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8/16/2019 Lana Del Rey - Ultraviolence Songbook http://slidepdf.com/reader/full/lana-del-rey-ultraviolence-songbook 1/60 Slowly CRUEL WORLD Words and Music by ELIZABETH GRANT and BLAKE STRANATHAN  mp F Share my bod  bod y y and and my my mind mind with with you, you, that’s that’s 3fr Eb all all o o ver ver now. now. I Did did Bb what what I I had had to to do do. I ’cause found it’s an so oth F far er  past an me y now. how. I Share share my my  bod  bod y y and and my my life mind with with you, you, 1 mrbelow3
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Lana Del Rey - Ultraviolence Songbook

Jul 06, 2018

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Page 1: Lana Del Rey - Ultraviolence Songbook

8/16/2019 Lana Del Rey - Ultraviolence Songbook

http://slidepdf.com/reader/full/lana-del-rey-ultraviolence-songbook 1/60

Slowly

CRUEL WORLD

Words and Music by ELIZABETH GRANTand BLAKE STRANATHAN

 mp 

F

Share my bod bod

yy

andand

mymy

mindmind

withwith

you,you,

that’s

that’s

3fr 

Eb

all

all

o

o

ver 

ver 

now.

now. I

Did

did

Bb

what

what

I

I

had

had

to

to

do

do. I

’cause

found

it’s

an

sooth

F

far er 

 pastan

mey

now.how. I

Shareshare

mymy

 bod bod

yy

andand

mymy

lifemind

withwith

you,you,

1

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Page 2: Lana Del Rey - Ultraviolence Songbook

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that’sthat’s

3fr 

Eb

wayall

oo

ver ver 

now.now.

There’sI

notdid

Bb

morewhat I

Ihad

canto

do,do. I could

you’re

see

F

so

you

fam

leav

ous

ing

now.

now. I

Got

got

your 

your 

Bi

Bi

4fr 

Ab

 ble.

 ble

Got

and

your 

your 

gun.

gun.

F

AndAnd

youyou

likelove

toto

 par  par 

4fr 

Ab

tyty

andand

havehave

fun.fun.

F

AndAnd

II

likelove

myyour 

canwom

4fr 

Ab

dyen and

andall

your of your 

womher o

en.in.

F

I’mAnd

fiI’m so

n’lly

2

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Page 3: Lana Del Rey - Ultraviolence Songbook

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haphap

4fr 

Ab

 py py

nownow

thatthat

Bb

you’reyou’re

gone.gone.

F

3fr 

Cm

With my lit t le red par ty dress on,

Bb

ev ’ry bod y knows that I’m   thea

  best,mess,     I’m cra

F

zy.

3fr 

Cm

Get a lit tle bit of bour bon in ya,

Bb

getgo   a lit tle bit sub urb an and go cra

F

zy, yeah,

3

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Page 4: Lana Del Rey - Ultraviolence Songbook

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1 2

yeah. Be cause you’re young,

3fr 

Cm

you’re wild, you’re free, you’re danc in’

cir 

Bb

cles a round me. You’re fuck in’ cra

F

zy. Oh,

3fr 

Cm

oh,

Bb

you’re cra zy for  

F

me.

I shared my Got your Bi

4fr 

Ab

 ble and your gun.

4

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Page 5: Lana Del Rey - Ultraviolence Songbook

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D.S. al Coda

F

You like your wom

4fr 

Ab

en and you like fun.

F

I like my

can

4fr 

Ab

dy and your her o in.

F

And I’m so hap

4fr 

Ab

 py, so hap py now

Bb

you’re

gone.

F

Oh,

3fr 

Cm

oh,

Bb

you’re cra zy for  

F

me.

5

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Page 6: Lana Del Rey - Ultraviolence Songbook

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Broadly

ULTRAVIOLENCEWords and Music by ELIZABETH GRANT

and DANIEL HEATH

 mf 

Dm F C

G Dm

He used to call

Bb

me “D. N.”

G

That stood for “Dead l y Night shade.”

Dm

’Cause I was

filled

Bb

with poi son

G

 but blessed with beau ty and rage.

6

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Page 7: Lana Del Rey - Ultraviolence Songbook

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Bb

JimJim

toldraised

Dm

meme

that.up.

