Chapter 1 - Introduction This study is primarily a literature based study which concentrates on animal symbolism in the Near East. It intends to demonstrate the influence that the domestication of animals and adoption of agriculture has had upon the way human beings represent and depict the animals that were around them and investigate the shift between depicting wild animals to depicting domesticated animals. It would have been possible for this study to be conducted within any region of the world, however, the Near East seemed to be the most appropriate, as it is thought to be the region where agriculture and domestication have their origins, chapter 3 discusses the origins of agriculture in more detail. The decision to use this area as the focus for the study was made as it would allow for a wide range of case studies that could be used and provide sites that have close links to animals symbolism and sites where animal symbolism is found. It is in an area that is widely referred to as the Fertile Crescent. The Fertile Crescent was a term first coined by James Henry Breasted characterising the region in this way due to the environmental and cultural features that would have been present at the time of the earliest civilisations (Breasted 1916: 101-105). The sites which will be discussed in detail are sites that lie within and 10002902 1
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Investigating the influence the domestication of animals had on the animal symbolism of the Neolithic Near East
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Chapter 1 - Introduction
This study is primarily a literature based study which
concentrates on animal symbolism in the Near East. It
intends to demonstrate the influence that the
domestication of animals and adoption of agriculture has
had upon the way human beings represent and depict the
animals that were around them and investigate the shift
between depicting wild animals to depicting domesticated
animals.
It would have been possible for this study to be
conducted within any region of the world, however, the
Near East seemed to be the most appropriate, as it is
thought to be the region where agriculture and
domestication have their origins, chapter 3 discusses the
origins of agriculture in more detail.
The decision to use this area as the focus for the study
was made as it would allow for a wide range of case
studies that could be used and provide sites that have
close links to animals symbolism and sites where animal
symbolism is found. It is in an area that is widely
referred to as the Fertile Crescent.
The Fertile Crescent was a term first coined by James
Henry Breasted characterising the region in this way due
to the environmental and cultural features that would
have been present at the time of the earliest
civilisations (Breasted 1916: 101-105). The sites which
will be discussed in detail are sites that lie within and
10002902 1
around the vicinity of the Fertile Crescent within the
region of South Eastern Anatolia and Northern
Mesopotamia. The aim of the project is to examine the
relationship between the adoption of agriculture and
domestication of animals with the animal symbolism and
iconography we see at certain sites within the region. It
is important to note at this stage that some of the sites
used within the study are described as being in Northern
Syria and modern day Turkey. This classification is
modern geographical boundaries being placed on the
Ancient landscape, it needs to be recognised that there
would have been no distinctive boundaries on the
landscape in this period.
Fig 1.1 Map showing the area used in the study with the
central area circled and the Fertile Crescent marked
(from Schmidt 2007 with additions)
*Note: not all of the sites shown on the map are used
within the study
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1.1 Aims:
This project has one definitive aim which is to
investigate the influence of domestication of animals on
animal symbolism in the Near East.
1.2 Objectives:
The objectives of the study are to be considered by each
chapter
Chapter 2 will discuss the previous work done on animal
symbolism on sites within the region and move on to give
a brief overview of the way the region is dated. The
final part of chapter two will assess what is meant by
symbolism and the different forms that will be used in
this project.
Chapter 3 will investigate the current timescale for the
domestication of animals and use the most widely accepted
dates as points of reference for the sites which are to
be used throughout the remainder of the study. It will
discuss several aspects of the beginning of agriculture
and focus primarily on the accepted dates for the
domestication of certain animals and more importantly,
the known primary domesticates which will then be easier
to associate with the established domestication sites.
However, it will not sideline the domestication of plants
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as that is an integral part of humanities ability to keep
domesticated animals.
Chapter 4 focuses on the transitional phase (by which it
means the sites that are in transition between hunting
and gatherering and animal husbandry with hunting still
being the primary sustenance base but experiments with
wild animal herding was taking place) sites using case
studies to illustrate examples of animal symbolism found
in this period. Using a selection of the symbolism found
on the sites will then enable a discussion to consider
whether the symbolism can provide an explanation or
insight into the relationships between animals and humans
during this transitional phase.
The final part of chapter four will assess whether the
way animals are depicted gives any indication of the
relationship between humans and animals and whether the
way in which animals are depicted can show the importance
they played within society.
Chapter 5 will use case studies for the established
domestication sites and how animals are represented on
these sites and document any changes that can be seen in
the symbolism since domestication and why these changes
may have occurred in this way. The final part of chapter
5 will review if the symbolism indicates any change in
the relationship between humans and animals.
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Chapter 6 is the final part of the study, it is the
discussion chapter which will review the evidence
obtained in the previous chapters and answer the original
aim of the project as to whether the domestication of
animals has changed the way humans perceive and depict
animals. It will also look at whether current assumptions
about human civilisation has impacted on the way we
interpret past symbolism
Chapter 7 is the conclusion of the project which will
summarise the project as a whole and offer new opinions
on the subject area. This chapter will also include a
brief narrative for suggestions of further work.
1.3 Methods:
This project is primarily a literature based study that
correlates current and previous work carried out on the
region to offer an alternative view. The project faces
challenges due to the availability of resources and
access for the author to these resources. Due to this,
the main sources of information will come primarily from
journal articles as they provide peer reviewed theories
and provide the most up to date data which can be used,
assessed, criticised and challenged.
