Top Banner
B U 1 S 2 - 0 2 0 2 N SO A E S TH 9 S 2 E I R N SE O I T P I R C S B d r o t J ec e i D c i us M , , d si s a . C s R e am J y r
18

James R. Cassidy, Music Direcetor

May 24, 2022

Download

Documents

dariahiddleston
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: James R. Cassidy, Music Direcetor

BU1 S2-0202 NSOAE ST H9S • 2EIRN SEOITPIRCSB

d rotJ ecei DciusM, , dsisa. Cs ReamJ y r

Page 2: James R. Cassidy, Music Direcetor

“Rat Pack Reboot”

■ Tonight’s program

■ From the music director

■ KSO roster

■ Performer profiles

■ Program notes

■ Sponsored musician chair

■ Community Circle

■ Acknowlegements & KSO staff

■ Our summer concerts

QUICK LINKS

Page 3: James R. Cassidy, Music Direcetor
Page 4: James R. Cassidy, Music Direcetor

TOP

James R. Cassidy, Music Director7:30 P.M. Saturday, May 15, 2021 James Cassidy, conductorNewport Car Barn, Mickey James, Dan Radank, Newport, Ky. Corey Tucker, vocalists

“Rat Pack Reboot”Words, music by

“Jumpin’ at the Woodside” Count Basie, Eddie Durham“Come Fly With Me” * Sammy Cahn, Jimmy Van Heusen“You’re Nobody Till Somebody Loves You” Larry Stock, Russ Morgan“The Lady Is a Tramp” Lorenz Hart, Richard Rodgers“The Way You Look Tonight” * Dorothy Fields, Jerome Kerns“What Kind of Fool am I” * Anthony Newley, Leslie Bricusse“Ain’t That a Kick in the Head” Cahn, Van Heusen“Fly Me to the Moon” Bart Howard“Birth of the Blues” Buddy DeSylva, Ray Henderson “Luck Be A Lady” * Frank Loesser

I N T E R M I S S I O N

“The Candy Man”* Newley, Bricusse“Everybody Loves Somebody” * Sam Coslow, Ken Lane“That’s Life” Dean Kay, Kelly Gordon“It was a Very Good Year” * Ervin Drake“Intermission Riff” Ray Wetzel“That’s Amore” * Jack Brooks, Harry Warren“Begin the Beguine” Cole Porter“I’ve Got You Under My Skin” ” ” .“On the Street Where You Live” Alan Lerner, Frederick LoeweTheme from New York, New York * Fred Ebb, John Kander

* arrangements adapted by Terry LaBolt

The KSO is supported by the generosity of the Louise Dieterle Nippert Musical Arts Fund of the Greenacres Foundation and the Louise Taft Semple Foundation.

The KSO is supported by the generosity of tens of thousands of contributors to the ArtsWave Community Campaign.

Page 5: James R. Cassidy, Music Direcetor

jim fauszphoto training tours

private lessonsgroup lessons

859.356.7577 / [email protected]

www.photoconsultants.net

◆ Online: kyso.org◆ Facebook: KentuckySymphony◆ Instagram: KentuckySymphony◆ Twitter: @KSOmusic◆ YouTube: KYSymphony

Online!Stay social with the KSO!

TOPnostalgia: (n.) a sentimental longing or wistful affection for the past,typically for a period or place with happy personal associations.Greetings, pallies,

I figured a little nostalgia was just what the doctor orderedto close out the KSO’s 29th season – our “season of distance”.The multitalented entertainers of a couple generations backalways offered clean fun, with charisma, an unmistakableswagger, and, of course, great tunes. For nearly four decades,Frank, Dean, and Sammy brought glitz and glamour to theVegas strip as well as to local stages across the nation together

and by themselves. The Rat Pack made you smile, chuckle, and marvel at theirrespective vocal deliveries and styles. We hope you enjoy our tribute to thesewonderful crooner-entertainers from a nostalgic venue — the Newport Car Barn.

I hope you dig tonight’s clambake. Then join us for even more amazing nostalgicmusic this summer. The KSO’s free 27th Summer Series is expanding to two nightsand two parks for each program — 7:30 p.m. Saturdays in Covington’s Devou Parkand 7:30 Sundays in Ft. Thomas’s Tower Park.

See you there.

