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Introduction to Ancient Greek Tragedy
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Introduction to Ancient Greek Tragedy

Feb 24, 2016

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Introduction to Ancient Greek Tragedy. Life in Ancient Greece. Greece reached its peek in the 6 th and 5 th centuries, specifically in Athens. Athens: The Place to Be:. Named after the goddess Athena Birthplace of Democracy Center of commerce and arts. Athens was on the cutting edge of…. - PowerPoint PPT Presentation
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Page 1: Introduction to Ancient Greek Tragedy

Introduction to Ancient Greek

Tragedy

Page 2: Introduction to Ancient Greek Tragedy

1. Life in Ancient Greece

•Greece reached its peek in the 6th and 5th centuries, specifically in Athens

Page 3: Introduction to Ancient Greek Tragedy

Athens: The Place to Be:

• Named after the goddess Athena• Birthplace of Democracy• Center of commerce and arts

Page 4: Introduction to Ancient Greek Tragedy

Athens was on the cutting edge of…

• Philosophy• Art• History• Politics• Architecture

Page 5: Introduction to Ancient Greek Tragedy

Athens Sculptures• Realistic figures in

bronze and marble• Perfect human

form• Influence still felt

today–Our desire to look perfect has its origins in Greek sculpture

Page 6: Introduction to Ancient Greek Tragedy

Physical Excellence•Emphasis on physical training•No standing army, so this ensured “instant soldiers”

Page 7: Introduction to Ancient Greek Tragedy

Physical Excellence

•Athletic games were held in Olympia, the Olympics•Olive wreaths, a symbol of peace and a major industry

Page 8: Introduction to Ancient Greek Tragedy

2. Greek Tragedy• Ancient Greeks invented the

art of drama• Some plays from Ancient

Greece are still performed today

Page 9: Introduction to Ancient Greek Tragedy

Modern Words from Tragedy

• Orchestra• Thespian• Drama• Dialogue• Skene• Comedy• Tragedy

Page 10: Introduction to Ancient Greek Tragedy

Greek Tragedy

•Wealthy Athenians subsidized plays•Plays performed annually at the spring festival of Dionysus

Page 11: Introduction to Ancient Greek Tragedy

Greek Tragedy: Dionysus

• March/early April• Disrupted city life and could

not be contained—the ultimate block party!• Tragedy competition • Satyr (means, Risque)

competition

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Greek Tragedy: Playwrights• Aeschylus (525-456 B.C.)• Sophocles (496-406 B.C.)• Euripides (485-406 B.C.)

Page 13: Introduction to Ancient Greek Tragedy

Greek Tragedy: Plays

•Going to the plays was exceptionally popular•Day-long Performances•Theater was a sacrament, a form of worship

Page 14: Introduction to Ancient Greek Tragedy

Greek Tragedy: Plays•Plays were performed in large semi-circle, outdoor amphitheaters made of stone or wood• 15,000 to 17,000 spectators (all male)

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Amphitheaters

Page 17: Introduction to Ancient Greek Tragedy
Page 18: Introduction to Ancient Greek Tragedy

The Theater of Dionysus Today

Page 19: Introduction to Ancient Greek Tragedy

The Theater of Dionysus in Athens, Greece

Restored by the emperor Nero in 68 A.D.

(Computer recreation)

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Theater of Epidauros

(built 330 B.C., near modern day Nauplion, Greece)

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Epidauros

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Epidauros

Page 23: Introduction to Ancient Greek Tragedy

Greek Tragedy: Scenery and Costume

•Minimal Scenery and props• Platform shoes, and elongated togas with high waistbands•Masks stood for characters:–Grief -Happiness–Anger -Bearded King–Old Man -Young Girl

Page 24: Introduction to Ancient Greek Tragedy

Masks in Greek Theater

•Masks portray character types or character emotions • Fit over the head•Wig attached• Large mouth openings for speech

Page 25: Introduction to Ancient Greek Tragedy

Tragic and Comic Masks

Page 26: Introduction to Ancient Greek Tragedy

Greek Tragedy: Theatrical Machines (mechanai)

The ekkyklema (“a wheeled-out thing”) was a cart on wheels which carried a dead body onto the stage. It was sacrilegious to show a character actually dying on the stage.