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Chapter 2 – Literature Review
2.1 Background Research:
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The previous work on animal symbolism in the Near East is
substantial, there has been research conducted into
particular animal types such as the bull, one of the most
frequently seen symbols in the Ancient World and in the
Near East in particular. Akkerman & Schwartz (2003)
proposed that Neolithic religion centred in part round
the image of the bull. Green (2003) has also researched
the symbolism of the bull looking at it form a religious
perspective and associating it with the representation of
a storm God throughout several different regions.
A very well documented and researched site in the Near
East is that of Çatalhöyük with its extensive settlement
and distinctive wall paintings. However Çatalhöyük is
central/western Anatolia and falls outside the region of
the Fertile Crescent. Some similarities and comparisons
may be drawn within the study but used cautiously due to
its location.
One of the main archaeologists researching into the field
of animal symbolism on the prehistoric sites of the Near
East is Klaus Schmidt. He has conducted research on the
pre-farming sites in South-Eastern Anatolia, in
particular at Göbekli Tepe and Nevalı Çori (Schmidt &
Peters 2004; Schmidt 2007) where some of the most iconic
animal symbolism in the pre-domesticated world is
located. Both sites are also located with the region of
the Fertile Crescent.
Similar research to this project has been conducted by
Danielle Stordeur in a paper in which she discusses
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symbolism she suggests that domestication has had a
profound effect on the symbolism seen in the Near East
with humans and animals (Stordeur 2010).
Looking at the wider research areas that do not focus
specifically on animal symbolism; a lot of the research
focuses on gender issues surrounding symbolism. Many
excavated sites in the Near East have resulted in
numerous finds of female figurines and female
iconography. This has led to the idea of the Neolithic
been centred around the female. However, sites such as
Göbekli Tepe have yielded little almost no female
iconography. Hodder and Meskell (2011) conducted research
into the belief that Neolithic societies have been based
on matriarchal symbolism, associating the female form
with fertility, their paper aimed to look at changing the
established belief to one of a more phallocentric
Neolithic. It suggests that these societies have a much
more patriarchal focus. The research in the paper also
includes the anthropomorphic aspects of Göbekli Tepe in
particular but also brings in Nevalı Çori. Also within
the paper, the animal symbolism is used to look at the
idea of the danger aspect of the animals that are
represented.
Moving away from the animal research and directing it
towards humans and human society and culture. Croucher
(2012) published interesting findings and theories on the
nature of death in the societies in the Near East. After
the adoption of farming and domestication of animals
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human society appears to grow and become more complex
with the evidence of burial practices and the building of
villages and larger domestic structures has led to much
research being done on the evolution of human culture.
Other research such as that done by Pearson (et al 2013)
focuses primarily on the use of animals rather than their
symbolic importance.
Much research conducted in the region of the Fertile
Crescent has been done on deciphering the origins of the
domestication of both plants and animals. Further
information on this will be provided in chapter 3.
2.2 Chronology:
The primary method in which archaeologists date sites and
objects is to use typologies which David Hurst Thomas
described as “idealised categories artificially created
by the archaeologist to make sense of past material
culture” (Thomas 1998: 235). Basic idea of using
typologies is rooted in biological taxonomies stemming
from Darwin’s theory of evolution and is a way of using
artefacts such as pottery and stone tools to create a
chronological structures for a site (Darvill: 2008: 473).
This basic way of creating typologies led to the basis of
archaeological dating, the result of this being the Three
Age System (Stone, Bronze, Iron); first coined in the
early 19th century by the Danish Antiquarian Christian
Jurgensen Thomsen (Darvill 2008: 459). This is a system
which is still in use today used in conjunction with
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modern scientific dating techniques such as C14 Dating
employed to substantiate definitive and more accurate
date ranges. This three age system has been fundamental
in structuring much of European prehistory, however, when
it comes to dating in the NE as many of the sites are
much older than that in Europe, and many of the lower
layers on sites are before any form of pottery which made
the original dating very difficult.
C14 dating has been employed and, although one of the
most trusted methods of archaeological dating, can never
be absolute due the different proportions of the
measurable aspect of C14 not being a constant in the
Earth’s atmosphere throughout time (Blackwell et al 2006:
408). To improve accuracy of C14 dating we can calibrate
dates along the calibration curve and we can also apply
the use of Bayesian Statistics (Ramsey 2009: 337) which
provides archaeologists with a way of combining
radiocarbon results with the findings from archaeological
contexts, such as known chronological orders derived from
stratigraphy (Steier & Rom 2000: 183).
It is the known chronology derived from excavations
combined with C14 and the use of Bayesian statistics
which provide ways of dating for sites in the Near East,
along with the typology of the stone tool industry for
many of the Pre-Pottery Neolithic sites and then pottery
for the Pottery Neolithic sites. Some of the literature
for sites in the Near East also uses chronological phases
derived from the architecture of the sites to provide
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chronological analyses such as from Akarçay Tepe
(Ozbasaran & Duru 2011).
The initial dating sequences from the Near East come from
the Southern Levant area, in particular at Jericho.
Excavations first carried out at Jericho by John Garstang
showed layers of occupation before the establishment of
any pottery (Kenyon 1954: 103). The layers were still
Neolithic but the phases were before any known pottery
types, it was due to this that Kathleen Kenyon coined the
terminology for the early phases of the Neolithic; Pre-
pottery Neolithic A (PPNA) and Pre-pottery Neolithic B
(PPNB) during her own excavations at Jericho following
from Garstang’s previous work (Bar-Yosef 1998: 190).
