KEY POINTS UNIT 4: The Spine - media.yogaanatomy.netmedia.yogaanatomy.net/...4-worksheet-39bjgk68.pdf · UNIT 4: The Spine UNIT 4: The Spine ... locomotion. PLATYHELMINTH >> ... Please
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Please use the space below to draw the two views of an intervertebral disc along with Amy.
Then, use the bolded terms to label your drawings.
ELEMENTS OF AN INTERVERTEBRAL DISC:BIRDS-EYE VIEW FROM THE SIDE
Nucleus pulposus inner jelly-like substance, receives and distributes the force that comes into the disc
outwards in every direction
Annulus Fibrosus outer ring of fibrous material (fibrocartilaginous connective tissue) arranged in diagonal spiraling rings; contains and resists force from within from every direction
◻Shade in the four longitudinal ligaments to correspond with Amy’s colored tape in the video:
◻Our four lengthwise spinal ligaments play both a sthira and a sukha role in the spine. In your own words, describe one way in which they support each quality.
▶ Anterior Longitudinal Ligament (purple in video)
▶ Posterior Longitudinal Ligament (blue in video)
▶ Ligamentum Flavum (yellow in video)
▶ Supraspinous Ligament (red in video)
In addition to these lengthwise ligaments there are shorter intervertebral ligaments that connect processes of
one vertebrae to the next, included in the diagram below:
4.6 PHYSICAL EXPLORATION: PRIMARY AND SECONDARY CURVES
Leslie will lead us through the following
movement exploration:
“(…in savasana) put your awareness
into the shape of the curve of the
back of the heel. Notice that it curves
towards the surface of the floor. If you move your awareness upwards
from that shape, you’ll notice that
there’s a curve that goes in the
opposite direction.
The Achilles Tendon region curves
away from the floor. We’re going to keep paying attention to this
alternating series of undulating
curves as we travel up through the
body. These shapes are going to
be a reflection of the primary and secondary curves of the spine.”
EXPERIENTIAL NOTESUse this space to record any impressions from the
movement exploration.
◻Which regions of your spine exhibit a “primary curve”? Which regions of your spine exhibit a “secondary curve”?
◻Did this exploration of primary and secondary curves in other parts of your body influence your experience of the curves of your spine? Please explain.
◻Describe the anterior and posterior columns of the spine in terms of sthira and sukha.
◻Describe how the vertebrae and discs work together in the spine in terms of sthira and sukha.
◻Leslie introduces the idea of the “intrinsic equilibrium of the spinal column” by offering the idea that the spine is a “neutral-seeking structure” on a mechanical level. In your own words, please explain why this is true.
EXPERIENTIAL NOTESUse this space to record any impressions from the movement exploration
◻ROLL-DOWN, ROLL-UP: Please reflect on the movement experience led by Leslie. You don’t need to answer all these questions, rather use them to get your creative juices flowing:
◾ What did you notice when you watched Leslie lead the student through this exploration?
◾ What about when you did it, yourself? What was easy? What was hard?
◾ What felt like it was moving a lot? What felt like it didn’t want to move as much?
◾ Did you have a different experience from other “roll-down, roll-up” experiences because you were
focusing on the back, and then the front of the spine?
EXPERIENTIAL NOTESWhat was your experience in the movement exploration? Please use this space to record any impressions.
◻You may use the questions below to get your creative juices flowing, but you don’t need to answer them all:
◾ What did you notice about your spine in movement? Asymmetries? Places that move easily? Places of congestion?
◾ What are your preferences in these movements? Which spinal movements were more or less comfortable, enjoyable, familiar for you in this exploration?
◾ What about your experience of lateral flexion (side-bending). Did a slight twisting between your vertebrae help you to create that shape?
◾ Did your experience change when Leslie offered the idea of imagining the 3-dimensionality of your movements?
◾ What about the idea of finding “a little movement in a lot of places”?
◾ How was your experience of spinal flexion? Is this a shape you normally avoid, or one that you explore as much as spinal extension? How did it feel in this instance?
◾ What was your experience of a neutral spine after spending time exploring all the other movement possibilities?
Lateral Flexion: Often called “side-bending”; articulation between vertebrae that results in some or all of the spine moving
to one side and creating the shape of a ‘c-curve’
In order to keep side bending in the side-to-side plane, a combination of lateral flexion and axial rotation might be involved to accommodate the three-dimensional shapes of the facet joints along the spine.
Axial Extension: decrease (or flattening) of primary and secondary curves; cues such as “flat-back,” “stand up straight,” and “lengthen your spine”* are calling for axial extension
*Note that axial extension doesn’t actually lengthen the spine. It moves the head and tail away from each as
the curves flatten, but the length doesn’t change. Examples of axial extension in asana:
“Axial extension is a flattening of the primary and secondary curves. You lose some of the spring-like shock absorbing ability of the spine when you are in axial extension. Neutral spine means you’re not doing flexion, extension, axial rotation, lateral flexion or axial extension. It means that you’re just maintaining your primary and secondary curves in a neutral way.” —Leslie Kaminoff
4.10 BACK PAIN: WHAT TO WATCH FOR
“The question of pain is about both the sensation and what gives rise to that sensation – and about how quickly we begin to try to manage the experience and to figure out what we can do to prevent it. With pain we get reactions to pain, and the anticipation of pain, and ways to shut down around avoiding pain. In engaging with the wholeness of a person we can find other parts of their body where they can engage with a spectrum of movements, and find what actually brings them comfort.” —Amy Matthews
Findings from studies cited and larger images may be found in the charts in page 22 of this document.
KEY POINTSBe prepared to discuss in class.
◻Amy and Leslie challenged some common assumptions about back pain and the diagnoses people receive based on imaging techniques (MRI, etc.)
◾ Did they offer any ideas that support your experience or observation? Did they offer any ideas that seem to contradict your experience or observation?
◻What about ideas offered here about the role of the teacher…
◾ Have you thought about how you might handle students who come to you with pain and other conditions?
◾ What can you offer? What is beyond how you see your role as a teacher?
Anatomy in Action: ◻Please describe what you see in these images framed by the concept of “balanced joint space” and “a little bit of movement in a lot of places.” When might the position on the left be appropriate and under what circumstances might it be problematic? EXTRA CREDIT: When might the position on the right be appropriate and under what circumstances might it be problematic?
◻“Stand up straight” is a direction that’s commonly given in yoga and other circumstances, and with positive intentions. Does what you learned in this unit make you question that verbiage? Or the results that might emerge? What might be an alternative instruction that doesn’t call for axial extension?
◻When you start teaching, you’ll probably have students who come to you and say, “I have back pain. What poses should I avoid?” What kind of questions might you ask them? What might you recommend?
◻Did any of the information that Amy and Leslie presented in this unit surprise you?
◻Did you learn anything surprising about your own spine during the explorations?
* Because these investigations used a ‘high risk’ asymptomatic group of people, i.e., people whose occupation required frequent heavy lifting, twisting, and bending; frequent exposure to vibration; and sedentary occupations, I have EXCLUDED the results from the averaging above.