C

HeHe

hit

hurt

G

me,

me,

and

 but

it

it

felt

felt

like

like

a

true

kiss.

love.

Bb

Jim

Jim

 brought

taught

Dm

me

me

 back,

that

C

re mindlov

G

eding

mehim

of was

whennev

weer 

weree

kids.nough.  

Dm

With his ul tra vio

F

lence,

C

ul tra vio

G

lence.

Dm

Ul tra vio

7

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Page 8: Lana Del Rey - Ultraviolence Songbook

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F

lence,

C

ul tra vio

G

lence.

Dm

I can hear si

F

rens, si rens.

C

He

hit

G

me and it felt like a kiss.

Dm

I can hear vi

F

o lins, vi o lins.

C

Give me all of that

G

ul tra vio lence.

Dm

He used to

8

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Page 9: Lana Del Rey - Ultraviolence Songbook

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D.S. al Coda

call

Bb

me poi son,

G

like I was poi son i vy.

Dm

I could have died

Bb

right there,

G

’cause he was

right be side me.

Bb

We could go back  

Dm

to New York.

C

Lov

G

ing you was real ly hard.

Bb

We could go

9

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Page 10: Lana Del Rey - Ultraviolence Songbook

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 back 

Dm

to Wood stock,

C

where

G

they don’t know who we are.

Bb

Heav en is

F

on earth.

C

I would do

an

Em

y thing for you, babe.

Bb

Bless ed is

F

this un ion.

Am

Cry ing tears of gold,

G

like lem on ade.

Dm/G

I love you the first

10

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Page 11: Lana Del Rey - Ultraviolence Songbook

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F/G

time, I love you the last

C/G

time. Yo soy la prin ce

G

sa, com pren de mis white

Dm

lines. ’Cause I’m your jazz

3

sing

F

er, and you’re my cult

3

lead

C

er. I love you for ev

er,

G

I love you for ev er.

Dm

With his ul tra vio

F

lence,

C

ul tra vio

G

lence.

Dm

Ul tra vio

11

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Page 12: Lana Del Rey - Ultraviolence Songbook

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F

lence,

C

ul tra vio

G

lence.

Dm

I can hear si

F

rens, si rens.

C

He

hit

G

me and it felt like a kiss.

Dm

I can hear vi

F

o lins, vi o lins.

C

Give me all of that

G

ul tra vio lence.

Dm

12

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Page 13: Lana Del Rey - Ultraviolence Songbook

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Slow and mysterious

SHADES OF COOLWords and Music by ELIZABETH GRANT

and RICK NOWELS

 mp 

D(“2)/A Bb('#4) Bm[add4] Bb('#4)

with pedal 

2fr 

D‹(„ˆˆ2)

MyMy

 ba ba

 by by

liveslives

inin

shadesshades

Bb('#4)

of of 

 blue,cool,

 bluecool

eyesheart

Bm[add4]

andand

 jazzhands

Bb('#4)

andand

 Play cue notes 2nd time only

2fr 

D‹(„ˆˆ2)

atap titi tude.tude. HeHe liveslives infor  Callove, ifor  for wom

Bb('#4)

niaen too.too. HeI’m

drivesone

Bm[add4]

aof 

Chevman

Bb('#4)

yy,

2fr 

D‹(„ˆˆ2)

Malone

iis

 bu. blue.

AndAnd

whenwhen

hehe

calls,calls,

G

hehe

callscalls

for for 

me,me,

13

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Page 14: Lana Del Rey - Ultraviolence Songbook

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3fr 

Gm

andnotnot

for for 

you.you.

2fr 

D‹(„ˆˆ2)

HeHe

lives prays

for for 

love,love,

G

hehe

loves prays

hisfor 

drugs, peace,

3fr 

Gm

heand

lovesmay

his be

 basome

 byone

too.new.

2fr 

D‹(„ˆˆ2)

ButBut

II

can’tcan’t

fixhelp

Bbmaj7

him,him,     can’t make him

 bet

C6

ter. And I can’t do

Bbmaj7

noth ing a bout

14

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his strange weath

C6

er.  But

’Cause

you

F

are un fix

3fr 

Cm7

a

 ble. I

Bbmaj7

can’t break 

through

C6

your world. ’Cause you

F

15

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Page 16: Lana Del Rey - Ultraviolence Songbook

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1–3 4

live in shades

3fr 

Cm7

of cool. Your  

heart

Bbmaj7

is un break  

C6

a ble.

