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www.cpseibt.com facebook.com/cpseibt http://studiocpseibt.blogspot.com LAST PRESENT C.P.SEIBT PAINTINGS TO AN OBVIOUS SECRET
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Last Present by C.P.Seibt

Mar 24, 2016

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C.P. Seibt

32 paintings to an obvious secret:Anytime everybody goes.There is nothing to take anymore.But.
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Page 1: Last Present by C.P.Seibt

www.cpseibt.com facebook.com/cpseibt http://studiocpseibt.blogspot.com  

LAST PRESENT���

C.P.SEIBT

���PAINTINGS���

TO AN���OBVIOUS���SECRET

Page 2: Last Present by C.P.Seibt

LAST PRESENT���

C.P.SEIBT

LAST PRESENT������

32 PAINTINGS TO AN OBVIOUS SECRET

Anytime everybody goes. There is nothing to take anymore.

But.���������������������

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Page 3: Last Present by C.P.Seibt

Last present 1, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 4: Last Present by C.P.Seibt

Last present 2, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 5: Last Present by C.P.Seibt

Last present 3, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 6: Last Present by C.P.Seibt

Last present 4, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 7: Last Present by C.P.Seibt

Last present 5, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 8: Last Present by C.P.Seibt

Last present 6, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 9: Last Present by C.P.Seibt

Last present 7, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 10: Last Present by C.P.Seibt

Last present 8, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 11: Last Present by C.P.Seibt

Last present 9 oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 12: Last Present by C.P.Seibt

Last present 10, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 13: Last Present by C.P.Seibt

Last present 11, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 14: Last Present by C.P.Seibt

Last present 12, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 15: Last Present by C.P.Seibt

Last present 13, oil on cardboard, approx. 50 x 70 cm, 19,5 x 27, 6 in, 2004 - 2005  

Page 16: Last Present by C.P.Seibt

Last present 14 / 15, oil on wood, 40 x 40 cm, 15,7 x 15,7 in, 2005  

Page 17: Last Present by C.P.Seibt

Last present 16 / 17, oil on wood, 40 x 40 cm, 15,7 x 15,7 in, 2005  

Page 18: Last Present by C.P.Seibt

Last present 18 / 19, oil on wood, 40 x 40 cm, 15,7 x 15,7 in, 2005  

Page 19: Last Present by C.P.Seibt

Last present 20 / 21, oil on wood, 40 x 40 cm, 15,7 x 15,7 in, 2005  

Page 20: Last Present by C.P.Seibt

Last present 22 / 23, oil on wood, 40 x 40 cm, 15,7 x 15,7 in, 2005  

Page 21: Last Present by C.P.Seibt

Last present 24 / 25, oil on wood, 40 x 40 cm, 15,7 x 15,7 in, 2005  

Page 22: Last Present by C.P.Seibt

Last present 26 / 27, oil on wood, 40 x 40 cm, 15,7 x 15,7 in, 2005  

Page 23: Last Present by C.P.Seibt

Last present 28, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 24: Last Present by C.P.Seibt

Last present 29, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 25: Last Present by C.P.Seibt

Last present 30, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 26: Last Present by C.P.Seibt

Last present 31, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 27: Last Present by C.P.Seibt

Last present 32, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 28: Last Present by C.P.Seibt

Last present 33, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 29: Last Present by C.P.Seibt

Last present 34, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 30: Last Present by C.P.Seibt

Last present 35, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 31: Last Present by C.P.Seibt

Last present 36, oil on canvas, 100 x 100 cm, 39,4 x 39,4 in, 2005  

Page 32: Last Present by C.P.Seibt

Painting is my earliest memory of my second year. Now I am seventy-seven and I continue working daily and intensively. After having lived in many places of different countries, in various cultures am I a Swiss resident of the Greek island of Paros where I have worked for many years. By biographic coincidences, the combination of different talents, interests and chances I worked in various projects, in different areas of life. The center is always my creative work as an artist. I develop my awareness, understanding and doing.

Usual learning, usual institutes, usual teachers have been always not a fit for me. For all techniques, knowledge and abilities I found in each case the optimal teachers and institutions. I learned most by the pictures of all the great painters before me and by my constant intensive working. Off about 1986 I gave up most of my technical skills, methods, effects and my work became autonomously, relevant, singular. I found always sequences in simultaneous motions, directions (or they discovered myself, of course) to my own transreal work. My topics, my projects, my painting develops permanently.  

 

My attitude is constant: I do not arrive, I continue. I do not create a rigid brand label. I am responsible for my work, but neither their constructor nor controller, but part of these developing processes. And I work incessantly.

Models I do not have. I feel relationships however. Of the width of my interests and upbringings out I am a distant cousin of the Renaissance artists, by the daily intensity of my work and my constant developing rather a relative of the creatoholics of modern art, absolutely, passionate.

My position in the art of the present: I do not work according to the rules of the art market. Therefore I create my own area from classical conditions, demands on me and my attentiveness of the present. My work does not fit into the raster of the usual classifications. It is transreal: on the way, not at the end of a frozen style, connecting different realities and inviting to others, abundance. My work points over itself outside, because it is created out of our old, deep dwells and common understandings, inviting to subjective experiencing, from which new common realities develops.������C.P.Seibt