INSIDE. - - World Radio History

ISSUE NUMBER 907 THE INDUSTRY'S NEWSPAPER SEPTEMBER 13, 1991

INSIDE. - HOW TO FIX CHR Calling CHR's obsession with adults "absurd," Jeff Pollack provides a timely treatise on the struggling format, with specific strategies for getting it back on track.

Page 56

FIRE SALE? What major broadcast groups may have to sell off assets to raise cash? Details in Radio Business.

Page 6

WHAT TO DO IN '92 What does your station need to meet the 1992 budget challenge? What factors will affect your ability to generate revenue? Chris Beck provides the bottom line.

Page 32

AC FROM A -Z

At least 10 formats fall under the AC umbrella, according to John Parikhal, who explores the myriad adult -oriented approaches available today.

Page 62

DUPING THE LOOP WLUP (AM)/Chicago's Rock Talk format continues to reap big dividends. But can its success be duplicated?

Page 88

WE NEED AIDED RECALL Rob Baron makes the case for an aided recall ratings system.

Page 60

IN THE NEWS THIS WEEK Donnie Simpson VP/Prog. at Albimar; Barbara Prieto PD at WKYS/DC

Tom Barsanti Sr. VP/GM at McClusky & Assoc. CINGIToronto goes Dance Mike Roberts PD at WWIN/Baltimore Mike Finley PD at WWWB/Greensboro Steve Kelly OM at WWLV/Orlando Dan Forth VP/GM at Superadio

Page 3, 14, 19

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RADIO & RECORDS

FTC: No Basis For Ownership Limits Warns LMAs Might Bring On Price -Fixing, Anti -Competitive Behavior

The Federal Trade Commis- sion (FTC) has suggested elim- inating the national radio own-

ership limits, but warns that in-

creasingly popular local marketing agreements (LMAs) raise the specter of price fixing and other anti -competitive behavior.

In comments filed as part of the FCC's review of its radio ownership rules, the FTC's

Surveys Reveal Salary Levels Morning Drive Pay Approaches GSMs'; NAC, AC, AOR

Salespeople Earn Most Money R&R's second annual Sales/

Management Survey reveals that GSMs representing AC and NAC stations earn significantly more than their peers in other formats. And AC and AOR salespeople are the top earners in their field.

SalesfManagement Survey

Begins On Page 22

The survey also shows stations are continuing to drop their spotloads, owing perhaps to the ever-increasing number of consumer entertainment op-

tions. Across all dayparts, the typical spotload is nearly a minute less than it was last year. In morning drive, for example, the

KPWR Adjusts Format After Wyatt Exits

KPWR/Los Angeles - the Dance station that set the pace for a new generation of CHRs - is un- dergoing a formatic facelift following last week's departure of PD Jeff Wyatt. Jeff Wyatt

Wyatt helped put Power 106

on the air and took it to the top nearly six years ago. Citing his need for a renewed perspective, he told R&R, "I've been programming for 10 years, week in and week out. It's time to step away ... I've earned that freedom and will take the opportunity to do so. It's just a shame that it had to culminate once [new GM] Doyle Rose joined Power 106. His arrival can mean only good things for the station."

WYATT/See Page 54

Average Salaries Top 25 Markets

General Manager $160,900 GSM $106,200 Morning Personality $104,500 PD $92,700 Top Salesperson $88,600 Average Salesperson $56,400 Chief Engineer $45,800 News Director $43,100 Promotion Director $35,900 Traffic Director $26,400

Source: Moler, Kaplan. Arase & Co. survey of 1 78 stations.

average load is 11.6 minutes, down from 12.4 last year. The change is most dramatic in 100+ markets, where the midday load dropped from 13.1

minutes to 11.5. The Sales/Management Sur-

vey of nearly 500 stations con- cludes that GSMs at NAC stations earn an average of $95,000

per year. That figure is substantially higher than GSM pay in other formats, probably because most NAC stations are in Top 10 markets. AC GSMs earn $79,164; third highest are CHR GSMs at $68,274.

Air Salaries Rise The average top performers

in sales departments earn between $50,000-$60,000. But AC high achievers average $71,000. Among lowest -paid salespeople, an average Classic Rock salesperson earns $18,187. Next lowest is Urban at $19,091.

