K ierk eg aard , W alk in g - kylegann.com · K ierk eg aard , W alk in g for flu te, clarin et, violin , an d cello by Kyle Gann 2 0 0 7

Kierkegaard, Walking

for flute, clarinet, violin, and cello

by Kyle Gann 2007

Kierkegaard, Walking (2007)

While Kierkgaard's books had a potent, if subtle, impact on my early intellectual life, I admit that when I began Kierkegaard, Walking, I didn’t have him in mind. But

I was thinking about walking, and I had an upcoming trip to Copenhagen on the horizon, with the intention of retracing Kierkegaard’s steps. I was trying to think up

images that had to do with meandering through mental or spiritual fields, while reading Joakim Garff’s excellent biography of the philosopher, and it finally

dawned on me that Kierkegaard wandering endlessly through Copenhagen, talking to everyone he met and working out his dialectic with or without an accompanying audience, was the image I needed. There are even passages where the aesthetic

(or time-based) is contrasted with the eternal (repetitive), as in Either/Or. But it would be stretching things to connect Kierkegaard, Walking too closely with the

content of the philosopher’s writing: it is more the biographical image, the peripatetic philosopher in constant motion while musing sub specie aeternitatis, “from the

standpoint of eternity.” I managed to complete the first draft in Copenhagen, then tinkered with it a little more in Amsterdam.

Despite the piece’s simplicity, a tendency to hurry must be resisted. Any performance faster than q = 84 is not a performance of this piece, and will not be

approved by the composer.

Kyle Gann

Duration: 15 1/2 minutes

!!!!!!!!

q = 84, and not a hair faster

Copyright © Monroe Street Music 2007

Kierkegaard, Walking

to Elena Dubinets:for the Seattle Chamber Players

Kyle Gann2007

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24