- for sinfonietta of 15 players - Lauri Supponen M e m e
Mar 24, 2016
- for sinfonietta of 15 players -
Lauri Supponen
M e m e
ii
iii
me�•me : (orig. greek: mimeme = imitation) a unit of cultural transmission with attributes similar to those of genes (term coined by Richard Dawkins in his book The Selfish Gene). In social media: a form of circulating text/media depicting common/uncommon archetypes.
Contents:
NOTA p. v - vi
Meme p. 1 - 40
1. Segnalando p. 12. Immobile p. 303. Scorrevole p. 354. Segnalando p. 39
written for the Nouvel Ensemble Moderne, Montréal, CA
M e m e- for sinfonietta of 15 players -
Lauri Supponen
iv
v
damp strings, and bounce the bow col legno onthe middle string(s) while moving it accoringto the indication from the end of the fingerboardto the bridge (pitch gets higher towards the bridge)
molto sul pont., very close to the bridge
carckling sound produces when the bowis moved in circular motion with the pointat which the hairs are touching the strings stayingfixed. Vary crackling frequency (=speed of turning)as indicated.
estremamente sul pont., as close to the bridge as possible
molto sul tasto, 1/3 into the fingerboard
sul tasto, on the fingerboard
sul pont., [near] the bridge
estremamente sul tasto, halfway on the fingerboard
repeat the given figure continuously until the end of the black line
STRINGS
s.p.
s.t.
m.s.p.
e.s.t.
e.s.p.
m.s.t.
Smaller microtones are ordered as follows :(note that arrows are applicable in both directions, and on all accidentals)
GENERAL
All notes from the first until the second signare multiphonics
tongue as fast as possible (non fluttertongue!)
play as fast as possible on the beat.
gradual transition from one technique another.
The 4 movements are played quasi attacca: the gaps in between shouldn't be longer than a breath mark (,),
that is 3 seconds at the most.
PERFORMANCE NOTES
WINDS
The following 1/4-tone notation is used :
NOTA
vi
Score in C
Xylophone, Celesta and Piccolo sound one octave higher, Crotales two octaves higher.Contrabass sounds one octave lower, and Bass Clarinet a major second lower.
Trumpet and trombone equipped with straight metal, harmon and plunger mutes
The piano and celesta should be placed at a straight (or steeper) angle from each other, with the celesta on the right hand side, enabling the pianist to play both instruments simultaneously.
Although a piece of railway track is preferred, if one cannot be found, a large metal object such as a break drumor large coil can be used instead. A low pitch is called for.
] 1 player
Instrumentation:
Flute (d. Piccolo)Oboe
2 Clarinets in Bb (1. d. Piccolo Cl. in Eb, 2. d. Bass Cl. in Bb)
Bassoon
Horn in FTrumpet in C
Trombone
Percussion (1 player) : Xylophone
Grande Cassa Crotales
Piece of railway track (low pitch) Tenor drum
Medium-sized cardboard coffee cup Lion's roar
2 Tuned cowbells (in C and E )
CelestaPiano
2 ViolinsViolaCello
Contrabass
Dur. c. 12:30
Written for the FORUM 2012 (Montréal, CA November 2012) of the Nouvel Ensemble Modern (cond. Lorraine Vaillancourt)
Segnalando q = 126 - 132
Segnalando q = 126 - 132
- for sinfonietta of 15 players -
Important notice: the unauthorised reproduction of the whole or any part of this publication is unfair
Lauri Supponen (2012)
Lauri Supponen © Helsinki 2012All rights reserved
M e m ewritten for the Nouvel Ensemble Moderne
1.Flauta
(anche Piccolo)
Oboe
Clarinetto (anche Clarinetto piccolo in Mib)
Clarinetto basso (anche Clarinetto in Sib)
Fagotto
Corno
Tromba
Trombone
Percussione (1 player)Xylophone, G.C., Crotales,
Piece of railway track, Tenor drum,Medium coffee cup, Lion's roar,
2 tuned cowbells
Celesta
Pianoforte
Violino 1
Violino 2
Alto
Violoncello
Contrabasso
M
c
f deciso
legato cf sempre sim.
cresc.
