John 5 - Vertigo

AModerately fast q = 140

Needles, CAMusic by John 5, Kevin Savigar and J.T. Harding

from John 5 - Vertigo

Copyright © 2004 Chrysalis Music, GTR Hack Music, Kevin Savigar Music, Songs Of Windswept Pacific, Songs Of Throback and Music Of CombustionAll Rights for GTR Hack Music and Kevin Savigar Music Administered by Chrysalis Music

All Rights for Songs Of Throback and Music Of Combustion Administered by Songs Of Windswept PacificAll Rights Reserved Used by Permission

*Gtr. 1 (dist.)

Tune down 1/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb

**

Riff A

f

E5

P.M.

**Chord symbols reflect overall harmony.

*Doubled throughout

End Riff A

P.M.

Rhy. Fig. 1

A5 Bb5 E5

P.M.

A5 Bb5 E5

P.M.

A5 Bb5 E5

P.M.

End Rhy. Fig. 1

G5 E5

A5 Bb5 E5

P.M.

A5 Bb5 E5

P.M.

A5 Bb5 E5

P.M.

G5 E5

2 1 0 3 1 0 2 1 0 3 1 0 2 1 0 0 2 1 0 3 1 0 2 1 0 3 1 0 2 1 0 0

2 1 0 3 1 0 2 1 0 3 1 0 2 1 0 0 2 1 0 3 1 0 2 1 0 3 1 0 2 1 0 0

577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 0 0 022

355

022

577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 0 0 022

355

022

Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.

1

B

Gtr. 2 (dist.)

f

E5

P.M.

G5 E5 3

6

6

Gtr. 1Rhy. Fig. 2

P.M.

End Rhy. Fig. 2

Gtr. 2

Gtr. 1: w/ Rhy. Fig. 2 (3 times)

P.H.

G5 E5

6 3 3 6 3 3 3

15ma

T T T T T T T T *T

*Slide tap finger.

15ma

loco

8va loco

G5 E5

1 1/2 1/21/2 1/21/2

4 4 2 4 4 2 4 2 0 4 2 0 7 4 0 7 4 0 90 10

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 022

355

022

12 13 12 10 0 12 15 12 10 0 12 13 12 10 0 12 15 12 10 0 12 17 12 10 0 12 15 12 10 0 12 17 12 1710 0 12 19 12 10 0 18 12 10000

16 16

1614

15

00

000

14

15

1415

1212

1212

13

12 14 15 13 14 15 1612

15 14 13 12 14 15 13 14 15 1612

16 15 1612 14 15 14 12

16 15 16


2

C

D

G5 E5

*Gtr. 3

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 2 tacet

A5

mf

Bb5 E5 A5 Bb5 E5

3

6

6

*Synth. arr. for gtr.

steady gliss. steady gliss.

steady gliss.

A5 Bb5 E5

steady gliss.

G5 E5

steady gliss.

A5 Bb5 E5

steady gliss.

A5 Bb5 E5

Gtr. 3

Gtr. 2divisi

A5

steady gliss.

Bb5 E5steady gliss.

G5 E5

Gtr. 2


E5

3 3 3 3 3 3 3 3

G5 E5

8valoco

3 33

31

G5 E5

8va loco

G5 E5

5 63

1 1/21

1

1216 15 16

12 14 15 14 1215 13 12

14 13 1214 13 12

14

3 911 17

3 911 17

3 911 17

3 911 17

9 1312

1215 13 12 12

16 14 12

1316 14 13 13

17 15 13

1417 15 14 14

18 16 14

1518 16 15 15

19 17 15

1619 17 16 16

20 18 1622

1720 18 17 17

21 19 1722 17

15 16 18 17 17 16 1517 16 15

18 14 14 13 1214 13 12 14 14

12 13

14 14 14 13 1214 14 13 12

1214 12 14 109

7 9

1514

1212

12 15 1515

15 1215 12 15


3

E

P.M.

G5

E5

6

6

5

w/ flanger

Gtr. 1: w/ Rhy. Fig. 1

A5Bb5 E5 A5 Bb5 E5 A5 Bb5 E5 G5 E5

6

1/41/4

Gtr 2A5 Bb5 E5 A5 Bb5 E5 A5 Bb5 E5 D#5 D5

1 1/41/4 1

Gtr. 1

P.M. P.M. Gtr. 4 (dist.)divisi

Gtr. 1

P.M. w/ wah-wah

f

Gtr. 4

Gtrs. 1 & 2 tacet

Riff B

C#5 µ C#5 µ C#5 µEnd Riff B

C#5 E5 D#5 D5

12 1512 12 15 16 12

15 14 13 1214 13 12

14 13 1214 13 12 11 10

12 10 1210

12 12

1212

14 14 14 9 12 14 14 16 17 16 1417 16 14

14 14

1212

14 14 9

XX

XX 9

10 7

577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0799

688

577

466

466

466

466

466

466

466

466

466

466

799

688

577


4

F

Gtr. 5 (dist.)

Gtr. 4: w/ Riff B

C#5

fP.M.

µ

P.M.

C#5 µ

P.M. P.M.

C#5

P.M.

µ

P.M. 5 5 5 5 5 5

Gtr. 5

C#5

Gtr. 4divisi

µ

Gtrs. 4, 5 & 6 tacet

Bb5

E5 A5 Bb5 E5 A5

Bb5 E5 G5 E5

Gtr. 6 (dist.)

mf

Gtr. 1

P.M. P.M. P.M. 5

5

Gtr. 1A5 Bb5 E5

P.M.

A5 Bb5 E5

P.M.

A5 Bb5 E5

P.M.

G5 E5

Gtr. 3


A5 Bb5 E5 A5 Bb5 E5 A5 Bb5 E5 G5 E5 A5 Bb5 E5 A5 Bb5 E5 A5 Bb5 E5 G5 E5

steady gliss. steady gliss. steady gliss. steady gliss. steady gliss. steady gliss. steady gliss. steady gliss.

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

466

9

9 11 12 129 11 12 12 11 9

12 11 9 8 9 688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 0 0 022

355

022

577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 577

688

0 0 0 0 0 0 0 0 022

355

022

3 911 17

3 911 17

3 911 17

3 911 17


5

G

H

Gtr. 2

Gtr. 1: w/ Rhy. Fig. 2 (3 1/2 times)Gtr. 3 tacet

flanger off

E5 G5 E5

3 3 3 3grad. bend 1

w/ bar

G5 E5

3

-1-3 1/2

grad. bend

G5 E5

let ring 3 3 3 3

1

µ 6 6 6 6 3

6

Gtr. 4

Gtr. 2 tacet

C#5 µ C#5 µ C#5 µ C#5 µ E5 D#5 D5

12 0 0 10 11 12 0 0 10 11 12 0 0 10 11 12 0 0 10 11 12 0 0 15 0 0 1512

1512

0

7 109

711

10

9 12

10 12 15 12 1012 10

12 9

1212 9

12 10 1412 14 14

12 0 0 10 11 12 0 0 10 11 12 0 0 10 11 12 0 0 10 11 12 0 0 15 0 0 1512

12 14 15 12 9 11 12 11 9 12 14 15 12 9 11 12 9 7 9 7 8 97 8

9 7 9 10 9 7 8 97 8 7

9 7 69 7 6

9 7

466

466

466

466

466

466

466

466

466

466

799

688

577


6

I

Gtr. 5

Gtr. 4: w/ Riff B

C#5

P.M.

µ

P.M.

C#5 µ

P.M. P.M.

C#5

P.M.

µ

P.M. 5 5 5 5 5 5

Gtr. 5

C#5

Gtr. 7 (dist.)divisi

w/ slidesteady gliss.

mf

µ

Gtr. 2


Riff C

F#5

P.M. P.M.

Gtr. 2


P.M.

A5

f

End Riff C

3

3

Gtr. 4 Gtr. 1

Rhy. Fig. 3

P.M. P.M. P.M.

Gtr. 8

Gtr. 2: w/ Riff C (3 times)

F#5

A5 F#5

P.M. 6 3

Gtr. 1

P.M. P.M. P.M.

End Rhy. Fig. 3

P.M.

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

9 11 12 11 9

12 9 11 12

5

9

12

9 1111

1111 9

9 1111

1111 9

9 1111

1111 9

9 1211

99

9 12 11 910

4244

2 2 2 2 2 2 244

2 2 2 2 2 2 244

2 2 2 2 2 2022

022

4 24 4 2

4 4 25 2

244

2 2 2 2 2 2 244

2 2 2 2 2 2 244

2 2 2 2 2 2022

24


7

Gtr. 8


P.M.

A5*

Gtr. 8 tacet

F#5

Gtr. 7

A5

steady gliss.

F#5

*Played ahead of the beat.

Gtr. 9 (dist.)

Gtr. 7 tacet

f

A5

5 6 6 6 5 5

8va

Gtr. 2

5 6 6 6 5 5

F#5

8va

loco

A58va

F#5Gtr. 1: w/ Rhy. Fig. 3 (1st 2 meas., 2 times)Gtr. 9 tacet

1 1/2 1 1/2

8va

loco 8va

loco

P.M. P.H.

15ma

loco

2 2

Pitch: F#

1

2 42 4 2

42 4 2

222

22

14 19 1417

14 18 1417

14 19 1417

14 18 1417

14 19 1417

14 18 1417

14 19 1417

14 18 1417

14 19 1417

14 18 1417

14

14 19 1416

14 19 1416

14 19 1416

14 19 1416

14 19 1416

14 19 1416

14 19 1416

14 19 1416

14 19 1416

14 19 1416

14

19 19 19 19

000 19 19

19 19 19 19

000

19 19XXX

4 6 6 6 46 6 6 6 4 2 2


8

J

Gtr. 2

P.M. P.H.

A5

loco15ma

F#5loco

A58va

Pitch: E#

*T

*Slide tap finger.

1

1/2_

*w/ delay


flutter bar

E5 1/2_ 1/2_ 1/2_ 1/2_ 1/2_ 1/2_ 1/2_ 1/2_

w/ bar

G5

E5

w/ bar

P.H.

15maloco

G5 E5

1/2_

*Delay set for half-note regeneration w/ 1 repeat

1/2_ 1/2_ 1/2_ 1/2_ 1/2_ 1/2_ 1/2_ 1/2_

-6

-6

delay off

P.M.

G5 E5

6 6 6 6

P.M.

P.M.

G5 E5Riff D

Gtr. 1: w/ Rhy. Fig 1 (8 times)

w/ flanger

A5

Bb5 E5 A5

Bb5 E5 A5 Bb5 E5

G5 E5

6 3

1 1/41/4

12 14 14 14 1214 14 14 14 12 10

4 6 96 9

9 119 11

9 1111 13

14 1614 16

14 1714 17 19 21 19 17 14

17 1416 14

16 1416 14

9 9 7 9 9 7 97 9 9

9 9 7 9 9 7 99

7

9 9 7 9 9 7 9 79 7

79 7

9

9 9 6 9

3 05

3 0 3 5 08

5 08

7 08

7 08

8 08

8 08

10 08

10 08

12 08 15

12 00

51212

14 14 14 9 12 14 9 12 14 14 9


9

A5

Bb5 E5 A5

Bb5 E5 A5 Bb5 E5 G5

End Riff D

E5

A5

Bb5 E5 A5

Bb5 E5

1 1/41/4 1 1/41/4

A5 Bb5 E5

G5

E5 A5

Bb5 E5 A5

Bb5 E5 A5 Bb5 E5

P.H.

8va

loco

G5 E5

6

11

Pitch: B

1/41/4 1

Gtr. 9

Gtr. 2: w/ Riff D (1 3/4 times)

Riff E

A5 Bb5 E5 A5 Bb5 E5 A5 Bb5 E5 G5 E5 A5 Bb5 E5 A5 Bb5 E5

1 1 1 1 1 1 1 1 1 1 1 1

A5 Bb5 E5 G5End Riff E

E5

Gtr. 10 (dist.)

Gtr. 9: w/ Riff E

f

A5 Bb5 E5 A5 Bb5 E5

8va

1 1 1 1

1212

14 914XX

XX 9

10 79

1212

14 14 14 9 12

14 14 16 17 16 1417 16 14

14 1410

1212

14 914XX

XX 109

79

1512

1512

1512

1512

1512

1512

1714

1815

1512

1512

1512

1512

1512

1512

1714

1815 15 16 15

1715 16 15

1715 16

1715 16

1715 16


10

K

A5 Bb5 E5 G5 E5 A5 Bb5 E5 A5 Bb5 E5

8v a

Gtr. 10

A5 Bb5 E5 G5 E5

Gtr. 2 tacet

E58v a

Gtr. 2 Gtr. 1

P.M. 1

Gtr. 1

Gtr. 10 tacet

P.M.

Gtr. 3

Gtr. 1: w/ Riff A

steady gliss. steady gliss. steady gliss. steady gliss. steady gliss. steady gliss. steady gliss. steady gliss.

1715 16

1715 16

1715 16

1715 16

1715 16

1715 16

1715 16

1715 16

1715 16

1715 16

1715

1617

15 1617

15 1617

15 1617

15 1617

15 16 1517 17

109

7 72 1 0 3 1 0 2 1 0 3 1 0 2 1 0 0

2 1 0 3 1 0 2 1 0 3 1 0 2 1 0 0 2 1 0 3 1 0 2 1 0 3 1 0 2 1 0 0 2 1 0 3 1 0 2 1 0 3 1 0 2 1 0 0

3 911 17

3 911 17

3 911 17

3 911 17


11


Feisty CadaversMusic by John 5 and Kevin Savigar


Copyright © 2004 Chrysalis Music, GTR Hack Music and Kevin Savigar MusicAll Rights Administered by Chrysalis MusicAll Rights Reserved Used by Permission

Drop B tuning:(low to high) B-A-D-G-B-E

Gtr. 1 (nylon-str. acous.)

*B5

mf

*Chord symbols reflect basic harmony.

Gtr. 1

F5

Gtr. 2 (elec.)

Gtr. 1 tacet

w/ dist.

Riff A

B5

f

Gtr. 3 (elec.)

w/ dist.

Riff A1

f

End Riff A

End Riff A1

P.M.

0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 3

0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 6 0 0 0 1 0 3

0 1 6 0 0 0 1 0 3

0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 3

0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 0 3 3


1

B

C

*Gtr. 4

Riff B

Gtrs. 2 & 3: w/ Riffs A & A1

mf

8va

*Sequencer arr. for gtr.

End Riff B

8va Gtr. 5 (elec.)

Gtr. 4 tacet

B5

mf

6 6 6 6

w/ slight dist.

6 6 6 6 6 6 6 6

µ

Gtr. 2

Gtr. 1: w/ Riff AGtr. 5 tacet

B5

6 6

P.M.

1512 12 12 12 12

1512 12 12 12 12

13 1312 12

1512 12 12 12 12

1512 12 12 12 12

13 1312 12

1512 12 12 12 12

1512 12 12 12 12

13 1312 12

1512 12 12 12 12

1512 12 12 12 12

13 1312 12

0 2 30 1 2

0 2 30 1 2

0 2 30 1 2

0 3 50 3 4

0 2 30 1 2

0 2 30 1 2

0 2 30 1 2

0 5 60 5 7

0 2 30 1 2

0 2 30 1 2

0 2 30 1 2

0 3 50 3 4

0 2 30 1 2

0 2 30 1 2

XXX

XXX

XXX

XXX

0 1 6 0 0 0 1 0 3

0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 0 3 3


2

D

E

FHalf-time feel

Gtr. 6 (elec.)