Although derived from areas in the Southern Levant, this
terminology has been adopted as regular use for the
archaeology of the Near East. There has been suggestions
from Braidwood that the terminology should be
anthropologically orientated, “using excavated
assemblages within a socio-economic interpretation” (Bar-
Yosef 1998: 169). However the terminology coined by
Kenyon is the one that has been adopted and used. As it
is the most widely used within the literature, and as
such it will be used in this study.
The current research in the region has provided the
adoption of another time period before the PPN, which is
the Natufian period, which has been born out of
excavations carried out in the Southern Levant. The date
ranges for all these periods has also come from sites in
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the Southern Levant (Kuijt & Goring-Morris 2002) which is
thought to have some of the deepest strata levels of
human sedentary communities.
The terminology for the PPN is fairly consistent
throughout the literature, however in some cases which is
demonstrated in the tables below, the terminology for the
latter phases of the PPNB is sometimes categorised as
being PPNC. The terminology used in this study will be
primarily dependent upon the literature sources used.
Below are two tables from current literature depicting
the chronologies adopted by authors for categorising the
Near East
Table 2.1 Showing approximate cal BC dates for the
archaeological periods/phases in the Near East
(Croucher 2012; adapted from other sources, such as Kuijt
& Goring-Morris 2002. Original table can be found in
appendix 1)
Table 2.2 showing approximate cal BP dates for the
chronological phases of the Neolithic NE
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(Connolly et al 2011: 539)
The tables above show the dates of the chronological
phases, one showing dates in BC and the other showing
dates in BP. Throughout the literature and research, BP
and BC are used interchangeably, this being the case, it
will also be used in such a way in this study. Although
absolute dates will not be the primary focus as much as
using the phase terminology will be.
2.3 Symbolism:
This study is about the animal symbolism seen in the
Fertile Crescent in the NE, however, the initial
definition and interpretation of symbolism needs
clarification for the purposes of this study.
The dictionary defines symbols as being “items used to
stand for or represent another” (Darvill 2008: 445).
While this is what is being addressed in this study, it
does not entirely encompass the breadth of what can be
seen in the Neolithic Near East. It is the interpretation
of the symbolism which is being addressed in this study
which is referred to as symbolic interactionism (Darvill
2008: 445) the means in which human interaction is based
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upon the use of symbols and language, humans can
coherently communicate between several different culture
types simply through the use of symbolism. Verhoeven
The site used as the primary data source for animal
iconography in this study has been collected from Göbekli
Tepe, this is not known as a settlement site it is
currently referred to in the literature as a temple or a
ritual site (Verhoeven 2002: 240-241; Schmidt 2007).
4.2. Göbekli Tepe: A background
As Göbekli Tepe is the base reference for this project
some background information is essential to its
understanding. The site is located in South East Anatolia
and was discovered in 1994 by a farmer from the local
area. German archaeologist Klaus Schmidt, who has done
much research in Southeastern Anatolia went to
investigate the site further. Climbing the mound to the
site he realised what had been found was a discovery that
would change previous conceptions of the Neolithic in the
Near East (Schmidt 2007: 15-17). The site dates to around
the 10th millennium BC during the PPNA (Schmidt 2011:
41). The current thought is that the site is one of pure
ritual usage which would have drawn hunter-gatherer
groups from all around the region to this central place
(Banning 2011: 622). Its geographical location suggests
that it would be unsuitable as a domestic site and would
have served as a pilgrimage site to several of the
10002902 26
hunter-gatherers in the area (Banning 2011: 624). The
majority of the faunal remains found on site belong to
the wild breeds not the domesticated (Banning 2011: 624)
which has fuelled the idea of a purely ritual context.
Fig
4.1 A
view
of
the
Göbekli Tepe mound from the south
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(Schmidt 2011: 59)
The dating period for this section of the project is
thought of as a transitional period between humans
hunting and gathering (Schmidt 2011: 41) to becoming
fully sedentary societies and the animal iconography
found on these sites can be used to more understand this
transition.
The site of Göbekli Tepe has become one of the most
famous in the PPN of the Near East. It had been purposely
buried and was instantly recognisable within the
landscape as an artificial mound (Schmidt 2000: 46).
This site is crucial to this study as there is a vast
array of animal depictions found within the enclosures of
the site. The animals used as examples in this section
will be derived from this site due to the numerous and
vastly different species of animals that are found.
Fig 4.2 Göbekli Tepe under excavation showing some of the
enclosures containing the iconic T-Shaped Pillars
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(Schmidt 2011: 80)
Several of these iconic T-Shaped pillars seen in the
image contain depictions of animals that are primarily
classed as wild animals, such as leopards, snakes and
vultures. This diversity of animals depicted on the site
has made it the primary focus for this study. Also, the
architecture on this site is very similar to that found
on Nevalı Çori where other striking animal imagery has
been found and both are of similar age (Schmidt 2011: 41)
this makes it necessary to include this as one of the
main sites of reference for this chapter.
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The table below has been collated from two major sources
and lists the known animal depictions that have so far
been discovered on the site.
It has been edited for this chapter, the full version of
the table can be found in appendix 2.
