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Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics III. Why read this stuff? Or, The Canon and Its Discontents IV. Beowulf
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Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Dec 13, 2015

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Elmer McCormick
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Page 1: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Introduction to LTEN 21

I. Ways to think about over 800 years of literary history

II. How to deal with so many centuries of literary history: course mechanics

III. Why read this stuff? Or, The Canon and Its Discontents

IV. Beowulf

Page 2: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Course website

http://www.medievallit.org/

Change: Holiday on Nov. 11. Corrections on website

Friday section by arrangement

Slides for lecture will be posted linked to their date in syllabus. I will post for the week over the weekend

Page 3: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Penguin Beowulf

Page 4: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Norton A

Page 5: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Norton B

Page 6: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Bedford Glossary

Page 7: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

I. Ways to think about over 800 years of literary history

Linguistic Divisions Anglo-Saxon or Old English Middle English “Modern English”

Page 8: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

I. Ways to think about over 800 years of literary history

Literary Divisions Anglo-Saxon or Old English Literature Middle English Literature The Early Modern Period, aka The

Renaissance

Page 9: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

3. The Early Modern Period, aka The Renaissance

a.The Elizabethan Age: reign of Elizabeth I (1558-1603)

b.Jacobean Age: Reign of James I (1603-25)

c. Caroline Age: Charles I (1625-49)

d.Commonwealth period (1649-1660)

Page 10: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

II. How to deal with so many centuries of literary history: course mechanics

See Syllabus

Accomodation

Email notification

Page 11: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

III. Why read this stuff? Or, The Canon and Its Discontents

What is “the canon”? Why is it controversial?

Page 12: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

IV. Beowulf

Why the Alexander translation? The Beowulf Manuscript—Cotton Vitellius

A.xv (handout)

Page 13: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Some questions to consider about Beowulf for next week’s lectures

How many major parts are there to Beowulf? Where do you see the poem breaking into

major movements or episodes? What elements characterize the poem’s

style? How is metaphor used? How is “the hero” defined in Beowulf?

Page 14: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Thinksheet One for LTEN 21

Due at the beginning of your section during week one. Pick one of the following scenes in Beowulf. In two paragraphs describe how you would adapt these lines to

a film version: In one paragraph describe how you would film this moment in

the text in a screen adaptation. Then, in the next paragraph, explain what element of the text

(mood, character, imagery or theme, for example) that your decisions as a director are meant to convey. This assignment should be no longer than one single-spaced typed page.

Scenes: Lines 229-257 Lines 1278-1308. Lines 3147-3152

Please note, casting Angelina Jolie in your version will very likely lower your grade!!!!!

Page 15: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

Names, places and terms, dates to know for Beowulf

(Don’t forget the helpful appendix pages in your penguin paperback.)  Beowulf the Geat, son of Edgetheow Hrothgar Grendel Scyld Shefing Grendel’s Mother Unferth Dragon Wealhtheow Wiglaf Cain and Abel Hygelac Heremod Danes and Geats Heorot Lay of Finn (Fight at Finnsburg–story of Hildeburgh)  oral-formulaic poetry; kenning; caesura; alliteration

Page 16: Introduction to LTEN 21 I. Ways to think about over 800 years of literary history II. How to deal with so many centuries of literary history: course mechanics.

The experience of Beowulf

Beowulf tape—Grendel’s attack

Benjamin Bagby (1:08)