the�crown.�a�particular�feature�of�Kyrgyz�yurts�is�the�domed�roof.�it�is�constructed�from�thin�wooden�poles�that�are�still�damp�and�are�bent�while�under�the�influence�of�heat.�Each�pole,�or�‘uuk’,�is�attached�to�the�tunduk�before�the�felt�roof�cladding�is�applied�to�the�framework�of�the�yurt.�Setting�up�a�yurt�takes�only�a�couple�of�hours�and�transportation�presents�few�prob-lems.�during�their�journey,�Jean�Gaumy�and�his�team�had�an�opportunity�to�spend�a�night�in�a�yurt.�Juan,�Gaumy’s�assistant,�was�fascinated�by�the�warmth�and�comfort�of�Kyrgyz�yurts�–�at�least�as�long�as�the�stove�was�burning�…

top:�the�roof�construction�of�a�Kyrgyz�yurt,�showing�the�typical�crown,�the�tunduk.�Bottom:�a�yurt�being�clad�with�felt.

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top:�it�is�said�that�all�Kyrgyz�can�ride�before�they�can�walk.�Bottom:�a�herder’s�hut�near�Song�Kul. top:�‘the�Wild�East’,�close�to�lake�Song�Kul.�Bottom:�traditional�hunting�meet�during�the�anniversary�festivities�in�Bokonbayevo.�

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�lEica SUPER-ELMAR-M�18�mm�f/3.8�aSPH.discover�new�horizons.

Setting�up�a�yurt�in�Bokonbayevo�during�the�100th�anniversary�celebrations.

FAST AnD COMPACT LEnSES Seldom�before�has�the�optimum�use�of�space�been�so�perfectly�

achieved�as�with�the�leica�Super-Elmar-m�18�mm�f/3.8�aSPH.�With�an�impressive�angle�of�view�of�100�degrees,�this�super-wide�lens�delivers�truly�outstanding�image�quality.�this�opens�up�new�potential,�not�only�in�the�fi�elds�of�architectural�and�landscape�photography,�but�also�for�street�shooting�and�environmental�por-traiture.�amazingly,�it�is�only�nominally�larger�than�a�standard�lens,�which�is�partially�attributable�to�its�patented,�space-saving,�but�extremely�effective,�lens�hood.�despite�its�enormous�angle�of�view�and�compact�dimensions,�the�leica�Super-Elmar-m�18�mm�f/3.8�aSPH.�is�a�paragon�of�optical�excellence�thanks�to�its�inno-vative�retrofocus�design�consisting�of�eight�optical�elements,�one�of�which�has�two�aspherical�surfaces.�indeed,�it�provides�phenom-enal�image�quality�even�at�its�widest�aperture.

� m�-�SYStEm�lENSES� i� 91�

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lEica ELMARIT-�M�28�mm�f/�2.8�aSPH.

a�versatile�lens�is�an�absolute�must�for�street�photogra-phy.�requirements�that�the�compact�size�and�fl�exibility�of�the�Elmarit-m�28�mm�f/2.8�aSPH�fulfi�ll�to�perfection.�the�classic�focal�length�of�28�mm�enables�the�capture�of�images�characterized�by�a�wide,�natural�angle�of�view,�which�explains�the�outstanding�popularity�of�the�lens�among�street�photographers�and�photojournalists.�at�the�same�time,�no�other�m-lens�is�as�compact�as�the�leica�Elmarit-m�28�mm�f/2.8�aSPH.�Highest�imaging�performance�is�achieved�through�the�use�of�an�aspheri-cal�element.�the�lens�is�practically�free�of�distortion�from�infi�nity�to�its�closest�focus�of�0.7�meters.�its�light�weight�of�only�180�g�is�unrivaled,�and�makes�it�the�ideal�lens�to�take�along�wherever�you�go.

lEica SUMMICROn - M�35�mm�f/2�mm�aSPH.

Because�of�its�excellent�contrast�characteristics,�out-standing�resolution�throughout�the�entire�focusing�range,�and�almost�perfect�elimination�of�distortion,�this�renowned�lens�is�one�of�the�world’s�best�high-speed�35�mm�lenses.�it�is�also�amazingly�compact�despite�its�large�aperture�and�high�imaging�performance.�in�combination�with�this�lens,�any�leica�m-camera�be-comes�a�compact�and�elegant�system�in�itself.�in�this�way,�it�enables�photographers�to�work�in�a�particularly�discreet�and�unobtrusive�way�without�attracting�undue�attention.�the�leica�Summicron-m�35�mm�f/2�is�also�available�in�a�silver�chrome�fi�nish.

lEica ELMAR�-�M�24�mm�f/�3.8�aSPH.

the�lens�is�characterized�by�compact�dimensions�and�extremely�high�imaging�performance�in�combination�with�a�very�wide�angle�of�view,�all�of�which�makes�it�a�particularly�practical�wide-angle�lens.�its�range�of�uses�is�also�wide;�from�in-your-face�photography�of�people�in�their�personal�spheres�to�landscapes�and�architectural�photography.�contrast�and�detail�rendition�are�already�excellent�at�the�maximum�aperture�of�f3.8.�Stopped�down�to�medium�apertures,�the�depth�of�field�is�so�great�that�entire�scenarios�can�be�captured�in�perfect�focus.�as�stopping�down�makes�critical�focusing�un-necessary,�leica�m-cameras�are�then�faster�than�any�autofocus�model.�

the�Super-Elmar-m�21�mm�f/3.4�aSPH.�is�distinguished�by�outstanding�imaging�performance�and�astoundingly�compact�dimensions.�the�lens�already�reveals�its�excel-lent�reproduction�of�details�and�superior�contrast�at�maximum�aperture.�thanks�to�its�wide�angle�of�view,�it�is�an�excellent�lens�for�architectural�and�landscape�photo-graphy�and�capturing�the�vibrancy�of�life�in�reportage�photography.�its�elaborate�eight-element�optical�design�guarantees�excellent�image�quality.�the�use�of�one�lens�element�with�two�aspherical�surfaces�and�four�lenses�with�anomalous�partial�dispersion�plays�an�essential�role�in�reducing�distortion�and�vignetting�to�a�minimum.�a�screw-in�lens�hood�prevents�the�effects�of�stray�light.�the�leica�Super-Elmar-m�21�mm�f/3.4�aSPH.�is�a�com-pact�high-performance�lens�for�versatile,�superwide-angle�photography.

lEica SUPER�-�ELMAR�-�M�21�mm��f/3.4�aSPH.

� 92� i� m�-�SYStEm�lENSES � m�-�SYStEm�lENSES� i� 93�

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lEica MACRO�-�ELMAR�-�M�90�mm�f/4

this�is�the�most�compact�telephoto�lens�ever�offered�by�leica.�it�is�a�versatile,�high-performance�lens�that�is�also�supremely�portable.�in�combination�with�the�leica�macro-adapter�m,�it�allows�macro�photography�at�dis-tances�as�close�as�55�cm�and�a�reproduction�ratio�of�up�to�1:3.�despite�its�diminutive�size,�the�macro-Elmar�delivers�outstanding�image�quality�in�both�normal�distance�and�macro�applications.�in�combination�with�a�28�mm�or�35�mm�wide-angle�lens,�this�lens�offers�a�compact,�comprehensive�system�that�is�perfect�for�travelling,�or�in�other�situations�where�low�weight�and�volume�are�essential.

� in�a�set�with�lEica�1  aNGlE�FiNdEr�m2  macro�-�adaPtEr�m

lEica APO�-�TELYT-�M�135�mm�f/3.4

the�longest�focal�length�in�the�m-System�is�an�uncompro-mising�telephoto�lens�in�outstanding�leica�aPo�quality.�resolution�and�contrast�are�perfect�at�every�aperture.�Even�the�smallest�details�are�reproduced�with�perfect�clarity�and�contrast.�the�leica�aPo-telyt-m�135�mm�f/3.4�allows�the�capture�of�distinctive�landscape�images�with�optical�compression�of�foreground�and�background�pers-pectives�as�well�as�full-format�candid�portraits�captured�unobtrusively�from�a�discreet�distance.�thanks�to�its�apochromatic�correction�of�color�aberrations,�minimal�distortion,�and�hardly�perceptible�vignetting�–�even�at�maximum�aperture�–�the�lens�delivers�imaging�results�that�are�able�to�satisfy�demands�at�the�highest�profes-sional�levels.

lEica SUMMICROn�-�M�50�mm�f/2

this�compact�universal�lens�has�long�been�acclaimed�as�the�best�normal�lens�in�its�aperture�class.�it�delivers�extremely�low�distortion�and�outstanding�image�quality,�even�at�close�distances�and�from�corner�to�corner.�this�makes�the�Summicron�an�ideal�standard�lens�for�all�pho-tographers�seeking�an�unsurpassed�combination�of�high�performance�and�refinement�in�a�handy,�lightweight�package.�the�Summicron-m�50�mm�f/2�offers�such�impressive�contrast�performance�from�beginning�to�end�of�its�aperture�scale�that�stopping�down�to�f�2.8�or�f�4�only�minimally�increases�image�contrast.�its�perfect-ly�balanced�construction�makes�this�ideal�standard�lens�an�outstanding�choice�in�all�important�categories�like�performance,�size,�weight,�and�price.

Yurts�at�an�altitude�of�more�than�3,000�meters�/�9,850�feet,�on�the�shores�of�Song�Kul,�Kyrgyzstan’s�second�largest�lake.

� 94� i� m�-�SYStEm�lENSES � m�-�SYStEm�lENSES� i� 95�

lenses�shown�reduced�in�size.

