Top Banner

of 24

Le Zarathoustra de Nietzsche et le style parodique. A propos de l’hyperanthropos de Lucien et du surhomme de Nietzsche

Apr 05, 2018

Download

Documents

Babette Babich
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    1/24

    @hklgn g 494% kipkdtn 4=6='

    EN ZFTFPBK^YPTF @N GHNPZYIBNNP EN YPXEN ]FTK@HV^N

    ]TK]KY @N EBX]NTFGPBTK]KY@N E^IHNGNP @^ Y^TBKAAN @N GHNPZYIBN

    }ft

    DFDNPPN DFDHIB

    En Zftfpbk~yptf n Ghnpzyibn% eNa}`kien n Ghnpzyibn

    Jngptn}tng`y hih `n ehtn Fhgyh }ftefhp Zftfpbk~yptf ng tykgfg!in fsni en Ofpbftakh% k~ ]~thchifphkgy% ~g pnrpn ykpthv~n`Na}`kien% ptfsnty E~ihng `n Yfakyfpn% yfphthypn `~ HHn yhien%`kgp Ghnpzyibn f`ahtfhp en ypxen nrna}efhtn `n ef yfpxtf angh}!

    }nf6' @fgy }e~yhn~ty `n yny `hfekl~ny% E~ihng anp Agh}}n f~}tnahnt }efg% ikaan ]efpkg en chp }k~t Ykitfpn% `n yktpn v~n ekg}n~p skht ng e~h ~g `k~den `n E~ihng "np% ikaan fsni ]efpkg np Yk!itfpn% eny ibntibn~ty yk}}kyngp `fgy en~t nyphafphkg `n E~ihng shy!!shy Agh}}n(4' En ypxen }ftk`hv~n `n E~ihng fppnhgp `fheen~ty ykgf}kln ektyv~n Agh}}n }tng` ef }ftken np ekg }n~p fsfgint v~ninppn }nhgp~tn `n Agh}}n f ckg` ef t}~pfphkg `n E~ihng ikaan

    ine~h v~h `hp ef sthpng angpfgp9'Dhng v~~ghsntyneenangp ikgg~ np e~ `fgy en }fyy% e~stn np en

    gka `n E~ihng ykgp `nsng~y `n }e~y ng }e~y ptfglnty f~r ibnt!ibn~ty% y~tpk~p ng }bhekyk}bhn' Inppn aikggfhyyfgin fip~neen sf~p}k~t engynaden `~ akg`n }bhekyk}bhv~n' F`k}pfgp en }khgp `n s~n`n ef }bhekyk}bhn fgfexphv~n% Fggnppn Dfhnt kdyntsn }tk}ky `n@fsh` B~an v~n% dhng v~n E~ihng np p eftlnangp e~ e}kv~n`n B~an% eny }fyyntneeny ngptn eny enipn~ty `n B~an np in~r `n

    6' @fgy in ikgpnrpn `n ef }bhekeklhn fgihnggn% Ghnpzyibn tnaftv~n v~n efyfphtn agh}nggn f p cktln k~ hgsngpn }ft eny ixghv~ny' Y~t in}khgp ibnz Agh}}n `n Lf`ftf% skht @hklgn Eftpn "683> : SH% 03(']k~tef`ahtfphkg `nGhnpzyibn% skht En It}~yi~en `ny h`keny% In v~n jn `khyf~r Fgihngy 4'4' Skht lfenangp Iefx "6884('9' Tnaftv~kgy v~n E~ihng nyp `ithp }ft N~}fgh~y "Sn yhien( ikaan ~gangpn~t yhgitn % v~h tnibntibn k~ shyn ef sthp' Skht f~yyh eny tingpnyikgpthd~phkgy Ndgnt np fe' "4==6(% }ftphi~ehtnangp ineen `n Gnyynetfpb% E~ohfg ~g` `hn fgphon ]bhekyk}bhn "69>!6>4(' Kg }n~p lfenangp yntn}ktpnt% }e~y eftlnangp% Dtfgbfa "6828( fhgyh v~f~r ikgpthd~phkgy Dftpenx "4==8('

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6

    =>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    2/24

    24 DFDNPPNDFDHIBE~ihng ynadengp f~jk~t`b~h v~fyhangp hgnrhypfgpny 0' Dhng v~nGhnpzyibn% y}ihfehypn `n enpptny iefyyhv~ny np }bhekekl~n% fhp pk~!

    jk~ty ihp E~ihng% `n}~hy yny }tnahnty ptfsf~r "Ef gfhyyfgin `n efptfl`hn( j~yv~ ef chg `n yf shn }tk`~iphsn " In v~n jn `khy f~rfgihngy `~ It}~yi~en `ny h`keny phptn e~h!aan fyynz e~ihfgh!v~n(% tftny ykgp in~r v~h ehyngp Ghnpzyibn np E~ihng'

    Ikaan Dfhnt en tnaftv~n pty j~ypnangp% E~ihng nyp ekhg `ptn~g ehn~ ikaa~g ng }bhekyk}bhn% in v~h athpn `ptn yk~ehlg ift hec~p ~g pna}y k he ika}pfhp }ftah yny enipn~ty ~g ltfg` gkadtn`f~pn~ty n~tk}ngy pty `hcctngpy eny ~gy `ny f~ptny : tfyan"v~h ithp ng efphg(>% Lknpbn np Yibheent }k~t eFeenaflgn ? Skepfhtn3%Tfdnefhy% @h`ntkp% fhgyh v~n `n Dntlntfi np Akgpfhlgn% np sh`na!

    angp Ckgpngneen fsni yny Gk~snf~r @hfekl~ny `ny aktpy "6329( ikaan Ghnpzyibn en ihpn `fgy ykg En Skxfln~t np ykg Kadtn 460"phptn ngiktn pty e~ihfghv~n( }k~t ef Ctfgin ? Pbkafy Aktn% afhyf~yyh Ybfony}nftn% Ahepkg% Y|hcp% Ypntgn np Jkxin }k~t en Tkxf~!an!^gh np eHtefg`n' E~ihng f lfenangp hgce~ y~t `ny }bhekyk}bnyikaan B~an% Aftr% Bnlne "}k~t v~h he nyp }tihyangp en LtniYxthng gn }fy f`ahtnt( np% dhng yt% Ghnpzyibn'

    E~ihng f hgiftg dnf~ik~}% skhtn ptk} `n ibkyny }k~t ef }e~}ftp`n yny enipn~ty% in v~h yhlghchn lfenangp v~ ehgypft `n Ghnpzyibnhe nyp `hcchihen iefyynt' @fgy ykg nyyfh ikgyfit ehgce~ngin `nE~ihng y~t e^pk}hn `n Pbkafy Aktn% Iftek Lhgzd~tl "4==> : 96% ic'9= yv'( f pngp `nr}ehv~nt eny }ftphi~efthpy np eny `hyykgfginy `nykg hgce~ngin' He kdyntsn v~ }ftpht `n 6>9=% E~ihng c~p }k~t

    dnf~ik~}% `fgy pk~pn eN~tk}n "ngptn f~ptny }k~t Ifeshg(% yxgkgx!an `n aitfgp% fpbn' Ng tfehp% en ypfp~p `f~pn~t }ftk`hv~nnp ef gkphkg aan `n yfphtn "agh}}nggn k~ gkg( y~cchyfhp yncfhtn pfrnt `hgitkxfgin% j~lnangp v~h }ftphih}n ef png`fgin fgf!ibtkghv~n k~ }tyngphypn=3' ]k~t in v~h nyp `n E~ihng ng Ctfgin%fsni ~gn gnppn fee~yhkg Ghnpzyibn% skht ef }~dehifphkg ng ehlgn `n ]bheh}!}n Tngf~ep "4==0('3' Skht Ikgsntyfphkg `n E~ihng% tfyan% np Tfdnefhy `fgy eny Ibfa}yexyny "6('

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    3/24

    BX]NTFGPBTK]KYNPY^TBKAAN 29pfgphyan% ebhypkhtn `n ef }bhekyk}bhn `n Rgk}bfgn np Fgfrflktnf~r E~ahtny% ng }fyyfgp }ft ]efpkg% Ykitfpn np }e~y ngiktn Fthy!pkpn yfskht% pk~y in~r bfdhp~neenangp fii~yy " pktp k~ tfh!ykg( `n yin}phihyan ngsnty eny `hn~r ltniy2' pfgp `kgg e fpb!hyan fsk~ `n E~ihng shy!!shy `ny `hn~r y~}}kyy }fngy ikaan`~ @hn~ j~`k!ibtphng% Lhgzd~tl "hdh`'( tnckta~en yf v~nyphkg npyn `nafg`n : v~n yhlghchfhp E~ihng v~nev~ny `ingghny f~}ftf!sfgp }k~t tfyan np }k~t Aktn8 ;

    Jn sfhy `cng`tn hih eh`n ynekg efv~neen ~g }ftfeeen htkghv~n}n~p ptn ptfi ngptn ebx}ntfgpbtk}ky yfphthv~n `n E~ihng np eh`feythn~r k~ ens `~ y~tbkaan ghnpzyibng% h`fe `kgp gkptn f}}tk!ibn nyp ptk} yk~sngp }thsn `htkghn6=' Jn ptk~sn inppn htkghn iefh!