James R. CassidyMusic and Executive Director

Page 6: James R. Cassidy, Music Direcetor

James R. Cassidy,Music Director

TH E KEN T U C KY SY M P H O N Y ORC H ES T RA

Thomas Consolo, Associate Conductor

24-Hour Jazz at 90.9 FM HD2

FOR YOUR HEART, MIND AN MUSIC24-Hour Classical Music at 90.9 FM FM FM M M M M

90.9 WGUC

D SPIRIT

MUSIC

TOP‘RAT PACK REBOOT’

ViolinsManami White,

The Gloria Goering Memorial Chair

Sujean KimJacquline FennellThomas Consolo

The Katie & Stephen Wolnitzek Chair

Evan HurleyLuke Coan

ViolasPeter GorakLynn Pofffenberger

’CellosTom Guth

The Fred Espenscheid Plumbing Chair

Kat Aguiar

ReedsRick Van MatreDwayne IrvinGarin WebbBen WalkenhauerPaul Glader

French HornMichelle Hembree

The Don & Sue Corken Chair

TrumpetsMatt AnklanGreg WingHank MautnerJohn Zappa

TromboneJason BranscumJett WalkerMarc FieldsJosh Omaits

RhythmPhil DeGreg, keyboard

The Schultz MarketingCommunications Chair

Brian Deyo, guitarMike Sharfe, bassJim Leslie, drumsBrian Malone, percussion

HarpJoseph Rebman

Page 7: James R. Cassidy, Music Direcetor

PROFILES

TOP

James R. CassidyThe Kentucky Symphony Orchestra’s founder, music director, and executive

director brings more than four decades of professional experience as an educator, artsadministrator, and conductor to the organization. Under his leadership, the KSO in 28years has grown 35-fold in budget, launched free summer and education concert series,and expanded the orchestra’s range of musical offerings by developing severalsubsidiary groups specializing in various musical genres, including jazz, pop, rock,country, and R&B. Cassidy and the KSO are now recognized around the globe forcrafting unique and engaging thematic programs, premieres, and collaborations.

A Florida native, Cassidy was previously music director of the Florida BalletTheatre, Tampa Chamber Symphony, and Tampa Bay Youth Orchestra. He hasconducted for the Florida and St. Petersburg opera companies, and he led the worldpremiere production of Rise for Freedom: The John P. Parker Story for CincinnatiOpera.

Cassidy earned degrees from the University of South Florida and the University ofCincinnati’s College-Conservatory of Music. He lives in Newport with his wife,Angela, son, Devlin, and dog, Seamus.

Mickey James ◆ Dean MartinCincinnati native Mickey James is a vocalist, dancer, entertainer,

and the owner-manager of Mickey James Entertainment. He performsregularly in the Tristate with his six-piece band, Mickey James & theQueen City Crew. Mickey started singing as a child, and around 2005he got his start with jazz and standards when he was hired as a vocal-ist by the PMC Big Band. Since then, he has performed with manyfantastic bands including the Johnny Mack Big Band, the Jump N’Jive Big Band, Swingtime Big Band, and the Monday Night BigBand. He’s thrilled to be performing with the KSO.

Dan Radank ◆ Frank SinatraDan Radank was born on St Patrick’s Day (his mother’s birthday, too) and music

was the first thing he heard. He was in the limelight from day one as local televisionnews was on hand to tape his mother, Patty, sing “Danny Boy” to him on their birthday.When Dan was born, his father, Tom, was a professional jazz trumpet player in Milwau-kee. No surprise that, by age 11, Dan was ready to pick up an instrument – the trumpet.

The family later moved to Northern Kentucky, and Dan excelledin band, participating as a high school student in the All-State JazzBand and the Governor’s School for the Arts. He received a scholar-ship to the University of Louisville, where he played in several jazzensembles. Dan left school to play professionally, joining Bobby Jand the Flying Martinis. For four years they were atop the Louisvillejazz scene, playing classics from the Great American Songbook. Danfound his voice emulating the great crooners, and his musician friendsencouraged him to sing professionally.

In 2007, Dan moved back to Cincinnati. He can be heard hear him headlining withthe bands Powerhouse, the Bluewater Kings, and the Chairman of the Board Orchestra.

Page 8: James R. Cassidy, Music Direcetor

Old Green Eyes (as he was dubbed) has over 800 songs in his repertoire.

