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Chapter
The
Kartabhaja Sect nd
Its
Organisation
The ackground
During
the
seventeenth
and
eighteenth century
numerous
offshoots
of
Vaisnavism
or
minor religious sects emerged
in
Bengal.
The
development
of
these
sects
could
be
explained
as
a reaction against
Brahmanical dominance
during the
period.
Now to
understand
the
proliferation
of
dissenting
sects the
political situation during
the
seventeenth
century must
be
taken
into
consideration. The downfall
of
the
Mughals
after
1709
and
the
slow consolidation of
the
British
in
Bengal before
1757
made
the life and
society
in Bengal highly
hazardous.
The awabs of Bengal failed
to
tackle
the
various problems
of this
period
of
transition.
As
a consequence
of
such
political scenario,
economy
of
Bengal also suffered during
this
period. Again with
the
gradual penetration
of
British mercantile capital
into
the
traditional Bengali industries
the old
economic order
was
totally
upset.
Both the
Bengali peasants
and the weavers
were badly affected by
the work
of the
foreign monopolists Chakraborty
1985 .
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The social situation, on the other, was also reflective o such
political as well as economic turmoil
o
the period. The supremacy o
Brahmanism almost shattered the economic and social life o all people
belonging to the lower order o the society. Vaisnavism in the earlier society
provided a space for all these lower order people, both from Hindu and
Muslim community as also for those large number o people who converted
from lower caste Hindus and Buddhists into Islam during the Mughal period.
But soon, Vaisnavism was diverted from its original philosophy
to
treat
people equally irrespective
o
their caste or religion. The caste rules were
strictly applied after the historic festival o K.heturi (Rajshahi), held sometime
between1576 and 1582, which was attended by representatives
o
nearly a
hundred vaisnava groups from all over Bengal (Ibid). Chatterjee (1989: 187)
wrote, the Kheturi council laid down the doctrinal and ritual framework o
what was to become the dominant orthodoxy o Gaudiya vaisnavism, based
on canons prescribed by the
goswamis
o Vrindavan. There emerged
differentiated forms o social identity and distinction appeared in the body o
the vaisnava
sampraday.
The earlier practices o non-Brahman vaisnava
gurus such as Narahari Sarkar or Narottam Datta having Brahman Disciples,
or in the later period the practice
o
wearing sacred thread irrespective o
caste, from now on, were not accepted by the new orthodoxy. The emphasis
now was against indiscriminate proselytization, and the highest status was
accorded among vaisnavas to the Brahman kulaguru who acted as initiator
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and spiritual guide
to
a small number o respectable upper-caste families.
Gradually there emerged social distinctions between high-caste Gaudiya
vaisnava householders and the low-castejat-vaisnava (i.e. vaisnava by caste)
who were considered by the former as outcastes (Ibid). Thus with the
development o orthodox Gaudiya Vaisnavism the lower order Hindus and
Muslims again lost the respectable place they had achieved through
vaisnavism. This led to the emergence o a number o smaller sects among
the lower order population
o
Bengal. These sects challenged the great
tradition
o
Hinduism, Islam and Christianity where these people found no
respectable position for themselves and sought for a new identity in order to
live a better life.
Chakrabarty (1985) provides a list o fifty-six Vaisnava or semt
Vaisnava heterodox sects including
Au , Baul, Balarami, Darbesh,
Jaganmohini, Kartabhaja, Kishoribhajana, Khusivisvasi, Sain, Sahebdhani
and so on. These sects were mainly the offshoots
o
vaisnavism and were
called Sahajiya sects as they adopted simple way o practicing their religion
that emphasized the human body and body centred practices. They had
no
caste bias. Most o these sects were broadly classified as Vaisnava or semi
Vaisnava, but it
is
heterodoxy, which
is
the hallmark
o
their status
s
minor
sects .
All these sects evolved
in
opposition to caste society and thus rejected
caste hierarchy as well as the dominance
o
the upper castes. Louis Dumont
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held that caste in Indian society
is
a hierarchical system based on religious
ideas
o
purity and pollution. The system, according to him,
is
contradictory
to the egalitarian Western society where Christianity stressed upon the
individual, and the political system on the fom1al equality o individuals.
Dumont noted that the individual
is
given greater importance in many Hindu
sects and cults and these could be considered as egalitarian formations. The
present chapter attempts to examine whether the Kartabhaja sect follows a
true egalitarian structure t all.
oundation o the Kartabhaja sect
The Kartabhajas were among the most prominent sects which emerged
during the seventeenth and eighteenth century and continue their existence
even today. The sect was founded by Aulchand or Aulechand whose identity
remains shrouded in mystery. Various legends are available which recounts
the deeds o Aulchand. Myths have been created to attach supernatural power
to him. Chakrabarty 1985) mentioned seven such legends describing his
emergence and development into a personality with extraordinary power.
According to a common legend Mahadeva Barui, a betel grower
o
village
Ula
o
Nadia district found an eight-year-old boy in his betel field on the first
Friday
o
the month
o halgun
in 1694 or 95. This boy
o
unknown
antecedents later came to be known as Aulchand. Mahadeva took him home
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and he lived with Mahadeva
for
twelve
years. Later he lived with different
persons in
both
West and East Bengal till he was twenty-seven. He then
renounced the world
and became
a
fakir
mendicant. t
is
not clear whether
Aulchand was a Muslim
by
birth or whether
he was
a Mohammedan
proselyte. Later Aulchand
came to
Bejra village
where
Ramsaran
Pal,
Hatu
Ghosh and others became his disciples and the Kartabhaja sect
was formed.
Aulchand while visiting East Bengal probably became a mendicant o the
Aul
sect.
In
one song of
the
Bhaber Geet
the code book
o
the
Kartabhajas
and which
is a compilation of over
500
songs composed
by the most
prominent leader
o
the
sect,
Dulalchand) there is a reference
to
a brilliant
gem
preserved in Dacca
city
who was possibly the preceptor of Aulchand.
There
is
also reference of Aulchand s visit to Sylhet in Bhaber Geet
Sylhet
was the
centre
o
the
Jaganmohini
sect,
the
members
o which along
with
other
sects such
as
Khusivisvasi,
Sahebdhani,
Balarami etc. also attended
the
fair o the Kartabhajas
at
Ghoshpara.
Possibly
Aulchand was influenced by
Jaganmohini theism and guru-worship,
and
also
by the contemporary
Sufi
Fakirs of both East and
West
Bengal.
According to
the
Kartabhaja
accounts
Aulchand was no one
else but
Sri Chaitanya himself
in
disguise.
The
myth goes like this -
Sri
Chaitanya
decided to disappear
from
Puri. Since he
was
believed to be
immortal,
he did
not die and reappeared sometime between
1760
and
1770 as the
young
and
handsome
Fakir
Aulchand
in
Triveni.
He
then miraculously crossed the
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Ganges
and
came
to
Jagadishpur village where Ramsaran Pal found him and
became his
disciple.
The
identification
o
Aulchand with
Sri
Chaitanya by
the
Kartabhajas
was
obviously to lend respectability
to
the Kartabhaja sect.
Ambiguity in Aulchand s identity makes him acceptable to both Hindus and
Muslims.
Thus
the foundation of the sect was
laid
in such a
way
that it soon
spread among the lower orders of both the Hindus and the Muslims who
needed
to
come
out of the control of
Brahmans
and Mullahs.
A number of stories
are also
prevalent that describes
the
meeting
o
Aulchand
and his
most important disciple Ramsaran
Pal
and his wife
Sarasvati Devi who became
famous
as Satima in later years). All these tales
in
some
way or the other depicted the supernatural ·powers of Aulchand.
Some stories describe
how
Aulchand
cured
Sarasvati,
who was
suffering
from a severe colic pain, by sprinkling water from his kamandalu small
container
o
water). According
to
another other version, Aulchand
told
Ramsaran
to
bring
some
water from
the
nearby pond (which, afterwards,
became known
as
Himsagar
and
after infusing
some
magical power
into
the
water Aulchand sprinkled it over Sarasvati. Some water
fell on
the ground
under a pomegranate tree now popular as
Dalimtala
and Aulchand took the
mud
and spread it over her body and Sarasvati was completely cured this
way. However the nature of illness o Sarasvati Devi
was
not mentioned in
available sources.