    tfgpn }~hyv~n inyp j~ypnangp ef }ftphi~efthp `n E~ihng% ikaanineen `n Ghnpzyibn% `n aefglnt eny tnlhyptny' @n ef aan afghtn%Lhgzd~tl yk~ehlgn v~tfyan ek~n en pfengp `n E~ihng% v~h aen enythn~r np en cthsken% np en cthsken fsni eny ibkyny ythn~yny "yhi ynthfg~lhy% g~lfy ynthhy ahyinp(66' Ebx}ntfgpbtk}ky `n E~ihng nyp ~gikgin}p bf~pnangp apkgxahv~n `kgp en yngy kthlhgne ikgphngp ykgng!`n np ykg f~!`ne : he yhlghchn ef ckhy y~t!b~afhg% f~!`nyy~y`~ yha}enangp b~afhg% np y~tbkaan f}}ftngp% fsni pk~y eny fp!pthd~py `n ebkaan y~}thn~t% inyp }ft en~ty ct~hpy v~n sk~y enytnikggfptnz `nshngp inyp }ft en~t i~hyhgn v~n sk~y eny tnikg!gfptnz ' @fgy en pnrpn `n E~ihng% gk~y y~hskgy inp bkaan y~}!thn~t "hih en pxtfg Alf}ngpby(% y~}thn~t ikaan kg en v~fehchny~t pnttn% inyp!!`htn `fgy en akg`n `~ `nyy~y% np ekg fyyhypn yf

    ptfgyefphkg % inyp!!`htn ykg }fyyfln `fgy eBf`y k~ eny Ng!cnty' He yflhp `n ykg skxfln snty eny fdany % }ftah eny kadtny%ikaan eny Ltniy haflhgngp ef shn f}ty ef aktp : ~g `kafhgn yka!dtn np kdyi~t% v~h gn `hcctn l~tn `ny }tkckg`n~ty yfgy ykenhe `~Ybnke bdtfv~n'

    Ikaan jn efh `j tf}}ne% in gnyp }fy ~gn yha}en ikgih`nginyh Ghnpzyibn f p~`h ef }bhekeklhn iefyyhv~n' He pfhp e~g `ny anhe!en~ty y}ihfehypny `n inppn `hyih}ehgn ykg }kv~n' Jn yk~phngy np

    jfh yk~png~ fheen~ty v~n ef }bhekeklhn nyp tnypn yf skifphkg pk~p f~

    2' Tnaftv~kgy hih v~n gn }fy itkhtn f~r `hn~r gn tnshngp }fy `htn v~hegx f }fy `n `hn~r% afhy tnc~ynt en }kexpbhyan'8' En ehstn `n Ibthyphgn Ef~sntlgfp!Lflghtn "6822(% nyp lfenangp }ntph!gngp `fgy in ikgpnrpn'6=' Skht% }ft nrna}en% engptn dntangyib `fgy en Bfg`|tpntd~ib `nt

    ]bhekyk}bhn `n T~`kec Nhyent "68=0(% v~h yk~stn }ft : dntangyib hypnhlngpehib ghibpy fg`ntny fey `hn H`nn `ny skeeokaangntng% `ny skeeoka!angypng Angyibng% yk|kbe fey Lfpp~gl |hn f~ib fey Hg`hsh`~fehpp "Ln!ghn( ln`fibp' 66' Lhgzd~tl "4==> : 99(' Ef sntyhkg fglefhyn ika}tng` ef ihpfphkg `~ ef!phg% in v~h gnyp }fy en ify `fgy e`hphkg hpfehnggn kthlhgfen gh `fgy ef ptf!`~iphkg ctfgfhyn'

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    4/24

    20 DFDNPPNDFDHIBekgl `n ykg nrhypngin 64 ' Gkg yn~enangp Ghnpzyibn ikggfhyyfhp%ikaan he yn `khp% E~ihng69 ikgptfhtnangp `n gkadtn~r }bhekek!

    l~ny fip~ney% afhy he nrhypn `ny }ftfeeeny sh`ngpy ngptn intpfhgny

    pk~tg~tny `ny}thp px}hv~ny `n Ghnpzyibn np intpfhgny `ny h`ny

    cfskthpny `n E~ihng% ikaangint }ft ~g fpptfhp ikaa~g }k~t ef

    `axyphchifphkg60' Kg }n~p fhgyh ika}ftnt eny cfan~yny tnaftv~ny

    `n Ghnpzyibn y~t ef sthp np en angykgln fsni eFenpbn @hnlnafpfk~ Bhypkhtn sthpfden `n E~ihng v~h ika}tng` en }ftf`krn itpkhy Jn gn `hy }fy ~g yn~e akp `n stfh "E~ihng `n Yfakyfpn 6283 :

    096 ? ic' E~ihng `n Yfakyfpn 6233('

    E~ihng fcchtan hih "6283 : 096( v~n in v~h tng` ykg nr}ky `hcc!

    tngp nyp v~he }tk}kyn ~g angykgln dnf~ik~} }e~y tfhykggfden

    v~n in~r `ny f~ptny ' Ikaan Ghnpzyibn en cntf }e~y pft`% E~ihngfggkgin k~sntpnangp yf }tsfthifphkg ikaan ~gn sfthfgpn afgh!cnypn np `kgi y~}thn~tn f~r angykglny ptf`hphkggney nr}kyy }fteny f~ptny bhypkthngy `fgy ykg Bhypkhtn sthpfden :

    Jng ~yntfh `~ akhgy fsni }e~y `n }tkdhp v~n eny f~ptny : np v~fg`

    akg k~stfln gn ikgphng`tfhp `f~ptn sthp v~n efsn~ v~n jn cfhy v~he

    gn ikgphngp v~n `ny angykglny% jshpntfh% `~ akhgy% en tn}tkibn v~n jn

    cfhyfhy pk~p ebn~tn f~r f~ptny "hdh`'('

    ]tngfgp en ikgptn!}hn` `n]efpkg% np pfgp `kgg ef tctngin `n

    E~ihng f~r }bhekyk}bny " angpht nyp ~g ~yfln ikgyfit }ft in~r!e

    aany v~h yn `kggngp }k~t }bhekyk}bny % hdh`'(% he yntfhp `hcchihen`n gn }fy }tng`tn ng ika}pn efy}nip }hypakeklhv~n `n ykg fsnt!

    phyynangp : jn sfhy `kgi tfikgpnt `ny cfhpy v~n jn gfh }fy s~y% `nyfsngp~tny v~h gn an ykgp }fy ftthsny np v~n jn gn phngy `n }ntykg!

    gn ? jx fjk~pn `ny ibkyny v~h gnrhypngp g~eenangp% np v~h gn }n~!

    sngp }fy ptn : he cf~p `kgi v~n eny enipn~ty gng itkhngp fdyke~angp

    thng'

    En pkg `n E~ihng gnyp dhng yt }fy ine~h `n Ghnpzyibn% afhy

    engjn~ }hypakeklhv~n nyp h`ngphv~n% yh ekg yn tctn ef iedtn

    `ieftfphkg `n Ghnpzyibn ikgptn ef sthp ikaan sfen~t y~}tan f~

    64' Skht% }k~t ~gn fgfexyn% Dfdhib "4==>(' Skht }e~y }ftphi~ehtnangp% }k~t

    `ny tctnginy% }' 02!08'

    69' Ng }e~y `ny }tk}tny tctnginy `n Ghnpzyibn E~ihng% skht efah `n

    Ghnpzyibn% Nt|hg Tkb`n "6238(' Ghnpzyibn ikaan Tkb`n yn tctngp

    E~ihng `fgy en~t ikttny}kg`fgin' Dhng v~n E~ihng gng ykhp }fy en y~jnp

    }thgih}fe% skht% }k~t ~gn fgfexyn `n Tkb`n np Ghnpzyibn% Ift`n| "4==0(' He

    nrhypn ibnz Ghnpzyibn ~g ltfg` gkadtn `n tctnginy E~ihng "intpfhgny

    `j `kggny% `f~ptny snght `fgy eny gkpny y~hsfgpny(% afhy Cthn`thib

    Ofhgz gk~y tf}}neen v~ng }e~y `ny kthlhgny `n edntangyib% v~n }k~t yf}ftp Ofhgz cfhp tnakgpnt% }k~t in v~h nyp `n ef cktan ef }e~y fgihnggn%

    Bnt`nt np Lknpbn% E~ihng nyp lfenangp ef yk~tin `~ efglfln feixkghng '

    Skht Ofhgz "68

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    5/24

    BX]NTFGPBTK]KYNPY^TBKAAN 2>`d~p `n yny tcenrhkgy `fgy ]ft!`ne en Dhng np en Afe : pfgpf`ahy v~n gk~y sk~ekgy ef sthp% }k~tv~kh }fy }e~pp ef gkg!sthp ; 6> Yh in }ty~}}ky hghphfe `n sk~ekht en stfh }n~p ynadentf`sngphin "~gn hgv~hp~`n }k~t intpfhgy }~hyv~n yf }tcfin ika!angin }ft : y~}}kynt v~n ef sthp ykhp cnaan% gf!p!kg }fy ehn~`n yk~}kggnt v~n pk~y eny }bhekyk}bny% }k~t f~pfgp v~hey c~yyngp`klafphv~ny% gngpng`fhngp }fy ltfg`!ibkyn f~r cnaany _Q ; _]DA 6Q(% Ghnpzyibn% `n afghtn yxypafphv~n np he cf~p tnaft!v~nt v~he nyp }nt~ gkg yn~enangp ikaan ~g }bhekyk}bn yfgy yxy!pan% afhy ikaan ~g `n in~r v~h yk}}kyngp nr}ehihpnangp inv~he f}}neen ef skekgp `n yxypan f}}ehv~n eny aany tnaft!v~ny f~r eklhihngy% f~r afpbafphihngy% np% f}ty inef% f~r }bxyh!