Guitar solo (Vocal ad lib.)

2fr 

D‹(„ˆˆ2) B¨(#4)/D

3fr 

B‹(„ˆˆ4)/D B¨(#4)/D3fr 

B‹(„ˆˆ4)/D D‹73fr 

B‹(„ˆˆ4)/D

16

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You

F

are un fix

3fr 

Cm7

a

 ble. I

Bbmaj7

can’t break 

through

C6

your world. ’Cause you

F

live in shades

3fr 

Cm7

of cool.

17

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Page 18: Lana Del Rey - Ultraviolence Songbook

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Heart

Bbmaj7

is un break  

C6

a ble.

F

Bah bah dah bah.

3fr 

Cm7

Bah dah ha ha.

Bbmaj7

Ooh,

ooh.

Dm

Ooh.

18

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Moderately

BROOKLYN BABY Words and Music by ELIZABETH GRANT

and BARRIE O’NEILL

 mf 

Db Fm Db

Fm

Da, da, da, da, da, da, da.

Db

Di, di, di, di, di, di, di.

Fm

Da, da, da, da, da, da, da.

Db Fm4fr 

Ab

TheyThey

saysay

I’mI’m

tootoo

youngyoung

toto

lovelove

you.you.

Fm

IThey

don’tsay I’m

knowtoo

whatdumb

Ito

need.see.

19

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Db

TheyThey

think  judge

Ime

don’tlike   a

un pic

der ture

stand book,   by

thethe

freecol

4fr 

Ab

domors,

landlike

of they

thefor 

sevgot

Gb6

ento

ties.read.

4fr 

Ab

II

think think 

I’mwe’re

toolike

coolfire

toand

knowwa

ya.ter.

Fm

YouI

saythink 

I’mwe’re

likelike

thethe

ice,wind

Iand

freeze.sea.

Db

I’mYou’re

churn burn

in’in’

outup, I’m

novcool

elsin’

likedown.

 beatYou’re

 poup,

4fr 

Ab

etI’m

rydown.

on amYou’re

 phet blind,

Gb6

aI

mines.see.

20

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Fm

But I’mI say,

free,

Db

Fm

I

I’m

say.

free.

Gb

  Well, my boy

Db

friend’s in the band,

4fr 

Ab

he plays gui tar  

Gb

while I sing Lou Reed.

Db

I’ve got

21

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Page 22: Lana Del Rey - Ultraviolence Songbook

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feath

Gb

ers in my hair.

Db

II(D.S.)

  getget

downhigh

Gb

ontohy dro -

 po pon

etic

ry.weed.

Fm

And

And

my

my

 jazz

 jazz

Db

col

col

lec

lec

tion’s

tion’s

rare,

rare,

4fr 

Ab

I

I

can

get

 playdown

Gb

tomost

 beatan

 poyet

thing.ry.  

Db

I’m a Brook  

Gb

lyn ba by,

Db

I’m a Brook  

Gb

lyn ba by.

Fm

22

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1

2

Db

Da, da, da, da, da, da.

Fm

Da, da, da, da, da, ya, da.

Db

Da, da, da, da, da, da, da.

Fm Db

Talk in’ ’bout my gen er a tion.

Fm

Talk in’ ’bout that new er na tion.

4fr 

Ab

And if you don’t

like it you can beat

Bbm

it, beat it, ba by.

23

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D.S. al Coda

Db

You nev er liked the way I said it.

Fm

If you don’t g et it,

then for get it

4fr 

Ab

so I don’t have to fuck in’ ex plain

Bbm

it. And my Brook  

Gb

lyn ba by.

Fm

Da, da, da,

Db

da, da, da, da.

4fr 

Ab

Dee,

24

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dee,

Gb

ga, ga, ah.

Db

Ooh,

Gb

ahh.

Db Gb Fm

Yeah, my

 boy

Db

friend’s pret ty cool

4fr 

Ab

 but he’s not

Gb

as cool as me

Db

’cause I’m a Brook  

Gb

lyn ba by.

Db

I’m a

25

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Play 3 times

Brook 

Gb

lyn ba by.