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Aulchand stayed at Ramsaran s house in Ghoshpara in Nadia district
where he initiated Ramsaran and twenty-one other persons to form the
Kartabhaja sect. They are popularly known as
Baish Fakir
(twenty-two
Fakirs). The names of these twenty-two persons are mentioned in different
books, namely:
(A)
Bhaber Geet,
(B)
Bharatbarsiya Upasak Sampraday
by Aksay
Kumar Dutta, (C)
Bhaber Geeter Vyakhya
by Manulal Misra (a
follower
of
the Kartabhaja sect) and (D) Kartabhaja Dharmer Adi
Vrittanta
by Manulal Misra. Chakrabarty (1985:356-57) provides a
list of these twenty-two fakirs as mentioned
in
the lists
of
these four
books in the following way:
Disciple
Mentioned Incarnation
Village
n lists according to List C according to List A
I.
Andirama
D
Yasada
2
Becu
Ghosa BCD Ramananda
Basu
Jagadishpur
3
Shima
Raya
Rajput CD Jiva Gosvamin Dudhkumar
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isciple
Mentioned
Incarnation
Village
according
to
In lists
according to
List C
List
4
Dedo Krsna
CD
Damodara Pandita
Yasada
5.
Goda Krsna
CD
Vakresvara
Yasada
6
Hatu Ghosa
BCD
Govindananda
Yasada
7 Hari
Ghosa
B
Jagadishpur
8
Kanai Ghosa
BCD
Madhavacarya
Jagadishpur
9
Kinu
Govinda
C
Raghunatha Bhatta
Yasada
10
Laksmikanta
BCD
Kamalakar
Piplai
Yasada
II.
Manohara Dasa
BCD
Gopala Bhatta
Yasada
12 Nitai
CD
Vasu
Ghosa
Jagadishpur
\3.
Nityananda
BCD
Gadadhara Pandita
Yasada
14 Nayana
BCD
Sundarananda
Yasada
15
Nidhirama
BCD
Gauridasa Pandita
Jagadishpur
16
Panckari
CD
Banamali Pandit
Jagadishpur
17. Ramsaran Pal
BCD
Jagadishpur
18
Ramanath Dasa
CD
Janhava Devi
Yasada
\9.
Shankara
BC
Sivananda Sena
Jagadishpur
20 Sisuram
BC
Jagadishpur
21
Syama
A
Dudhkumar
22
Visu Dasa
BCD
Sikhi Mahati
Yasada
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ADDITIONAL
N MES
Disciple
Mentioned
l carnation according
to
In lists
ListC
23
Anandarama
C
Ramananda Raya
24
Brahmahari[?]
D
25 Bhola Nyada
CD
Kasi
Misra
26 Govinda
D
27 Kinu
D
28
Khelarama
D
29
Krsnadasa
B
30
Pancu Ruidas
B
3I
Symadasa
Bairagi
C
Jagannatha Dasa
32 Syama
Kansari
B
33
Sitarama
c
Kala Krsnadasa
34
Vrajahari
c
Vasudeva Sarvabhauma
The names
of
the disciples mentioned in these lists are in certain cases
different. Still from the names it is quite clear that most
of
the disciples
belong to the backward castes. Interestingly, according to the list mentioned
in Manulal Misra s Bhaber Geeter Vyakhya most of these twenty-two
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disciples are described as the incarnations of the famous Gaudiya Vaisnava
leaders like Jiva Goswami, Govindananda, Madhavacharya and others. This
was again obviously to generate a sense
of respectability for the Kartabhaja
sect. Thus a minor order of the Gaudiya Vaisnavism
in
the form of
Kartabhaja sect was established through the notion of the lower caste
incarnations of leaders
of
Gaudiya Vaisnavism itself. Aksay Kumar Dutta
( 1870) held that
in
course of time eight disciples became more prominent
than the others, they were - Bhima Ray Rajput, Bechu Ghosh, Hatu Ghosh,
Kanai Ghosh, Nidhiram, Ramsaran Pal, and Syamadas. Aulchand had no
caste prejudice and a brass-smith named Syama Kansari and an untouchable
named Panchu Ruidas became his disciples.
hilosophy of
th
sect
The philosophy and the religious practices of the Kartabhaja sect was
never openly discussed or written by the members of the sect. The sect s
philosophy was passed on orally from the gurus to their disciples and they
were also directed not to discuss the sect philosophy amongst people outside
the sect by saying p n bh j n k th n k hio j th t th (don t talk about
your religious practices everywhere). Thus they maintain strict secrecy of
their philosophy and the ritual practices and this tendency
is
still retained by
the sect. The only source
of
the detailed philosophy
of
the sect
is
the Bhaber
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Geet or the compilation of the songs composed by Dulalchand. But again
these songs are composed
in
an enigmatic language (sandhya bhasa), which
is difficult to decipher by the laypeople outside the sect. However
in
later
period some
of
the sect members like Manulal Misra, Devendranath Dey,
Satyashib Pal Devmohanto, Harendranath Roy have attempted to elaborate
and explain these songs as well
s
the sect philosophy and all these works
have been the main source
of
understanding the philosophical notion and the
ritual practices
of
the Kartabhajas.
Aulchand derived the origin
of
the new religion (which was initially
called
Satyadharma) from
the syncretic personality cults and syncretic sects.
Like other contemporary sects the Kartabhajas attempted to reject the Vedas
and all Brahmanical rituals. According to them the orthodox rituals and
practices prescribed by the Shastras and Vedas were based on
'Anuman',
literally meaning inference and more colloquially guesswork . Although
they have respect for the vedic Gods and Goddesses they believed that
worshipping imaginary Gods were not possible as also not worth doing, they
say Nayane dekhinijare/ Kemone bhajibo tare
(how can I worship whom
I have not seen) (Pal Devmohanto 1990:223). On the contrary, like the
Sahajiya
theology the Kartabhaja sect, too, placed much importance on
'Bartaman', or the path of direct knowledge and extension of unorthodoxy,
which
is
evident
in
their song:
Bartaman satyagnanjatha sambhab,
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Anuman anarthak brtha
he
bhab
... '
(Bhaber
Geet)
Bartaman is
the true knowledge as far as possible
(Whereas) anuman is meaningless (and) useless idea
All these Sahajiya groups were therefore, also called Bartamanpanthi,
(the followers of the path or philosophy
of Bartaman,
i.e., the knowledge
derived from the present) who are engaged
in
esoteric practices. They
developed a simple mode
of
worship that was centred on the human body.
The influences of Sahajiya Buddhism and Sufism are evident
in
the
Kartabhaja philosophy. The term Karla, which may mean the Prime Mover,
was used in Hevajra Tantra (Chakraborty 1985). Chakrabarty (Ibid) held that
the Tantrika Buddhist
Karta,
after being thoroughly influenced by
Chaitanya movement, was transformed into the
a r t a b h ~ a
messiah towards
the end of the eighteenth century. Moreover the traces
of
Sahajiya
Buddhism and Islamic Sufism could also be in certain concepts of the
Kartabhaja philosophy like the body
as
the microcosm of the universe, the
concept of Maner
Manus
a (the man
of
heart) or Sahaj Manusa (simple man)
etc. as found in a number of songs of the
Bhaber
Gee . Different songs
of
the
Bhaber
Gee refer to the
'sadhana'
to realise the
Maner
Manus
a
or the
Sahaj
Manus
a
as the ultimate purpose
of
the sadhak. The
sadhana
includes certain
body centred secret practices like controlling breathing and others, which
could be learnt from the
Guru
(the 'pir'
in
Indian Sufism) or the spiritual
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guide. Songs
of
Bhaber Geet like the following one express the desire to
achieve the Sahaj:
lchha hoi sahaj hobo )abo sei sahaj desete, sahajer bhab
Prasange ullase bhasi Bhaber gange, j di pher dekhibo phiriye
dibo
Phirbo sadhur sangete, ki durlabh hoi udbhav sahaj rajyete, ...
I
wish to be sahaj and want to reach that realm
of
sahaj, with the reference
of the emotion of sahaj I shall be elated with joy and be floating in the river
of
that emotion, if I find any obstacle I shall send back that emotion), I shall
proceed in with the company of a pious man to see) what a rare thing
emerges in the state of
sahaj, ...