Gtr. 2 tacet

w/ dist.

µ

f 7 7 7 7 7 7 7

*steady gliss

7 7 7 75

*Pick while sliding up. Pitches are approximate.

Gtrs. 2 & 3

Gtr. 6 tacet

B5

Gtr. 6

F#5 µ

3

TT T

Gtrs. 2 & 3

4 6 7 6 4 5 7 8 7 5 4 6 7 6 4 3 5 6 5 3 4 6 7 6 4 5 7 8 7 5 4 6 7 6 4 5 7 8 7 5 4 6 7 6 4 3 5 6 5 3 4 6 7 6 4 5 7

8 7 5 4 6 7 6 4 5 7 8 7 5 4 6 7 6 4 5 7 8 7 5 4 6 7 6 4 3 5 6 5 3 4 6 7 6 4 5 7 8 7 50 2 5 8 12 15 21

0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 3 0 1 6 0 0 0 1 0 3

79

109

77 9 10 12 10 9 7

12 10 9 711 9 8 7

0 1 6 0 0 0 1 0 3 79

79


3

End half-time feel

G

E5 F#5 E5 F#5 G5

P.M.

µ F#5 µ

5

3

T TT

T T

P.M.

Gtr. 6

E5 F#5 E5 G5 F#5

Gtr. 7 (elec.)

w/ dist.

Gtr. 6 tacet

Riff D

B5

mf

D5

8va5

T T1/2

Gtr. 8 (elec.)

w/ dist.

mf

Riff D1

w/ bar

Gtrs. 2 & 3

Riff C

1/2

11 9 8 711 9 8 7 5

7 5 7 7 7 7 8 79

109

77 9 10 12 10 9 7

12 10 9 711 9 8 7

5 7 5 7 7 7 7 8 79

79

11 9 8 711 9 8 7 5

77 5 7

1214 20 19

20 19

911

13 1212 11

5 77 5 7 0 0 0 0 0 0 0 0 3 3 3 3 3 3 3 3


4

CoT oda

G5 E5End Riff D

B58va

3 3

1/2 1/2

w/ bar

End Riff D1 3 3

w/ bar 1/2 1/2

End Riff C Riff E

D5 G5 C58va

w/ bar

3 3

1/2 1/2

w/ bar

w/ bar

3 3

1/2 1/2

End Riff E

1214 20 19 19 19 19

1214 20

911

13 12 12 12 12

911

13

8 8 8 8 8 8 8 8 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0

1920 19 12

14 20 19 19 19 19

1212 11

911

13 12 12 12 12

3 3 3 3 3 3 3 3 8 8 8 8 8 8 8 8 1 1 1 1 1 1 1 1


5

H

Gtr. 7

Gtrs. 2 & 3: w/ Riffs A & A1 (2 times)

steady dive

B58va

loco

( )w/ bar

Gtrs. 7 & 8 tacet

-1/2-1 -1 1/2 -2 1/2

slack

Gtr. 8

steady dive

( )

-1/2-1 -1 1/2 -2 1/2

slack

w/ bar

Gtr. 4 8va

Gtr. 4 8va

Gtr. 5

19

0

0

0

12

0

0

0

1512 12 12 12 12

1512 12 12 12 12

13 1312 12

1512 12 12 12 12

1512 12 12 12 12

13 1312 12

1512 12 12 12 12

1512 12 12 12 12

13 1312 12

1512 12 12 12 12

1512 12 12 12 12

13 1312 12

4 5


6

I

D.S. al Coda(take repeat)

Coda

Gtr. 5

Gtr. 4 tacet

µ

slight P.M.

6 6 6 6 6 6 6 6

slight P.M. 6 6 6 6 6 6 6 3

Gtr. 8

Gtrs. 2 & 3: w/ Riff EGtr. 7: w/ Riff D (2 1/2 times)

B5

D5 G5

w/ bar

C5

Gtrs. 2 & 3: w/ Riff CGtr. 8: w/ Riff D1 (1 1/2 times)

w/ dist.

Riff F

Gtr. 9 (elec)

B5

mf

D5

3 3

8va

1/2 1/2

G5 E5

End Riff F

Gtrs. 2 & 3: w/ Riff E

B5 D58va

3 31/2 1/2

3 05

3 04

2 04

2 05

3 05

3 07

1 03

1 05

3 04

2 05

3 04

2 05

3 04

2 03

1 03

1 05

3 05

3 04

2 04

2 05

3 05

3 07

1 03

1 05

3 04

2 05

3 04

2 05

3 06

4 07

5 08

6

911

13 1212 11

911

13

12 12 12 1211

1215 14

15 14

1112

15 14 14 14 14

1112

15 1415 14


7

J

Gtr. 7

G5 C5

w/ bar

µ8v a


(Noise)

3 3

- 1/2

1/2 1/2

Gtr. 9

w/ bar

8v a

3 3

- 1/2

1/2 1/2

Gtr. 8

w/ bar

3 3

- 1/2

1/2 1/2

Gtr. 10 (elec.)

f

B5

6 3 6 3 6 3 3 3

*Slide tap finger.

*T T T T T

Gtrs. 2 & 3

Riff G End Riff G

P.M.

1214 20 19 19 19 19

1112

15 14 14 14 14

911

13 12 12 12 12

12

7 9 107 9 10 14 12 10 9 7 18

7 9 107 9 10 21 18 10 9 7 12

7 9 107 9 10 1514 12 10 9 7 1817 15 10 9 7 22 19 10 9 7

0 1 6 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0


8

Gtr. 10

*

Gtrs. 2 & 3: w/ Riff G (5 times)

***

*Using a guitar with Les Paul style electronics, set lead volume to 10 and rhythm volume to 0. Strike the strings while the pickup selector is in rhythm position, then flip the switch in the rhythm indicated to simulate the attack.

** w/ DigiTech Whammy Pedal

**Set for an octave higher

***See prior footnote.

1/2

w/ bar 3 3

6

6

Harm.

w/ bar

15ma

loco

w/ bar Harm.

-1Pitch: F#

-1/2D

†Harmonic located approximately 1/4 the distance from the 2nd to 3rd fret.

†

2.25

-1/2

(2.25 )

-1/2 -1F#

-1/2 -1/2

6 6 6

P.H.

15ma

1/2

††w/ DigiTech Whammy Pedal

††Set for a Perfect 5th above when depressed.

1/21/2 1/2 1 1 1

9 9

12

9

12

X 99

9 9

12

9

12

X 9XX

XX

7 9

10 10 9 7

10 10 10 9 9 7 79 9 8 7

9 7 9 97 8 9 9 8 7

9 9 8 7 79 9 7 7 5 2 5 7

0 0 3

2 2

0 0 3

77

77

6

75 6 5 5 4 3 4 3

46 4

4 6 6 79

6 79

6 79

6 79

6 79

6 79

4

9

79 7

XX 9 9 9 109

XX 10 10 10


9

K

L

Gtr. 11 (nylon-str. acous.)

w/ fingers

let ring throughout

Gtr 10 tacet

B5

mf

Bm/D G Em(add9)

B5 Bm/D G Cmaj7#11

3

Gtr. 8

Gtrs. 2 & 3: w/ Riff CGtr. 7: w/ Riff D (2 times)Gtr. 11 tacet

B5

D5

G5

E5

3 3

w/ bar

1/2 1/2


B5

D5 G5

C5

w/ bar

3 3

w/ bar

-1

1/2 1/2

0

04

4

022

08

0

0

77

7

78

77

7

8

00

0

0 70

80

7

77

0

77

0

0

0

04

4

022

08

0

0

77

7

78

77 8 7

7

8

00

0

0 70

80

3

77

5

77

5

0

911

13 1212 11

911

13 12 12 12 12

911

13 1212 11

911

13 12 12 12 12


10

Repeat and fade

Gtr. 10

Gtrs. 2 & 3: w/ Riff CGtr. 8: tacet

B5 D5

33

63

G5 E56

6

3

w/ bar

+1/2+1 1/2

1

Gtr. 8

Gtrs. 2 & 3: w/ Riff EGtr. 7: w/ Riff DGtr. 9: w/ Riff FGtr. 10 tacet

B5

D5

G5

C5

3 3

w/ bar 1/2 1/2

Gtrs. 2 & 3: w/ Riff CGtr. 4: w/ Riff B (2 times)Gtr. 7: w/ Riff D (2 times)Gtr. 9: w/ Riff F (2 times)

B5

D5

G5

E5

3 3

w/ bar 1/2 1/2


B5

D5 G5

C5

3 3

w/ bar 1/2 1/2

7 9 107 9 10 9 7

10 9 7 9 107 9 10 9 7

10 9 7 9 107 9 10 8 9 10 11 12

10 11 12 7 9 10 9 710 9 7

9 8 79

8 7 8 9 7 8 96 7 6

9 8 7 8 9 8 79 8 7

10 5

9

109

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

XXXX

911

13 1212 11

911

13 12 12 12 12

911

13 1212 11

911

13 12 12 12 12

911

13 1212 11

911

13 12 12 12 12


11

A

Fast Rock q = 246

Pulling StringsMusic by John 5 and Kevin Savigar



Drop D tuning:(low to high) D-A-D-G-B-E

Gtr. 1 (clean)

µ

mfw/ pick & fingers

*Am7

P.M. P.M.

VII XIVtype2

11

A57fr

111

A59fr

111

B5

111

E54fr

1113

F#5

1113

E514fr

11

A5

P.M. P.M. P.M. P.M. P.M.

*Chord symbols reflect implied harmony.

P.M. P.M. P.M. P.M. P.M. P.M. P.M. let ring

3 3

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

P.M. P.M. P.M. P.M. P.M. P.M. P.M.

C5 B53 3

3 3

10 055

00

77

00

55

077

055

000

055

00

77

00

55

00

77

00

00

055

00

77

00

55

077

055

000 7 8

0

8

8 5

9 8

7 57 5

5 656

055

00

77

00

55

077

055

000

055

00

77

00

55

00

77

00

00

055

00

77

00

55

077

055

000

0 5 755

0 4 644


1

B

Gtr. 1

Bb5 C7Gtr. 2 (dist.)

Free time

Gtr. 1 divisi

( )

fw/ flangerw/ bar

Gtr. 2

Gtr. 1 tacet

Harm.

µ

let ring

Gtr. 2

Gtr. 4 (dist.) divisi

15ma

w/ dist.

f

A5

3

slack-9 1/2

2.25

*

*Harmonic located approximately 1/4 the distance from the 2nd to 3rd fret.

-6 -2 1/2

(2.25)

Gtr. 3 (dist.)

w/ delay & **DigiTech Whammy pedal

f

8va

**Set for 2 octaves below when depressed.

-1 1/2

-11-7 1/2

-5-1 1/2

= 3

Gtr. 4Gtrs. 2 & 3 tacet

A tempo

P.M. P.M. P.H.

Pitch: E

***Gtrs. 5 & 6 (dist.)

Rhy. Fig. 1

mpP.M. P.M.

End Rhy. Fig. 1

***Composite arrangement

0 3 533

323

000

10 0

18 18

0 3 0 5 0 3 0 5 0 3 0 5 35

022

0 3 0 5 0 3 0 5 0 35

022

02

02

02

02

02

02

02

02

022

02

02

02

02

02

02

02

022


2

P.M. 3

33

33

33

T T T T *

*Slide tap finger.

Rhy. Fig. 2

P.M. P.M.

End Rhy. Fig. 2

Gtrs. 5 & 6: w/ Rhy. Fig. 2 (5 1/2 times)

P.M. P.M. P.H.

Pitch: E

P.M. P.M.

Gtr. 4


P.H.

P.M. w/ wah-wah & Leslie

f

33

3

3

Pitch: G

1/2

Gtr. 7

Gtr. 4 tacet

3

1 1 1/21/2

Gtr. 4

Gtr. 7 divisi

P.M.

3

3

1 1/2 1/41/4 1/41/4

022

0 3 0 5 0 3 0 5 0 3 0 5 0

0 5 7 19 7 5 0 5 7 17 7 5 0 5 7 12 7 5 0 5 7 12 12 21

022

022

02

02

02

02

02

02

02

022

02

02

02

02

02

02

02

022

022

022

3 0 5 0 3 0 5 0 3 0 5 35

022

0 3 0 5 0 3 0 5 0 35

022

022

0 3 0 5 0 3 0 5 0 3 0 5 3 3 07 5 0

7 5 05 7 7 5 0

7 5 0 3

8

85 7 5 7 7 7 5

7

8 85 7 5 77 5

8

85 7 5 7 7 7 5

755

55

7 5 7 5 755

55

7 5 03

X 8


3

C

Gtr. 7

Gtr. 4 tacet

3

1 11/2

3

1/2 1 1/2

1/2_Gtr. 7

flutter bar

1/2_ 1/2_ 1/2_ Gtr. 8 (dist.)

Gtr. 7 tacet

w/ wah-wah

f

E5

D5 E5 D5 E5 D5 G5 E5

1/2_ 1/2_ 1/2_ 1/2_ 1 1 1 11

Gtrs. 5 & 6

P.M. Rhy. Fig. 3

P.M.

D5 E5 D5 E5 D5 F5 E5 D5 E5 D5

Gtr. 8

E5

Gtr. 4 divisi

D5 G5

1 1 1 1 1 1 1

P.M. P.M.

85 7 5 7 7 7 5

7

8 85 7

5 77 58 8

5 7 5 7 7 7 57

7 6 5 4 1412

1412

75

53

75

1412

022

02

02

02

02

02

17 22

00

22

00

22

00

555

222

1412

1412

75

1210

108

1412

1412

75

53

75

12

12

222

00

22

00

22

00

333

222

00

22

00

22

00

555

0 2


4

Gtr. 4

Gtr. 8 tacet

E5 Eb5 D5 C5 E5

8va Gtr. 8

Gtr. 4 tacet

D5 E5 D5

3 3 3 3 33

1 1

Gtrs. 5 & 6

3 3 3 3 3 3

P.M.

E5 D5 G5 E5 D5 E5 D5 E5 D5 F5 E5 D5 E5 D5

1 1 1 1 1 1 11

P.M. P.M. P.M.

E5 D5 G5 E5 Eb5

Gtr. 4

D5

Gtr. 8 divisi

C5 µ A5

3 3 3 3 3 3

1 1

P.M.

End Rhy. Fig. 3

15 14 12 15 14 12 17 15 14 12 15 14 12 15 14 12 17 15 14 12 15 14 12

141215 14 12

1412

75

14 14 14 14 14 14 13 13 13 13 13 13 12 12 12 12 12 12 10 XXX

222

00

22

00

53

75

1412

1412

75

1210

108

1412

1412

75

22

00

555

222

00

22

00

22

00

333

222

00

22

00

53

75

71212

1212

1212

1212

1212

1212

1111

1111

1111

1111

1111

1111

1010

1010

1010

1010

1010

1010

88

022

22

00

555

022


5

D

Gtr. 4

Gtrs. 5 & 6: w/ Rhy. Fig. 2 (3 1/2 times)Gtr. 8 tacet

A5

P.M. P.M.

Gtr. 4

P.M. *T.H. T.H. T.H.33 3 3

1

*Produce harmonic by tapping string an octave above fretted note.

11 1

Gtr. 9 (dist.)

f

33 3 3

1/2 1/2 1/2 1/2

Gtr. 4

Gtr. 9 tacet

P.M. P.M. P.H.

Pitch: E

Gtrs. 5 & 6

P.M.