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Herdsman�in�his�yurt�near�Song�Kul.

the�leica�Summarit-m�35�mm�f/2.5’s�small,�handy�and�stylish�design�is�matched�by�its�impressive�performance.�it�produces�excellent�contrast�and�outstanding�resolution�across�the�entire�image�fi�eld.�the�relatively�short�focal�length�and�wide�depth�of�fi�eld�this�lens�provides�means�that�at�medium�aper-tures�there�is�often�no�need�for�precise�focusing.�this�makes�it�easy�to�take�spontaneous�and�lifelike�unposed�pictures.�as�a�genuine�all-rounder,�it�is�indispensable�choice�whenever�you�are�putting�together�a�new�equipment�confi�guration�since�it�can�deal�effectively�with�all�photographic�situations�–�from�vivid�shots�of�people�at�medium�range�all�the�way�to�dramatic�landscapes.�the�leica�Summarit-m�35�mm�f/2.5�has�six�lens�elements�in�four�groups,�arranged�symmetrically�with�respect�to�the�diaphragm.�three�elements�are�made�of�special�high�refractive�index�glass�with�anomalous�partial�dispersion.�this�improves�the�image�results�and�provides�outstanding�color�correction�that�could�never�be�achieved�with�normal�glass.

�lEica SUMMARIT-�M�35�mm�f/2.5Extremely�compact,�extremely�good.

SUMMARITLEnSES

� m�-�SYStEm�lENSES� i� 97�

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the�leica�Summarit-m�90�mm�f/2.5�is�a�versatile�telephoto�lens�that�rounds�off�the�new�lens�speed�class�of�Summarit-m�lenses.�despite�being�much�more�handy�and�lighter�than�the�comparable�90�mm�Summicron�lens,�it�offers�outstand-ing�optical�and�mechanical�quality.�the�90�mm�telephoto�lens�is�a�perfect�demonstration�of�how�leica’s�Summarit-m�class�is�setting�new�standards�in�spherical�lens�design.�a�leica�m�camera�with�a�leica�Summarit-m�90�mm�f/2.5�fi�tted�is�an�extremely�compact�and�handy�unit.�compared�to�other�90�mm�focal�length�lenses,�there�is�hardly�any�intrusion�into�the�viewfi�nder�image.�Even�at�full�aperture,�this�lens�demonstrates�excellent�imaging�capability�with�outstanding�contrast�over�the�entire�image�fi�eld.�the�leica�Summarit-m�90�mm�f/2.5�has�fi�ve�lens�elements�in�four�groups,�one�of�which�is�made�of�a�type�of�optical�glass�that�not�only�has�anomalous�partial�dispersion�but�also�has�ex-tremely�low�dispersion�overall.

Powerful,�lightweight�and�designed�to�be�easy�to�operate,�the�leica�Summarit-m�50�mm�f/2.5’s�applications�are�as�varied�as�life�itself.�it�corresponds�closely�to�the�fi�eld�of�vision�and�viewing�patterns�of�the�human�eye�and�offers�an�impressive-ly�neutral�and�natural�perspective.�Even�at�full�aperture,�the�lens�offers�outstanding�results�with�excellent�contrast�over�almost�the�entire�image�fi�eld.�Not�just�benefi�cial�for�portraits,�but�for�all�shots�at�full�aperture,�the�shallow�depth�of�fi�eld�of�this�lens�makes�the�main�subject�stand�out�from�the�back-ground.�this�results�in�pictures�with�enhanced�impact�and�out-of-focus�areas�that�have�a�pleasant,�natural�smoothness.�the�leica�Summarit-m�50�mm�f/2.5�has�a�traditional�double-Gauss�construction�made�up�of�six�lens�elements�in�four�groups,�arranged�symmetrically.�as�a�result,�it�provides�an�outstandingly�fl�at�image�fi�eld�and�excellent�correction�for�chromatic�aberrations�and�distortion.

the�leica�Summarit-m�75�mm�f/2.5�is�a�new�‘short�tele-photo’�lens�that�is�significantly�smaller�and�lighter�than�Summicron�lenses�with�the�same�focal�length,�but�still�of-fers�the�image�quality�that�is�the�hallmark�of�leica�m�lenses.�the�natural�perspective�provided�by�this�focal�length�means�that�portrait�shots�have�a�lovely�plasticity�with�well-diffe-rentiated�contours�without�the�subject�losing�any�of�its�lifelike�and�natural�appearance.�in�reportage,�for�example,�the�critical�elements�of�the�subject�can�be�selectively�em-phasized�without�losing�the�overall�context.�the�leica�Sum-marit-m�75�mm�f/2.5�is�a�double-Gauss�type�with�six�lens�elements�in�four�groups�–�three�in�front�of�and�three�behind�the�diaphragm,�with�the�last�lens�positioned�slightly�closer�to�the�focal�plane�to�reduce�bulging�of�the�image�fi�eld.�Four�elements�are�made�of�special�glass�with�anomalous�partial�dispersion�and�two�of�them�are�also�high�index�glass.

lEica SUMMARIT-�M�90�mm�f/2.5

lEica SUMMARIT-�M�50�mm�f/2.5

lEica SUMMARIT-�M�75�mm�f/2.5

a�small�settlement�of�yurts,�not�far�from�lake�Song�Kul.

� 98� i� m�-�SYStEm�lENSES � m�-�SYStEm�lENSES� i� 99�

Page 51: Leica M Catalogus 2013_Eng

September�2012�–�during�the�celebrations�of�the�100th�anniversary�of�the�founding�of�the�city�of�Bokonbayevo�on�the�southern�shores�of�lake�issyk�Kul.�

ZOOMLEnSES

�lEica TRI�-�ELMAR�-�M�16-18-21�mm�f/4�aSPH.the�superwide-angle�with�three�focal�lengths.

thanks�to�its�impressive�107°�angle�of�view,�the�tri-Elmar�conquers�16�mm�superwide-angle�photography�in�perfect�leica�m�quality.�its�minimal�distortion�and�hardly�perceptible�image�fi�eld�curvature�even�at�the�16�mm�setting�make�this�lens�suitable�for�extremely�demanding�architectural�photographers.�the�tri-Elmar�unites�three�superwide-angle�focal�lengths�in�one�extremely�compact�lens.�its�compact�construction�is�made�possible�by�the�use�of�two�aspheri-cal�elements.�a�new�construction�concept�for�its�internal�focusing,�based�on�the�fl�oating-elements�principle,�considerably�increases�imaging�quality�at�closer�focusing�distances.�Hyperfocal�focusing�therefore�allows�the�use�of�superb�depth�of�fi�eld�from�distances�as�short�as�33�cm/1.1�ft.�only�available�in�a�set�with�the�leica�Uni-versal�Wide-angle�Viewfi�nder�m.

� m�-�SYStEm�lENSES� i� 101�

in�a�set�with�the�lEica�UNiVErSal�WidE-aNGlE�ViEWFiNdEr�m

Page 52: Leica M Catalogus 2013_Eng

rehearsal�in�the�municipal�theater�in�Naryn.

m�-�SYStEmEXTRAS

Page 53: Leica M Catalogus 2013_Eng

02

01

03

01 PROTECTOR M

The camera protector for the M digital cameras has been optimally designed to house your M-Camera, even in rough reportage photog-raphy situations. Made of high-quality soft black leather, the protector features grips on the back and front to aid ergonomic camera handling.

02 nEOPREnE CASE M

This protective black case, with a strap, has handy Velcro fasteners as well as two compartments for memory cards. With a short front, it holds a Leica M-Camera with a lens of up to 65 mm diameter/60 mm length. With a long front, it holds a Leica M-Camera with a lens of up to 65 mm diameter/80 mm length. The neoprene case M can be safely stowed in any piece of baggage.

03 SYSTEM CASE ‘BILLInGhAM’

The most flexible bag for Leica M equipment holds two M bodies with two lenses or one M body with three lenses and is waterproof. Even large lenses and a mounted Leicavit M or Leica Motor M can be com-fortably and compactly carried. The zipper compartment holds the Leica SF 24D flash as well as film and additional accessories.

�m�-�SYStEm ACCESSORIES Step�out�in�style.

  104  I  M - SYSTEM EXTRAS

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04

06

07

04 EVER - READY CASE M

The ever-ready case M was designed specifically for the new Leica M.It protects the camera during transport and can remain connected to the camera for an impromptu shot. For good protection during a more intensive shoot, the front part of the case can be removed; the remain-ing part continues to act as a camera protector.

05 EVER - READY CASE M - E AnD M MOnOChROM (not illustrated)

Made of premium black Nappa leather, this ever-ready case offers per-fect and elegant protection for the Leica M-E and M Monochrom with a lens up to a length of 70 mm (from the bayonet flange) attached. The lower part can be turned, easily allowing the battery and memory card to be changed without removing the camera from the case.

06 EVER - READY CASE MP

The robust black saddle leather ever-ready case MP accommodates a Leica MP with a rewind crank and a Leicavit M. The camera is optimally protected, in a style befitting its quality, and is always ready for shooting a rapid series of exposures.

07 EVER - READY CASE FOR AnALOGUE CAMERAS

The new ever-ready case M has been optimised for fit, ease of use, and with high-grade leather. Enhanced seams and Nappa leather provide ideal protection while two distinctly contoured grip bulges at the front and rear of the base also provide ergonomic support when holding the camera. Compatible with all analogue models, except for the Leica M5 and Leica M3 from the first series.

08 COMFORT CARRYInG STRAP M (not illustrated)

The black saddle leather carrying strap, featuring an extra-wide, easy-carry neck section, is ideal for lengthy photographic excursions.

  106  I  M - SYSTEM EXTRAS

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09

10 09 EVER - READY CASE M À LA CARTE

This case is handcrafted and provides secure protection for an MP or M7 with one of the following lenses: 2.8/21 mm without lens hood; 2.8/24 mm without lens hood; 2/28 mm with lens hood; 1.4/35 mm without lens hood; 2/35 mm with lens hood; 2.8/50 mm extended; 1.4/50 mm, 2/50 mm, 4/90 mm retracted. All colour and leather vari-ants from the Leica à la carte range are available.

10 CARRYInG STRAPS M À LA CARTE

Choose a strap to your liking in the classic narrow design matching the individually produced M-Camera à la carte. Select from saddle, Nappa, calf, or ostrich style embossed leather and various textures and colours.