)
it says,
Bhaber Geet, p.386; Translated
by
the present author)
Another song puts forth a question sawal) about what the sahaj
is
as
Sahaj kemon jati, kon desete basati, kimati aakriti,
Prakriti gati }ana bisesan, keno agaman, punah gaman ki sthiti ..
what is the nature
of
sahaj, in which land does it live, what type
of
shape, nature, movements and attributes does it possesses, why it
comes and why does it return, how does it stay on )
Reply to the song is in the next song in an answer form jawab
:
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Sahaj
j ti
manuse, basati sahaj dese, ki mali prakriti bujha
Abhase,jash asambhab, rasana sambhab, udbhab deha
bisese.
shakti purush ati rati upaje, kaje kaje dekhoto bujhe,
satir
p ti
sahaje, sadhya sadhak sanger sangi, abhed he
ardha anger
angi, suna he bidhan, manus pradhan, sandhan sasi swarase.
Sahaj
is
human
by
nature, inhabitant
o
the land
o
sahaj, you will have to
understand its nature
by
indication only, no fame can be attained, only your
taste organ will be content. t emerges
in
a special body. )
Bhaber Geet,
p.48; Translated by the present
author)
The second part o the song shakti purush swarase) points to the
intertwining
o
the male and female body to attain the state
o
sahaj.
Therefore it can be said that the body centric practices were at the core
o
this
sectarian philosophy at least in its initial stage.
Tusar Chattopadhyay (1981: 207-211) observed, The Sahajiya
Tantrik tradition o orgiasticisrn has been in practice among the Kartabhaja
sect all through. However Chakrabarty (1985) refused to accept the Tantrik
nature
o
the Kartabhaja sect on the ground that, according to him, the
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technical terms
of
the left Tantras are not found in
Bhaber Geet,
which
constitute the most authoritative theological text of the sect. Now, to what
extent the· Tantrik or any kind of body related sadhana was performed
by
the
sect people may not be ascertained, but definitely the sect was based upon the
anti-Vedic Sahajiya philosophy and s reflected in the Bhaber Geet the sect
did emphasise the difficult body-centric practices in order to understand the
meaning of Sahaj Manusa or Maner Manusa. The Kartabhajas believe that
ultimate knowledge exists within the human body itself and this knowledge
is
directly achievable through some body-centric practices with the help
of
the
guru.
The concept of body s a microcosm of the universe or Bhanda
Brahmandabad is
n
important part of their philosophy. Like the Sahajiya
Buddhists or Sahajiya vaisnavas and Bauls
the
Kartabhajas believe that all
the features
of
the universe are present in the human body. Manulal Misra
(1962:92-93) while describing the importance
of
body wrote
that
Seven oceans and seven island-earth, the mountain
of
the North Pole
and ll rivers, mountains etc. land and landowners, all the saints and planets
and stars, holy pilgrimages, holy places and gods living in those places have
been inhabiting within the body .
Songs in Bhaber Geet also echo this concept as the following one:
Je Brahmande seito bhande satya jodi hot
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(that which exists m the umverse
(brahmanda)
is also found m body
bhanda)-
if it is true only
...
) (quoted in Dey 1968:40)
By rejecting the complex and anuman based vedic way of reaching
God the Kartabhajas adopted the most expedient, most natural, or innate
(sahaj)
path to liberation. (Urban 2 1 :7) According to them this simple way
(sahaj
path) will take them
to
a world of pleasure, as one of the
Bhaber Geet
says
Ache Kartabhaja, ek maja, satya upasana,
Ved vidhite naiko tar thikana,
Esab chaturer karkhana
Ami
apto khode meye marade karta bhajabo
Kartabhajar kache todike murkha banabo.
Era korbe maja, peye rasta soja
Ki maja svarga
patalpure.
( There is one Kartabhaja, it
is
fun, it is the worship of the truth, there is no
reference
of
it in Vedas, all these are the creation of the ingenious ... Along
with the men and women I shall confidentially worship the Karta, I shall
prove you (followers of the Vedas) fool to the Kartabhajas. By getting the
simple path they will enjoy the pleasure in heaven and hell. )
(Quoted in Pal Devmohanto 1990:219, translated by the
present auther)
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Like the goal o achieving the 'Mahasukha' (ultimate pleasure) in
sahajiya Buddhism or the concept o 'Maner Manusa' o Bauls or other
Sahajiya sects the Kartabhajas, too, believe that
to
realise Maner Manus or
the supreme reality
is
the final aim o the sahaj sadhana. Urban describes the
Moner Manusa in the following way:
Dwelling within the innermost secret core o every human body, the
Supreme Reality o Sahaja takes the mysterious form o the Man o the
Heart or Moner Manus a (Urban
2 1
:68)
Rabindranath Tagore used the concept
o
Maner Manusa, which he
took from Lalan and thus the concept was popularised through his songs.
However, Urban finds that the concept made its first known literary
appearance in the Kartabhaja songs (2001 :68) Pal Devmohanto (1990)
mentioned how Tagore was impressed by the Maner Manusa theory
developed by the minor sects. This indicates Satyashib's attempt to highlight
the intellectual part
o
the sect, which was criticised constantly by the great
Indian religions traditions as not having intellectuality.
Maner Manusa
or
Sahaj Manusa,
however, according
to
them, was
very much difficult to achieve or even express it in words
as
the following
song
in
Bhaber Geet advises it
is
better not to express
it:
Kaj ki tor maner manus baire bar kore,
sada sukhi hoye atmay misaye
Basaiya rakhore hiyar majhare.
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What use is there in trying to bring that Man o the Heart outside?
Always eternally happy, united with the Self, he
Remains seated within the heart.)
Translated
by
Urban 2001 :69)
In order to realise the Sahaj or Maner Manusa the Kartabhajas like
other Sahaj iya sects adopts the body centric practice, which is referred to
rup-svarup tattva, edes-sedes tattva etc. by different sects. However the main
theme
o
all these theories
is
nothing but the esoteric practices prescribed
by
Tantra. Dey 1968) describes the procedure
o
this body-centric sadhana -
the main concept
o
which
is as
follows:
n Tantra the spinal cord o our body is considered as polar axis meru
parvat) o earth. At the lowest portion o this polar axis there exists the latent
female power Shakti)
in
the root circle muladhar chakra)
in
sleeping
condition. The aim o the sadhana is· to awake this female power or Shakti
and to take it upward through the different stages
o
the polar axis like circles
o svadhisthan, manipur, anahata, bisuddha, ajna etc and finally to the seat
o
the soul in the north pole and there to unite Shakti with Siva symbolizing
abstention. According to the Hathayoga the practices to control breathing)
the two main arteries o the human body, namely Ida on the left and Pingala
on the right side are considered as Shakti and Siva or female and male
respectively. One has to direct the breath o life flowing through these two
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arteries toward the artery
o Susumna
within the body and finally send it to
seat o the soul sahasra - by this he will achieve the truth.
Dey 1968) opines that although some o the terms o the esoteric
tantric practices are used in the songs o the Kartabhajas, actually, these
esoteric practices have little impact on their religious practices. No detailed
description
o
such esoteric practices
is
available in the songs o the
Kartabhajas. Dey, who himself was a Kartabhaja, also wrote that even the
sect members also do not know about all these tantric ritual practices. He
mentioned the saying meye hijre purus khoja
-
to be hobe Kartabhaja only
when the female and male become eunuch - they are eligible to
e
Kartabhaja.) and held that this saying restricts any body-centric or sexual
practices like those prescribed
y
the tantra. However, Nandy 1984) said
that although there have been changes in the religious practices or sadhana o
the Kartabhajas due to changing social environment field surveys shows that
such esoteric practices are still followed by some sect members - although
small
in
number. Again the concept o
'Jiyante mara'
dead while yet alive)
propounded by the Kartabhajas also explains existence.
o
the final state or
maner manusa
concept in the sect.
mportance o uru
The Kartabhajas place great importance on their guru. They follow
their guru's teachings to perform the religions sadhana, which is outside the
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rituals prescribed in the shastras. In fact, all the Sahajiya sects or any
religions in India where esoteric practice are emphasized, the role o guru
becomes very important, because without a guru such practices cannot be
undertaken, understood or performed. Dasgupta (1969: 1 1-02) writes, It
will be seen that all the systems o Indian Philosophy and religions are
mystic, for according to all the systems truth always transcend, intellectual
apprehension or discursive speculation, it is to be intuited within through the
help
o
the preceptor, who has already realised it . Dey (1968) too says that
tantra
is performance-based and it cannot be practiced without the help
o
guru, Hindu tantric religion, Buddhist tantric religion, Sahajiya vaisnavism or
Baul all are established on esoteric practices and therefore guru
is
placed at
the highest position in these religions.