P.M.

(A5)

Gtr. 7

Gtr. 4 divisi

33

3

3 33

022

022

3 0 5 0 3 0 5 0 3 0 5 35

0 0 3 0 5 0 3 0 5 05 17

022

022

022

3 0 5 0 3 0 5 0 3 0 5 0

70 5 7 7 77 5 719 77 5 719 77 5 19

022

70 5 7 7 77 5 7 77 5 7 77 5

022

022

3 0 5 0 3 0 5 0 3 0 5 35

0 0 3 0 5 0 3 0 5 0 35

022

022

022

3 0 5 0 3 0 5 0 3 0 5 0 3 0 5 5 6 7 75 6 7 7

5 6 7 7 76 7 8 8

58


6

Gtr. 7

Gtr. 4 tacetGtrs. 5 & 6: w/ Rhy. Fig. 2 (3 times)

3

1 1 1/21/2

Gtr. 7

Gtr. 2

Gtr. 7 divisi

( )

w/ bar Gtr. 2

Gtr. 7 tacet

*w/ DigiTech Whammy Pedal

Gtr. 7

Gtr. 2 divisi

8va loco

3

1

slack

*Set for 2 octaves above when depressed.

+1 1/2+7 1/2

+12

1/2

Gtr. 3

( )

w/ bar

**w/ DigiTech Whammy Pedal

8va loco

slack**Set for 2 octaves above when depressed.

+2+8

+12

Gtr. 7

Gtrs. 2 & 3 tacet

3

1 11/2 1/2

85 7 5 7 7 7 5

7

8 85 7 5 77 5

8

85 7 5 7 7 7 5

0

007

12 12 128

0

00

5 5 5

85 7 5 7 7 7 5

7

8 85 7 5 77 5 X 5


7

E

Gtrs. 5 & 6

P.M.

10fr

Gtr. 7 tacet

7fr

Gtr. 7

(A5)

1/2_

w/ bar

1_

w/ bar

Gtr. 7


1/2_

C

w/ bar


f

Gtr. 10

w/ bar

A

3 3 3

33

1/2_ 1_ 1/2_

*Set for Perfect 5th above and harmonize with pedal in full down position.-3 1/2

Gtr. 8

Gtrs. 5 & 6: w/ Rhy. Fig. 3Gtr. 10 tacet

E5 D5 E5 D5 E5 D5 G5 E5 D5 E5 D5 E5 D5 F5 E5 D5 E5 D5

1 1 1 1 1 1 1 1 11

Gtr. 8

E5

Gtr. 4 divisi

D5 G5 E5

3

Eb5

3

D5

3

3

C5 E5

Gtr. 8

Gtr. 4 tacet

E5 D5 E5 D5

1 1 1 1

E5 D5 G5 E5 D5 E5 D5 E5 D5 F5 E5 D5 E5 D5 E5 D5 G5

1 1 1 1 1 1 1 1 11

5 5 4 4 5 5 7

8 7 58 7 6 5

7 6 57 6 5

7 6 5 3 0 0

5 7

1412

1412

75

53

75

1412

1412

75

1210

108

1412

1412

75

53

75

97 9 7

912 14 12

1412 14 15

12 14 1512

1412

1412

75

53

75

1412

1412

75

1210

108

1412

1412

75

53

75

7


8

F

Gtrs. 5 & 6

Rhy. Fig. 4

Gtr. 8 tacet

P.M.

Gtr. 8

E5 Eb5 VIIA5

B5

3 3 3 3 3 3

Gtr. 4

3 3 3

3

3

3

T T

P.M.

Gtr. 4

3

3

3

3

3

3

3

3

3

3

3

3

T T T T T T

End Rhy. Fig. 4

P.M.

VIIA5

33

33

33

33

33

33

T T T T T T

P.M.

Gtrs 5 & 6: w/ Rhy. Fig. 4

B5

33

33

3

3

3

3

3

3

3

3

T T T T T T

1212

1212

1212

1212

1212

1212

1111

1111

1111

1111

1111

1111

1010

1010

1010

1010

1010

1010

88

5 9 5 7 12 9 7 5 0 5 12 9 7 5 0 5

12 9 7 5 0 5 12 9 7 5 0 5 12 9 7 5 0 5 12 9 7 5 0 5 12 9 7 5 0 5 12 9 7 5 0 3

10 7 5 3 0 3 10 7 5 3 0 3 10 7 5 3 0 3 10 7 5 3 0 3 10 7 5 3 0 3 10 7 5 3 0 3

10 7 5 3 0 3 10 7 5 3 0 5 12 9 7 5 0 5 12 9 7 5 0 5 12 9 7 5 0 5 12 9 7 5 0 5


9

G

A5

3

3 53

33 3

33

3

T T T T T T T

Gtrs. 5 & 6

P.M.

A5 E5

3

33

33

3 5

T T T T T T T T

Rhy. Fig. 5

F#5

grad. bend grad. bend

1 1 1 1 11

End Rhy. Fig. 5

type2E5

3 3 3 3 3 3 3 3 3 3 3 3

Gtrs. 5 & 6: w/ Rhy. Fig. 5

grad. bend

F#5

3 33 3 3 3

3

8va

1

12 9 7 5 0 12 9 7 5 0 12 9 7 5 0 12 9 7 5 0 12 9 7 5 0 3 10 7 5 3 0 3 10 7 5 3 0 3

10 7 5 3 0 3 10 7 5 3 0 5 10 7 5 3 0 5 10 7 5 3 0 10 7 5 3 0 10 7 5 3 0 10 7 5 3 0 10 7 5 3 0

4XX 16

17

16 1417 17 17 17 10

17 17 17 17 17 17 15 15 15 15 15 15 14 14 14 14 14 1416 16 16 16 16 16

15 15 15 15 15 15 14 14 14 14 14 14

16 16 16 16 16 1617 17 17 17 17 17

1417 17 17

14 16 14 17 16 14 16 14 17 16 14 16 14 17 16


10

H

3 3

E5

33

3 3

8va

1

Gtrs. 5 & 6

14fr

8va loco

type2E5 E

3 3

3 33 3

21 1

Gtr. 1

(iq = iq)Gtrs. 4-6 tacet

Am7

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

3 3


let ring

1 1


3 3

14 16 14 17 16 14 16 14 17 16 14 16 14 17 16 14 16 14 14 17 17 17 12 14 15 15 15 14 12 1215 15 15 14 12

15 14 13

15 1512 14 15 15

12 14 15 15 13 1215 15 14 12 12 15 15 15 15 15

055

00

77

00

55

077

055

000

055

00

77

00

55

00

77

00

00

055

00

77

00

55

077

055

000 7

87

67

57 7

8

755 6

055

00

77

00

55

077

055

000

055

00

77

00

55

00

77

00

00


11

I


C5 B5 Bb5 C73 3 3

Gtr. 11 (dist.)

Free time

Gtr. 1 divisi

f

w/ bar


( )

Gtr. 11

Gtr. 1 tacet

µ

slack

*Set for one octave below when depressed and play with pedal in full down position.

-2 1/2 -1 1/2-1/2

= 3

Gtr. 7

Gtrs. 5 & 6: w/ Rhy. Fig. 1Gtr. 11 tacet

A tempo

A5 Gtr. 4

Gtr. 7 divisi

3

1 1 1/21/2

Gtr. 4

Gtrs. 5 & 6:w/ Rhy. Fig. 2 (3 times)Gtr. 7 tacet

3 3

8va

T T T TT T T T T T T T T T T T

8va

loco

steady gliss.

Gtr. 7

Gtr. 4 tacet

3

T T 1 11/2

055

00

77

00

55

077

055

000

0 5 755

0 4 644

0 3 533

323

323

666

666

85 7 5 7 7 7 5

7

8 85 7 5 77 5

1

10 13 18 14 17 14 10 13 18 14 1718 14 17 13 9 12 18 14 17 13 9 12 18 14 17 13 9 12 18 14 17 13 9 12 18 14 17 13 9 12 18 14 17 13 9

12 18 14 17

21

85 7 5 7 7 7 5

7

8 85 7


12

Gtr. 4

Gtr. 7 divisi

Gtr. 7 tacet

Gtr. 4

P.M. w/ bar

3 3 3

3

3

1/2 1

1

Gtrs. 5 & 6

P.M.

3 3

(A5)

*

*Played as even eighth notes.

1/21

P.M. slight P.M.

8v a

slight P.M. slight P.M. slight P.M.

grad. bend

( )

grad. release

8v a

1 11 11

(cont. in notation)

XIVA5

8v a

11 11 11 11 11 11 11 11

5 77 5

XX 5

7 57 5

7 57 5

7 57 5

7 757 5

7 7

107 10

7 107 9 10

8 108 10 10 8

75

55 8

75

55 8

75

55 8 5

8 5 8 6

75

55

8

97

77 10

1210

1010 13

97

77 10

75

55 8

97

77 10

1210

1010 13

1412

1212 15

15 15 151515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515

1515


13

J

Gtr. 4

8va

Free time

Gtr. 12 (dist.)

Gtr. 4 tacet

f

G5

3 3 3

11 11 22*T

*Tap with edge of pick.

T T T T T

Gtr. 5

w/ bar

Gtr. 6

3 3 3 3 3 3 3

T T T T T T T T T T T

Fill 1Fill 1End Fill 1

1515

1515

1515

1515

1515

1515 5 6 7 8 7 8 7 6 5 7 8 7 8 7 6 5 7 8 7 8 7 6 5

01414

01414

01414

01414

01414

01414

01414

15

01414

01414

01414

01414

01414

01414

16 555

7 8 7 8 7 6 5 7 8 7 8 6 5 8 9 8 9 8 7 6 9 10 9 10 9 8 7 10 11 10 11 10 9 8 11 12 11

15

555


14

Gtr. 12

Gtr. 5: w/ Fill 1 (till tape cut)

Gb5 F5

3 33 3 3

8v a

T T T T T T T T T

Gtr. 6

E5 Eb5 D5

3 33 3 3

8va

T T T T T T T T T

12 11 10 9 12 13 12 13 12 11 10 18 12 11 13 14 13 9 10 9 8 7 10 11 10 11 10 9 8 11 12 11

555

555

444

444

333

333

12 11 10 9 12 13 12 13 12 11 10 18 12 11 13 14 13 9 10 9 8 7 10 11 10 11 10 9 8 11 12 11

222

222

111

111

000


15

Play 8 times

(simulated tape cut)

3 3

3 3 3

8va

T T T T T T T T T

w/ bar

-1

-2-2 1/2

µ

3 33 3 3

8va

T T T T T T T T T

( )

slack

Gtr. 12

Gtr. 6 tacet

µ

8va

3 33 3 3

T T T T T T T T T

12 11 10 9 12 13 12 13 12 11 10 18 12 11 13 14 13 9 10 9 8 7 10 11 10 11 10 9 8 11 12 11

000

12 11 10 9 12 13 12 13 12 11 10 18 12 11 13 14 13 9 10 9 8 7 10 11 10 11 10 9 8 11 12 11

000

0

00

12 11 10 9 12 13 12 13 12 11 10 18 12 11 13 14 13 9 10 9 8 7 10 11 10 11 10 9 8 11 12 11


16

AFree time

Sugarfoot RagWords and Music by Hank Garland and Vaughn Horton


TRO - © Copyright 1949 (Renewed) and 1950 (Renewed) Cromwell Music, Inc. and Hollis Music, Inc., New York, NYInternational Copyright Secured

All Rights Reserved Including Public Performance For ProfitUsed by Permission

Very fast h = 148

B

Gtr. 1 (elec.)

mfw/ clean tone

*G,7

134

G5

134

F5

21 34

G

132

D

3

let ring


Gtr. 2 (elec.)

w/ dist.**fdbk.

f

15ma

loco

P.M.

**Microphonic fdbk., not caused by string vibration.

Gtr. 1

let ring

Rhy. Fig. 1A

w/ dist.

f

Gtr. 3 (elec.)

G5 F5

P.M.

Rhy. Fig. 1

***T

***T = Thumb on 6th string

T

2 54

32 5 3 5 3 2

34

5 45

35

44

XX

12 14

4

12 12 14 12 1010 12

10 10 12 10

355X33

133X11


1

End Rhy. Fig. 1A

G5

let ring P.M. P.M.

End Rhy. Fig. 1

Gtr. 2

Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A

F5

P.M.

G5

let ring P.M. P.M.

Gtr. 2

1 1 1 1

*Gtr. 4 (acous.)

Rhy. Fig. 2

mplet ring throughout

*Doubled throughout

1 33

3 0 1 02 0

2 00

12 14

355X33

12 12 14 12 1010 12

10 10 12 10

1 33

3 0 1 02 0

2 00

0 0

23

23

00 2

323

0 20

3

0033

3

0033

3

0033

3

0033


2

C

3

3

3

1 1

End Rhy. Fig. 2

Gtr. 2Gtr. 4: w/ Rhy. Fig. 2

P.M. 1 1 1 1 1/2

let ring

Gtr. 5 (elec.)

Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (2 times)Gtr. 2 tacet

fw/ dist.

G5 F5

P.M. 1/2

(Ah.)

Voc. Fig. 1

G5End Voc. Fig. 1

let ring P.M. P.M.

23

23

3 5 4 35 4 3

4 3 24 3

3

0033

3

0033

3

0033

3

0033

23

23

00 2

323

0 20 2 2 0 2 0

2 0

40

412 12 14 12 10

10 1210 10 12 10

1 33

3 0 1 02 0

2 00

12 14


3

D

F5

P.M.

Bkgd. Voc.: w/ Voc. Fig. 1

G5

let ring

P.M. P.M.


G5

1 1 1 1

P.M. 1 1 1/2 1 1

P.H.

1 1

Pitch: E

1 1

grad. bend

let ring P.M. 1 1 1

12 12 14 12 1010 12

10 10 12 101 3

33 0 1 0

2 02 0

0 0 0 23

23

00 2

323

0 20

23

23

0 2 2 0 2 02 0

23

23

00

23

23

0 20 4

5 04

5 00 2 0

5 5

5X00

5X00

5

0X

0

55

5 X 5 X 0 5


4

P.M. P.H.

grad. bend

let ring

Pitch: B

1/2 1/2 1/2

P.M.

Gtr. 5

Gtr. 2 divisi

Gtr. 2

Gtr. 5 tacet

3 3 3 3

3 3 3

8va

8v a

X 5 X 0 5

2X00

2X00

2X00

25

5 X 4 X X 3 2 2 1 1 02

12 15 1214

15 17 1516

12 15 1214

15 17 1516

12 15 1214

15 17 1516

12 15 1214 12

1412

1212

15

1412

1212 15

1412

1212 15

1412

1212 15

1412

1212


5

8v a loco

1/2

3 3 3 3 3 3 3 3

*T

*Tap w/ edge of pick (next 8 meas.).

T T T T T T T

3 3 3 3

3 3 3 3

T T T T T T T T

let ring let ring

8va

1 11/2

**

3

3

5 5 5

8v a

1

**Slide tap finger.

T T

15 1215 12

14 1214 12

14 14 12 7 10

13 12 13 12 11 10 13 12 13 12 11 10 13 12 13 12 11 10 13 12 13 12 11 10

13 12 13 12 11 10 14 13 14 13 12 11 15 14 15 14 13 12 16 15 16 15 14 13

1815

18 1815

1817 17 15 12

15 1214

12 14 12

17

1412

1212 15 20 17 15 12 17

1412

1212 15 20 17 15 12

1412

1212 15


6

E

3

5 5

8v a

T 1 T

3

P.M.

