Top Banner
The Utopia Chronology Issue 2013.1 - Fall 2013 A map of the world that does not include Utopia is not worth even glancing at, for it leaves out the one country at which Humanity is always landing. And when Humanity lands there, it looks out, and seeing a better country, sets sail. Progress is the realisation of Utopias. - Oscar Wilde, “The Soul of Man Under Socialism” (1891) An acre in Middlesex is better than a principality in Utopia. -Thomas Babington Macaulay, “Lord Bacon” (1837) www.theutopiachronology.org
36

Issue 2013.1

Mar 01, 2016

Download

Documents

Iain MacDonald

An online journal of utopian thought from:http://www.theutopiachronology.org
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Issue 2013.1

The Utopia Chronology

Issue 2013.1 - Fall 2013

A map of the world that does not include Utopia isnot worth even glancing at, for it leaves out the one

country at which Humanity is always landing. And when Humanity lands there, it looks out, and seeing a better country,

sets sail. Progress is the realisation of Utopias. -OscarWilde,“TheSoulofManUnderSocialism”(1891)

An acre in Middlesex is better than a principality in Utopia. -ThomasBabingtonMacaulay,“LordBacon”(1837)

www.theutopiachronology.org

Page 2: Issue 2013.1

2 The Utopia Chronology Fall 2013

WelcometoThe Utopia Chronology: A Journal of Utopianism.ThisintroductorysampleissueforFall2013isalsoaninvitation.Theinvitationisextendedtostudents,teachersandotherswhomaywishtocontributetoaconversationaboututopianissues.

Wewillconsiderresearch-basedarticlesandopinionpieces,shorternotesandreviews,poetry,graphics.jokesandcartoons.

Contributiontopicsinclude:utopia,dystopiaandanti-utopiainliterature,filmandothermedia;utopianisminpoliticalthought,designandcityplanning;intentionalcommunitiesandutopianisminpopularculture;andothertopicsyoumaypropose.

Page 3: Issue 2013.1

Fall 2013 The Utopia Chronology 3

Contents - Fall 2013

EditorialNote:AChronologyofUtopianDress Page4TheLibraryasaUtopianInstitution:LibrariesinBacon’sNew Atlantis,Bellamy’sLooking Backward,andthePotentialofFutureLibrariesinUtopianCommunities KathrynMcCudden Page6

CityonaHill JohnHerperger Page15

TheSilverHornofRobinHood:UtopiaasFellowship AlexMacDonaldPage16

UtopianisminthePoliticalThoughtofThomasPaine(1737-1809) LeeWard Page20

TheBaselessFabricofThisVision CollaneRamsey Page23SimCitySocieties:Destinations ColinMacDonald Page35

Contributorsto2013.1 Page36

Page 4: Issue 2013.1

4 The Utopia Chronology Fall 2013

Editorial Note: A Chronology of Utopian Dress

Ancientutopianismincludesmythsofpre-historicalparadises,suchastheGoldenAgeinHesiod’sWorks and DaysandtheGardenofEdenintheBookofGenesis(c.700-900BCE).Theseoriginalpeoplewereinnocentandtheclimatewasperfect,sothatclothingwasoptional.(ModernNaturismseekstorecreatethatprimalstateoflivingcomfortablyinnaturewithnopantson.)Inthespacebelowyoumayimagineacoupleofinhabitantsofthegoldenageorparadise.Usethesestylizedfig-leavesifyouaremorecomfortablelookingatnakedpeoplewhohaveclotheson:

AfterthedeclinefromtheAgeofGoldortheexpulsionfromEden,humanbeingswereforcedtoearntheircarbsbythesweatoftheirbrows.Thiscouldbefatteningaswellasdifficult.Themedieval“LandofCockagne”(c.1400)isnotoriousforitsriversofbeerandhousesmadeofcakes.

ThomasMore’sUtopiaof1516includessomesnarkycommentsbyUtopianchildrenabouttheambassadorsfromAnemolia.Theambassadorsappearingoldenfinerytoimpressthenativesbuttheyarelaughedatinstead.

 

 

 

Page 5: Issue 2013.1

Fall 2013 The Utopia Chronology 5

InGulliver’s Travels(1726),JonathanSwiftsatirizeswhathecallsutopian“projectors.”HealsosatirizeshumannaturewhenhedescribeshowthebeastlyYahoosdefecateonGulliver’shead.

Modernutopiandressincludesdystopianuniformswhichreflectuniformityofthought,asinBrave New World(1932)orThe Handmaid’s Tale(1985).

Onthepositiveside,modernutopiandressalsoincludesclothingwhichcoversthebodyandprovideswarmthorcooling,butmayalsoextendhumanabilitiesinvariousways--forexample,beingabletowritenotesorplayvideogamesonone’sshirt.

Editorial Note: A Chronology of Utopian Dress

Page 6: Issue 2013.1

6 The Utopia Chronology Fall 2013

The Library as a Utopian Institution: Libraries in Bacon’s New Atlantis, Bellamy’s Looking Backward, and the Potential of Future Libraries in Utopian Communities

Kathryn McCudden

Utopiasareakindofdream,avisionofabetterworld.Theycanbebothpersonalandglobalvisions,individualdreamsandcommunalgoals,andcanbeexploredthroughliterature,art,orthedesignofbuildings,clothing,communities,newtechnologies,orevensocialandpoliticalorganizations.Aslongassomethingisdesignedorcreatedwiththeintentiontoimproveuponthepresent,toprogress,wecantraceitsrelationshiptoutopianideas.Thus,alibraryshouldbeconsideredasaconcreteexpressionofutopianthought.Librariescanbedefinedinmanyways,especiallysincetherearemanydifferenttypesoflibraries.Howeverifwedefinealibraryingeneralasacollectionofrecordsorrecordedknowledgeforindividual,institutional,orpublicuseandbenefit,withemphasisonbenefit,thenlibrariesareutopianinstitutions,helpingtoimproveboththeindividualsandcommunitiestheybelongto.Inacknowledgementofthis,librarieshaveoftenbeenwrittenofinutopianliterature,notablyinFrancisBacon’sNew AtlantisandEdwardBellamy’sLooking Backward,wherethelibrariesservethecommunityindifferentbutusefulways.ByexaminingBacon’sandBellamy’splacementoflibrariesintheirutopias,andbyimaginingwhatautopianlibraryintoday’sworldmightlooklike,wecanexplorehowalibrarycontributestothebettermentofsocietyandactsasabridgebetweenthecommunityandtheindividual,andindoingsoexaminetheutopianidealsthatareaninherentpartoflibraries.

AlibraryisthecentralinstitutioninFrancisBacon’sutopia,depictedinhisshortnovel,New Atlantis.Writtenintheseventeenthcentury,New Atlantisisthestoryofautopiansocietywithahouseofknowledge

andscienceatitsheartandhelmwhosehighestgoalandpurposeis“theenlargingoftheboundsofthehumanempire”(Bacon288).Whiletheword“empire”isoftenassociatedwithmilitarymightoreconomicpower,Bacon’sutopiansareinterestedinneither;thesecludedislandcountrynamedBensalemaimsnottoexpanditsownempire,buttheempireofallpeople,theempireofhumanknowledge.Withinthecountry,theorderofSalomon’sHouseexiststocollectandfurtherhumanknowledgemuchasourownlibrariesandcentresofeducationfunctiontoday,andthestructure,purpose,andvalueofSalomon’sHousetothecommunitycanbecomparedtothatofalibrary.

AlthoughBensalemisisolatedfromtherestoftheworld,andunknownoutsideitsownborders,itmaintainstiestoitsforeignneighbours.Incollectingtheknowledgeoftheworld,Salomon’sHousesendsitsscholarssecretlyintotheworldtocollectnewideas,designs,inventions,anddiscoveries,andbringthembacktoBensalem.Asoneoftheutopiansexplainstothenarrator,atravellerwhohaslandedbychanceontheisland,“thusyouseewemaintainatrade,notforgold,silver,orjewels,notforsilks,norforspices,noranyothercommodityofmatter;butonlyforGod’sfirstcreature,whichwaslight:tohavelight...ofthegrowthofallpartsoftheworld”(Bacon272–273).

Inexpandingtheircollectionofknowledgetheutopiansdonotonlycollectinformationfromothercountries,theyconstantlyperformtheirownexperimentsanddevisetheirowninventions:Salomon’sHouseisalibrary,butitisalsoalaboratory,onewhichstudieseveryartandscienceBaconcouldthinkofandlist(Bacon288–300).Fromastronomy,chemistry,physics,mathematics,theartsofbakingandbrewing,meteorology,botany,andzoology,toevenalchemy,thelistthatBaconpresentsisfantastic,andisascompleteassomeonewritingintheseventeenthcenturycouldmakeit(Bacon288–299).Withitscollectionofknowledge,Salomon’s

Page 7: Issue 2013.1

Fall 2013 The Utopia Chronology 7

HouseadvisesthecitizensandGovernmentofBensalem,andinreturnthescholarsaretreatedwiththegreatestrespectbyBensalem’scitizens(Bacon301–302).Theplacementofsomuchvalueandprestigeuponasocietyofscholarsindicatesasocietythathasbenefittedfromthefruitsofthisscholarship,andindeed,thecharactersinNew AtlantisoftentalkofhowlifeisbetterinBensalemthenitiselsewhere,howitiskinder,cleaner,healthier,andhappier(Bacon274).

Bacon’sutopianshaveimprovedtheirsocietybyusingtheknowledgecollectedbySalomon’sHouse.However,therearethingsaboutSalomon’sHousewhichbytoday’sstandardsmightnotseemveryutopian.Forexample,Salomon’sHouseisaninsularandexclusivesocietyofscholars,andwhileitsworkmightbenefitthecommunity,itisasecretivesociety,andnotallmembersofBensalemhaveaccesstoit.TheresultisthatahighprestigeisattachedtobeingamemberofSalomon’sHouse,whichsomewhatseparatesitsmembersfromtherestofsociety.Thisresultsinakindofclasssystem,albeitonebasedonscholarlymerit,notonbirthorwealth.NotallmembersofBensalemhaveaccesstothesocietyofSalomon’sHouse;nordotheyhaveaccesstoitscollectionofknowledge,sincethemembersofSalomon’sHousedonotpublishalltheirfindings.Eachmembermust“takeallanoathofsecrecyfortheconcealingofthose[inventionsandfindings]which[themembers]thinkfittokeepsecret”(Bacon300).Thereisnopublicaccesstothislibrary;itisonlyopentoparticularmembersofthecommunity.Bycontrast,moderndaypubliclibrariesseemtobeanimprovement,sincebybeingmoreegalitariantheycanbeconsideredclosertobeingutopian.

Fromatwenty-firstcenturyperspective,theexclusivenatureofSalomon’sHousedoesnotseemveryutopian,butitcanbeaccountedforbylookingathowlibrariesexistedinBacon’stime.Intheseventeenthcentury,Britishlibrarieswerelargelyeitherprivately

ownedorownedbyinstitutionssuchaschurches,schools,orcolleges.Whilesomelibrarieswereopentothepublic,themajoritywereonlyopentomembersofthoseinstitutions,ortoscholarswhosoughttheprivilegeout,andveryoccasionallytoawiderreadership(Johnson,222–223).Baconwroteofalibrarythatisonlyopentoacertaingroupofpeoplelikelybecausetheseweretheonlytypesoflibrarieshewasfamiliarwith.Thepubliclibraryasweknowittodaydidnotbegintodevelopuntilthenineteenthcentury,andthenonlygradually.Althoughlibrariesbeforethistimeweresometimespubliclyowned,theywerenotusedbythepublicormadewidelyavailableinthewaypubliclibrariesaretoday(Johnson218).Theprogresstothemodernpubliclibrarywasgradual,andinvolvedmanyintermediatestepsalongtheway.ElmerD.Johnson,inhisHistory of Libraries in the Western World,writesthat“whatwemeantodaybythepubliclibraryisthegenerallibrarythatisnotonlypubliclyownedbutwhichisalsoingeneralusebyanycitizenwhodesirestouseit.Moreparticularly,wemeanbythepubliclibrarythemunicipalorregionalcirculatinglibrary”(218).Itisimportanttonoteinhisdefinitionthatthepubliclibrarywetypicallythinkofisonethatservicesacommunity;whilenationallibrariesplayimportantroles,whenwespeakofpubliclibrariesweusuallyrefertolibrariesservicingrelativelysmallercommunitiesofpeople.Additionally,theemphasisoncirculationisimportant.Thefactthatanymemberofthecommunitycanenterthelibraryandhaveaccesstotheshelvesisanimportantdevelopment,butjustasimportantistheabilitytotakeabookfromthepublicspaceandtransferittoaprivatespace,atleasttemporarily.Thuslibrariesservetoformabridgebetweenthepublicandprivatespheres:thisisanimportantroleinanycommunity,andonewewillexaminelater.

The Library as a Utopian Institution... Kathryn McCudden

Page 8: Issue 2013.1

8 The Utopia Chronology Fall 2013

ThatmostpeoplewouldnolongerthinkoftheexclusivityofSalomon’sHouseasutopianlikelyindicatesachangeinoursocietalvalues:todaywevalueequalitymorehighlythantheydidinBacon’stime.ThatBacondoesnotthinktwiceaboutincludinganexclusiveandprivilegedgroupwithinhisutopia,andthattodaywewouldrejectthisaspartofautopia,showsjusthowmuchsocialvaluesinfluenceourideasofutopia.Utopiasareversionsofourworld,onlybetter.Baconwritesofautopianversionoftheworldheknew,andhisutopiareflectsthevaluesoftheworldhelivedin.Salomon’sHouseisthusautopianversionofthelibrariesandsocialstructurehewasfamiliarwith.EdwardBellamy,writingattheendofthenineteenthcentury,doesthesamething.Theworldevolvedduringthetimebetweenthetwowriters,andlibrariesevolvedwithit.BellamywasfamiliarwithadifferentkindoflibrarythanBacon,onesignificantlyclosertothemodernpubliclibrarieswearefamiliarwithtoday.Healsobelongedtoadifferentsociety,withdifferentculturalvalues.Asignificantshiftinthesevalues,aswellasinhowlibrariesfunction,whotheyserve,andhowtheyarearranged,isreflectedinhisversionoftheutopianlibrary,presentedinhisnovel,Looking Backward: 2000 – 1887.