Kartabhajas too follow their guru in religious performances and also
worship him as God. They say -
Man
guru
Brahmo
guru Visnu bhajo hridayete
Moner
bhram sakal dure }abe
Bholamon srigurur
kripate.
( oh mind, guru is Brahmo, guru is Visnu, worship him in heart, all the
confusions o the mind will be removed by the grace
o
the great guru.
(Bhaber Geet quoted in Dey 1968:37, translate by the present author)
In fact all the sahajiya sects including the Kartabhajas were accused o
emphasising too much on
guru.
The contemporary society ridiculed these
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sects to be gurubadi and sycophantic, which conducted all kinds
of
occult
and nefarious activities with the help
of
these gurus. Also at one period
of
time the sect was even blamed for limiting their religious practices to please
only the guru. Sen (1895) felt that Kartabhaja is a form of the guru puja of
the Hindus.
However, one of the previous Kartas Gopal Krishna Pal rejected this
comment and wrote, Ours
is
not a guruworshipping sect as some have taken
it to be. In fact as a safeguard against any possible misconception
as
to the
rights and obligations of a religious preceptor and the consequent misuse of
his privileges, the terms
'guru'
and
'sishya'
are never employed among us;
on the contrary the words used are 'mahasaya' and 'varati' t will
thus be seen that the 'mahasaya'
is
merely teacher and has no right to exact
any divine homage from his his varatis (Quoted in Dey 1968:38). However,
Dey (ibid) as a sect member believed that it
is
very much true that the
Kartabhajas worship their gurus and it
is
not at all defamatory, because this
guru-worship
is
the feature
of
almost all Indian religions and Kartabhajas are
no exception. The disciples or the baratis are found to show great reverence
towards their mahasayas. Baratis salute their gurus by falling prostrate and
listen to every word
of the
gurus
with great respect. This way of saluting is
actually paying obeisance to god and adopting this procedure or way surely
indicates that the baratis believe them to be like god. However when all the
mahasaya including the most influential ones were observed to accept such
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salutation, a mahasaya was observed to have refused a barati to accept
salutation as he said, Adhikar nei bhai
I
do not have the right, brother). So
this means that Gopal Krishna s statement was true in the philosophical level
and was practiced by very few gurus.
The sect thus incorporated the notion of body as a receptacle of divine
truth and challenged the intellectual doctrines of religions of the great
tradition. Primarily lacking the intellectual part, the sect members of the
backward castes resorted
to
the materialistic world
of
body and its different
organs to express their religiosity. The body and different bodily secretions,
which are considered polluting
by
the upper castes, were taken as most
valuable substances by the Sahajiya sects like the Kartabhaja. Jha (1995: 88)
mentioned the use of four moons (four types of body secretions menstrual
fluid, semen, urine and faeces) by
the Kartabhajas. Undoubtedly such type of
religious protest by the peseant-shudra castes was not accepted at all by the
upper caste society. This made the sects maintain their sect practices only
secretly - outside the mainstream society. Though the sect started off with
this form
of
body-centric religious beliefs and practices, later with the
emergence of some formally educated kartas like Satyashib and mahasayas
like Dr. Roy, the sect philosophy is being reshaped to gain acceptance of the
upper caste as also the elite society. Satyashib rejected the notion of svakiya
and
parakiya sadhana
as a part
of
Kartabhaja philosophy. The notion of
svakiya
conveys the concept
of
performing
sadhana
with the help
of
one s
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own wife whereas
parakiya is
the type
o sadhana
with woman other than
one'.s own wife (Chakraborty 1989). Satyashib (1990) held that the
Kartabhajas do not perform any ritual, which may need woman, either one's
own wife or any other women. According to him, the sect has a different
philosophy, where one's own body
is
ample to carry on the sectarian
practices. However, Das
an
older sect member wrote about the need o
female body for the sectarian practices and he commented, one should take
one's own wife as his religious consort (Das Undated: 49). Therefore it
definitely means the notion o
sadhana
centred on sexual practices is being
discarded recently to have a better acceptance in the educated section o
society. Instead Satyashib emphasised the harmony
o
religions or the
equality
o
human beings
in
the philosophy
o
the sect. During the interaction
with Dr. Roy in the
mela, he
too stressed on the harmony
o
the religions.
Moreover he directly told, we want elite people to join the sect. Again,
more surprisingly, he asked me, are you a Brahmin? Then you must join our
sect, because Brahmins must provide the religious leadership, which they are
avoiding presently. This signifies that the sect, at least the educated leaders
o
it, want to be recognised by upper caste society. For getting the acceptance
o
the elite they are now even restructuring their philosophy, making it more
liberal regarding brahmanical norms. Perhaps it has been easier for them, as
the sect since its initial stage advised the members to perform social norms
lok madhye /okachar, sadguru madhye ekachar).
This kind
o
change in the
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sect philosophy indicates a shift from material aspect
o
body toward more
and more ideological aspect.
Moreover, the new generation
gurus
also are not said to have attained
the requisite spiritual enlightenment. SbP, one
o
the descendants
o Satima
said, They (mahasayas
o
the present generation) now do not have the time
to perform all the rituals, so they cannot be given the name and position o
Mahasaya ,
but still I have allowed them to maintain their old
baratis
whom
they have inherited from their fathers or forefathers.
Such attitudes
as
well
as
philosophical presentations
o
the sect imply
that the body-centric sectarian practices,
i
performed at all, are confined to a
very limited number o committed and older members. Moreover at the
grassroot level the sect members or
baratis
even practise all the social
conventions and caste rules along with worshipping
Satima
and the present
urus especially during Satimar me/a
Again as the sect members do not have any social or legal recognition
as
the Kartabhajas, they perhaps are getting absorbed in caste society. Pal
( 1990) himself commented that perhaps someday the Kartabhaja religion will
not exist at all, but the themes propounded by it like harmony o religions or
equality o human beings will prevail.
Although, it is hard to find out how far the Kartabhaja sect was
engaged in such esoteric practices, we find, like in other
Bartamanpanthi
Sahajiya groups, the categorisation
o
stages
o
attainment in
sadhana
in the
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Kartabhaja sect too. Aulchand emphasised the distinction between
Vyavahara
or social behaviour and
Paramartha
or the supreme spiritual
interest. The Kartabhajas were advised
to
assert their individual freedom in
matters concerning faith, but at the same time they were also instructed to
respect the social norms as it was said, Lok-madhye lokachar, sadguru
madhye ekachar
observe existing customs and norms in public and follow
the sect norms
in the company
o
their
guru)
In fact the Kartabhaja had to
promise to their gurus during the initiation that excepting the caste rule, they
would violate no other Hindu convention, or conventional morality. Since the
Kartabhaja worship
o
Karta) itself was Paramartha, it could be cultivated
by people whose Vyavahara compelled them to worship different Gods and
Goddesses Misra
1911 .
This direction by the very philosophy o the sect
made them accept social rules and presently they are said to be maintaining
the caste rules in society.
t is
only the annual fair where they are given the
opportunity to discard caste rules. Perhaps such integration with society may
be leading to the dissolution o the sect
in
caste society.
There are the following stages o spiritual attainment for the
Kartabhaja:
a) Sthul or aik simple Kartabhaja);
b) Mul or Kangal main Kartabhaja):
i Pravarta,
ii)
Sadhaka,
iii)
Siddhi,
and iv)
Nivrtti.
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Sthul
which means gross, signifies the stage before the esoteric practice
begins. The
Mul
or main stages are for those Kartabhajas who undertake
esoteric practices. The four stages under the Mul category are again linked
with four types o eligibility, namely, Sadhu Sati Sura and Mahat
respectively.
The first stage Pravarta means the state o the neophyte, when he is
also called as Sadhu. The higher stage
is
that o the Sadhaka. At this stage the
disciple
is
permitted to be associated with a woman, who was to be his wife.
The female partner o the
Sadhaka
is called
Sati
(Chaste woman) and
Sadhaka
and
Sati form
a single word,
Sadhaka-Sati.
The third stage o
Siddhi
(Achievement) is that o the lesser Gods and
Sura
and
Siddhi
are combined
together. The highest stage
is
Nivrtti. In this stage man realizes the non
duality with the cosmic greatness o God and he is now called Mahat. At this
stage the Kartabhaja
is
jiyente mara or un-living , because now he
is
free
from the shackles o desires. The Kartabhaja guru belongs to the highest
category (Nandy 1984
.
