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Visual Arts Photography Sargento ISP 20% Task: Your ISP will require you to promote, create, and host an art show for your original photography in one of the following categories; portrait, creative, or digital enhancement Submission Checklist Completed Component Details Due Date 1. Promotional Flyer 4”x5½” @ 300 dpi (Photoshop) April 3, 2015 2. 5 Photographs Printed on glossy or matte 8”x10” or 8”x12” Ensure images are printed at highest DPI possible April 6, 2015 3. 5 Photograph frames Solid black 8”x10” or 8”x12” 4. Artist statements All in one Word document, describing the story of each photograph; how it fits into your theme. Word document, 1 paragraph per statement (~1Q2 pages) 5. Artist statement boards Print your artist statements on hard stock paper to post underneath or beside each of your photographs 6. Reflection For each photograph, discuss in detail how you’ve used composition techniques, elements and principles of design, exposure settings, and adjustments made in Photoshop. Word document, 1Q2 pages 7. Critique Choose one photo that you view during the ISP art shows to critique using the Critique Worksheet. Word document, 1Q2 pages ––––––– ––––––– ––––––– ––––––– –––––––
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Page 1: ISP Workbook

Visual Arts Photography Sargento

!!

ISP 20%

Task:

• Your ISP will require you to promote, create, and host an art show for your original

photography in one of the following categories; portrait, creative, or digital enhancement

Submission)Checklist)Completed) Component) Details) Due)Date)

☐ ) 1. Promotional!Flyer! 4”x5½”!@!300!dpi!(Photoshop)! April!3,!2015!

☐ ) 2. 5!Photographs!

• Printed!on!glossy!or!matte!• 8”x10”!or!8”x12”!• Ensure!images!are!printed!at!highest!DPI!

possible!

April!6,!2015!

☐ 3. 5!Photograph!frames!• Solid!black!• 8”x10”!or!8”x12”!

☐ 4. Artist!statements!

• All!in!one!Word!document,!describing!the!story!of!each!photograph;!how!it!fits!into!your!theme.!

• Word!document,!1!paragraph!per!statement!(~1Q2!pages)!

☐ 5. Artist!statement!boards!Print!your!artist!statements!on!hard!stock!paper!to!post!underneath!or!beside!each!of!your!photographs!

☐ 6. Reflection!

• For!each!photograph,!discuss!in!detail!how!you’ve!used!composition!techniques,!elements!and!principles!of!design,!exposure!settings,!and!adjustments!made!in!Photoshop.!

• Word!document,!1Q2!pages!

☐ 7. Critique!

• Choose!one!photo!that!you!view!during!the!ISP!art!shows!to!critique!using!the!Critique)Worksheet.)

• Word!document,!1Q2!pages!

––––––– ––––––– ––––––– ––––––––––––––

Page 2: ISP Workbook

Visual Arts Photography Sargento

!!

Rubric

Criteria)) Level)1)(50Q59%)!

Level)2)(60Q69%)!

Level)3)(70Q79%)!

Level)4)(80Q100%)!

Knowledge)&)Understanding)

• Demonstrates!knowledge!and!understanding!of;!o Composition!techniques!o elements!and!principles!of!art!and!design)o PostQprocessing/digital!darkroom!techniques!(Adobe!Photoshop))o Exposure!(aperture,!ISO,!shutter!speed))o Gallery!setup!and!presentation)

Demonstrates!a!limited!degree!of!knowledge!and!understanding.!

Demonstrates!some!degree!of!knowledge!and!understanding.!

Demonstrates!a!considerable!degree!of!knowledge!and!understanding.!

Demonstrates!a!high!degree!of!knowledge!and!understanding.!

Thinking)&)Inquiry)

• Photographs!demonstrate!clear!thought!to!present!an!original!theme!• Photographs!demonstrate!clear!thought!in!composition!choices;!simplicity,!

balance,!exclusion/inclusion,!ruleQofQthirds,!etc.!• Reflection!clearly!analyzes!decisions!of!composition,!postQprocessing,!exposure,!

and!elements!and!principles!• Critique!demonstrates!clear!thought!and!analysis!of!technical,!composition,!and!

emotional!elements!• Time!management!Demonstrates!a!limited!degree!of!thinking!and!inquiry.!