�lEica M À LA CARTE ACCESSORIES�Select�elegance.�

  108  I  M - SYSTEM EXTRAS

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02

06

01

05

ERGONOMICS

01 HANDGRIP M 

the�leica�handgrip�m�ensures�improved�safe�and�steady�camera�hand-ling,�especially�when�shooting�with�heavier�m-lenses.�the�optional�leica�finger�loop�in�various�sizes�(S,�m,�and�l)�can�enhance�your�grip�even�further.�these�loops�are�quickly�and�easily�attached�to�the�handgrip.��

02 MULTIFUNCTIONAL HANDGRIP M

the�leica�multifunctional�handgrip�m�includes�geotagging�and�permits�the�use�of�a�separate�flash�unit�when�an�accessory�viewfinder�is�mounted.�it�has�an�Sca�port�that�is�similar�to�the�sockets�for�external�power�supply�and�studio�flash�systems.�it�can�easily�be�directly�connected�to�a�com-puter�via�USB.�

03 HANDGRIP M FOR MP AND M7 (not�illustrated)

there�are�situations�in�which�you�only�have�one�free�hand�to�hold�the�camera�and�press�the�shutter�release.�For�those�cases,�this�handgrip�keeps�the�camera�stable�and�safely�in�your�hand.�it�is�simply�screwed�into�the�tripod�bushing�on�the�camera.�changing�film�is�also�not�a�prob-lem�with�the�handgrip�–�the�hinged�lever�that�unlocks�the�base�plate�remains�freely�accessible.

04 LENS HOLDER FOR MP UND M7 (not�illustrated)

With�this�lens�holder,�photographers�only�need�a�camera�and�two�lenses�to�take�a�great�picture.�the�holder�is�screwed�into�the�tripod�bushing,�so�the�second�lens�serves�as�a�handle�or�even�as�a�miniature�tripod.

05 R - ADAPTER M

For�the�first�time,�the�new�leica�r-adapter�m�enables�the�use�of�almost�all�leica�r-lenses�ever�built�on�the�new�leica�m.�this�extensive�portfolio�of�lenses�now�opens�up�new�creative�horizons�for�leica�m-Photographers,�for�instance,�video�recording�with�leica�r-Zoom�lenses.�

06 FINGER LOOPS FOR HANDGRIP M

the�optional�leica�finger�loop�in�various�sizes�(S,�m,�and�l)�can�enhance�the�safe�and�steady�handling�of�the�leica�m�and�its�lenses.�the�loop�can�be�used�with�either�the�leica�handgrip�m�or�the�leica�multifunctional�handgrip�m�and�can�significantly�improve�camera�handling�when�shoot-ing�–�especially�with�heavier�r-lenses.

POWER SUPPLY

07 BATTERY CHARGER M (not�illustrated)

the�charger�unit�is�very�compact�and�equipped�with�a�quick-charger�function.�So�if�the�full�capacity�of�about�500�exposures�is�not�required,�the�camera�can�always�be�recharged�in�a�very�short�time.�EU�and�US�power�cords�and�a�car�charging�cable�for�12�–24�Volts�are�included.��UK�and�aUS�power�cords�are�supplied�as�separate�accessories.

08 AC ADAPTER FOR MULTIFUNCTIONAL HANDGRIP M (not�illustrated)

For�permanent�stationary�operation�of�the�camera�in�professional�studios�or�industrial�applications,�the�new�leica�m�can�be�equipped�with�an�ac�adapter�to�supply�the�multifunctional�handgrip�m�directly�from�the�main�power�supply.

�m�-�SYStEm� TEChnICAL EQUIPMEnT �Expand�your�options.

� m�-�SYStEm�EXtraS� i� 111�� 110� i� m�-�SYStEm�EXtraS

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12

13

15

14

VIEWFINDER EQUIPMENT

09 VIEWFINDER MAGNIFIER M 1.25 × (not�illustrated)

to�provide�a�major�aid�in�framing�the�subject�at�focal�lengths�of�50�mm��or�more,�the�m�1.25 ×�magnifies�the�viewfinder�image�by�one-quarter.��this�greatly�enhances�focusing�accuracy,�especially�when�shooting�at�telephoto�focal�lengths.

10 VIEWFINDER MAGNIFIER M 1.4 × (not�illustrated)

Enlarging�the�viewfinder�image�by�two-fifths,�this�viewfinder�magnifier�is�recommended�for�focal�lengths�of�75�mm�or�more.�it�also�turns�into�mag-nification�of�1 ×�(0.95 ×�with�m8�models)�–�a�combination�that�allows�for�comfortable�viewing�of�the�subject�with�both�eyes.Both�viewfinder�magnifiers�are�simply�screwed�into�the�viewfinder�ocular�of�the�leica�m.�a�small�chain�attached�to�the�leica�m’s�carrying�strap�eyelet�prevents�it�from�being�lost�or�damaged.�a�leather�pouch�is�sup-plied�for�safekeeping�when�it’s�not�attached.

11 CORRECTION LENSES M (not�illustrated)

the�leica�correction�lenses�m�enable�an�optimum�eye-to-camera�match�and�make�composing�images�in�the�viewfinder�more�comfortable.�they�are�available�in�grades�of�+/–�0.5,�1,�1.5,�2,�and�3�diopters.�Please�note�that�the�leica�m-Viewfinder�has�a�default�setting�of�–�0.5�diopters,�so�anyone�wearing�glasses�of�1�diopter�strength�would�require�a�+�1.5�diopter�correction�lens.

12 UNIVERSAL WIDE - ANGLE VIEWFINDER M

the�universal�wide-angle�viewfinder�m�enables�precise�cropping�of�the�subject�with�the�leica�tri-Elmar-m�16-18-21�mm�f/4�aSPH.�it�is�insensi-tive�to�stray�light�and�features�high�resolution,�resulting�in�brilliant�pic-tures�and�vivid�colours.�this�viewfinder�is�fit�for�both�analogue�and�digital�leica�m-cameras.��

13 BRIGHT - LINE VIEWFINDER M

due�to�a�concave�mirror�in�the�optics,�part�of�the�incoming�light�is�used�to�illuminate�the�picture�outline�as�a�bright�frame.�it�works�in�the�same�way�as�in�the�viewfinder�of�leica�m-cameras.�the�entire�optics�system��is�given�a�high-quality�multi-layer�coating�to�guarantee�optimum�viewing�through�the�finder�in�all�conditions.�the�finders�have�parallax�compensa-tion�markings�for�distances�less�than�2�m�that�make�them�ideal�for�both�analogue�and�digital�photography.�Each�viewfinder�is�milled�from�solid�brass�in�line�with�the�latest�technologies.�it�then�receives�a�silver�chrome�or�black�paint�finish.�the�eyepiece�side�is�rubberised�to�protect�spectacles.

14 ANGLEFINDER M

thanks�to�the�leica�angle�viewfinder�m,�exploring�objects�close�to�the�ground�with�the�macro-Elmar-m�90�mm�f/4�is�twice�as�much�fun.�Screwed�onto�the�ocular�of�the�leica�m,�it�can�be�turned�freely�at�a�45-degree�angle.�this�allows�relaxed�picture�taking�without�holding�the�camera�direct-�ly�in�front�of�your�eyes.

15 VISOFLEX ELECTRONIC VIEWFINDER (EVF 2) 

this�electronic�viewfinder�is�available�as�an�optional�accessory�for�the�leica�m-camera.�With�a�resolution�of�1.4�megapixels�and�90°�swivel�action�for�capturing�images�from�unusual�angles,�it�displays�all�of�the�significant�exposure�parameters.�it�therefore�enables�precise�compo-�sition�control�–�particularly�in�very�bright�light.�allows�photographers��to�efficiently�focus�r-lenses�fixed�to�the�camera�with�the�r-adapter.

FILM ADVANCE

16 LEICAVIT M (not�illustrated)

the�leicavit�m�fast�winder�is�mounted�in�place�of�the�base�cover.�it�allows�experienced�photographers�to�shoot�up�to�two�frames�per�second�without�taking�the�camera�from�their�eye.�Just�unfold�the�lever,�pull�it�back�to�its�limit�to�wind�the�film,�and�take�the�picture.�the�leicavit�m�fits�the�leica�mP/m7.

17 MOTOR M (not�illustrated)

the�leica�m�motor�is�placed�on�the�base�cover�of�the�camera.�the�ergono-�mically�styled�handle�houses�two�3�-�Volt�123�a�lithium�batteries,�providing�a�capacity�for�shooting�a�minimum�of�100�36-exposure�rolls�(at�20°�c).�it�is�just�18.5�mm�high,�and�without�batteries�weighs�225�grams.

� m�-�SYStEm�EXtraS� i� 113�� 112� i� m�-�SYStEm�EXtraS

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21

18

20

23

FLASH UNITS

18 SF 24D

this�electronic�flash�unit�is�designed�to�provide�maximum�distance�between�the�flash�reflector�and�the�camera�lens.�the�light�output�is�controlled�either�by�its�ttl�flash�exposure�meter�or�by�the�automatic�flash�itself.�all�the�information�is�displayed�on�an�illuminated�lcd�including�an�exposure�confirmation�indication�and�flash�ready�light.

the�iSo�film�speed�range�of�the�leica�SF�24d�flash�unit�extends�from�12�to�3600�in�the�m/ttl�range�and�from�25�to�800�in�a�mode.�the�illumination�angle�corresponds�to�a�focal�length�range�of�35�to�85�mm,�and�can�be�extended�with�the�two�diffusers�supplied.�Flash�exposure�with�wide-angle�lenses�down�to�24�mm�and�telephoto�lenses�up�to�135�mm�focal�length�is�therefore�made�possible.