Table 4.1 Listing the main animals found on the site
Animal Context Symbolic typeReptile Limestone plate CarvingWolf-like Head of figurine FigurineBird Head of figurine FigurineFour-legged animal
(presumed to be a
mammal)
Top portion of
figurine
Figurine
Snake Limestone plate CarvingLion like Wall CarvingBoar Figurine Figurine5 snakes T-Shaped Pillar CarvingBundle of snakes T-Shaped Pillar CarvingSnakes in net like
Wild sheep T-Shaped Pillar CarvingAsiatic wild Ass T-Shaped Pillar CarvingGazelle T-Shaped Pillar CarvingBrown bear T-Shaped Pillar Carving(Author: Information for the table gathered from Schmidt
2007 & Schmidt & Peters 2004)
The numerous examples of animals found depicted on the
site, shows an importance between humans and animals for
the creators of the site to have taken the time to detail
them. This table will be the basis for the animal
iconography used within the study. As this section
focuses on the transitional stage into fully agricultural
societies the primary animals focused on will be ones
that are representative of the wild animal populations
not recognisable as the primary domesticates.
In this chapter, an animal will be selected from the
table and then compared against similar depictions found
on other sites within the region.
4.3. Snake:
The animal that appears to be the most commonly depicted
is the snake (Schmidt & Peters 2004: 183) however, in
comparison to some of the other animal iconography found
on this site the image of the snake appears to be the
least anatomically correct. However Schmidt and Peters
(2004) have suggested that their shape represents that of
a Viper, several venomous vipers are known in the Urfa
region (Schmidt & Peters 2004: 183) and it is possible10002902 31
that these images could relate to this particular
species.
A very similar image of the snake also appears at the
sites of Nevalı Çori, Southeastern Anatolia (Hauptmann
2011: 96) and Jerf el-Ahmar (modern day Syria) (Stordeur
2000: 3)
a b c
Fig 4.3 Images of the snake
(a) Representation of a snake on a T-shaped pillar from
Göbekli Tepe (Schmidt & Peters 2004: 192);
(b) Plaque engraved with snakes from Jerf el-Ahmar
(Stordeur 2010: 125);
(c) Limestone head with a carved snake from Nevalı Çori
(Hauptmann 2011: 127)
The shape of the snakes head on each of the depictions
suggests that the same species of snake is being depicted
on all the sites. Alternatively it could also suggest
that there is some form of interaction between the groups
10002902 32
creating these figures. The snake imagery from Göbekli
Tepe is some of the most prolific, there is snake pillar
building (Schmidt 2002: 9) fig 4.2 demonstrates what is
meant by pillar in this context.
Attempting to understand the meaning behind the use of
the snake as a symbol is incredibly difficult and one of
the overriding theories suggests that they are associated
with danger and death (Schmidt 2007: 120; Stordeur 2010:
124). Not necessarily immediately thought of as a
predatory animal, however, if the representation is of a
venomous Viper, the nature in which this animal kills its
prey could be a vital reason why it appears on several
sites throughout the Near East. Another site that
includes an image of the snake is one of the oldest
settled Neolithic sites known in the area; Hallan Çemi
Tepesi, a known village site occupied towards the end of
the 11th century BP, mid 10th Century cal BC (Rosenberg
2011: 61). The image of the snake is created from carved
bone (see appendix 3 (A)) it has not been included in
text due to the objects fragmentary state.
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4.4. Lion/Panther (big cat):
Using data from the table one of the other animals that
is of particular interest is the depiction of the lion
like figure.
a b
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c
Fig 4.4 Images of the lion/panther (big cat)
(a) Depiction of a lion/panther at Göbekli Tepe (Schmidt
2011: 66)
(b) Head of lion/panther figurine from Nevalı Çori
(Hauptmann 2011: 135)
(c) Carving of 3 panthers from a bench in Tell ‘Abr
(Stordeur 2010: 125)
The sample of objects chosen here, clearly depict a
feline creature, the definitive whiskers shown on both
(a) and (b), the claws, long tail and representation of
fur on (c) can provide no speculation or ambiguity of the
creature being depicted. However, the decision as to
whether it is a lion or a panther is still under debate.
Stordeur describes them as panthers whereas Schmidt
describes the depiction at Göbekli Tepe as a lion.
Neither of these can be confirmed so at this stage either
is acceptable. What is distinguishable is the lack of
facial features for the depictions at Tell ‘Abr. The
figures appear to be face down whereas the others appear
to be purposefully drawn to be showing teeth (Hodder &
Meskell 2011: 237)
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4.5. Scorpion
a b
Fig 4.5 Images of the Scorpion
(a) Scorpion relief from Göbekli Tepe (Schmidt 2011: 78)
(b) Grooved stone with Scorpion relief from Jerf el-Ahmar
(Stordeur 2010: 126)
The most notable feature from these images is the
distinct difference between the drawing style of the two.
10002902 37
The anatomical detail of the scorpion on image (a) the
defined legs and detail on the tail and pincers make it
unmistakeable. In comparison, the image from Jerf el-
Ahmar is somewhat recognisable as a scorpion but lacks
the same fine detail, it appears to be much more
stylised. This difference in the way the animal is
depicted could indicate a different species or a possibly
a different meaning to the image. Although distinctly
different, they share some of the same characteristics
such as the distinct definition of the pincers and the
head of the animal. Current theories are proposing the
idea of danger for the wild animals such as these,
proposing a purpose behind emphasising the ‘pointy’
aspect of the animal (Hodder & Meskell 2011: 236) Hodder
and Meskell (2011) suggest the idea that these animals
are representational of flesh eating and piercing
animals, as emphasis is placed on the sharp aspects of
the animals making the idea of piercing the flesh being
seen as important. This seems to correlate with the image
from Jerf el-Ahmar which is depicted with sharp lines and
the tail ends with a very sharp point. In terms of the
predatory nature of this animal, it is closely comparable
with that of the snake. It is a venomous creature that
contains poison that can cause its prey to be paralysed.