Corey Tucker ◆ Sammy Davis, Jr.Tennessee native Corey Tucker moved to Cincinnati at an early

age. He spent most of his early years performing in church andschool, singing and directing choirs, leading the church band, andhelping other artists find their voice. Corey uses music and perform-ance to relate to and unite people.

The music that influenced him the most was blues, classic soul,R&B and gospel. He remains drawn to the music’s realness, grit, andpassion with which he identifies. “It is the authenticity in the wordsand music that brings us together,” Corey contends.

Corey studied music at Ohio State University, where he continued to sing in choirsand write songs, and where he realized that he wanted to be a performer. After graduat-ing, he began working in the corporate world while building a preproduction studio tohone his sound and skills. Corey knows his way around the business, whether playinginstruments, composing and arranging, or recording. He has appeared at Taste ofCincinnati and Oktoberfest, opened for Blessid Union of Souls, performs regularly withthe Ultra Sonics, and made his debut with the KSO Boogie Band in September. ■

Give KSO a boost when you shopSupport the KSO while you’re shopping for the items you already buy. Best of all, it’s totally free to participate. Here’s how:AmazonSmile: Amazon trucks are daily visitors to our neighborhoods these

days. Thanks to AmazonSmile, your puchases can helpthe KSO, too. Register at SMILE.AMAZON.COM or through

Amazon’s mobile apps. (You keep your current account.) Search for “NorthenKentucky Symphony” and click select. AmazonSmile will then donate 0.5% ofyour eligible Amazon purchases to Northern Kentucky’s favorite orchestra.

Kroger Community Rewards: You may already use a Kroger shopper’s rewardsaccount to get great deals. Thanks to Kroger’s Community Rewards program, the KSO can get a great deal, too. Krogerwill donate annually to participating organizations based onyour spending as a percentage of all Community Rewardsshoppers.To sign up, log in to your Kroger account; under the

main menu, go to Savings, then Community Rewards. Search for “KentuckySymphony Orchestra.”

Page 9: James R. Cassidy, Music Direcetor

PROGRAM NOTES

TOP

The Rat Pack

I t’s been more than half a century sinceAmericans were enthralled by a group of

five entertainers that embodied the prosper-ity, glitz, and energy of the United Statesafter World War II. They were known fortheir freewheeling attitude and swagger, butthey also were immensely gifted performers– some in more than one genre – and, likemany bands of brothers, they deeply re-spected each other’s talents. They wereknown as the Rat Pack.

The term was one they had neithercoined nor liked. It can be traced (as muchas such a generic term could) to the party -going, boredom-fighting circle in orbitaround Humphrey Bogart: Lauren Bacall isalleged to have commented that the crew, onreturning from a night on the town, lookedlike a pack of rats. That Holmby Hills RatPack (named for the Los Angeles neighbor-hood where Bogart and Bacall lived) in-cluded a big band crooner who had turned toacting after his singing career had apparentlypeaked – Frank Sinatra.

By 1957, Bogart died of cancer, andSinatra was in the midst of one of entertain-ment’s greatest comebacks. He won anOscar as an actor, and his recordings, made

at Capitol with arranger Nelson Riddle, es-tablished him as the greatest living song in-terpreter. Around him, a new Rat Packcoalesced. It included fellow singer-actorsSammy Davis Jr. and Dean Martin, Englishactor (and brother-in-law to soon-to-be Pres-ident John F. Kennedy) Peter Lawford, andcomedian Joey Bishop.

While their individual talents were inar-guably prodigious, it was their charismaticpersonalities that really connected them withthe public. No surprise, then, that the settingthat most epitomizes our image of them isLas Vegas, and particularly the Copa Roomat the Sands Hotel. They always wore atuxedo on stage and could almost always beseen balancing a cocktail and cigarette. Foran entire generation of postwar America,they embodied cool.

Both on stage and off, the Rat Packersgenuinely enjoyed each others’ company,and they often made impromptu appearancesat each others’ performances. (The Sandsmarquee once famously read, “Dean Martin,Maybe Frank, Maybe Sammy.”) In somecombination, they made 20 films together,although all five appeared in just two, in-cluding Ocean’s 11.

Despite rock ’n’ roll, the British inva-Four of the fiveoriginal membersof the Frank Sintra-led Rat Packas they are oftenseen – in formalclothes, high spir-its, and smoking.Pictured, from left,are Peter Lawford,Dean Martin,Sammy Davis Jr.,and Sinatra.

