8/20/2019 KAVOLIS, Vytautas. on the Crisis of Creativity in Contemporary Art http://slidepdf.com/reader/full/kavolis-vytautas-on-the-crisis-of-creativity-in-contemporary-art 1/4 1 1 >- To a social scientist who might at te m pt to approach th e current cr isis in the art s by relating it to th e nature of the contemporary soc ie ty, the i nitial clue is that no s in gle style or group of styles has emerged that could be regarded as the essential and relat ively end uring expression of the various fantasy d i spos i tions shaped by the con tempo rary soc i ety. * ) A possible reason for the l ack of a dominant stylistic sy stem today is that , while older modes of visu al perception have b roken down, no de finite new manner of perception, however pluralistic, has yet developed in the advanced industrial societies. Instead, a negative co nd ition which I will call perceptu l disorientation -a ppears to have become prevalent among art-using people. The quick variability of styles suggests that, ins te ad of having our ow n modes of perception , we must still do with laboratory exercises in percept i on even when we can, however i nfrequent ly , agree on ul t imate values). Per ceptual d i sor i entatio n gives priority to experimental novelty ov er the perfection of an artistic statement. Since it is imposs i ble, in th e absence of definite modes of percept io n, even to fe e l intuitively w ha t artistic statements should be like, it is impossible also to jud ge how well they ar e expressed. Hence, ten dencies to reject crite ria of quality in art cr i ticism, poss ib ly a reduced capacity to appreciate differences in quality. Per ceptual d iso rientation leaves only ph ysical sensation unquest io ned. One possible ex planation of perceptual d i sorientation m ig ht be to view it is as a consequence of identity d iff usion an uncertainty about t he nat ure of one s o wn per sonal i ty . Id ent i ty d i ffus i on has tended to occur in other periods of psycho· cultural d i scontinu ity th a t is, i n per i ods of rapid change and societal crisis, suc h as the late Ro man Emp i re, the century preced i ng the Reformat io n, and th e age of Romanticism. But, judging from the ev idence of vi sual art from those period s, definite perceptual st ru ct ures appear to have remain ed available then, s th ey are not to day. 2 5