5
5
5
5
5
5
5
5
5
5
5
5
5
5
1 player
pp
gliss.
ffmp p cresc.
p
gliss.
ffmp p cresc.
pp
gliss.
ffmp
p cresc.
p cresc.
8
1
1
Fl.
Ob.
Cl.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
f ff pp dolce sub dim.5 3 5
3
ff f deciso, come prima
flegato5
5
5
5
f ffp dolce sub dim.
3 3
f ff p dolce sub dim.3 5
f ff 3 6
c. sord.
pp dim.c. sord.(straight metal)
pp dim.
Xylophone
poco f cresc.ff
martell.secco
f
ff sfz
pizz.
sfz sfz
sim.
ff
pizz.
sfz sfz sfz
sim.
ff sfz
pizz.
sfz sfz
sim.
ff sfz
pizz.
sfz sfz
ff sfz
pizz.
sfz sfz
2
12Fl.
Ob.
Cl.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
poco ppp3
sempre sim.5
5
5
5
5
5
5
5
5
5
5
5
ppp
ppp
pppp poco cresc.
5
ppp5
pizz.
f ff
arco
pp
3
3
18Fl.
Ob.
Cl.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
3ff
3 3 3
più f
non mph.
ff
5
5
fff
3
5 5 3 3
f f
solo
ff
3
3 3 3
f f3
mf
poco f mp dolce
3
c. sordmetal
p inciso
Grande Cassa
p
G.C. mallet
pochis. cresc. al mp
5
poco marcato
p cresc. mp poco f
5
fmp ffpp ff
arco
p fmp ff
pp
arco
fmpff pp ff
arco
p fmpff
pp cresc.
arco
ff
4
21
2
2
Fl.
Ob.
Cl.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p dolce 3
p dolce3
pp echo 3 3
pp echo 3 3
s. sord.
p dolce
G.C.
p echo
finger tap on skin
3 3
dim.
dim.p
poco dim. pp sub
gett.
p dolce
3
poco dim. pp sub
gett.
poco dim. pp sub
gett.
pp
gett.
f pp sub
5
25Fl.
Ob.
Cl.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p dolce
3
ten.
M
c
p dolce
Crotales
p dolce
3
tune to Oboe
ppp p
p f p
3
f ppp
ppp ppp
ppp ppp
sempre pp, non dim.
6
29
3
3
Fl.
Ob.
Cl.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p fff
muta in Piccolo
5 3 3
c
f
c
p
3sim.
3
3
p dolce f
3
f
f
p
s. sord.
fcon sord.harmon
p fcon sord.harmon
f
3
dampXylophone
f
martell.rapido
ff 7
ppp ff f3
p dolce3
f3 3
pizz.
fff f mf p
arco
f
3
f
f
f dim.
7
33
q. = q = 84 - 88
q. = q = 84 - 88
Ob.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
3
p
pizz.
p pp dolce
arco
3 3
pizz.
p pp dolce
arco
3 3
pizz.
p pp dolce
arco3
3
pizz.
p pp dolce
arco3
3
pizz. sim.
pp
3 3 3 3
38 G.P.
G.P.
4
4
Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
Piccolo
p 3 3 3
p cresc.Clarinetto piccolo
p5
c. sord.harmon, stem removed
p
solo
f3 7
martell.secco
p mf
p fpoco marcato sim.
p f
3 3 3 3 3
3 5
3sempre pizz. (pizz.)
3 3
8
43
q = q. (q = 126 - 132)
q = q. (q = 126 - 132)
Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
poco f ff
3
ff3
3 3
poco f ff
f ff p ff
f ff p3
ff
3
(s. sord.)
p
3
poco f p f
s. sord.
p f
s. sord.
p poco f p f
Crotales
f
33 3
r.h. f
repeat the boxed notes varying the order and the rhythm flexibly following the given notation
f
repeat the boxed notes varying the orderand the rhythm flexibly following the given notation
l.h.
pp poco f mp ff5
pp poco f mp ff5
pp poco f mp ff5
pizz.
sfz mp
arco
ff
pizz.
sfz
arco
mp
3
ff
9
5
5
49Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p
pppoco f p cresc. 3
3
p
p
poco fp echo
c. sord.plunger
f
dét.
p5 5
Piece of railtrack
f
hammer
poco f5 5
s. vib.
p ombra
vib. poco a poco
f p p cresc.5 6
s. vib.
p ombra
vib. poco a poco
fp p cresc.5
s. vib.
p ombra
vib. poco a poco
f p ff pp3 3
s. vib.
p ombra
vib. poco a poco
f p ff pp3
3 3
3 5
s. vib.
p ombra
vib. poco a poco
f sub p ff pp
3 3
5
10
54Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Vl.1
Vl.2
Alt.