Fm Db

Da, da, da, da, da, da, da.

4fr 

Ab

Da, da, da, da, da, da, da.

Gb

Da, da, da, da, da, da, da.

Db

Da, da, da, da, da, ba by.

Gb

Da, da, da, da, da, da, da.

Db

Da, da, da, da, da, yeah,

Gb

yeah, yeah.

Fm

Db Fm Db Fm

26

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Moderate Rock

WEST COAST

Words and Music by ELIZABETH GRANTand RICK NOWELS

 mf 

F#5

DownDown

onon

thethe

WestWest

Coast,Coast,

theythey

gotgot

atheir 

sayi

in’,cons,

“If their 

you’resil

notver 

drink star 

in’,lets,

thentheir 

you’reQueens

notof 

 playSai

in’.”gon.

ButAnd

youyou

27

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E5

gotgot

thethe

mumu sic,

sic, you’veyou’ve

gotgot

thethe

mumu sic

sic inin

you,you,

5fr 

D5

don’tdon’t

you?you?

F#5

Down

Down

on

on

the

the

West

West

Coast,

Coast,

I

they

get

love

this

their 

feel

mov

in’ like

ies,

ittheir 

allgold

coulden

hapgods

 pen.and

That’srock 

whyand

I’mroll

leavgroup

in’ies.

youAnd you

E5

for got

thethe

momu

ment,sic,

youyou’ve

for got

thethe

momu

ment,sic

Boyin

Blue,you,

5fr 

D5

yeah,don’t

you.you?

You’reYou

fly push

in’it

28

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Slower, spacier

rit.

highhard,

F#m

atI

the pull

show,a way.

I’mI’m

feelfeel

in’in’

hothot

toter 

thethan

touch.fire.

YouI

sayguess

you’llthat

missno

E

meone

theev

most,er real

Ily

saymade

I’llme

missfeel

youlike

soa

much.child.

But someTe

thin’de

keepsse

D

meo

realca

quiri

et,ño,

I’m boy,

ait’s

live,you

E

I’mI

ade

lush.sire.

  Your love,

F#m

your love, I love.

Bm

I can see my

 ba

D

 by swing in’,

F#m

his Par lia ment’s on fire

4fr 

C#m7

and his hands are up.

29

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D

On the bal co ny

E

and I’m sing in’ ooh

F#m

 ba by, ooh

E/G#

 ba by,

I’m

A

in love.

D Bm

I can see my sweet

D

 boy sway in’.

F#m

He’s cra zy y Cu ba

4fr 

C#m7

no co mo yo, my love.

D

On the bal co

ny

E

and I’m say in’ move

F#m

 ba by, move

E/G#

 ba by, I’m

A

in love.

D

30

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Original tempo

D.S. al Coda

I’m

F#5

in love. I’m in love. I’m in love.

I’m in love.

Bm

I can see my ba

D

 by swing in’,

F#m

his Par lia ment’s on fire

4fr 

C#m7

and his hands are up.

D

On the bal co

31

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ny

E

and I’m sing in’ ooh

F#m

 ba by, ooh

E/G#

 ba by, I’m

A

in love.

D Bm

I can see my

sweet

D

 boy sway in’.

F#m

He’s cra zy y Cu ba

4fr 

C#m7

no co mo yo, my love.

D

On the bal co ny

E

and I’m say in’ move

F#m

 ba by, move

E/G#

 ba by,

I’m

A

in love.

D

I’m in love. I’m in love.

32

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Slowly, deliberately

SAD GIRL 

Words and Music by ELIZABETH GRAN

and RICK NOWELS

 mf 

Dm G Dm

G Dm7

BeBe

in’in’

aa

mis bad

tress bitch

onon

thethe

side,side,

G Dm7

it might

might

not

not

ap

ap

 peal

 peal

to

to

fools

fools

G

like

like

you.

you.

3

3

Dm7

CreepCreep

in’in’

aa

roundround while

onhe

thegets

sidehigh,

G

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Dm7

itwouldmight

notnot

 be be

somesome

thingthing

youyou

G

wouldwould

do.do.     But you have n’t

3

3

3

3

seen

Gm7

my man, you have n’t seen

Am

my man. You have n’t

seen

Gm7

my man, you have n’t seen

A

him. He’s got the

fire,

Bb C

and he walks

Dm

with it.