3

8v a

loco

T

Gtr. 5

Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1st 4 meas.)Gtr. 2 tacet

G5 F5

P.M.

Gtr. 4: w/ Rhy. Fig. 2 (last 4 meas.)

G5

Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (1st 4 meas.)

F5

P.M.

w/ flangerHarm.w/ bar

Gtr. 4: w/ Rhy. Fig. 2 (last 4 meas.)

G58va

Gtr. 2


slackPitch: G

slack

1/2

17 20 17 15 1215 12

14 1212

14 14 12

17

1412

1212 15 20 17 15 12

1412

1212 15

17 20 17 15 12 15 1212

1214 12

12X10

13X11

14X12

12 12 14 12 1010 12

10 10 12 10810

699

588

588

12 14

33

30

12 12 14 12 1010 12

10 10 12 10

5 5 23 3

2 23

03


7

let ring let ring 1/2 1/2 1/2

let ring 3 3

1/2 1/2

3

P.M. P.M. P.M. P.M.

P.M. P.M. P.M. P.M. let ring P.M. P.M. P.M. P.M.

P.M. let ring

23

23

03

23

23

03

23

23

03

03

03

23 3

2 23

03

23

23

03 3 5 3

48 10 8

9

15 17 1516 0

80

50 7 0 5 0 4 0 2 0 4 0 2 0

80

50 7 0 5 0 4 0 2 0 0

2 50

80

50 7 0 5 0

4 0 2 0 4 0 2 0 3 43

4 5 4 54

5 6 5 65 8

2 50


8

P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M.

P.M. let ring P.M. P.M. P.M. P.M.

let ring let ring

*Gtr. 5

Gtr. 2 divisi

let ring

Gtr. 5

Gtr. 2 tacet

let ring

8va

*Flanger off

1 hold bend

let ring

let ring

8va

let ring 1 1 1 1/2

loco

33 3

3 3

80

50 7 0 5 0 4 0 2 0 4 0 2 0

80

50 7 0 5 0

4 0 2 0 02 5

08

05

0 7 0 5 0 4 0 2 0 4 0 2 0

3 6 7 6

6

6 5

5

5 4

318

1518

1518

1518

1818

1618

1518 18

1517

1417 16

1315

1215 15

117

106

95

84

73

8 7 66 7 8 7 6

8 6 57 6 5


9

F

3 3

P.M. P.M. 1/2 1

let ring 1 hold bend1

Harm. w/ bar

8v a

hold bend1

GD

Pitch:

+1+2

Gtr. 2

Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (2 times)Gtr. 5 tacet

G5 F5

P.M.

Bkgd. Voc.: w/ Voc. Fig. 1Gtr. 4: w/ Rhy. Fig. 2 (last 4 meas.)

G5

let ring

P.M.

F5

P.M.

7 6 57 6 5

57

00 2 2 0

7 97 9 9 7

98

98 10 8 10

1010 8 10

1010

810

1010

108

10

55

55

12 12 14 12 1010 12

10 10 12 101 3

33 0 1 0

2 02 0

012 14

12 12 14 12 1010 12

10 10 10 12 10


10


*steady gliss.

G5


*Pluck in eighth-note rhythm while sliding up fretboard. Pitches are approximate.

1 1

P.M.

1 1 1 1

3

1 1 1 1

1 1 1/2

3 3 3 3

P.M.

5 9 10 12 14 13 12 10 9 8 7 6 0 23

23

0

23

23

0 20 2

323

0 7 9 9 98 8

23

23

0 23

23

0 20

1412

1212 15 12

13 12

14 14 14 12

15 30 2

0 20 2

3 5 5 3 5 34

9787

8676

7565

8676

9787

0 2 05

2 05

4 05

4 07


11

3 3 3 3 3 3 3 3 3 3

P.M.

Gtr. 5

Gtr. 2 tacet

let ring 1 1 1 1 1 1

Gtr. 6 (elec.)

w/ dist. and modulation*w/ DigiTech Whammy Pedal

Gtr. 5 tacet

f

8va

loco

+12

*Set for 2 octaves above when depressed.

+11 w/ bar

-4 1/2

Gtr. 5

Gtr. 6 tacet

let ring 1 1 1 1 1 1

Gtr. 6

Gtr. 5 tacet

8va

+5+6

w/ bar

-3 1/2

+12

+5

+10+7 1/2

+5

5 07

5 09

7 09

7 010

9 010

9 012

10 012

10 014

12 014

12 014

1214

1010

1010

1010

1010

10 1010

10 1010

5 5

1010

1010

1010

1010

1010

10 1010

10

5 5 5


12

Gtr. 5Gtr. 6 tacet

*T

*Tap w/ index and middle finger.

T

T T T

T

T

T

T T T

T

T T

T

T T

T T T T

Gtr. 4

Gtr. 5

Half-time feel

G

T T

T T T

T

Gtr. 7 (elec.)

mfw/ dist.w/ slide

1 3

1212

1212

3

1212

1212

1212

1 3

1212

1 3

1212

1212

3

1212

1212

1212

1 3

1212

1 3

1212

1212

3

1212

1212

1212

1 3

1212

3 5

1212

5 6

1313

6 7

1414

8

1 3

1212

1212

3

1212

1212

1212

1 3

1212

55

55

44

44

33


13

T T

T T T

T

T T

T T T

T

Gtr. 7

Gtrs. 4 & 5 tacet

*w/ panning

G5 F#5 F5 E5

End half-time feel

Eb5

*Slide down while oscillating between the left and right channels.

1 3

1212

1212

3

1212

1212

1212

1 3

1212

55

55

44

44

33

1 3

1212

1212

3

1212

1212

1212

1 3

1212

55

55

44

44

33

1010

1010

99

99

88

88

77

66


14

G

Gtr. 5


G5

33

33

3 3 33

P.M.

3 3 33

P.M. let ring *T

*T = Thumb on 6th string

3 3 33

3 3 33

P.M.

10

8

1210

119

108

87

76

65

98

87

76

76

65

54

00 3

2

43

3

2

43

3

2

43

0 4 2 04 2 0

3

2

43

3

2

43

3

2

43

0 4 2 04 2 0

4 2 0 4 2 0 4 2 04 2 0

4 2 0 4 2 0 4 2 04 2 0

55

44

55

554

443

554

5543

4432

5543

3

3

4 2 0 4 2 0 4 2 04 2 0

4 2 0 4 2 0 4 2 04 2 0


15

H

let ring

Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A (2 times)

G5

P.M.

T

F5

P.M.


G5

let ring P.M. P.M.

F5

P.M.


G5

let ring

P.M. P.M.

Gtr. 4: w/ Rhy. Fig. 2 (3 1/2 times)

1 1 1 1

P.M. 1 1 1/2 1 1

5 4 5 54

43

54

543

432

543

3

3

12 12 14 12 1010 12

10 10 12 101 3

33 0 1 0

2 02 0

012 14

12 12 14 12 1010 12

10 10 10 12 101 3

33 0 1 0

2 02 0

0 0 0 23

23

00 2

323

0 20

23

23

00 2 2 0 2 0

2 023

23

00


16

P.M.

1 1 1

w/ wah-wah

1 1 1 1

grad. bend

8valoco

1 11

1 1

Free time

µ

3 3

1 1

Gtr. 4

D G

Band tacet

(Talking)

µ

10 sec.

1

23

23

0 20 2 2 0 2 0

2 00

10

23

23

00 2

323

0 20

23

23

00

1815

00 2

323

23

00 2

323

0 20

87 8 87

87 8 7 232

233


17

AModerately q = 92

Dead Man’s DreamMusic by John 5 and Kevin Savigar



Tune down 1/2 step:

(low to high) Eb-Ab-Db-Gb-Bb-Eb

(Sound effects)

µ

3 sec.Gtr. 1 (slight dist.)

*

Riff A

mf

E(b5)End Riff A

Gtr. 2 (dist.)

Riff B

w/ delay

mf

15ma


**

**Pick strings behind nut.

Gtr. 2

Gtr. 1: w/ Riff A

***

delay off

End Riff B

8v a

Harm.

Gtr. 4 (dist.)

Gtrs. 2 & 3 tacet

Riff C

w/ step flanger

f

D5 E5 D5 E5

***Harmonics located approximately 1/5 the distance from the 2nd to the 3rd fret.

Pitch: A

2.2 2.2

D

2.2

A

2.2

Gtr. 3 (dist.)

Harm.

w/ bar

Fill 1

mp

8v a

End Fill 1

Gtr. 5 (dist.)

†w/ octaver & step flanger

f

Riff C1

Pitch: G

+1/2

-1/2 -1†Set for one octave below.

02

3 107

89

22

3 10 02

3 107

89

22

3 10

XXX

5X7

7

9X7

9X7

9

5X7

7

9X7

9X7

9

0

5

5X7

7

9X7

9X7

9

7 5X7

7

9X7

9X7

9

0


1

B5 C5 D5 F5 D5 E5 D5 E5

Gtr. 6 (dist.)

B5

C5 B5 F#5 G5 F5

w/ tremolo

Riff D2

D5

mf

E5 D5 E5

Gtr. 4End Riff C Riff D

Gtr. 5End Riff C1 Riff D1

2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7

5X7

7

9X7

9X7

9

5X7

7

9X7

9X7

9

0

2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7

5X7

7

9X7

9X7

9

7 5X7

7

9X7

9X7

9

0

X7

10

9

12X9

12X9

12X9

12X9

12X7

10

9

12X9

12X9

12X9

12X9

12

2X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3

5X7

7

9X7

9X7

9

5X7

7

9X7

9X7

9

0

2X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3

5X7

7

9X7

9X7

9

7 5X7

7

9X7

9X7

9

0


2

B

B5 C5 D5 F5 D5 E5 D5 E5

B5 C5 B5 F#5 G5 F5

End Riff D2

Gtrs. 4 & 5 tacet

E5

End Riff DGtr. 7 (dist.)

fgrad. bend

1/2

End Riff D1

4X7

5

8X5

8X5

8X5

8

7

10X7

10X7

10X7

10

10

13X10

13X10

13X10

13

7

10X7

10X7

10X7

10

9

12X9

12X9

12X9

12X9

12X7

10

9

12X9

12X9

12X9

12X9

12

2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

7

4X7

5

8X5

8X5

8X5

8

4

7

4X7

4X7

4X7

12

15X12

15X12

15X12

15

10

13X10

13X10

13X9

12

2X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3

5 75

78

2X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3


3

C

Gtr. 7

Gtr. 6 tacet

1/2 1

w/ bar

Gtr. 8(dist.)

Gtr. 7divisi

f

grad. bend

1

-2 1/2-4 1/2

slack

1/2

Gtr. 8

Gtr. 7 tacet

P.H

P.H

1/2

w/ barGtr. 1divisi

Gtr. 8

E(b5)

-1-2 1/2

-6

1

85 7

57

85 5 7

757

55 7

2

35 7

3

12 1412

1415

1512 14

1214

1512 12 14

1214

14 15 14 12 14 1214

14 12 12

02

3 107

89

22

3 10


4

Gtr. 1

Gtr. 2: w/ Riff BGtr. 8 tacet Gtr. 3: w/ Fill 1

Gtr. 9(dist.)

Gtr. 1 tacet

Riff F

D5 E5

*w/ harmonizerw/ DigiTech Whammy Pedal

f

D5 E5 B5 C5 D5 F5 D5

8va

*Set harmonizer to produce interval of a Perfect 4th below. Set Whammy Pedal for 2 octaves below when depressed.

-6

1

-6

1

( )

1 1 1

Gtr. 4Riff E

Gtr. 5Riff E1

02

3 107

89

22

3 10 02

3 107

89

22

3 10 02

3 107

89

22

3 10

18

15

15

12

1815

15 15 1512 12 12

151512

15 1512 12 12

18 18 18 1815 15 15 15

18 17 1715 14 14

17 17 1714 14 14

20 20 20 2017 17 17 17

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

7 2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7


5

E5 D5 E5 B5 C5 B5 F#5 G5 F5

8va

1

-6

1

-6

1 1 1 1

End Riff E

End Riff E1

D5 E5 D5 E5

Gtr. 9


B5 C5 D5 F5

8va

End Riff F

D5

f1

-6

1

-6

11 1 1

2017

18

15

15

12

15

12

1815

15 15 1512 12 12

15 15 1512 12 12

18 18 18 1815 15 15 15

18 17 1715 14 14

17 17 1714 14 14

17 17 17 1715 15 15 15

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

2X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

7 2X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3

1715 18

15

15

12

15

12

1815

15 15 1512 12 12

15 15 1512 12 12

18 18 18 1815 15 15 15

18 17 1715 14 14

17 17 17 2014 14 14 17

7 9

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

7 2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7


6

D

Gtr. 10

Gtr. 9 tacet

E5 D5 E58va

locoB5 C5 B5 F#5 G5 F5

6 6 6 3

3 5

6

Gtr. 4

Gtr. 5

Gtr. 10

Gtrs. 4 & 5 tacet

E5

P.M. grad. bend

P.M.

3

1/2 1/2

*Gtrs. 11 & 12 (dist.)

Rhy. Fig. 1

fP.M. P.M. P.M. P.M. P.M. P.M.

*Composite arrangement

7 10 79 14

12 15 1214

12 15 1214 17

15 19 1517

15 17 1517 10 12 8 10 5

9 8 79 8 7 5 6 7 6 5

7 6 57 10

5X7

7

9X7

9X7

9

5X7

7

9X7

9X7

9

02X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3

5X7

7

9X7

9X7

9

7 5X7

7

9X7

9X7

9

02X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3

0

12 14 1412

1415

12 12 14 1412

1415

12 9 1412

97 12

1412

97 2 0

0 0 0 3 0 0

X7

9

0 05X7

7

9

0 0 0 3 0 0

X7

9

0 05X7

7

9

0 0 0 3 0 0

X7

9

0 05X7

7

9


7

Gtr. 13 (dist.)

w/ bar

**Harm.

mf

Gtr. 10 tacetGtrs. 11 & 12: w/ Rhy. Fig. 1

**Harmonic located approximately 1/5 the distance from the 2nd to the 3rd frets.

Pitch: E

2.2

-4 1/2 -7

Gtr. 10

P.H.

Gtr. 14 (dist.)

f

8va

*T

*Keep tap finger down while releasing bend.

T 1111/2

Gtrs. 11 & 12

P.M. P.M.

End Rhy. Fig. 1

Gtr. 14

Gtr. 13 tacet

8v a loco

P.H.

15maloco

P.H.

3 3

3

6

142 14 2 9 21 9

3

2 02 0

1715

1715 17 17 15 17 15

17

0 0 0 3 0 0

X7

9

0 0577

799

577

17 1517 14 12

1414 9 7

9 9 7 57

0 3 5 75 7

5 7 97 8 9

8 10 1210 12 10

12 10 12 15


8

E

Gtr. 14

grad. bend *w/ DigiTech Whammy Pedal

E(b5)8v a

33

*Set for 2 octaves below when depressed.