However, this hierarchy o the Kartabhajas on the
basis
o
spiritual achievement is not easy
to
observe and
to
identify clear
distinctions between people achieving different stages is obviously hard for
an outsider. Moreover, these esoteric sadhana are conducted privately and is
never expressed publicly.
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odeso conduct
The Kartabhaja religion prescribes at least ten codes
o
conduct for the
followers. The following activities are totally forbidden by the sect:
Three physical acts:
Three mental acts:
Four speech acts:
(1) Sexual intercourse with other people's
wife;
(2) Stealing people's things;
(3) Committing murder.
(
1
Thinking o sexual intercourse with
Other people's wife;
(2) Thinking o stealing people's things;
(3) Thinking
o Committing murder.
(1) Tell a lie;
(2) Uttering harsh words;
(3) Talking unnecessarily;
(4) Talking incoherently.
These ten codes
o
conducts definitely remind one
o
the Ten
Commandments
o
the Bible. The Kartabhajas themselves are aware o the
influence
o
Christianity in this regard as Das (undated) writes, these laws
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are written in close similarity
to
the Bible's
Ten
Commandments.
Thus, the
Christian preachers
could
also respect the newly
founded
Kartabhaja
religion.
An important ritual of the Kartabhajas is the practice
o
repentance
and
confession o sin or Dayika majlis.
The
word Dayika
means
an initiated
disciple, who is liable
to
perform a number
o
pious deeds. A
Dayika
is also a
responsible disciple who takes a
vow.
He has
to
confess before his guru. The
ritual
o
confession
is
performed
in
a
majlis
or gathering
o
many
Dayikas.
Also
the Dayika have to pay the guru ajarimana (fine).
Another important and more
common
ritual of the Kartabhajas is to
observe the Fridays as
the
most sacred
day.
The sect members
spend
the
whole day with a pious feeling
and
all the family members gather together in
the evening
to
sing songs
from
Bhaber Geet. At the end they shout victory
to
Aulchand, Satima Ramsaran, Dulalchand and their respective gurus and thus
conclude the event. Later
they
take
some
prasad o food other
than
rice.
The
Kartabhajas are advised
to
take vegetarian
food on
the
Fridays
and some
even
observe
fast
on that day. The
sect
members
are
also directed to gather at
the place o the mahasaya to worship
and
sing Bhaber Geets collectively and
then return home with
the
blessings
o the mahasaya.
Choosing Friday
as
the
sacred
day
obviously indicates
the
Islamic influence on the
sect.
Dey 1968)
maintained that perhaps the purpose behind fixing Friday as a sacred day for
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the sect was to harmonise the Hinduism and Islam and thus developed a
syncretic sect philosophy.
The Islamic influence on the sect, in fact, is evident in many aspects
o the Kartabhaja sect. Aulchand, the founder o the sect himself was called a
fakir
and it
is
not known whether he was a Hindu or a Muslim. Moreover,
when Aulchand created the sect,
it
was again done with twenty-two
fakirs .
Thus applying the Islamic term o fakir definitely implies Muslim influence
on the sect. In the later period the burial
o
Satima also indicates the
incorporation
o
Islamic ideas into the sect. All these elements
o
Islamic
philosophy integrated with the Kartabhaja sect s ideology obviously helped
the sect spread among both the Hindus and Muslims.
~ r g a n i s a t i o n a l tructure
As mentioned earlier the sect rejected the hierarchy o the caste
system. There was a firm commitment to the upholding o equality o all
human beings irrespective o caste, religion and sex. Thus developed on a
non-hierarchical basis, the Kartabhaja sect provided a more or less secure
social space for those large numbers o people, who remained at the lowest
rungs o both Hindu and Muslim religion.
Kartabhaja sect has a typical organisational structure based on three
strata or levels, namely, Karta Mahasaya Barati.
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Before going into details about the sect let us discuss about a few
concepts, necessary to understand the sect.
1
Gadi
Religious hermitages
in
Bengali are generally called
ashrams,
and
vaisnavites describe their monasteries
as akhara, but Kartabhajas term their
religious centre at Ghoshpara as Gadi, occupied by successive Kartas and
often disputing over
it
The term gadi
is
literally derived from Hindi Gaddi
meaning a cushion originally used to refer to the comfortable seat o the local
trader and gradually in the cosmopolitan world
o 9th
century Calcutta
Gaddi
meant the trading houses operating
in
the metropolis
in
those days.
Banerjee (2002:38) says The choice
o
the word gadi to describe the
Ghoshpara hermitage
by
its
kartas
could therefore reflect their desire to
establish their headquarters as a religious ally
o
the Bengali commercial
society that was developing
in
Calcutta and other trading centres under the
colonial regime.
Gadi,
however, does not always remain a single centre, rather there
have been more than one
Gadi,
each occupied by different existing
descendants o Satima
at Ghoshpara. The tendency or trend
o
multiple
Gadi
began after the death
o
Ramdulal. As Manik Sarkar (197
5:
07) saw three
Gad s during the period when Iswarchandra, son
o
Ramdulal was the Karla
o
the sect. Sarkar observed, Now at the fair
o
Ghoshpara there are three
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Gadis o three co sharers setting up three institutions. The three co- sharers
no longer possess one single
mind,
which was claimed to be possessed
initially
by
the twenty
two
fakirs . Moreover there
is
another one private
Gadi at Ghoshpara. Poor homeless peasants or the baratis bring their savings
throughout the year
to
pay tax at these four
Gad
s
through
mahasayas.
At present there are three Gadis
at
Ghoshpara occupied
by
three
groups
o
descendants
o
Satima,
they are
-
a
the descendants
o
Late Gopal Krishna Pal,
b
the descendants ofLate Surendranath Pal, and
c
Sarasvati Trust.
The
gadi o
Late Gopal Krishna Pal holds fifty percent share o
the
property
o
the house
o
Satima Since the time
o
Gopal Krishna
this
gadi
has been more prominent in Ghoshpara. The position o the
formal
karta o
the sect is also being retained
by
the inheritants o this
gadi only.
However
some mahasayas
in
the other two gadis are also prominent and play
important roles
in
conducting the sect activities. Moreover, when asked about
the followings o each o these gadis, though no exact number could be
ascertained,
it
was understood that each gadi has a few thousands o
mahasayas and
more than a
lakh
o
baratis.
2
Khajna
According
to
the sect s philosophy Karta is the proprietor o every
disciple s body,
as
the zamindar
is
to
the agricultural land. Just
as
zamindars
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were paid tax for agricultural land
Karta
should also receive pranami which
is termed as Khajna by the Kartabhajas, because they believe that allowing
the souls
of
human beings to occupy his body. The Khajna is to be paid to
Karta
annually during the occasion
of
Do/me/a at Ghoshpara. Baratis pay
their Khajna through their respective mahasayas who submit the tax at the
gadi
of
the Karla The amount
of Khajna
thus collected
is
the major source
of income for the Kartas However, there are also other sources of income for
the
Karla
Chakraborty (1985 :361) pointed out the following sources
of
income of the Kartabhaja
guru:
• Yearly tax collected from the bailiffs and agents, who collected
them from disciples living
in
different villages and towns. The
rate
of
commission
is
not known.
o alf of the annual earnings of the lesser
gurus
some of whom
were commissioned agents
of
the Kartabhaja guru.
• Initiation fee
of
Re. 11 .
o
Pranami
or salutation fee.
o Dayika fee (confession fee)
These taxes are still prevalent, obviously at a higher rate. Such taxes
are also collected in a similar fashion as we saw in earlier descriptions. The
annual tax is collected by the
karta
during the fair in the month
of
March at
Ghoshpara. The amount
of
the tax paid along with the name and address
of
the payee are noted down in a huge register book by a trusted disciple
of
the
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Karla in the
same
way even today.
During the study the amount of
money
paid
by
each party
ranged
between Rs.6/- to Rs.lOO/-. According to
one
Mr.
Mal
from
North 24 Parganas,
an
old
Barali
of the sect under Sarasvati Trust)
the
amount
of Khajna for one human
body
was three and half annas
per
year
previously, but now
it is
Rs.5/-. Another
Mahasaya Mr.
Mandai from Andhra
Pradesh says that he pays Rs.l 00/-
as
annual
tax to the
karla
now, Sarasvati
Trust)
and if he fails to
come
to
the
fair he sends
the
amount
by post.
However, the
karlas
state that there
is
no fixed amount of
Khajna
for
the
disciples,
it
is up
to them they
give
as they
please.