In a related story, CPA George Nadel Rivin of Miller, Kaplan, Arase & Co. has unveiled the results of a yearlong study of salaries in the Top 25

markets.. One major point of interest: Morning drive personalities' earnings are rapidly ap- proaching those of GSMs. Miller, Kaplan determined the average GSM compensation was 26% higher than morning drive salaries as recently as 1987. That difference is only $1700 today.

Bureau of Economics said the localized nature of radio competition makes it difficult to build an economic cage for any type of national limit, including the current 12 AMs-12 FMs rule and the various national audience reach and share -based limits being considered by the FCC.

Competing Locally Noting that local spot sales

accounted for over 75% of radio revenue in 1990, the FTC noted: "Competition among radio broadcasters ... occurs prin- cipally on a local, rather than

FTC/See Page 54

LMAs On Fire: Two More In New Orleans

The ongoing flurry of local marketing agreements (LMAs) swept into New Orleans this week, where two new deals were inked: EZ Communica- tions CHR WEZB (B97)/New Orleans will program and represent Stoner Broadcasting Hot AC WMXZ (Mix 95.7); and Key - market Communications, owner of WWL & WLMG, will do the same for Coastal Broad- casting NAC/CJ KNOK.

LMA/See Page 54

Summer Birches NY: WRKS In Front, 'NEW -FM Gains; L.A.: KIIS Goes Up; Chicago: WGCI-FM Up A Notch

New York

WRKS (UC) WOHT (CHR) WNEW-FM (AOR)

WBLS (UC) WCBS-FM (Gold) WHTZ (CHR) WINS (News)

SP '9/ Su '91

7.5 5.2 4.3 5.4 4.3 4.0 4.4

Chicago Sp '91

WGCI-FM (UC) 9.4 WGN (AC) 8.0 WBBM-FM (CHR) 8.7 WWBZ (AOR) 4.1

WVAZ (UC) 6.7

7.7 5.5 5.3 4.8 4.1

4.1 4.1,

Su '91

10.6 8.2 7.4 5.8 4.5

Los Angeles- Orange County

Sp'91 Su '91

KIIS-AIF (CHR) 6.4 6.7 KKBT (UC) 6.6 6.0 KLOS (AOR)' - 6.3 5.6 KABC (Talk) 4.6 5.4 KOST (AC) 4.6 5.3

San Francisco Sp '91 Su '91

KMEL (CHR) 8.5 9.3 KGO (NIT) 8.6 7.9 KSOL (UC) 4.2 4.6 KCBS (News) 4.3 4.3 K101 (AC) 3.1 3.4

For complete results from six major markets,

see Page 52.

Summit's WRKS decisively held onto the lead in the New York ratings, according to just - released summer Birch/Scar- borough results. WNEW-FM gained a full share, and the market's three CHRs also improved. CHR KITS -AM & FM/ Los Angeles overthrew UC KKBT for first place, while KZLA, KABC, KOST, and

KRTH improved. In Chicago, UC WGCI-FM racked up double digits and retained first place; CHR WBBM-FM finished third after AC WGN, and AOR WWBZ leaped to fourth. KMEL/San Francisco maintained its virtual format lock on the market. For complete results covering six markets, see Page 52.

Ratings Strategy Review Begins On Page 39

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Albimar Ups Two PDs Simpson Corporate VP/Programming; Prieto WKYS PD

Veteran WKYS/Washington PD/ morning man Donnie Simpson has surrendered his day-to-day programming duties to become VP/ Programming at parent Albimar Communications. WKYS Asst. PD Barbara Prieto has been promoted to PD.

"It's a distinct honor to make these appointments," announced Albimar President and WKYS GM Skip Finley. "Donnie is going to be a key player as we look to expand our group. I'm a numbers person and don't have much experience with music or programming, and senior level financiers will appreci- ate the fact that a hands-on programmer is part of the corporate structure now."

"Pm looking forward to the ex- pansion, but I'm also looking forward to a little more time off," said Simpson. "Between my morning show and other commitments [a BET cable show and a Sheridan Broadcasting radio program], I'll have a bit more breathing room.