19 SF 58 (not�illustrated)

the�leica�SF�58�flash�features�sensitive�controls�that�allow�you�to�subtly�brighten�a�subject�or�turn�the�dead�of�night�into�living�day.�Everything�is�up�to�you�and�your�creative�desires.�thanks�to�ample�power�reserves,�extreme�speed,�comprehensive�features,�and�simple�handling,�this�flash�unit�is�cut�out�for�any�challenge.�this�flash�unit�is�a�creative�light�with�great�potential.�With�the�leica�SF�58�flash�you�will�achieve�anything�from�subtle�fill-in�to�indirect�flash�light�or�decoupled�flash�operation.�it�enables�you�to�concentrate�fully�on�the�subject�while�leaving�the�exposure�up�to�the�camera.�While�the�main�reflector�is�responsible�for�the�indirect�flash,�

the�leica�SF�58�flash’s�secondary�reflector�can�be�used�to�lighten�up�the�darks�and�generate�brilliant�results.

20 SCA ADAPTER SET FOR MULTIFUNCTIONAL HANDGRIP M   

the�leica�Sca�adapter�set�for�the�multifunctional�handgrip�m.�the�multi-functional�handgrip�m�expands�the�camera’s�functional�capabilities�with�an�additional�Sca-dedicated�interface�to�allow�the�simultaneous�use�of�a�separate�flash�unit�and�an�accessory�viewfinder�on�the�camera.�the�Sca�adapter�set�–�comprising�a�high-quality�flash-bar�and�an�off-camera�hot�shoe�with�a�spiral�cable�–�is�required�to�use�the�additional�interface.�the�Sca�adapter�set�can�either�be�used�as�an�integrated�unit�to�attach�the�flash�unit�to�the�camera,�or�without�the�flash-bar�to�allow�off-camera�flash.

VIDEO EQUIPMENT 

21 MICROPHONE ADAPTER SET

the�leica�microphone�adapter�set,�consisting�of�an�adapter�and�a�stereo�microphone,�is�available�as�a�special�optional�accessory�to�complement�the�1080-pixel�full-Hd�video�capability�of�the�leica�m.�to�use�the�adapt-er,�simply�plug�it�into�the�multifunctional�accessory�socket.�the�use�of�other�microphones�is�also�possible.

FILTERS

22 UVA AND POLARISATION FILTERS M (not�illustrated)

the�UVa�filter�minimizes�bluishness�in�distant�scenes,�protects�the�front�element�of�the�lens,�and�can�be�permanently�attached.�the�polarisation�filters�eliminate�many�disturbing�reflections�and�enhance�colour�saturation,�effects�that�can�be�assessed�by�holding�the�filter�in�front�of�the�viewfind-er.�these�leica�m-Filters�are�made�of�optically�pure�glass,�parallel�plane�ground,�and�are�precisely�annealed.�the�full�performance�of�the�leica�m-lenses�is�thus�retained�even�with�a�filter�attached.

TRIPOD EQUIPMENT

23 TABLETOP TRIPOD AND BALL HEAD 

With�the�leica�m,�sharp�handheld�shots�down�to�1/15�of�a�second�are�no�problem.�For�all�other�situations,�the�portable�leica�tabletop�tripod�provides�effective�stability.�it�has�three�robust�extending�legs�that�can��be�locked�in�any�position.�For�even�more�creativity�the�flexible�unit�can�be�braced�against�a�wall,�a�tree,�or�the�photographer’s�own�shoulder.

24 CABLE RELEASE (not�illustrated)

it�is�well�known�that�the�leica�m’s�focal-plane�shutter�causes�little�vibra-tion�when�it�shoots.�But�for�lengthy�exposure�times,�a�tripod�and�cable�release�are�essential.�the�remote�release,�featuring�a�conical�thread,�is�screwed�into�the�shutter�release�bushing.�a�locking�screw�allows�long�exposure�times�on�the�B�setting.���

� m�-�SYStEm�EXtraS� i� 115�� 114� i� m�-�SYStEm�EXtraS

Page 59: Leica M Catalogus 2013_Eng

M-SYSTEMExtras.

Product  M (Type 240)  M-E  M MONOCHROM  M7  MP

ACCESSORIES

01 PROTECTOR M

order�no.�14869 Black � � x� x�

order�no.�14880 Black � x� � �

order�no.�14881 cognac � x� � �

02 NEOPRENE CASE M

order�no.�14867 With�short�front�section � x� x� x� x� x

order�no.�14868 With�long�front�section � x� x� x� x� x

03 SYSTEM CASE ‘BILLINGHAM’

order�no.�14854 Black � x� x� x� x� x

order�no.�14855 Khaki � x� x� x� x� x

04 EVER - READY CASE M

order�no.�14547 Ever-ready�case�with�short�front�section,�black � x� � �

order�no.�14548 Ever-ready�case�with�long�front�section,�black � x� � �

order�no.�14549 Ever-ready�case�with�short�front�section,�cognac � x� � �

order�no.�14550 Ever-ready�case�with�long�front�section,�cognac � x� � �

05 EVER - READY CASE FOR M - E AND M MONOCHROM

order�no.�14872 � � x� x�

06 EVER - READY CASE MP

order�no.�14856 � � � � � x

07 EVER - READY CASE FOR ANALOGUE  CAMERAS

order�no.�14875 With�short�front�section � � � � x� x

order�no.�14876 With�long�front�section � � � � x� x

08 COMFORT CARRYING STRAP M

order�no.�14455 � x� x� x� x� x

ACCESSORIES M à LA CARTE

09 M à LA CARTE EVER - READY CASE

order�no.�14857 Naturally-tanned�leather,�cognac� � � � � x� x

order�no.�14858 Nappa�leather,�racing�green� � � � � x� x

order�no.�14859 calf�leather,�smooth,�red� � � � � x� x

order�no.�14860 calf�leather,�smooth,�mocha � � � � x� x

order�no.�14861 lizard�style�embossed�leather,�black � � � � x� x

order�no.�14862 ostrich�style�embossed�leather,�black � � � � x� x

order�no.�14863 ostrich�style�embossed�leather,�chestnut � � � � x� x

order�no.�14864 Nappa�leather,�bordeaux�red� � � � � x� x

order�no.�14865 calf�leather,�smooth,�blue � � � � x� x

Product  M (Type 240)  M-E  M MONOCHROM  M7  MP

10 CARRYING STRAPS M à LA CARTE

order�no.�14453 Saddle�leather,�black � x� x� x� x� x

order�no.�14454 Naturally-tanned�leather,�cognac � x� x� x� x� x

order�no.�14456 Nappa�leather,�racing�green � x� x� x� x� x

order�no.�14457 calf�leather,�smooth,�red � x� x� x� x� x

order�no.�14458 calf�leather,�smooth,�mocha � x� x� x� x� x

order�no.�14465 lizard�style�embossed�leather,�black � x� x� x� x� x

order�no.�14466 ostrich�style�embossed�leather,�black � x� x� x� x� x

order�no.�14467 ostrich�style�embossed�leather,�chestnut � x� x� x� x� x

order�no.�14468 Nappa�leather,�bordeaux�red � x� x� x� x� x

order�no.�14469 calf�leather,�smooth,�blue � x� x� x� x� x

TECHNICAL EQUIPMENT

ERGONOMICS

01 HANDGRIP M

order�no.�14399 Black�chrome � � x� x�

order�no.�14496 Black�paint � x� � �

02 MULTIFUNCTIONAL HANDGRIP M

order�no.�14495 Black�paint � x� � �

03 HANDGRIP FOR MP AND M7

order�no.�14405 Black � � � � x� x

04 LENS HOLDER M

order�no.�14404 � � � � x� x

05 R - ADAPTER M

order�no.�14642 Black�paint � x� � �

06 FINGER LOOPS FOR HANDGRIP M

order�no.�14646 S � x� � �

order�no.�14647 m � x� � �

order�no.�14648 l � x� � �

POWER SUPPLY

07 BATTERY CHARGER M

order�no.�14494 � x� �

order�no.�14470 � � x� x� �

08 AC ADAPTER FOR MULTIFUNCTIONAL HANDGRIP M

order�no.�14497 � x� �

� m�-�SYStEm�EXtraS� i� 117�� 116� i� m�-�SYStEm�EXtraS

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Product  M (Type 240)  M-E  M MONOCHROM  M7  MP