WhileBacon’snarratorreacheshisutopiabyship,Bellamy’snarratorreachesitthroughacenturyofsleep.Goingtobedonenightinthenineteenthcentury,hewakestofindhimselfintheyeartwothousand,havingsleptinatranceforonehundredandthirteenyears.AlthoughheisstillphysicallyinBoston,itisnolongertheBostonheknows;ithasbeentransformedintoautopia.Bellamy’sutopiaisdifferentfromBacon’sinmanyways,butforustherelevantfactisthatwhilethepubliclibraryisanimportantpartofBellamy’sutopia,itisnotsuchacentralinstitutionasitisinBacon’sstory.ThelibraryinthenewBostonispartofapublicbuildingcalledthe“Elephant”,abuildingcentraltothelivesoftheutopia’scitizens,andpresentineachneighbourhoodofBoston.Afterdiningtherewithhishosts,thenarrator,JulianWest,exclaimsthat“itseemeditwas

notmerelyadining-hall,butlikewiseagreatpleasure-houseandsocialrendezvousofthequarter,andnoapplianceofentertainmentorrecreationseemedlacking”(Bellamy137).

West’sfirsttouroftheElephantendsinthelibrary.Thereheandhisguidesfind“luxuriousleatherchairs...inoneofthebooklinedalcoves”andthesmallgroupsettlesdowntohaveaquietdiscussioninthisintimateandprivatespaceexistingwithinapubliclibrary,itselfexistinginthemostpublicofbuildings(Bellamy138).Inwritingaboutlibrariesinvariousliteraryutopias,KevinJ.Hayesmakesmuchofthedistinctionandrelationshipbetweentheprivateandpublicspheres.Itisathemethathasoftenbeenwrittenofinrelationtoutopianlibraries,andutopiasingeneral.Whenitis,thefocusistypicallyonanattempttoimprovetherelationshipbetweentheprivateandpubliclivesofcitizensofutopia,andisoftenaresponsetohowlibrariesexistedatthetimeofwriting.Hayeswritesthat“thoughthetypicalreadingroom[ofthenineteenthcentury]wasapublicspace,itsobligatorysilenceprecludeditfrombeingaplacewherepeoplecouldinteractandexchangeideas.Inpracticalterms,itwasamatrixofsmallprivatespacesequaltothenumberofchairsitcontained”(337).Thus,Bellamy’sideaofsmallalcovesappropriateforquietdiscussionwithinthelibrary,toallowprivacytosmallgroupsorindividualswhilestillkeepingtheminapublicspace,canbeseenasanattempttobridgethegapbetweenprivateandpublic.

WhiletheElephant’slibrarybridgesprivateandpublic,theElephantitselfisalsoaninstitutionwhichbringsthecommunitytogether,whichlinksthepublicandprivatespheres,andtheindividualwiththecommunity.WhenWesteatstherewithhishosts,hecommentsonhowintimatethediningroomtheyuseis,andisanswered:“Thisis,infact,apartofourhouse,slightlydetachedfromtherest...Everyfamilyinthewardhasaroomsetapartinthisgreatbuildingforitspermanentandexclusiveuseforasmallrental[fee]”(Bellamy134).TheElephantfunctionsasa

The Library as a Utopian Institution... Kathryn McCudden

Page 9: Issue 2013.1

Fall 2013 The Utopia Chronology 9

publicspacethatallowspeopletosocializeandbondasacommunity,whilealsoprovidingprivateorsemi-privatespacesforcomfortandrest.Thediningrooms,likethelibraryalcoves,arespacesthatexistbetweenthepublicandprivaterealms,participatinginbothandallowingtheiroccupantstoparticipateinboth.Modernpubliclibrariesalsohavespaceslikethisinthetablesandreadingareasthatcangenerallybefoundinmostlibraries.Librariesalsohelptheiruserstoparticipateinboththeprivateandpublicrealmsbyenteringthepublicspace,takingapubliclyownedbutprivatelyusedmaterialfromittotheirownprivatehomes,andthenreturningthebookandthemselvestothepublicspacewhenthebookisdue,thuscompletingtheinteractionbetweenprivateandpublic.AlthoughonlyapartoftheElephantisreservedasanactuallibraryspace,theentirebuildingfunctionsasaplacewheremembersofthecommunitycanmeetandparticipateinsociallife:afunctionofmoderndaypubliclibrariesandanimportantaspectofwhatamoderndayutopianlibraryshouldbelike.

Bellamywasclearlyconcernedwithbuildingcommunitytiesinasociety,andinbringingtheprivateandpublicrealmsclosertogether.Atonepoint,Dr.Leete,oneoftheutopians,makesaspeechconcerningtheimportanceofsocialcommunion:

Whoiscapableofself-support?...Thereisnosuchthinginacivilizedsocietyasselfsupport...fromthemomentthatmenbegintolivetogether,andconstituteeventherudestsortofsociety,self-supportbecomesimpossible.Asmengrowmorecivilized...acomplexmutualdependencebecomestheuniversalrule.Everyman,howeversolitarymayseemhisoccupation,isamemberofavastindustrialpartnership,aslargeasthenation,aslargeashumanity.(Bellamy121)

Bellamy’sconcernwithbringingthepublicandprivatespheresclosertogetherwaslikelymotivatedbyhisviewthatsuchaconnectionwasnecessarytohumankind’sfurtherdevelopmentandprogress.If

progressrequiresclosertiesbetweenpeople,closerpartnershipsmadebylargergroupsofpeople,thanperhapsencouragingsuchpartnershipsandsenseofcommunitywillproduceprogress.

Inspiteoftheirdifferences,Bacon’sandBellamy’sutopianlibrariesshareacommonelementinthateachfunctionsforthebenefitofsociety.ThelivesofBellamy’sutopiansareclearlyenrichedbysuchinstitutionsastheElephantanditslibrary,andalthoughSalomon’sHouseengagesinakindofcensorship,andelitism,itsscholarsalwaysworktowardsthebettermentoftheirsocietyasawhole,anditscitizensarehappierforit.Thisisultimatelythegoalofanyutopianinstitution.

LymanTowerSargentwritesthat“allutopiasaskquestions.Theyaskwhetherornotthewaywelivecouldbeimprovedandanswerthatitcould”(5).New Atlantisisaseventeenthcenturyutopia,andthusacommentonhowtoimproveseventeenthcenturysociety.Similarly,Looking Backwardisanineteenthcenturyutopia,andacommentonhowtoimprovenineteenthcenturysociety.Althoughaspectsofthesecommentariesarestillapplicabletothetwenty-firstcentury,someonewritingaboutautopiancommunitytodaywillhavedifferentvalues,andfocusondifferentthings.Inthetraditionoffictionalutopias,letusimagineamodernversionoftheutopianlibrary,whichwouldfunctionasasinglepartofeitheralargerutopiancommunity,orasautopianinstitutioninanycommunity,designedtoimprovecommunityspiritandtheconnectionbetweentheindividualandsociety,andbetweentheprivateandpublicspheres.Withthisinmind,letusexaminehowamodernutopianlibrarymightlookandfunction.

Inimaginingadesignforautopianlibrary,wemustthinkabouthowpeoplelearn,andaboutmakingaplacewherepeoplearecomfortabletopursuetheirowninterestsattheirownpace,whilehavingenoughsupportandguidancetodosoeffectively.Autopianlibraryshouldfindabalancebetweentoo

The Library as a Utopian Institution... Kathryn McCudden

Page 10: Issue 2013.1

10 The Utopia Chronology Fall 2013

muchstructureandnotenough,abalancewheretheeducationalinstitutionispresentbutnotdominantoverthecurriculum.Iflearningisgoingtobeutopian,ithastobelargelyself-directed,andmotivatedbythejoyoflearningsomethingyoureallywanttolearn,notsomethingforceduponyoubyarequiredcurriculum.However,institutionsandthestructuredlearningtheyofferarestillhelpful,sincetheycanserveasaguidetopeoplewhoareunsurewhattostudyorwheretofindtherightmaterialforwhattheyareinterestedin.Whenyouimaginethethousandsofbookswrittenonanygivensubjectitcanbeextremelyintimidatingforindividualstostartforfearofbeinglost.Insuchcases,institutions,theircurriculumsandstaff,canhelpintroducevarioussubjectsandsources,untilindividualsfeelcapableofself-directedstudy.

Thestructureoftheutopianlibraryisprovidedbythelibrarians:theshelvingsystem,andcommunityclassesorganizedthroughthelibrary.Art,music,oracademicclassescouldbeoffered,andwouldbetaughtbyvolunteersinthecommunity.Thiswouldinvolvea

verygrassrootsorganization:abulletinboardneartheentranceofthelibrarywouldhavesign-upsheets,kindofa“wanted/selling”classifieds,butbasedonafreetradeofknowledgeratherthananexchangeofmoney.Peoplelookingtolearnsomethingwouldwritewhattheyareinterestedinlearningononesheet,andifanothermemberofthecommunityfeelscapableofteachingthatsubject,heorshecanvolunteerandanewsheetwillbehungforpeopletosignupfortheclass.1Ifnoteachersliveinthecommunity,thelibrarystaffmightneedtorecruitateacherfromoutsidethecommunity.

UnlikeBacon’slibrary,thisutopianlibrarywouldbeopentothepublicandfree.Thoughitwouldkeeplate-chargesinplacetoensurethetimelyreturnofbooks,itsfinancialsupportwouldlargelycomefromgovernmentfunding.Asmallfeemayalsobechargedforattendingtheclassesofferedbythelibrary.Thefundingwouldgotosupportupkeep,acquisitions,andstaff.LibrariansareessentialtotheutopianlibraryasIhaveimaginedit,andwouldprovidestructuretotheenvironmentbyenforcingtherulesofborrowingandreturningbooks,aswellasbyhelpinganyonewhoneedsadviceorguidance.Thestaffwouldalsobooktheroomsforthecommunityclassesandhelptoorganizethem,andwouldprovidethesameservicesthatlibrariansdoinmodernlibraries.Beyondthisthelibrarianswouldbeinstrumentalinencouragingandenablingthegrowthofthecommunityspiritthatisthekeytotheutopianlibrary.Theyprovidethehumanelementthatmakesthelibrarywork.That

The Library as a Utopian Institution... Kathryn McCudden

1Inthe2006movieAccepted,thenew“university”usesasimilarsystemforsigningupforclasses.

Page 11: Issue 2013.1

Fall 2013 The Utopia Chronology 11

biography,andtravel;thesecond,science,philosophy,andreligion;andthethird,poetry,drama,fiction,andart”(Johnson352).Thebookswouldstillbecataloguedandyoucouldfindanyonebookeasilyinanonlinedirectory,butaneworganizationsystemwouldhopefullymakeiteasiertobrowsetheshelves.Searchingasubjectintheonlinecataloguewouldbringupcrossreferencesfromallareasofthelibrary.ItisimportanttonotethatthissystemisnotdesignedasareplacementfortheDeweyDecimalSystemortobeusedinformalacademiclibraries,butratherasasupplementtoexistalongsidethem.

Inadditiontothestructureofthecataloguingsystem,thestructureofthebuildingisimportant.Architecturecanaffectnotonlyhowthebuildingfunctionsbutalsohowpeoplefeelwhentheyenterit.Thisutopianlibraryisdesignedtofeelveryopenwhenyouwalkintoit;itincorporatesthestructureofaglobebecauseIwantedtheretobethesenseoftheworldcontainedwithinthisbuilding,toindicatethatitisacollectionoftheknowledgeandartoftheworld.Also,Ifeelthatdomescanbesimultaneouslyintimateandawe-inspiring,andwhileanimportantthemetothislibrarymustbeaccessibility,itshould

makesitaplacethatisinvitingandinteractive,andaboutcommunityandasharedjoyinlearning.Theyaretheoneswhocanlistentowhateachcommunitywantsoutofthelibraryandmaketheappropriateadjustmentswithinthelibrary,toadaptittoitssurroundings,andallowittogrowwiththecityorcommunity.

Thelibrariansandtheclasseswouldprovidesomeofthestructureofthelibrary,butfurtherstructurewouldalsobeprovidedbythephysicalorganizationofthebooksandshelves.Thelibrarycontainsadifferentfilingsystemforbooksthanwhatiscurrentlyconventional.InthislibraryIwanttogetawayfromtheDeweyDecimalSystemtomakethespacefeelalittlelessformallyscholastic.Althoughitisanefficientsystem,Ithinkitcanbeintimidatingtopeoplewhoareusingitforthefirsttime.Additionally,theintroductionofanewcataloguingsystemwouldlendafreshnessanduniquenesstothelibrary.WhiletheDeweyDecimalSystemisthecataloguingsystemofchoiceinlibrariesaroundtheworld,anycataloguingsystemisarbitrary,andcanbechangedatanytimetosuitthepurposeofthelibrary(Manguel197–198).Thebenefitofthisisthatthecommunityitselfcoulddecidehowtoorganizethebooks,thusmakingthelibrarymorepersonalizedtoitscitizens.Howeverasageneralguide,thecommunitycouldorganizeitbysubject,oralphabeticallybyauthorortitle,oranynumberofways.Oneinterestingway,fallenoutofgeneraluse,wasinventedandrecommendedbynineteenthcenturyAmericanlibrarian,ThaddeusMasonHaris,who“dividedallbooksintothreeclasses;memory,reasonandimagination.Thefirstclassincludedallphasesofhistory,

The Library as a Utopian Institution... Kathryn McCudden

Page 12: Issue 2013.1

12 The Utopia Chronology Fall 2013

alsogivepeopleenteringitforthefirsttimeafeelingofpossibilityandexcitement.Itshouldinstilakindofrespectforthisworldofliteratureandknowledge,whilenotintimidatingsomeonewhoisenteringitforthefirsttime.Whenyouwalkinyouenterontoaraisedplatform,belowwhichisapublicreadingarea.Radiatingfromthiscircularreadingareaarethebookshelves,sothatfromtheentranceyoucanseefarintothecornersofthelibrary,makingtheshelvesfeelaccessibleanduser-friendly.Thesecondandthirdfloorswouldbedesignedtohavebalconies,sothattheycouldalsobeseenfromtheentrance,toleavenohiddenofficesandhierarchieswithinthelibrary:everythingisimmediatelyoutintheopen.

