YOU MUST analyse all 3 scenes and complete the tasks over the following pages. YOU SHOULD refer to specific examples from all 3 scenes and structure your analysis using full sentences where possible. Remember! Media Language Evidence is KEY! Extension - YOU COULD, using theory (Katz, Maslow, Hartley, Todorov) consider what impact these examples have on the audience. ‘Knocked Up’ (2007) Dir. Judd Apatow “How the scenes..” 1
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YOU MUST analyse all 3 scenes and complete the tasks over the following pages.YOU SHOULD refer to specific examples from all 3 scenes and structure your analysis using full sentences where possible.
Remember! Media Language Evidence is KEY!
Extension - YOU COULD, using theory (Katz, Maslow, Hartley, Todorov) consider what impact these examples have on the audience.
‘Knocked Up’ (2007)
Dir. Judd Apatow“How the scenes..”
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Alison (Katherine Heigl), according to David Gauntlett (2008), is“superior to Ben in terms of looks, prospects and everything else”
1) Analyse WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) establish this ‘superiority’ to the spectator
For example (and this is what you need to focus on for the other tasks)
Non-verbal code of Alisons facial expression – Connotations?
Verbal code – “No work today!” – shot from a High angle looking down on Ben – Connotations?
Extension – Does Ben “live a carefree, hedonistic life” (Claire Mortimer - 2010)
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2) According to Timothy Corrigan (2012), Ben’s character represents the “new man” that exists in society – unambitious, lazy and takes little pride In his appearance.
Analyse WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) establish this “new man” representation:
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Diegetic verbal code of dialogue “That was brutal”
Fill in the gaps – WHAT is this an example of?
Em __ __ __ u __ a __ i __ n
3) Does this confirm Bens status as the “loveable loser” stereotype so often represented in this genre? –
EXPLAIN and support your understanding with Application of EVIDENCE:
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Claire Mortimer (2010) –
‘The generation of laughter is the fundamental narrative dynamic within any form of comedy’
4) WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) “generate laughter” (Mortimer – 2010) amongst the audience?
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1) Ben is represented as “well meaning, but immature” (David Gauntlett - 2008)
WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera –
Shot Types, Angles) establish this “immaturity” OR “well meaning” nature to the audience?
For example:
“You look very pretty” after his rant about whether he and Vince Vaughan would “get along”
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2) “You look very pretty”
Would the audience agree that“Ben is far from the typical rom-com hero in his looks”
(Claire Mortimer - 2010)?
WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera –
Shot Types, Angles) establish this point of view?
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3) ‘The central couple are antagonistic to one another’and
‘The battle of the sexes’ (Claire Mortimer - 2010)
WHERE is this represented in this scene?
YOU MUST support your points of view with Evidence – Verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial
Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles)
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Claire Mortimer (2010) –
‘The generation of laughter is the fundamental narrative dynamic within any form of comedy’
4) WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) “generate laughter” (Mortimer – 2010) amongst the audience?
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1) Alison is faced with the “challenge of dealing with men like this (Ben)” (David Gauntlett - 2008)
Focus on the Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) in the opening of this scene –
HOW do they construct the representation of Ben and the “challenge” he poses to Alison?
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Extension – HOW would you describe Ben’s reaction to the “news”?
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Diegetic verbal code of dialogue 2) “What can I help you with today Mr. and Mrs. Stone?”
The romantic comedy genre places an emphasis on “tears” and
“suffering is often part of the narrative process” (Tamar Jeffers McDonald - 2007)
In relation to the Diegetic verbal code of dialogue provided and the area highlighted, HOW does Alisons reaction conform to this point of view?
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3) The romantic comedy genre places an emphasis on “tears” and
“suffering is often part of the narrative process” (Tamar Jeffers McDonald - 2007)
WHERE else is this represented in this scene?
YOU MUST support your points of view with Evidence – Verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial
Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles)
Claire Mortimer (2010) –
‘The generation of laughter is the fundamental narrative dynamic within any form of comedy’
4) WHAT verbal (Sound – Diegetic Dialogue), non-verbal (mise-en-scene – Facial Expressions) and/or Technical Codes (Editing – shot-reverse-shot; Camera – Shot Types, Angles) “generate laughter” (Mortimer – 2010) amongst the audience?
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