    ihngy k~ ikyakeklhypny' @~ cfhp v~n en `pntahg f }e~y `n sfen~tv~n ehg`pntahg% k~ v~n ef}}ftngin sf~p akhgy v~n ef sthp %he fcchtan v~n en~ty sfe~fphkgy% k~ nyphafphkgy% }n~sngp ptn s~nyikaan `ny j~lnangpy y~}ntchihney _`kib g~t Skt`ntlt~g`y!Yibpz~glngQ% ~gn yktpn }ftphi~ehtn `n ghfhynthn "hdh`'( Ef ptfgyh!phkg snty e}hypakeklhn ske~phkgghypn fxfgp `j ikaangi f~RHRn yhien% eftl~angp `n Ghnpzyibn ynekg env~ne ef }~tn ikgjkgip~!tn v~n ebkaan gn }k~ttfhp }fy shstn yfgy yn tfeehnt f~r chiphkgy`n ef eklhv~n% yfgy tf}}ktpnt ef tfehp f~ akg`n }~tnangp haflh!gfhtn `n efdyke~ np `n eh`ngphv~n% yfgy cf~yynt ikgphg~neenangp enakg`n ng x hgptk`~hyfgp en gkadtn "]DA 0(% gn ak`hchn ng thng efgfp~tn `n iny cfeyhchifphkgy' F~!`ne `~ cktane np `n eh`fe% Ghnpz!yibn yk~phngp v~he gnyp }fy en yn~e "gk~y }k~tthkgy angphkggnt

    ]khgift k~ Afib(63 y~}}kynt v~n ef }bxyhv~n gnyp% neen f~yyh%v~~gn hgpnt}tpfphkg `~ akg`n% ~gn f`f}pfphkg `~ akg`n np gkg~gn nr}ehifphkg `~ akg`n "]DA 60(' Ng in v~h ikgintgn yf }bh!ekyk}bhn `n ef yihngin% jfh `cng`~ fheen~ty eh`n v~ inp lft` efikbtngin `n Ghnpzyibn nyp `~gn thl~n~t }bhekyk}bhv~n stfhangpctf}}fgpn' He fcchtan% }fy yh ekhg `n Rgk}bkg k~ `Btfiehpn np}hi~tn% afhy y~tpk~p `n @fsh` B~an : inyp gk~y yn~ey v~h fskgycktl eny if~yny% ef y~iinyyhkg% ef tih}tkihp% ef tnefphshp% ef giny!yhp% en gkadtn% ef ekh% ef ehdntp% en akdhen% ef chgfehp "]DA 46('Ghnpzyibn shyn Ofgp ng `hyfgp v~n ektyv~n gk~y hgikt}ktkgy inakg`n `n yhlgny f~r ibkyny ng ykh% gk~y tnpkadkgy `fgy enttn~tk gk~y ykaany pk~jk~ty pkady : ef axpbkeklhn "hdh`'(' He yn anp

    np gk~y anp ikgphg~neenangp ng lft`n ikgptn inppn nttn~t np inyp`fgy in ikgpnrpn v~he hgyhypn y~t in }khgp% ng yf`tnyyfgp f~ shn~r

    6>' Ghnpzyibn "689 yv'('

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    6/24

    23 DFDNPPNDFDHIB}bhekekl~n ' He yk}}kyn ef }tkjniphkg ~eptf!yihngphchv~n `~gnikgcktahp `n ef gfp~tn `ny ekhy np gk~y pfv~hgn fsni ykg sk~y%

    }bxyhihngy% }ftenz fsni pfgp `ktl~nhe "]DA 44(' ]k~t Ghnpzyibn%

    ~gn pneen ikgcktahp `ny ekhy ty~epn `~gn hgpnt}tpfphkg :

    Neeny gkgp f~i~g ikgpng~ tne% neeny gn ikttny}kg`ngp f~i~g

    pnrpn ? in ykgp dhng }e~pp `ny fttfglnangpy np `ny cfeyhchifphkgy

    gfsnangp b~afghpfhtny "hdh`'(' Ghnpzyibn ikgi`n fhgyh fsni jkhnv~n gha}ktpn v~h }k~ttfhp e~h tpktv~nt : inih f~yyh gnyp v~~gn

    hgpnt}tpfphkg % in v~kh he t}kg`tfhp : nb dhng% pfgp ahn~r

    "hdh`'(6'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    7/24

    BX]NTFGPBTK]KYNPY^TBKAAN 2

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    8/24

    22 DFDNPPNDFDHIBkg en ehp ibnz Dntptfa np `f~ptny' Aan yh `n pney }ftfeeeny kgpen~ty ehahpny% jfcchtantfh% `fgy ef snhgn `n Lhgzd~tl% v~hey ykgp

    ginyyfhtny }k~t ika}tng`tn ef }ngyn `n Ghnpzyibn y~t eny pbany

    `snek}}y fgy Zftfpbk~yptf% inyp!!`htn en y~tb~afhg% ef skekgp

    `n }~hyyfgin% np epntgne tnpk~t `~ aan'

    Gk~y fskgy dnykhg `n E~ihng gkg yn~enangp }k~t ykg ftp `n ef

    yfphtn k~ `n ef }ftk`hn afhy lfenangp }k~t yf }nhgp~tn

    `Na}`kien% ngptn f~ptny' Gk~y fskgy dnykhg `n E~ihng pk~p yha!

    }enangp }ftin v~n ykg ~stn nadtfyyn% }ft ef enpptn np eny}thp%

    efgphv~hp ltik!tkafhgn `fgy yf pkpfehp yny `hn~r np yny }bhek!

    yk}bny fhgyh v~n% np in }khgp nyp if}hpfe% en gk~snf~ @hn~ `~ Gk~!

    snf~ Pnypfangp% ift in gnyp v~fsni inppn gk~sneen ckh v~n ef shnheen

    itkxfgin lntafghv~n "`kgp Ghnpzyibn }ften ng `hyfgp pk~y eny`hn~r `khsngp ak~tht OYF _66>Q(49 nyp chgfenangp% hge~ipf!

    denangp% fiika}ehn ikgy~aafp~a nyp% pk~p nyp fibns'

    @ny Ynipny "}bhekyk}bhv~ny( engifg`n E~ihng

    ef ehlgn `kt `n Zftfpbk~yptf

    Fsfgp `fdkt`nt eNa}`kien `n Ghnpzyibn% he cf~p gkpnt v~n En

    }ibn~t k~ eny tnyy~yihpy `n E~ihng f hgce~ y~tFhgyh }ftefhp Zftf!

    pbk~yptf `n Ghnpzyibn' En pnrpn `n E~ihng tfikgpn ebhypkhtn `n ef

    ty~ttniphkg `n }bhekyk}bny aktpy `n}~hy `ny yhieny40% `ny }tyk!

    itfphv~ny Ykitfpn e~h!aan% fhgyh v~n ]efpkg% Fthypkpn np @hklgn

    en ixghv~n' Pk~y yn skhngp ehdty `~ akg`n yk~pnttfhg eny}fin

    `~gn jk~tgn fchg `n tnpk~tgnt `fgy en akg`n y~}thn~t "inyp!!`htn ef shn y~t pnttn( }k~t yn snglnt `ny akv~nthny `n E~ihng

    `fgy ykg `hfekl~n }ti`ngp% Eny ynipny _}bhekyk}bhv~nyQ engifg'

    In `hfekl~n bf~p ng ik~en~ty yk~stn }ft enr}tnyyhkg `n tfln `~g

    Ykitfpn pna}ktfhtnangp tnyy~yihp v~h yithn : v~n ehgcan _E~!

    ihngQ }ktpn ef }nhgn }k~t yny ifekaghny4> &

    Inppn yfphtn nyp ~g nrntihin flkghyphv~n% en flkg ng v~nyphkg

    pfgp hg`hy}ngyfden }k~t iefhtiht in v~h yhgkg tnypntfhp ~gn tc!

    tngin yhdxeehgn ef ifggn }ibn `ktn `fgy Ekcctfg`n `~

    ahne%yfgy }ftent `n ef apf}bktn `n ef }ibn np `ny bfankgy %

    ti~ttngpn ibnz Ghnpzyibn' In `ntghnt tf}}neen eha}ktpfgin `n ef

    apf}bktn `n ef }ibn "`bfdhp~`n tngskxfgp f~ Ibthyp }ibn~t

    `bkaany ( `fgy Niin Bkak : @n}~hy ekty% pk~y any ithpy ykgp

    49' Skht ef `hyi~yyhkg `Hyfdneen \hngfg` "4==3('

    40' Ikaan gk~y en yk~ehlghkgy }e~y bf~p }tk}ky `ny tnaftv~ny `n Dfhnt

    y~t en `hfekl~n v~n B~an ehyfhp y~t ykg ehp `n aktp np eh`ngphchifphkg

    `F`fa Yahpb% eny `hfekl~ny fsni eny aktpy ikgyphp~ngp en ckg` `n ikaant!

    in `n E~ihng' Ef Ptfsntyn% fhgyh v~n Eny tnyy~yihpy% }n~sngp `kgi ptn

    ikgyh`ty ikaan f~pfgp `n `hfekl~ny fsni eny aktpy '

    4>' E~ihng `n Yfakyfpn "6283 : 492( ? ic' E~ihfg "6869!3< : HHH% 9(' Pfedkp%

    ptf`~hp v~fgp e~h : v~n en ifekaghfpn~t ykhp }~gh ikaan he en athpn '

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    9/24

    BX]NTFGPBTK]KYNPY^TBKAAN 28`ny bfankgy : }n~p!ptn y~hy!jn f~yyh `k~ v~n v~hikgv~n }k~t ef}ibn ef ehlgn ; "NB%]ft!`ne Dhng np Afe% 6(' Hih% ef ehlgn `ktnf}}ftfp `fgy ef }tnahtn yniphkg `~ v~fpthan ehstn% skekgpfhtn!angp gkg }~deh% `Fhgyh }ftefhp Zftfpbk~yptf% y~hsh `~ Ith `n `!ptnyyn np `~@hfekl~n fsni eny tkhy'

    En }ibn~t `n E~ihng gk~y kcctn `kgi in v~n ekg }n~p skht ika!an ~g nyyfh `f~pkithphv~n % }ftk`hfgp en `nyphg `n yny }tk}tny}ftk`hny cfin f~r }bhekyk}bhny v~he anp }k~t fhgyh `htn f~r ng!ibtny ' Ef ehlgn `ktn _lke`ngn Fglnet~pbnQyntp `f}}p }k~tpnypnt en yfgl!ctkh` `ny }bhekyk}bny% any~tnt en~ty athpny% sfe~nten~t bkggpnp "yk~sngp tnefphsn(% eny cfhtn ika}ftfptn `nsfgp efSthpnp ef]bhekyk}bhn }ntykgghchny% ng ika}flghn `n @hklgn `n