Thethirdfloorofthelibraryiscomposedofseparatesoundproofroomstobesignedoutforpersonalstudying,orcommunityorganizedclasses.Additionally,anindoor/outdoorroofgardenwouldprovidegreenspaceallyearround.Thisgardenwouldaddextrareadingspace,aswellasaquietplacetoenjoynatureandtheviewsoftheneighbourhoodsurroundingthelibrary.Extracommunityclassescouldalsobeofferedongardeningorbotanybyusingtheseroofgardens.

Readerswouldbewelcometositinthemainareaneartheentranceofthelibrary,oratthetableslookingdownonthis

areafromthesecondfloor.Theycouldalsobookapersonalstudyroom,solongasitisnotinuseforacommunityclass.Additionalseatingcouldbefoundinlittlecornershereandtherewithtablesandcouchessothatreaderswhowishedformoreprivacywhilestudying,butnottheseclusionofaprivateroom,wouldhavetheirownhappymedium.ThesecornersorroomswouldfunctioninthesamewayasBellamy’slibraryalcoves,providingasemi-privatespacewithinthelargerpublicspace,andallowingforafreedomofmovementbetweenthetwospheres.

The Library as a Utopian Institution... Kathryn McCudden

Page 13: Issue 2013.1

Fall 2013 The Utopia Chronology 13

Bybenefittingtheindividual,librariesindirectlybenefitthecommunity,buttheyalsobenefitthecommunityinamoredirectwaybyactingasagatheringplaceforpeopletomeetandsocialize,orasamediumthroughwhichcommunityeventscanbeorganizedandneighbourhoodissuesaddressed.Thecommunityclassesthatcouldbeorganizedthroughitwouldhelpneighboursgettoknoweachother,andallowpeopletolearnfromeachother.Thiswouldbuildrelationshipsinthecommunity,butwouldalsobeagreatthingforthoseindividualswholearnsomethingneworgaintheexperienceofteachingsomethingtheylove.Itwouldbeself-motivatedsinceyouwouldsignyourselfupforclasses.Ithinkthatself-motivationiskeytothekindoflearningenvironmenttheutopianlibraryshouldoffer.Toencouragethis,therewouldbenodegreesordiplomasattachedtothecommunityclasses,andnoprestigeintakingthem;takingaclassmustbepurelyforenjoymentandself-improvementifitisgoingtosatisfyautopianidealofeducation.Intheseways,theutopianlibraryconnectstheindividualandthecommunity.

The Library as a Utopian Institution... Kathryn McCudden

Inaworldwherewehavethemodernconveniencesoftheinternet,andanincredibleamountofinformationatourfingertips,theutopianlibraryshouldbeaninstitutiontoreturnindividualstothecommunity:toformthemintoacommunityinsteadofjustagroupofpeoplelivinginproximitytoeachother.BaconandBellamywroteoftheirideallibrariesasfulfillingsomethingtheysawlackingintheirsocieties.Theinternetisfullofcommunities,ofdiscussionsandsocialmediaandwaysofparticipatinginwhicheversocialgroupyouchoosetobeapartof,andforthisandmanyotherreasonsitisanincredibleadvancethatwilltakeusfarintothefutureandotherfutureutopias.Butwecannotignoreourphysicalcommunitiesjustbecausewehavetheopportunitytoestablishvirtualones.Witheveryyearmorebooksareavailableonline,andoftenforfree,onsitessuchasProjectGutenberg(itselfautopianenterprise,designedtoprovidefreereadingmaterialfromthepublicdomaintoasmanyreadersaspossible,fortheirenjoyment,benefit,andknowledge).Withsuchadvances,itispossiblethatfewerpeoplewillneedtovisitlibrariestoobtainhardcopiesofbooks.Howeverthisdoesn’tmeanthattheroleofthelibraryisinanywaydiminished,especiallysincethelibraryanditsstaffcouldhelppeopleaccessandsiftthroughtheinformationavailableonlineinawaythataninternetsearchenginemightnotbeableto.

Page 14: Issue 2013.1

14 The Utopia Chronology Fall 2013

Thiswilllikelybecomeanimportantrolethatlibrariesplay,buttheutopianlibrarywouldbemostefficientandeffectivebyexpandingitsalreadyexistingroleasabridgebetweenanindividualandhisorhersociety,andbybecomingatoolofsocialcommunion.

Thisparticulardesignforapubliclibraryismeanttobalancethestructureofaneducationalinstitutionwiththefreedomofself-directedstudy.Anystructurethelibrarywouldhavewouldmainlybecreatedbythecommunityitself,notimposedonitbytheinstitutionofthelibrary.Thislibrarywouldserveasacommunitycentre,anintegralpartofthecityortowntowhichitbelongs,andameetingplace,whileinspiringpeopleandexposingthemtonewandinterestingthings.Citizeninvolvementiskeytoitssuccess;peoplearetheonetrulyimportantpartofanysocialsystem,andthelibrary’saccessibilityandwelcomingatmosphere,aswellasthecommunityclassesavailabletoallpeopleasbothstudentsandteachers,shouldencouragethenecessaryinvolvement.OnethingprominentinbothBacon’sNew AtlantisandBellamy’sLooking Backward,andcommontomanyotherliteraryutopias,isthatthecitizensarepassionateabouttheirsociety;theyareinvolved,proud,andexcited.Inspiringthosekindsofsentimentsisexactlywhatthisdesignforautopianlibraryisintendedtodo,whatanyutopiandesignultimatelyintendstodo.Alllibrarieshaveelementsofutopianthoughtattheircore;whetherbycollectingandexpandinguponhumankind’sknowledge,orbyimprovingoneindividual’smind,orbyimprovinghowacommunityinteractswithitscitizens,librariesareautopianexperimentgoingonarounduseveryday,andbyrecognizingtheirimportancetoacommunitywealsorecognizetheirpowertoeffectchange.

The Library as a Utopian Institution... Kathryn McCudden

WORKS CITED

Accepted.ByStevePink.UniversalStudios.August16,2006.

Bacon,Francis.“New Atlantis.”EssaysandNew Atlantis.EditedbyGordenS.Haight.Roslyn,NewYork:WalterJ.BlackInc.,1969.

Bellamy,Edward.Looking Backward:2000–1887.EditedbyAlexMacDonald.Peterborough,

Ontario:BroadviewLiteraryTexts,2003.

Hart,Michael.“ProjectGutenbergMissionStatement.”ProjectGutenberg.From

http://www.gutenberg.org/wiki/Gutenberg:Project_Gutenberg_Mission_Statement_by_Michael_Hart,accessedonDecember22,2011.

Hayes,KevinJ.“ThePublicLibraryinUtopia.”Libraries and the Cultural Record,Volume45,Number3(2010):333–349.

Johnson,ElmerD.History of Libraries in the Western World.Metuchen,NewJersey:TheScarecrowPress,1970.

Manguel,Alberto.A History of Reading.NewYork:PenguinBooks,1996.

Sargent,LymanTower.Utopianism: A Very Short Introduction.NewYork:OxfordUniversityPress,2010.

l l l

Page 15: Issue 2013.1

Fall 2013 The Utopia Chronology 15

City on a Hill

John Herperger

AsIwaswalkinghomeonedayMyfriendranuptome,“I’vefoundthemostamazingplace,Youhavetocome,”saidhe.

Intrigued,IwentaftermyfriendToseewhatcausedhisjoy,HeledmetoadarkenedcaveSkippinglikeasmallboy.

AswewalkedwepassedasignIstruckamatchtosee--“WelcometoUtopiaComein,havefun,befree.”

Mycuriositywaspiqued“Utopia?”thoughtI,“CouldthisbewhereIspendmydaysHappyuntilIdie?”

AndthenwestrodeoutofthecaveAgainintothelight,IstoppedandgaspedasmywideeyesBeheldawondroussight.

AcityshoneuponahillAndeverywhereIgazed,AllthepeoplesmiledasifTheydiditeveryday.

YetthenmyeyecaughtonasignJustbesidethecave,“Thesearetherulesforlivinghere”Therockhadbeenengraved.

“TakewhatyoulikefromanystoreItallcomesfreeofcharge,EatyourfillatrestaurantsPortionssmallorlarge.”

“DoasyoulikeforeverydayYouspendwithinourwalls,RelaxalldayorplaysomegamesItreallyisyourcall.”

“ForallthesegoodsandservicesWeonlyaskonething,Pledgetousallthatyouare,Yoursoul,untoourKing.”

“Myfriend,”Isaid,“IwillnotstayThoughitlooksratherwell,WorsewouldbebutonedayhereThanalloftimeinHell.”

Photos: (top) San Francisco from Marin Headlands; (below) San Francisco Fire, 1906 Source: Wikipedia

Page 16: Issue 2013.1

16 The Utopia Chronology Fall 2013

The Silver Horn of Robin Hood: Utopia as Fellowship

Alex MacDonald

The Silver Horn of Robin Hoodisachildren’sversionofthestorybyDonaldE.Cooke.ItbeginswhenRobingoestotheNottinghamFairandwinsagoldenarrowwithhissuperbarchery.TheSheriffarrangestotrickRobinintokillingoneoftheKing’sdeer,forcinghimtobecomeanoutlawinSherwoodForest.Oneadventure

followsanotherinrapidsuccession.Robinbecomesleaderoftheoutlawbandbyprovinghisskill.HerecruitsLittleJohnandFriarTuck.TherearemanyskirmisheswiththeSheriffandhaughtychurchmen,anddangerousforaysintoNottingham.EventuallytheSheriffandPrinceJohnaredefeated,KingRichardreturnsfromthecrusadesandmakesRobinEarlofHuntingdon,RobinandMarionaremarriedandforawhilealllivehappily.ButyearslaterRicharddies,RobinmustfleeagaintotheforestandintheendhediesbytreacheryatthehandoftheSheriff’sdaughter.Suchisthestory,andafamiliaroneitis,butwhyshoulditbetalkedaboutinrelationtoutopias?Twoexamplescanhelpwiththisgenericquestion.

ThefirstexampleisalmostaswellknownasRobinHood—itisSirThomasMore’sUtopia.More’sUtopiapresentsuswithanimaginarysocietywhichwearetoregardasbetterthantheexistingsocietyof16thcenturyEurope,andthebooknamesthetraditionofwritingaboutbettersocietieswhichgoesbacktobeforePlato.Theothersideofthetraditionisthedystopia,animaginarysocietywhichweare

toregardasworsethantherealworld.Thecriticalelementisthenotionofanimaginarysociety,andbythisdefinitionRobinHoodseemstofailasautopiabecausealthoughfictionalweareclearlytotakethisasarepresentationofmedievallifeasitreallycouldhavebeen.However,anotherexamplewillbeuseful.AliceMunro’swonderfulshortstorycalled“BoysandGirls”issetinruralOntariointhemid-twentiethcentury.Thecentralcharacterisagirlwhoseesherfather’swork—heisafoxfarmer—asexciting,andresistsbeingrelegatedtothekitchentoworkwithhermother.Theclimaxofthestorycomeswhenthegirlistoldbyherfathertoclosethegateinordertotrapthemarewhoisgoingtobeshotforfoxfood.Insteadofobeying,thegirlflingsthegatewideandletsthemareescape.Butdespitethissymbolicgestureofliberationofthefemalethestoryendswithagratingpatronization—herfatherexcusesherforwhatshedidbyallowingthatsheis“onlyagirl.”Thisstoryportraysitsworldinarealisticwayandisclearlynotautopianstory.However,itoffersastrongcriticismofsocietyandinanothersensecouldbesaidtoinvolveanimpliedutopia,aworldinwhichgirlsaretreatedequitablywithboys.Thispointisobviousenough,perhaps,butitillustratesthatalthoughtheutopianandnon-utopianaredistinguishedbywhetherwearetoseethesocietyasanalternativeworldorarealisticportraitoftheexistingworld,thetwonotionsareactuallycloselyrelated,likeimagesinmirrors.More’sUtopiadoesboth,foritinvolvesaportraitofEnglandasitactuallyisandaportraitoftheutopiaasasocietywhichcouldbe.

AlthoughThe Silver Horn of Robin Hooddoesnotinvolveafullydevelopedalternativesocietyitgoesbeyondthe“impliedutopia”ofsocialcriticismwefindin“BoysandGirls”andmanyotherrealisticworks.Andthisisbecauseitactuallyshowsusanalternativetothesocietyoftheday.ThroughoutthestorytheportionofthedeepgreenwoodaroundtheTrystingOakfunctionsasautopianspaceinrelationtothe“real”worldofNottingham,somethinglikeBookIIofUtopiafunctionswithrespecttoBookI.

Page 17: Issue 2013.1

Fall 2013 The Utopia Chronology 17

ItisnotonlythatthisplaceisassociatedwithfeastingandabundanceandisautopiaintheGoldenAgeorCockagnesense.Buttheoutlawbandissomethingofanintentionaloralternativecommunityinrelationtothesurroundingsociety.InthecaseofRobinHoodthecentralethicofthegreenwoodisfellowship,whilethatofNottinghamismastery,andthisisreflectedinvariousways.