Demonstrates!some!degree!of!thinking!and!inquiry.!

Demonstrates!a!considerable!degree!of!thinking!and!inquiry.!

Demonstrates!a!high!degree!of!thinking!and!inquiry.!

Communication)

• Final!photographs!creatively!communicate!original!theme!(Transition)!• Artist!caption/statement!clearly!demonstrates!understanding!of!original!theme!• Reflection!clearly!communicates!understanding!of;!

o Elements!and!principles!of!art!and!design!within!own!composition!o Composition!techniques!

• Reflection!clearly!communicates!use!of!postQprocessing!techniques!(Adobe!Photoshop;!adjustment!layers,!etc.)!

• Reflection!clearly!communicates!use!of!exposure!settings!(aperture,!shutter!speed,!and!ISO)!

• Critique!clearly!and!appropriately!communicates!technical,!composition,!and!emotional!elements!

Communicates!ideas!with!a!limited!degree!of!clarity!and!effectiveness.!

Communicates!ideas!with!some!degree!of!clarity!and!effectiveness.!

Communicates!ideas!with!a!considerable!degree!of!clarity!and!effectiveness.!

Communicates!ideas!with!a!high!degree!of!clarity!and!effectiveness.!

Application)!)

• Applies!composition!techniques!appropriately!(ruleQofQthirds,!balance,!etc.)!• Applies!use!of!effective!postQprocessing!techniques!(Adobe!Photoshop)!• Use!of!elements!and!principles!of!art!and!design!• Appropriate!file!formats!submitted!(hiQres!JPEGs)!• All!required!materials!submitted!(see!above!checklist)!!• Appropriate!setup!of!gallery!• Creative!and!appropriate!design!of!promotional!flyer!Applies!knowledge!and!understanding!with!a!limited!degree!of!effectiveness.!

Applies!knowledge!and!understanding!with!some!degree!of!effectiveness.!

Applies!knowledge!and!understanding!with!a!considerable!degree!of!effectiveness.!

Applies!knowledge!and!understanding!with!a!high!degree!of!effectiveness.!

) ! !Final)Mark:) !

Page 3: ISP Workbook

Visual'Arts:'Photography' ISP' Sargento'

CRITIQUING PHOTOGRAPHS !!'Adams'Conducting'A'Critique'Session'

'''''Courtesy'the'Ansel'Adams'Gallery.'

'

Photo'critiquing'is'an'important'way'to'advance'

your'overall'photography'skills.''

'

This'is'not'always'easy'and'fun,'nor'is'it'always'

constructive.'But'in'the'worst'case'it’ll'teach'you'

that'you'don’t'have'to'listen'to'everyone’s'opinion'

of'your'work.'In'the'best'case,'you'will'learn'

something'from'the'feedback.'

'

The'purpose'of'critiquing'photographs'should'be'to'help'photographers'to'improve'their'work'

through'a'better'understanding'and'proficiency'in'the'technical'aspects'of'photography'and'the'

theory'of'visual'literacy,'and'this'while'helping'the'photographer'maintain'his'or'her'individuality'

and'way'of'seeing.'

'

The'critique'should'attempt'to'open'the'photographer's'own'thought'process;'it'should'not'be'an'

attempt'to'change'the'photographer'into'a'clone'of'the'assessor'H'the'very'curse'to'creativity.'

'

When'making'comments'on'another’s'photographs,'aim'to'be'objective'and'constructive.'It’s'better'

to'ask'questions'with'what%if'to'help'suggest'improvements'without'being'negative.'For'example,'“What'if'you’d'taken'a'few'more'steps'closer'to'the'subject?”,''“What'if'you'played'music'during'

your'portrait'photo'shoot'to'ensure'your'subject'is'more'relaxed?'They'look'slightly'tense'in'the'

shoot”,'“Slightly'out'of'focus'or'camera'shake;'Use'a'tripod,'or'up'shutter'speed'and'hold'steady.”'