"As for Barbara, I'm happy to report she won't be another woman relegated forever to an assistant's role. Pd like to show the industry a Hispanic woman is capable of programming a top Urban station in a major market. Barbara is more than qualified for the job."

Simpson segued from WJLB/De- troit to WKYS in 1977, advancing to PD two years later. Prieto came aboard in 1989 after working in WGCI-FM/Chicago's programming department.

Gannett Plans Airline DAB Ad -Driven Service `Needs No New FCC Approval'

Gannett's USA Today has teamed up with satellite entrepreneurs to deliver satellite DAB programming to airliners beginning next year. The news and sports radio service has been christened USA Today Sky Radio.

Declining to specify the exact technology that will be used, USA Today spokesman Steven Ander- son called it a "new application of a widely used satellite technology." It was added that the service needs no new FCC approval, but does need clearance from the FAA. Ask- ed if Gannett Radio was involved, Anderson said Sky Radio was "entirely a USA Today operation."

COMSAT officials say they're not involved, ruling out use of IN- MARSAT's L -band satellite tran- sponders. It's likely then that the radio service will use the Ku -band, as do telephones currently available on some planes.

Anderson said Sky Radio hasn't determined how many staffers would be hired. The service will initially broadcast news 18 hours daily on weekdays and live sports coverage on weekends, although no play-by-play contracts have been signed. Eventually, two 24 -hour channels (one news, the other sports) are planned. Anderson said the programming will be sup- ported by advertising, "just like radio."

Teller Tribute Nets $3 Million

S , Ir o ...

. MCA Music Entertainment Group Chairman Al Teller was the guest of honor at last week's gala hosted by the Music and Entertainment Industry Chapter of the City of Hope. The benefit raised more than $3 million to establish the Alvin N. Teller Research Fellowship at the City of Hope Na- tional Medical Center and Beckman Research Institute. Celebrating Teller's Spirit Of Life award are (l -r) MCA Inc. President Sid Sheinberg, Jody Watley, Teller, City of Hope Chairman Dick Ziman, Stephanie Mills, and Reba McEntire.

Terms Announced On ASCAP Radio License Fees To Rise Over The Next Five Years In Return For Bartered Commercial Concession

ASCAP and the Radio Music Li- censing Committee (RMLC) announced a new five-year agreement that resolves a long-standing dispute over bartered programming. The deal increases blanket license fees, but may mean rebates

Coming To Terms

Bartered commercials no longer deemed revenue '91 fee: 1.575% of adjusted revenues; in '95: 1.615% Network compensation may no longer be deductible

to some stations from past ASCAP audits.

The ASCAP blanket fee for 1991

is 1.575% bf a station's adjusted revenues, up from the 1.56% rate which had been in effect since 1986. The rate will rise to 1.585% in 1992, 1.6% in '93, 1.605% in '94, and 1.615% in '95. The agreement - retroactive to January 1 - is subject to approval by a federal court in New York, which is expected by all parties.

RMLC Chairman Dick Harris, owner of WSPB/Sarasota, FL and retired Group W Radio Chairman, told R&R the increase in the blanket license rate "was a compromise to get (ASCAP) to settle." He said the favorable resolution of the barter issue - "this great amount of phantom business" - was ample justification for the rate hike.

Claim Dropped Under the agreement, ASCAP

agreed to drop its claim that stations should pay music license fees for no -cash ads aired on behalf of third -party program suppliers such as traffic report services and satellite format networks.

Stations that have paid ASCAP for barter under settlements of past audits will be eligible for refunds. Neither side could say how much money might be refund-

ed. RMLC estimates ASCAP is paid up to $80 million anntally by radio stations, with about 15% less going to BMI.

Having yielded on the barter issue, ASCAP Director/Radio Li- censing Dave Hochman said payments under the new rates are "a wash as far as what our view of the license obligations had been." ASCAP Managing Director Gloria Messinger said the new agreement addresses the fact that "the radio

ASCAP/See Page 54

SCOTT MARKETING/ PROMO DIR.