Thegreenwoodstandsfortheideaofequalityofpersons,asopposedtothenotionofprecedencewhichispartoftheSheriff’sworld.Robin’spreferenceforthismodeisindicatedearlyinthestorywhenhegivesthegoldenarrownottotheSheriff’sdaughter,becauseofherposition,buttoMaidMarion,becauseofherflashingeyes.Inadifferentway,JohnLittle,whoisahugemanbyaccidentofbirth,isrechristenedbytheoutlawsasLittleJohn,playingonthenotionofadvantageandimplyingthepowerofthecommunitytodeterminerelativestatus.TherejectionofprecedencebymerepositionisnowheremoreclearlyindicatedthaninthemomentwhenSirRichardoftheLeareturnstopayhisdebt:

…SirRichardtriedtopersuadeRobintotakehishorsebutRobinwouldhavenoneofit.Sotherewasnothingforthegoodknighttodobutdismountandwalkbesidetheoutlaw,leadinghispalfreybythebridle.Deeplytouchedbythisshowofrespectfromagreatknight,Robinknewnotwhatheshouldsay.Butthetwomenwerefastfriendsinthatinstant,andtheystrolledalongthewoodedlanewithawarmbondofmutualrespectbetweenthemthatwasmoreeloquentthanwords.(215)

Oneoftheinterestingthingsaboutthestoryishow,althoughRobinisrespectfultolegitimateauthority,forexamplefiercelyloyaltoKingRichard,theeffectofsuchpassagesasthisoneistodeconstructthenotionofhereditaryorarbitraryrankandputinits

placeademocraticequalityofpersonswhosepersonalcharacteristicsdeterminetherespectwithwhichtheyshallbetreated.IwouldsaythisdoesnotresultfromthefactthatthisisanAmericanversionofthestory,butthatthedemocraticimpulseisanessentialfeatureofthelegendofRobinHoodfromitsbeginnings.

Closelyrelatedtothenotionofequalityisthenatureofauthorityanditssource.Withinthestorythereisadialecticofpowerbetween,ontheoneside,KingRichardandRobinHoodand,ontheotherside,PrinceJohnandtheSheriff.Robinbecomesleaderoftheoutlawbandbyexcellingallothersintheirchosensportofarchery,andalthoughhewaschallengedeventhechallenger“joinedinthecheerandwasasloudinhispraiseastherestwhenWillO’Th’Green’ssilverhornwaspresentedtoRobinasatokenofleadership”(49).WhatthismeansisthatRobin’sauthoritytogoverntheoutlawscomesfromtheconsentofthegovernedthemselves.UnliketheSheriffandPrinceJohn,whoseauthorityisbasedonforceandthethreatofforce,Robinhasthewillingco-operationofhismen,whichisattestedtobySirRichardoftheLea:

RobinHood’ssecretishimself.Heisbrave,generous,and,aboveall,fairinhisdealingswithallmen.Thosewhofollowhimdosooftheirownfreewillandnotthroughanycompulsion.Thushisordersarerespectedandarecarriedoutbecausehismentrusthim……IjudgeitmatterslittletoRobinHoodwhetheramanbeofhighorlowdegree,solongashebehonest.(223)

AcharacteristicoftheoutlawcommunitywhichisnotsharedwiththeSheriff’scommunityisconcernforwholepersons.TheSheriff’shenchperson,theBishopofHereford,issettomarryyoungmistressEllentoasour-facedoldknightforpoliticalreasons.RobinandtheoutlawsstepinandseethatshemarriesAlan-a-Dale,hertruelove.TheBishopregardsEllennotasapersonbutasachesspiecetoserveeconomic

The Silver Horn of Robin Hood Alex MacDonald

Page 18: Issue 2013.1

18 The Utopia Chronology Fall 2013

andpoliticalpurpose,andinthesamewaywesensethattheSheriff’ssoldiersaremerefunctionariestobeexpendedratherthanindividualswhocountforsomething.ThisradicallydifferentvaluationofthehumanpersonisoneofthemoststrikingdifferencesbetweenNottinghamandthegreenwoodutopia.AnothermanifestationofthelackofrespectforpersonsislyingasatacticoftheSheriff’sside.Wordsarechosentoconcealorequivocateandtheunspokenrealityisthattheotherpersonismerelyanobjecttobemanipulatedratherthananequalwhodeservestohearthetruthasbestoneisabletospeakit.

Oneofthemostilluminatingfeaturesoftheuseofpowerishowtheweaknessesofothersaredealtwith.ItisstandardpractiseintherealpolitikworldoftheSherifftoidentifytheweaknessofanotherandusethatweaknesstodefeathimorher;forexampletheplotterscalculatethatRobin’sfondnessforarcherycontests,orhispenchantforrescuingacapturedcomrade,willlurehimintoNottinghamsothathehimselfcanbetaken.InabroadersensetheSheriffandhislackeystakeadvantageoftherelativeweaknessofthefarmersandtradespeopletotaxthemmercilessly.Robin’sworld,ontheotherhand,isgovernedbythe“ForestLaw”:“Torespectthebrave;toprotecttheweak;tohelpthepoor;andtopreyuponinjustice…Whiletherewerealwayssomewhogrumbled,mostoftheboldoutlawswereproudoftheircodeandwouldhavediedforitaswellasfortheirstaunchleader.”(51)Thereisagreatironyinthis,ofcourse:theSheriff,ostensiblythekeeperoflawandorder,isinrealityapredatorwholivesbyjunglelaw,whereasRobin,ostensiblyanoutlaw,isinrealitythekeeperofahumaneandcivilizedcodeoflaw.

Adialecticwovensubtlythroughoutthenovelisthetensionoftworadicallydifferentkindsofpoliticalvision.Theword“political”canhave,ofcourse,anegativeconnotation,meaningtheinsincerecurryingoffavourtowinsupport.ThisisverymuchthenatureofpoliticsfortheSheriffandPrinceJohn.

Theyaremenoflittlehorizonswhosefocusisuponatwo-dimensionalboardgameofpowerpolitics,andtheirownpower.Theothersenseof“political”isthepositivenotionofseekingtobuildaconsensusamongpeopleinordertoachieveworthwhilethings.Thevisionisoutward-lookingandmotivatedbyprinciple.InthecaseofRichardthelessonisthateventhisisnotenough,forRichardlookstothemis-guidedcrusadesandneglectshisresponsibilitiesathome.Robin,however,hasaclearvisionofEnglandandhowitmightbeifconcernforthecommongoodweretoreplacethenarrowself-interestofleadersliketheSheriffandPrinceJohn.Robinmakesnolongspeechesaboutthis,buthispoliticalviewsareevidentinwhathedoes—as,forexample,whenheandLittleJohnareescapingfromNottinghamandheinsiststhatJohngetstosafetyfirst(178).Thus,notonlyisthegreenwoodasortofutopia,analternativekindofsociety,butitalsopointstowardanimpliedutopia—anEnglandinwhichfairdealingandrespectforpersonswouldprevailandinwhichfellowshipratherthanmasterywouldbetheessentialspirit.ThepartiallyrealizedutopiancommunityofSherwoodhasacounterpartinotherworksofliteratureforchildren,oneexamplebeingThe Casket and the SwordbyNormanDale(1955).ThecentralcharacterisJeremyShepherd,whogetsthemeaslesandaspartofhisrecuperationissenttovisithisAuntEleanorintheWestcountry.AuntEleanor’scottageisjustoutsidethegreatwallofanoldestatecalledCastlecombe.JeremyhearsmysterioustrumpetcallscomingfrombehindthewallandsoonhehasgotinsidetojoinCliveandSallyPalfrey.ThePalfreychildrenarerightfulheirstotheestatebutithasbeentakenoverbyMungoMcDougal,awealthybusinessmantowhomthechildren’sgrandfatherhadgoneforaloan.AftermanyadventuresJeremyandthePalfreysfindtheoldcasketandswordandsavetheestatefromMungowhoseplanwastoteardowntheoldandreplaceitwithsteel,concreteandanairfield,amoderndystopia

The Silver Horn of Robin Hood Alex MacDonald

Page 19: Issue 2013.1

Fall 2013 The Utopia Chronology 19

toreplacethepastoralparadise.OneoftheclimacticscenesisoneinwhichMungotriestoforcefromthecapturedJeremythewhereaboutsoftheotherchildren.Jeremyisfrightenedbutherespondsbravely:

“IfyouknewtheParkaswellasCliveandSallyyouwouldn’thavetoaskmeaboutthehide-out.You’dhaveguessedthemostlikelyplaceandsentsomeonetolook.Butitisn’tonlythat.Youdon’treallyknowCastlecombeatall.Youmayhavebeenbornhere,butyou’reastrangerjustthesame.Therearesomanythingsthatyoudon’tunderstand.Youthinkthetrumpet-callsaresilly,buttheyaren’t.Andyoudon’tunderstandaboutsongs.”“Songs?”McDougalrepeatedblankly.“Areyouraving,boy?Whatareyoutalkingabout?”(153)

WhatweseehereisthesamemotifoffellowshipandsolidarityamongthechildrenaswasfoundamongtheoutlawsofSherwood,inthiscaseorganizedaroundrejectionofMcDougal’sutilitarianinabilitytoappreciatewhatisoldandbeautiful.

AmorerecentexampleisHarry Potter and the Philosopher’s StonebyJ.K.Rowling(1997).Neithertheordinaryworld,inwhichtheorphanHarryPotterismadetoliveunderthestairsbymiserablerelatives,northealternativeworld,inwhichthereareevilwizardsandspitefulteachersandstudents,isutopian.ButoneofthehugedifferencesforHarry,betweentheordinarymugglesornon-magicworldandthemagicworldofHogwarts,isthefactthatatHogwartsHarryhasfriends;RonandHermionesharehisadventureagainsttheevilwizardVoldemortandweseethesamevaluesoffellowshipandsolidarityasinthegreenwood.

WhatIamsuggestingisthattheoutlawsinSherwoodForest,JeremyandthePalfreysatCastlecombe,orHarryandhisfriendsatHogwarts,constitutepartiallyrealizedintentionalcommunitiesassociatedwithspecialplacesandcentredonthenotionoffellowshipasopposedtomastery.Forthisreasonsuchstoriesmaybeplayingoutforusoneoftheprimaldramasinvolvedingrowingup—thesenseofequalityandfellowshipamongchildreninrelationtothemasteryofparentsandteachers.Ofcourseitwouldnotdotoromanticizechildhoodortoforgetthatsomechildrenlearnveryearlythetacticsofdomination,yetIthinkweoftencarrywithusfromchildhoodamemoryoffellowshipwhich,ifwearefortunate,wemayfindagain,andmoredeeply,inouradultlives.

REFERENCES

Cooke,DonaldE.The Silver Horn of Robin Hood.PhiladelphiaandToronto:JohnC.WinstonCompany,1956.

Dale,Norman.The Casket and the Sword.London:

JamesBarrie,1955.More,Thomas.Utopia.ed.RobertM.Adams.New

York:W.W.Norton&Co.,1992[1516].Munro,Alice.“BoysandGirls”inDance of the

Happy Shades,forewordbyHughGarner.Toronto:RyersonPress,1968.

Rowling,J.K.Harry Potter and the Philosopher’s

Stone.London:Bloomsbury,1997.

The Silver Horn of Robin Hood Alex MacDonald

l l l

Page 20: Issue 2013.1

20 The Utopia Chronology Fall 2013

Utopianism in the Political Thought of Thomas Paine (1737-1809)

Lee Ward

Fromwhatwenowsee,nothingofreforminthepoliticalworldoughttobeheldimprobable.ItisanageofRevolutions,inwhicheverythingmaybelookedfor.(ThomasPaine,The Rights of Man,PartI,1791,262)

Inhisrecentstudy“TomPaine:Utopian?”MarkJendrysikastutelyobservesthedifficultyinassessingtheutopiancharacterofathinkerwhosepoliticalprojectionsandaspirationshavebeensubstantiallyrealizedinthecenturiessincehisdeath:“Isitpossibletobeconsideredutopianinoneeraandmundaneinanother?”1Thenewworldorderthathasemergedsince1989,namelyaglobalassociationoflargelypeacefuldemocraticregimesbroadlycommittedtohumanrightsandfreemarkets,iscertainlyapoliticalvisioncongenialtoPaine’slegacy.However,itisnotatallobviousthattherangeanddepthofPaine’sutopianismisexhaustedbythecatalogueofpoliticalreformsheproposedandsupported.Indeed,whatIproposetodointhispieceistochartadifferentinterpretivepaththanwetypicallyseewithPaine.Thefirstobservationisthatwewouldbewellservedtodistinguishbetweenqualitiesorcharacteristicsthatpertaintopoliticalvisionaries,ontheonehand,andtoutopianthinkers,ontheother.Theseneednotbemutuallyexclusivecategories,andIwouldsuggestthatPaineisarguablybothavisionaryandutopian.Thevisionaryforecastsorproposesconcretepoliticalprojectsthathavetwodefiningtraits.First,theseprojectsarerealized,howevergradually,intime,evenifovercenturies.Thatis,visionariesareidentified

retroactively.Second,thispoliticalvisionisbasedonatheoreticaldeductionfromcertainprimaryprinciplesofhumannatureoranoverarchingconceptofprogressivehistory.Bythese

criteria,Paineiscertainlyavisionary.InCommon Sense(1776)heproposedthebasisforademocraticcontinentalunionoftheAmericancoloniesthatwassubstantiallyrealizedin1788.IntheRights of Man(1791-2)PainenotonlyofferedaspiriteddefenseoftheFrenchRevolutionagainstitsconservativearch-criticEdmundBurke,healsopowerfullydemonstratedthepracticalimpossibilityofeverreturningtotheinequalityoftheancien régime.Paine’ssystematicattackontraditionalChristianityintheAge of Reason(1794)clearlyadumbratesthemodernistcritiqueofscriptureandreligiousorthodoxy.Finally,inPaine’slastmajorworkofpoliticalphilosophyAgrarian Justice(1795)heforeshadowsthemodernwelfarestatewithproposalsthatincludeanoldagepensionsystemandacashpaymenttoallcitizensintendedto“compensate”forthelossofthenaturalrighttotheuniversalcommons.Thus,whilePainewasperhapslesstheoreticallysophisticatedthansomeofhiscontemporariessuchasKantorWollstonecraft,onecouldarguethatasapoliticalvisionaryPainehadagreaterintuitivesenseoftheprofoundlydemocraticimplicationsofnaturalrightsphilosophythananyotherfigureofhisage.