Page 10: James R. Cassidy, Music Direcetor

TOP

“I have to say I owe my career to the master composers of the Great American Songbook who have written such high-quality songs –

the best popular music ever composed.”— TONY BENNETT

sion, and the social changes sparked by theVietnam War, the careers of Davis, Martin,and Sinatra continued to thrive through the1960s, including success on television. Sina-tra attempted to launch a reunion tour withthe three in 1987, but it faltered. Though allthree have been dead for more than 20 years,their influence continues through an enor-mous audio and video legacy. Sinatra’s al-bums with Riddle, in particular, remain thegold standard both for vocal expression andinstrumental support. No popular solo singertoday is immune from their influence.

Great American Songbook

I t’s an old music school joke to tell fresh-men they have to buy a copy of the Great

American Songbook. It can’t be found in astore, though, either in person or online. It’sthe collective name of America’s most im-portant, influential, and enduring songswritten in a golden age between approxi-mately 1920 and 1950. They encompass themusical genius of a who’s who of U.S.composers and lyricists. Those includeHarold Arlen, Irving Berlin, Cy Coleman,Lorenz Hart, Ray Henderson, Johnny Mer-cer, Cole Porter, Richard Rodgers and a fewdozen more legendary names.

After initial success as pop tunes of theirday, in Broadway shows, or in movies, thesesongs survive today as “standards” and con-tinue to constitute the heart of the canon forjazz singers. They’ve also been embraced bysuch later pop artists as Linda Ronstadt,Ringo Starr, and Rod Stewart. To many lis-teners, however, the greatest exponents of theGreat American Songbook were the artists ofthe transitional period of the 1950s and1960s. Those were led – aside from Davis,Martin, and Sinatra – by Tony Bennett andBobby Darin (interestingly, both Italians likeMartin and Sinatra), and, from the jazz world,

by Nat King Cole and Ella Fitzgerald.Tonight’s program offers a sampling of

20 pieces as heard in their most famousrecordings, almost all by one of the larger-than-life members of the Rat Pack.

“Jumpin’ at the Woodside” was releasedby Count Basie just before Christmas in1938. It rose to No. 11 on the Billboard chartand became one of the Basie band’s signa-ture tunes. The name refers to the Harlemhotel where many prominent Black enter-tainers and athletes stayed in New York.

“Come Fly With Me,” was written forSinatra in 1958 as the title track of an albumwhose 12 tracks evoked exotic locales.

“You’re Nobody Till Somebody LovesYou” was a hit for Russ Morgan in 1946, butit’s most famous for the second of DeanMartin’s recordings of it, for Sinatra’sReprise label in 1964.

“The Lady is a Tramp” is a show tunefrom 1937’s Babes in Arms that skewers so-cial mores of the day. It’s received manygreat performances, including Sinatra, ofcourse, but tonight’s is inspired by Davis’slive performance at the Sands in 1963.

“The Way You Look Tonight,” from theFred Astaire-Ginger Rogers comedy SwingTime, won the 1936 Oscar for Best OriginalSong. Astaire’s recording hit No. 1, but Sina-tra’s, from 1964, is now the best-known.

Davis had a hit with “What Kind of FoolAm I?” in 1962, the year the showstopperfrom Stop the World – I Want to Get Off waspublished. As sung by Anthony Newley, itwon the 1963 Grammy for Song of the Year.It was also the title track of a show-themedalbum that included “Begin the Beguine,”written in 1935 and included in that year’sJubilee on Broadway.

Several recordings of “Fly Me to theMoon” were made before Sinatra’s 1964track on It Might As Well Be Swing, arranged

Page 11: James R. Cassidy, Music Direcetor

TOPby Quincy Jones. The song’s original title,“In Other Words,” was changed at the urg-ing of Peggy Lee, who recorded it in 1960.

“Ain’t That a Kick in the Head” waswritten in 1960 especially for Ocean’s 11.

“Birth of the Blues” was written forGeorge White’s Scandals of 1926, a Broad-way revue. Bing Crosby recorded it for the1941 movie of the same name. All the RatPack-ers performed the song, but Davismade it a specialty.

Sinatra lost the role he wanted in thefilm version of 1950’s Guys and Dolls toMarlon Brando, but he went on to record thedefinitive take of “Luck Be a Lady” for a1963 Broadway-themed Reprise album.

“The Candy Man,” released in 1972,was Davis’s only No. 1 hit – despite his dis-like for the song, which was written for thefilm Willy Wonka & the Chocolate Factory.