3 Asana:
Literally
asana means
seat, m
fact
a
thin
seat not thick
like
a
Gaddi ).
For the
Kartabhaja sect asana refers to the seat of Salima placed by
the Mahasayas at
their houses
with the
permission
of the Karta. The asana
may
contain the picture of
Salima,
copy
of Bhaber Geel
or other
items
considered sacred
by the
sect
and the
pictures
of the
deceased
Mahasayas
etc.
During
Dolmela Mahasayas are
also allowed
to
set up their
asanas at
a fixed
position under a fixed tree
in
the
orchard
of Ghoshpara. The
Baralis
put
abir
on the asana before putting abir on the feet of their respective Mahasaya or
guru
as a part
of
rituals of
Dol ulsab. Baralis
also pay their
annual
Khajna
or
other
pranamis
at the
asana of
their
Mahasaya. Mahasaya
submits
it to
the
gadi of the karla.
However,
more generally as ana
also
refers to
the
akhara of
the
Mahasaya
as
a whole.
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4 haber Geet:
Bhaber Geet is a collection o songs composed by Ramdulal Pal, son
o
Satima and Ramsaran Pal, at the age
o
only eighteen. Ramdulal or
Dulalchand used to utter the songs spontaneously, while one
o
his close
associate Ramcharan Chattopadhyay o Belur noted them down (Das
Undated). Dulalchand also took the pseudonym
o
Lalsasi, meaning red
moon, derived from his own name: -(Du) lal(red)+ chand(moon)=
Ial+sasi(moon) or Lalsasi. This name
is
often mentioned in almost all the
songs to indicate the creator
o
them. As Dulalchand
is
also called Srijuta
by the sect members, the songs o Bhaber Geet are also termed as Srijuter
Pad (verses
o
Srijuta). The book is considered the sacred book by the sect
members. Perhaps, since most
o
the members were non-literate peasants, it
was the best way to communicate the ideas
o
the sect through songs.
The language o these verses
is
not clear to the common people, as
they are written in an ambiguous way. This language
is
known as sandhya
bhasa or coded language and can be understood by the knowledgeable sect
members only. The language
is
also called as Tyakshali bot or the language
o
the mint as many words o the contemporary newly emerged mint
technology were used in these songs.
There is much confusion even among the sect members about the
number
o
the songs composed
by
Dulalchand. The number
o
songs varies
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from 573 to 650 in the different publications by the sect members, like
Bhubanmohon Gangopadhyay, Ramesh Ghosh and Manulal Misra.
The songs in
Bhaber Geet
are set in question-answer
sawal-jawab)
mode. Some philosophical questions are put forward in the part o
sawal
and
its answer
is
given in jawab. The songs include prarthana-sangeet, prayers),
gurubandana
worshipping o guru),
sadhana-sangeet
practice as well as
philosophical ideas o the sect) etc.
The songs are performed by the sect members during any
o
their
sacred occasion. Das Undated) wrote that Dulalchand along with his
followers used to sing these songs accompanied by esraj a traditional
musical instrument). However, at present
esraj
has become more or less
an
obsolete instrument and now the songs are mostly accompanied
by
harmonium, khol
and
khanjani.
The change
in
the accompanying instruments
also indicates change o style o singing. Moreover instruments like
harmonium, khol and khanjani are used in Kirtans sung by the Vaisnavas.
This obviously implies the vaisnava influence on the sect and incorporation
o
Vaisnava elements by the sect. Often these songs are sung only by some o
the expert singers within the sect and such gahaks singers) are invited to
perform at religious gatherings by the gurus. Therefore though the songs are
not o great musical value the ordinary sect members are not able to perform
those songs by themselves.
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Let
us
now discuss
in
detail about the three organisational levels in the
sect - their original fonns
as
found in different literature and changes in those
fonns as experienced by the present researcher through field investigation.
art a
Karta is the hief religious guide and occupies the highest position
within the sect. Aulchand, the founder of the sect did not himself become a
karta. He, however, is above all and is considered as Adiguru or the main
preceptor
of
the sect. Ramsaran Pal, sadgope by caste and one
of
the twenty
two main disciples (Baish fakir)
of
Aulchand, was the first to be worshipped
as karta by the sect members after the death
of
Aulchand. He was called
kartababa and this chief position is inherited by the descendants
of
Ramsaran till today. Now the question arises that why Ramsaran and not any
other disciple of Aulchand attained the position of the Karta? The possible
answer may be sought in the caste background
of
Ramsaran. Sadgope
is
a
caste, which
is
commensurate with the Goala or Gope. They are the
cultivating section
of
the Gope caste. Sanyal 1987), while analyzing the
history
of
Mallabhum, the autonomous, semi-independent principality that
existed along with few other similar principalities like Gopbhum,
Sikharbhum, Manbhum etc. in the Gangetic delta in Bengal between the 6th
and 8th centuries discussed the caste structure of the area. He held that the
cultivating Gopes from whom emerged the Sadgopes) in Mallabhum were
originally migrants from Gopbhum and the area around the Bardhaman town.
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They were, according to Sanyal, enterprising and adventurous people and due
to their initiative the cultivating
Gapes
(or
Sadgapes)
had acquired better
lands and the position
o
mandai i.e., the headman and the spokesman
o
the
villages
in
which they lived. Usually they held the finest lands and added to
their prosperity by trading
in
grains. These enterprising and adventurous
characteristics
o
the cultivating section o the Gapes i.e.,
Sadgapes
perhaps
made them prominent also
in
the district
o
Nadia where they were the
dominant peasant caste. Probably because
o
this local dominance the
Sadgapes,
who were otherwise
an
intermediate caste, desired to have a better
position in society According to Aksay kumar Dutta, a person usually a
descendant o the Pals whom the present or existing karla chooses to inherit
the position can become a karla. However, the whereabouts o other main
disciples o Aulchand are not clearly known.
After Ramsaran's death his descendants like his son Ramdulal and
grandson Iswarchandra became kartas successively. In between them
Saraswati Devi, wife o Ramsaran became kartama . She was reputed to
have had a strong personality, and to disciples and devotees came to
represent the
Adyashakti
or the Universal Female Principle. As her fame
spread, Saraswati soon came to be known as Satima .
Kart a
is worshipped
by
the sect members as God. For them,
karta is
the only truth others are untrue, they follow their
karta
in every step
o
their
life, as
is
evident in their saying I speak what
karta
speaks, I do what
karta
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makes me do, I eat what
karla
feeds me, I go where
k rl
takes me (Sarkar
197 5:04 . Sarkar (Ibid) opined that the hereditary nature
of
the karta and his
absolute power reflects the influence of feudalism rather than democratic
ideology.
Some mportant
artas
1
Ramsaran
Pal (1720-1783)
Ramsaran was born sometime around 1720 and died
in
1783 or
thereabouts. Ramsaran a sadgope by caste, was originally a resident of a
village named Jagadishpur near Chakdaha in the district
of
Nadia. He left his
father's house as he had some conflict regarding family matters with his
brothers and reached Ghoshpara. Ramsaran settled down here with the help
of
one of his relatives who was a local resident.Later he married Sarasvati
Devi, daughter
of
one Gobinda Ghosh of a nearby village called Gvindapur
(Nandy 1984). They met Aulchand, a
f kir
with supernatural power at
Ghoshpara during this period. There are several popular stories about their
meeting and about how Aulchand cured Sarasvati Devi or Ramsaran by his
power. However, the fact is that Ramsaran became a disciple of Aulchand,
who along with twenty-one disciples (twenty-two
in
all) comprised the
Kartabhaja sect. After the death
of
Aulchand in around 1779 Ramsaran,
being the most important among his disciples, took over his mantle and
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became the first
karta of
the sect. According to some sources, Aulchand
himself desired Ramsaran
to
succeed him (Dey 1968), whereas others believe
that differences arose between Ramsaran and Aulchand and the latter left
Ghoshpara as the former took over his guru's office. According to this
second view there was actually no duality between Aulchand and Ramsaran.
But as both were wonder-workers, they could not co-exist in the same house
(Chakraborty 1985).
Vl
Ward (1811) wrote about Ramsaran
in
the following
words
Ram-Sharanu began
from
his
time
to
give out the doctrine
of
a constant
incarnation, and that God then dwelt in him.
He
persuaded multitudes that
he
could cure the leprosy and other diseases.... He also gave a
new
initiating
muntru to his followers .. .. Vast multitudes were joined
to
this
man both
Musalmans and Hindoos before his death.