Image: Thomas Paine by Laurent Dabos (Wikipedia)

Page 21: Issue 2013.1

Fall 2013 The Utopia Chronology 21

Itisnotmyintentionheretodefineutopianism.Thatisclearlybeyondthescopeofthepresentstudy.However,IwouldliketoindicatesomeofthefeaturesofPaine’sthoughtwhichextendbeyondthevisionary.IfPaineisutopianitisnotduetoanyofthespecificpoliticalprojectsheespoused,butratherIwouldsuggestthataseminalprinciple—Paine’stheoreticaldistinctionbetweengovernmentandsociety—isamorefruitfulbasisforhisutopianism.PerhapsthemostimportantstatementofthisdistinctioninPaine’scorpusoccursintheopeningpagesofCommon Senseinwhichheargues:

Societyisproducedbyourwants,andgovernmentbyourwickedness;theformerpromotesourhappinesspositivelybyunitingouraffections,thelatternegativelybyrestrainingourvices.Theoneencouragesintercourse,theothercreatesdistinctions.Thefirstisapatron,thelastapunisher.Societyineverystateisablessing,butgovernmenteveninitsbeststateisbutanecessaryevil…Government,likedress,isthebadgeoflostinnocence;thepalacesofkingsarebuiltontheruinsofthebowersofparadise.2

WhenweapproachPaine’spoliticalprojectthroughtheinterpretivelensofferedbythiscrucialdistinctionbetweensocietyandgovernment,anumberofquestionsemerge.Themostimportantforourpurposesis:DidPainebelievethattheprogressivereformsheenvisionedwouldculminateinimprovedgovernmentsorrather,moreradically,inthepermanentachievementofastablesocialconditionwithoutgovernment?AtleasttwologicalpossibilitiesthuspresentthemselveswithregardstoPaine’spotentialutopianism.

First,wecanemphasizePaine’sviewoftheantipathybetweengovernmentandsociety,anddrawfromthisthedeeperlessonthatinsofaraseverygovernmentinevitablyderogatesfromthenon-coerciveandvoluntaristidealsofsociety,thenthemostradicaldimensionofPaine’sthoughtcouldbecharacterizedasextremelibertarianismandhisbestregimeaminimalist,Nozickiannight-watchmanstate.If,however,weresistthetemptationtoconcludethatPaineinsistedontheinevitabilityofgovernment,thenasecondpossibilityemerges.PerhapsPaine,anticipatingMarx,sawtheperfectionorcompletionoftheegalitarianprinciplesofrepublicangovernmentinstablesocialequilibrium,thatistosaythelogicalculminationofdemocraticprogressisthewitheringawayofthestate.Undertheformerscenario,itwouldbedifficulttoidentifyPaineasutopian,whereasinthelattercaseitwouldbehardnotto.WhileacomprehensivetreatmentofPaine’spoliticalphilosophyisbeyondourpresentpurposes,itnonethelessmaybefairtoaskwhetherthereareanyindicationsthatPainecouldhaveentertainedanauthenticallyutopianperspective.Hisbeliefintheredemptivepowerofrevolutionis,ofcourse,legendary:“Fromwhatwenowsee,nothingofreforminthepoliticalworldoughttobeheldimprobable.ItisanageofRevolutions,inwhicheverythingmaybelookedfor”(262).Thisstatementdoesnot,however,indicatePaine’sattitudetowardthepossibleinherentlimitationsofpoliticallifeperse.ThereisacrucialambiguitywithrespecttoPaine’sassessmentoftheperfectibilityofhumannature,seenbymanyasanimportantfeatureofutopianism.Thetransformativequalityofdemocraticrevolutionliesinitsessentialegalitarianism,wherebypoliticalactionshatterssocialconventionandartificeinordertorestoretheclaimsofnature.Alongtheselines,PainefamouslypraisedtheFrenchNationalAssemblyforitscapacityto“throwopenamagazineoflight”inorderto“show

Utopianism in the Political Thought of Thomas Paine Lee Ward

Page 22: Issue 2013.1

22 The Utopia Chronology Fall 2013

manthepropercharacterofman”(237).Thecapacityofpoliticalinstitutionstoshedlightonhumannatureis,however,complicatedbythefactthatthescienceofgovernment“isbutnowbeginningtobeknown”(298).Assuch,thelimitstopoliticalprogressareunclearalthoughpromising:“Forwhatwecanforesee,allEuropemayformbutonegreatrepublic,andmanbefreeofthewhole”(307).Doesthisonegreatrepublicrepresentthepracticallimitofdemocraticgovernmentinaunionofstates,ordoesitadumbratetheeventualeliminationofthenation-stateanditsreplacementbyaglobalassociationofself-governingautonomoussocieties?Toanswerthisquestionwouldrequiremuchfurtherreflection.Fornowatleast,wemayconcludethatreconsideringutopianisminPaine’spoliticalthoughtmayhelpusrethinkwhatwemeanbyutopiamorebroadly.Isitaninherentlypoliticalideathatrepresentstheperfectionofgovernment,orisutopiaaprofoundlyapoliticalorevenanti-politicalconceptsignifyingthepromiseoftheeventualeliminationofpoliticsfromhumanlife?

1MarkJendrysik,“TomPaine:Utopian?”Utopian Studies18.2(2007):139-157,esp.139.ThomasPaine,The Thomas Paine Reader.Eds.

2MichaelFootandIsaacKramnick.London:PenguinBooks,1987,pp.66-7.Hereafterintextsimplypagenumbersinparenthesis.

l l l

Utopianism in the Political Thought of Thomas Paine Lee Ward

Page 23: Issue 2013.1

Fall 2013 The Utopia Chronology 23

The Baseless Fabric of This Vision

Collane Ramsey

Thelastbreathbeforegoingunderwasalwaysthesweetest. Mag’smouthfilledwiththetasteofplasticassheinhaledagain,herlipsandjawcrampedfromhowhardshewasclenchingtheendofthehoseinhermouth.Aboveher,thehosesnakeduptothesurface,swayinglikekelp.Magforcedherselftokeephereyesopeneventhoughtheyburnedfromthesaltandchemicalsofthepollutedseawaterasshekickedbeneaththeshadowandoutofthesun. Shegraspedtheridgeofropewrappedtightlyaroundthefirsthugeplastictank,holdingthetankinitsplaceonthebottomofthegreatraft.Outofthecornerofhereye,Magsawotherdiverslatchingontotankstoherleftandright.Carefulnottotangleherhose,sherolledoverontoherbackandpulledherselfbeneaththetank.Handoverhandalongtheropesandchains,shepulledherselfalongthebottomoftheraft,checkingthateachclearplastictankwaslight-coloured,fullofair,thuddinghollowlybeneathherknuckles.Light,light—thendark,fullofwater.Sheslidherfingersoverthetank’sslimysurface,thenrecoiledfromthejaggededgesofbrokenplastic.Bloodswirledinthewater. Wifwentuptothesurfaceandcamebackwithanarmloadofchainstrailingbehindhimalongsidehishose.Withhandsignalsandgestures,theycoordinatedtheswitch—hookingthetankuptothechains,tightandsecure,thenuntyingthealgae-slimedropesthatheldthetanktotheraft.Itdroppedassoonasthelastropewasfree,heavyasstoneswithnomorethanafewsmallbubblesofairtrappedinonecorner.Thediverspausedforamomenttowatchthetankfall,swinginginaslowarcdownandthenouttowardtheedgeoftheraft,wherethechainswerehookedtoweight-bearingmetalframesontheraft’ssurface.

Magheldherbreath,thetasteofdustyplasticonhertongue,asthechainswenttaut,takingallthetank’sweight—andheld. Andnowherpartwasdone.Theengineerswouldhaulthetankupanddrainit,carefullymeltandpatchtheplasticbacktogethersothatitcouldbeusedagain,strongenoughthatitwouldwithstandthepressureofwindandwaves—ortheymightdecidethetankwastooweaktobere-usedasafloat,bettersenttosomevillageonlandforwaterstorage.Itwouldnotbewasted.ButMagwasdone. Theysurfacedwhatseemedlikeanagelater.Blindedbythesun,Magheldherarmsuptotheedgeoftheraft.Manyhandsgrabbedherandhauledherclearupintotheair.Thenthedeckwasbeneathherfeetandtheywerepattingheronthearms,shoulders,head,congratulatingherheartilyasshegaspedforairandblinkedfuriously. “Goodwork.Goodwork,goodjob—youdidgood.” Hervisionstartedtocomebackblurrily,thoughhereyeswerestillsearing.Allaroundher,theotherdiverswerebeinghauledupfromthetoxicbathoftheocean,wipeddown.Childrenwererunningunderfootcarryingragsandclothing,coilingupairhoses.Mag’sentirebodybegantoitchandburnasitdriedinthehotsun,chemicalresiduefromthepollutedseawaterleavingchalkyfilmonherdarkskin.Hercutfingerstung. “Here,here—letmehelp.” Magtookoneofthewetclothsprovided,scrubbingitoverherfaceandneck.Preciousfreshwaterraninrivuletsdownherthroat.Shedidterribleworksootherswouldn’thaveto,andsotheypaidherintheonlywaytheycould,withthemostvaluablethingtheyhad.Otherhandsandragshelpedwipedowntherestofherbodyuntilshewasnakedandbrownandnotburningquiteasbadly.Still,she’dbeinsomepainfordays,andtheyallknewit. BabyTibroughtheranarmloadofclothingthatMaghadneverseenbefore,bigbillowythingsthatwouldcovereveryinchofherchemical-burned

Page 24: Issue 2013.1

24 The Utopia Chronology Fall 2013

skinuntilthesensitivityworeoffsothatthesunwouldn’tpopupblistersthesizeofthumbprintsalloverherbody.Theyweregoodclothes,thebestclothes:everyripcarefullymended,madeofenoughfabrictoclothefivepeoplenormally. “Youwantasleep?”babyTiasked. MagsquintedacrossthedeckatWif,whowashavinghisknottedbrownscruffofhairtowelledout.Hegesturedtowardtheenormousraft’sverycentre,wheretherewasaleathercoversuspendedfrompoles,onesideangleddowntoprovideshadeinthemiddaysun.“IthinkEbalinewasplanningtohaveatell.” “Youcangosleep,”Abbisaid.MagscoopedTiupinherarmstohearhershriekhappily.“Iwanttohearthetell.It’saboutmakingbricks.” TisquirmeduntilMagletthegirlclimbontoherbackandholdon.“Areyougonnamakebricksathomewhenwegetthere?” Mag’sheartleaptinherchestatthethoughtofit:home.Shehadn’tbeenhomebackonrugged,rockylandin…overfiveyears.Becauseoftheweatherinthelastfivesailingseasons,thefleethadn’tbeenabletosendanyonesofarsouth,allthewaydowntheOceanSpinetoAntarctica.Butsoon—Shehadtotakeadeepbreathbeforeshespoke. “No,no,”shesaid.“Notunlesssomething’sbroken.Allthehousesarealreadybuilt.Wedon’tneedtobuildmore.” WithTionherback,Magstartedtowalkacrosstherafttowardthetellshadeatitscentre,betweensmallersheltersmadefrommetalpoleslashedtogetherinshoulder-highframes.Walkingacrossthecurvedsurfacesofcountlesshugeplastictankslashedtogetherunderfootwaseasyfromyearsofpractice.Allaroundthem,peoplewereworking:cooking,cleaning,mendingropesandsailsandfishingnets.Peoplesattogetheringroups,laughingandtalking,forcompanionshipmadeeventhedullestworklighter.Onlyafewofthesmallsleepingtentswereoccupied,andonlybythosewhowereinjuredorsick—andthosewhowerehurtbutstillabletowork

The Baseless Fabric of This Vision Collane Ramsey

helpedtobandageortendothers. “What’sitlikedownthere?” “DowntheSpine?” “Whereyoulive.Whatkindofhouses?” Magswallowed.“Webuildtheminhills,rightinsidethehill,buthighenoughupthatthewaterdoesn’tfloodthemwheneverythingmelts.It’sstillcoldenoughdownsouththatwegetsnow.Andweplantgardensonthehills,andeverybodyworkstogrowfoodallsummer.” Theywerewalkingpastthebigrackshungwithlongstrandsofdark-greenseaweedandoilyfishdryinginthesun,tendedbycarefulchildrenTi’sage. “Likeseaweed?” “Likesquashandbeetsandcarrots.Thingswebroughtdownfromthenorthlandalongtimeago.Someofthevillagestradewitheachotherwhentheraftsaren’taround,butmyvillage,wecan’t—we’retoofarawayfromeveryone.Soit’sjustus.Sometimesaftermonths,peoplestartfightingbecauseit’sjusttoolonglivingwiththesamepeople,butthenwejustswitcharoundabitandgoliveindifferenthouses.”Tiwrinkledhernose.“Youlivetogether?Lotsofyou?” “Fiveorsixofus.”Thatwasmorethancouldfitintooneofthelittletentsheltersontheraft. “Unlesstwopeoplewanttohaveababy.Butthentheyhavetotelleveryone,andeveryonevotesonifit’sokay—ifwethinkthey’rebothhealthyenoughtohaveababy,ifwethinkthey’regoingtogettooattachedorifthey’llbeokayaboutlettingeveryoneelseraisethebaby.Andifeveryoneagrees,thenthetwoofthemgetahousetothemselvesforawhileandtherestofusjustsquishtogetheralittlemore.” “Howmanyhousesyoushare?” “Nine.” “That’showmanyIam!” “Isit?”MagswoopedTithroughtheairuntilshehollered.“Ithoughtyouweretwo!” “Nine!”Tisaidbelligerently.“That’swhyI’mhere,becauseI’moldenoughtowork.” Attheedgeofthebigshade,MagputTidown,