-1-3 1/2 -6 -9 -12

1

Gtr. 1

Gtr. 1

Gtr. 2: w/ Riff BGtr. 14 tacet

Gtr. 3: w/ Fill 1

Gtr. 4

Gtr. 1 tacetGtr. 5: w/ Riff E1 (2 times)Gtr. 9: w/ Riff F

D5 E5 D5 E5

B5 C5 D5 F5 D5 E5 D5 E5

12 15 1215 12 14 18

15 17 1517 15

17 17

14

02

3 107

89

22

3 10

02

3 107

89

22

3 10 02

3 107

89

22

3 10

02

3 107

89

22

3 105X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

2X4

3

5

3X5

3X5

3X5

5

7

5X7

5X7

5X7

8

10X8

10X8

10X8

10

5

7

5X7

5X7

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9


9

F

B5 C5 B5 F#5 G5 F5Gtr. 4: w/ Riff E

D5

E5 D5 E5 B5

C5 D5 F5 D5

Gtr. 7

E5 D5 E5 B5 C5 B5 F#5 G5 F5

8va

Gtr. 10

let ring P.M. P.M. 3 3

E5

w/ bar

8va

-1/4

Gtr. 7

Gtr. 10 tacet

*

Harm.

w/ bar w/ bar

Harm.

8va

*Gtr. w/ tape effects arr. for gtr.

+1 1/2 +1 1/2

2X4

3

5

3X5

3X5

3X5

2

4

2X4

2X4

2X4

3

5

3X5

3X5

3X5

1

3

1X3

1X3

17 16 17

5 7

97 9

129 12

1515

12 9

1212

9 710 11 12 11

1411

14 12 12 12 14 10 10 10 12

1817 1617

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1817 16 17

1517

9

1916

1416

1516

1516

1516

1516

1516

1516

1516

1516

1516

1516

1516

1516

12121212

1516

1516

1516

1516

12121212


10

G

Gtr. 8

Gtr. 7 tacet

let ring

3

1 hold bend 1 1 1 1 1/2

Gtr. 11

Gtr. 8 tacet

P.M. P.M.

Gtr. 2: w/ Riff B (last meas.)P.M. P.M. P.M.

Gtr. 12

P.M. P.M.

P.M. P.M. P.M.

Gtr. 9

Gtrs. 4 & 5: w/ Riffs C & C1 (2 times)Gtrs. 11 & 12 tacet

D5 E5

grad. bend

D5 E5 B5 C5 D5 F5 D58v a

-6

1

-6

11 1 1 1

Gtr. 10

E5 D5 E5

rake

B5 C5

rake

B5

rake

F#5 G5

rake

F5

rake

8v a

33 3 3 3 3 3 3 3

Gtr. 9

let ring 8va

1 1 1

14 1415 15

14 1415 15

1414 1214 12

14 1415 15

14 1214 12

14 12 1012 12

12 14 15 1512 14 15 15

1212 14 15 15

12 14 15 1512

14

10 11 12 1210

10 11 12 129

10 11 12 128

5 7 8 85 7 8 8

55 7 8 7

5 7 8 74

5 12 13 14 1412

11 12 13 1311

10 11 12 1210

18

15

1815

1512

15 15 15 1512 12 12

15 15 15 1512 12 12 12

15 15 15 1512 12 12 12

15 15 15 1512 12 12 12

15 15 1512 12 12 12

X

X

X17 17 20

20

X

X

X20 19 1817 17 20

17

X

X

X20 19 18 17 17 20

20

X

X

X20 19 18 17 17 20

20

X

X

X20 19 18 17 17 20

1720 19 18

1512

1815

15 15 15 15 1512 12 12 12

1512


11

Gtr. 6: w/ Riff D2 (3 times)

D5 E5 D5 E5 B5

C5 D5 F5 D5

1 1 1 1

Gtr. 10

Gtr. 9 tacet

E5

P.M. P.M.

D5 E5 B5 C5 B5

P.M.

F#5 E5 F5

3 3 3

6

Gtr. 15 (dist.)

Gtrs. 4 & 5: w/ Riffs D & D1

D5

E5 D5 E5 B5 C5

mf

D5 F5 D5

P.H.

E515ma

loco

D5 E5 8va

3

1 1 1 1/2 1 1/2 1 1/2 21 1/2

Gtr. 10

P.S.

steady gliss.

P.M. *w/ octaver

w/ bar

P.H.

8va

*Set for one octave higher. -1 1/2

1 1 1/2 1 1/2 1 1/2 1 1/2

17

5X7

7

9X7

9X7

9

05X7

7

9X7

9X7

9

7

15 15 15 15 1512 12 12 12

15 15 15 1512 12 12 12

15 15 15 1512 12 12 12 12

15

12 13 14 1412

11 12 13 1311 9 9 10 12 10 9 7 8 9 8 7

9 8 79 8 7

7 2 2 02 0 2 0

12 2 0 3 7 2 0

16

17 15

1617 1815

19

18 151219

000

1512

1512

1715 17

0 0XX

XX

XX

XX

XX

XX

XX 2 14 2

2

0 0

5 8

25 108

410


12

H

Gtr. 15

Gtr. 10 tacet

B5 C5 B5 F#5 G58va loco

F5

3 3 3 3 3 3 3 3 3 3 3

Gtrs. 4 & 5: w/ Riffs C & C1

D5 E5 D5 E5

P.M.

B5 C5 D5 F5 D5

6

3

1 1

E5 D5 E5

3 3 3 3

Gtr. 10

B5 C5 B5 F#5 G5 F5Gtr. 1: w/ Riff A (2 times)

E(b5)

8va

1

Gtr. 15

1

19 15 12 12 14 15 14 1217

15 17 19 15 12 12 14 15 14 1217

15 17 19 15 12 14 15 15 15 14 1215 15 15 14 12 15 15 15

15 1215 12

15 1214 12

14 1214 14 12 12

15 12 1512 15

12 1512 15

12 1512 15 12

15 12 15 1512 13

15 13 1215 13 12 13 15 13 12 13 15

1215 13 12 10

7 8 710 8 7

97 8 7

910

7 8 710 8 7

9

5 7 5 10 7 12 10 15

7 9 7 12 9 14 1215


13

Moderately

Words & Music by Ben Bernie, Kenneth Casey & Maceo Pinkard

© Copyright Francis Day & Hunter Limited (66.67%)/Redwood Music Limited (33.33%).

All Rights Reserved. International Copyright Secured.

Sweet Georgia Brown

$

G B7b5/F E7 A7 D7 G7 D7 G

Em

B7

2.

1.

Em

She

Brown

just

skin-

got

gals,

here

you’ll

yes

get

B7

ter

the

- day.

blues.

-

Em

Things

Brown

are

skin-

hot

pals,

here

you’ll

now,

sure

B7

they

ly-

say.

lose

There’s

and

Em B7

a

there’s

big

but

change

one

in

ex -

cuse.

town.

Em

-

Gals

Now

are

I’ve

jea

told

lous,

you

- there’s

who

B7

no

she

doubt.

was

Em

Still

and

the

I’ve

fel

told

lows

you

- rave

what

B7

a

she

bout

does,

- sweet,

hand

A7

sweet

this

Geor

girl

gia

her

-

Brown.

dues.

D7

And

This

ev

col

er

oured

-

-

since

maid

she

en’s-

came,

prayer

the

is

2

col

ans

oured

wered

-

-

folks

a

all

ny

Ddim

-

claim,

where.

D7

-

say,

Say,

B7

no

E7

gal made has got the shade on

sweet Geor gia- Brown, two

A7

left feet, but oh! so neat, has

sweet Geor gia- Brown. They

D7

all sigh and wan na- die for

3

sweet Geor gia- Brown, I’ll tell you just why.

G

You know

D7

I don’t

D7aug

lie,

G

not much.

B7/F#

It’s

All

E7

been

those

said

tips

she

the

knocks

por

’em

ter-

dead

slips

when

to

she

sweet

lands

Geor

in

gia-

town.

Brown,

Since

they

A7

she

buy

came,

clothes

why,

at

it’s

fa

a

shion-

shame

shows

how

with

4

2.

D.S.

she

one

cools

dol

’em

lar-

down.

down.

B7

Fel

Oh,

Em

lers

boy!

- she

Tip

B7

can’t

your

get

hats.

are

fel

Oh,

Em

lers

joy!

- she

She’s

B7

ain’t

the

met.

‘cats’.

Geor

Who’s

G

gia

that,

- claimed

Mis

her,

ter?-

Geor

’Tain’t

gia

her

B7b5/F

- named

sis

E7

her,

ter.-

sweet

Sweet

A7

Geor

Geor

D7

gia

gia

-

-

Brown.

Brown.

1.3.G B7

————————

G C G4.

G C

———————

G

5


Flatlines, Thin LinesMusic by John 5 and Kevin Savigar



B

Gtrs. 1, 2 & 4: Drop D tuning:(low to high) D-A-D-G-B-E

(Sequencer & sound effects) Rhy. Fig. 1

Gtr. 2 (dist.)

*D5

fP.M.

Eb5 D5 µ

111

E5

Eb5 D5

P.M.

Eb5 D5 µEnd Rhy. Fig. 1

C5

3 3

Gtr. 1 (dist.)Riff A

f w/ bar P.M. w/ bar

End Riff A

w/ bar P.M. w/ bar

3 3


-6 -6 -6 -6

Gtr. 3 (slight dist.)

Gtr. 2 tacet

mf

D5

P.M.

Gtr. 1

Riff B

w/ bar

End Riff B

-6

0 0 0 0688

688

688

0 0 0 0688

688

355

05

0 0 0 0 05

05

0 0 0 0 05

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 10 7 7 10 8 7 7 8 10 7 7 10 8 7 7 8 10 7 7 10 8 7 7 8 10 7 7 10 8 7 7 8

05


1

C

D

Gtr. 3

Gtr. 1: w/ Riff B (3 times)

P.M.

P.M.

P.M.

Gtr. 2

Gtr. 1: w/ Riff A (2 times)Gtr. 3 tacet

D5

P.M.

Eb5 D5 µ Eb5 D5

P.M.

Eb5 D5 µ C5

3 3

Gtr. 4 (dist.)

Gtr. 1: w/ Riff BGtr. 2 tacet

f

D5

P.M.

Gtr. 5 (dist.)

Gtr. 4 divisi

f

rake

3

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 10 7 7 10 8 7 7 8 10 7 7 10 8 7 7 8 10 7 7 10 8 7 7 8 10 7 7 10 8 7 10 8

11 6 6 11 10 6 6 10 11 6 6 11 10 6 6 10 11 6 6 11 10 6 6 10 11 6 6 11 8 6 6 10 11 6 6 11 10 6 6 10 11 6 6 11 10 6 6 10 11 6 6 11 10 6 6 10 11 6 6 11 7 6 6 7

11 6 6 11 10 6 6 10 9 6 6 9 8 6 6 8 11 6 6 11 10 6 6 10 9 6 6 9 8 6 6 8 6 6 6 6 7 6 6 7 8 6 6 8 9 6 6 9 6 6 6 6 7 6 6 7 8 6 9 9 9 1516

0 0 0 0688

688

688

0 0 0 0688

688

355

8 5 X 8 X 8 5 X 8 X X 8 50 0

8 X 8 X X 8 5 X 8 X X 8 10X

X10

10 12


2

E

Gtr. 5

Gtr. 4 tacet

6

3 6

3

6

6 6

3 3 33

3

8va

TT

TT

TT

TT

T1/2

loco8va

P.H.3 3 3

8va

TT

TT

TT

TT

T

grad. bend

Gtr. 6 (dist.)

f

Dm

Gtr. 5 tacet

F5

8va

Gtr. 7 (dist.)

Riff D

f

Gtr. 5

Gtr. 2 divisi

Riff C mf

8va

Gtr. 2

slight P.M.

1

13 12 10

13 11 1012 11 10

1210 11 12 11 10

12 11 1012 11 10 8

10 XX

XX 8 8 8 8 8 5 5 5 5 3 10 3

1012 131012 13

10 12 1310 12 13 13 12 10

13 12 10 13 1310 1713 1110

171311101613 1110

161311 1015131110

1513111014131110

14131016131110

16 13 1015 13 11 10

15 13 1014 13 11 10

14 13 1015 13 11 10

15 13 1014 13 11 10

14 13 11 10 13 10 13 10 13

151513 17 17 15 13 15 13 1013 10 13 10

786 10 10 8 6 8 6 36 3 6 3

13

3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 03 0 0 0


3

F

G5

Dm

Gtr. 7: w/ Riff D

3

8va

1/2

End Riff D 3

1/2

slight P.M. slight P.M.

Gtr. 6

F5 G5

Dm Em

8va 3

11/2

Gtr. 2

slight P.M.

End Riff C

Gtr. 2

Gtr. 1: w/ Riff A (2 times)Gtr. 6 tacet

D5

P.M.

Eb5 D5 µ Eb5 D5

P.M.

Eb5 D5 µ C5

3 3

151513 17 17 15 1513 15 13

15 15 151513 17 17 15

786 10 10 8 86 8 6

7 7

3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 5 3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0

15 13 15 13 1013 10 13 1015

1513 17 17 15 1513 2015 13 20

3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 323

545

0 0 0 0688

688

688

0 0 0 0688

688

355


4

G

Gtr. 3

Gtr. 1: w/ Riff B (4 times)Gtr. 2 tacet

D5

P.M.

P.M.

P.M.

P.M.

P.M.

P.M.

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 10 7 7 10 8 7 7 8 10 7 7 10 8 7 7 8 10 7 7 10 8 7 7 8 10 7 7 10 8 7 7 8

7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 7 8 7 7 8 9 7 7 9 10 7 7 10 7 7 7 7 8 7 7 8 9 7 7 9 10 7 8

12 15 12 15 15 15 15 15 15 14 15 14 14 14 14 14 14 13 14 13 13 13 13 13 13 12 13 12 12 12 12 12

12 15 12 15 15 15 15 15 15 14 15 14 14 14 14 14 14 13 14 13 13 13 13 13 13 12 13 12 12 12 12 12

12 15 12 15 15 14 15 14 14 13 14 13 13 12 13 12 12 15 12 15 15 14 15 14 14 13 14 13 13 12 13 12

12 11 12 11 11 10 11 10 10 9 10 9 9 8 9 8 8 7 8 7 7 6 7 6 6 5 6 5 5 4 5 4


5

H

I

Gtr. 6

Gtr. 2: w/ Riff CGtr. 7: w/ Riff D (2 times)

Dm

Gtr. 3 divisi

P.M.

Gtr. 3 tacet

Gtr. 6

F5 G5

Dm

3

8va

*

*Gtr. 6 to left of slash in tab.

3

1/2

F5 G5

Dm Em

8va

3

11/2

Gtr. 8 (dist.)

Gtr. 6 tacet

*

f

E5 F5 E5 F5*

E5

F5

6

**Gtr. w/ tape effects arr. for gtr.

1

Gtr. 2Rhy. Fig. 2


End Rhy. Fig. 2

E5 D5

3 3 3 3

***T

***Tap w/ edge of pick.

T T T T T T T T T1 1/2

P.M. P.M. P.M.

151513 17 17 15 13 15 13 1013 10 13 10

151513 17 17 15 1513 15 13

15 15

151513 17 17 15 13 15 13 1013 10 13 10

151513 17 17 15 1513 2015 13 20

1515

15 9

12 10 10 12 12 12 12 12

13

12

14

12 12

13 12 14 1512 14 15

1214151412151412

1414 12 14 12

222

222

2 222

2 222

2 333

222

222

2 222

2 222

2 333

222

222

2 222

2 222

2 333

15 14 15 14 13 12 14 15 14 15 14 13 12 15 16 15 16 15 14 13 16 17 16 17 16 15 14 17 18 17 18 17 17

222

222

2 222

2 222

2 000


6

J

Gtr. 8


E5 F5

E5 F5

3

3

8v a

*T

*Slide tap finger.

