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© Victoria Williams www.mymusictheory.com 2016 1 INTERVALS & TRANSPOSITION FOR GRADE 5 MUSIC THEORY PRACTICE EXERCISES PRACTICE EXERCISES PRACTICE EXERCISES PRACTICE EXERCISES BY VICTORIA WILLIAMS © www.mymusictheory.com 1. INTERVAL NUMBER Write the number (e.g. unison, 2nd, etc.) of these melodic intervals. 2. PERFECT INTERVALS EXERCISE 1 (TREBLE CLEF) Which of these intervals are perfect? EXERCISE 2 (BASS CLEF) Which of these intervals are perfect?
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INTERVALS & TRANSPOSITION FOR GRADE 5 MUSIC THEORY ... · for grade 5 music theory practice exercisespractice exercises by victoria williams ... 7. compound intervals

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Page 1: INTERVALS & TRANSPOSITION FOR GRADE 5 MUSIC THEORY ... · for grade 5 music theory practice exercisespractice exercises by victoria williams ... 7. compound intervals

© Victoria Williams www.mymusictheory.com

2016

1

INTERVALS & TRANSPOSITION

FOR GRADE 5 MUSIC THEORY

PRACTICE EXERCISESPRACTICE EXERCISESPRACTICE EXERCISESPRACTICE EXERCISES BY VICTORIA WILLIAMS

© www.mymusictheory.com

1. INTERVAL NUMBER

Write the number (e.g. unison, 2nd, etc.) of these melodic intervals.

2. PERFECT INTERVALS

EXERCISE 1 (TREBLE CLEF)

Which of these intervals are perfect?

EXERCISE 2 (BASS CLEF)

Which of these intervals are perfect?

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© Victoria Williams www.mymusictheory.com

2016

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3. MAJOR INTERVALS

EXERCISE 1 – NAMING INTERVALS (MAJOR AND PERFECT)

Give the full name (number and quality) of each of these intervals.

EXERCISE 2 – WRITING INTERVALS

Write a higher note next to each of these notes, to make the named melodic intervals.

4. MINOR INTERVALS

EXERCISE 1

Say whether each of these intervals is major or minor, and state its number (e.g. major 6th)

EXERCISE 2

Write a higher note after the given note, to make the following named melodic intervals.

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© Victoria Williams www.mymusictheory.com

2016

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5. AUGMENTED INTERVALS

EXERCISE 1

Which of these intervals are augmented?

EXERCISE 2

Using semibreves (whole notes), write a note above the given note, to make the named harmonic

intervals. Include any necessary accidentals.

6. DIMINISHED INTERVALS

EXERCISE 1

Which of these intervals are diminished?

EXERCISE 2

Using semibreves (whole notes), write a note above the given note, to make the named harmonic

intervals. Include any necessary accidentals.

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© Victoria Williams www.mymusictheory.com

2016

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7. COMPOUND INTERVALS Describe the following intervals by number and quality. (Either method for describing compound

intervals may be used).

8. HARMONIC UNISONS AND SECONDS Using semibreves (whole notes), write the following as harmonic intervals without using any ledger

lines.

9. WORKING OUT INTERVALS

EXERCISE 1

Give the full name (number and quality) of these intervals.

EXERCISE 2

Write a semibreve (whole note) above the given note, to make the named harmonic interval.

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© Victoria Williams www.mymusictheory.com

2016

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10. TRICKY INTERVALS

EXERCISE 1

Name the following intervals, stating the number and quality.

EXERCISE 2

Write a semibreve (whole note) above the given note, to make the named interval.

11. INTERVALS IN A SCORE

EXERCISE 1

Name the following harmonic intervals marked A-D, giving the number and quality.

A: B: C: D:

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© Victoria Williams www.mymusictheory.com

2016

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EXERCISE 2

Name the following melodic intervals marked A-D, giving the number and quality.

A: B: C: D:

12. TRANSPOSING WITH A KEY SIGNATURE

EXERCISE 1

Transpose these key signatures and notes as indicated.

EXERCISE 2

This is a piece for cor Anglais. Transpose it down a perfect 5th, as it would sound at concert pitch.

Include the new key signature.

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© Victoria Williams www.mymusictheory.com

2016

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13. TRANSPOSING WITHOUT A KEY SIGNATURE

EXERCISE 1

Transpose these notes as indicated, without using a key signature. Remember to add any necessary

accidentals.

EXERCISE 2

This melody shows the concert pitch notes played by a Bb clarinet. Transpose it up by a major 2nd,

to show the notes as written for the player.

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© Victoria Williams www.mymusictheory.com

2016

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ANSWERS

1. INTERVAL NUMBER

2. PERFECT INTERVALS

EXERCISE 1

EXERCISE 2

In 2.d, notice that the 2nd note is also E flat because the accidental affects both notes.

In 2.g, notice that the 2nd note is NOT also A flat, because the accidental affects the lower pitched A

only.

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© Victoria Williams www.mymusictheory.com

2016

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3. MAJOR INTERVALS

EXERCISE 1

EXERCISE 2

4. MINOR INTERVALS

EXERCISE 1

EXERCISE 2

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© Victoria Williams www.mymusictheory.com

2016

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5. AUGMENTED INTERVALS

EXERCISE 1

EXERCISE 2

6. DIMINISHED Intervals

EXERCISE 1

EXERCISE 2

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© Victoria Williams www.mymusictheory.com

2016

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7. COMPOUND INTERVALS

8. HARMONIC UNISONS AND SECONDS

9. WORKING OUT INTERVALS

EXERCISE 1

EXERCISE 2

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© Victoria Williams www.mymusictheory.com

2016

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10. TRICKY INTERVALS

EXERCISE 1

EXERCISE 2

11. INTERVALS IN A SCORE

EXERCISE 1

EXERCISE 2

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© Victoria Williams www.mymusictheory.com

2016

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12. TRANSPOSING WITH A KEY SIGNATURE

EXERCISE 1

EXERCISE 2

Don’t forget to add the MF sign, slurs and pause symbol.

13. TRANSPOSING WITH A KEY SIGNATURE

EXERCISE 1

EXERCISE 2

Don’t forget to add the PP symbol, slurs, staccato and accent.