VIEWFINDER EQUIPMENT

09/10 VIEWFINDER MAGNIFIER M 

order�no.�12004 1.25�x � x� x� x� x� x

order�no.�12006 1.4�x � x� x� x� x� x

11 CORRECTION LENSES M

order�no.�14350 +�0.5 � x� x� x� x� x

order�no.�14351 +�1.0 � x� x� x� x� x

order�no.�14352 +�1.5 � x� x� x� x� x

order�no.�14353 +�2.0 � x� x� x� x� x

order�no.�14354 +�3.0 � x� x� x� x� x

order�no.�14355 -�0.5 � x� x� x� x� x

order�no.�14356 -�1.0 � x� x� x� x� x

order�no.�14357 -�1.5 � x� x� x� x� x

order�no.�14358 -�2.0 � x� x� x� x� x

order�no.�14359 -�3.0 � x� x� x� x� x

12 UNIVERSAL WIDE - ANGLE VIEWFINDER M

order�no.�12011 � x� x� x� x� x

13 BRIGHT - LINE VIEWFINDER M

order�no.�12022 18�mm,�black�paint � x� x� x� x� x

order�no.�12023 18�mm,�silver�chrome � x� x� x� x� x

order�no.�12024 21�mm,�black�paint � x� x� x� x� x

order�no.�12025 21�mm,�silver�chrome � x� x� x� x� x

order�no.�12026 24�mm,�black�paint � x� x� x� x� x

order�no.�12027 24�mm,�silver�chrome � x� x� x� x� x

14 ANGLEFINDER M

order�no.�12531 � x� x� x� x� x

15 VISOFLEX ELECTRONIC VIEWFINDER (EVF 2)

order�no.�18753 � x� � �

FILM ADVANCE

16 LEICAVIT M

order�no.�14009 Black�paint � � � � x� x

order�no.�14450 Black�chrome � � � � x� x

order�no.�14008 Silver�chrome � � � � x� x

17 MOTOR M

order�no.�14408 � � � � x� x

Product  M (Type 240)  M-E  M MONOCHROM  M7  MP

FLASH UNITS

18 SF 24D 

order�no.�14444 Black � x� x� x� x� x

order�no.�14445 replacement�diffuser��screen�24/28�mm � x� x� x� x� x

order�no.�14446 replacement�diffuser�screen�85�mm � x� x� x� x� x

19 SF 58

order�no.�14488 Black � x� x� x� x� x

order�no.�14489 diffuser�for�exceptionally�soft�lighting � x� x� x� x� x

20 SCA ADAPTER SET FOR MULTIFUNCTIONAL HANDGRIP M

order�no.�14498 � x� � �

VIDEO EQUIPMENT

21 MICROPHONE ADAPTER SET

order�no.�14634 � x� � �

FILTERS

22 UVA AND POLARISATION FILTERS M

order�no.�13131 E39�UVa�in�black�mount � x� x� x� x� x

order�no.�13132 E39�UVa�in�silver�mount � x� x� x� x� x

order�no.�13004 E46�UVa�in�black�mount � x� x� x� x� x

order�no.�13005 E46�UVa�in�silver�mount � x� x� x� x� x

order�no.�13328 E49�UVa�in�black�mount � x� x� x� x� x

order�no.�13373 E55�UVa�in�black�mount � x� x� x� x� x

order�no.�13374 E55�UVa�in�silver�mount � x� x� x� x� x

order�no.�13381 E60�UVa�in�black�mount � x� x� x� x� x

order�no.�13356 Universal-Polfilter�m � x� x� x� x� x

For�further�order�numbers,�please�visit�www.leica-camera.com � x� x� x� x� x

TRIPOD EQUIPMENT

23 TABLETOP TRIPOD AND BALL HEAD

order�no.�14100 tabletop�tripod � x� x� x� x� x

order�no.�14110 Ball�head � x� x� x� x� x

24 REMOTE CABLE RELEASE

order�no.�14076 50�cm�long � x� x� x� x� x

� m�-�SYStEm�EXtraS� i� 119�� 118� i� m�-�SYStEm�EXtraS

Page 61: Leica M Catalogus 2013_Eng

Fabrics�on�sale�at�the�bazaar�in�osh.

�m�-�SYStEmTEChnICAL DATA

Page 62: Leica M Catalogus 2013_Eng

� m�-�SYStEm�tEcHNical�data� i� 123�� 122� i� m�-�SYStEm�tEcHNical�data

�lEica Mtechnical�data.

Camera Leica M (Type 240)           Black�paint�������Silver�chrome

order�no. ���������������������������������������� 10�770��������������10�771

camera�type compact�digital�rangefinder�system�camera�for�still�picture�photography�and�video�recording.

lens�mount leica�m-Bayonet�with�additional�sensor�for�6-bit�coding.

Viewfinder�type large,�bright,�combined�bright-line�viewfinder/rangefinder�with�automatic�parallax�compensation,�bright-line�frames�with�lEd�illumination.�Split�and�superimposed�image�rangefinder,�shown�as�a�bright�field�in�the�centre�of�the�viewfinder.

Viewfinder�magnification� 0.68×.

Viewfinder�coverage at�a�focusing�distance�of�2�metres,�the�size�of�the�bright-line�frame�corresponds�to�the�sensor�size�of�approx.��23.9��35.8�mm.�Focused�at�infinity,�and�depending�on�the�focal�length,�the�sensor�captures�a�greater�area�than�that�indicated�by�the�bright-line�frame.�at�distances�of�less�than�2�metres,�the�area�captured�is�a�little�less�than�that��indicated�by�the�bright-line�frame.

Eyepiece/�dioptre�compensation

adjusted�to�–0.5�dioptres.�correction�lenses�available�for�–3�to�+3�dioptres.

Sensor�type leica�max�24-mP�cmoS�sensor.

Sensor�size 24��36�mm.

resolution dNGtm:�5976��3992�pixels.�JPG:�5952��3976�pixels�(24�megapixels),�4256��2832�pixels�(12�megapixels),��2976��1984�pixels�(6�megapixels),�1600��1080�pixels�(1.7�megapixels).

colour�depth 14-bit.

image�processor leica�maestro®�image�processor.

image�data�formats dNGtm�(uncompressed�raW�data�or�with�lossless�compression),�JPEG,�dNG�+�JPEG.

Working�colour�space�(JPEG)��

srGB,�adobe®rGB.

capture�settings�(JPEG)�� contrast,�sharpness,�film�modes.

iSo�sensitivity iSo�200–iSo�Push�6400,�in�1/3-iSo�steps,�iSo�100�as�additional�pull�function.

White�balance automatic,�daylight,�cloudy,�shade,�tungsten,�warm�fluorescent,�cool�fluorescent,�flash,�manual�(grey�card),��colour�temperature�2,000–13,100�K.

optional�electronic�viewfinder�available

Yes�(EVF-2).

Shooting�modes Single�frame,�continuous,�self-timer�2�s,�self-timer�12�s.

maximum�burst�rate approx.�3�fps.

Focusing�modes

manual�focusing�based�on�the�combined�viewfinder�and�rangefinder�principle,�live�View,�100%�live�View�Zoom,��live�View�Focus�Peaking.

Exposure�metering��principle

in�classical�rangefinder�mode:�through-the-lens�(ttl)�metering,�centre-weighted�with�variable�working�aperture��by�metering�sensor.�in�live�View�and�extended�viewfinder�mode:�exposure�metering�by�the�image�sensor.��centre-weighted�ttl�metering�for�flash�exposure�with�system-compatible�Sca-3000/2�standard�flash�units.

Exposure�metering�methods

centre-weighted,�selective�metering�(spot)�or�multi-segment�metering.

Exposure�compensation –3�EV�to�+3�EV,�one-third�stop�increments.

Exposure�bracketing 3/5�exposures,�0.5/1/2/3�stop�increments.

Exposure�modes m�(manual),�a�(aperture�priority),�B.

Video�formats Full-frame�recording�with�individual�frame�compression�(motion�JPG),�Quicktime�format�(.mov).

Video�resolution/�frame�rate

1080�pixels,�720�pixels,�640��480�(VGa)/25�fps,�24�fps.

audio�recording automatic�level�adjustment,�manual�level�adjustment�(also�during�recording),�concert�setting.

microphone mono,�stereo�microphone�adapter�available�as�an�optional�accessory.

menu�languages German,�English,�French,�Spanish,�italian,�Japanese,�traditional�chinese,�simplified�chinese,�russian.

Shutter dual�focal�plane�shutter�for�classical�image�capture�and�live�View.

Shutter�speeds 1/4000�s�to�60�s�(in�bulb�mode),�1/180�s�flash�sync�speed.

Shutter�release two�stage:�1�power�on�+�hold�metered�value�(in�aperture�priority�mode)�–�2�shutter�release.Standard�internal�threading�for�remote�release.

Flash�exposure�control control�with�centre-weighted�ttl�pre-flash�metering�(with�Sca-3501/3502�adapter�or�Sca-3000�standard�flash�units,�e.g.�leica�SF�24d/leica�SF�58).�HSS�flash�synchronisation.

Flash�synchronisation �=1/180�s.�optional�synchronisation�on�first�or�second�shutter�curtain,�faster�sync�speeds�possible�with��HSS-compatible�flash�units.

monitor 3-inch�tFt�monitor�(921,600�pixels)�with�scratch-resistant�cover�in�corning®�Gorilla®�glass.

levelling�aid Yes.

Storage�media Sd,�SdHc�and�SdXc�memory�cards.

Power�supply rechargeable�lithium-ion�battery�(included),�nominal�voltage�7.4�V,�capacity�1800�mah.

Body Full�metal�body�in�magnesium�alloy�with�artificial�leather�trim.�top�plate�and�base�plate�in�brass.�Black�paint�or�silver�chrome�finish,�splash-proof.

tripod�thread a�1/4�(1/4")�diN,�stainless�steel,�integrated�in�the�camera�body.

dimensions�(W��d��H) approx.�139��42��80�mm.

Weight�(including�battery) 680�g.

operating�conditions 0–40°c.

interfaces data�interface�for�the�multifunctional�handgrip�m�(optional�accessory).

Package�includes Battery,�battery�charger�with�mains�cables�(EU,�USa,�may�differ�in�some�export�markets),�12�V�charging�cable,��carrying�strap,�connector�cover,�body�cap,�adobe®�Photoshop®�lightroom®�as�download�option.

Page 63: Leica M Catalogus 2013_Eng

� m�-�SYStEm�tEcHNical�data� i� 125�� 124� i� m�-�SYStEm�tEcHNical�data

�lEica M-Etechnical�data.

Camera Leica M-E (Type 220)     ��anthracite-grey�paint

order�no. 10�759

camera�type compact�digital�rangefinder�system�camera�for�still�pictures.

lens�mount leica�m-Bayonet�with�additional�sensor�for�6-bit�coding.

Viewfinder�type large,�bright,�combined�bright-line�viewfinder/rangefinder�with�automatic�parallax�compensation�and�optically�illuminated�bright-line�frames.�Split�and�superimposed�image�rangefinder,�shown�as�a�bright�field�in�the�centre�of�the�viewfinder.

Viewfinder�magnification� 0.68×.

Viewfinder�coverage at�a�focusing�distance�of�1�metre,�the�size�of�the�bright-line�frame�corresponds�to�the�sensor�size�of�approx.�23.9��35.8�mm.�Focused�at�infinity,�and�depending�on�the�focal�length,�the�sensor�captures�a�greater�area�than�that�indicated�by�the�bright-line�frame.�at�distances�of�less�than�1�metre,�the�area�captured�is�a�little�less�than�that��indicated�by�the�bright-line�frame.

Eyepiece/�dioptre�compensation

adjusted�to�–0.5�dioptres.�correction�lenses�available�for�–3�to�+3�dioptres.

