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Jacques Lacan General Introduction & Examples of Mirror Stage
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Jacques Lacan General Introduction & Examples of Mirror Stage.

Apr 01, 2015

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Page 1: Jacques Lacan General Introduction & Examples of Mirror Stage.

Jacques Lacan

General Introduction & Examples of Mirror Stage

Page 2: Jacques Lacan General Introduction & Examples of Mirror Stage.

Outline

Summary: Key IdeasGeneral QuestionsThree Stages of Psychic Development; – Mirror Stage ,Questions and Examples★– Oedipal Stage

Gender Difference & Language: – Questions– Gender Difference– Insatiable Desire * – Questions: about Lacan’s views of love

Page 3: Jacques Lacan General Introduction & Examples of Mirror Stage.

Summary of Key Ideas

Chap 3: pp. 61-; chap 4 161- (The Unconscious as language and Sexual development) The unconscious is – structured like a language.– a constantly moving chain of signifiers (sliding of signifying chain.

The three-part personality (order): The Real, the Imaginary and the Symbolic, in which we have needs, make demands, and “Desire.” Development and splitting of self –mirror stage, self-Other and subject position, fragmented body.Gendering process (chap 4) and phallus and love: The Name of the Father,

Page 4: Jacques Lacan General Introduction & Examples of Mirror Stage.

General Questions

Your questions? Your Examples?Do you agree that the Father’s authority is associated with language and interdiction( 禁止 )? Do you agree that our learning of language is a process of castration and fragmentation (splitting)? And that our desire is drifting from one object to the next, and that ultimately we desire a kind of pre-Oedipal unity?Why are there only ‘signifiers’( 意符 [roz]) but not signified ( 意旨 [the concept of rose]) in the unconscious?

Page 5: Jacques Lacan General Introduction & Examples of Mirror Stage.

The orders of human existence: the Imaginary, the Symbolic & the Real

(chap 3: 62-63; chap 4: 164-65)The Real – pre-linguistic ‘pure plenitude’ (no subject-object distinction); beyond the Symbolic order (cannot be talked about). The imaginary (centering around the Mother) –from bits and pieces to a sense of unity; (mis)recongnition of one’s self through an external image; illusory unity with the mother split from her; fragmentary sense of selfThe Symbolic (intervention of the Name of the Father) – entry into language (a world of difference) a loss of wholeness, a split in the speaking “I” and spoken “I”

Page 6: Jacques Lacan General Introduction & Examples of Mirror Stage.

The orders of human existence: the Imaginary, the Symbolic & the Real

The Real – oneness and jouissance (undifferentiated unity of the mother, objects of love, or objet a). The imaginary (the mirror stage) – two together and then separate (Baby and the Mother) The Symbolic – three: the Father, the (M)other, and Self

Page 7: Jacques Lacan General Introduction & Examples of Mirror Stage.

The Mirror Stage

(chap 4: 165)

The baby (with its fragmentary sense of self) identifies with an external image (of the body in the mirror or through the mother or primary caregiver) have a sense of self (ideal ego).

Split: 1) In the self: experiences fragmentation but sees

wholeness;

2) From the self: sees loss in the mirror image

Page 8: Jacques Lacan General Introduction & Examples of Mirror Stage.

Split Identity in Language

Against Cartesianism (rational consciousness) and humanism (free will).

– “Unconscious is the language of the Other.”– Language speaks us. – I think where I am not . . .(Ego alienated, not

the center of one’s identity. – Ideal ego (mirror image) ego ideal (role

model)

Page 9: Jacques Lacan General Introduction & Examples of Mirror Stage.

Review Questions

1. Do you agree that our identity is fragmentary and why?  Which of the following do you agree with?  "I think, therefore, I am," "Where I think, there I am," or "I think where I am not, therefore I am where I do not think." 

2. What are the three phases of psychic development according to Lacan?

3. What is mirror stage? Why is it an important stage in child development?

Page 10: Jacques Lacan General Introduction & Examples of Mirror Stage.

Mirror & Identity: Some examples

Vanity: In classical paintings & fairy tales (actually it implies patriarchy’s repression of female subjectivity)e.g. Venus at

her Mirror by VELÁZQUEZ, Diego Rodriguez

de Silva y (b. 1599, Sevilla, d. 1660,

Madrid)

Page 11: Jacques Lacan General Introduction & Examples of Mirror Stage.