C

He’s got the fire,

Bb C

and he

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talks

Dm

with it.

C

His bon ny on the side,

Bb

 bon ny on the side

F/A

makes me

so

3fr 

Gm

sad, girl.

F/A

His mon ey on the side,

Bb

mon ey on the side

F/A

makes me

so

3fr 

Gm

sad, girl.

F

I’m a sad

F/E

girl,

Dm

I’m a sad girl, I’m a sad

C

Bb

girl. I’m a sad

C

girl,

Dm

I’m a bad girl, I’m a bad

C Bb

girl.

C

35

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F

Watch what you s ay to me,

3fr 

Cm

care ful who you’re talk in’ to.

F

Watch what you s ay to me,

3fr 

Cm

care ful who you’re talk in’ to.

F

I’m on fi

3fr 

Cm

re, ba

3fr 

Eb

 by.

F

I’m on fi

5fr 

D5

re.

3fr 

C5

He’s got the

36

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fi

Bb

re,

C

and he walks

Dm

with it. He’s

C

got the

fi

Bb

re,

C

and he talks

Dm

with it. His bon

C

ny on the

side,

Bb

 bon ny on the side

F/A

makes me so

3fr 

Gm

sad, girl.

F/A

His mon ey on the

side,

Bb

mon ey on the side

F/A

makes me so

3fr 

Gm

sad, girl.

F/A

I’m a sad

37

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girl,

Bb

I’m a sad girl,

F/A

I’m a sad

3fr 

Gm

girl.

F/A

I’m a sad

girl,

Bb

I’m a mad girl,

F/A

I’m a bad

3fr 

Gm

girl.girl.

F/A

I’m a sad

girl,

Bb

I’m a sad girl,

F/A

I’m a sad

3fr 

Gm

girl.

F/A

I’m a sad

girl,

Bb

I’m a mad girl,

F/A

I’m a bad

3fr 

Gm

girl.

Am7 Dm

38

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Very slow and moody

PRETTY WHEN YOU CRYWords and Music by ELIZABETH GRANT

and BLAKE STRANATHAN

*

 mp 

Bm F# A

Em F#7

AllAll

Bm

thethose

 pretspe

tycial

starstimes I

shinespent

for with

you,you,

F#

mymy

love.love,

Amthey

Idon’t

A

thatmean

girlshit com pared

thatto

youall

Em

dreamyour 

of?drugs.

F#7

ButAll

I

Bm

thosedon’t

litreal

tlely

timesmind,

youI’ve

saidgot

thatmuch

I’mmore

F#

your than

girl.that. Like

Youmy

makemem

A

meo

feelries,

likeI

your don’t

Em

wholeneed

world.that.

F#7

*Recorded a half step lower.

39

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1

2

Bm

I’llI

waitwait

for for 

you,you,

 babe. babe.

F#

That’sYou

alldon’t

Icome

do,through,

 babe. babe.

A

YouDon’t

nevcome

er through,

do, babe, babe.

Em

That’syou

 justnev

whater 

youdo.do.  

F#7

’Cause I’m pret ty when I cry,

G

I’m pret ty when I

cry,

Bm A

I’m pret ty when I cry,

G

I’m pret ty when I

cry.

F#7

cry,

G

I’m pret ty when I

40

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cry.

F#7 Bm

Don’t say you need me when

A

you leave and you leave a gain.

3 3

3 3

Em

I’m strong e r than all my men,

Bm

ex c ept for you.

A

3

3

Bm

Don’t say you need me if  

A

you leave last, you’re leav ing. I can’t

3 3

3 3

do

Em

it, I can’t do it,

F#7

 but you do it well. (’Cause I’m pret ty when I

3

3

41

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cry,

G

I’m pret ty when I cry,

Bm A

 pret ty when I

cry,

G

 pret ty when I cry,

Bm A

I’m pret ty when I

cry,

G

I’m pret ty when I cry,

Bm A

I’m pret ty when I

cry.)

G

I’m pret ty when I cry.

F#7

42

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Slowly

MONEY POWER GLORYWords and Music by ELIZABETH GRANT

and GREG KURSTIN

*

 mp 

3fr 

Gm6fr 

Bb53fr 

Eb C

3fr 

Gm

You say that you wan

Bb

na go to a land

3fr 

Eb

that’s far 

C

a way.