This is most likely to have been witnessed and possibly
even experienced by some of the human populations the
area, giving them a sufficient reason to fear this
animal.
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4.6. Reptile
b
a
Fig 4.6 Images of the lizard and reptile found at Göbekli
Tepe
(a) Lizard like high relief at Göbekli Tepe
(http://essayweb.net)
(b) Reptile high relief from Göbekli Tepe (Schmidt 2011:
71)
The two reptile/reptile like creatures chosen here are
both depicted at Göbekli Tepe but are of two very
different styles. The relief shown in (b) has much less
detail but when studied in a closer vicinity, the mouth
and teeth can clearly be identified as can a long tail10002902 40
(Schmidt 2007: 89). Outwardly the two reliefs appear
completely different, (a) on first appearance resembles a
large cat, the face appears to show whiskers and the
torso appears to depict a rib cage similar to a lion
figurine found on the site (see appendix 3 (B)). The
extended tail and long toe or claw like depictions on the
front legs allow for suggestion of a lizard, much like
the shape of the head for (b) resemble that of a lizard.
Although on the face of it seemingly very different, they
do show some similarities with one another, particularly
with the emphasis on a long tail. Ambiguity will always
play a part in trying to identify ancient depictions.
Much like the snake and the scorpion, the lizard is an
animal which has (arguably) never been domesticated and
some species can be a predatory creature to humanity. The
main focus of the animals appears to be on the wild array
of animals that would have been inhabiting the area
during the construction and use of this site (Verhoeven
2002: 252).
The selection of animals chosen here that have been
depicted during the PPNA to MPPNB are all what would be
classed as wild animals. They would all have been a food
source to the humans around them, including the reptiles.
Are these depictions then, an indication of the wide
variety of the diet or do they have a more symbolic
meaning. A traditional view of the hunters relationship
with the animals they hunted is one of respect (Serpell
1996: 5) do these representations of wild animals then
10002902 41
suggest a level of respect for these creatures? Are these
animals drawn with such detail to show the way humans
felt about them, treating them as their equals? It is
possible to use this theory for the animals like the lion
and the reptile but it is harder to include the scorpion
into this. The images from Göbekli Tepe could be
suggestive of hunting styles. This issues presented by
the animals represented in this period is that they are
not uniform. Each site represents an animal differently,
and in some cases different animals entirely, there
appears to be no conclusive uniformity between the sites.
10002902 42
Chapter 5 – Established domestication
5.1. Introduction
This section focuses on sites that lie within the dating
range of established domestication. This means that the
sites that will be addressed will date from the late PPNB
and the PN (see Table 2.1. and Table 2.2 in chapter 2 for
dates for these periods). It is at this point in which
fully agricultural villages begin to appear and animal
husbandry is becoming a more dominate part of the
subsistence base (Miller 2002: 85).
This chapter is structured slightly differently to the
previous chapter as the animal symbols that we see on a
number of the PN sites are figurines rather than
individual motifs or reliefs that are the predominant in
the previous chapter. Due to this they are classified as
small finds and as such in the literature they are
represented as bulk finds.
Therefore this chapter looks at sites as a whole from the
LPPNB onwards rather than looking specifically at the
individual animals. The period has been labelled next to
the images as some of the sites are multi period and have
earlier phases that belong to the PPN. The figurines
from all these sites are indicative of the domesticated
breeds. However, unlike in the previous chapter,
10002902 43
determining what animal is being depicted is more
difficult due to the nature of their fragmentary states.
From these images it appears that they lack the finer
detail that we see on the animal depictions from the
early PPN sites. There also appears to be a lack of
diversity in the animals seen compared to the
transitional period. The animals seen in this period all
appear to be the domesticate animals whereas there is a
wider range of wild animals depicted on the transitional
period sites.
5.2. Sumaki Höyük
Fig 5.1 Clay animal figurines from Sumaki Höyük - PN
10002902 44
(Erim-Ozdogan 2011: 59)
Sumaki Höyük is one of the multi-period sites, ranging
from the Neolithic to the medieval period although not
inhabited continuously (Erim-Ozdogan 2011:24). The phase
in question for this study is dated to the PN (Erim-
Ozdogan 2011: 24) and it is from this phase that we find
the animal figurines. The figurines are representative of
sheep, pig, cattle and turtle (Erim-Ozdogan 2011: 59).
The stratigraphy obtained from excavations on this site
show that the inhabitants had lifestyles that were
partially nomadic and partially sedentary, with a
subsistence base of agriculture and animal husbandry
(Erim-Ozdogan 2011: 35). The majority of the animals that
we see in these figurines are typical of the domesticated
breeds. However, there is what would appear to be an
anomaly in the assemblage in terms of figure (e) which is
thought to be representative of a turtle. We see a
similar type of animal carved onto a bowl from Nevalı
Çori (see appendix 3 (C)) which is thought to be
10002902 45
representative of a tortoise with two pregnant
anthropomorphic figures (Hauptmann 2011: 100) he also
suggests that the tortoise is a symbol of fertility
(Hauptmann 2011:100) . It would appear from this site at
least that the theme of depicting reptiles continues
through to the PN. However, the image from Nevalı Çori
has a degree of ambiguity and it is not definitively
accepted that the image is of two anthropomorphic beings
and a zoomorphic being. Some argue that it is three
anthropomorphic figures; although the majority agree that
the image appears to represent dancing (Garfinkel 2003).