Page 27: Introduction to Ancient Greek Tragedy

Greek Tragedy: Theatrical Machines (mechanai)

• The mechane (machine) was a crane-like machine that could lift a character up as if flying, or could carry an actor, usually in the guise of a god, to the top of the skene.

Page 28: Introduction to Ancient Greek Tragedy

Greek Tragedy: Chorus and Actors

Page 29: Introduction to Ancient Greek Tragedy

Greek Tragedy: Who could be in the Chorus?

• males• trained by a poet to sing and

dance• twelve or fifteen, depending on

when the play was written• the leader was called the

coryphaeus (“head man” or “leader”)–All men–Chanted or danced

Page 30: Introduction to Ancient Greek Tragedy

Greek Tragedy: Chorus

•Chorus–Provided “emotional bridge”•How? Through its five functions.

Page 31: Introduction to Ancient Greek Tragedy

Greek Tragedy: Chorus• Five Functions of Chorus–Set the mood–Represent common person–Takes a moral side/stand–Will warn characters–Expresses itself in common language, which is usually in contrast with hero

Page 32: Introduction to Ancient Greek Tragedy

Greek Tragedy: Actors

•Who could be an actor?–Males

Page 33: Introduction to Ancient Greek Tragedy

Greek Tragedy: Actors

–One to three actors•For most of the 5th century, no more than three were used

Page 34: Introduction to Ancient Greek Tragedy

Greek Tragedy: Conventions

• Play Observed Aristotle’s unities of time, place, and action–Time: Took place during a twenty-four hour period–Place: One setting–Action: No subplots

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Greek Tragedy: Conventions

• All violence took place off stage• Emotions of characters most

important elements of play

Page 36: Introduction to Ancient Greek Tragedy

Greek Tragedy: Tragic Hero/Protagonist

• Worthy• Mature• Imperfect• Disaster will befall him/her• Believes in his freedom to make choices• Hubris• Suffers• Transfiguration—Becomes a better

person• His/her tragedy causes a life reflection

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Greek Tragedy: Structure

•Encroachment–Bites off more than he can chew

Page 38: Introduction to Ancient Greek Tragedy

Greek Tragedy: Structure• Complication–Forces build up against the hero–Events become so complex that no single action can resolve them

Page 39: Introduction to Ancient Greek Tragedy

Greek Tragedy: Structure• Reversal–Clear to audience that hero’s expectations are mistaken–Hero might have a suspicion as to where his actions will take him. Usually, he/she

is ignorant though.

Page 40: Introduction to Ancient Greek Tragedy

Greek Tragedy: Structure•Catastrophe–Moment hero realizes full guilt–Hero realizes helplessness in the hands of the gods

Page 41: Introduction to Ancient Greek Tragedy

Greek Tragedy: Structure

• Recognition–Chorus suggests a larger order and sense of life exists beyond the hero’s downfall–Catharsis

Page 42: Introduction to Ancient Greek Tragedy

What is Catharsis?• Literally means “to purge” or “to purify”—to cleanse.• For a tragedy, catharsis references–The release of pent up emotions or energy (many times negative)

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Antigone

Page 44: Introduction to Ancient Greek Tragedy

3. Antigone

•Theme: What is the higher law: humankind’s or the gods’?

Page 45: Introduction to Ancient Greek Tragedy

Family Tree (Immediate)

• King Oedipus (deceased)• Queen Jocasta (deceased)–Eteocles (son)–Polynices (son)–Antigone (daughter)–Ismene (daughter)

Page 46: Introduction to Ancient Greek Tragedy

Family Tree (Extended)

•King Creon (Uncle: Jocasta’s brother) •Queen Eurydice (Aunt)–Haemon (Cousin and Fiance)