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Jacob Riis (1849-1914) COM 241 Photography I
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Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Dec 16, 2015

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Page 1: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Jacob Riis (1849-1914)

COM 241

Photography I

Page 2: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Documentary photos

• Reflect a humanitarian point of view– Usually focus on people– Capture a way of life

• Realistic– Meant to represent fact – Accurate and truthful

Page 3: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Jacob Riis

• (pronounced reese)• “America’s first photojournalist”• Born in Denmark, immigrated to U.S.

when he was 21• Lived in one of police-run poor houses

in NYC• Eventually got a job as a crime reporter

for New York Tribune

Page 4: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

• Wrote a series of articles on living conditions on Lower East Side of NY– No one took seriously

• Decided to document with photographs

• One of first photographers to use flash

Page 5: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

• “How the Other Half Lives” in 1890

• As result of his photos, city closed police-run poor houses

Page 6: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Bottle Alley, Mulberry Road

Page 7: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Jacob RiisBandit's Roost,59 1/2 Mulberry Streetc. 1888

Page 8: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Jacob RiisMullen's Alley, Cherry Hillc. 1888

Page 9: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Old house on a Bleecker Street back lot, between Mercer and Greene Street

Page 10: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Typical tenement fire-escape serving as an extension of the flat: Allen Street

Page 11: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Jersey Street tenements

Page 12: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Home of an Italian Rag Picker on Jersey Street. c. 1888

Page 13: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Police station lodgers, West 47 Street, early 1890s

Page 14: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Men's Lodging Room in the West 47th Street Station c. 1892

Page 15: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Police station lodgers waiting to be let out c. 1892

Page 16: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Police station lodgers, Madison Street

Page 17: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Bunks in a sevent-cent lodging-house, Pell Street

Page 18: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Police station lodgers, West 47 Street, early 1890s

Page 19: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

"Knee-pants" at forty-five cents a dozen--a Ludlow Street sweater's shop

Page 20: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Twelve-year-old boy (who had sworn he was sixteen) pulling threads in a sweat shop, about 1889

Page 21: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Bohemian cigarmakers at work in their tenement

Page 22: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Girl and a baby on a doorstep

Page 23: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Fighting tuberculosis on the roof.

Page 24: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Bottle Alley, Mulberry Bend

Page 25: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

The man slept in this cellar for four years, about 1890

Page 26: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

In poverty Gap, West 28 Street: an English coal-heaver's home

Page 27: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Street Arabs in Sleeping Quarters [church corner]

Page 28: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Street Arabs in sleeping quarters [areaway, Mulberry St.]

Page 29: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Getting ready for supper in the newsboys' lodging-house

Page 30: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

A flat in the pauper barracks, West 38 St., with all its furniture

Page 31: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

A blind beggar stands in the middle of a street and begs for someone to buy one of his pencils.

Page 32: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Police Station Lodger, A Plank for a Bed c. 1890

Page 33: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

Street Arabs in night quarters

Page 34: Jacob Riis (1849-1914) COM 241 Photography I. Documentary photos Reflect a humanitarian point of view –Usually focus on people –Capture a way of life.

On the roof of the Barracks