Barsanti Sr. VP/GM At McClusky

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Torn Barsanti Jon Scott Jeff McClusky & Associates -

the Chicago -based independent marketing and promotion firm - has recruited Chase Communica- tions Exec. VP/Programming Tom Barsanti as Sr. VP/GM.

"Bringing Tom aboard broadens our horizons and gives us a perspective about radio the entire staff can learn," said President Jeff Mc - Gushy "He's a complete executive who has a passion fcr music and has led many winning teams. The transition from radio to records is a natural for Tom."

Barsanti told R&R, "The transition is going well. I'm still very much in touch with radio on a daily basis and am excited about the chance to serve radio in a different capacity. Jeff's credibility and service have set new industry standards." McCLUSKY/See Page 54

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SEPTEMBER 13, 1991

COMMON MISTAKES (AND HOW TO AVOID THEM) Personalities tend to make the same mistakes, regardless of individual format or style. Dan O'Day presents prime examples of what not to do. Page 68

FEATURES RADIO BUSINESS: EIA to set DAB standard 6 NEWSBREAKERS 14 SALES/MANAGEMENT SURVEY 22 OVERVIEW

MANAGEMENT: How to keep key staffers 30 SALES: Meeting the budget challenge 32 MEDIA: Springsteen baby on the way? 36 LIFESTYLES: Young adults' changing lives 37 TECHNOLOG Y: 3-D TV - without glasses 38

RATINGS STRATEGY REVIEW 39 STREET TALK: Moby decked in lawsuit 44 TIMELINE 50 RATINGS: Summer '91 Birch results 52 PERSPECTIVES: How to fix CHR 56 PERSPECTIVES: Music biz cycles 58 RATINGS & RESEARCH: Case for aided recall 60 COMPETITIVE EDGE: The many faces of AC 62 MUSIC

MUSIC DA TEBOOK 64 COMPACT DATA 64 POLLSTAR 64 ROCK OVER LONDON 66

AIR PERSONALITIES 68 MARKETPLACE 93 OPPORTUNITIES 96

*CONSULTANTS DIRECTORY 33

FORMATS GOLD: WZLX's Lost 45s 70 CHR: WBBQ's winning tradition 72 AC: KJSN's 'Sunny' success story 78 AOR: KTHX comes back from the dead 80 NEW ROCK: WDRE mornings become electric 84 URBAN CONTEMPORARY: Football net 86 NEWS/TALK: Loopy take on Rock Talk 88 COUNTRY: Desert duels 91

Nashville This Week: Road stories 92

MUSIC INFORMATION MUSIC VIDEO: MTV, VH-1, Jukebox Network lists .. 64 WORLD MUSIC OVERVIEW: UK, Australia, Canada charts 66 CURRENT -BASED AC 99 FULL -SERVICE AC, ASSOCIATE REPORTERS ... 102 NAC 104 CONTEMPORARY JAZZ 104 URBAN CONTEMPORARY 106 COUNTRY 110 COUNTRY SONG INFORMATION INDEX 114 AOR ALBUMS 116 AOR TRACKS 119 NEW ROCK 123 CHR 124 PARALLEL CHART ANALYSIS 136 AC, AOR, CHR, COUNTRY, URBAN CHARTS BACK PAGE NEW ROCK, NAC, CONTEMPORARY JAZZ HIGHLIGHTS . . BACK PAGE RAR es published weekly, except the week of December 25th. Subscriptions are available for $275.00 per year in the United States or $695.00 overnight delivery (U.S. funds only), $295.00 in Canada and Mexico, and $495.00 overseas (U.S. funds only) from Radio 8 Rec- ords. Inc., at 1930 Century Park West, Los Angeles, California 90067. Annual subscription plan includes the weekly newspaper plus two Ratings Report 8 Directory issues and other special publications. Refunds are prorated based on the actual value of issues received pnor to cancellation. Nonrefundable quarterly rates available. All reasonable care taken but no responsibility assumed for unsolicited material. Rap reserves al nghts in material accepted for pubication. All letters addressed to Raft or its Editors will be assumed Mended for pubkca bon reproduction and may therefore be used for this purpose. Nothing may be reproduced in whole or in part without written permission from the Publisher. The terms AOR, AOR Tracks. Back Page, Breakers, Most Added, National Airplay/30, Parallels, MR. Compact Data. and Street Talk are registered trademarks of Radio 8 Records. © 1991. POSTMASTER: Send addr ass changes to RAP, 1930 Century Park West. Los Angeles, California 90067.