Page 25: Issue 2013.1

Fall 2013 The Utopia Chronology 25

crouchingdowntosquintatthegirlthroughswollenredeyes.“OldenoughtositquietandlistentoEbalinetell?” Titookadeepbreathandthoughtaboutit,consideringwhethershecouldsitstillandpayattentionuntilEbalinewasdoneteaching.ItwouldhavebeenshamefulforTitointerruptthetellbyfidgeting,orbyhavingtogetupinthemiddleandgodosomethingelse.Knowingthattherestofthecrewwouldteaseherfordaysaboutbeinglikeachildwhodidn’tknowherownlimits,Tiweighedthematterseriously. “No,”shemuttered. “That’sokay.”MagtouchedTi’sshoulder.“It’sgoodyoucanadmityou’renotreadyrightnow.Gohelpsomeoneelse.” Then,asTiranoff,dodgingbetweenracksofseaweeddryinginthesun,Magsteppedbeneaththeshade,amongthelistenerswhowerealreadyseated,respectfullyquietbeforetheirelder.Theyeasilymaderoomforhertositandsettledown.Girlswithcallusesontheirfingersfromknottingrope,boyswithflakesofdriedseaweedontheirshouldersfromtendingthedryingracks—theylookedatMag’sbillowyburnclothingwithbigeyes,touchedherkneecapsandshoulderswithrespect,andthentheyallturnedbacktowaitandwatchEbalineattentively. Therestofthedaywasspentinlisteningandlearning,talkingthroughdifferentthreadsofinquirythatwoundofffromEbaline’stelluntilclosetosunset,whentheclangingofthechemical-stainedsteelfoodbellinterruptedthebusyclamouroftheraft’speople. Almosteveryonestayedseatedatfirstexceptfortheeldersandthehandfulofpeoplewhowenttofetchdinnerforthesickandinjured.Oncetheoldesthadtakentheirfood,everyoneelsewenttothecookingstationsscatteredaroundthegiantraft.Magandtheothersheragewaitedforwhatseemedlikealongtime,thoughifanyofthemfeltpangsatthesightofolderadultswalkingawaywiththeirfood—fatchunksofgrilledfishandshark,driedorboiledseaweeds,andsometimesdishesofsoftjellydistilledfromboiledredalgae—theywerecarefulnottoshow

The Baseless Fabric of This Vision Collane Ramsey

it. Onlytheyoungestandmostimpatient,heldbackbyMagandtheothersuntilitwastheirturn,whinedwhentheircontrolslipped.Butthosewhodidn’twhine,babyTiamongthem,weregivensmall,choicemorselsfromtheplatesofolderpeople,whichtheyacceptedwithquietgratitude.Justonesmallboysmirkedtriumphantlyatanother,whohadn’tbeengivenanything;thenextmoment,Wiftookbackthestripofdried,saltedsharkmeatthathehadgiventheboyforhispatience. “Quiet,”Abbitoldtheboy,wholookeddownatthedeckashetriedtofighttearsoffrustrationandshame.“Youearnedthat.” “I’msorry.” “Thendon’tdoitagain.” Afterthat,nobodysaidanythingmoreofit,foreventheyoungestofthemknewbetterthantoteaseoncesomebody’sbadchoicehadbeendealtwithbyanadult—oratleast,theydidn’twanttheirowntreatstobetakenawayaswell. Therewasenoughfoodtogoaroundthatnightsincethefishershadhauledinanewcatchthatday,andthetangoftoxicantsinthemeatwasn’tanywherenearasstrongasitcouldhavebeen.Thecooksputouttheirfirebarrelsassoonaseveryonehadbeenfed,leavingtheraftingrowingdarknessasthefirststarsoftwilightcameoutinthevirulentredglowofthepollution-crimsonedsunset.Mag’sskinburnedalittlelessastheheatofthedayfaded,andbeneaththestarsshelayontheopendeckamongherpeopleandlistenedtothehandfulofsingerswhohadthoughtupsomethingnewtosingbeforeeveryoneslippedintotheirtents,putuptheirhammocksandwenttosleep.

* SomethingrammedintoMag’sshoulderthroughtheleatherwalloftheshelter,nearlyflippingheroutofherhammock.Cursing,shelurchedoutofthehammock,accidentallykickingJan.ThentheraftlurchedviolentlyandMagfellontopofWif,whoyelpedawakeinpain.Thepolesholdinguptheirshelterswayedalarmingly.Outside,peopleyelled

Page 26: Issue 2013.1

26 The Utopia Chronology Fall 2013

andthewaveswereroaringandtheraftwascreakinghorribly,ropeandplasticgrindingtogether. Unbalanced,Maguntiedtheleatherflapfromthedeckandshovedituptolookoutside.Windtoreitfromherhands.Greenish-yellowlightspilledin. “Hurricane!”thewatchwasscreamingfromherplaceatthetopofthemast,hervoicedraggedawaybythewind.Theriggingcrackedominouslyagainstthemast.“Hurricane!Getup!” Allaroundthem,peoplewererunningbackandforth,tyingthingsdown,collapsingshelters,bundlingfoodandsuppliesup.Therewaspanicintheair. Thecloudsoverheadchurned,fullofsicklyyellowlight.Thefirstdropsofrainfell.Thencamethestorm.

* Thetowerrearedupoutoftheoceanlikeaskeleton,terribleandblackagainsttheterribleblackshroudofthestorm.Icyraintoredownfromtheskyinsheets,pouringinfrothytorrentsfromtheroofanddecksofthegreatstructure,acolossusonstiltsraisedhighabovetheheavingwaves.Itwasancient,fromthetimebeforetheHeatandtheWater,thetimeofpollutionandsteel,anenormouswasteofmetalbuiltinthemiddleoftheoceanfornoreasonthatMagcouldimagine. Mag’sfrozenfingersfumbledattheropesshewastryingtoknot,tryingtotiedownthesailcanvasproperly.Thetowerwasthereonthehorizon,theyweresafe,butshehadto—hadtofinish— Anoldermangrabbedherbythearm.“Leaveit!”heyelled.“Comeon!” “Go—” “Comeon!” Clingingtoeachotherforbalance,theystumbledacrosstheheavingraft,trippingovercollapsedtentsandbarrelsofsuppliesandmetalcrates.Ropeswerestrewneverywherefromthesnappedboomthatlaylikeabrokenarmacrossthedeck. Aheadofthem,peoplewereclusteredatthe

The Baseless Fabric of This Vision Collane Ramsey

edgeoftheraft,strugglingtoanchortherafttothegreatsteel-and-stonepillarsofthetowerevenasthewindblewtheirtie-linesoutoftheirhands.Somepeoplewerealreadyclimbingtheknottedropesthathadbeenthrowndownfromthetower’sdeckhighoverhead.Above,Magcouldseepeoplewaving,barelyvisibleinthedarkness,theirvoicesdrownedoutbythewind. Thewatersurged,pickinguptheraftlikeachild’stoyandslammingitbackagainstthepillar.Plastictankscrackedandexplodedintopieces—andthedeck,thedeckunderMag’sfeetwascollapsing,tankslooseningintheirbindings,tearingapart. Shewasholdingtheoldman,whowasholdingherandsomeoneelse,andawomanknockedintothem,screaming.Maggrabbedforher—missed—blindintherainandthedark.Thewaterheaved—Theywereintheocean,flunglikeragdolls.Magtookabreathoutofshockandswallowedwater.Somethingslammedintothesideofherhead—debris.Theraft.Theoldman,where,wherewas— Shewassnatchingfranticallyatthehandthatgrabbedhershirtbeforesheevenrealisedsomeonewasthere.Justaboveher,danglingprecariouslyfromoneoftheropes,amanwasleaningdowntoholdontothatfistfulofMag’sclothing,tryingtodragherupfarenoughtobreathe. Theoldman— Magfoundtheropeandclimbed.

* Therewerebuildingsonthetower,hugecavernousroomsandhallwaysmadeofmetal,litbytorchesdespitethesmokethatpouredfromthem,polluting.Therewerepeopleeverywhere—yelling,soakingwetandbleedingandcrying,holdingeachother,tryingtogoplaces—butMagwastooexhaustedanddizzytolookaroundfortherestofhercrew,forWifandAbbiandEbaline.Shewasshiveringviolentlybeneaththeguidingweightoftheman’sarmaroundhershoulders. “BabyTi,”Magcroaked,hervoicealmostgone.

Page 27: Issue 2013.1

Fall 2013 The Utopia Chronology 27

“Mostofyourpeoplegotup,”themansaidinherear,overthedin,asheledherthroughthecrowd. Magresisted.“Ineedto—Ti,”sheyelledhoarsely,twistingaround,almostfallingover.“Where’sTi—Ti!Ti,baby—Ti—” Acrossthecrowdedroom,TiwassobbingintoWif’sshoulder,terrifiedandshaking.Magalmostcollapsedwithrelief. “Oh.Oh.I—I’msorry,”shesaid,lettingherselfleanbackagainsttheman’sshoulder.“Ijust—” “It’sokay.Igetit.”Hewasleadingherdownahallway,darkenedandquieter.Maglethim,almosttootiredtowalk. “Youcamedownforme.” “Icouldseeyoudownthere.Wasn’tgoingtoleaveyou.” Hepushedopenadoor.Theroominsidewassmall,withdistinctpilesofblanketsonthefloor.“Youcansleephere.” Maglaughedfromsheerrelief,toowrungouttoformwords.Shestumbledin,alreadystrugglingwithhershirt.Bythelightfromthehallwaythroughthehalf-opendoor,shestrippedoutofherwetclothing,catchinghalf-glimpsesofthemandoingthesamenexttoher.Naked,shefumbledherwaybeneathsomeoftheblankets. “CanI—” “Tosleep,”Magslurred.“Just.” “Yeah,ofcourse.” Heslidundertheblanketsbehindher,warmagainsthericyskin.Teethchattering,Magcurledupcloser,nothoughtonhermindbutwarmthandclosenessandthereassuringweightofanotherperson’sbodyafterthenumbingrageofthestorm.TheyshiveredtogetheruntilheatstartedtoleechbackintoMagslowly,thawingherbones. Justbeforeshefellasleep,sheheardseveralotherpeoplegettingintotheblanketsnexttothem,whispering,onemansobbingsoftly.Therewasthesoundofsomeonehushinghim,thennothing.

* Theoceanwasafieldofwreckage.

The Baseless Fabric of This Vision Collane Ramsey

Theyemergedfromthetowerinthewaterylightofdaytofindthatthestormhaddestroyed…everything.Maglookeddownfromtheedgeofthedeck,horrifiedbythesheeramountofdebrisfloatinginthebecalmedwater.Allaroundher,peoplestoodinsimilarshock.Notjustpeoplefromhercrewandthetower,butfromothercrews,otherrafts—theraftsthathadbeentorntopiecesbelow.Countlessnumbersofthem. “Howmany?”MagwhisperedtoAbbi. “Almostthewholefleetmadeithere.” Thecrewsweremostlyalive.Alltheircargo—theseaweed,thefish,thecropsfromthenorthlands,everythingthesouthernvillageswouldberelyingon…gone. Asharp,metallicclanginginterruptedthesusurrusofgriefandshockspreadingoverthecrowd.Theyallturnedtolook,craningtheirheadsuptotherailedwalkwayoverlookingthemaindeck. “Icallavote,”Ebalinesaid,hereyesassteelyasthemetalbarsheclenchedinherknottedoldhands,readytobangontherailingagain. “Icallavote,”saidanotherelderimmediately,steppingupbesideher.Magthoughthewasoneoftheeldersofthetower’screw. “Avote,”onemoreelderagreed. “Threecalls,”announcedEbaline.“Wevote.” Thetower’selderraisedhishand.“Wehaveenoughwater,butthereisn’tenoughfoodforeveryonehere,”hesaid,voicecarryingoverthecrowd.Thecrowdgroaned,buthisfacewasunflinching,hardenedbydecadeslivingontheocean.“Weneedmorefoodwithinaweek.” “Thenearestlandisthreedaysaway.Wemustsendboats—smallboats,withsmallcrews.Asfastaspossible.” “Isupportthis.” “Speakifyouoppose,”Ebalinesaid,followedimmediatelyby,“Good.Noopposition.Wevote.”Magfeltdizziedbythebreakneckpaceofthevoting.Shehadneverseenasessionofgovernmentrunsoquickly.Usuallytherewasopposition,questions,and

Page 28: Issue 2013.1

28 The Utopia Chronology Fall 2013

discussion,withenoughtimeallowedforeveryonetovoicetheiropinionsandmakesuggestionsaboutpossiblesolutions.Youngpeoplewerealwaysencouragedtospeakup,whiletheeldersmoderated.Neverbeforehadthreeelderssodominatedthesession.ItmadeMagfeeloff-balanceandexcludedfromthegoverningprocessdespitethefactthatshewasfullypresent.But…atthesametime,itwasarelieftoseetheircrisisbeinghandledsoconfidently. “Voteifyouagree,”saidthetower’selder,hishandalreadyintheair. Maglookedaround.Everyonearoundherhadraisedtheirhands.Sheputhersupaswell. “Haillewillpickthecrews.Voteifyouagree.”Theyhadn’tevenaskedforopposition.WhowasHaille?Whyhimorher? Everyonewasalreadyvoting.Magraisedherhandagain.