Sensor�type KaF-18500�ccd�sensor�with�18�million�pixels�(18�mP).

Sensor�size approx.�35.8��23.9�mm.

resolution JPEG:�5212��3472�pixels�(18�megapixels),�3840��2592�pixels�(10�megapixels),�2592��1728�pixels�(4.5�megapixels),��1728��1152�pixels�(2�megapixels),�1280��846�pixels�(1�megapixel).

colour�depth 14-bit.

image�processor dSP-based�imaging�electronics.

image�data�formats dNGtm�(uncompressed�raW�data�or�data�with�non-linear,�lossless�compression),�JPEG.

Working�colour�space�(JPEG)��

srGB,�adobe®rGB.

capture�settings�(JPEG)�� Saturation,�contrast,�sharpness.

iSo�sensitivity iSo�200–iSo�2500,�with�additional�iSo�80�pull�function.

White�balance automatic,�daylight,�cloudy,�shade,�tungsten,�fluorescent�1,�fluorescent�2,�flash,�manual,�colour�temperature��2,000–12,800�K.

optional�electronic�viewfinder�available

Shooting�modes Single�frame,�continuous,�self-timer�2�s,�self-timer�12�s.

maximum�burst�rate approx.�2�fps.

Focusing�modes manual�focusing�based�on�the�combined�viewfinder�and�rangefinder�principle.

Exposure�metering��principle

through-the-lens�(ttl)�metering,�centre-weighted�with�variable�working�aperture�by�metering�sensor;�centre-weighted�ttl�pre-flash�metering�with�system-compatible�Sca-3000/2�standard�flash�units.

Exposure�metering�methods

centre-weighted.

Exposure�compensation –3�EV�to�+3�EV,�one-third�stop�increments.

Exposure�bracketing 3/5�exposures,�0.5/1/1.5/2�stop�increments.

Exposure�modes

m�(manual),�a�(aperture�priority),�B.

Video�formats –

Video�resolution/�frame�rate

audio�recording –

microphone –

menu�languages German,�English,�French,�Spanish,�italian,�Japanese,�traditional�chinese,�simplified�chinese,�russian.

Shutter Focal�plane�shutter�with�external�cocking,�for�classical�exposure.

Shutter�speeds Between�1/4000�s�and�240�s�(in�bulb�mode),�1/180�s�flash�sync�speed.

Shutter�release three�stages:�1�power�on�–�2�hold�metered�value�(in�aperture�priority�mode)�–�3�shutter�release.Standard�internal�threading�for�remote�release.

Flash�exposure�control control�with�centre-weighted�ttl�pre-flash�metering�(with�Sca-3501/3502�adapter�or�Sca-3000�standard�flash�units,�e.g.�leica�SF�24d/leica�SF�58).

Flash�synchronisation �=1/180�s.�optional�synchronisation�on�first�or�second�shutter�curtain.

monitor 2.5-inch�tFt�monitor�(230,000�pixels).

levelling�aid –

Storage�media Sd�and�SdHc�memory�cards.

Power�supply rechargeable�lithium-ion�battery�(included),�nominal�voltage�3.7�V,�capacity�1860�mah.

Body Full�metal�body�in�magnesium�alloy�with�artificial�leather�trim.�top�plate�and�base�plate�in�brass.

tripod�thread a�1/4�(1/4")�diN,�stainless�steel,�integrated�in�base�plate.

dimensions�(W��d��H) approx.�139��42��80�mm.

Weight�(including�battery) 585�g.

operating�conditions 0–40°c.

interfaces 5-pin,�high-speed�mini�USB�2.0�socket�for�fast�data�transfer.

Package�includes Battery,�battery�charger�with�mains�cables�(EU,�USa,�may�differ�in�some�export�markets),�12�V�charging�cable,��carrying�strap,�connector�cover,�body�cap,�adobe®�Photoshop®�lightroom®�as�download�option.

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� m�-�SYStEm�tEcHNical�data� i� 127�� 126� i� m�-�SYStEm�tEcHNical�data

�lEica M MOnOChROMtechnical�data.

Camera Leica M Monochrom

order�no. 10�760

camera�type compact�digital�rangefinder�system�camera�with�a�dedicated�black-and-white�image�sensor.

lens�mount leica�m-Bayonet�with�additional�sensor�for�6-bit�coding.

Viewfinder�type large,�bright,�combined�bright-line�viewfinder/rangefinder�with�automatic�parallax�compensation�and�optically�illuminated�bright-line�frames.�Split�and�superimposed�image�rangefinder,�shown�as�a�bright�field�in�the�centre�of�the�viewfinder.

Viewfinder�magnification� 0.68×.

Viewfinder�coverage at�a�focusing�distance�of�1�metre,�the�size�of�the�bright-line�frame�corresponds�to�the�sensor�size�of�approx.��23.9��35.8�mm.�Focused�at�infinity,�and�depending�on�the�focal�length,�the�sensor�captures�a�greater�area�than�that�indicated�by�the�bright-line�frame.�at�distances�of�less�than�1�metre,�the�area�captured�is�a�little�less�than�that��indicated�by�the�bright-line�frame.

Eyepiece/�dioptre�compensation

adjusted�to�–0.5�dioptres.�correction�lenses�available�for�–3�to�+3�dioptres.

Sensor�type ccd�sensor�with�18�million�pixels�(18�mP).

Sensor�size approx.�35.8��23.9�mm.

resolution dNGtm:�5212��3468�pixels.�JPEG:�5216��3472�(18�megapixels),�3840��2592�(10�megapixels),��2592��1728�(4.5�megapixels),�1728��1152�(2�megapixels),�1280��864�(1�megapixel).

colour�depth 14-bit.

image�processor dSP-based�imaging�electronics.

image�data�formats dNGtm�(uncompressed�raW�data),�JPEG�(with�quality-oriented�compression).

Working�colour�space�(JPEG)��

srGB�hardwired.

capture�settings�(JPEG)�� contrast,�sharpness.

iSo�sensitivity iSo�320/26°�to�iSo�10000/41°,�selectable�in�1/3�iSo�increments.�iSo�160�also�available�as�a�pull�function.

White�balance –

optional�electronic�viewfinder�available

Shooting�modes Single�frame,�continuous,�self-timer�2�s,�self-timer�12�s.

maximum�burst�rate approx.�2�fps.

Focusing�modes manual�focusing�based�on�the�combined�viewfinder�and�rangefinder�principle.

Exposure�metering��principle

through-the-lens�(ttl)�metering,�centre-weighted�at�working�aperture�by�metering�sensor.centre-weighted�ttl�metering�for�flash�exposure�with�system-compatible�Sca-3000/2�standard�flash�units.

Exposure�metering�methods

centre-weighted.

Exposure�compensation –3�EV�to�+3�EV,�one-third�stop�increments.

Exposure�bracketing 3/5�exposures,�0.5/1/1.5/2�stop�increments.

Exposure�modes m�(manual),�a�(aperture�priority),�B.

Video�formats –

Video�resolution/�frame�rate

audio�recording –

microphone –

menu�languages German,�English,�French,�Spanish,�italian,�Japanese,�traditional�chinese,�simplified�chinese,�russian.

Shutter Focal�plane�shutter�with�external�cocking,�for�classical�exposure.

Shutter�speeds 1/4000�s�to�240�s�(in�bulb�mode),�1/180�s�flash�sync�speed.

Shutter�release three�stages:�1�power�on�–�2�hold�metered�value�(in�aperture�priority�mode)�–�3�shutter�release.Standard�internal�threading�for�remote�release.

Flash�exposure�control control�with�centre-weighted�ttl�pre-flash�metering�(with�Sca-3501/3502�adapter�or�Sca-3000�standard�flash�units,�e.g.�leica�SF�24d/leica�SF�58).

Flash�synchronisation �=1/180�s;�longer�shutter�speeds�may�be�used.�optional�synchronisation�on�first�or�second�shutter�curtain.

monitor 2.5-inch�monitor�(colour-tFt�lcd)�with�230,000�pixels.

levelling�aid –

Storage�media Sd�and�SdHc�memory�cards.

Power�supply rechargeable�lithium-ion�battery�(included),�nominal�voltage�3.7�V,�capacity�1860�mah.

Body Full�metal�body�in�magnesium�alloy�with�artificial�leather�trim.�top�plate�and�base�plate�in�brass.Black�chrome�finish,�sapphire�glass�protective�cover�for�the�monitor�screen.

tripod�thread a�1/4�(1/4")�diN,�stainless�steel,�integrated�in�base�plate.

dimensions�(W��d��H) approx.�139��42��80�mm.

Weight�(including�battery) 585�g.

operating�conditions 0–40°c.

interfaces 5-pin,�high-speed�mini�USB�2.0�socket�for�fast�data�transfer.

Package�includes 100–240�V�battery�charger�with�two�mains�cables�(EU,�USa,�may�differ�in�some�export�markets),�a�car�charger,�rechargeable�lithium-ion�battery,�USB�cable,�real�leather�carrying�strap,�original�leica�m�monochrom�print�of�an�image�from�the�campaign,�instruction�manual,�information�on�registration�and�software�downloads,�adobe®�Photoshop®�lightroom®,�Nik�Silver�Efex�Protm,�as�download�versions.

Page 65: Leica M Catalogus 2013_Eng

� m�-�SYStEm�tEcHNical�data� i� 129�� 128� i� m�-�SYStEm�tEcHNical�data

�lEica M7technical�data.

�lEica MPtechnical�data.

Camera Leica M7�������Black�chrome�����Silver�chrome

order�no. �����������������������10�503����������������10�504

camera�type compact�rangefinder�system�camera�for�35�mm�film�photography�with�electronically�controlled�shutter�plus��two�mechanically�controlled�shutter�speeds.

lens�mount leica�m-Bayonet.

Viewfinder�type large,�bright,�combined�bright-line�viewfinder/rangefinder�with�automatic�parallax�compensation�and�optically�illuminated�bright-line�frames.�Split�and�superimposed�image�rangefinder,�shown�as�a�bright�field�in�the�centre�of�the�viewfinder.