10002902 46
5.3. Akarçay Tepe
Fig 5.2 Animal figurines from Akarçay Tepe - LPPNB
10002902 47
(Ozbasaran & Gunes 2011: 200)
These figurines much like the ones from Sumaki Höyük have
been created out of clay (Ozbasaran & Gunes 2011: 177).
Using the figurines from other sites as possible
templates, the assemblage seen here would appear to be
depicting pig, cattle and sheep or goat. The site appears
to have been in occupation continuously from the PPNB to
the PN (Ozbasaran & Gunes 2011: 167) it makes this site a
good example of one which would have had inhabitants that
were practicing or at least experimenting with animal
husbandry. The evidence for this can be seen in the
faunal assemblage from the site, the majority of the
10002902 48
bones are of domestic animals primarily ovis and capra;
Sheep and Goat (Ozbasaran & Gunes 2011:171). The volume
and dominance of the juvenile animal bones amongst the
assemblage suggests that the inhabitants were selectively
butchering the younger animals (Ozbasaran & Gunes 2011:
171). Using just this evidence the animal figurines which
would be expected would then be sheep and goat. It is
possible that the addition of the pig and cattle
figurines could suggest that along with practising
husbandry of sheep and goat, they could have been
actively controlling the wild populations of boar and
auroch.
10002902 49
5.4 Salat Cami Yani
Fig 5.3 Animal figurines from Salat Cami Yani - PN
(Miyake 2011:148)
The animal figurines are again made from clay and are
most likely depictions of sheep or goats (Miyake 2011:
134). The selection of animals represented in this
assemblage is unsurprising as is it generally believed
that Salat Cami Yani is an example of a standard farming
community that would have been in existence in this
10002902 50
period (Miyake 2011: 130). However, what is surprising is
that among the faunal assemblage, the sheep and/or goat
make up the smallest percentage of the primary
domesticates (Miyake 2011: 134). The largest proportion
comes from pig, which does not appear to be represented
amongst this assemblage. Although the highest percentage
of faunal remains comes from the domestic animals, some
wild animals are also present such as wild boar (Miyake
2011: 134) this indicates that morphological changes have
occurred in the pig suggesting a fully domesticated
that symbolism is one of the markers which has enabled
modern thinking (Coolidge & Wynn 2010: S6). If this is
the case then symbolism can be addressed as a form of
communication or language between different human groups.
This means creating a distinction between what we deem
‘speech’ and what we deem ‘language’ and ‘communication’
10002902 53
(Schepartz 1993: 92). Creating this distinction suggests
that we can assess symbolism as a form of communication.
It does not however, give good cause or justification to
assume that each representation of an animal is
synonymous with another from a different site as the
animals can be represented very differently.
However, there is a possible exemption to this and that
exemption comes from the sites Nevalı Çori and Göbekli
Tepe. Both sites are incredibly similarly structured and
contain similar animal symbolism.
Fig 6.1 Composite drawing of the
Fig 6.2 Image of T-shape pillars
T-shaped pillar buildings at Nevalı Çori
from Göbekli Tepe
10002902 54
(Hauptmann 2011: 126)
(Schmidt 2011: 75)
The architectural style of the ritual or cult buildings
(Hauptmann 2011:126) from Nevalı Çori is almost exactly
the same architectural type to that of what we see at
Göbekli Tepe. It is entirely plausible that this is
10002902 55
merely a coincidence, but given the geographical
locations of both these site and their relative dates,
the more obvious explanation would be that they were
created by the same group of people (see fig 1.1 for a
map showing their proximity to one another).
As the current accepted view of Göbekli Tepe is that it
is purely a ritual site with currently no signs of
occupation visible (Schmidt 2007) and Nevalı Çori is a
site which has domestic dwellings and ritual buildings
(Hauptmann 2011: 106) it is a conceivable theory to
suggest that Göbekli Tepe may have been a creation of the
inhabitants of Nevalı Çori as a completely separate
purely ritual purpose.
As a consequence to this it would be not be too much to
assume that the animal imagery that we see on both of
these sites would be incredibly similar, looking in
particular at the snake imagery (see fig 4.3) that would
appear to be the case. Both are high reliefs on stone and
have a similar shaped head and body. The major difference
is the distinct human-animal linkage that can be seen on
the relief from Nevalı Çori. Verhoeven (2002) created a
table charting the similarities and differences in ritual
and ideology of several different sites around the Near
East and the Levant, including a comparison between
Göbekli Tepe and Nevalı Çori (see appendix 4).
His suggestion is that the human-animal linkages only
appear with wild animals and that this is showing an
attachment to the wild and to nature (Verhoeven 2002:
10002902 56
252) much like Hodder & Meskell (2011) Verhoeven also
suggests that this representation of the wild animals is
distinctively linked to being male. This apparent
obsession with gender is relatively unseen on sites aside
from Göbekli Tepe where the imagery is clearly depicted
as being male (Hodder & Meskell 2011).