* Theraftshadbeendestroyed,buttherewerecanoeslashedupintheraftersofthetower’sbiggerrooms.Thesewerelowereddowninaflurryofactivity.Peoplewerebringingforwardallthebottlestheycouldfind,everypreciouswater-tightcontainerthattheyhadmanagedtosavefromoneoftherafts,andhandingthemovertobefilledwithfreshwaterforthecanoecrews.Thetower’sstoragetankshadbeenfilledtothebrimwithrain,sotherewasnoshortageoffreshwater,buteveniftherehadbeennotenoughtogoaround,thewaterwouldhavegonetothecanoecrewsanyway. Bytheropeladdershangingovertheeastsideofthetower,MagfoundHaille.Hewasatall,burlymanwithblisterysun-scarsonhisbaldhead,squintingcriticallyatthecrowd.Peoplewereraisingtheirhands,askingtobechosen—noteverybody,butthetallestandstrongest.Nobodydaredtovolunteeriftheymightbetooweak,iftheymightslowtherestoftheircrewdown.Itwascrucialthatthecanoesreachedlandasquicklyaspossible. Land. Atthethoughtofhervillagetorntopiecesbythestorm,Mag’sheartleaptintoherthroatandlodged

The Baseless Fabric of This Vision Collane Ramsey

there. Herhandflewup.“Iwill.” Haillelookedather,eyeingtheropymusclesofherarmsandshoulders,thedarkskinthatwouldn’tsunburn,thehardsetofherjaw.Afraidthathewouldshameherifhecaughtanyhintthatshehadbeenmotivatedtovolunteerbysudden,irrationalemotionratherthanhonestdesiretoserve,Magrefusedtoflinchashemethereyes.HegaveMagtheexactsameconsiderationasthemanvolunteeringnexttoher,weighingthetwoofthemagainsteachother,andthenjerkedhisheadatMag. “You.” Handsreachedouttotouchherasshewenttothecanoesandthecrewwaitingtolowerthemdowntothewater.“Thankyou,”peopleweresaying,toMagandtotheothers.Shedidn’tknowanyoftheothercrewwhohadbeenpicked,butmostofthemwereolderthanherandallofthemwereastallandstrongasshewas,theirhairshornshortthewaydiversandfishersdidtopreventitfromtanglinginthewindandcrustingwithsalt. “Here,”ayoungmansaid,holdingoutapairofleatherbootstooneoftheolderwomenonthecrew,whosefeetwerebareandhardwithcallus.“You’llneedtheseonland.” Anotherwomanpulledoffhershirtandofferedittooneofthepalercrewmen,whosepowerfulshoulderswerepeeling,red,andcoveredindark,blotchysun-scarsbeneaththeinadequateragsofhisownshirt.Shawls,shoes,pantsandhatswerepassedoverifanyonehadsomethingbetterthanwhatoneofthecrewhad;sometimestherewasanexchange,ifoneofthecrewhadagarmenttogiveback,orapieceofshellorstoneorwiretheywantedtomakerepaymentwith.Mag’sshirtandpantsweretorninmanyplacesfromthestorm,thebillowyfabricstartingtocomeapartatsomeoftheseams,butnobodytriedtogiveheranyreplacements:shewasalreadywearingbetterclothingthananyofthemhad. SomeonegrabbedMag’shand.Sheturned,startled,tofindthemanfromlastnightsmilingather.

Page 29: Issue 2013.1

Fall 2013 The Utopia Chronology 29

“Idon’tthinkyouusuallyrow,”hesaid,pressinghisfingersintoherpalm.Shecouldfeelthatthecallusonherskinwasnothingcomparedtothethick,roughhornofhisownfingers.“Takethese.” Hertonguestucktotheroofofhermouth.Allshecouldthinkoftosay,assheacceptedtheheavyleathergloveshehandedher,was,“I’mMag.” “Kid.” “Boatsdown!”Hailleyelled.Therewasaclatterofactivityasthecrewheardtheorderthey’dbeenwaitingforandsprangintoaction,easingthecanoesovertheedgeofthedeckandstartingtoslowlylowerthemdownbyropestiedtothethwarts.Impulsively,Magtookoffthestrandofbraidedkelpcordsheworearoundherneck,placingitinKid’shands.TheshiningmetaltabsbeadedontothecordclickedandglitteredinthesunjustasbrightlyastheyhadwhenMaghadpickedthemupofftheshoreofhervillagefiveyearsago. “Boatsdown!” “Hurryback,”Kidsaid. “Wewon’tletyoustarve.” Kidbarkedalaugh.“That’snotwhatImeant.”Magwasbrieflybaffled,thenscowledasshereachedunderstanding.“Don’t.Gofindaboy.Idon’twantyourbaby.” “Idon’twantababy!” “Nobodygetsababy,”interruptedTi’sgrumpyvoicefromtheregionofMag’ship.Ti’slittlehandsshuntedimpatientlyatherstomach,pushinghertowardthedanglingropes.“I’mhungry,Mag.”MaglaughedandstrokedTi’sheadonce.“Begood.” “Idon’twantababy,”Kidprotestedagain,lookingdisgruntledathavinghisintentionsimpugned. “Thengofindagirlyou’veknownmorethanonenight,”Magtoldhim,notunkindly,grabbingoneofthehangingropesandswingingalegoverthedeck’srailing. Thelastthingshesawbeforesheloweredherselfbelowthetower’sdeckwasthecornerofhismouthpeelingupinareluctantsmile.

The Baseless Fabric of This Vision Collane Ramsey

* Onthemorningoftheseventhday,Mag’screwsawthedark,brokencrownoflandonthehorizon.Theirpaddlesslashedatthewaterinsynchronicitywithaspeedthattheyhadn’tmanagedsincethesecondday.Rejuvenatedbythepromiseoffood,theybenttheirbacksandstrucktheirpaddlesintotheoceanasone.Theprowofthecanoecutthewaveshardenoughtospraywateroverthefrontthreerowers.Unabletowipeawaythepollutedspray,Magkeptherheadbowed,tryingtoconcentrateharderonthebeatofherheartinherribcagethanonherwet,stingingskinortheachinghollowofherstomach. Allofthecanoeshadgoneinseparatedirectionsafterleavingthetower,thefastestonestothenearestlandandtherestofthemtoslightlymoredistantatollsorshorelines.Thefirstcanoehadprobablyreturnedtothetowerbythen,Magthought.TiandAbbiandKidwouldhavefoodbysunsetattheverylatest.AndMag’screw…themeagrerationsthattheyhadbeengivenhadrunouttwodaysago,buttheywouldhavefoodassoonastheyreachedland,too. Thecanoeshudderedsuddenly,ahollowscrapingsoundfillingtheair.TheroweraheadofMagcursedandstuckoutherpaddletopushthecanoeawayfromthespurofrocktheyhadstruck,grindingalongthehulljustbelowthesurfaceofthewater. “Slow!”sheshouted. Theydugintheirpaddlesfranticallyjustintimeforthecrewleaderinthefront,Krin,tostabouthispaddleandpolethemawayfromasecondrock.Abovethesoundofherracingheartbeat,abovethenoiseofthewavesslappingthecanoe’shullandtherestofthecrewpantingforbreath,therewas…anothersound.Itwastheslower,gurglingrushandrecedeofwaterlappingatsand. Magfinallyliftedherhead. Shefeltthesqueezeofherheartwithinherchest.Hernextbreathcameinharshandshocked,emergingasagiddylaugh.Here?Ofalltheplacestheycouldhavelanded,allthevillagestheirstar-mappercouldhaveguidedthemtoward—theyhad

Page 30: Issue 2013.1

30 The Utopia Chronology Fall 2013

The Baseless Fabric of This Vision Collane Ramsey

comehere? Jackpokedherintheback.“What?” “ThisiswhereI’mfrom,”Maggasped,stillhalf-laughinginshock.“Ilivehere.”Inthebow,Krintwistedaroundtostarebackather. “Youlivehere?” Somethingwaswronginhistone. “I—Yes,I—what?” Jackpokedheragain,harder.Therestofthecrewwasveryquiet. Maglookedbackatthebeach. Wasit—yes,itwastherightplace.Thoseweretheshortshalecliffsshehadknownforallofherchildhood,thedistinctivebrokenprofileofthemacrossthesky.Justsouthofthecanoewasthesmallcreekthatrandownfromtherockyhillsandbroadenedonthebeachintoaflat,shallowconfluencewhereclamsburrowed.Thebeachhadbeentornupbythestorm,seaweedandtimberstrewneverywhere,butdespitethelackofevidenceofhabitation— Magshuthereyestightlyandopenedthemagain. Timber.Therewastimberonthebeach,dozensofsplinteredlogsscatteredliketwigs.Nottrees,notdeadfallwasheddownfromthepineforestontherockyslopesabove—logs,cleanlyfelledandstrippedoftheirbranchesandhewninhalf.Timberthatsomeonehaddeliberatelycutdown. Grimlysilent,thecrewrowedintotheshore,easingthecanoethroughtherockyshallows.Alastfewfast,suddenstrokessentthecanoeskimmingthroughthewaterandhalfwayupontothesand,whereitstuckandstopped. Uncertainwhethershewasfeelinghunger,exhaustion,orfear,Magclimbedoutofthecanoeandstoodonwobblinglegs. Shelookedattheothers.Kringesturedsharplyforhertolead.Itwasnotawelcominggesture.Herstomachchurning,Magputherpaddleoverhershoulderandheadedupthebeachtowardthecreeksidepaththatleduptothevillageinthehills.

Mag’sfeetdugdeepdivotsinthesoft,rain-churnedmudofthepaththatshehadwalkedeverydayforthefirstthirteenyearsofherlife,andwalkedinherdreams—butneverwithsixterse,unhappyadultstrangersloomingbehindher.Thesoft,soothingrushofwavesonthebeachandinsectsinthetreescontrastedsharplywiththedeafeningsilencefrombehindMag.Asenseofvertiginousunrealityfilledherattheconflictofmemoryandreality. Halfwayuptheslope,thecreekbentsharply,andthepathalongwithit.Ahalf-brokenwoodenstructurestoodatthebend:abridge.Someonehadcutdownthosetreestobuildabridgeacrossthecreek,whichwasbarelyknee-deepandeasilycrossedonsteppingstones.Why—why? Thevillagestoodaroundthecornerofthepath,concealedbyasteephill. “Wait,”Magsaid,withoutmeaningto,themomentshelaideyesonthevillage,becauseitwaswrong,itwasallwrong;thiswasn’therhomeatall.Wait,no,I’msorry,Imadeamistake,shemeanttosay.Hervillagefittedunobtrusivelyintoitsnaturalsurroundings,housesandfoodstoresbuiltintothehillswithonlyawovenwithedoorvisible,andallnecessaryoutbuildingslikethewellheadandthecoveredstepscutdowntothecoldcellarbuiltofstackedstone.Itdidn’thaveanywoodenbuildings.Itdidn’t— Butbeneaththenewconstructionsthathadbeenerectedintheshallowvalley,Magrecognizedtheprofileofthehills,constantdespitethewoodenstructuresthatbristledonthesurface,thehousesandshedsandanenormousbuildingwithnowallsandmanybenchesinacirclearoundthefirepitbeneaththepeakedroof,thewholethingsolargeandpointlessthatitmadeMagwanttoscream.Fartherback,shevaguelyrecognizedtheshapeoftheslopeswhosetreeshadbeenclear-cut,leavingtheearthstrangeandnakedandstubbledwithstumps. Peoplewerestaringatthem.Oneofthechildrenthathadbeenpickingupbrokenbranchesfromthegardenclosesttothepathshriekedandran

Page 31: Issue 2013.1

Fall 2013 The Utopia Chronology 31

intoanearbyhouse,fromwhichamanandwomanquicklyappeared. “Whatdidyoudo?”Magheardherselfsay,hervoicestrangeandhighandscared.“Whatdidyoudo?” “Whoareyou?” “Didyoudothis?”Krindemanded,shovingpastMagashestrodeforwardtogetintheclosestman’sface.“Didyoubuildthis?” “Who—” “Goaway!”shoutedawomanstandinginfrontofahousefartheraway,lookingfrightenedandpossessive.Shehadpickedupametalstone-breakerfromanearbytoolshedandwasholdingitraisedoverhershoulder,baremusculararmstenseandflexing.Peopleweregathering,comingoutofhousesandbuildings,andallofthemwere—no.Thiswaswrong.Ithadbeenyearssincethefleethadmanagedtoreachthisvillage;whyweren’ttheywelcomingtheirvisitors? Outofthecornerofhereye,Magsawtwoofhercrewlifttheirpaddlestotheirshouldersaswell.Oneofthemwascrying. “Wedon’tneedyourfood,”someoneyelled,andMagrecognizedhim:Micalor,thestone-builder,whoMaghadlivedwithforsixyearsbeforeshe’dgonetotherafts.Heheldanancientaxe,rustedexceptwherethebladeofitwascleanandshiningfromuse. “Goaway.” “Younevercamebefore!”anothermanshouted.“Youforgotaboutusthen!” “Isthatwhyyoudidthis?”Krinroared.Hisfacewascrimsonwithmorethansunburn.Heshovedhishandsintothechestofthemaninfrontofhim,forcingthemantostumblebackseveralsteps.“Isthatwhyyouthought—” “Whatwereyouthinking?”Jackdemanded,hisvoicewreckedandraw. Micalor’sfacewasturningred.“Whatdoyoucare?Thisisn’tanyofyourbusiness.” “Youcutdownthetrees!” “Youtrylivingundergroundallyourlife!”

