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Page 1: kindle magazine february 2013

February 2013 • KINDLE INDIA | 1

KINDLEINDIA

TM

www.kindlemag.in

`301st February 2013Ideas Imagination Dialectics

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| KINDLE INDIA • February 2013 12

Teresa Rehman breaks some myths about women friendly communities of the Northeast.

While the infamous Delhi gang rape is still fresh on the nation’s conscience, a senior Congress leader of Assam who had allegedly raped a woman in lower Assam’s Chirang district was thrashed by angry villagers, before being handed over to the

police. Bikram Singh Brahma, who is the Bodoland Territorial Area Districts’ (BTAD’s) Congress Co-ordination Committee president, was allegedly caught by the family members of the woman while he reportedly tried to rape the woman.

To bust stereotypes about women of the region being empowered and liberated, there are many communities where women are treated as ‘mere commodities’. Most of the tribes of Northeast India adhere to age-old customary laws instead of the statutory laws in matters of matrimony, inheritance and divorce. Th e unwritten tribal laws are usually recognised as binding by their communities.

A customary law can be defi ned as a traditional common rule or practice that has become an intrinsic part of the accepted and expected conduct in a community, profession, or trade and is treated as a legal requirement. Most tribes consider their customary laws intrinsic to their identity though most of them are rooted in patriarchy.

“A rotten fence and an old wife can be changed anytime,” is a common proverb in Mizoram. Under the existing customary laws, when a man divorces his wife, the latter leaves the house without virtually anything, even if she contributed a lot to the family’s assets. However, things are gradually changing with the Mizo Divorce Ordinance 2008 which will put an end to certain divorce laws under the “male-friendly” Mizo Customary Law which are highly anti-women.

Illustration by Sumit D

as

SHADOW LINES

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She was the fi rst Chief Justice of a state High Court. From those days to now, has the male gaze changed? In an interview with Shubham Nag during the Apeejay Kolkata Literary Festival, Leila Seth talks about the judiciary, men, women and of course, the Preamble.

On Balance

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Sayan BhattacharyaPoornima JoshiSaswat Pattanayak

Cover Storyby:

Does my sexiness upset you?Does it come as a surpriseThat I dance like I’ve got diamondsAt the meeting of my thighs?

- Maya Angelou

“D

?

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OPINION

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RAPE IN WONDERLAND: NOT ANOTHER FAIRYTALEAmid all the heat and dust around rape, looking for all that passes off innocuously as revolutionary or customary and yet there are only more holes to be punched…By Sayan Bhattacharya.

Illus

tratio

n by

Soum

ik L

ahiri

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For those who are dismissing the protests on

the streets of Delhi, they are far off the mark. India

stands at a crux. Why? Answers Poornima Joshi.

SEIZE THE

NIGHT

“… I am an emotional creature; things do not come to me as intellectual theories or hard-shaped ideas.Th ey pulse through my organs and legs. And burn up my ears… Th ere is a particular way of knowing. It’s like the older women somehow forgot.I rejoice that it’s still in my body…I know that lipstick means more than show.I know that boys feel super-insecureAnd so-called terrorists are made, not born.I know that one kiss can take away all my decision-making ability.And sometimes, you know, it should.Th is is not extreme.It’s a girl thing.What we would all beIf the big door inside us fl ew open.Don’t tell me not to cry.To calm it down.Not to be so extreme.To be reasonable.I am an emotional creature.It’s how the earth got made.How the wind continues to pollinate.You don’t tell the Atlantic Ocean, to behave…”- Eve Ensler in I Am An Emotional Creature: The Secret Life of Girls Around the World

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By Saswat Pattanayak

Our Rape, Their Rape

The need is to change the entire language of rape. Not to just call it a rape, but as rape by men. Not simply that a Dalit woman was raped, but a Dalit woman was raped by a Hindu upper-caste man. Not just a woman was gang-raped, but

six men raped a woman one by one by one by one by one by one. Not just Violence Against Women (VAW), but Violence

