Timeline of Western history
Nov 01, 2014
Timeline of Western history
Timeline of Western Art
Timeline of Western Architecture
Summary of Ancient Greek history
Summary of the Classical Age
Ancient Greek se9lements
Introduc)on to Ancient Greek Architecture The temple was the foremost Greek building type; other monumental buildings (e.g. palaces, civic buildings) were generally derived from the temple design. The Greek temple typically served as the home of a deity statue, before which ceremonies were conducted by priests; it was not a place of congregaDonal worship. (Ancient Greek worship, like that of many religions, was conducted mainly in outdoor ceremonies.) Up unDl the Archaic period, the Greeks constructed their monumental buildings mainly from wooden Dmbers and clay bricks (like the Aegeans before them). During the Archaic period, these materials were gradually superseded by stone blocks. Marble was considered the finest type; when other varieDes of stone were used, they were oHen coated with marble dust.
The Archaic Age ca. 800-‐500 BC The Archaic age was the formaDve period of Greek architecture, during which the typical layouts, proporDons, and decoraDve elements of the Greek temple were established. The earliest Greek temple design was essenDally a rectangular building with a por)co (covered porch with columns) fi9ed to the entrance. This plan was based on the Mycenaean megaron. Eventually, in order to achieve a symmetrical design, a second por)co was added to the opposite end of the building; this was merely a decoraDve porch (a “false porDco”) as it oHen lacked an entrance.
Eventually, the eaves of the roof were extended and supported with a line of columns all the way around the building. A line of columns that surrounds a building is called a peristyle; a building with a peristyle is described as peripteral.
A line of columns is known as a colonnade; a colonnade usually supports the roof of a building or covered walkway. In the la9er case, the term “colonnade” is someDmes extended to mean the enDre structure. Likewise, an arcade is a series of arches, and a walkway supported by arches is someDmes known as an “arcade”. The peripteral design is pracDcal as well as aestheDc. A peripteral building is inherently surrounded by a covered walkway, thus providing shelter to visitors and passers-‐by. Moreover, when a public square is surrounded by peripteral buildings (as was typical in ancient Greece and Rome), the perimeter of the square is lined with sheltered walkways. Naturally, architects embellished on the standard temple plan in various ways. For instance, an opulent effect was someDmes achieved by adding a second peristyle around the first; this is known as a double peristyle. And while most Greek buildings featured only one storey, mulD-‐storey designs (with a peristyle for each level) were not uncommon. Circular versions of the temple plan also developed; a circular Greek temple-‐style building is known as a tholos.
Pronaos: The entrance-‐hall (porch) to the temple Naos: (or Cella in Roman): usually the larger of the interior rooms, housed the cult statue. Opisthodomos: Porch at the rear of the Naos.
With the basic layout established, two disDnct styles of Greek temple emerged: the simple Doric order and the relaDvely elaborate Ionic order.
Basic structure of a Greek temple
Parts of a column
DORIC: ‘heavy simplicity’ The oldest, simplest, and most massive of the Greek orders is the Doric, which was applied to temples beginning in the 7th century B.C. Columns are placed close together and are oHen without bases. Their shaHs are sculpted with concave curves called flutes. The capitals are plain with a rounded secDon at the bo9om, known as the echinus, and a square at the top, called the abacus. The entablature has a disDncDve frieze decorated with verDcal channels, or triglyphs. In between the triglyphs are spaces, called metopes, which were usually sculpted with figures & ornamentaDon. The frieze is separated from the architrave by a narrow band called the regula. Together, these elements formed a rectangular Structure surrounded by a double row of columns. The Doric order reached its pinnacle of perfecDon in the Parthenon.
Doric frieze
IONIC The next order to be developed by the Greeks was the Ionic. It is called Ionic because it developed in the Ionian islands in the 6th century B.C. Roman historian Vitruvius compared this delicate order to a female form, in contrast to the stockier "male" Doric order. The Ionic was used for smaller buildings and interiors. It's easy to recognize because of the two scrolls, called volutes, on its capital. The volutes may have been based on nauDlus shells or animal horns. Between the volutes is a curved secDon that is oHen carved with oval decoraDons known as egg and dart. Above the capital, the entablature is narrower than the Doric, with a frieze containing a conDnuous band of sculpture. One of the earliest and most striking examples of the Ionic order is the Dny Temple to Athena Nike at the entrance to the Athens Acropolis. It was designed and built by Callicrates from about 448-‐421 B.C.
The Greeks conDnued to strive for perfec)on in the appearance of their buildings. To make their columns look straight, they bowed them slightly outward to compensate for the opDcal illusion that makes verDcal lines look curved from a distance. They named this effect entasis, which means "to strain" in Greek. RelaDonships between columns, windows, doorways, and other elements were constantly analyzed to find pleasing dimensions that were in harmony with nature and the human body. Symmetry, and the unity of parts to the whole, were important to Greek architecture, as these elements reflected the democraDc city-‐state pioneered by the Greek civilizaDon.
Doric Ionic
Doric Ionic
Worksheet: using your lesson notes, label the diagrams and name the orders
Worksheet: using your lesson notes, label the diagrams and name the orders
Sources and extra informaDon: h9p://www.essenDal-‐humaniDes.net h9p://www.dummies.com/how-‐to/content/greek-‐architecture-‐doric-‐ionic-‐or-‐corinthian.html h9p://staff.fcps.net/bconaway/Architecture/Greek%20Temple%20parts/gk_temple_parts.htm h9p://www.mlahanas.de/Greeks/Arts/GreekTemple.htm Gardner’s ‘Art through the Ages’