    Yhgk}n% en Ixghv~n }ft nrineengin `kgp ef yha}ehihp `~ efglfln gf`v~hsfengp v~n ineen `n yf shn' @fgy en ikgpnrpn `n Zftfpbk~yptf%ehafln `~ pnyp f~v~ne ykgp yk~ahy eny }tpng`fgpy ef }bhekyk}bhnibnz E~ihng nyp hgptnyyfgpn ift inyp ef ]bhekyk}bhn neen!aan v~h`kggn en `pfhe `n e}tn~sn Sthp _FenpbnhfQnp Ctfgibhyn _]ftt!bnyhfQ:

    }tk~skgy!eny% ]fttbyhf`n% ikaan kg `hp v~n eny fhleny }tk~sngpen~ty }nphpy f~r tfxkgy `~ ykenhe' In}ng`fgp% in gnyp }fy ng en~tcfhyfgp chrnt ef e~ahtn v~he cf~p }tk~snt eny }bhekyk}bny% afhy ng en~t}tyngpfgp `n ekt% `n ef lekhtn% `ny ske~}py' Ine~h v~n p~ snttfy gx}khgp fttpnt yf s~n np v~h yn akgptntf hgyngyhden en~t fy}nip% inypine~h!e v~he cf~`tf ik~tkggnt' "E~ihng 6283 : 434 ? ic' E~ihng 6869!3< :38('

    En }tkdean fsni in~r v~h yn gkaangp }bhekyk}bny nyp }tih!yangp v~ng `}hp `ny afrhany% v~hey kgp yfgy inyyn ef dk~!ibn% y~t en a}thy v~kg `khp fskht }k~t eny thibnyyny np ef sfhgnlekhtn% y~t in v~he cf~p gnyphant ~phen v~n in v~h nyp bkggpn%yfdypnght `n ef iketn% gfskht f~i~g tny}nip }k~t eny ltfg`y% npen~t }ftent ikaan yny lf~r % hey gngynhlgngp v~n }k~t ~gyfefhtn ' Dhng }e~y ngiktn :

    hey ynrpfyhngp ef s~n `ny lngy thibny% ykgp fsh`ny `ftlngp%`fheen~ty }e~y iketny v~n eny }nphpy ibhngy% }e~y eibny v~n eny ehstny%}e~y cefppn~ty v~n eny yhglny% }e~y efyihcy v~n eny gny% }e~y sken~ty v~neny ibfpy% np }e~y v~ntneen~ty v~n eny ikvy' Hey athpngp dhng v~kg thn en~ty `}ngy% ektyv~kg eny skhp ik~tht fsni na}tnyynangp snty pk~p in

    v~hey `cng`ngp% yn }ktpnt ng ck~en ef }ktpn `ny thibny% tnibntibnt enycnyphgy y}eng`h`ny% yx ehstnt ef cefppnthn ef }e~y hgpt}h`n% yn tna}ehtenypkafi }e~y v~n ebkggpnp gn en }ntanp% cfhtn iefpnt en~t af~sfhynb~an~t% }bhekyk}bnt f~ ahehn~ `ny }kpy% `n ef afghtn ef }e~y th`hi~ennp ef }e~y `ybkggpn% np chght }ft gn }k~skht }e~y ikgpnght enriy `~shg v~hey kgp d~' "E~ihng 6283 : 4>>!4>3('

    ]k~t y}ftnt eny cf~r }tpng`fgpy ef }bhekyk}bhn `ny stfhy%gk~y ehykgy eibfgln `hfekl~ `n E~ihng y~t eny nrhlnginy `~ pnypng e~h!aan :

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    10/24

    8= DFDNPPNDFDHIB]fttbyhf`n' yh ef ]tptnyyn sn~p an }tpnt% }k~t ~g hgypfgp% ef

    ehlgn np ebfankg v~n en ]ibn~t `~ ]htn f ikgyfity Ahgntsn'

    Ef ]tptnyyn' Eny skhe fsni en afgibn `n Tkynf~% fchg v~n p~ fhny

    pk~p' "E~ihng 6283 : 434('

    F}}p }ft `ny chl~ny np ~g }nphp aktinf~ `kt % en }tnahnt

    }khyykg fpptf} yk~y eny xn~r `~ @hklgn tnyy~yihp nyp ng cfhp

    ~g ibhng afthg "hdh`'(43' En }khyykg!ibhng k~ ixghv~n nyp y~hsh

    `~g }efpkghihng% `~g ha}kypn~t fthypkpehihng% npi'% }khyykgy v~h

    f~ ik~ty `~ `hfekl~n ykgp `~tnangp ikg`fagy }k~t en~ty cfhdeny!

    yny }ft eny aany }bhekyk}bny v~h f~ `d~p `~ `hfekl~n pfhngp

    tnsng~y ef shn }k~t }ntyi~pnt E~ihng% afhy v~h chghyyngp }ft

    f`anpptn v~n yny `gkgihfphkgy yf}}ehv~fhngp pty dhng f~r ykh!

    `hyfgp }bhekyk}bny `n ykg pna}y' Ef pngpfphkg nyp ltfg`n`fcchtant v~n gkptn }kv~n gnyp l~tn `hcctngpn'

    V~fg` en Zftfpbk~yptf `n Ghnpzyibn }ften `~ anheen~t f}}p %

    he sn~p `htn ikaan he ng cf~p f~r ibfyyn~ty np f~r }ibn~ty np

    ektyv~he yn tctn ~gn ant }enhgn `n a~ephikektny }khyykgy np

    it~ypfiy % he }ften `fgy eny aany pntany ibkhyhy `~gn thibnyyn

    `n efv~neen aan `ny `hn~r sk~`tfhngp fskht ngshn }k~t yx cfhtn

    }ibn~ty np x jnpnt chenp yh thibn nyp en akg`n ng antsnheen~r%

    ltfg` np }nphp & "Zftfpbk~yptf HS% Ekcctfg`n `~ ahne (' Inppn

    afghtn `n ynr}thant nyp e~ihfghv~n np aefgln ef efgl~n `n ef

    ehpptfp~tn iefyyhv~n np `n yny `hn~r fsni en efglfln `~ Gk~snf~

    Pnypfangp% f~rv~ney yfjk~pn ef tsnthn }ftk`hv~n `n Ghnpzyibn

    efgi ef tnibntibn `n in~r v~h he }k~ttfhp }ftent yny enipn~ty%yny ptny b~afhgy :

    Yhgl~ehtnangp% en akg`n b~afhg% eb~afhgn ant ng efv~neen

    }tyngp jn jnppn af ehlgn `kt np `hy : K~stn!pkh% fdan b~afhg &

    K~stn!pkh np an efgin pny }khyykgy np pny yihgpheefgpy it~ypfiy & @n

    akg anheen~t f}}p jn af}}pn f~jk~t`b~h eny }e~y antsnheen~r

    }khyykgy!bkaany &

    J~yv~ in v~n% akt`fgp ef }khgpn `n akg ynitnp bfankg% he

    en~t cfheen yensnt j~yv~ af ihan% eny }e~y a~ephikektny lk~jkgy

    `fdan% j~yv~ny f~ }e~y it~ne `n pk~y eny }ibn~ty `bkaany "hdh`'(

    Ef aktp `n Zftfpbk~yptf np eny df~ibny `n Ghnpzyibn

    }k~t ef Aktp `Na}`kien

    @fgy ~gn }ftphn hgphp~en Eny }bhekyk}bny `n e}kv~n ptflhv~n

    `skhengp% ikaan ef ptfl`hn% en akg`n "OYF4< ? OL\

    HHH+0% 46 _63Q% 668(% Ghnpzyibn nyv~hyyn ef tnefphkg ngptn Btfiehpn

    " Eftp f~ yntshin `n ef skekgp _O~gyp ha @hngyp `ny \heengyQ(%

    Na}`kien " Fak~t np bfhgn ng Ltin _Ehndn ~g` Bf hg Lthn!

    43' Yfeak Ixghi~y : Fb `hn~r% v~neeny `ngpy & Nb% nb & He gx f }e~y thng

    ebfankg' En `ten f fsfe ef chl~n np ekt'

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    11/24

    BX]NTFGPBTK]KYNPY^TBKAAN 86ibngefg`Q(% np eny f~ptny }tykitfphv~ny' He v~fehchn Na}`kien gkgyn~enangp ` h`fe `~ Ltni fiika}eh _h`nfe!skeeokaangn LthnibnQ

    "OYF _663Q% 64>(' En }f!

    tfeeen fsni Zftfpbk~yptf nyp cefltfgp'

    Na}`kien np Zftfpbk~yptf ykgp pk~y `n~r ika}fty f~ `hshg np

    yha~epfgangp }ekgly `fgy ef aktpfehp' Na}`kien fii`n ef

    `hshghp ng ak~tfgp% e~ k~ }tka~ "ykg tnc~y `n ef tkxf~p }ft!

    phih}n `n inppn fiinyyhkg( ptfsnty aan ykg ypfp~p `nrie~ : Jn

    y~hy afhgpngfgp e~g `n in~r!ih% ~g dfggh np ~g bkaan nttfgp ekhg

    `ny `hn~r% ift jn anppfhy af ikgchfgin `fgy ef Bfhgn hgyngyn "Na}`kien 6890 : 66>(4

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    12/24

    84 DFDNPPNDFDHIBenrkpthv~n42' Inyp `fgy in ikgpnrpn% fekty v~n en c~gfad~en ske~nf~!`nyy~y `n ef ck~en np itn fhgyh ~gn pngyhkg% v~n Zftfpbk~yptf

    `ieftn v~he nyp }k~t eptn b~afhg `fglntn~r `n }fyynt% `fgln!

    tn~r `ptn ng ibnahg% `fglntn~r `n yn tnpk~tgnt% `fglntn~r `n

    ptnadent np `n tnypnt y~t }efin ' He ngynhlgn `~ ik~} en y~tb~afhg

    `fgy ~g yntakg k en }kgp fti!ng!ihne `n ef shn nyp }tyngp

    ikaan ~g `tfan y~t ef shn np ef aktp yn `tk~efgp f~!`nyy~y `n yf

    ppn :

    Jfhan in~r v~h gn yfsngp shstn v~ng `iehgfgp% ift hey skgp f~!

