Keir Keightley. 2001. Kap. 5.: Reconsidering rock. I Frith, Straw & Street (red.) The Cambridge Companion to Pop and Rock. s.109-142. Cambridge University Press
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Keir Keightley. 2001.Kap. 5.: Reconsidering rock. I Frith, Straw & Street (red.) The Cambridge Companion to Pop and Rock. s.109-142.Cambridge University Press
Rock’n’roll and its pre-history
The in-between years and the British Invasion
Folk versus mass society in the USA
Youth
Stratification
Authenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Forestillingen om hva som er rock:
dannes av:
historiske sammenhenger
publikum
musikk-kritikeres diskurser
musikkindustrielle praksiser
Rock
Pop
This article attempts to map out a number of rock music culture’s dominant features as they emerge, develop and change over time.
Mål: Kartlegge flere av rockekulturens dominerende kjennetegn slik de oppstår, utvikles og endres over tid.
The first part of this chapter offers a critical survey of the three decades leading into the emergence of rock in the mid-1960s.
Rock’n’roll and its pre-historyThe in-between years and the British Invasion
Folk versus mass society in the USA
Youth
Stratification
Authenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Rock’n’roll and its pre-historyThe in-between years and the British Invasion
Folk versus mass society in the USA
Youth
Stratification
Authenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Benny Goodman
Guy Lombardo
Et voksent publikum:
Frank Sinatra
Ella Fitzgerald
Et tenåringspublikum:
Bill Haley & his Comets
LP (33) versus singler (45)
Rock’n’roll and its pre-historyThe in-between years and the British Invasion
Folk versus mass society in the USA
Youth
Stratification
Authenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Rock’n’roll and its pre-history
The in-between years and the British InvasionFolk versus mass society in the USA
Youth
Stratification
Authenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Rock’n’roll and its pre-historyThe in-between years and the British Invasion
Folk versus mass society in the USAYouth
Stratification
Authenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Newport Folk Festival 1963
Newport Folk Festival 1965
Newport Folk Festival 1965
Rock’n’roll and its pre-historyThe in-between years and the British Invasion
Folk versus mass society in the USA
YouthStratification
Authenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Rock’s constitutive paradox – it is a massively popular anti-mass music (...)– to criticise some performers as sell-outs even as respected rock stars sold in the millions. – to conceive of itself as an underground cult even as rock became the dominant force within the music industry by the 1970s.
Rock’n’roll and its pre-historyThe in-between years and the British Invasion
Folk versus mass society in the USA
Youth
StratificationAuthenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Pop; that area of popular music said to be marked by ethical compromise and capitulation.
Rock’n’roll and its pre-historyThe in-between years and the British Invasion
Folk versus mass society in the USA
Youth
Stratification
AuthenticityConclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Authenticity– the compass that orients rock culture in its navigation of the mainstream.
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Rock’n’roll and its pre-historyThe in-between years and the British Invasion
Folk versus mass society in the USA
Youth
Stratification
Authenticity
Conclusion
Keir Keightley. 2001.Kap. 5.: Reconsidering rock.
Rock’n er skapt innenfor et mainstream, kommersielt musikkfelt og opererer innenfor dette feltet til å videreføre ideologier om autentisitet fra tidligere epoker i kulturhistorien som skaper lagdelinger/hierarkier innenfor populærmusikkfeltet.
Tim Wall (2003):«Studying Popular Music Culture. Studying the Media»
1. Histories
2. Industries and Institutions
3. Form, Meaning and Representation
4. Audiences
5. Case studies and Conclusions
Part One: Histories
Chapter 1: Constructing Histories of Popular Music
Chapter 2: Musical and Cultural Repertoires
Chapter 3: Social, Economic and Technical Factors
Chapter 4: Case Studies
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1970-1975 teenyboppers guitar rock singer-songwriters, heavy metal, glam rock
1975-1980 disco, punk punk rock funk, northern soul, reggae, punk
1980-> MTV electro-pop, new pop
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Keith Negus (1996): “Histories”kap. 5 i «Popular Music in Theory: An Introduction.»
The importance of historical knowledgeThe revolutionary momentThe end of the eraThe peak: Sergeant PepperConclusion - rock on and on
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