Viewfinder�magnification� 0.72×.�the�leica�à�la�carte�programme�offers�alternative�choices�of�0.85×�or�0.58×�viewfinder�magnification.

Viewfinder�coverage the�bright-line�frame�size�corresponds�to�an�image�size�of�approx.�23��35�mm�at�the�minimum�focusing�distance�for�all�focal�lengths.�Focused�at�infinity,�and�depending�on�the�focal�length,�approx.�9�%�(28�mm)�to�23�%�(135�mm)�more�will�be�captured�on�the�film�than�is�shown�in�the�corresponding�bright-line�frame.

Eyepiece/�dioptre�compensation

adjusted�to�–0.5�dioptres.�correction�lenses�available�for�–3�to�+3�dioptres.

iSo�sensitivity choice�of�automatic�setting�from�iSo�25/15°�to�iSo�5000/38°�for�dX-coded�films,�or�manual�setting�from�iSo�6/9°�to�iSo�6400/39°.

Shooting�modes Single�shots.

Focusing�modes manual�focusing�based�on�the�combined�viewfinder�and�rangefinder�principle.

Exposure�metering��principle

Selective�through-the-lens�exposure�metering�(ttl�with�metering�sensor)�at�working�aperture.

Exposure�metering�methods

Selective.

Exposure�compensation –2�EV�to�+2�EV,�one-third�stop�increments.

Exposure�modes m�(manual),�a�(aperture�priority),�B.

Shutter Horizontal,�rubberised�cloth�focal�plane�shutter�with�extremely�low�noise�characteristics.�Electronically�controlled,��plus�two�mechanically�controlled�shutter�speeds,�1/60�s�and�1/125�s.

Shutter�speeds in�aperture�priority�mode�(aUto),�continuous�from�32�s�to�1/1000�s.�in�manual�mode,�settings�from�4�s�to�1/1000�s�in�single�stop�increments.�B�for�exposure�times�of�arbitrary�length,�1/50�s�flash�sync�speed.

Shutter�release three�stages:�1�power�on�–�2�hold�metered�value�(in�aperture�priority�mode)�–�3�shutter�release.Standard�internal�threading�for�remote�release.

Flash�exposure�control ttl�control�with�centre-weighted�integral�metering�(with�Sca-3501/3502�adapter�or�Sca-3000�standard�flash�units,�e.g.�leica�SF�24d/leica�SF�58).�HSS�flash�synchronisation.

Flash�synchronisation –

Power��supply

6�V/2�dl�1/3�N�lithium�cells.

Body one-piece,�full�metal�body�with�back�door.�top�plate�and�base�plate�in�brass.�Silver�or�black�chrome�finish.

tripod�thread a�1/4�(1/4")�diN,�integrated�in�base�plate.

dimensions�(W��d��H) approx.�138��38��79.5�mm.

Weight�(including�battery) approx.�610�g.

operating�conditions 0–40°c.

Package�includes carrying�strap�with�non-slip�pad,�m-Bayonet�camera�body�cap,�flash�sync�socket�protector�and�battery/batteries.

Camera Leica MP�������Black�paint�����Silver�chrome

order�no. ���������������������� 10�302������������10�301

camera�type compact�rangefinder�system�camera�for�35�mm�film�photography��with�electronically�controlled�shutter.

lens�mount leica�m-Bayonet.

Viewfinder�type large,�bright,�combined�bright-line�viewfinder/rangefinder�with�automatic�parallax�compensation�and�optically�illuminated�bright-line�frames.�Split�and�superimposed�image�rangefinder,�shown�as�a�bright�field�in�the�centre�of�the�viewfinder.

Viewfinder�magnification� 0.72×.�the�leica�à�la�carte�programme�offers�alternative�choices�of�0.85×�or�0.58×�viewfinder�magnification.

Viewfinder�coverage the�bright-line�frame�size�corresponds�to�an�image�size�of�approx.�23��35�mm�at�the�minimum�focusing�distance�for�all�focal�lengths.�Focused�at�infinity,�and�depending�on�the�focal�length,�approx.�9�%�(28�mm)�to�23�%�(135�mm)�more��will�be�captured�on�the�film�than�is�shown�in�the�corresponding�bright-line�frame.

Eyepiece/�dioptre�compensation

adjusted�to�–0.5�dioptres.�correction�lenses�available�for�–3�to�+3�dioptres.

iSo�sensitivity manual�settings�from�iSo�6/9°��to�iSo�6400/39°.

Shooting�modes Single�shots.

Focusing�modes manual�focusing�based�on�the�combined�viewfinder�and�rangefinder�principle.

Exposure�metering��principle

Selective�through-the-lens�exposure�metering�(ttl�with�metering�sensor)�at�working�aperture.

Exposure�metering�methods

Selective.

Exposure�compensation –

Exposure�modes m�(manual),�B.

Shutter Horizontal,�rubberised�cloth�focal�plane�shutter�with�extremely�low�noise�characteristics.��mechanically�controlled.

Shutter�speeds From�1�s�to�1/1000�s�in�one�stop�increments.�B�for�exposures�times�of�arbitrary�length,�1/50�s�flash�sync�speed.

Shutter�release two�stage:�1�power�on�–�2�shutter�release.Standard�internal�threading�for�remote�release.

Flash�exposure�control computer�control�by�the�flash�unit�or�guide�number�calculation�and�manual�setting�of�therequired�aperture.

Flash�synchronisation �=�1/50�s�and�all�longer�shutter�speeds,�first�curtain�synchronisation.

Power��supply

3�V/2�PX�76/Sr�44�silver�oxide�button�cells�or�1�dl�1/3�N�lithium�button�cell�(only�required�for�exposure�metering�and�viewfinder�displays).

Body one-piece,�full�metal�body�with�back�door.�top�plate�and�base�plate�in�brass.�Silver�or�black�chrome�finish.

tripod�thread a�1/4�(1/4")�diN,�integrated�in�base�plate.

dimensions�(W��d��H) approx.�138��38��77�mm.

Weight�(including�battery) approx.�585�g.

operating�conditions 0–40°c.

Package�includes carrying�strap�with�non-slip�pad,�m-Bayonet�camera�body�cap,�flash�sync�socket�protector�and�battery/batteries.

Page 66: Leica M Catalogus 2013_Eng

top�and�bottom:�cotton�picking�near�the�city�of�osh�in�southern�Kyrgyzstan.

� 130� i� m�-�SYStEm�tEcHNical�data

�lEica M-LEnSEStechnical�data.

Leica M-Lens� No. of lenses��Elements/groups

Angle of view��diagonal,�in�°

Filter  thread��Ø�in�mm�

Dimen- sions��Ø�×�l�from�bayonet�flange,��in�mm�

Weight��Black/�silver,��in�g

Min. focusing distance��From�film�plane,�in�cm

Smallest object field��in�mm

Largest repro- duction ratio

Number of iris blades

leica�tri-Elmar-m�16�–18�–�21�mm�f/4�aSPH. 10/7 107/100/�92

E67�(14473�adapter)

58��72 335 50 725��1087 1:30 9

leica�Super-Elmar-m�18�mm�f/3.8�aSPH. 8/7 100 E77�(14484�adapter)

61��58 310 70 827��1241 1:34.6 9

leica�Summilux-m�21�mm�f/1.4�aSPH. 10/8 92 Series�Viii 69.5��77 580 70 685��1027 1:29 11

leica�Super-Elmar-m�21�mm�f/3.4�aSPH. 8/7 91 E46 43��55 279 70 706��1059 1:29.4 9

leica�Summilux-m�24�mm�f/1.4�aSPH. 10/8 84 Series�Vii 61��76 500 70 615��922 1:26 11

leica�Elmar-m�24�mm�f/3.8�aSPH. 8/6 84 46 53��57 260 70 615��922 1:26 9

leica�Summicron-m�28�mm�f/2�aSPH. 9/6� 75� 46� 53��40.8 270� 70� 533��800� 1:22 10

leica�Elmarit-m�28�mm�f/2.8�aSPH. 8/6� 75� 39� 52��46 180� 70� 533��800� 1:22 10

leica�Summilux-m�35�mm�1.4�aSPH. 9/5� 63� 46� 53��46.2 320� 70� 419��627� 1:17.5 9

leica�Summicron-m�35�mm�f/2�aSPH. 7/5� 63� 39� 53��34.5 255/340� 70� 419��627� 1:17.5 8

leica�Summarit-m�35�mm�f/2.5� 6/4 63 39 51��34 220 80 490��735 1:20.4 9

leica�Noctilux-m�50�mm�f/0.95�aSPH. 8/5� 47� 60� 73��75 700� 100� 406��608� 1:17 11

leica�Summilux-m�50�mm�f/1.4�aSPH. 8/5� 47� 46� 53.5��52.5 335/465� 70� 271��407 1:11.3 9

leica�aPo-Summicron-m�50�mm�f/2�aSPH. 8/5 47 39 53��47 approx.�300 70 271��407 1:11.3 11

leica�Summicron-m�50�mm�f/2 6/4� 47� 39� 53��43.5� 240 70 271��407 1:11.3 9

leica�Summarit-m�50�mm�f/2.5 6/4 47 39 52��33 230 80 338��508 1:14 9

leica�aPo-Summicron-m�75�mm�f/2�aSPH. 7/5 32 49 58��67 430 70 169��254 1:7. 9

leica�Summarit-m�75�mm�f/2.5 6/4 32 46 55��61 345 90 238��357 1:10 11

leica�aPo-Summicron-m�90�mm�f/2�aSPH. 5/5� 27� 55� 64��78 500� 100� 220��330� 1:9.1 11

leica�Summarit-m�90�mm�f/2.5 5/7 27 46 55��67 360 100 213��320 1:8.9 11

leica�aPo-telyt-m�135�mm�f/3.4 5/4� 18� 49� 58.5��104.7

450� 150� 220��330 1:9 10

leica�macro-Elmar-m�90�mm�f/4 4/4 27 39 52��59/�41**

240 77/50* 161��241/�72��108*

1:6.7/1:3* 10

*�With�leica�macro-adapter�m.**�collapsed.