It is important to explore this idea of the human and
animal linkages. To this end it is important to briefly
touch upon shamanism, and acknowledge that it could be a
possible explanation for this linkage. We see specific
human animal linkage at Nevalı Çori, there is a figure
found at Nevalı Çori depicting a vulture attached to an
anthropomorphic figure (see appendix 3 (D)) which could
be possible reminiscent of a primitive totem. There is
also the snake on the anthropomorphic head (Fig 4.3 (c))
it is possible that this could represent the idea of a
shaman individual that can possess the spirit and
attributes of the vulture or a snake. Possibly used as a
way of persuading animals to be more easily captured when
they were being hunted (Serpell 1996: 5). This idea
cannot be substantiated with any kind of decent evidence
which makes it an unreliable theory to assume.
Turning attention towards the big cat symbols (listed
earlier in the project as lion or panther) there are
representations from three separate sites, the Nevalı
Çori and Göbekli Tepe representations are, as assumed
very similar (see fig 4.4 (a) & (b)). However, the third
10002902 57
representation comes from Jerf el-Ahmar and appears to be
depicting a big cat of a different type (fig 4.4 image
(c)) the depictions at Jerf el-Ahmar clearly shows claws
and fur but is drawn face down, the legs also seem to be
linked, perhaps for simple ease of drawing or perhaps it
is a representation of the animal lying dead or the pelts
obtained through the hunting of these big cats. Due to
the distinct differences between the representations, it
is fair to say that their meanings could possibly be
different. It is the same for the image of the scorpion.
The stylised image from Jerf el-Ahmar (see fig 4.5 image
(b)) would seem to indicate further meaning whereas the
scorpion from Göbekli Tepe is intricately carved with
some anatomical detail suggesting that it could merely be
a somewhat simple representation of the natural world.
One theory that has been suggested for the scorpion and
the lion is that it has reference to the constellations
of Scorpio and Leo (Hartner 1965: 3) this idea however
seems to be too much of modern society being used to
assign meaning to an Ancient society.
If we then look at the image of the reptile, it is more
difficult to understand, on the face of it, it seems a
very unusual animal to choose to depict, especially if we
are to try and assign a symbolic meaning to it.
There is evidence of using lizard skin as personal
ornamentation, a site named Demirköy, contains a burial
with a lizard skin bracelet (Rosenberg 2011: 86)
10002902 58
suggesting that the skin at least was a desirable
material. The sites date to the PPN (Rosenberg 2011: 79)
which is where we see the majority of the
lizard/reptilian (excluding snake) symbolism. This keeps
the emphasis on the wild animals in the PPN rather than
the domesticated (or animals that would be domesticates).
The current theory for the imagery that focuses on the
wild animals such as scorpions, foxes, lions, bears,
snakes and reptiles is that they are representative of
wild and the dangerous species (Hodder & Meskall 2011:
236), the idea that it is representative of the dangers
man face in day to day life. Giving weight to the idea
that man had come to derive a general theory of a self
regulating world and then given himself a position in
that world (Cauvin 1994: 209).
On the established domestication sites, we see an
increase in figurines rather than stone reliefs, the
majority of which depict sheep, cattle, pig and goat; the
primary domesticates.
Some animals that are represented in the PPN but were not
mentioned in the transitional period include the bull and
the boar (see appendix 3 (E) & (F)). They were
deliberately left out of that section to make it easier
to understand the distinction between the two time
periods and the distinct differences between the animals
seen. This interpretation however, could be seen as
limiting or creating a bias towards the overall outcome
10002902 59
of the distinct change in animal symbolism. However it is
important to understand that there is a distinction
between the wild breeds and the domestic breeds which is
usually determined by examining the faunal remains on the
sites and looking for morphologically changes created by
domestication (Zeder 2008: 11598).
One of the constant reoccurring themes throughout the
Near East is that of the Bull, we see some of the
prolific symbolism of the bull on sites further to the
West such as Çatalhöyük (see appendix 3 (G) & (H)). The
bull appears to be a symbol of the male, danger and of
the wild but it could also be suggestive of large scale
feasting (Hodder 2011: 257). The bull is a powerful
animal and indicative of masculine energy. Its size would
inevitable feed a large amount of people. An alternative
view proposed has been the idea of a ‘bull cult’,
particularly with the site of Çayönü where an auroch
skull with its horns adorning a ‘cult’ building (Erim-
Ozdogan 2011: 209). These similarities between Çatalhöyük
and Çayönü could suggest a coherency between the two, or
that both groups could think the same way about the bull.
It is a powerful animal and so the use of its horns in a
symbolic way could imply a reverence to the creature and
its obvious physical power and presence. At Çayönü at the
end of the PPN phase there is a sudden appearance of
sheep and/or goat figurines being produced (Ezim-Ozdogan
2011: 211) similar to what we see happening on other
10002902 60
sites in the region at the same time, the LPPNB beginning
the PN.
As Hodder & Meskall (2011) have suggested there does seem
to be a dominance of masculinity in the earlier symbolic
art of the Near East before the full adoption of
agriculture where we then see an increase in female
figurines (Stordeur 2010: 124). There is also a sudden
rise in figurine production rather than depictions on
stone, these figurines seem to only depict the
domesticated animals. This does seem to be indicative of
a change in the relationship between humans and animals,
specifically in the interaction between them. The lack of
focus on the wild animals and what appears to be a sudden
halt to creating images of them, suggests that there was
a drop in the interaction with them.