    `nyy~y np f~!`ne'

    Jfhan eny ltfg`y ikgpna}pn~ty% ift hey ykgp ltfg`y sgtfpn~ty np

    snty ef~ptn thsfln ceibny `n gkypfelhn'

    Jfhan in~r v~h yn~enangp f~!`ne `ny fyptny gn ibntibngp ~gntfhykg `n `iehgnt np `ptn bkypheny% afhy in~r v~h ef Pnttn yn

    yfithchngp }k~t v~n ef Pnttn ~g jk~t `nshnggn ineen `~ y~tbkaan

    Jfhan ine~h `kgp ean yn }tk`hl~n% v~h gn sn~p ltfphp~`n np }khgp

    gn tng`% ift pk~jk~ty he }tk`hl~n np gn yn sn~p lft`nt " Z H :]tkekl~n 0('

    Inp ngynhlgnangp `nstfhp tf}}nent f~ enipn~t en `hyik~ty `n

    ekadtn `n Ghnpzyibn `fgy en ehstn f}}ng`hin `B~afhg ptk} b~!

    afhg% En skxfln~t np ykg kadtn% `fgy env~ne ekadtn pk~tgn np

    ysfgk~hp' Ghnpzyibn `hp `n eptn b~afhg v~he nyp ~g }nphp fghafe

    `dkt` v~h% }ft ibfgin% f n~ f~yyh ykg bn~tn ? ef shn y~t pnttn ng

    pfgp v~n pneen% ieh}yn ng ~g iehlgnangp `xn~r% ~g `pfhe% ~g

    hgypfgp% ~g fiih`ngp% ~gn nrin}phkg yfgy y~hpn _Q ef pnttn aan%

    ikaan pk~y eny fyptny% ~g bhfp~y ngptn `n~r gfgpy _nhg Z|hy!ibngcfee% nhgn F~ygfban kbgn Ckeln% _Q Nt`n ynedyp% |hn jn`ny Lny!

    phtg% nhg Bhfp~y z|hyibng z|nh GhibpyngQ48% ~g sgnangp yfgy

    }efg% tfhykg% skekgp% ikgyihngin `n ykh% ef }htn yktpn `n ginyyhp% ef

    yp~}h`n ginyyhp _nhg Ntnhlgh kbgn ]efg% Sntg~gcp% \heen%

    Ynedypdn|~pynhg% `hn yibehaaypn Ftp `ny Gkpb|ng`hlng% `hn `~a!

    an Gkpb|ng`hlonhp Q "OYF 69% 63 _4>Q% 022!028 ? ic' OYF 64% 6=

    _90Q% 0'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    13/24

    BX]NTFGPBTK]KYNPY^TBKAAN 89@f if}k : en Y~tb~afhg `n Ghnpzyibn np ebx}ntfgpbtk}ky `n E~ihng

    He nyp ikaa~gangp f`ahy v~n edntangyib ghnpzyibng ikt!tny}kg`% `n afghtn }e~y k~ akhgy cktp~hpn% f~ cfgpfyan `~HHHn Tnhib bhpethng : he yntfhp en ykaanp% ng pntany `ske~phkg% `~`snek}}nangp b~afhg "Bfdntafy 4==6(' Kg f fhgyh y~}}ky v~nedntangyib pfhp ~g ptn b~afhg y~}thn~t "in v~h sn~p f~yyh`htn% fsni ]efpkg% Fthypkpn% np aan fsni Fefy`fht AfiHgpxtn% ~gl~ntthnt y~}thn~t% ~g yke`fp }ftcfhp(% k~ `~ akhgy `n dkggn tfin%in }ft v~kh kg ngpng` hyy~ `~gn cfaheen fyynz fhyn% np fxfgp dg!chih `~gn dkggn `~ifphkg% f~ ynhg `~g ngshtkggnangp cfsktf!den' Edntangyib fip~ne f}}ftfp ikaan ef }tkanyyn `n ef yihng!in' e}kv~n gfzhn% inp h`fe yihngphchv~n pfhp ckta~e ng pntany

    `n~lghyan% `n lgphv~n np `n }efghchifphkg ykihfen' F~jk~t`b~hef yihngin f ctfgibh }e~y `~gn `n iny pf}ny% `fdkt` snty ef lgk!ahv~n% }~hy snty ef ixdntgphv~n nr}ehv~fgp% `fgy gkptn ykihpa~n }ft en cfgpfyan `~gn hglghnthn lgphv~n np `n yny pnibgkek!lhny f}}ftngpny% engpbk~yhfyan }ntyhypfgp }k~t eny ixdktly%ikgyh`ty% `fgy en~ty `ntghtny hgiftgfphkgy% ikaan `ny }kypb~!afhgy% `ny ptfgyb~afhgy' Yh Ghnpzyibn yk}}kyn ef ikgshiphkg `~`ft|hghyan v~n eny ny}iny fip~neeny tn}tyngpngp `ny faehktf!phkgy k~ `ny `snek}}nangpy }ft tf}}ktp f~r ny}iny `~ }fy!y% he fyykihn ikaan @ft|hg eny b~afhgy np eny yhglny' F~ptnangp`hp% v~fg` en Zftfpbk~yptf `n Ghnpzyibn `ieftn : Jn sk~y ngynh!lgn en y~tbkaan' Ebkaan nyp v~nev~n ibkyn v~h `khp yn y~takg!

    pnt "ZH : ]tkekl~n 9(% he }ften `n `}fyynt eb~afghp `f~jk~t!`b~h fsni ykg h`fe `n y~}thkthp np `n tfehyfphkg' Zftfpbk~yptfen tf}}neen : @~ snt `n pnttn sk~y ibnahgpny j~yv~ny ebkaan%np ltfg`nangp ngiktn fsnz ng sk~y `~ snt `n pnttn' Jf`hy sk~y c!pny yhglny np afhgpngfgp ngiktn }e~y yhgln nyp ebkaan v~ngha}ktpn v~ne yhgln "hdh`'(

    Ektyv~n gk~y ngpng`kgy }ftent `~ y~tbkaan% `~ y~tb~afhg%skhtn `~ ptfgyb~afhg% gkptn tfiphkg nyp yk~sngp `n sk~ekht ptn eny}tnahnty ? dhng }e~y% gk~y fskgy ef pngpfphkg `n gk~y haflhgntgk~y!aany `j ftthsy% `ptn `j `ny ixdktly% `ny ptfgyb~!afhgy% dtnc en ik~tkggnangp `n eske~phkg : np ikaan inih% `nyy~tb~afhgy' He nyp fhgyh ek~t` `n yngy v~n eny ghnpzyibngy ikaaneny fgphghnpzyibngy }ftpflngp ef aan `chghphkg `~ y~tb~afhgikaan ptn y~}thn~t % yfgy }k~t f~pfgp yngpng`tn y~t ykgyk~y!pnrpn cfyihypn' Ef yihngin gn inyyn `n gk~y tf}}nent v~n gk~yykaany ~gn ny}in y~}thn~tn% ikaangint }ft tf}}ktp f~ yhgln'Gk~y f`anppkgy k~ fyy~akgy f~yyh v~kph`hnggnangp% f~ akhgy`fgy ~g ikgpnrpn }kehphv~n% gkptn }tk}tn y~}thkthp i~ep~tne!en+gfphkgfen+tfihfen y~t eny f~ptny' @fgy engynaden% ef }e~}ftp`ngptn gk~y gkgp }fy dnykhg `ptn ikgsfhgi~y v~n eske~phkgaftibn ng `htniphkg `~ y~tb~afhg "inyp gk~y(' Np yh gk~y gfskgy

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    14/24

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    15/24

    BX]NTFGPBTK]KYNPY^TBKAAN 8>Ek}}kyhphkg pfdehn }ft E~ihng `fgy en ]fyyfln `n ef Dftv~n `~ Ofpf}ek~y }tyngpn ef shyhkg y~}ntchihneen `~g y~tb~afhg f}!

