lab book 2

8/8/2019 lab book 2

1/13

Paloma Obeso, Mariana Silva, AntonioAlonso

8/8/2019 lab book 2

2/13

Are you ashame of your dancing techniques? Do you want to learnsome new moves to impress

everybody wherever you go?

Our new rob- dancing will show you how to do it. With

these incredible new invent you can learn how to rockyour body out . These device is going to teach you special techniques to learn any type of dancing to shine at allparties.

8/8/2019 lab book 2

3/13

Performance Summary Performance 1/12/10 Paloma 1/12/10 Mariana 1/12/10 AntonioAttendance 1 1 1Professionalism 1 1 1Intiative 1 1 1Knowledge 1 1 1Results 1 1 1Team Work 1 1 1Total Points 6 6 6% Grade 1/12/10 Paloma 1/12/10 Mariana 1/12/10 AntonioTotal classes 100% 100% 100%

Attendance 100% 100% 100%Professionalism 100% 100% 100%Intiative 100% 100% 100%Knowledge 100% 100% 100%Results 100% 100% 100%Team Work 100% 100% 100%Performance Average 100% 100% 100%

8/8/2019 lab book 2

4/13

Discovery Are you ashame of your dancing techniques? Do you want tolearn some new moves to impress everybody wherever you

go?

Our new rob- dancing will show you how todo it. With theseincredible new invent you can learn how to rock your body out . These device is going to teach you special techniques tolearn any type of dancing to shine at all parties.

8/8/2019 lab book 2

5/13

Research MUSIC HISTORY

Music history , sometimes called historical musicology , is the highly diversesubfield of the broader discipline of musicology that studies the composition,performance, reception, and criticism of music over time. Historical studies of music are for example concerned with a composer's life and works, thedevelopments of styles and genres the social function of music for a particular group of people or the modes of performance at a particular place and time(such as the performance forces of Johann Sebastian Bach's choir in Leipzig).In theory, "music history" could refer to the study of the history of any type or genre of musicThe methods of music history include source studies (esp. manuscript studies),paleography, philology (especially textual criticism), style criticism,historiography (the choice of historical method), musical analysis, andiconography. The application of musical analysis to further these goals is often apart of music history, though pure analysis or the development of new tools of music analysis is more likely to be seen in the field of music theory. (For a moredetailed discussion of the methods see the section on "Research in MusicHistory" below) Some of the intellectual products of music historians includeeditions of musical works, biography of composers and other musicians, studiesof the relationship between words and music, and the reflections upon the placeof music in society.

8/8/2019 lab book 2

6/13

DANCE HISTORY . Dance has certainly been an important part of ceremony, rituals, celebrations andentertainment since before the birth of the earliest human civilizations.One of the earliest structured uses of dances may have been in the performance andin the telling of myths. It was also sometimes used to show feelings for one of theopposite gender. It is also linked to the origin of "love making." Before the productionof written languages, dance was one of the methods of passing these stories downfrom generation to generation.

Another early use of dance may have been as a precursor to ecstatic trance states inhealing rituals.Sri Lankan dances goes back to the mythological times of aboriginal yingyang twinsand "yakkas" (devils). According to a Sinhalese legend, Kandyan dances originate,2500 years ago, from a magic ritual that broke the spell on a bewitched king. Manycontemporary dance forms can be traced back to historical, traditional, ceremonial,and ethnic dances.

An early manuscript describing dance is the Natya Shastra on which is based on themodern interpretation of classical Indian dance

The early Greeks made the art of dancing into a system, expressive of all thedifferent passions.

8/8/2019 lab book 2

7/13

An entertainment robot is, asthe name indicates, a robot that isnot made for utilitarian use, as inproduction or domestic services,but for the sole subjective pleasure

Toy robotRelatively cheap, mass-producedentertainment robots are used as mechanical,sometimes interactive, toys which performvarious tasks and tricks on command.

8/8/2019 lab book 2

8/13

Hu manoid entertainment robots

Despite those humanoid robots forutilitarian uses, there are some humanoidrobots which aims at entertainment uses,such as Sony's QRIO and Wow Wee'sRoboSapien.

Commercial show robots

As usual in the entertainment industry,capital and creativity are invested to tryand top anything the private person canafford. In fact, from their owner's point of view this is a professional use, but theproduct is designed with as end use in

mind its appreciation by the publicNon-commercial art robotsIn 1956, Nicolas Schffer created a robot and dancer working together to create anabstract sculpture and choreography withconcrete music by Pierre Henry. Theseworks could react to color, sound and light.

8/8/2019 lab book 2

9/13

8/8/2019 lab book 2

10/13

8/8/2019 lab book 2

11/13

8/8/2019 lab book 2

12/13

Modular construction

Ma a a

a a

8/8/2019 lab book 2

13/13

build quickly

Chalutions asily

Make reli able