T 11

Gtr. 2

E5

let ring let ring

F5

8v a

loco

**

Gtr. 8

E5


f

8va

loco

3 3

hold bend

12 12 1212

hold bend

15 15 15 15

**Applies to both gtrs.

17

T T T

1 1 1 1 1

Gtr. 1 (dist.)


mfw/ auto-wah

Dm

Gtr. 6

Gtr. 2: w/ Riff C (till fade)Gtr. 7: w/ Riff D (2 times)Gtr. 10 tacet

Dm

F5

8va

1412 15

12 15 17 22 1814

15 1214 12 14 15

12 1512 15 17 22 18

1515 12

15 12

15 15 15 151512

18 1815

18 18 18 2017

22

000

22XXX

1212

12151715 131217151312

16 15 141214

3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0

3 0 0 0 0 0 3 0 0 0 0 0 3 0 0 0 3 0 0 0 0 0 3 0 0 0 0 0 3 5

151513 17 17 15 13 15 13 1013 10 13 10


7

G5

Dm

3

8va

1/2

F5 G5

Gtr. 6

Dm


Em

f

8va

3

1 1/2

Gtr. 11

Gtr. 6 tacet

Dm F5

63

36 5

35

G5 Dm

P.M.

P.M.

6

1 1/41/4

3

33

151513 17 17 15 1513 15 13

15 15 151513 17 17 15

15 13 15 13 1013 10 13 1015

1513 17 17 15 1513 2015 13 20

10

8 10 810

8 10 8 1210 12 10

1210 12 10 12

10 12 1012

10 12 10 1310 12 13 12 10

10 12 13 12 1013 12 10 13 16

13 15 1315 10 12 13 12 10

10 12

13 12 1013 12 10

12

1013 10

12 10 12 1413

14 12 1012 10

1010

12 10 12 12

10 12 13 13 X10 12 13 13 13 13 12 10 10

13 12 10 13 1310 12 13 13 13 12 10

12 12


8

Fade out

F5 G5

Gtr. 11 tacet

Dm

Em

1 1 1 1 1

Gtr. 1 (dist.)

fw/ wah-wah

Dm F5 G5

grad. bend

let ring 1 1 1 1 11

Begin fade

Dm

grad. bend

F5

let ring 1 1 1 1 1 11

G5 Dm

let ring

Em

*

Dm

1 1 1

*Bend up and hold while tremolo picking.

11

F5

**w/ bar

G5 Dm

1 1

**Raise pitch with vibrato bar while trilling.

+1/2

+1

+1 1/2

12

10

12X13

13 1012 10 12

131213

12X13

12 12 12 1212X13

10 10 1213

1213

1213

1213

12 12 12 1210 10 12

1312

1213

1213

1213

1213

12 12 12 1210 10 12

1312 12

131213

1213

12 12 12 1210 10 12

1312 12

131213

12X13

1213

1312 12

13

1213

1213 1315 13 15


9

AFast h = 141

LibertyMusic by John 5


Copyright © 2004 Chrysalis Music and GTR Hack MusicAll Rights Administered by Chrysalis MusicAll Rights Reserved Used by Permission

B

*Gtr. 1 (elec.)

Gtr. 2: Drop D tuning:(low to high) D-A-D-G-B-E

w/ clean tonew/ slide

fade in

Rhy. Fig. 1

D

132

D

32 1

C

132

D type2

C

mf

End Rhy. Fig. 1

*Bkwd. pedal steel arr. for gtr.

**Gtr. 2 (acous.)

mp

1st time, Gtr. 1 tacet2nd time, Gtr. 1: w/ Rhy. Fig. 1

Rhy. Fig. 2 End Rhy. Fig. 2

Gtr. 3 (elec.)

w/ clean toneflat picked throughout

mf

D


**Doubled throughout

Rhy. Fig. 3

D C

777

777

555

023

0 0023

0 0023

0 0023

0 0023

0 0023

0 0023

0 0023

0 0

0 4 2 0 00 2 2 2 0

00 0

02

0 0 2 2 2 2 2 4 4 4


1

1.

2.

C

D

End Rhy. Fig. 3

C D

P.M.

D

Gtr. 4 (elec.)

mfw/ clean tone


Riff A

D

C

Gtr. 3

2 4 2 02 0

0 4 2 00 2 2 2 0 0 0

0200

0 2

3 2 3 24 2 0 4 2 0

4 2 00 0

2 04 2 0

3

7

79

107

10 87

10 8 7 10 87 9

7 7 10

5 2 3 25

3 25 3

25 0 2 3 3

2


2

D

D

C D

End Riff A

Gtr. 3


D

P.M. P.M.

C

P.M. 1

let ring

D

P.M. P.M.

3

1 1 1

8 8 107

10 8 107 8

7

79

107

10 87

10 8 7 10

5 52 3 2

52 3 4 5 2 3 2

53 2

5 32

87 9

79

79 7

10 97

10 9 710 9

5 0 2 3 2 3 24 2 0 4 2 0

4 2 0

3

5 5 5 7 97 9

7 7 7 7 9 9 7 7 7 7 7

9 9 755

5 5

5 7

7

6

6

6

5 0

4

3


3

C

3

D

let ring 1/2

1 1 1

*Gtr. 5

Rhy. Fig. 4

** mp

C

*Bkwd. pedal steel arr. for gtr.

**Vol. swell

Gtr. 3

let ring let ring

D

End Rhy. Fig. 4

let ring let ring

5 75

57 7 5

7 5 07 5 9 7

10

9 9 9

111010

988

710

7

8 710

7

8 710

7

8 710

58

5

6 58

5

988

111010

6 58

5

6 58

710

7

8 710

7

8 710

7

8 710


4

C

P.M. P.M. P.M.

hold bend1/2

Gtr. 3


D

let ring

C

let ring

let ring

D

let ring

C

3 33

3

3

D

988

9

10

9

8

9

7

910

9 9 7

710

7

8 710

7

8 710

7

8 710

58

5

6 58

5

6 58

5

6 58

710

7

8 710

7

8 710

7

8 710

10 9 89 8 7

9 8 79 8 7

9 8 7 5

7


5

E

Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Rhy. Fig. 2



D C

D

C D

P.M.

Gtr. 1: w/ Rhy. Fig. 1Gtr. 2: w/ Rhy. FIg. 2

P.M. P.M.


023

0 0023

0 0023

0 0023

0 0023

0 0023

0 0023

0 0023

0 0

0 4 2 000

2 2 2 0 0 00 0 0 2 2 2 2 2 4 4 4

2 4 2 02 0

0 4 2 00 2 2 2 0 0 0

02

0 2

3 2 3 24 2 0 4 2 0

4 2 00 0

023

0 0023

0 0

023

0 0023

0 0023

0 0023

0 0023

0 0023

0


6

F


C

D

C

3

D

Gtr. 2: w/ Rhy. Fig. 3 (2 times)Gtr. 4: w/ Riff A

D C

D

0 4 2 00 2 2 2 0

00 0

0 0 0 2 2 2 2 2 4 4 4

2 4 2 02 0

0 4 2 00 2 2 2 0 0 0

02

7 97 9

7 9 79 7

9 798

109

5 2 3 25

3 25 3

25 0 2 3 3

2

5 52 3 2

52 3 4 5 2 3 2

53 2

5 32


7

C D

Gtr. 4

C

Gtr. 3

D

5 0 2 3 2 3 24 2 0 4 2 0

4 2 0

3

7

79

107

10 87

10 8 7 10 87 9

7 7 10

5 2 3 25

3 25 3

25 0 2 3 3

2

8 8 107

10 8 107 8

12 1412 14 16 14 12 14

5 52 3 2

52 3 4

7 97 9 11 9 7 9


8

G

C D

1/2

1/2 1/2

Gtr. 3

Gtr. 2: w/ Rhy. Fig. 3 (1st 12 meas.)Gtr. 4 tacet

D

3 3 3 3 3 3 3 3

slight P.M.

C

3 3 3 3 3 3

slight P.M.

3 3

D

1514

1314 15 14 12

1414 14 12 14 12

14 1214 12

13 14

109

89 10 9 7

99 9 7 9 7

9 79 7

8

0

4 05

3 05

4 05

3 05

4 05

3 05

4 05

3 05

4 05

3 05

4 05

3 05

4 05

3 05

4 05

3 0

50

5 0 50

5 0


9

H

Gtr. 2

Gtr. 2 tacet

C

*w/ bar

µ

*Press down bar w/ left hand while picking open string with right hand.

-1/2

-1-1 1/2

-1

Gtr. 3 tacet

Gtr. 2

Gtr. 4

grad. bend

D

let ring 1 1

Gtr. 2

Gtr. 4 tacet

Gtr. 3

D C

0 0 0 0 0 0 0 0

0 0 0 0 0 0 0 0 0

910

9 9

20 3

0 2 03 0

5 0 3 0 1 03 0

2 03 0


10

1.

2.

I

D

C D

C

steady gliss.

D

1/2

Gtr. 2: w/ Rhy. Fig. 3 (1 3/4 times)Gtr. 4: w/ Riff A (1 1/2 times)

D C

D

3 02 0

3 0 3 02 0

3 02

0 30 2 0

3 0

5 0 3 0 1 0

3 05 7

3 3 35 7

3 3 12 0

2 0 0232

5 5 3 5 3 02

5 7 10 12 19

5 2 3 25

3 25 3

25 0 2 3 3

25 5

2

3 25

2 3 4 5 2 3 25

3 25 3

25 0 2


11

C D

C

Gtr. 4

D

Gtr. 3

Gtr. 2

Gtr. 4 tacet

Gtr. 3

D

P.M. P.M. P.M.

P.M. Harm.

type2D

let ring 1

3 2 3 24 2 0 4 2 0

4 2 0

35 2 3 2

53

25 3

25 0 2 3 3

25 5

2 3 25

2 3 4

7

79

107

10 87

10 8 7 10 8

5 2 3 25

3 25 3

2 0

7 9

10 7

10 79 7

9 7

10 79 7

9 79 7

9 79 7

9 79 7 10

12

109


12

A

Slow q = 61

VertigoMusic by John 5 and Kevin Savigar



Drop B tuning:(low to high) B-A-D-G-B-E

Gtr. 1 (clean)

***w/ delay

*

Riff A

** fade in

B5

mp

*Chord symbols reflect overall harmony.

**1st time only

***Set for sixteenth-note regeneration w/ 2 repeats.

End Riff A

Gtr. 2 (dist.)

†w/ octaver

Gtr. 1: w/ Riff A (3 times)

mf

Riff B End Riff B

†Set for one octave lower.

Gtr. 3 (dist.)

Riff C

Gtr. 2: w/ Riff B (2 times)

w/ chorus & reverb

mf

8va

End Riff C

3 2 1 2 3 20

3 2 1 2 3 2 3 2 1 2 3 20

3 2 1 2 3 2 3 2 1 2 3 20

3 2 1 2 3 2

0 3 0 3 0 3 12 0 3 0 3 0 3 0 3 12 0 3

15 1416 17 13 16

15 1416 17 13 16


1

B

*Gtr. 4 (dist.)

Rhy. Fig. 1

Gtr. 3: w/ Riff C

f

P.M. P.M. P.M. P.M. P.M. P.M.

*Two gtrs. arr. for one.

P.M.

End Rhy. Fig. 1

P.M.

**Gtr. 5 (dist.)

Gtrs. 1, 2 & 3: w/ Riffs A, B & C (2 times)Gtr. 4: w/ Rhy. Fig. 1 (2 times)

B5

f

**3 gtrs. arr. for one.

***Gtr. 6 (dist.)

P.H.

f

15ma

P.H.

15ma

***3 gtrs. arr. for one.

1 1

Gtr. 5

3 3

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

12 02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

02

12 02

02

02

02

02

02

109

87 10 11 10 11 10 9 8 7

12 12

109

87 10 11 10 11 10 9 8 7

109

87 10 11 10 11 10 9 8 7

7 9 10 107


2

P.H.

15ma loco

3 *T

*Tap with edge of pick.

T T T T1

3 3

P.H.

15ma loco

3 T T T T T1

8va

3 3

P.H.

15ma loco

w/ bar3 T T T T T

-4 1/2

+1/21

loco

8va

3 3

12

10 7 9 11 8 11 9 10 7 10 7

109

87 10 11 10 11 10 9 8 7

7 9 10 107

12

10 7 9 11 8 11 9 10 7 10 7

109

87 10 11 10 11 10 9 8 7

7 9 10 107

1716

1616 19

12

10 7 9 11 8 11 9 10 7 10 7

7XX

X7

7

7

109

87 10 11 10 11 10 9 8 7

7 9 10 107

1716

1616 19


3

C

Riff D1

P.H.

15ma loco

w/ bar3 T T T T T

-4 1/2

+1/21

Riff D

loco

8va

3 3

P.H.

15ma loco

w/ bar

End Riff D1

3

T T T T T

-4 1/2

+1/2111

loco

8vaEnd Riff D

3 3

Gtr. 1

Gtrs. 5 & 6 tacet

B5

12

10 7 9 11 8 11 9 10 7 10 7

7

XXX7

7

7

109

87 10 11 10 11 10 9 8 7

7 9 10 107

1716

1616 19

12

10 7 9 11 8 11 9 10 7 10 7

7XXX7

7

7

109

87 10 11 10 11 10 9 8 7

7 9 10 107

1716

1616 19

3 2 1 2 3 20

3 2 1 2 3 2 3 2 1 2 3 20

3 2 1 2 3 2


4

D

EBegin fade

Repeat and fade

Gtr. 3

Gtr. 1: w/ Riff A (2 times)

Gtr. 7 (dist.)

Gtrs. 1 & 2: w/ Riffs A & B (2 times)Gtr. 4: w/ Rhy. Fig. 1 (2 times)Gtr. 3 tacet

B5

*w/ delay

f

3

*Set for dotted quarter-note regeneration w/ 2 repeats.

grad. bend

3

3 3

1/2

Gtr. 8 (dist.)

**w/ delay

Gtr. 7 tacet

f3 3 3

3 3

**Set for quarter-note regeneration w/ 2 repeats.

8v a

loco

1 1

Gtrs. 1, 2 & 3: w/ Riffs A, B & C (till fade)Gtr. 4: w/ Rhy. Fig. 1 (till fade)Gtrs. 5 & 6: w/ Riffs D & D1 (till fade)

B5Gtr. 8 tacet

***

***w/ increasing signal distortion.

15 1416 17 13 16

15 1416 17 13 16

97

77

8 7 7

109

77

7 9 9 7 9 10 9 710 9 7

9 8 79 8 7

9 8 7

7 9 10 107 9 10 10 9 7

10 10 10 9 79 8 7 7 6

2 24 4 2 2

4 4 2 2 9 9 7 712 12

10 10 17 17 15 1517 17 1714 14 17 17 17 15 14 15 14

15 15 15 12

12


5

A

18969 Ventura Blvd.Music by John 5 and Kevin Savigar



Fast h = 148

1.

2.

(Sound clips)

µ

18 sec. Gtr. 1 (clean)

mfw/ fingers

P.M.