Vc.
Cb.
f ff mf p poss.
5 5 5 5
pp 5
fs. sord.harmon, stem out
p f
3
f
Crotales
ppp
very soft mallet
3 3 3
5 5
ff dim.
pizz.3
3 3 3
3 3
pizz.
ff dim.3 3
pp p pp ff dim.
pesante 1/4-steps down
mp
5 3 3
pp cresc. p ff dim.
pesante 1/4-steps up
mp
33 3 3
pesante
ff dim. mp
11
6
6
59Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
3 sfz
ppoco f dim.
dolce
p espress.
solo
sfz
sfz
sfz
s. sord.
sfz
p mp sfz
Xylophone very soft mallets
pp p
sfz
poco f
(sempre pizz.)
sfz
sfz
(sempre pizz.)
poco f
slow down3
sfz
sfz
sfz
12
65
7
7
Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
ff
p
legg.
f dim.
f dim.
legg.
p f
Xylophone
p f
Piece of railtrack
f
hammer
martell.
f ff
f
pp delicato
e.s.p., punta d'arcoarco
ff
c. legno batt. e.s.p., punta d'arcoarco
pp delicato
arco
ff
II I II I etc.
sfz
(ossia +)
13
70Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
pp dolce
solo
p espress.
pp 3
pp
p fmp
ppp pp dolce
nat.
mf
ppp
14
74Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
f f
muta in Flauta
3
poco fp
5 5 5 5
f 5 5
f
f
s. sord.
mp
s. sord.
mp
Xylophone
f
f
s.t.arco
mp dolce
nat.solo
3
3 7 5 5
arcoe.s.p.
3
p pp ff
pp
nat.
ff
pizz. sonoro
f
15
79
8
8
Picc.
Ob.
Cl.picc.
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
f ff
non mph.
ff p dolce
solo, espress.
ff
muta in Clarinetto
ff
ff
poco f f
f
Railway track
Tenor drumsoft mallet
hammer
f mp p3
fff
fff
ff mp dolce
solo
p dolce
35
ff
nat.
ff
ff
fff
pizz. sonoro
16
85 9
9
Picc.
Ob.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
3
3 3 3
secco
poco f
ff p
pp
m.s.t.
mp p
3
pp
m.s.t. nat.
p espress.
3
mp p
m.s.t.3 3
pp
e.s.p.
mp p
3
arco
poco f
stacc.4:3
92Fl.
Ob.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
Flauta
p dolce 33
dim.pp
33
3
p
p
33
p
cresc. f
cortisaltandonat.
p
s.p.
p
3
3
3
cresc.
corti
f p
saltandonat.
cresc. f f
nat.
p p
3
cresc.3 f p
5
17
10
10
98Fl.
Ob.
Cl.1
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p
p mp
Clarinet in Bb
p 3
mp p5
p
s. sord.
pc. sord.harmon, stem outsolo
mp mp
5
c. sord.harmon, stem out
mp p
Xylophone
f
f3
III
vib.
poco f
poco martell.
ppoco f
sim.vib. vib.
55 5 5
pizz.
f
nat.
ff f mf
pizz.
f mf
18
103
11
11
Fl.
Ob.
Cl.1
B.Cl.
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
cresc. f
mp cresc. f
f
muta in Cl.
mp cresc. f
f
cresc. f5
mp f
depresssilently
secco
sim.
sost.
ff
vib.5
mp cresc.
arco
f ff
3 3
dim.
(pizz.)
ff
pizz.
f ff
pizz.
pizz.
f
19
107
12 Meno mossoq = 108
Vl.1
Vl.2
Alt.