Page 67: Leica M Catalogus 2013_Eng

Kyrgyz�‘eagle�huntsman’�in�traditional�dress�at�the�100th�anniversary�celebrations�of�the�founding�of�the�town�of�Bokonbayevo.

�lEica�CAMERAS AnD SPORT OPTICS

Page 68: Leica M Catalogus 2013_Eng

leica�camera�is�a�name�that�stands�for�the�best�in�German�precision�engineering�and�craftsmanship�–�and�for�a�very�special�pictorial�culture.�consider�the�eyes,�the�sense�organs�that�make�the�most�signifi�cant�contribution�to�our�perception�and�understanding�of�the�world�around�us.�leica�has�been�acclaimed�as�a�specialist�on�the�subject�of�perception�for�many�years,�and�has�designed�and�manufactured�many�innovative�instruments�capable�of�creating�distinctive�visual�experiences.�this�applies�equally�to�both�the�legendary�cameras�and�their�lenses.�one�all-embracing�aspect�stands�out�above�all�–�the�unmistakable�leica�quality�of�their�optical�performance�for�both�film�and�digital�photography.�all�are�expandable�systems�–�intuitive�in�use�and�elegant�in�design�–�that�retain�enduring�value�while�guaranteeing�superior�imaging�results�and�boundless�creative�freedom.

�lEica CAMERASthe�fascination�with�perfect�pictures.

lEica�S

With�the�leica�S,�leica�has�established�an�entirely�new�reference�class�in�the�world�of�professional�digital�photography.�the�leica�S-System�breaks�down�the�traditional�barriers�between�35�mm�and�medium-format�photography.�it�combines�the�handling�and�size�of�a�35�mm�camera�with�a�performance�and�quality�that�sets�new�standards�in�medium-format�photography�–�for�supreme�image�quality�and�maximized�creative�potential.

lEica�X2

the�leica�X2�makes�each�moment�captured�something�truly�special�–�in�brilliant�picture�quality.�its�aPS-c�image�sensor,�its�fast,�high-precision�autofocus,�and�the�ability�to�switch�between�automatic�and�manual�in�a�fl�ash�make�the�German-manu-factured�X2�the�perfect�companion�for�camera�users�with�a�passion�for�ambitious�photography.�another�reason�why�X2�owners�will�never�want�to�put�it�down:�the�‘leica�á�la�carte’�program�offers�fascinating�options�for�personalising�the�look�and�feel�of�their�leica�X2.�the�program�offers�a�choice�of�three�different�body�fi�nishes�in�anodised�silver,�black,�or�titanium�and�a�collection�of�ten�leather�trim�options�in�many�different�colours.

lEica�d-lUX�6

its�outstanding�lens�and�the�versatile�opportunities�it�offers�for�creative�photogra-phy�make�the�leica�d-lux�6�the�perfect�camera�for�capturing�inspiring�moments�–�in�the�typically�brilliant�image�quality�you�expect�from�leica.�its�extremely�fast�(f1.4)�leica�dc�Vario-Summilux�lens�makes�it�particularly�suitable�for�available-light�photography�and�creative�experimentation�with�planes�of�focus�and�depth�of�field.�its�full-Hd�video�recording�capability�and�numerous�manual�setting�options�offer�even�more�creative�freedom.

lEica�V-lUX�4

the�leica�V-lux�4�is�so�versatile�that�it�simply�takes�every�situation�in�its�stride.�its�fast�(f/2.8)�lens�enables�sharp�exposures�even�in�poor�light�and�throughout�the�entire�zoom�range�of�25�to�600�mm�(equivalent�in�35�mm�format).�thanks�to�its�electronic�viewfi�nder,�photographers�now�always�have�a�perfect�view�of�their�subjects,�even�in�bright�surroundings.�its�free-angle�3"�lcd�monitor�screen�makes�it�easy�to�take�shots�from�the�most�unusual�angles.�in�addition,�the�leica�V-lux�4�also�features�fast�sequential�shooting�capability�and�masters�full-Hd�video�recording�at�up�to�60�frames�per�second�–�all�in�all,�a�camera�that�trans-forms�every�day�trip�into�a�journey�of�discovery.

� lEica�camEraS�aNd�SPort�oPticS� i� 135�� 134� i� lEica�camEraS�aNd�SPort�oPticS

Page 69: Leica M Catalogus 2013_Eng

�lEica SPORT OPTICSthe�fascination�with�the�world�of�nature.

all�products�manufactured�by�leica�are�characterised�by�an�uncompromising�dedication�to�quality�and�outstanding�optical�performance.�this,�of�course,�also�applies�to�the�leica�Sport�optics�division,�where�new�standards�are�set�time�and�time�again�–�with�a�commitment�to�bringing�the�world�of�nature�closer�to�fi�eld�sports�enthusiasts�and�lov-ers�of�the�great�outdoors�with�unrivaled�authenticity.�leica�Sport�optics�designs�and�manufactures�superior�quality�binoculars,�spotting�scopes,�and�rangefi�nders�that�guarantee�that�every�special�moment�becomes�a�truly�memora-ble�visual�experience.�Each�one�of�them�embodies�something�special�and�unique�in�its�own�way�–�just�like�the�world�of�nature.�

BiNocUlarS

leica�has�been�the�name�for�excellence�and�quality�in�the�construction�of�bino-culars�for�over�100�years.�With�the�Ultravid�Hd,�duovid,�trinovid,�and�the�compact�Ultravid�Bl/Br�and�trinovid�Bca�models,�leica�Sport�optics�offers�a�range�of�high-quality�binoculars�for�every�situation�–�with�precise�detail�rendition,�out-standing�low-light�performance,�absolute�colour�fi�delity,�and�high�contrast.�leica�developments�set�new�standards�for�incomparable�visual�experiences.�these�in-clude�innovations�such�as�fl�uoride�lenses�for�perfect�colour�fi�delity�and�superior�contrast,�or�water�and�dirt�repellent�aquadura®�coating.

Fig.:�lEica�UltraVid�10�x�42�Hd

raNGEFiNdErS

in�the�early�1980s,�leica�became�the�fi�rst�optical�systems�specialist�to�success-fully�integrate�a�laser�rangefinder�into�a�pair�of�high-performance�binoculars.�a�leica�innovation�that�set�standards�that�are�still�unrivalled�today.�Nevertheless,�leica�has�since�created�a�revolution�in�the�perfect�combination�of�observation�and�rangefi�nding�technologies:�the�new�Geovid�Hd-B�rangefi�nder�binoculars�fea-ture�a�global�fi�rst�–�the�unique�aBc®�ballistics�system�and�an�integrated�microSd�memory�card�reader.�rangefi�nding�is�now�more�precise�than�ever�before�–�for�every�kind�of�hunting.

Fig.:�lEica�GEoVid�10�x�42�Hd-B

SPottiNG�ScoPES�

leica�clearly�leads�the�fi�eld�with�the�aPo-televid�series�of�high-performance�spotting�scopes.�Both�the�aPo-televid�82�with�outstanding�light-gathering�performance�and�the�compact�aPo-televid�65�deliver�impressive�performance�due�to�their�sophisticated�apochromatic�optics�and�the�use�of�the�latest�fl�uoride�glass�formulations�–�for�perfect�resolving�power�with�maximum�colour�fi�delity,�even�at�long�distances.�Both�spotting�scopes�are�available�in�versions�for�straight�or�angled�viewing.

Fig.:�lEica�aPo�–�tElEVid�82�with�lEica�Zoom�EYEPiEcE�25–50�x�WW�aSPH.�

diGiScoPiNG

leica�is�the�only�premium�optical�systems�manufacturer�to�offer�a�complete�professional�system�from�one�single�source.�all�system�components,�like�the�spotting�scope,�digital�camera,�adapter,�tripod,�and�tripod�head�are�perfectly�matched�and�ensure�fast�and�simple�mounting.�Just�like�leica�binoculars�and�spotting�scopes,�all�the�digital�camera�models�and�matching�adapters�are�manufactured�with�extreme�attention�to�quality�and�reliability�and�from�only�the�finest�materials.�For�spontaneously�captured�moments�of�fascination,�precise�identifi�cation,�or�documentation�–�or�simply�for�the�joy�of�unforgett-able�moments.���

aFig.:�lEica�X2�with�diGiScoPiNG�adaPtErlEica�aPo�–�tElEVid�82�with�lEica�Zoom�EYEPiEcE�25–50�x�WW�aSPH.lEica�dH1�triPod�HEad�with�a�lEica�trica�1�triPod

� lEica�camEraS�aNd�SPort�oPticS� i� 137�� 136� i� lEica�camEraS�aNd�SPort�oPticS

Page 70: Leica M Catalogus 2013_Eng

a�trademark�of�leica�camera�Group‘leica’�and�product�names�=�®�registered�trademarks©�2013�leica�camera�aGWe�reserve�the�right�to�make�changes�in�the�construction,�features�and��ranges�without�advance�notice.concept�and�design:�G2�Germany,�FrankfurtProduct�photography:�alexander�Göhr�and�berndEBSEN�photographyauthor’s�photography:�Jean�Gaumy�/�maGNUm�PhotosBrochure�order�numbers:�German�91740�i�English�(US)�91741,�English�(UK)�91742�i�French�91743�i�italian�91744,�(03/2013)�leica�camera�aG�i�oskar-Barnack-Strasse�11�i�35606�SolmS�i�GErmaNY�Phone�+49�(0)6442�208�0�i�Fax�+49�(0)6442�208�333�i�www.leica-camera.com

Page 71: Leica M Catalogus 2013_Eng

Leica Camera AG I Oskar-Barnack-Strasse 11 I 35606 SOLMS I GERMANY

Phone +49 (0)6442 208 0 I Fax +49 (0)6442 208 333 I www.leica-camera.com