*

let ring throughout

G


Am G Am

B Em

D9

**T

G

T

G

**T=Thumb on 6th string.

1/2

0 1 2 3

03

4

03

0

32

5

3

03

4

03

0

32

2

5

9

7

9

7

10

8

6

4

7

5

4

4

5

5

6

6

7

70

66

55

3

33

4 53

33

033

5


1

2nd time, Gtr. 3 tacet3rd time, Gtr. 2 tacet

C6 A/C# G/D

D9 C6

A/C# G/D

3

µ

3 3

3 3

G Am

G Am B

8

910

99 10

9

910

99 10 10

01212

1211 12

055

09

109

10

8

910

99 10

9

910

99 10

7 6 57 6 5

7 6 57 6 5

7 6 57 6

5 4 3

03

4

03

0

32

5

3

03

4

03

0

32

5

9

7

9

7


2

1To Coda 2To Coda

B

Em D9

Gtr. 2 (clean)

G

w/ fingers

mf

Gtr. 1 tacet

G

let ring

Gtr. 1

T

Gtr. 2

let ring

let ring let ring

10

8

6

4

7

5

4

4

5

5

6

6

7

70

66

55

43

53

63

6 73

7

33

6 7 6 73

7

3

33

033

033

33

6 7 6 73

7

33

6 7 6 73

7

33

7

2 43

4

5 33

4

5 33

4

5 33

4 2 43

4


3

let ring let ring let ring

P.M. P.M.


3

P.M.

3

P.M. 1

let ring let ring

let ring

5 32

3

4 22

0 033

33

4 543

05

43

05

43

05

43

05

43

4 543

05

43

05

3 04

4 05

33

2 2 2 2 2 2 2 2 2 0 2 0

2 40

00

2 02 0

0 108

10

7 08

10

10 08

10

7 08

10

10 08

10

7 08

10


4

let ring

let ring

hold bend1 1 hold bend1 1

P.M.

P.M.

7 08

10

7 08

10

7 08

10

10 08

10

7 08

10

10 08

10

810

911 11 12

1012

1113 13

7 98 8 8 8 8 8 8 8 10 12

10

7 98

8 8 8 8 8 8 89 7

99

109

10

8989

910910

8989

9109

10

8989

9109

10

8989

7878

67

55


5

grad. bend

1

rake

1 1 1

P.M.

1/2

3

*

P.M.

8va

Harm.

*Gradually slide fret hand towards headstock while playing harmonics.Pitch: B G

3 5 5 5 5 5 5 53 4

5 5 5 5 5 53 4

5 55 5

5 5

6 65 5

5 55 5 3 5 5 5

3 4 5 53 4 5 5

36

3

7

48

59

6 15 X

X

9 78 7 5

7 9

8 10 10 8 10 89 7

8 8 89

12 1412 14

12 1412 15

12 15 1215 12

14 1214 13

12 12 12 9 9 9 7 7 5


6

loco3

33

3

33

33

33

rake

let ring 1

let ring rake

8v a

1/2

rake

8va


loco

*Set for two octaves below.-12

15

4 2 04 2 0

0 0 4 2 04 2 0

0 0

4 2 04 2 0

4 2 04 2 0

4 2 04 2 0

0 0

12 14

X

X

12

15 1213 12

14

1514 14 12

90

20

2

0

2

10 77

9

8

7 10 10 15 1212

12

12

12 151715

1715

1715

1715

1614

1614

1614

1614

1513

1513

1513

1513

1412


7

D.S. al Coda 1

1Coda

C D

Gtr. 3 (clean)

mf3

Gtr. 2 tacet

3 3 3

Gtr. 2

-12

Gtr. 3

7 7

**w/ DigiTech Whammy Pedal

7

Gtr. 1

Gtr. 3divisi

*T

*Tap with edge of pick (next 3 meas.)

T T T T T

**Set for one octave above.

+6

Gtr. 1

G µGtr. 1 tacet

***Gtr. 4

G

***Acous. bass arr. for gtr.

12 13 1214

11 12 1113

10 11 1012

9 10 912

0

10 11 10 11 10 9 8 10 11 10 11 10 9 8 10 11 10 11 10 9 8 8

5

033

15 X 1 31 2 3

4 53 4 5 3

5 4 3 13 1 3

1


8

E

Gtr. 2

Gtr. 4 tacet

G

P.M.

Gtr. 3divisi

Gtr. 4Gtr. 3

P.M.

P.M.

P.M.

Gtr. 2

Gtr. 3 tacet

3 4 53 5

3 4 53 6 7

3

3 5 5 5 7 75 5 7 7 9 9 7 7 5 5

7 7

5

5

7

7

7 7 8 85 5 7 7

5 57 7 5 5

8 8

5 5 7 75 5 7 7 9 9

5 5 6 6 7

7 7 8 85 5 7 7

5 5 7 7 8 8 9

10 0 6 7

89 7 9 7

9 710

8


9

D.S. al Coda 22Coda

3

1/2

1/2

*

*Steady glissando up the neck. Pitches are approximate.

Gtr. 1

Gtr. 2divisi

8vaGtr. 1

G

32 5

2 52 4 5

0 3 5 5 3

2 3 X X0

2 2 02 5

0

0 45

0 34

0 23 12 5 5

3 45 5 6

4 56 6

75 6

7 7 86 7

81212

1313

1414

1515

1616

1717

1818

1919

1920

1920

1920

192019

5

033

15

1515


10


Zugg Island ConvictMusic by John 5, Kevin Savigar and J.T. Harding


Copyright © 2004 Chrysalis Music, GTR Hack Music, Kevin Savigar Music, Songs Of Windswept Pacific, Songs Of Throback and Music Of CombustionAll Rights for GTR Hack Music and Kevin Savigar Music Administered by Chrysalis Music

All Rights for Songs Of Throback and Music Of Combustion Administered by Songs Of Windswept PacificAll Rights Reserved Used by Permission

B

Gtr. 1 (dist.)

*

Rhy. Fig. 1

E5

fP.M.

11

E5

P.M. P.M.

G5 F#5 F5


E5

P.M. P.M. P.M.

G5

(2nd time, cont. in slashes)

End Rhy. Fig. 1

Bb5

Gtr. 1

Rhy. Fig. 2

Gtr. 2 (dist.)

E5

f

let ring let ring P.M. 1 1 1 1 1 1 1/2

30 0 0 0 47

30 0 0 0 47

30 0 0 0 47

355

355

244

133

30 0 0 0 47

30 0 0 0 47

30 0 0 0 47

355

355

355

688

1112

11 11 1112

11 11 1111 9 11 9 11 911 11

9 9 9 9 9 9


1

C

End Rhy. Fig. 2

let ring

hold bend 1 1

w/ bar

1

-4 1/2

1


E5

G5 F#5 F5

E5 G5 Bb5


E5

P.M.

µ

P.M. P.M.

E5

P.M.

µ

P.M. P.M.

E5 µ

1/2 1/2 1 1

12 12 0 0 12 12 0 0 12 12 0 0 12 12 0 0 12 0 10 0 9 0 10 0 9 0 7 0 9 0 7 0

5 0 7 0 5 0 3 0 5 0 3 0 5 0 3 0

111112

1112

11 9 11 9 11 11

10

0

2 0

0

2 0

0

42 0

0

2

0

2 0

0

2 0

0

2 0

0

4 4 4

2 42

22

6

4 64

44


2

D

Gtr. 1

E5 µ

E5

1 1 1 1

(cont. in notation)

6

1 1 1 1

Gtr. 3 (dist.)

Gtr. 2 tacet

w/ wah-wah

E5

f

8va

D5 *

Gtr. 4 tacet

Em/G

1 1/4

Gtr. 4 (dist.)

w/ wah-wah

f

Gtr. 5 (dist.)**w/ DigiTech Whammy Pedal

Rhy. Fig. 4

f

**Set for one octave below.

-6

1 1/4

Gtr. 1Rhy. Fig. 3

*Bass plays notes to the right of slash throughout.

65

4 54

4 4 47 4 65 7 7

7 75

75 7 7

7 75

7 4

7 85 5

96 6

107 7 8 9

7 8 9 8 79 8 7

9 9

17 17 17 1517 15 17 17 17 15

15

14 14 14 1214 12 14 14 14 12

12 91212

91212

91212

71010

71010

91212

91212

022

022

XXX

XXX

XXX

XXX

022

022

XXX

XXX

XXX

022

022

00

022

022

XXX

XXX

XXX

XXX

022

022


3

Gtr. 3

D5/G


Esus4/A

8va

D5/A

Gtrs. 3 & 4 tacetGtr. 5: w/ Rhy. Fig. 4

E5

1 1/4

Gtr. 5

End Rhy. Fig. 4

-6

-6

Gtr. 1End Rhy. Fig. 3

Gtr. 4

1 1/4

Gtr. 6 (dist.)

D5


E5

f

G5 F#5 F5 E5 G5 Bb5

let ring 1 1 1

grad. release

1/2

Gtr. 7 (dist.)

f

let ring 1 1 1

grad. release1/2

17 17 17 1517 15 17 17 17 17 15

91212

71010

71010

799

799

577

XXX

XXX

XXX

022

022

00

14 14 14 14 1214 12 14 14 14 14 12

1512

1512

1512

15 15

75

75

75

7 7


4

E

Gtrs. 6 & 7 tacet

15 fr

15 fr

Gtr. 8 (dist.)

E5 G


P.H.

f

15ma

E5 G

loco

P.H.

w/ bar

E5

Whammy Pedal off

3

Pitch: D

*Set for Perfect 4th below when not depressed (toe up) and Perfect 5th below when depressed (toe down), with equal levels of original (dry) signal and processed (wet) signal.

-2 1/2

-3 1/2

-2-4

2 1/2

P.M.

hold bend1

33

3 3 3

12 12 12

64

2 4 24

2 4 2 42 4 2

42

4 2 64 6 4

6 57 5

7 79 7

9 811 11

9

11 9

9 119

0 97

0 6 86 0

0 4 64

5 7 57

7 9 79

12 14 1213

1212


5

FGtr. 1: w/ Rhy. Fig. 3 (3 1/2 times)Gtr. 8 tacet

Gtr. 8

Gtr. 3

E5

8v a

3 6

1 1/4

Gtr. 4

1 1/4


Em/G

D5/G Esus4/A

P.M.

D5/A8va

1 1/4

P.M.

1 1/4

Gtr. 8

Gtrs. 3 & 4 tacet

E5


Gtr. 5 tacet

grad. bend

8va locoGtr. 3

Gtr. 8 tacet

8v a

*Set for a Perfect 4th below.

1 1 1/4

Gtr. 5

w/ DigiTech Whammy Pedal

Gtr. 4

P.M.

-6

1 1/4

15 14 1215 14 12 11

13 12 1113 12 11

13 12 1112

17 17 17 1517 15 17 17 17 15

15

14 14 14 1214 12 14 14 14 12

12

17 17 17 1517 15 17 17 17 17 17 17 15 15

14 14 14 1214 12 14 14 14 14 14 14 12 12

15 15 15 1215 12

14 12

17

14 1214

17 17 1517 15 17 17 17 15

15

91212

91212

91212

71010

71010

14 14 14 1214 12 14 14 14 12

12


6

G

Gtr. 3

Gtr. 5: w/ Rhy Fig. 4

Em/G

D5/G Esus4/A

D5/A

8v a

1 1/41 1/2

Gtr. 4

P.M. P.H.

15ma loco

1 1/4 1 1/2

Gtr. 6

Gtrs. 3 & 4 tacet

E5

Gtr. 5 tacet

G5

8valoco

E5

let ring

1 1grad. bend

11

Gtr. 5


Gtr. 7 let ring

-6

1 1 11

Gtr. 1 Rhy. Fig. 5

End Rhy. Fig. 5

w/ bar P.M. P.M.

17 17 17 1517 15 1717 17 15 15

14 14 14 1214 12 1414 14 12 12

1815

1815

1815

1512

799

799

799

577

577 10

8108

108

75

022

022

XXX

XXX

XXX

XXX

022

355

355

355

0 0 0 0 0 0 0 0 0 0


7

H

G5 A5 G5 E5

let ring

Gtrs. 6 & 7 tacet

G5 A5 G5

grad. release

let ring

grad. release

P.M. w/ bar

w/ bar

P.M. P.M. P.M. w/ bar

w/ bar

Gtr. 1E5

P.M. P.M. P.M. w/ bar

G5 A5

w/ bar

G5 E5

P.M. P.M.

w/ bar

G5 µ(Sound clips)

13 sec. P.S.

(cont. in slashes)

-1 1/2

slack

15 15

7 7

0 0 0 0 0 0 0 0 355

02

355

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 355

02

355

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 355

02

355

0 0 0 0 0 0 0 0 0 0 0 0 0

355

XXX

XXX

XXX


8

I

Gtr. 1

Gtr. 2

E5

P.M. P.M. P.M. P.M. P.M. P.M.

3 3

P.M. P.M. P.M.

3

1 1 1 1

1/21/2 1/2

P.M. let ring P.M. let ring 1 1

0 1 1

3 00

1

3 00

1

3 00

0 1 1

3 00

1

3 00

1 100

00

0 1 1

3 00

1

3 00

130

100

00

30

30

30

3 3 0 3 0

3 03 0

3 03 0

3 03 0

3 02 0

2 0

32 0

30

0

77

0

7

0

45

0

450

40

30

20

10

00


9

J

(cont. in notation)

let ring let ring w/ pick & finger

1 1

Gtr. 2E5 µ E5 µ

3 3 3 33 3 3 3

Gtr. 1

E5

let ring let ring

G5 Bb5

8v a

Gtr. 3

Gtr. 1: w/ Rhy. Fig. 3 (3 1/2 times)Gtr. 2 tacet

E5

8va

1grad. release

1grad. release

11 1/4

Gtr. 4

1 1/4

999

888

777

666

555

444

79

7 57

55 8

5

8 9

6

9 10

7

10 11

8

11 12

9

9 12 99

8 11 88

7 10 77

6 9 66

9 12 99

10 13 1010

11 14 1111

12 15 1212

30 0 47

30 0 47

1215

121515 15

1515

1515

1515 15

15 17

1515 17 17 15

17 15

30 0 47

30 0 47

30 0 47

14

355

355

355

688

14 14 1214 12


10

8v a

D5Gtr. 5: w/ Rhy. Fig. 4

Em/G

D5/G Esus4/A

8va

1 1/4

P.M.

1 1/4

D5/A

8v a Gtr. 8

Gtr. 3 tacet


E5

steady gliss.

8va

6 5 3

*Set for a Perfect 4th below.

**

**Slide down while picking eighth notes.

1 1/2

1 1/2

Gtr. 3

Gtr. 8 tacet

grad. bend


Em/G8va

D5/G

***1 1/2 1 1/4

Gtr. 4 grad. bend

***Bend up while picking sixteenth notes.

***1 1/2 1 1/4

17 17 15 15 17 17 15 1515 17 17 17 15

17 15

14 14 12 12 14 14 12 1212 14 14 14 12

14 12

1717 17 15 1517 12

1512 16 12

1512 17 12

1512 16 12

1512 17 12

1512 16 12

15 1516

1516 15

16

1414 14 12 12

17 17 17 1517 15 17 17 17

14 14 14 1214 12 14 14 14


11

K

Esus4/A

D5/A

8va Gtr. 5

Gtr. 1: w/ Rhy. Fig. 5Gtrs. 3 & 4 tacet

E5


Gtr. 7

Gtr. 5 tacet

G5

- 6

1 11 1/4

1

1 1/4


E5 G5 F#5 F5 E5 G5

let ring

Bb5

grad. bend grad. release

1

Gtr. 1

Gtr. 7 tacet

E5

P.M. P.M. P.M.