    }ftpngfgp ef iefyyn y~}thn~tn % ef iefyyn `ny thibny v~h a}th!yngp in~r v~hey ikgyh`tngp ikaan y~dfepntgny k~ hgcthn~ty y~tpnttn ? en y~tb~afhg "k`varv~kgs(% inyp en pxtfg% inyp ~gbkaan `n }k~skht : he an }ftfhyyfhp lfe f~r `hn~r' Iny aanyfppthd~py }kehphv~ny }ntanppngp Ahixee~y% gkptn ikt`kgghnt% `ntf}}ktpnt v~n `fgy ef shn% en pxtfg Alf}ngpby pfhp yny xn~r f~!`nyy~y `n ef ikg`hphkg `ny bkaany% np }n~ yng cfeefhp% yf`aftibn fephtn% f~ tny}nip np ef itfhgpn v~hgy}htfhp yf }tyng!in% v~n jn gn en it~yyn en }e~y dnf~ `ny aktpney ? yf cktp~gn ynadefhpfiitkptn yf pfheen `~gn ik~`n tkxfen "E~ihng 6283 : 4('

    pfgp `kgg in yngy v~n E~ihng fppthd~n f~ y~tbkaan% `afy!v~k~% }k~t ~phehynt en akp `n E~ihng%`}k~hee`n pk~p "ypfp~p np}kyynyyhkgy% spnangpy% f}}ftngin ikt}ktneen% a~yieny% ibfht np

    yfgl(% en }fyyfln `n ef shn ef aktp }k~yyn ef v~nyphkg `n ef `ak!itfphyfphkg ykg nrptan ehahpn' Eny Ltniy gngynhlgfhngp }fy efty~ttniphkg }ftcfhpn `~ ikt}y "fskht ~g ikt}y tnyy~yihp f}ty enpt}fy nrhln `ny ikgshiphkgy ibtphnggny( afhy ekadtn g~n `~ akhikaan pfgp `j ~g fiika}ehyynangp nrptfkt`hgfhtn94 : en akg`n`ny Ngcnty nyp ~g akg`n `kadtny' Afhy% }ft in akxng% E~ihng}fyyn ~g nrineengp akangp fsni `ny itgny np `ny ky : `iefyyfgp efdnf~p `~gn Begn% eny }tk~nyyny l~ntthtny `~g Fibheen% ekdyi~!thp% ikaan en tnaftv~n E~ihng% tng` `hcchihen ef tngikgptn `n ynyskhyhgy'

    96' E~ihng `n Yfakyfpn "6869!3< : HH% 90( Skht en Agh}}n k~ en Skxflnf~r Ngcnty _k~ Ef GixkafgihnQ % `fgy en ske' HS' Ic' Ghnpzyibn% BB% K}hghkgy np yngpnginy aeny % 0=2% np Nt|hg Tkb`n "68==(' ]k~tehgce~ngin `n E~ihng% skht lfenangp B~glnt "686 yv'(% fhgyh v~nTkdhgykg "68

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    16/24

    83 DFDNPPNDFDHIB]k~tpfgp% fsni edntangyib% gk~y }ftekgy `n in v~h nyp }tkdf!

    denangp ef }e~y hgce~ngpn `ny gkphkgy }bhekyk}bhv~ny ghnpzyibng!

    gny eftlnangp }e~y hgce~ngpn v~n epntgne tnpk~t `~ aan% fyynz

    `hcchihen yfhyht' Hgytn `fgy in v~n intpfhgy }tpng`ngp fskht p

    ykg ~ephan ikgypneefphkg `fgy Ef skekgp `n }~hyyfgin "in ehstn gk!pkhtnangp hgsngp (% eh`n aan `n ednt!angyib `fgy ykg yngyftxng }n~p ptn png~n }k~t tny}kgyfden gkg yn~enangp `n ef l~nttn

    `Bhpent% afhy f~yyh `n ef ]tnahtn L~nttn akg`hfen "df}phyn%

    inyp hgypt~iphc% ef l~nttn `n Ghnpzyibn }ft intpfhgy jk~tgfehypny

    `n e}kv~n99(' In gnyp }fy gkg }e~y ~g bfyft` yh Lnktln Dntgft`

    Ybf| hgphp~en e~gn `n yny }hiny Bkaan np y~tbkaan'Ng }ftefgp `n edntangyib ghnpzyibng% kg ynaden hgshpfden!

    angp }ftent `n ef }bhekyk}bhn v~h f `kgg gfhyyfgin f~ efglfln `nef tfin `ny afptny : edntangyib ng pfgp v~k}}ky e^gpnt!Angyib% ikaan en `hp ef pntahgkeklhn Gfphkgfen Ykihfehypn'

    Ghnpzyibn ~phehyn eny `n~r pntany' Ef tctngin E~ihng y~lltn

    v~n en Zftfpbk~yptf `n Ghnpzyibn ngynhlgn f~yyh edntangyib `nafghtn}ftk`hv~n' En y~tb~afhg nyp `kgi f~yyh ~gn gkphkg yfphth!v~n% np inef tnshngp }tk}kynt ~gn iefthchifphkg v~h ng tfehp iefth!

    chn dhng }n~ en yngy `n Ghnpzyibn' In v~n jn `cng`y gn tng` }fy eny

    ibkyny }e~y yha}eny' Jn gn y~hy }fy ng ptfhg `n `htn v~n Zftfpbk~y!

    ptf gngynhlgn }fy edntangyib% afhy he nyp cfihen `n gn }fy skhtv~n ehgyfhyhyyfden `kipthgn `n epntgne tnpk~t% ef `kipthgn v~n Zf!

    tfpbk~yptf shngp }k~t ngynhlgnt% engynhlgnangp v~n en y~tb~afhg

    nyp `nyphg }ntanpptn `fppnhg`tn% nyp epntgne tnpk~t `~ aan'In }khgp nyp lfenangp en i~t `n ef sthp `n ef tngfhyyfginibnz Na}`kien' En Zftfpbk~yptf `n Ghnpzyibn ngynhlgn v~n

    eb~afhg `khp y~takgpnt% inyp!!`htn feent f~!`ne% `}fyynt

    epntgneenangp ti~ttngp% np gk~y yfskgy v~he yflhp!e `n

    eb~afhg% ptk} b~afhg'

    Y~t ef aktp : Zftfpbk~yptf% eny eny Cktp~gny np ef }ktpn `n eNgcnt

    ]e~y v~n efsntphyynangp `Na}`kien ikgptn en iftghskthyan%

    }e~y v~n ykg ixien ikyakeklhv~n% inyp }n~p!ptn ef `nyith}phkg `~

    skeifg np `n ef aktp skekgpfhtn `~ }bhekyk}bn v~h gk~y ctf}}n en

    }e~y cktpnangp' He x f lfenangp en `pfhe pbptfe `n ykg ~ghv~n

    yfg`fen `n dtkgzn% tnjnpn np tng`~n ef pnttn `ny shsfgpy }ft en

    aan skeifg' ]k~tv~kh gf!p!neen }fy p sf}kthyn k~ ckg`~n ; Ng

    nccnp% kg fppthd~n Na}`kien ~g }hn` `n dtkgzn% yk~sngp skv~

    ng ehng fsni ef i~hyyn `kt `n ]xpbflktn'

    En }tkdean `n ef yfg`fen y~dyhypn' ]k~tv~kh ~gn yn~en ; Eny

    99' Skht Yfepnt "4==8(' Skht lfenangp engynaden `n e Hgptk`~iphkg `n

    Yptkgl "rh!rrrhhh( np af }tk}tn fgfexyn `n Yfepnt "Dfdhib 4==8('

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    17/24

    BX]NTFGPBTK]KYNPY^TBKAAN 8 f~yyh }nt` ~gn yfg`fen ng ctfgibhyyfgp en cen~sn dk~n~r

    Fgf~tky% fekty v~he }ktpn y~t ef~ptn thsn ~gn shnheen cnaan v~hyfstntf ptn Btf ng }ntykggn "in v~h gnyp }fy ~g }nphp nr}ekhp%np he nrhypn `ny axpbny gkt`hv~ny np ibtphngy `~ aan px}n% ptfh!pfgp `n `hshghpy `l~hyny ikaan eny `ntghnty `ny `ntghnty np v~h}ftshnggngp yn cfhtn }ktpnt }k~t ptfsntynt `hsnty cekpy('

    @n cfkg tnaftv~fden% ng yn yk~sngfgp `n E~ihng% ef }ntpn`~gn yfg`fen tnsp ~g yngy pty }ftphi~ehnt `fgy in ikgpnrpn' Hih% en}fyyfln ikgintgn en Ypxr np en dtkgzn `n ef yfg`fen efgin ng efht

    yhlgfen ~g }fyyfln% ~g ptfgycntp snty eny Ngcnty' Fhgyh% en cfhp v~neny yfg`feny `Na}`kien ykhngp ng apfe ineeny `Bntay ykgp`ftlngp k~ `kt% in v~h ikgshngp ~g anyyflnt v~h }fyyn `~tkxf~an `ny aktpy ine~h `ny shsfgpy% aktpney k haaktpney93 tfppfibn en }ntykggfln f~ akg`n `ny Ngcnty' Yk~sngkgy!gk~y f~y!yh v~Bifpn nyp j~ypnangp fyykihn ~gn ~ghv~n yfg`fen `n dtkg!zn' Pk~p inih f `kgi `n eha}ktpfgin }ft tf}}ktp E~ihng v~h gk~ytf}}neen v~n @hklgn en ixghv~n "hih E~ihng yxgpbphyn intpfhgytningyhkgy( an~tp }k~t fskht ikgykaa "yk~y!ngpng`~ skekgpfhtn!angp( en `gnt `Bifpn `n ef shfg`n `n ibhng ~g ifttnck~t%sh`naangp' Yh inp nr}ky pfhp }e~y ekgl% gk~y }k~tthkgy gk~yfibnahgnt snty ~gn tcenrhkg y~t en yngy `~ b~tenangp `~ ibhng`fgy en Zftfpbk~yptf `n Ghnpzyibn% fhgyh v~n y~t eny }efhgpny `~

    ibnsthnt pbkithphng `skt }ft eny }~gfhyny% `fgy eny ibfg!ykgy `~ }thgin bkty!ef!ekh ng f}}ng`hin f~ Lfh yfskht% pk~p ikaany~t ef yhlghchifphkg `ny efangpfphkgy `ny fafgpy fdfg`kggy' Jn}ngyn }ft nrna}en Shtlhen cfhyfgp af~`htn gn }ft @h`kg%fsfgp yf }tk}tn aktp skekgpfhtn% np v~h hgskv~n Bifpn np v~h!ikgv~n f~tfhp `n ef yxa}fpbhn }k~t `ny fafgpy `efhyyy : @h`kgv~n ekg skhp f~}ty `ny f~pney% ~g }hn` g~ "gh`n% HS(9' Jn tnantihn }e~y }ftphi~ehtnangp ]npnt Dhgl }k~t fskht ahy ng e~ah!tn efee~yhkg pty ha}ktpfgpn% akg yngy% Jfykg ektyv~n jfh }tyngp ~gnsntyhkg `n in ptfsfhe ef Naktx ^ghsntyhpx en 6> fsthe 4=66'93' Tnaftv~kgy v~n eny Ltniy% ikaan eny Bhg`k~y f~jk~t`b~h% fiikt!`fhngp ~gn sfen~t y}hthp~neen f~ apfe' Jn }tk}kyn `n }e~y fa}eny tctng!iny `fgy Dfdhib "4==2 : 6>>!6>3('9'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    18/24