Uses of Mirror: Some examplesThe return/assertion of the repressed: a. Alter ego (or double) b. Mirror image as deeper levels of self, or ideal ego. e.g. 1. 19th century women in Jane Eyre and Wide Sargasso

Sea (textbook chap 4 166-69) – alter egoe.g. 2. chap 4 (176-77)The Awakening; “The Yellow

Wallpaper”

Mother and Daugher in The Piano

Page 12: Jacques Lacan General Introduction & Examples of Mirror Stage.

Uses of Mirror: Some examples

3. Looking at the mirror: changing one’s ideal ego or discovering one’s selves. (Piano/French Lieutenant’s Woman)

Page 13: Jacques Lacan General Introduction & Examples of Mirror Stage.

Mirror Image & Double: extensions

We—esp. women-- are always conscious of our mirror images, or looking for screen images for self-identification. What’s projected on the mirror: The Other, either ideal ego or the repressed. – e.g. Jane/Antoinette; movie stars as the phallic symbol – The magical and the “uncanny”? “Mirror, Mirror on the wall”

psychological roots: the strangest // the most familiar (homely, unhomely)

Page 14: Jacques Lacan General Introduction & Examples of Mirror Stage.

Feminist Revisions: Madonna

Vogue (voguing and gender performance/cross-dressing, fetishistic female image)

-- http://www.youtube.com/watch?v=UaIOilmo9z4 – 1990 MTV awards

http://www.youtube.com/watch?v=lTaXtWWR16A – Super Bowl Medley 2012 (HD)

http://www.youtube.com/watch?v=W795W63n7mA • Open your Heart (voyeurism)

http://www.youtube.com/watch?v=xIKHHOoyxDY

Page 15: Jacques Lacan General Introduction & Examples of Mirror Stage.

Other Examples

• The Piano: Examples of Voyeurismhttp://www.youtube.com/watch?v=R0U9F4HexA4• Mirror & Animal http://www.youtube.com/watch?

v=AZLoDR3AjX8&feature=relmfu

Page 16: Jacques Lacan General Introduction & Examples of Mirror Stage.

The Oedipal Stage and the Symbolic Order

Second-stage split desire for the mother sublimated into desire for the unattainable “Other”Recognize the Name of the Father. (textbook chap 3: 63; chap 4: 164)– Language as a system of difference (with no essential or

unchanged meanings) (chap 4: p. 171-73; e.g. “woman” =femininity, fertility, lady, …etc.—all signifiers)

– the signified get repressed beyond recognition S-ier------S-ied

Page 17: Jacques Lacan General Introduction & Examples of Mirror Stage.

The self, the other, the Other(Lacan’s Schema L –revision of F’s triangle)

Id (man in the realm of ‘the Real’)

the other (e.g. mother,mirror image)

Ego the Other (Father)

Imaginary

relatio

n The unconscious

2. Interactions of different forces in the

psyche

1. From The Mirror Stage to Oedipal stage

and after

Page 18: Jacques Lacan General Introduction & Examples of Mirror Stage.

the Other

The Other is embodied in the figure of the symbolic father. Its major signifier: the phallus. . . stands for language and the conventions of social life organized under the category of the law. (source) (different from “the [feminine] Other”—which is the feminine space on the margin or outside of the Symbolic– Cf. chap. 4.)

Page 19: Jacques Lacan General Introduction & Examples of Mirror Stage.

II. Questions

1. Why is gender definition slippery?

2. What is phallus to Lacan? Why is it “transcendental signifier”? Do you agree our desire centers around “being” or “having” phallus?

3. Why is the unconscious structured like language?

Page 20: Jacques Lacan General Introduction & Examples of Mirror Stage.

Causes of Gender Fluidity and Unstable Self: Slippery Chain of Signification

Meaning of a sign is not in it; rather, it resides in its difference from the other signs. (textbook chap 3: 62; chap 4: 169) Sign = signifier (form) + signified (concept; usu. more than one) To determine its meaning (黃﹚ , we need to look at its context (its differences from and relation to the signs around it 黃帝、黃禍、黃狗 ). Transcendental signifier: absolute sign whose meaning(s) does not change in its context; who fixes the chain of signification. (chap 4: 173)

Page 21: Jacques Lacan General Introduction & Examples of Mirror Stage.

Gender Difference

Lacan’s analogy of the restroom signs: (chap 4: 171-72)

1. Arbitrary meaning structure determine gender difference 2. Slippery chain

3. It speaks man

Page 22: Jacques Lacan General Introduction & Examples of Mirror Stage.