Vc.
Cb.
vib. m.s.t.
ppp cresc. poco a poco
solo35 5 3
poco salt.
mp dim. pp
3 3
f mp
arco
f
pizz.
f mf p (p) 3
f mp
arco
p f p
pizz.
sfp
arco al punta d'arco
pp sfp
sim.
pp3 3
114Fl.
Ob.
Cl.1
Cl.2
Fg.
Vl.1
Vl.2
Alt.
Vc.
Cb.
s. vib.
pp
increasingvib.
f p cresc.
3
3
p
pmp poco fz
3
fz
sim.
fz
3
fz
3 3
Clarinet in Bb
poco fz
3
fz fzp ff
3 3
increasing vib.
III poco f
pizz.
p
arco
mp cresc.fp3
5
5
3 33
3 3 3
pp mp
20
13
13
119Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Cel.
Vl.1
Vl.2
Alt.
Vc.
Cb.
f pp f ff
f pp pp ff pp ff5
poco f pp p ff p ff
poco f pp p ff p ff
poco f ff p
p ff p ff
5
poco f
s. sord.
p f
f ma dolce
fff poco f
3 3 35
6
ppp echo
e.s.p.
arcoe.s.p.
ppp echo
p
arco vib.
f ppp echo
e.s.p.
f
pizz.
pp
arco
ff pp ff
21
124Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p echo p
p dolce 3f f3
p dolce 33
Xylophone
p
3
f 3
p
3 p3
3
salt.
pochiss.f
nat.pizz.
p p
arco5 3 3
salt.
pochiss.p
pizz.nat.
f5
salt.
pochiss.
nat.pizz. sonoro
mp5
mf
22
129 14
14
G.P.
G.P.
Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p
p
p
p
p
(in p) 35 3
p
s. sord.
p 3
ff
3
pizz.
ff
3 6 6
3
sempre pizz.
ff
sempre pizz.
ff
23
15
15
Ancora meno mossoTempo II q = 84 - 86
Ancora meno mossoTempo II q = 84 - 86
135Fl.
Cl.1
Fg.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p
arco
coquette
mp
poco salt.
poco f3
7 5
7
5
pp
arco
mp
3
mp
(pizz.)
(pizz.)
mp
arco
139Fl.
Cl.1
Fg.
Vl.1
Vl.2
Alt.
Vc.
Cb.
poco f p3 3
p f p
3
36
33
6
5 6
p cresc. poco f3 3
3
5
3
3
fast bow on short note - slow bow on long
ppp
arcoe.s.p.
3 3 3f
3 3ppp3
fast bow on short note - slow bow on long
ppp
e.s.p.
f ppp
24
143
16
16
accelerando molto al
accelerando molto al
Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
pp cresc.
pp cresc,
3
pp cresc.
pp cresc.
p cresc.
p
solo
pp
pp
cresc. poco a poco
5
cresc. poco a poco
5
33
3
6
3 5
poco f cresc. poco a poco
nat.
3 3
p cresc.
nat.
f
pizz.
25
148Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
f pp cresc. ff
f pp cresc.5 5 3
f pp cresc. f
6 6 6 6 6 6
f pp cresc.
sim.3 3
fmp
f
solo
f sonoro
f pp cresc.ff
f pp cresc.ff
Crotales
pp cresc.
r.h. p cresc.
repeat the boxed notes varying the order and the rhythm flexibly following the given notation
p cresc.
repeat the boxed notes varying the orderand the rhythm flexibly following the given notation
l.h.
fmeno f cresc.5
fmeno f cresc.3
53
fmeno f cresc.
3
3
f meno f cresc.
26
17
17
Tempo I (q = 126 - 132)
Tempo I (q = 126 - 132)
152Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
cortiss.
mp
dolce cant.seccoleggiero
ff
cortiss.
mp sub
poco f echo
ff
cortiss.
mp sub
f
p mp dolce cant.
leggierosecco
p
pp
very soft beater
dim.
ff
ff
ff
tenuto
pp sub
ff
tenuto
pp sub
ff
tenuto
pp sub
ff
pizz.
mp sub poco f poco f
ff poco f
pizz.