By setting
up
the network
of
sub-gurus or
m h s y s
throughout
Bengal Ramsaran succeeded in raising the number of disciples, both
m h s y s
and their
baratis
Ramsaran also reinforced Aulchand's directive
that disciples had to deposit half of their annual income to Sarasvati
(Banerjee 2002). This increased the flow
of
funds to the establishment in
Ghoshpara, which became headquarter of the sect. W. Ward (1811) described
Ramsaran's rise to power in the following words - from a state of deep
poverty he became rich, and his son now lives in affluence .
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According to different reports and popular accounts, Ramsaran was a
simple person and a man of pure morality and possessed all qualities that a
religious preacher should have.
2) Sarasvati Devi (1752-1839)
Sarasvati Devi was born sometime around 1752 and died
in
1839. She
was the daughter
of
Gobinda Ghosh
of
Gobindapur village. Ramsaran
married Sarasvati after the death
of
his first wife. Sarasvati was believed to
be cured y Aulchand. This act of curing by Aulchand was emphasised,
certainly to highlight the supernatural power in him. This curative power then
passed on to Ramsaran and Satima, blessed by Aulchand. Then this continues
to be an important feature
of
the sacred space
in
Ghoshpara, where all these
events
of
miraculous cure occurred. According to one legend she once
begged Aulchand for a son and the fakir promised to be reborn as her son.
This is how she gave birth to Ramdulal in 1775 (six years after Aulchand s
death - a reincarnation of the guru (Banerjee 2000). This desire for a son
y
Satima echoes the desires
of
most of the peasant women and also reflects
the patriarchal values. Perhaps, the instance of Satima, increased the
expectation
of
a large number of women
to
fulfill such a popular desire of
begetting a son. For this reason Ghoshpara attracted a large number of people
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and the
me/a
became a very popular event. Moreover, the Hindu belief
in
the
transmigration
of
soul is also reflected
in
the myth of the birth
of
Dulalchand:
When Ramsaran died Ramdulal was only eight years old and Sarasvati
Devi looked after the Gadi and became the chief
of
the sect. She remained
chief or
karta-ma
till Ramdulal was
16
year old. Again after the premature
death of Ramdulal
in
1833
she again had to take
up
the responsibility
of
chief
of
the sect as the sect continued to flourish and a large number of people
flocked to Ghoshpara to take refuge
in
Satima
s
philosophy. Satima set
up
a
temple of Goddess Kali known
as
Rakshekalir Mandir) within the
compound of her house at Ghoshpara. Though there
is
no common form of
idol of Goddess Kali
in
this temple, the setting up
of
the temple means that
Satima reinstated Sakta worship. Besides this, Goddesses like Sarasvati,
Laksmi, Durga were also being worshipped at Ghoshpara. The exact year
when such worship began
is
not found
in
any source but the practice
is
still
continued by the descendants and disciples
of
Ramsaran and Satima.
In
fact
the people of Bengal, those belonging to the lower castes always respected
these Gods and Goddesses but they were denied access to these Gods and
their temples
in
Hindu caste society, now Ghoshpara provided them an
opportunity.
Sarasvati Devi had a strong personality and blessed by Aulchand she
was believed to possess miraculous healing power as also the power of
infallible speech. She was said to have cured the blind, the
de f
and the
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dumb, and made barren women bear children. One story o her miraculous
power may be mentioned here. A barren woman got the blessings o
Sarasvati Devi and gave birth to a son. But the child was born deformed and
the mother refused to take him and gifted him to Sarasvati Devi. Later on
Sarasvati Devi cured the child who became near normal. She then adopted
him
as
a son. He was called Bankachand, literally meaning the carved moon,
obviously hinting at his deformity. Sarasvati Devi brought up Bankachand,
arranged for his education and also built a house for him near the residence
o the Pals in Ghoshpara. In course o time Bankachand also became famous
for his application o supernatural power and his house became another
sacred spot for the pilgrims.
As Sarasvati Devi became famous for her strong personality and
magical power she soon came
to
be known as Satima . As Banerjee wrote,
this could have begun as an abbreviation o her name in popular usage.
Instead
o
calling her Sarasvati-Ma (Sarasvati, the mother), the common
people shortened her name by using the last two syllables 'svati'. Thus, what
was 'svati-ma' in oral usage was elevated to Satima
in
the iconography o
the sect (Ibid)
The role
o
Sarasvati Devi or Satima was obviously very much
important in spreading the glory o the Kartabhaja sect and transforming the
village Ghoshpara into a pilgrimage centre. Banerjee also emphasised
Satima 's contribution in the process
o
institutionalization
o
the sect. For
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him, the most interesting aspect of the institutionalisation
of
the
'Kartabhaja' sect is that over the years, popular interest in Ghoshpara has
shifted from the egalitarian messages of Aulchand to the 'curative' rituals
that had been associated with 'Satima'. t is not without significance that the
annual fair at Ghoshpara
is
known as 'Satima'r mela', and not by the name
of
the founder of the sect, Aulchand, or even by the name of the sect
itself
'Karta-bhaja'. The mother -goddess had not only literally outlived her
'guru', her husband, and her son, but had also historically outshone all
of
them in popular tradition. (Ibid: 42)
3 Ramdulal
1775-
1833)
Ramdulal or Dulalchand the son of Ramsaran pal was perhaps the most
important among the
kartas
Born in 1775, Ramdulal was only eight years
old when Ramsaran died. Sarasvati Devi brought
up
her son with great care
and Ramdulal soon acquired an immense personality and at the young age
of
sixteen he became the
k rt of
the sect.
Dulalchand as he was popularly known contributed in many ways for
the expansion
of
the sect. He was apparently a talented person and known to
have learnt Persian and English along with Sanskrit. He added a theological
base to the sect's organizational structure to make it stronger and popular.
Dulalchand composed a large number (about 500) of verses, which codify,
for the first time, the philosophy
of
the Kartabhaja sect. The collection
of
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these songs is called Bhaber Geet and it
is
considered the law book for the
sect members. The book provided the sect - its structural form and spiritual
practices with a strong ideological base. These songs, sung on all occasions,
are still instrumental in uniting and providing direction to the sect. Thus it
was also through his hands that the 'religious zamindary' was fully
established.
Under Dulalchand's leadership Kartabhaja became a powerful
movement. He was regarded
as
the incarnation
o
both Krishna and
Chaitanya. In the words o W. \Vard ( 1811: 264 , Dulal pretends that he has
4,00,000 disciples spread over Bengal.
t is interesting to note that Dulalchand was invited to the Parliament o
Religions held in Chicago in 1893 (where Vivekananda spoke), but he died
sixty years before the invitation for the conference came in 1893. The sect,
therefore could not be represented in the world conference. The letter o
invitation, appointing him a member o the advisory council o the Chicago
parliament, and requesting his attendance there, is still preserved by his
descendants (Nandy 1984).
Ramdulal got married four times each from the four vamas
o
Brahmin, Kshatriya, Vaidya, and Shudra and had five sons (Chakraborty
1989:66). After the early death o Ramdulal in 1833 or thereabout, Sarasvati
Devi again took the leadership in her hands and lived on till 1839. After her
death, lswarchandra (1813-1882), son
o
Ramdulal, became the
karta.
As
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evident from different accounts Iswarchandra lived like a
'Rajah'
(king).
t
seems that during his time the 'religious zamindari'
o
Ghoshpara acquired
the typical characteristics o Bengali decadent feudal family. A correspondent
o a Bengali newspaper visiting Ghoshpara during Holi in 1864 described
Iswarchandra in these words,
lswar Babu is lying
on
a bed. There are a number o women
surrounding
him. Some
are pressing his feet. .. some are applying sandalwood
paste on his
limbs, while
some
are
garlanding
him
with wreathes o
flowers (Somprakash April
4,
1864 .
From some other accounts
it is
also learnt that lswarchandra was once put
into jail, the offence, however, is
not known (Mallick 191 0).
The next generation o
kartas
were not competent enough and fought
over the
'gadi'
among themselves. The poet Nabin Chandra Sen visited the
fair at Ghoshpara as
an administrative officer in Nadia and he found that the
original
'gadi'
was occupied by two descendants (probably Haridas Pal and
Birchand Pal, the two grandsons o Iswarchandra's). The sacred tank
'Himsagar' was in a bad shape, and the stagnant water had become a source
o
cholera. One rich female disciple was willing to spend Rs. 20,000 on the
renovation o the tank, but the two 'Kartas' refused to give permission. After
failing to persuade them,
Sen felt: 'Their intention was to get the money from
her in their own hands. But the 'Karta-bhajas' know that both
o
them are
such gems that once they are given the money, they will appropriate the bulk
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o it.' He then ruefully added: 'they have not yet reached the end o the third
generation. And yet, the descendants o Ramsaran Pal have fallen to such a
state ' (Dey 1968: 22).