Phallus vs. Woman as Other

(chap 4: 172-73) In the Symbolic Order, phallus = wholeness and power; wholeness hole, in fact, nobody owns the phallus/power. Women as Lack, or ‘Other’ which can move outside of language and be in “jouissance” (transgressive pleasure)

Page 23: Jacques Lacan General Introduction & Examples of Mirror Stage.

the unconscious-- structured like language

supported by F’s view of repression (ideas repressed as codes) evidence from Freud’s language of Dream (condensation, displacement, symbolization);

S/s : / = the barrier between the conscious and the unconscious, which resists being represented; / = the phallus. We are conditioned by the Symbolic order. movement of our desire –like metonymy. (Cf. chap 4: 172)

Page 24: Jacques Lacan General Introduction & Examples of Mirror Stage.

Insatiable Desire: Need, Demand, and Desire (1)

(chap 3: 62)A child develops from need to demand and desire.// its movement from the Real, to the Imaginary and Symbolic.

Need – requirements for brutal survival. (e.g. biological need for milk) absence of the mother

the baby’s social, imaginary and linguistic functions evolve.

the Real the Imaginary The Symbolic

need demand desire

Page 25: Jacques Lacan General Introduction & Examples of Mirror Stage.

Effects of the three orders: Need, Demand, and Desire (2)

Demand: need formulated in language (with meanings; e.g. need for breast as good or bad).

-- Demand has two objects: one spoken, the other unspoken. -- verbalization of imaginary subject-object, self-other relations.

66 (Grosz pp. 59 - 67)Desire: primally repressed wishes [for unity with the Mother or for self-confirmation] reappear in and as unconscious desire.

-- insatiable; characterized by lack. (Grosz pp. 59 - 67)

Page 26: Jacques Lacan General Introduction & Examples of Mirror Stage.

Desire: expressed as

Demand of Different Objects (e.g. pacifier, receiving blanket, the mother’s handkerchief, etc.)The conflict or gap between one’s demand and need. The connection of the desired object and the demanded: metonymic connection = whole and parts, or continguity ( 鄰近 ).

Page 27: Jacques Lacan General Introduction & Examples of Mirror Stage.

Questions III

Lacan thinks that both our desire and demand (for love) are insatiable, because there is always an otherness to it which cannot be represented in language, or because we ultimately desire an impossible unity with the lover/Mother.

Do you agree?

Page 28: Jacques Lacan General Introduction & Examples of Mirror Stage.

Lacan’s Views of Love (1): a Mirage to Hide the Impossible

Why is there love? Because there is no sexual relationship. Love is the mirage that fills out the void of the impossibility of the relationship between the two sexes.

Why impossible? Unity with the other and in one’s self. Demand = a demand for the unity of the self and the other “Love consists in a series of …demands for the proof of the other’s commitment. The proofs sought from the other are impossible, imaginary tests of love.” (G 132)The obstacles of love is actually internal, a fact which courtly or romantic lovers cannot face.

Page 29: Jacques Lacan General Introduction & Examples of Mirror Stage.

Lacan’s Views of Love (1): the Impossible

Examples: Woman: conflict between being a sexual object and a subject demanding recognition.

a. As a sexual object, she “paints/shaves/dyes/diets/exercises her body, and clearly derives pleasure from compliments about her looks. Her whole body becomes a phallus to compensate for a genital ‘deficiency.’ (G 133)

b. As subject, she ‘demands’ the man, his attention, affections, and his capacity to give her identity…

Page 30: Jacques Lacan General Introduction & Examples of Mirror Stage.

Lacan’s Views of Love (1): the Impossible

Examples: Man: conflict between desire and affection.

a. When desiring a woman, he “explores, conquers and appreciates” her enigma as a phallus, which, once unveiled, is a lack and confronts the man with his own castration.

b. After a period of familiarity, the mystery is gone and the sexual partner becomes more an object of affection than of desire. The man then turns to another woman for her recognition of his having a phallus.

Note: Having phallus and being phallus, places in the circuit of exchange.

Page 31: Jacques Lacan General Introduction & Examples of Mirror Stage.

Lacan’s Views of Love (2): paradoxical fulfillment

For Lacan, love’s sublime moment occurs when the beloved enacts the metaphor of love, when he substitutes his position of the lover for that of the beloved object and starts to act in the same way the lover has so far acted. . . .it occurs when the beloved returns love by giving what he does not have. Beloved, realizing the real object-cause of the other’s love does not reside in me beloved object (metonymy; what he does not have; lack) can only return “love” (Bozovic 69; 77)

Page 32: Jacques Lacan General Introduction & Examples of Mirror Stage.

Reference

Elizabeth Grosz Jacque Lacan: A Feminist IntroductionThe Other (with a big O) http://www.mii.kurume-u.ac.jp/~leuers/Lacother.htm Lacan and Love New Formations 23 (1994).