3fr 

Gm

How are we sup posed

Bb

to get there with the way

3fr 

Eb

that we’re liv

C

in’ to day?

3fr 

Gm

You talk lots

Bb

a bout God,

3fr 

Eb

free dom comes from

C

the call. But,

*Recorded a half step higher.

43

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3fr 

Gm

that’s not what

Bb

this bitch wants,

3fr 

Eb

not what I want

C

at all. I want

mon

3fr 

Gm

ey, pow

3fr 

Eb

er and glo

Bb

ry.

F

I want

mon

3fr 

Gm

ey and all your pow

3fr 

Eb

er, all your glo

Bb

ry.

F

Hal

le

3fr 

Gm

lu jah,

3fr 

Eb

I wan na take

Bb

you for all that you got.

F

Hal

44

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le

3fr 

Gm

lu jah,

3fr 

Eb

I’m gon na take

Bb

them for all that they got,

F

 ba

 by.

3fr 

Gm Bb3fr 

Eb C3fr 

Gm

The sun al

Bb

so ris es

3fr 

Eb

on those who fail

C

to call.

3fr 

Gm

My life, it

Bb

com pris es of  

loss

3fr 

Eb

es and wins and fails

C

and falls.

3fr 

Gm

I can do it if you real

Bb

ly, real ly like that.

45

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3fr 

Eb

I know what you real ly want,

C

 b b b b ba by.

3fr 

Gm

I can do it if you think  

Bb

you like that,

3fr 

Eb

you should run,

C

 boy, run. I want mon

3fr 

Gm

ey, pow

3fr 

Eb

er and glo

Bb

ry.

F

I want

mon

3fr 

Gm

ey and all your pow

3fr 

Eb

er, all your glo

Bb

ry.

F

Hal

le

3fr 

Gm

lu jah,

3fr 

Eb

I wan na take

Bb

you for all that you got.

F

Hal

46

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le

3fr 

Gm

lu jah,

3fr 

Eb

I’m gon na take

Bb

them for all that they got,

F

 ba

 by,

3fr 

Gm Bb

 be.

3fr 

Eb C

3fr 

Gm

Dope and dia monds, dope

Bb

and dia monds,

3fr 

Eb

dia

C

monds.

3fr 

Gm

Dope and dia monds, dope

Bb

and dia monds, that’s

3fr 

Eb

all that I want.

C

47

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D.S. al Coda

3fr 

Gm

Dope and dia monds, dope

Bb

and dia monds, dia

3fr 

Eb C

monds.

3fr 

Gm

Dope and dia monds, dope

Bb

and dia monds, dia

3fr 

Eb C

monds. I want

 by,

3fr 

Gm

 be,

µ

 be, be.

48

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Slowly

FUCKED MY WAY TO THE TOP

Words and Music by ELIZABETH GRANTand DANIEL HEATH

3fr 

Gm

LifeI’m

isa

awedrag

Bb

some,on,

Iyou’re

cona

fess.whore.

F

WhatDon’t

Iev en know

do,

C

whatI

you’redogood

 best.for.

 mp 

3fr 

Gm

YouMim

gotick in’

nothme’s

Bb

in’,a

Ifuck 

gotin’

test bore

F

ed andto

I’mme.

 best,But,

C/E

yes. babe

3fr 

Gm

Lay

layLay

me

meme

down

downdown

Bb

to

toto

night

nightnight

F

in

inin

my

mymy

lin

dialin

C

en

mondsen

and

andand

curls.

 pearls.curls.

3fr 

Gm

Lay

TellLay

me

meme

down

somedown

Bb

to

thingto

night,

likenight,

49

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1

F

RivI’mI’m

iyour your 

er favfav

C/E

or or 

aiteite

girls.girl.girl.  

3fr 

Gm

I f ucked my way

Bb

up to the top,

F

this

C

is my show.

3fr 

Gm

I fucked my way

Bb

up to the top.

F

Go ba by, go,

go,

3fr 

Gm

go, go,

Dm

go, go.

Bb

This

F

is my show. Go,

3fr 

Gm

go, go,

Dm

go,

go,

Bb

this

F

is my show.