G5 F#5 F5

17 17 17 1517 15 17 17 17 17 15 15

799

799

799

577

577 10

8108

108

14 14 14 1214 12 14 14 14 14 12 12

75

7

30 0 0 0 47

30 0 0 0 47

30 0 0 0 47

355

355

244

133


12

accel.

E5

P.M. P.M. P.M.

G5 Bb5

Gtr. 9 (dist.)

Gtr. 1: w/ Rhy. Fig. 1 (2 times)Gtr. 5: w/ Rhy. Fig. 4

E5

G5 F#5 F5


E5

f

*Set for one octave below. -6

G5 Bb5


E5

G5 F#5 F5

E5

-6

-6

- 6

Gtr. 9

G5 Bb5 E5

µ

-6

-6

Gtr. 1

P.M. P.M. P.M.

30 0 0 0 47

30 0 0 0 47

30 0 0 0 47

355

355

355

688

91212

91212

91212

71010

71010

91212

91212

91212

71010

71010

799

799

577 9

1212

91212

91212

71010

71010

91212

91212

91212

71010

71010

799

799

577

0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0


13

A

Very fast h = 137

Salt CreekMusic by John 5



*Gtr. 1

Rhy. Fig. 1

mf

Gtr. 2 (elec.)

w/ clean tone

mf

G

3211

G

132

D

let ring

Gtr. 3 (acous.)Rhy. Fig. 1A

mp

*Banjo arr. for gtr.

let ring

4 50

00

5 4 50

00

5

3X00

32 3

4 50

00

5 4 50

00

5 4 50

00

5

3X00

32 3

3X00

32 3


1

B

End Rhy. Fig. 1

(cont. in notation)

let ring

End Rhy. Fig. 1A

Gtr. 1Riff A

G C

Gtr. 2

let ring

Gtr. 3 Rhy. Fig. 2

let ring throughout

4 50

00

5 4 50

00

5 4 50

00

5

3

0033

3X00

32 3

0 1 2

2 4 43 0

01 0 1 3

0

4 50

00

52 0 2 0

10

3

0033

3

0033

0 2 32010

32010

32010


2

F,7 D G

End Rhy. Fig. 2

*T

*T = Thumb on 6th string

T

Gtr. 1Gtr. 3: w/ Rhy. Fig. 2 (3 times)

CEnd Riff A

Gtr. 2

let ring

F,7 D G

1 02

0 1 02

0 1 02 0

00

2 0 01

2 0 01

2 02 0

00

133210

133210

0232

3

0033

2 4 43 0

01 0 1 3

0

50

00

52 0 2 0

10

5 3

63

6 5 3 6 5 35

00

1 0

30

3 1 0 3 1 02 0 0

0


3

Gtr. 2

Gtr. 1: w/ Riff A

let ring

C F,7

D G

let ring

2nd time, Gtrs. 1 & 2: w/ Fills 1 & 2

C

Gtr. 2

2nd time, Gtr. 1: w/ Rhy. Fig. 3 (last 4 meas.)

F,7 D G

Gtr. 1

Fill 1Gtr. 1

Fill 2Gtr. 2

1/21/2

4 50

00

52 0 2 0

10 2 0 0

12 0 0

1

2 02 0

00 5

00

05

2 0 2 01

0

1 0

30

3 1 0 3 1 02 0 0

0

5 36

36 5 3 6 5 3

5 45433

5433

1 0 1 30

32010

32010

2 0 2 01

0

3 5 35 3

4 24 2 4

343

4 2


4

C

Gtr. 2G

let ring

F

Gtr. 1Rhy. Fig. 3

Gtr. 3Rhy. Fig. 3A

G

let ring

54

33

4

7 5 33

1 3 1 03

0 1 3

5 5433

5 5433

5 5433

5 5433

3 3211

3 3211

3

0033

3

0033

3

0033

3

0033

133 3

211

1

3211

1 03

0 1 3 1 0

54

33

4

7 5

3 3211

3 3211

5 5433

5 5433

5 5433

1

3211

1

3211

3

0033

3

0033

3

0033


5

1To Coda 2To Coda

F D G

End Rhy. Fig. 3

End Rhy. Fig. 3A

Gtr. 2

Gtr. 1: w/ Rhy. Fig. 3 (1st 12 meas.)Gtr. 3: w/ Rhy. Fig. 3A

let ring

F

G

let ring

33

1 3 1 03

03 1 0 3 1 0

00

5 5433

3 3211

3 3211

0 0232

5 5433

3

0033

1

3211

1

3211

0232

3

0033

54

33

4

7 5 33

1 3 1 03

0 1 3

1 03

0 1 3 1 0

54

33

4

7 5 33


6

D

Gtr. 2F D G


G

Gtr. 1Rhy. Fig. 4

3

C F,7 D G

1

End Rhy. Fig. 4

Gtr. 2

Gtr. 1: w/ Rhy. Fig. 4 (2 1/2 times)

P.M. Harm.

C F,7

1

D

let ring

G

1 1

1 3 1 0

30

3 1 0 3 1 00

13 3 3 3 5 75 7

3 3211

3 3211

0 0232

5 5433

5433

5 5433

5 5433

5 7 97 9

87 12 10

12 1012 10

12 1412 14 12

14 14

0 2 32010

32010

32010

3 3210

3 3210

0 0232

5 5433

12 X X 12 X X 12 X X 12 12 12 12 12 14

12

15 1214

121415

14 14 1212

1212 15 12 13 12 15 12 13 12


7

E

C F,7 D

3

1

G C

slight P.M.

Gtr. 2F,7

let ring 3

D G

1 1

Gtr. 1

Gtr. 2

Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A (2 times)

G

let ring

F8va

1

P.M.

G

let ring

8v a

15 12 13 12 15 12 13 12 15 12 13 12 15 12 13 1214 14 12

14

12 12

15

12

13

12

12

1215

1213

1212

1213

1212

14

1415

14 12 14 1214

12 14 14 12

3 3210

3 3210

0 0232

5 5433

5433

16

1515

16

19 17 1515

17 17 1517 15

16 14

17 1417 14

17 15

16

1515

16

19 17


8

D.S. al Coda 1

1Coda

F

8v aloco

F

P.M.

D G

F

let ring

let ring

G

P.H.

1

F D

let ring

G

1 1/2

Gtr. 2

Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A (last 4 meas.)

F D G

Gtr. 4: w/ Rhy. Fig. 4 (4 times) Gtr. 3: w/ Rhy. Fig. 2 (4 times)

G

1515

1212

1212

1414

1414 12

121212

1414

1414 12

1214

13

1615

1212

14

12 1012

10 910

9 79

7 9 79 7 7 5 5 8

58

96

9 107

10 118

11 129

0 20

02 0

7 97

79 7 9

89

8 10 8 1010

10 8

1 3 1 03

03 1 0 3 1 0

03

3 2 3 5 3 23


9

D.S. al Coda 2

C F,7

P.M.

D G

1

C F,7

P.M.

D

P.M.

G

P.M.

C

let ring

F,7

let ring let ring

D

let ring

G

C

let ring P.M.

3

F,7

P.M.

3

P.M. 3

D

G

let ring 1 1

1 0 1 3 1 03

53 3 5 3

4 00 2

0 2 03

3 2 3 5 3 23

1 0 1 3 1 03

75 8 5 7 5

6 5 7 90 4

343

43

43

21

21

00

00

43

43

43

43

55

12

12 1012

10

10 810

7

7 57

4

3

7 1514 17

14 1714 16

1715

15

1210

1010

1311

1111

1412

1212 X

15

14 14


10

2Coda

G

Gtr. 2

Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A (last 4 meas.)

F D G

Gtrs. 1 & 3: w/ Rhy. Figs. 1 & 1A

G

let ring

let ring

Gtr. 1


Gtr. 2

G D G

(Sound clips)

µ

24 sec. 1/2

Gtr. 3

1 3 1 0

30

3 1 0 3 1 00

0

4 50

00

5 4 50

00

5 4 50

00

5

4 50

00

5 4 50

00

5 4 50

00

5

5 5 3 5 35 3

4 24

033

3X0033

0232

3X0033


11

A

Moderately fast q = 142

GoodnightMusic by John 5



� = 3

Gtr. 3: Double drop D tuning:(low to high) D-A-D-G-B-D

(Static)

µ

Gtr. 1 (elec.)

mfw/ clean tone

D

let ring

type2

type2 type2

132

D

3fr

3241

D7

1 2

A7

2fr

4321

Gmaj7

3fr

134211

G

3fr

131211

G7

32 1

C

3fr

134111

Gm

2fr

13141

B7

3fr

13421

Cm

2314

E7

231

E

1 23

A13

213

D7

2fr

43121

D

21 34

G

let ring

Spoken:

Where do we ever get the idea

Gtr. 2 (acous.)

Rhy. Fig. 1

mplet ring throughout

that in the world of God it would be a flowery bed of ease?

A7

let ring

I’ll tell ya,

let ring

57

7

57

7

77

7

77

775 7 5

77 4

7 7 5 4

0232

232

0

232

232

0232

232

0

232

232

54

23 5 7

755

76

55

76

76

55

75

6

75

0232

232

0

232

020

2020

020

0

020

020

2020

020


1

I don’t encourage you to go devil huntin’,

let ring

but I always worry about those people goin’ devil huntin’,

3

D

people always lookin’ for one to cast out.

let ring

If he does show

let ring

up,

I’m

not gonna run from him, I’m not gonna break down from him.

G

3let ring

9109

9

910

657 5

8 7 5

765 3

4 3 2 4 65

5 7 6

0

020

020

2020

020

0

020

020

2020

020

0

020

020

5 7 57

7 47 5 4 5 7

57

7

57

7

77

7

77

775 7 5

77 4

0232

232

0

232

232

0232

232

0

232

232

0232

232

7 7 5 45

42

3 5 7 5 76

57 6 5 4

5

3

0

232

232

0232

232

0

232

232

0232

232

3

433

433


2

B

So there, in the will of God can arrest him, throw him in jail.

let ring

Gm D

It’s midnight, and I’m hurting.

B7 E7

A13 type2D

let ring

D7

Riff A

GThe silence says,

End Rhy. Fig. 1 Rhy. Fig. 2

“What are we gonna give him?”

let ring

G,7 G

And the Devil says, “We’re gonna give him

D

3

3 33

let ring

34

5

34

535 3 5 5 7

7 57

7 47 5 4 5 7

5 75

76

5433

433

5333

333

0232

232

2

242

242

2130

130

52

542 2

32

232

5453

5453

5453

5453

52 5

2 42 3 5

2

0

022

022

54

23

3

433

433

5433

433

543 5 5 3

4 432

432

2 3 4 52 4 5

2 3 45 3

2 45

32

4

3

433

433

5432

5432

5432

3

433

433

5433

433

0232

232


3

insomnia.”

let ring

“I like your Spanish,” he said.

let ring

If I can’t sleep,

3

the Devil’s surely not going to sleep either.

G

Let me tell ya

how to deal with the Devil one on one:

let ring

G,7 G

When I can’t sleep,

G7

3

3 33

45

4532

4532

4532

52 4 5

2 4 53 5

3 25 7

57 5 3 5 2

0

232

232

0232

232

0

232

232

0232

232

0

232

232

3 5 34 5 7 5 3 4

33 2

5 3 5 34

5 2 1 0 2 52 4

2

0232

232

0

232

232

3

433

433

5433

433

3

433

433

3 52

543 5 5 3

4 432

432

2 3 4 52 4 5

2 3 4 433

433

5433

433

3

433

433

5432

5432

5432

3

433

433

3433

433


4

C

I’ll take out The Book,

C

I’ll walk the floor.

let ring

Praise God.

let ring

Cm

Praise Jesus.

let ring

G

Start tormenting the

3

E

Devil, and you’ll see

A7

how

sleepy

let ring

D7 type2you’ll

get.

let ring End Riff A

G

let ring

End Rhy. Fig. 2

*Gtr. 3 divisi

Gtr. 2

mpw/ slidew/ fingers

Gtr. 3


D

**

8va

*Pedal steel arr. for gtr. **Vol. swell

Gtr. 1

let ring 3 3

42

5 4 3 2

13

01

0

01

0

01

2

34

2

34

45 3

45 2

3433

433

3

010

010

3

010

010

3

543

543

5433

433

5 3 2 3 52 7 7

655

7655

5 5757

5757

54

3

0

100

100

0

020

020

0212

212

55

4

3

17

17

18

18

19

19 1919

1919

3

4 5 6 7 7 5 4 9 7 9 7 5 7 5 45


5

A7

8va

let ring

8va

*Hypothetical fret locations.

*

3

D

8va

loco

*

let ring let ring

1919

19 14131313

141414

54 7 12

1110

10 12 10 12 10 910

1112 11

1210

11

12 14 15 14 12

2122

2322

23 26 26 27

14 12 14 12 1011 9

11 11 10 9 76

5 69 7

28

777

79 7

9 710 9

77

77

7

97

77

1211

1211

10 12 1011

12 9


6

D

8va

loco

G

8va

Gm D B7 E7 A13 D

*

let ring

8va

let ring loco

let ring

*Played as even eighth-notes.

Gtr. 1: w/ Riff AGtr. 2: w/ Rhy. Fig. 2

And some will wake up

G

at three in the morning,

and you can’t

let ring

19 19 24 7 9

12

1012 11

1010 15 14

11

12 10

9

9 715

8 4 7 7 9 12 12 14 14 12 12

1714 15 17 19 17 14

1516 14 11 14 13 13

1514

131514

12 121412

121412

1211

10

7

10


7

Gtr. 3

sleep,

G,7

start walkin’ the floor, say “The Lord is in control. The Lord is in control.”

G D8va

And if you can’t sleep, play God’s music and

8v a

play it loud,

Gloco

and you will see how sleepy he gets.

1_

w/ bar

1_

G,7 G

These people are always huntin’,

G7

C

people always lookin’ for one to

cast out. And if he does show up I’m not going to run from him, I’m not going to back down

Cm G E A7 D7

19 20 21 24

24 26 26 24 24

11 1212 12 12 14 14

12

12 14

13 10 12 12 1410 15 15


8

EFaster q = 226 (iq = iq)

Gtr. 3

from him.

G

D G type2

Gtr. 1

let ring Riff B

let ring let ring

Gtr. 2 Rhy. Fig. 3

*

A D G type2

*Hold slide at approximately 45º angle in relation to frets, so that at the 2nd string, the slide is 1 fret behind the slide’s location at the 4th string.

let ring let ring

End Riff B

let ring

End Rhy. Fig. 3

8 8 2066

77

1111

1212

54

33

54

23

25

43

33

55

43

0232

0232

3

033

3

033

10

9

11

10777

111111

121212

76

58 7 5 3 5 3

4 25 4 2

54

23

25

43

33

0

220

0

220

0232

0232

0232

0232

3

033

3

033


9

A D

Gtr. 1: w/ Riff BGtr. 2: w/ Rhy. Fig. 3

G type2 A D

let ring let ring

Gtr. 3

G type2 A D

(Static)

10 sec.

Gtr. 1

let ring

1

Gtr. 2

10

9

11

1077

666

777

111111

121212

131313

141414 15

76

58 7 5

70

0

220

0

220

00

232

666

777

111111

121212

131313

141414

141414

76

58 7 5

77

910

0

220

0

220

00

232


10

John 5 - Vertigo

Documents

a5 bb5 e5gtr

a5 bb5 e5steady gliss

taceta5mfbb5 e5 a5 bb5

1a5 bb5 e5p

mat t t t t t t t

g5 e5steady gliss

1g5 e5a5 bb5 e5p

2cdg5 e5