The Baseless Fabric of This Vision Collane Ramsey

Micalorshoutedback.“Therearetreeseverywhere! Whydotheymattermorethanus?” Suddenlyeveryonewasshouting,somepeopleonbothsidescryingandothersalmostshakingwithfury.Thevillagersweredrawingtogethermore,pushingforwardshouldertoshoulderastheycursedandyelled,toomanywithshovelsorhoesintheirhands,andthecrewdidthesameinreturn,holdingontotheirpaddleswithwhiteknuckles.Magstoodfrozen,hereyesskippingfrompersontopersonintheopposingcrowd,struckdumbbythesightoffacesshehadknownallherlifenowtransformedwithrage.Didanyofthemrecognizeher,afterfiveyearsaway? “Youcan’tjust—” “—actinglikeyoudon’tknowbetterthanto—” “—eventhinkoftellinguswhattodo,weonly—” “Icallavote,”Magsaidhoarsely,butitwaslostinthedin.Nobodywaslistening. “Weneedfood!”Arashouted,hervoicecarrying.Shesoundedunhinged,likeshewasbarelyhangingontoself-controlbutwasstilldeterminedtorememberthejobtheyhadbeensenton.“We’rehereforthefleetandyouhavetohelpusorthey’llstarve.” “Gofuckyourself!”respondedthemanthatKrinhadpushed,takinghiseyesoffKrinforamomenttospitatAra. Inaheartbeat,Krinrammedhishandsintotheman’schestagain,sendinghimflyingbackseveralfeetintothemud. Micalorraisedhisaxe. ThedeafeningcrackoftheaxehaftcollidingwithKrin’smetalpaddlealmostdrownedoutthescreamsofshockfrombothsides.Krinwrenchedthepaddlesideways,catchingtheheadoftheaxeandyankingitdown.Micalorstumbledtooneknee.Krinswunghispaddleagain,hittingMicalorinthejawwiththeflatmetalblade.Micalorstaggeredbackwardandtheaxedroppedintothemud. AraseizedKrin’sarm,tryingtoyankhimbackevenasseveralvillagerslurchedforward,theirshovels

Page 32: Issue 2013.1

32 The Utopia Chronology Fall 2013

raisedandterrifiedexpressionsontheirfaces. Fasterthananyonecouldreact,KrinjerkedtheaxeoutofthemudandburieditinthesideofMicalor’sskull. Afterthebodyhitthemud,nobodymovedexceptavillageboywhobentoverandretchedagainstthesideofahouse,vomitstainingthewood.Magfeltasthoughherfeethadbeennailedtotheearth.Shedidn’tknowifshewasgoingtofalloverornevermoveagain.Shecouldn’ttakehereyesoffthebody.Krinpointedthebloodyheadoftheaxeatthevillagers.Hisarmshook,butjudgingbytheexpressiononhisface,itwasfromrawfuryratherthanfright.“Getback.Go—gostandinthefuckingfield,orI’llkillyouall.” Clingingtoeachother,theybegantobackaway,manyweepingopenly.Someofthemdroppedtheirmakeshiftweapons;theoneswhostillheldsomethingseemedunabletouseitforanythingbutsupport.Theyhadpickedupweapons,raisedtheminanger—butnoneofthem,noneofthemhadeverthoughttherewouldbedeath.Theyhadneverseendeathexceptbyillnessorageoraccident.Whywouldtheyhave?Sixtyofthemcouldnotstanduptoasinglemanwithbloodonhishandsandmurderinhiseyes. “Ara.Dru.Jack,”saidKrin.“Findthefood.Takewhatweneed.” Afteralongmomentofhesitation,Jackwobbledforward.Theothersfollowed,atfirstmovingjerkilyinshock.Then,asifadamhadbroken,theystrodeforwardwithpurposetothenearestbuildingstosearch.Theysawthewood,thewasteandtheclear-cuthills,andtheyrememberedtheiranger.Thevillagersscatteredandretreatedfaster,terrifiedthatallofthecrewwouldturnouttobelikeKrin. OnlyMagstoodfrozen.“Icallavote,”shecroaked. Krinturnedtolookather.“Shutup.” Magcouldfeelherselftremblinguncontrollably.“Icallavote,”sherepeated,moreloudly,unabletobelievewhathe’dsaid.Thiswasn’thowitwasdone.Whenavotehadbeenrequested,

The Baseless Fabric of This Vision Collane Ramsey

everyonehadtolistentotheproblembeingraisedevenifthereweren’ttwootherpeoplewhowantedtoofferenoughsupporttoholdanactualvote. TherewereafewstifledcriesofprotestfromthevillagersasDruandArafoundastoragebuildingandstartedtobringoutbasketsofdriedrootsandvegetables,pilingtheminthemud. “Shutup!”Krinroared,whirlingbacktothemwiththeaxeoutstretchedthreateningly.“Isaidstandinthefield!Andyou—”HeturnedbacktoMagandgrabbedherbytheshirt,yankingherforward.“Go.Get.Thefood.” “Youcan’t—” “WhatshouldIdo?”Krindemanded,shakingherbythecollar.Hewasolderandhewastaller,andforthefirsttimeMagrealizedthathecouldhandleherlikeachildifhewantedto,andshewasterrified. “Youwantavote?Youwanttogoallthewaybacktothefleetandvotewhiletheycutdownmoreforestandburnmoretrees?” “No,I—” “Youwanttogostandwiththem,isthatit?Thisisyourhome,isn’tit?Isthiswhatyoudo?” “Itwasneverlikethis!” “Youwanttostaywiththemandcutdowntheforest?” “No,no!” Hereleasedherwithashove.“Thenshutupandgetthefood.” Magcouldn’ttellifshewasabouttothrowupornot.Shockedandterrified,shestaggeredovertothestoragebuildingthatDruandArawerestillemptying.Thereweretearsrunningdownherface. Thiswasn’thowitwasdone. “Takeitall!”Krinshouted.“Theboatcancarrythatmuch.” Fromtheedgeofthemuddy,clear-cutfield,oneoftheolderwomenwailed,“Youcan’tdothat!Lookatourcrops.They’reallgone.Wehavenothingelse.” ThatwaswhenMagrealizedwhattheclear-cutfieldwas.Ithadbeenagarden,biggerthananygarden

Page 33: Issue 2013.1

Fall 2013 The Utopia Chronology 33

she’deverseen,halfavalley’sworthofspaceclearedanddugupandplantedwithcrops.Andjudgingbytheseaofmudthatcoveredhalfofthevillagerightuptotheedgeofthecreek,theentirefieldhadbeenwashedoutofthehillsanddownintotheocean. “Wehavenothingelse,”thewomansobbed,lookinglikeshewasabouttocollapse. “Goodchoice,cuttingdownallthetrees,”Jacksaid,ashewentpastwithabasketofdriedfishonhisback. Forasingleterribleheartbeat,Magthoughtthespelloffearthatheldthevillagersbackwasgoingtobreak,thatallsixtyofthem,youngandold,wouldchargeforwardwiththeterribleforceofsurvivalinstinctandragesurgingintheirveinsdespitethethreatofKrin’saxe,anditwouldallbeover.Butthemomentstretched—Krintookasinglestepforward—andtheirragewaveredandpassed,leavingonlyaparalyzing,helplessgrief. Magfeltthesame.Somethinginherchesthadtornandshefeltlikeafishwithabrokenspine,gaspingfranticallyforbreathatthegillsbecausethatwasallitknewhowtodo,eventhoughitwasasgoodasdead. “Krin,”saidDrutentatively,pausingonhiswaydowntotheboatswithhisfirstheavyarmloadoffood.“Thechildren?It’snottheirfault.” Therewasaheavypause.Krin’simpassivefacetightened,shifted. “We’lltakeanyonewhoisn’tanadult,”heannouncedeventually. Butthevillagersrecoiled,severalpeopleoutrighthidingtheirchildrenbehindthem.“Don’tyoutouchmybaby,”onewomangroundout. “Theydon’thavetodie,”Krintoldher.“Thisisn’ttheirfault.” “You’renottakingmygirl!” “She’snotyourgirl.” “Sheismygirl!I’llkillyou!” Krinstaredatthevillagerswithsomeopen-mouthedmixtureofdisbeliefanddisgust.“You’reraisingyourownchildren.You’rebreakingthe

The Baseless Fabric of This Vision Collane Ramsey

communitybecauseit’shardtomakethebetterchoice.What,doyouhavethemwithoutcommunityconsent,too,justbecauseyoufeellikeit?” Silence,exceptforthecryinginfantinthebackofthecrowd. “Thisiswhyyougivethebabytosomeoneelse!”Krinbellowed,freshlyincensed.“You’resoattachedyoucan’tmakesensibledecisionsanymore,andyou’regettingthemkilled!Theydon’thavetodieforyourstupidity!” “Don’t,”saidJackangrily.“Don’t.Letthemdoit.” “Thisisn’tthechildren’sfault,”Krinsnarled. “Letthemdoit!” Krinpointedtheaxe.“Selfish,”wasallhesaid,hisvoicetremblingforthefirsttime.“Stupidandselfish.”Withoutwarning,heswungtheaxearoundtopointstraightatMag,whohadbeenstandingstockstillwithabasketinherarms.“Andyou—go.” Magalmosttrippedoverherownfeetinherhastetomove.Ladenwithsupplies,sheturnedawayfromthestoragebuildingandstumbledtowardthebeachpath.WithherbackturnedtowardKrin,shealmostexpectedtofeeltheaxehitherinthespineatanymoment. “Mag!”avoicecriedsuddenly,anditwasworsethantheaxe.“Isthatyou?Mag!” Sheknewthatvoice:Urda.Sheknewitthewayshehadknownalloftheothervoices,allthefacesinthecrowdthatshehadbeentryingnottoidentify,nottoname,becauseifshedidthenshefeltlikeshewouldscreamandscreamforeverwiththeknowledgethatshewaskillingthem,killingthembecauseoftheaxeandthehideouslookonKrin’sface. Thiswasn’thowitwasdone. “Mag.Pleasedon’t.Mag.Mags,please.Don’tdothis.” BecauseoftheaxeandthebloodandthewayshecouldseeMicalor’sbrainthroughhisbrokenskullassheedgedaroundhisbodyonherwaytothepath,cryinghelplessly,tearsdrippingontothebasketof

Page 34: Issue 2013.1

34 The Utopia Chronology Fall 2013

foodinherarms. “Mag!” Shesteppedinapuddleandbloodsoakedintothestorm-tornfabricofherpants,andshewalkedaway,knowinginsometerriblepartofherheart—thepartthatwasrelievedwhenotherstookcontrol,andwascravenfromfearoftheaxe—thatthiswashowitwasalwaysdone,andalwayswouldbe.

OriginallywrittenforHUM260-C01,Winter2013.Allusionsinthetext,includingthetitle,reflectseveralworksconsulted:ThomasMore’sUtopia(eds.GeorgeM.LoganandRobertM.Adams),Waterworld(dir.KevinReynolds),andWilliamShakespeare’sThe Tempest(ed.Bevington).

The Baseless Fabric of This Vision Collane Ramsey

l l l

Page 35: Issue 2013.1

Fall 2013 The Utopia Chronology 35

SimCity Societies: Destinations

Colin MacDonald

WEB SITE:http://www.simcity.com/

TheSimCitygames,whichfeatureurbanplanningandsimulatedgovernment,providetheplayerwithsometoolstocreateavirtualworld.Thetoolsarevaried,butalsolimited.These“strategygames”requireforethoughttoachievethegoal.Theplayerassumessomethingliketheroleofagodwithinthegame,whichisparalleltotheauthor’sroleinthetraditionalliteraryutopia.However,unlikethestaticutopianbook,inSimCitytheplayer-god-author’schoicesmustinteractwiththechoicesbuiltintotheprogram.Thisproducesacertainlevelofunpredictability,whichincreasesingamesdrivenbynarrative.

SimCitySocieties:Destinationsdiffersslightlyfromothergamesintheseriesinitsmechanicsandgoals.TheoriginalSimCitygamesarefocusedonacity’sinfrastructureandexpansion.Theplayerbuildsacity’sinfrastructurefromthegroundup.Allpublicutilities,fromelectricity,waterandmaintenanceareorchestratedbytheplayer.BuildinginfrastructureisstillnecessaryinSimCitySocieties,thoughthetaskissimplifiedwithpresetpatterns.Forexample,theplayerstillcontrolstheplacementofroads,butthegameonlyallowsforagridpattern,andthislimitstheplayertoalessorganicformofcityplanning.Anotherexampleoflimitedchoiceisenergysystems:theplayermaychoosefromenvironmentally-friendlysolarfarmsandwindfarms,orpollutionproducingcoalplants,butcannotinventnon-standardcombinationsofthevarioustechnologies.

Beyondthephysicaldimensionsofthesimulatedcityareitsgoals,suchasthegoalofhappiness.Theprogramcorrelatesfeaturessuchasbuildings,transportation,andpollutionwiththeincreaseordecreaseofhappiness.

MyexperiencewasthatwhenItriedconsciouslytoplanahappysociety,thepopulationturned“rogue”,butwhenIplayedmoreintuitively,choosingbuildingsorfeaturesbasedonwhatseemedtofeelright,thepopulationshowedahigherhappinessfactor.

l l l

Photo: SimCity 4

Page 36: Issue 2013.1

The Utopia Chronology, Fall 2013

Contributors to Issue 2013.1JohnHerpergerisaUniversityofReginastudentinEnglishandMusicEducation.

AlexMacDonaldteachesEnglishandUtopianStudiesatCampionCollege,UniversityofRegina.ColinMacDonaldisaUniversityofReginastudentinFilm.

KathrynMcCuddenrecentlygraduatedfromtheUniversityofReginaandisnowdoinglanguagestudiesinBaieComeau,QuébecandToronto,Ontario.

CollaneRamseyisaUniversityofReginastudentinEducationandArts,majoringinEnglish.LeeWardteachesPoliticalStudiesatCampionCollege,UniversityofRegina.

TheUtopiaChronologysiteispoweredbyJoomla!softwareandproducedby

AvonleaCommunicationsofRegina.