    82 DFDNPPNDFDHIBpbk~yptf ~gn tnptfhpn v~h `~tn `ny fggny np yfibsn }ft inyakpy : @~ y~tbkaan ef dnf~p shgp akh ikaan ~gn kadtn92 '

    Kg ikggfp `j en pk}ky bkathv~n `ny eny Cktp~gny }ft en

    yk~y!phptn `n eFt`hglbneek `n \hebna Bnhgyn% v~h Be`ntehg ``hn

    ykg ]fhg np shg np `kgp ef aan shyhkg hee~ahgn en tkafg

    `Be`ntehg% Bx}thkg' Eny ikgpk~ty lkltf}bhv~ny `n iny `n~r

    sntyhkgy Bnhgyn nr}kyfgp eny yk~snghty `Ft`hglbneek% ~g skxf!

    ln~t ng Yhihen% np in~r `n eBx}thkg `Be`ntehg% entahpn `fgy ~gn

    shyhkg h`fehyn `n ef Ltin ak`ntgn ykgp nyyngphney f~r `n~r

    tihpy v~h yn tctngp ef gkypfelhn `~g ehn~ np `~g akg`n ptfgych!

    l~ty98' Bktahy en if`tn }tk}tn ef ehpptfp~tn feenafg`n% kg

    }n~p pfdeht ~g }ftfeeen fsni e~stn `~ }nhgptn y~hyyn Ftgke`

    Dioehg "624

    ef tctngin Zftfpbk~yptf nyp ehn ykg }tk}tn ske `fgy en skeifg

    "v~h cfhp ibk f~ y~hih`n `Na}`kien(% yhp~ ng ~g ehn~ }tihy `n ef

    A`hpnttfgn' Ef }e~}ftp `ngptn gk~y yn yk~shngp `n in }fyyfln `n

    Zftfpbk~yptf ng tfhykg `n yf dhzfttnthn ? }e~y ptfglnangp ngiktn%

    ef afjkthp `ny y}ihfehypny `n Ghnpzyibn " enrin}phkg `n J~gl

    _6822 : 6460Q( gn ckgp v~n tftnangp tnaftv~nt ykg nrptfsflfgin'

    Jn an yk~shngy }k~t af }ftp `n af }tnahtn enip~tn `n in }fyyfln%

    ikaan `ny ingpfhgny `n enip~tny v~h kgp y~hsh% afhy pk~jk~ty yfgy

    e~h ptk~snt dnf~ik~} `n yngy' Inef athpn v~kg yx fttpn% ng }ft!

    phi~ehnt ektyv~he yflhp `n Ghnpzyibn% v~h f }fyy yf shn ykii~}nt`n dhzfttnthny f~rv~neeny ef ithphv~n y}ihfehyn f fiikt` }n~

    `fppngphkg06'

    Inyp `fgy in ikgpnrpn v~n ekg }n~p yn pk~tgnt snty @n ltfg`y

    sgnangpy% }tcfi `nyynhg }ft ef yniphkg @ny }kpny v~h% y~t ~g

    ak`n }efpkghik!ykitfphv~n% pfv~hgn eny }kpny }k~t en~ty angykg!

    lny% pk~p ng fcchtafgp v~n Zftfpbk~yptf e~h!aan nyp ~g }kpn

    "Z HH : @ny }kpny(' Fhgyh Zftfpbk~yptf anp ng lft`n ykg `hyih}en

    ikgptn ef itkxfgin% tncepfgp ~g ak`n v~n gk~y fskgy s~ }e~y bf~p

    ptn ptk}!e~ihfghv~n % afhy y~}}kyn v~ng pk~p ythn~r v~ne!92' Gkpkgy v~n Zftfpbk~yptf yn tctn }e~y ekhg ekadtn np f~ akg`n `n

    eny}thp ikaan ~g ibkhr `~ ikt}y% ng }ngyfgp : e~g `n yny `hyih}eny%

    }k~t akh eny}thp gnyp }e~y ny}thp v~n }ft afghtn `n `htn% np pk~p

    eha}thyyfden inef f~yyh gnyp v~~gn hafln "Z HH :@ny }kpny('

    98' He nrhypn `n gkadtn~yny p~`ny y~t in pban% ikaangint }ft ineen

    `Nehzf D~pent "68>2(' Skht lfenangp% }k~t ~g nr}ky }e~y tingp% Ikgy!

    pfgzn Lpbngon "4==2 : 93('

    06' Ng tlen lgtfen% v~fg` eny y}ihfehypny `hyngp v~hey ykgp }nt!

    }enrny % hey gn ykgp }e~y pty ekhg `iftpnt ef v~nyphkg'

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    19/24

    BX]NTFGPBTK]KYNPY^TBKAAN 88v~~g `hyn v~n ptk} angpn~ty ykgp eny }kpny% ine~h!e gf }fy pktp gk~y ykaany ptk} angpn~ty "hdh`'(' Ikaan gk~y en cfhyhkgy tn!

    aftv~nt ng hgptk`~iphkg% ~gn pneen tcenrhkg y~t en angykgln }kph!

    v~n nyp e}hpbpn `n E~ihng np en }tpnrpn `n eBhypkhtn sthpfden'

    ]k~t Zftfpbk~yptf "np hih }k~t E~ihng( ptk} }f~stn nyp lfenangp

    gkptn yfskht% np afe gk~y f}}tngkgy : fhgyh `j gn }k~skgy v~n

    angpht "hdh`'('

    Fyykih ehgpnt}tpfphkg `n E~ihng np ef y~llnyphkg v~n

    Ghnpzyibn thptn eny }~thchifphkgy np ef aktp `Na}`kien fsni

    Fhgyh }ftefhp Zftfpbk~yptf% en if`tn hghphfe `n @n ltfg`y sgn!

    angpy ikaangin }ft ~gn ptfglnp : inyp ef ikgypneefphkg `~gn en

    np `~g skeifg `~ akg`n hgcthn~t% `~g dfpnf~% `n ykg if}hpfhgn np

    ykg v~h}fln% `n ef cktin `n ef}}ne Skhih en pna}y & Skhih en pna}yy~}tan & np% }ft `nyy~y pk~p% `n Zftfpbk~yptf skefgp `fgy eny

    fhty "}fyyfln fiika}flg `~ ikaangpfhtn inyp snty engcnt v~n

    Zftfpbk~yptf ibnahgn & (% afhy f~yyh `~ ef}y `n pna}y fsfgp ykg

    tnpk~t en ihgv~han jk~t% fekty v~n ekg fsfhp chgh }ft itfhg`tn v~n

    v~n en `hfden _fhpQ ngens Zftfpbk~yptf 04'

    Tf}}nekgy!gk~y en `d~p `n ef yniphkg : He nyp ~gn en `fgy ef

    ant gkg ekhg `ny eny Cktp~gny `n Zftfpbk~yptf k gn inyyn `n

    c~ant ~g skeifg np `kgp en }n~}en `hp% np yhgl~ehtnangp eny shnheeny

    }nphpy cnaany `~ }n~}en% v~n `nsfgp en }ktpfhe `~ akg`n yk~pnt!

    tfhg neen nyp }efin ikaan ~g tkibnt% afhy v~ ptfsnty en skeifg

    aan `nying` eptkhp ibnahg v~h agn in }ktpfhe `~ akg`n yk~!

    pnttfhg "Z HH :@n ltfg`y sgnangpy('

    In }fyyfln nyp eh `n afghtn sh`ngpn E~ihng% yh gk~y yka!any `n y~titkp l~h`y }ft en]yxibn `n Tkb`n "684>(09' @n }e~y% he

    nrhypn ~g ikgpn `n ef aan }kv~n% ikgpn `n cfgpan% v~h tngskhn

    iny aany ltfg`ny "k~ ptfglny( tngikgptny% ikaan kg en `!

    ik~stn ng }k~ty~hsfgp ef enip~tn :

    _Q he f`shgp v~~g sfhyynf~ jnpf efgitn }ty `n een k yn `tnyyn ef

    c~afgpn akgpflgn ? np v~n chp pnttn ykg v~h}fln }k~t phtnt en ef}hg'

    Afhy snty ah`h% ektyv~n en if}hpfhgn np yny bkaany c~tngp gk~snf~

    t~ghy% ng efht hey shtngp yk~`fhg ~g bkaan v~h yf}}tkibfhp np ~gn

    skhr iefhtnangp `hp Skhih en pna}y & Skhih en pna}y y~}tan & ' Kt%

    ikaan inppn cktan pfhp f~ }e~y }ty `n~r neen skefhp in}ng`fgp fsni

    tf}h`hp hey tnikgg~tngp% pty shsnangp a~y% v~n ipfhp

    Zftfpbk~yptf "hdh`'(Hih ebhypkhtn% pneen v~n ef tfikgpn Ghnpzyibn `fgy Fhgyh }ftefhp

    04' Ef tnaftv~n nyp y~hshn `n ef t}ehv~n pk~p cfhp agh}}nggn "k~ dhng

    e~ihfghv~n( Jfhan ahn~r itkhtn v~n inyp Zftfpbk~yptf v~h f ngens en

    `hfden'

    09' Ep~`n `n Tkb`n% kthlhgneenangp }~dehn f~ ahehn~ `ny fggny 628=%

    nyp }kypthn~tn in v~n Ghnpzyibn ithp hih% afhy Ghnpzyibn pfhp cfahehnt

    `~ }tnahnt ehstn `n Tkb`n y~t E~ihng np en tkafg ltni np yny fgpi`ngpy'