In 1964, Martin’s version of “EverybodyLoves Somebody” knocked the Beatles’ “AHard Day’s Night” off as the No. 1 U.S. song.That also beat Sinatra’s 1948 recording ofthe 1947 song, which topped out at No. 25.

“That’s Life” was three years old whenSinatra heard it, decided to record it, andmade it the title track of his 1966 album. Itwas a huge hit and a de facto credo for theRat Pack crew.

Before joining the Rat Pack, Martin

spent a decade as half of the country’s mostpopular comedy team. He and Jerry Lewismade more than a dozen films together, in-cluding 1953’s The Caddy. Included in itssoundtrack was “That’s Amore,” which roseto No. 2 on the charts.

Sinatra earned a Grammy for Best MaleVocal Performance and a No. 1 hit for “ItWas a Very Good Year,” a track on 1965’sSeptember of My Years. The hauntingarrangement was by Gordon Jenkins.

Stan Kenton performed “IntermissionRiff” from the mid-1940s with his ArtistryIn Rhythm orchestra until 1978.

“I’ve Got You Under My Skin,” sung(by a female character) in Born to Dance,was nominated for the Best Original SongOscar in 1936. Sinatra first performed it in1946, and the classic driven, swinging, mas-culine Riddle arrangement was included in1956’s Songs for Swingin’ Lovers.

Martin, too, collaborated with Riddle,including on 1960’s This Time I’m Swingin’.It included My Fair Lady’s “On the StreetWhere You Live,” written in 1956.

Written for Martin Scorsese’s 1977 filmNew York, New York, the theme song be-came a hit when Sinatra included it on his1980 album, Trilogy. It then became Sina-tra’s theme song, too.■

— Thomas Consolo

Page 12: James R. Cassidy, Music Direcetor

SPONSORED CHAIR

TOP

Michelle Hembree ◆ The Don & Sue Corken ChairMichelle Hembree has been the KSO’s principal hornist since 2017.

She is an associate member of the Columbus (Ohio) SymphonyOrchestra and a substitute in the New World Symphony. For the 2019-20 season, she served as acting principal of the Fort WaynePhilharmonic. Michelle has appeared as a soloist with the KSO, SevenHills Sinfonietta, and Meridian Symphony, and she also has performedwith the Knoxville Symphony, Dayton Philharmonic, and Cincinnati

Chamber orchestras, and with the Boise Philharmonic. Michelle earned a bachelor’s degree in horn performance from the University of

Cincinnati’s College-Conservatory of Music, where she studied with Randy Gardnerand Denise Tryon. She is a 2017 Yamaha Young Performing Artist and CCM KempHorn Scholar of her class. She has won the Three Arts Scholarship Fund’s NeffScholarship, CCM Undergraduate Instrumentalist competition, YoungArts Merit award,and Andrew Howell Memorial competition. Michelle also completed a bachelor’sdegree in industrial management from UC’s Lindner College of Business.

A native of Boise, Idaho, Michelle’s interest in music began at age 5, when shestarted playing violin. She discovered the horn at age 10. Outside of music, Michelleenjoys skiing, hiking, and traveling.

The KSO provides our community a rich and vibrant cultural commodity with thewide variety of music it performs. The Corkens are happy to support Michelle in honorof the French horn, the instrument their granddaughter played in band. ■

Concerts and outreach programs of theK.S.O.’s education operations are free

to students — and your support helpskeep them that way. Call the K.S.O.

at (859) 431-6216 to give.

Page 13: James R. Cassidy, Music Direcetor

Make yourself at home inone of our 124 air-conditionedrooms, each featuring a refrigerator and microwave.Enjoy complimentary wirelessinternet access and cable programming. The ComfortSuites on Riverboat Row iswithin easy walking distanceto Newport on the Levee andthe Newport Aquarium, a variety of restaurants, and ashuttle to downtown Cincinnati and Covington.Additional amenities include:➤ Free on-site parking.➤ Complimentary breakfast.➤ 24-hour business center.➤ Fitness center.

420 Riverboat Row ❚ Newport, KY 41071 ❚ (859) 291-6700

Whether It’sBusiness .

orPleasure,It’s Our Pleasure to Serve You.