3fr 

Gm Dm Bb F

50

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2

D.S. al Coda

 Need

3fr 

Gm

you, ba by, like I breathe

Dm

you, ba by. Need

Bb

you, ba by, more, more

F

more, more.

 Need

3fr 

Gm

you, ba by, l ike I breathe

Dm

you, ba by. Fuck in’ need

Bb

you, ba by, more, more,

F

more, more.

 Need

3fr 

Gm

you, ba by, like I breathe

Dm

you, ba by. I need

Bb

you, ba by, more, more

F

more, more.

 Need

3fr 

Gm

you, ba by, like I breathe

Dm

you, ba by, ahh,

Bb

ahh,

F

ahh.

Bb

51

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Slowly. with feeling

OLD MONEY

Words and Music by ELIZABETH GRANT,NINO ROTA, DANIEL HEATHand ROBBIE FITZSIMMONS

*   µ

Blue hy dranyouth

gea,

Bm

coldis

cash,on

dimy

vine,mind.

G

cashSun

mere,set,

colsmall

ognetown,

D F#m

andI’m

whiteout

sunof 

 mp 

Bm

shine.time.

RedWill

racyou

ingstill

cars,love

Sunme

setwhen

andI

Vine.shine

G

Thefrom

kidswords

were but

young

not

D

and

from

 pret

 beau

ty.

ty?

A

Where

My

have

fa

you

ther’s

 been?

love

Bm

Where

was

did

al

you

ways

*Recorded a half step lower.

52

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go?strong.

G

ThoseMy

summoth

mer er’s

nightsglam

D

our 

F#m

seemlives

longon

aand

go.on.

Bm

And soYet,

isstill

thein

3

3

girlside

youI

usedfelt

toa

calllone

G

Thefor 

Queenrea

of sons

 Newun

D

York known

A

Cito

ty.me.

  But if  

D

you send

Bm

for me, you know

F#m

I’ll come.

A

And

if 

D

you call

Bm

for me, you know

F#m

I’ll run.

A

I’ll run

Bm

to you, I’ll run

G

to you, I’ll

53

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1 2

run,

D

run, run.

A

I’ll come

Bm

to you, I’ll come

G

to you, I’ll come,

D

come, come.

A

Ooh,

Em

ooh.

Bm A

Ahh,

Em

ahh.

Bm

A

The pow’r of 

A

And if you call

Em

I’ll run,

Bm

run,

run.

A

If you change your mind,

Em

I’ll come,

Bm

come, come.

A

Ohh,

54

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Em

ooh.

Bm A

Ahh,

Em

ahh.

Bm

A

Blue hy dran gea,

Bm

cold cash, di vine,

G

cash mere, co

logne

D F#m

and hot sun

Bm

shine. Red rac ing cars, Sun set and

Vine

G

and we were young

D

and pret ty.

A

55

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Jessie Mae Robin

The Other Woman

Gently q = 47

F7 

The o ther wo

Bb

man

Bbma

 p 

ad lib.7 

Gm7 

finds time to man i cure her nails,

Cm7 

the o ther wo man

F7sus4

is per fect where her ri

F

val fails.

D7/F# Gm7  

And she’s ne ver seen

Cm7 

with pin curls in her h

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F7sus4

an y where.

F13 Bbadd9

The o ther wo man

Bbadd9/F

Gm7 

en chants her clothes with French per fume,

Cm7 

the o ther wo man kee

fresh

F7sus4

cut flo wers in each room,

F6 D7/F# Gm7  

there are ne ver toys that scat tered ev ’ry whe

D7sus4 G7  

anda n d

Cm7 

when her own man comes to call

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Ab9

he’ll find her wait ing like a

lone

Bb

some queen.

F/A3 

Gm7 

’Cause when she’s by

C13 Gm9/C

his side   it’s such a chan

Cm7/F

from her old rou tine.

F13

But the o the

wo

Bbadd9

man

Gm7 

will al ways cry her self to slee

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rall.

Freely

più mosso rall.

Cm7 

the o ther wo man

F7sus4

will ne ver have his love to keep,

F13 D7/F#

Gm7 

and as the years go by the o ther wo

Cm7 

man wil

F7sus4

spend her life

F13

a

lone.

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