    @ki~angppeibftl`n}~

    hy|||'ifhtg'hgck!!DfdhibDfdnppn!38'6=>'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    20/24

    6== DFDNPPNDFDHIBZftfpbk~yptf% tn}tng` ~gn elng`n }k}~efhtn anppfgp ng yign `nycfgpany% }~dehn }ft en }kpn yk~fdn J~yphg~y Ontgnt% v~h e~h!aan fcchtan% `fgy en Deppnt f~y ]tnsktyp00% v~n inppn bhypkhtn f`fdkt` p tn~n }ft ~gn skxfgpn :

    Eny v~fptn if}hpfhgny np ~g aftibfg`% At Dnee% jnptngp efgitn y~teen `n Yptkadkeh }k~t phtnt `ny ef}hgy' ptkhy bn~tny hey tf}}netngpev~h}fln }k~t akgpnt dkt`% v~fg`% en~t }e~y hgnr}thafdenpkggnangp% hey shtngp `n~r bkaany skent tf}h`nangp f~!`nyy~y `n~r`fgy eny fhty' E~g pfhp bfdhee `n gkht% ef~ptn `n lthy' Hey enyf}}tkibtngp pty }ty% ng ltfg`n bpn% np en~t }e~y ltfg` `yfttkhhey `nying`htngp `fgy eny cefaany dtefgpny `~ itfptn `~ pntthdenskeifg% en Akgp Yptkadkeh' Hey tnikgg~tngp fekty `n~r ikggfhyyfginy `nEkg`tny0>'

    J~gl% v~h fcchtan v~n `n pneeny bhypkhtny `n cfgpany }nt`~!tngp }ftin v~neeny ykgp `hchfgpny % nr}ehv~n v~n eny `n~r lng!pheybkaany `n Ekg`tny pfhngp `n iedtny ikaantfgpy% np `npk~pn sh`ngin hey gfeefhngp }fy pty dhng% }ftin v~hey pfhngp}nhgpy `ny ik~en~ty `n engcnt v~h nr}thangp en }ib% e~g ng gkht%ef~ptn ng lthy% fekty v~hey f~tfhngp ` }ktpnt `ny ibnahyny defg!ibny% v~h ykgp eny spnangpy `n ik~t f~ }ftf`hy "hdh`'( 03'

    Eny Ltynelnyibhibpng% ikgpny `n ef aktp% np }ftphi~ehtnangp`ny aktpy afebn~tn~r% np `ny ibkyny v~n gk~y gn yfskgy }fy nginppn shn% ikaan inyp en ify ef ckhy `~ Ofpf}ek~y `n E~ihng np `~

    ]yxibn `n Tkb`n% ykgp }ftnheenangp hgypt~iphcy "k~ `hchfgpy(' Ef`hangyhkg cfgpkafphv~n `~ ske `n Zftfpbk~yptf% ikaan ef tctng!00' Dhng v~n ef ihpfphkg ykhp `kggn }ft en ika}hefpn~t `~ Ghnpzyibny Zftf!pb~yptf `n J~gl "6822 : 466

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    21/24

    BX]NTFGPBTK]KYNPY^TBKAAN 6=6in ih!`nyy~y E~ihng np Tkb`n en akgptndhng% nyp }e~y ehpptfenv~n ehpptfhtn' Yh Lftx Ybf}htk% ~g `ny tftny ibntibn~ty ithtn

    in y~jnp% yk~ehlgn pty j~ypnangp ef yhlghchifphkg lkeklhv~n `n in

    }fyyfln cfin ine~h `ny eny Cktp~gny% np }tihyn v~hih% `fgy @n

    ltfg`y sgnangpy% Zftfpbk~yptf f}}ftfp axypthn~ynangp y~t

    ~gn en skeifghv~n "k ykg Kadtn ynaden skent `fgy en skeifg e~h!

    aan( "4==2 : 69(% he gn tnaftv~n }fy v~n ekadtn `n Zftfpbk~y!

    ptf% eKadtn ng v~nyphkg% ikttny}kg` ef `hangyhkg f}efphn `n in

    v~h nyp }k~t en Ltni `n efgphv~hp ef yn~en ibkyn v~h y~dyhypn `n

    gk~y f}ty ef aktp'

    Fhgyh% en pna}y y~}tan% hgskv~ }ft en Zftfpbk~yptf `n

    Ghnpzyibn Inyp ebn~tn% inyp ebn~tn _hpy phan% hpy phanQikaan

    en `hyfhp P' Y' Nehkp `yhlgn en akangp `n ef aktp0'6

    06'6

    !=2+=4+4=64==b62'

    ]'^'C'

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    23/24

    BX]NTFGPBTK]KYNPY^TBKAAN 6=9Dkn`noont% @ndktfb "6829( Bnifpn: F Ptfgyc~giphkgfe Lk``nyy hg pbn

    Pbnklkgx; PF]F% 669 : 6( Pbn \bhl Hgpnt}tnpfphkg kc Bhypktx' Ekg!

    `tny : Dnee'

    Ift`n|% Fefg "4==0( Pbn @hkyi~th: Ghnpzyibn fg` Nt|hg Tkb`n %

    `fgy : ]f~e Dhybk} "`'(% Ghnpzyibn fg` Fgphv~hpx% }' 0>2!0 : 90=3!90>='

    @ntth`f% Jfiv~ny "6828( He cf~p dhng afglnt k~ en ifei~e `~ y~jnp'ngptnphng fsni Jnfg!E~i Gfgix % Ifbhnty Ikgctkgpfphkg 4= : 86!660'

    @hklgn Eftpn "683>( Shn% `kipthgny np yngpnginy `ny }bhekyk}bny hee~y!

    ptny% ptf`' T' Ltngfheen' ]fthy : Lftghnt'

    Ndgnt% Aftphg% Lzneef% Bkelnt% Gnyynetfpb% Bnhgz!Lgpbnt np Thddfp%

    Ntgyp% `y "4==6( ]bhek}yn~`nhy F}hypkg' @hn Elngctn~g`n k`nt: @nt

    ^gle~dhln' @ftaypf`p% \hyyngyibfcpehibn D~iblnyneeyibfcp'

    Nhyent% T~`kec "68=0( Bfg`|tpntd~ib `nt ]bhekyk}bhn' Dntehg : Ahppent

    ~g` Ykbg'

    Na}`kien "6890(Ofpbftakh% `fgy : Bntafgg @hney # \fepbnt Otfgz%

    @hn Ctflangpn `nt Sktykotfphont% Ske' 6% }' 9>0 y' Dntehg : \hn`afggyibn

    D~ibbfg`e~gl'

    Cf~pb% \keclfgl "682>!23( F}btk`hpny ]fgpkccne ~g` `hn Yfg`fen `nt

    Bnofpn Ltfznt Dnhptln% 64!69 : 689!466'

    Ctxn% Gktpbtk} "6838(Fgfpkahn `n ef ithphv~n' ]fthy : Lfeehaft`'

    Lhgzd~tl% Iftek "4==>( G~een en gnyp ~gn en : v~fptn tnlft`y y~t ef ehp!

    ptfp~tn fglefhyn' Efltfyyn : Snt`hnt'

    Lpbngon% Ikgypfgzn "4==2( ]efihgl Ak`ntg Ltnnin: Pbn @xgfahiy kc

    Tkafgphi Bneenghya% 6

    zfgphgnt ? Pnhed`' 4 : ]bhekeklhn% ]tkcfg`hibp~gl% A~yho% Afpbnafpho ~g`

    Fyptkgkahn% Gfp~t|hyyngyibfcpng% An`hzhg% Othnly|hyyngyibfcp% Tnibpyehpn!

    tfp~t' A~ghib : Dnio'J~gl% Ifte L~ypfs "6822( Ghnpzyibny Zftfpb~yptf: Gkpny kc pbn Ynahgft

    Lhsng hg 6890!6898% ptf`' Jfany E' Jfttnpp' ]thginpkg% GJ : ]thginpkg ^]'

    Ofhgz% Cthn`thib "68

  • 8/2/2019 Le Zarathoustra de Nietzsche et le style parodique. A propos de lhyperanthropos de Lucien et du surhomme de Ni

    24/24

    6=0 DFDNPPNDFDHIBEf~sntlgfp!Lflghtn% Ibthyphgn "6822( E~ihng `n Yfakyfpn np en E~!ihfghyan ng Ctfgin f~ RSHn yhien : Fpbhyan np }keahv~n' Lngsn : @tkz'E~ihng `n Yfakyfpn "6233( ~stny Ika}epny' 4n `' ]fthy : Bfibnppn ?

    bpp}:++tnafien'ktl+dekk`|kec+}bhekyk}bny+E~ihng+snthpfden6'bpa'

    E~ihng `n Yfakyfpn "6283( ~stny Ika}epny% ptf`~iphkg `n Dnehg `nDfee~% p' 6' ]fthy : Lftghnt'

    E~ihng `n Yfakyfpn "6869!3[tfdhgk|hpz[=='bpae'

    Tf~nt% Okgypfgphg "4==>( Pkpnglny}tib z|hyibng Ofgp fg` Ghnpz!

    yibn z~t Aktfe}bhekyk}bhn % `fgy : Dnfpthr Bhaaneafgg "`'(% Ofgp ~g`Ghnpzyibn ha \h`ntyptnhp% }' 668!648' Dntehg : `n Lt~xpnt'

    Tngf~ep% ]bheh}}n "4==0( E~ihng `n Yfakyfpn k~ en }thgin `~ lfh yf!

    skht Ckehf Neniptkghif Iefyyhif% 2% diy'cept'~ie'fi'dn+CN+=2+E~ihng'bpae'Tkdhgykg% Ibthypk}bnt "68