Page 14: James R. Cassidy, Music Direcetor

K.S.O. COMMUNITY CIRCLE

TOP

Producers

ArtsWaveCharles H. Dater FoundationPaula Steiner Charitable Fund

Directors

R.C. Durr FoundationKentucky Arts Council

Louise Dieterle Nippert Musical ArtsFund of the Greenacres Foundation

Louise Taft Semple FoundationFounders

James R. & Angela CassidyJohn & Elin Robke-Comer

Kathleen Martin & Dr. Joseph MartinThe Milburn Family Foundation

The William O. Purdy, Jr., Foundation Fund

of the Greater Cincinnati FoundationRPI Data Graphics Solutions*

St. Elizabeth HealthcareThe Wohlgemuth Herschede Foundation

Sponsors

Central BankDuke Energy Foundation

Jim Fausz*Fischer Homes

John B. GoeringMr. & Mrs. Paul E. Houston

Party SourceRegal Maid

Lisa Sauer & Jon MoellerSchneller & Knochelmann Plumbing, Heating and AirCharles & Ruth Seligman

Family FoundationPatrons

Robert & Sarah ConnatserSue & Don Corken, Jr.

Daniel & Bradie Courtade

Cincinnati International Wine FestivalFred Espenscheid Plumbing

Bob Amott & Janice FlannaganDennis and Lorna Harrell

John A. Mocker, Jr.Radisson Hotel Cincinnati Riverfront*

Charles Scott Riley III FoundationSchultz Marketing Communications, Inc.

Scripps Howard FoundationJim & Erika Smith

Harry & Carol Sparks Mary Vande Steeg WagnerKatie & Steve Wolnitzek

Wilbert L. & Ellen Hackman ZieglerBenefactors

Carol & George BeddieMichael & Cindy Cason-

State Farm Agencies Fund Comfort Suites*

Associates

Mr. Doug & Dr. Lavonne AdamsMarja Wade BarrettBonnie & Bill Hitch

Troy HitchChad Martin

Jim & Donna SalyersCarol Swarts

Marc & Tami WilsonMr. & Mrs. Robert Wylly

FamilyMr & Mrs Todd Berling

Jane & Gary BoothLesley Cissell

Jennifer ClaudyDavid & Carol Dunevant

Dr. Ellen DryerJim & Judy Jenkins

Jerri Roberts & Jim ThomasMary Ann Robinson

Karen SchmidtPhilip J. SchutteCathy L. Stickels

Page 15: James R. Cassidy, Music Direcetor

TOPJon & Connie StilesJoe & Lise TewesSarella M. Walton

Jennifer L. Woods & JamesUmlauf

Two Anonymous Friends of the KSO

Matt AckermannTara & Mark Bailey

Lenora BlackJoan & Brandon Booth

George & Mary Jo Budig Fam-ily Foundation

Barbara BudziakDiane & Bob BuerkleCharles & Joan Cerino

Judy ClabesMr. & Mrs. Charles Cleves

Rob & Trudy CraigTerrie Cunningham

Emilie W. and David W.Dressler Family Fund

of the Greater Cincinnati Foun-dation

Tom & Dale DueJulie Eaton

Dottie & Ray Ertel

Joseph & Christina FinkePeggy Grant

Janice & Marshall HackerMrs. Patricia HemmerGary & Leslie Hillner

Bev Holiday Ed & Sarah Hughes

Edward HurleyJeannine Ives

Mr. & Mrs. Dale JohnsonLynn Klahm

Dr. & Mrs. Michael Landwehr Mary & Keith Ledford

Andrea LonnemanLupe Lopez Sue Marshall

Dr. & Mrs. David H. MartinJohn & Joanne Meagher in honor of Bob SummerJohn & Janet Middleton

Peter MoorePatricia & Gary Morgan

Larry MotellerJoan & James Noll

Dr. & Mrs. Dick ParkJanet Pfaff

Lynn PoffenbergerJane & Glenn RaineyTarah K. Rémy, Esq.