27
156
18
18
Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Cel.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
(mp)
solo
mp
sim.
solo
mp
psim.
mp
p
fpsim.
m.s.t.
ppp5 5 5 5
pizz.
fff
pizz.
f ff
leggieroarco
mp
sim.
leggieroarco
mp
sim.
28
161
19
19
Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
3 f ff
fff pp
ff
3 fff
pp
mpf
mp f
ff
pp
arco
pp
arco
166
Dur. c. 6:00
Cl.1
Fg.
Vl.2
Alt.
tenuto
pp
sim.
3 3 3
pp
tenuto sim.
3 5
fp comodo
sim.
p
fp comodo
sim.
p
29
Immobile q = 60
Immobile q = 60
2.
Oboe
Violino 1
Violino 2
Alto
Violoncello
Contrabasso
M
ppp
closed (clean note)
open a bitclose
open a bit sim.
mp
*
mp poco f
3
p
*
p
p
*
poco f poco f dim.
* Place bow on strings, and turn it like the hands of a clock whilst exerting some pressure, creating a crackling sound. Vary the frequency of the cracks by varying the speed of the turning (almost immobile to a fast turn).
tune C down to a Bb
20
20
180Ob.
Cr.
Tr.
Perc.
Vl.1
Vl.2
Alt.
Vc.
Cb.
open a bit open even more stable noteclose again open a bit open even more
f dim. mp
mf
tongue as fast as possible
Medium Coffee cup
poco f dim.
hit bottom against table,open and close with hand
poco f dim.
3
poco f
3
f
let nut of bowfall on the instrument,lightly bouncing
ff
3 3
poco f
f end of fingerboard
bridge
poco f
c. legno batt.sulle cordi (damped)
ff4 4
end of fingerboard
bridge
poco f
c. legno batt.sulle cordi (damped)
poco f
sim.
5 5 5 9
30
187 21
21
Ob.
Cr.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
stable note close again open a bitsim.colla parte del pianof.
sempre sim.
p pp3
3
sratch strings gentlywith nail/plectrum/credit card/coin
pp
bridge
end of fingerboardpoco f
c. legno batt.sulle cordi (damped)
6 6
bridge
poco f
c. legno batt.sulle cordi (damped)
7 7
let nut of bowfall on the instrument,lightly bouncing
pp
3 3
end of fingerboard
pp
let nut of bowfall on the instrument,lightly bouncing
3
poco f
sim.6
poco f
5 59
19222
22
Ob.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Cb.
Lion's roar
p cresc. poco f
3 3
mp3
tune to Oboe
ppp cresc.
arco
hold end of bow screw perpendicularily againstthe A-string (e.g. resting the frog on te E-string), with some pression against the A-string,moving it up and down the string as indicated
2/3 down the fingerboard
at the bridgeleft handpizz.
pp cresc. poco a poco mp
3
31
199 23
23
Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
ff
open open even more
(same fingering, open so much as to catch the high harmonic)
p dolce
ff pp
ff pp
ff pp
ff
c. sord.plunger
f pp
ff
m.s.t.arco
3
f dim.
e.s.p.
p dolce
arcomolto vib.
f dim.
e.s.p.
p dolce
f dim.
e.s.p.
p dolce
arcoe.s.p.
f dim. p dolce
e.s.p.
sfffz f dim.
arco
p dolce
32
204 24
24
Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
f
non cresc.
non mph.
f 5
p fp f3 3 3 3
p fp f
p fp f3 3
p fp f
5
p fp f5
p
s. sord.
fp poco f p cresc. poco a poco5 4 4
Lion's roar
p ff
nat. e.s.p.
fp
nat.
nat. e.s.p.
fp
nat.
nat. e.s.p.
fp
nat.
nat. e.s.p.
fp
nat.
p fp f
3
33
209
Dur. c. 3:00
Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
ff
36 3 6
36
3 3
ff
3
sub meno f
ff3
sub meno f
ff3
sub meno f
ff3
sub meno f
ff
3
sub meno f ff
3
ff3
ff p sub
ff p sub
ff p sub
ffp sub
sub meno f
ff3
34
Scorrevole q. = 168
3.
