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Acoustics “A science that deals with the production, control, transmission, reception, and effects of sound.”
26

Intro

Apr 13, 2017

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Pankaj Kumar
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Page 1: Intro

Acoustics

“A science that deals with the production, control, transmission, reception, and effects of sound.”

Page 2: Intro

• Sound is reflected, transmitted, or absorbed by the materials it encounters.

• Soft surfaces, such as textiles, and Matt insulation, tend to absorb sound waves, preventing them from further motion.

• Hard surfaces, such as ceramic tile, gypsum board, or wood, tend to reflect sound waves, causing ‘echo’. Reverberation is the term used to describe sound waves that are reflected off of surfaces.

• Dense, massive, materials, such as concrete or brick, tend to transmit sound waves through the material.

• High frequency sound waves (think of a high whistle) are not capable of being transmitted through massive, heavy, material.

• Low frequency sound waves (bass) are transmitted through massive

materials.

Page 3: Intro

Hearing range of some animals

Page 4: Intro

Decibel levels

• 0 The softest sound a person can hear with normal hearing• 10 normal breathing• 20 whispering at 5 feet• 30 soft whisper• 50 rainfall• 60 normal conversation• 110 shouting in ear• 120 thunder

Page 5: Intro

Decibel levels

• The human ear's response to sound level is roughly logarithmic (based on powers of 10), and the dB scale reflects that fact.

• An increase of 3dB doubles the sound intensity but a

10dB increase is required before a sound is perceived to be twice as loud.

• Therefore a small increase in decibels represents a large increase in intensity.

• For example - 10dB is 10 times more intense than 1dB, while 20dB is 100 times more intense than 1dB as perceived by humans.

Page 6: Intro

Decibel levels

• 130dB - Jack Hammer (at 5ft)• 120dB - Rock Concert / Pain threshold• 110dB - Riveter or a Heavy Truck at 50ft• 90dB - Heavy Traffic (at 5ft)• 70dB - Department Store or a Noisy Office• 50dB - Light Traffic• 30dB - Quiet Auditorium• 20dB - Faint Whisper (at 5ft)• 10dB - Soundproof room / anechoic chamber

Page 7: Intro

An anechoic chamber is a space in which there are no echoes or reverberations.

The surfaces absorb all sound, and reflect none.

Page 8: Intro

Acoustics: sound

• Sound is a mechanical wave and therefore requires a medium in which it can travel.

• Acoustics is classically divided into sound and vibration.

• Sound refers to waveforms traveling through a fluid medium such as air • Vibration describes energy transmitted through denser materials such as

wood, steel, stone, dirt, drywall or anything besides a fluid.

• It is not heard as much as felt, due to its extremely low frequency, which is below the range of most human hearing.

Page 9: Intro

The speed of sound versus the speed of light

• sound travels at 1130 feet per second at normal room temperature.

• light travels at 299,792,458 meters per second, which is roughly 974,325,489 feet per second (974 million feet per second!!)

Page 10: Intro

Sound Waves: amplitude & frequency (cycles)

Page 11: Intro

Bonded acoustical cotton; recycled cotton, class A non flammableMelamine Foam Acoustical Panels: fiber free, Class A fire retardent

Page 12: Intro

Fabric wrapped panels provide good acoustical absorption

Page 13: Intro

ACOUSTIC FOAM

Page 14: Intro

Helmholtz

Page 15: Intro

Reverberation Time

• Reverberation time refers to the amount of time required for the sound field in a space to decay 60dB, or to one millionth of the original power.

• In simple terms this refers to the amount of time it takes for sound energy to bounce around a room before being absorbed by the materials and air

• Reflections are an important part of acoustical design for music performance venues.

• For effective musical acoustics, the reflections have to arrive within the correct time window, and from the correct direction.

Page 16: Intro

• The reflections help to boost the level of acoustic instruments and human voices in the audience area.

• They also influence timbre and help define the apparent size or perspective of the instruments.

• The critical time interval we're talking about is a very brief 0.3 seconds

Page 17: Intro

Sound ray diagram of New National Theatre, Tokyo (May 1986

Page 18: Intro

StageThe area where the players perform; usually a raised platform

Ryman Auditorium

Page 19: Intro

Three Types of Stages

• Proscenium Stage• Thrust Stage• Arena Stage

Page 20: Intro

Proscenium Stage

Page 21: Intro
Page 22: Intro

Thrust Stage

Page 23: Intro
Page 24: Intro

Arena Stage

Page 25: Intro
Page 26: Intro

Everything else is called Flexible Staging

If it doesn’t fit into one of the three stages, it is Flexible.