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Trade Group Says It Will Set DAB Standard For U.S.

The Electronic Industries Association (EIA) has announced plans to set the U.S. standard for DAB. The trade association for electronics manufacturers plans to test competing DAB systems independent of any testing efforts by the broadcasting industry.

State Department Defers L -Band DAB Decision

The U.S. State Department has sidestepped making a decision on DAB's location. With the FCC and NTIA still at odds on L -band (1500 MHz) frequencies, the State Depart- ment sent off U.S. positions for the 1992 World Administra- tive Radio Conference (WARC '92) with no DAB recommendation.

The FCC had recommended that the U.S..WARC delegation support an L -band allocation for DAB. But that idea was strongly opposed by NTIA, the Pentagon, and several large defense contractors, all of whom object to any relocation of aircraft flight test telemetry users to accommodate DAB. "The dispute has not been settled," State De- partment official Warren Richards said Tuesday (9/10).

In its WARC '92 position state- ment to the International Telecom- munications .Union, which was due by mid -September, the State Department said the U.S. is still studying the DAB issue and that a recommendation "will be presented in a supplemental proposal."

With a North American L -band DAB allocation looking doubtful, the NAB has teamed up with its Cana- dian and Mexican counterparts, the CAB and CIRT, to form a DAB working group headed by NAB Ex- ec. VP John Abel. The group will

consider various options for DAB implementation, including the NAB's recent request that Eureka design an in -band DAB system. CAB and CIRT officials agreed at a

recent meeting in Victoria, BC to support NAB in its negotiations with Eureka -147 "regarding rights to the Eureka DAB technology in North America."

Dual Strother Efforts Ron Strother said he has formed

not one, but two new entities to

Continued on Page 12

EIA Consumer Electronics Group VP Gary Shapiro said a new DAB panel "will organize and in- itiate a fair and impartial analysis, testing, and standards -setting program to determine which DAB technical system will best serve the consumer electronics industry and consumers." The panel, which will operate as a subcommittee of EIA's Audio Systems Committee, will hold its first meeting in Oc- tober.

"The coming of DAB represents a major leap forward in radio sound quality for consumers," Shapiro said. "DAB promises to be the pinnacle of radio sound."

"There is a real and timely need for EIA's initiative to centralize DAB activities under a common, objective umbrella," said subcommittee Chairman Randall Brunts, an official of General Motors' Del- co Electronics division. The panel proposes to centralize DAB technical analysis, comparative testing, system selection, and standards development. The EIA said the subcommittee will "provide a uniform program designed to ob- jectively evaluate each of the pro- posed systems' merits. "

It wasn't clear at R&R's Tues- day (9/10) deadline why the EIA decided to establish its own standards procedure for DAB - which a spokesman conceded is "not the normal procedure" - rather than join the NAB through the National Radio Standards Committee (NRSC). Although a spokesman said, "We are doing this as an association," he had no word on whether the EIA would be willing to participate in setting an NRSC standard for DAB.

NRA Gunning For Public Radio Angered by what it sees as public radio's anti -gun

bias, the National Rifle Association is asking the FCC to reimpose the Fairness Doctrine on non-commercial broadcasters.

In a petition filed last week, the NRA argued that non-commercial educational broadcasters (NEBs) should be subject to the Fairness Doctrine because NEB stations and networks "exercise a predomi- nant influence over political dis- course" and are insulated from the economic effects the policy may have on commercial stations.

"We [the public] own public stations and are entitled to hear our views expressed on them," said NRA General Counsel Michael Mc- Cabe. "As it is, the public gets the door slammed in its face."

According to McCabe, the NRA's petition was prompted by National Public Radio's December 1989 series on guns in America. The filing contains affidavits from two NRA public relations consultants who accuse NPR of twisting or omitting the gun group's views. The NRA is being represented by former FCC General Counsel

Bruce Fein, a longtime opponent of the Fairness Doctrine. Fein could not be reached for comment.