Later on, however, the lineage
o
Iswarchandra has become extinct and
at the moment Sarasvati Trust Estate is looking after his portion in
Ghoshpara. The present
kartas
are the descendants o Indrachandra, brother
o Iswarchandra. These descendants are called as Devmohantos. Among the
next
kartas
Gopal Krishna Pal, grandson
o
Indrachandra and Satyashib Pal,
son
o
Gopal Krishna were significant. They tried to rejuvenate the sect with
their efficient leadership.
At present SsP I have not mentioned the full name o the living,
present generation members o the Pal family) has become the formal
karta
after the death o his father Satyashib Pal. SsP is the
karta
o the sect
according to the wish o the previous
karta
Satyashib. However, there is
difference
o
opinion within the sect about who is the karta
SsP is the grandson o Late Gopal Krishna and therefore inherited the
share o the gadi
o
Go pal Krishna Pal. Aged about forty-five he is unmarried
and lives at their joint house, constructed by his grandfather in Kolkata.
The other descendants
o
Gopal Krishna are also prominent members
o the Pal family who come to the fair every year, live in their ancestral
house for at least three days and meet their respective
sisyas
Their number is
much more compared to the descendants
o
other two co-sharers and they are
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often engaged in disputes with each other regarding the share o the earnings
at their gadi.
On the matter o karta some like BsP even refused to consider SsP as
the karla. According to her, karla is one and only one karlababa, i.e.
Ramsaran Pal. She said that earlier the gadi o Gopal Krishna was only one
and earnings in the fonn o Khajna at the gadi was being shared
by
all the
descendants o Gopal Krishna, but later Satyashib, a few years before his
death, put up a notice for the
sisyas
that he would be seated at his room
in
the
first floor due
to
illness and that they were asked to meet him there. His
sisyas then started paying their khajna at the said room instead o at the main
gadi on the ground floor. Satyashib, later, refused to share that amount with
other descendants o Gopal Krishna. However, some old
sisyas
still pay some
little amount at the main gadi.
BsP also accuses the sons o Satyashib for
diverting the khajna from the main gadi or pranamis from Dalimtala. After
the death
o
Satyashib his sons continue to collect khajna separately in the
same first floor room and BsP says that they have never produced any
account o income and expenditure o the gadi. On this issue SbP, expresses
more or less similar views. However, he accepts SsP as the present karla,
because Late Satyashib made him karta o the sect, but SbP felt that SsP does
not perform his duties as karta. Karla must repair the house
o
Satima,
which
is
also known as thakurbari , maintain all the family members,
entertain the guests from the earnings
o
the
gadi
and distribute the extra
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amount equally among all the sharers o the gadi. But SsP, according to SbP
misappropriates all the earnings himself along with his siblings. To end this
situation the other descendants o Gopal Krishna filed a suit in the court
against SsP and his siblings. They actually, SbP said, wanted to frighten SsP.
Later although the court asked SsP to show all the accounts to his co-sharers
within one month, he did not show them any account o income and
expenditure till today. They ultimately withdrew the case.
The holders
o
the other two
gad
s
in the house
o
Salima
do not seem
to be too much bothered about the karla. SuP, a inheritant o the
gadi
o Late
Surendranath says SsP is the karta
-
he stays upstairs at lhakurbari during
the Dol-me/a to meet his disciples.
Answers are much more ambiguous when asked
o mahasayas
and
bar
a
is about who they feel the karla is. By
karla
most o them refer to either
the person they feel is most powerful or the person obviously a
guru)
nearest
to them. Mr. Mandai, a
mahasaya
from Sundarban and a
sisya
o Late
Vismadeb Mandai who was a
sisya
o Late Kalikrishna Pal son o Late
Surendranath), believes that
Karla-rna
or
Salima
is the actual
karla
o the
sect. One disciple
(bar
ali o Late Satyasundar named Mr. Baen from
Joynagar accepts
Mejobabu
Late Satyashib) as
karla
and he feels that now
no one is competent enough to be called
karla.
Again disciples under
Sarasvati Trust like Mr. Mandai from Andhra Pradesh feel that their
guru
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Late Ranjit Kumar Pal descendant
o
Late Iswarchandra) is the karla o this
sect.
t
seems from the above discussion that for the disciples their
immediate guru
is
the most powerful
as
well as the most near and dear one
than the other descendants o Salima even i he is the fonnal karla o the sect
with whom their interaction is minimum. This
is
why disciples call their
respective guru the karla, whereas for some others the concept o karla is
more philosophical as they refer to
Salima
or Ramsaran Pal as the eternal
karla
o
the sect.
Although the karta is the chief o the whole o the sect the present
karta seems to interact with the disciples o his own family only. Again such
interaction
is
much less than earlier days. According to SoP, face-to-face
interaction
is
much less these days, however, disciples keep on interacting
over telephone and discuss about their problems every now and then. It
is
during this auspicious occasion o Dol-me/a that all disciples - mahasayas
and baratis come to meet their gurus at the house o Salima in Ghoshpara.
But even the community feasts during Dol-me/a are conducted separately by
the holders o each o the three gadis. The important part o the interaction at
the mela is the submission o khajna by the mahasayas and the baratis to
their respective gurus.
For the disciples the karta or mahasayas is like a God. They touch the
feet
o
their
gurus
and receive
ashirvad
blessings) in the most respectful
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way. As the sect is against caste prejudices even the upper caste disciples
touch their guru s feet without any hesitation. Mukherjees from Burdwan
even being brahmin by caste touch the feet
o
their guru and his descendants
- Late Satyashib, his wife died
n
2004) and sons. In fact the karta, all the
family members
o
the karta and mahasayas, i.e. all gurus are considered to
be above ordinary people in the eyes o their disciples, rather they are
extraordinary, having more or less extraordinary powers. As the worshippers
o
Bartaman instead
o Anumanthe
Kartabhajas worship the live guru as
God, a God who can listen to and solve their problems. On the day o Dol
Purnima the disciples perform the ritual
o
Dev-Dol when all the past kartas
at the house o Satima are adored with avir and atar and then the disciples
pay their respects to the existing or living kartas, i.e. the descendants o
Satima by putting avir on their feet. The widows
o
the Pal family wear red
bordered saris and sit to bless the disciples. The colour red s prohibited for
the Bengali Hindu widows, but the Kartabhaja sect is against such prescribed
norms and again these women are above ordinary women - they are
extraordinary, bearing the legacy o the supernatural powers o Satima their
dress reflects their extraordinariness.
ahasava
Mahasayas were the upper level Kartabhajas who took direct initiation
from the Karla and are also n a higher stage
o
the Kartabhaja sadhana.
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Mahasayas
are considered sub-gurus who initiate people at the grass-root
level with the permission o the kartas.
Mahasayas
convey the ideas and
sayings
o
the
kartas
to their disciples or baratis.
Karta sanctions the status o mahasaya to a person with higher level
o
achievement in the
sadhana
religious practice) as prescribed by the sect.
Obviously it
is
karta who decides the eligibility
o
the person to be a
mahasaya however, the exact eligibility criteria were not elaborated by the
present
kartas.
A
mahasaya
is allowed to set up asana o
Satima
in his house and he
can retain the as ana till his death i
he
maintains the rules. After his death his
position may be passed on to
a person according to his wish with the
permission
o
the
karta.
Mahasaya is liable to submit the part
o khajna
taken
by
him from the baratis
to
the
karta
during dol-mela. Aksay Kumar Dutta
1870) wrote that the Mahasaya also received different kinds o gifts from
the
aratis
and the Mahasaya always enjoyed excellent food, clothing and
many different types o goods sitting at home only. However, the
mahasayas
might have received gifts from their disciples, but perhaps it was a bit o an
exaggeration to say that Mahasayas received so much expensive items
regularly from their disciples, who mostly belonged to poor lower caste
section
o
the society.
Dutta found some Muslim Mahasayas having Hindu disciples who
also secretly took food from their gurus. Muslim Mahasayas like Shibshekhar
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