Against Women By Men (VAWBM). Not just laws around gender discrimination or sexism, but specifi cally around men discriminating against women or laws to hold male sexists accountable. Not just a survivor or a victim, but a woman victim of a crime committed by men. Sure, it will upset the traditional editing style sheets, and the brevity would be a casualty, but there are far greater casualties in the process when

Illus

tratio

n by

Soum

ik L

ahiri

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Like Muhammad Ali was to boxing, Tiger Woods to golf, or Jordan to basketball, he was the face of cricket. An icon that transcended the boundaries of nationality and redefi ned cricketing longevity. In only the fourth Test of

his life, he was struck on the nose. Blood gushed out, but he refused to leave the fi eld. He went on to score 57. A dream had been born, of talent and aspiration. He was our aspiration, our dream and thus, we never had the stomach and the guts to accept a failing Sachin Tendulkar.

For all of us, who were growing up in the 90s and early 2000s, Tendulkar is what we wanted to be. When every household craved for an engineer (or a doctor), we imagined ourselves adjusting that vital guard, smiling at the bowler running in from the other end, and soaking in all the tension in the atmosphere. It was never a question whether he could digest the occasional failure or not, because we couldn’t. We could not imagine ourselves not being Tendulkar. Over the last year, we kept pushing him to the edge before ultimately, he called it quits. Th at is because we could not dare to see him (ourselves) fail one more time.

Holding him tight in their minds, a nation dreamt through 23 years, dreamt through repeated failures, through sneaking success, through tensions, through riots, fl oods, droughts, through massacres, through festivities… dreamt in stadiums, in streets, in offi ces, in toilets, in front of the

television sets. A nation dreamt every morning, for 23 years. And then one day, they were woken up. Th e Superhero couldn’t go on and on, he gave up, revealed that he too was a mere mortal.

It is we who turned Sachin, the cricketing genius into Tendulkar, the God of Cricket. Deifi cation is rooted deep in the collective Indian psyche. But when our Gods do not respond to our petitions, we take to vengeance. How dare he fail when we have pinned all our hopes and aspirations upon him for over two decades, bought MRF bats and drank only a certain cola? How could his failure coincide with the team moving downhill? Vengeance boiled within us, stones turned into bricks as we successfully assassinated our self-created God. Apart from the magnifi cent batsman and the sporting legend that he is, history will also remember Sachin Tendulkar for being the perfect example of how deifi cation destroys gods.

As rude and ungrateful as it may sound, but I believe that Tendulkar’s partial retirement marks the necessary end to a necessary phenomenon.

Sachin’s decision to hang his boots should serve as reminder to all of us to stop immortalisation of humans, stop dreaming about not having to face the inevitable. Th e deifi cation of Sachin Tendulkar has turned him into a full-fl edged industry, with many careers, thousands of

From 1989 to 2012, this nation was dreaming. Now, it’s time to wake up... Feels Shubham Nag.

THE ALMIGHTY’S NEMESIS

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CATTLE CAMPby Arko Datto

Maharashtra experienced one of its worst droughts this year. Th e districts of Th ane, Satara and Vidarbha were among the worst hit. Promised aid and relief from the Government hardly found their way to the common man, lost in the many tiers of bureaucracy that have been put in place. Many have been forced to migrate to the cities of Pune and Maharashtra. Yet, from a despondent portrayal of continued neglect from the offi cials, there arose a picture of resilience in the face of such insurmountable adversity.

This series is a photographic exploration of the Night through various physical spaces that I have been a part of and experienced.

I have been in awe of the Night and the myriad hues that it presents itself in. I strive in my images to seek sense out

of life that exists within the layered folds of that darkness. Th is is an eff ort to capture what the Night means for me as well as for others who are in direct and oft en brutal confrontation with the Night.

Th e first in this serie is Nighttime Cattle Camp, which is a documentative exploration of a Refugee Camp in drought-stricken Maharashtra.

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P H O T O E S S A Y

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RNI NO. WBENG/2010/36111

Regd. No. KOL RMS/429/2011-2013