And,'it’s'absolutely'okay'to'add'simple,'positive'comments'such'as,'“Superb,'I'only'wish'I'had'taken'

it!”'

'

Feedback'in'a'critique'should'encourage'the'artist'to'look'at'their'skills'and'how'they'could'

improve'their'work;'it'should'spark'a'conversation.'''

It'is'essential'to'determine'the'photographer's'purpose'for'making'the'image;'was'it'for'a'clinical'

study,'travel'photography,'photojournalism,'fine'art'piece'or'perhaps'an'entry'for'a'creative'

competition?'Only'then'can'the'critique'be'properly'focused'

to'assist'the'photographer'along'an'effective'learning'path.'

%So'let’s'look'at'the'steps'to'take'to'critique.''Here’s'a'checklist'

to'go'through'and'see'how'the'photograph'holds'up.%%Remember,%you’ll%get%as%much%out%of%this%process%as%you%put%in.%''

Page 4: ISP Workbook

Visual'Arts:'Photography' ISP' Sargento'

CRITIQUE CHECKLIST 1. TECHNICAL QUALITY Editors,%judges%and%evaluators%all%agree;%a%successful%photographic%image%must%have%good%technical%quality%to%start%with.%

• FOCUS:'Is'the'image'sharp,'in'focus?'If'not,'is'it'intentionally'soft'and'successful?'• CLEANLINESS:'Is'it'free'of'scratches,'dust'spots,'stains,'lens'flare,'etc?'• EXPOSURE:'Is'it'too'light,'too'dark'or'just'right?'Are'there'overexposed'(blown/washed'

out)'or'underexposed'areas?'

• DEPTH!OF!FIELD:'Is'DoF'used'to'control'the'viewer’s'eye?'• LIGHTING:'Is'there'too'much'contrast'in'the'lighting?'Too'flat'(no'range'in'shadows'or'

highlights)?'Or,'just'right?'

• COLOURS:'Does'it'have'neutral'colours'or'a'strange'colour'cast?'''

'

2. COMPOSITION Affected%by%the%camera%viewpoint%and%focal%length%of%the%lens.%It%can%raise%an%image%from%a%technical%success%to%an%artistic%success!%

• BALANCE:'Is'the'image'aligned'correctly'or'is'it'crooked?'• LOGIC:'Is'the'arrangement'of'the'visual'elements'effective?''• PURPOSE:'Is'there'a'strong'centre'of'interest,'focal'point,'pattern'or'design?'Where'is'your'

eye'drawn'to?'

• CLARITY!OF!FRAMING:'Is'it'simple,'yet'complete'and'without'distracting'elements?'What'should'and'shouldn’t'be'in'the'frame?'

'

'

3. EMOTIONAL APPEAL The%vital%element%for%a%truly%great%image,%making%it%unique%and%memorable.%

• DYNAMIC:'Does'it'grab'and'keep'your'attention?'Does'it'have'the'"wow"'factor?'• PROVOCATIVE:'Does'it'excite'your'imagination,'or'create'a'strong'emotion'in'you?'• CREATIVE:'Does'it'show'a'familiar'subject'in'a'new,'unusual'and'yet'effective'way?'• UNUSUAL:'Does'it'show'a'very'unusual'subject'in'an'effective'way?!• What'emotion'do'you'feel'when'you'look'at'the'photo?'Or'lack'of?'• Did'the'photographer'connect!with'his'subjects'or'do'they'look'tense,'posed'or'unnatural?'• Does'the'photograph'tell!a!story,'or'part'of'one?''(It'could'be'as'simple'as,'“here'are'my'kids'

whom'I'adore”'or'“here’s'my'dog'catching'a'Frisbee.”'Or'a'very'deep'one'such'as,'“this'is'

what'poverty'looks'like,'right'in'my'hometown.”)'

Page 5: ISP Workbook