Clarinetto 1
Clarinetto 2
ppp
imperceptible changes
ppp
imperceptible changes
225 25Cl.1
Cl.2
237 26Cl.1
Cl.2
27
27
249Fl.
Ob.
Cl.1
Cl.2
Fg.
Tr.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
pp
airy4 4
pp
4 4 4 4 4 4 4
ossia c. sord.
ppp poss.
sim.
sim.
pp 4 4
c. sord.harmon, stem removed
ppp
metallic
pp ppp pp
4 4
p
spoons on strings
ppp
c. sord.m.s.t.
pp
airy4
pp
4 4 4 4 4 4 4 4 4 4 4 4
pp dim.
c. sord.m.s.t.
2 2
ppp echo
2 2
c. sord.e.s.p.
ppp
metallic
pp2 ppp echo2
35
259 28
28
Fl.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Perc.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
poco f
4 4 4 4 4 4
pp poco f
4
poco f dim.
pp
4
pp poco f dim. pp
4 4 4
poco f dim. pp
pp poco f
2
poco f dim. pp
2
2 2 2 2
ppp
c. sord.
f
2
ppp f
2
c. sord.harmon, stem removed
ppp f
2
poco f
Tuned Cowbells
dim. pp
ff
gliss. fingeracross strings
depress silently
poco f
4 4 4 4 4 4
36
269 29
29
Fl.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
ppp echo
pp
whining, teeth on reed
p
mp ppp
solo
p
mp
legg.s. sord.
pps. sord.
mps. sord.
mp dim. ppp
poco f
spoons on strings
ppp
p
nat.4
44 4
nat.
p
p
nat.
2 2 2 2
f
(senza sord.)
p
(senza sord.)
f p
281Cl.2
Vl.1
Vl.2
Alt.
mp
ppp
ppp
m.s.t.
ppp
e.s.p.
293 30Vl.1
Vl.2
Alt.
ppp f ppp
4
ppp f
4
nat.
f
e.s.p.
4
37
30531
31
Cl.1
Cl.2
Vl.1
Vl.2
Alt.
Vc.
Cb.
f ppp
4 4 4
f ppp
4 4 4
p ff
4
ppp
nat.
f ff4
31332
32
Dur. c. 1:30
Fl.
Ob.
Cr.
Tr.
Trb.
Vl.1
Vl.2
Alt.
Vc.
Cb.
muta in Piccolo
4
p f
4
4
fp ff
fp fp ff4
fp ff
ff dim.
soloscorrevole, furioso
ppp4 4 4
4
4 4
poco f
nat. e.s.p.
pp
e.s.p.
4
p
III
ppp
38
4.Segnalando q = 65
Segnalando q = 65
33
33
Piccolo
Oboe
Clarinetto 1
Clarinetto 2
Fagotto
Corno
Tromba
Trombone
Pianoforte
Violino 1
Violino 2
Alto
Violoncello
Contrabasso
Piccolo
f ma dolce dim. p f
f ma dolce dim. p f
f ma dolce dim. p f
f
f ma dolce dim. p
pp mf mfc. sord.straight metal
mp poco f
mp p
pp mf
sing top note
mf
pluckstrings
ff
s. sord.vib.
f
ff
nat.s. sord.
f f f
ff
nat.s. sord.
39
328 34
34
Dur. tot. c. 12:00Dur. c. 0:40
Picc.
Ob.
Cl.1
Cl.2
Fg.
Cr.
Tr.
Trb.
Pf.
Vl.1
Vl.2
Alt.
Vc.
Cb.
p ppp
3 pp
3 pp
3
3
pp f p
pp f p
press CD-case against strings,and move/turn it slowly creatinghigh pitched sounds
ff
sim.
ff
f
3pizz.
ff dim.
tap end of bow screwon E-string take time
ff
run the wood of the bowacross the hairs, againstthe back of the instrument
3
ff dim.
tap end of bow screwon E-string take time
ff
run the wood of the bowacross the hairs, againstthe back of the instrument3
3
tap end of bow screwon A-string
f dim. ff
run the wood of the bowacross the hairs, againstthe back of the instrument
senza vib.
p ff
p ff
40