Top Banner
Ben Thomas, bass | Joe Gilman, piano | Sam Griffith, trombone OCTOBER 30, 2015 7:00 PM VANDERHOEF STUDIO THEATRE, MONDAVI CENTER Jacám Manricks creates sophisticated pieces, some with multiple sections providing different contexts for improvisation, often obliging players to contribute in specific ways to a composition’s shape, rather than just blowing over chord changes. Much more than clever, these pieces take the listener on unfolding journeys….Such juxtapositions were another hallmark of his multi-dimensional composing, whether it was layering tension on lyricism or melodic angularity on a straight groove…. If sometimes his sound veered from austere to thin and even shrill, he was still capable of exceptional playing, as on New Bolero, where he daubed coarse-grained, anguished streaks against (Barney) McAll’s pretty arpeggios …” —John Shand (“The Sydney Morning Herald,” 2008) $10 STUDENTS & CHILDREN, $20 ADULTS | JAZZ CABARET SEATING featuring, from New York City, Ari Hoenig, drums Jacám Manricks saxophone and composer Jacám Manricks saxophone and composer featuring, from New York City, Ari Hoenig, drums
1

Jacám Manricks - University of California, Davis

Dec 30, 2021

Download

Documents

dariahiddleston
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Jacám Manricks - University of California, Davis

Ben Thomas, bass | Joe Gilman, piano | Sam Griffith, trombone

OCTOBER 30, 2015 7:00 PMVANDERHOEF STUDIO THEATRE, MONDAVI CENTER

Jacám Manricks creates sophisticated pieces, some with multiple sections providing

different contexts for improvisation, often obliging players to contribute in specific

ways to a composition’s shape, rather than just blowing over chord changes.

Much more than clever, these pieces take the listener on unfolding journeys….Such

juxtapositions were another hallmark of his multi-dimensional composing, whether

it was layering tension on lyricism or melodic angularity on a straight groove….

If sometimes his sound veered from austere to thin and even shrill, he was still

capable of exceptional playing, as on New Bolero, where he daubed coarse-grained,

anguished streaks against (Barney) McAll’s pretty arpeggios …”

—John Shand (“The Sydney Morning Herald,” 2008)

$10 STUDENTS & CHILDREN, $20 ADULTS | JAZZ CABARET SEATING

featuring, from New York City,

Ari Hoenig, drums

Jacám Manrickssaxophone and composerJacám Manrickssaxophone and composer

featuring, from New York City,

Ari Hoenig, drums