Sandra RiversStefanie & Justin RumaoDr. Constance Sanders

Michael & Lia SansoucyDr. Mark Schroer

Molly ShawAmy Roe & John Snawder

Gary & Janet SogarRobert SprengardLeslie E. Stephens

Tina & Barry Strouebe Sue Sturgeon

Deacon Bill TheisMarty & Donald UngerDave & Dora Vorherr

Mr. & Mrs. Herb WedigGregory & Diane WehrmanGeorge & Nancy Whitton

Leisa WilliamsonMr. & Mrs. Paul J. WitteMike and Pauline Wolfe

Debbie & Jim YoungJohn & Ellen Zembrodt

Three Anonymous Friends of the KSO

Robert H. AulickDavid & Judy BaileyTrina & Tim Barnes

Carol & Patrick BarthLeslie & Britton Bauer

Amelia BethLaura Blankenship

Mark & Jeanne BowmanMrs. Joan Erb Breetz

Larry & Janis BroeringBetty Douglas & James Bunte

Kathy & Mike BurtonDebbie Campbell

in honor of Paula SteinerK.T. & J.E. Carnahan

Tom and Brenda CreamerBeth A. D’Amico

Linda DanielsMr & Mrs John De Witt

Lew EbsteinChuck Eilerman

Don Gray Helen Grimes

Vernon Hartman & Amy Johnson

Mary Ann HausfeldMr. & Mrs. Franklin Henn, Jr.

Lesley HitchLenore Horner

Carol Rae HowardPatricia Lee

James & Joan LessardPeggy & Karl Lietzenmayer in honor of Dr. John Deaver

Beverly LonnemanMary Beth & Ronald Lusby

Jenni & Brian MaloneHank Mautner

Lynda & Barry MenkhausNancy Moore

Janet MottVirginia Neff

Blair & Jane PohlmanEdward Polaski & Cheryl Fast

John & Helen PowersCynthia A. Priem & Nancy JohnstonSarah & Paul Rihm

JoAnn & Paul SchwartzDr. Ted Silberstein

& Jackie MackRaymond & Peggy Smith

Sharon K. SmithCraig Smith

Robert SprengardDale Stephens

Sandra E. Vanpelt NguyenRuth Ann Voet

Tom VossDevon & Rebecca Wells

Michael & Susan WhiteheadRick & Maureen Zalla

Gifts received in year from April 1, 2020.

* – Denotes in-kind donations.

Neighbors

Page 16: James R. Cassidy, Music Direcetor

The Kentucky Arts Council, the state arts agency, supports the Ken-

tucky Symphony Orchestra with state tax dollars and federal

funding from the National Endowment for the Arts, which believes that

a great nation deserves great art.

The Kentucky Symphonyis supported in part by

K.S.O. Board of Directors

K.S.O. Staff

AcknowledgementsThe KSO would like to thank the following for their assistance:

Paula Steiner,President

Jill Kruetzkamp,Vice president, Secretary

Courtney Venard,Treasurer

James Cassidy,Executive Director*

Mark Bailey

Troy HitchIleana PregoTarah Rémy

Eppechal SmallsCathy Stickels

Jon StilesEllen Hackman Ziegler

* – ex officio

Steven A. Brun, Stage Manager

James R. Cassidy,Executive Director

Lesley Cissell, Development Associate

Thomas Consolo, Publications Director

David HaltermonAssistant Stage Manager

Jennifer King, Personnel Manager

Idra RismaMarketing Associate

Angela M. Williamson,General Manager

TOP

Rick Andress Bellevue Vets

Jim FauszTony Milburn

RPI Graphic Data SolutionsVerst Group Logistics

Page 17: James R. Cassidy, Music Direcetor

#Cincy tsResitsResiyArttsResit lientlientlient

GI

festivals keep our . It ensures tha ever

your g ongoing, With audience a

IVE TODAY.

region vibrant for years to come. at music, art, theater, da

ift to the arts matters mo and performance limitat

to come. ance and

ore than tions still

artsw

GI wave.org/give

IVE TODAY.

TOP

Page 18: James R. Cassidy, Music Direcetor

Your Ticket to Culture & Entertainment2021 summer park concerts

■ for more information ■kyso.org (859) 431-6216

Always 7:30 p.m. Always free.Always 7:30 p.m. Always free.

join us for

3 live programs this summer.

■ July 10 & 11

Hornucopia A 1970s trumpetpalooza.

■ Aug. 7 & 8

Who Spiked the Symphony 3 The KSO murders the classics ... again.■ Sept. 4 & 5

The Boy Bands

saturdays: devou park, covington

sundays: tower park, fort thomas

3 live programs this summer.

■ July 10 & 11

Hornucopia A 1970s trumpetpalooza.

■ Aug. 7 & 8

Who Spiked the Symphony 3The KSO murders the classics ... again.■ Sept. 4 & 5

The Boy Bands A century of vocal chordiality.