The initial question posed in this project was about the
influence of agriculture and domestication on animal
symbolism. From the examples given in chapters 4 and 5 it
seems clear that there was a shift from depicting the
wild to depicting the domestic with the exception of some
continuums such as with cattle and boar, primarily the
bull (although again it is important to distinguish
between the wild and domestic breeds). Using the data
gathered in the project I have constructed a table using
the sites and animals mentioned throughout the project to
further illustrate how we can see these differences (see
appendix 5). The table demonstrates the shift from
10002902 61
depicting wild animals to depicting domesticated animals.
It also highlights the technology change, from creating
large stone reliefs to smaller, portable figurines.
The adoption of agriculture and animal husbandry
completely changed a way of life, is this change in
symbolism therefore not what we would expect from a
complete lifestyle change? What does seem to be a
continued aspect of the majority of this symbolism (with
some exceptions) is that the societies were eating the
animals they were drawing. The shift appears to show a
change from communal ownership to personal ownership
(Erim-Ozdogan 2011: 211) which may also suggest changes
in social organisation and suggest routes for a form of
political evolution.
10002902 62
Conclusion
This project set out to review data regarding animal
symbolism collected from PPN sites through to PN sites
and assess whether any impact can be seen after the
adoption of domestication. From the data used in chapters
4 and 5 it seems clear that there was a distinct change
in the way animals are represented by humans.
There does appear to be a distinct correlation between
the adoption of domestication and agriculture and the
animal symbolism that is seen in the region. It also
needs to be noted that there is a distinct change in the
materials used to depict the animals. The beginning of
the PN sees the creation of clay figurines rather than
using stone to create the images. The appearance of these
clay figurines sees the appearance of the domesticate
animals being depicted.
Taking the examples used in this project, the
transitional period on the cusp on animal husbandry were
cultures that depicted the wild untamed landscapes around
them, the untamed ‘beasts’ that they would have hunted
10002902 63
for food and had to fight for their own survival. One of
humanities basic instincts is survival, the idea of
survival of the fittest comes into play in this scenario,
as at this point in history humans are just another
creature on the planet fighting to maintain their own
existence. Unlike today, the primary enemy (if it can be
called that) would have been the wild animals around them
who would have seen humans as prey. The lion for example
would most likely have hunted people, much like it would
today if it was pushed to it. Unlike modern
civilisations, ancient civilisations had less successful
weaponry to ensure that they wouldn’t have ended up as
prey. With the beginning of agriculture and the ability
to control their own food supply, human groups would have
started to see the natural world around them in a
different way, it would have started to appear
controllable. We can see today the morphological changes
that have taken place with humans control over animals,
particularly in domesticated animals, such as cows, pigs
and sheep. It is this that I feel sparked the transition
between primary depictions of wild animals to that of
domestic animals. The symbolism can be an indication of
the relationship between humans and animals. As it became
apparent that animals could be managed and even changed
through the selective breeding process humans were
beginning to exert more control over the natural world.
Animals became manageable, groups became villages. An
entire lifestyle started to gradually change, it would
10002902 64
make sense then that symbolism, or for lack of a better
word, art would change as well.
A reoccurring theory is that of imposing religion and
cults onto this change seems to be a situation of
applying current culture onto ancient societies. Why must
there be a need for religion, for humanity to have to see
themselves as a creation by a divinity that controls the
world around them? When they could see for themselves
that they were able to control their environment. The
idea of worshipping certain animals is plausible but
whether it can be associated with worship rather than
respect or an idea that certain animals have certain
powers that humans wanted to harness or show that they
believed in. I think the idea of belief rather than
worship should be employed for the animal symbolism in
the PPN. It seems that the symbolism is a depiction of
the natural world, rather than focussing on the
aggressive and wild nature of some of the animals. The
focus should perhaps be turned to the natural and mans
blending with nature and respect for nature.
For the PN with the adoption of animal husbandry the
majority of the animal symbolism with the exception again
of the bull shows a distinct change in mans mindset to
the world around them. The animals that were able to be
domesticated were possibly no longer seen as natural
beings as they can be manipulated. They become
commodities, property which could be owned by people,
with this, their symbolic importance would seemingly
10002902 65
diminish. This respect for the natural animal may
seemingly disappear to be replaced with affection. The
time spent with the animals changes humanities perception
of them and having to take care of them in the same way
they would with their own young would inevitably generate
affection for the animals.
Changing the way in which the animals are depicted, for
instance changing from carving images into stone, to
creating portable figurines could symbolise a number of
things, currency, commodity or simply a way of using the
new found freedom of not having to hunt for their food
sources in a recreational capacity and creating
depictions of the animals they now spend their lives
around and living side by side with.
Suggestions for further work
Excavations and surveys in Southeastern Turkey are still
underway on many sites. Numerous sites are still being
discovered and are that extensive that the work will
continue for many decades. In terms of looking at animal
symbolism, further work needs to be carried out on
attempting to establish meaning without imposing religion
and looking at the way agriculture has impacted on all
10002902 66
aspects of the way of life. More work should go into
trying to find a coherency between sites in the PPN that
are in close proximity to each other. Further work could
also be done to analyse the human bones found on the
sites to give an indication of whether the diet of the
inhabitants changed to include more meat after the
adoption of animal husbandry and how that correlates to
the faunal assemblages found on the sites. Another aspect
that could be looked at is the apparent change from
working with stone to working with a much more malleable
substance, clay and assessing whether the onset of the
pottery Neolithic and technology change affected which
animals were chosen to be depicted.
10002902 67
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