Experts: NEBs Safe Legal experts said they doubt the

FCC could selectively impose the Fairness Doctrine on NEBs. Their skepticism is based on a 1984 Su- preme Court decision that non- commercial stations can't be bar- red from endorsing political candidates.

The Fairness Doctrine, which required broadcasters to provide balanced coverage of important public issues, was abandoned by the FCC in 1987. According to the Com- mission, the policy inhibited on -air debate of public issues by causing broadcasters to worry about the cost of defending themselves against Fairness complaints.

The NRA maintains NEB stations and networks are protected from such "chilling effects" be-

cause they're not "profit seekers" and typically have less capital in- vestment at risk than commercial operations. "Unlike commercial broadcasters who must satisfy .. .

shareholders, NEBs will not curb coverage of [controversial issues] out of concern for a rosy balance sheet," said the NRA.

However, observers noted that NEBs - with their thin economic resources - actually would be more vulnerable to costly Fairness complaints than successful commercial stations.

Political Problems The gun lobby also takes issue

with the Commission's argument that a dramatic increase in the number of media outlets has made the Fairness Doctrine irrelevant. According to the NRA, non-commercial stations have a politically active audience separate from that of commercial broadcasters.

"[A] proliferation of commercial broadcast outlets will not foster political programming diversity


REPORT PAT CLA WSON

Alliance Closes In On Dallas Deal

Group W Radio was on the brink of selling KRSRI Dallas to John Hayes's new Alliance Broadcast- ing at presstime (9/10). The price tag is $11 mil-

lion, and Group W will keep a piece of the station. Goldman Sachs is banking Hayes; Star Media's Bill Steding takes brokerage honors. Westinghouse bought the station in

1980 for $7 million. Star also is examining financial options for United Broadcasting's nine -

station chain. "We're just performing a market evaluation for them; the company hasn't decided to sell anything yet," commented Steding. Star dealmaker Peter Handy is handling the project.

So what would the properties be worth on the open market if United decides to cash out? Based on current comparables, analysts estimate WINX & WDJY/Washington is valued at about $19 million; WYST-AM &

FM/Baltimore $10 million; WJMO-AM & FM/Cleveland $7 million; and KSOLISan Francisco about $23 million. The company also owns two Spanish -language AMs, WKDMINew York and KALIILos Angeles.

Radio Revs Up Slightly In July

The Radio Advertising Bureau said radio revenue was up 2.6% in July over the same period in 1990, with every region of the country reporting substantial

increases in local ad sales. Local revenue was up 3.5% overall in July; the East and Southeast

earned gains of 5.7% and 5.6%, respectively. National spot revenues were stagnant, posting an increase of only 0.1%. However, the Southeast recorded a whopping 11.6% increase. The Western U.S. posted a 3.3% increase in national revenues, but the Southwest fell 9.1% in July. National revenues in the East and Midwest declined 3.3% and 7.6%, respectively.

Overall for the year, radio revenue through July is down 3.1%. Local revenues are down 3.5% and national spot revenue has dipped 1.4%, based on the survey of 100 markets by Miller Kaplan Arase & Co. and Hungerford Aldrin Nichols & Carter.

Fairmont's Problems Trouble Price

s the big trouble brewing at Fairmont Communications going to bring down part-owner Price Communica- tions? Price said the joint venture with Osborn Com-

munications is "not generating cash flow." "There is substantial doubt about Fairmont's ability to continue as a go-

ing concern," Bob Price said in a new SEC filing. Fairmont has missed payments on its debts and hasn't been able to refinance. Its debt is callable on demand because it's not in compliance with certain financial covenants. On top of that, the long-term debt matures in November - and there's no indi-

cation it can be serviced. Also in jeopardy is a related TV venture, Northstar Television Group

Inc., which also failed to pay its bills. This financial woe is rattling Price Communications, which was counting on the debt repayments to sustain its own cash flow. As a result, Price said its "cash and cash equivalents have been substantially depleted, and during 1991 the company has been unable to make interest and principal payments due on its public and other subordinated debt."

Price has been threatening a bankruptcy filing since last year, and re-

cently a group of bondholders headed by New York financier Leon Black's Apollo Group muscled the company into spinning off its lucrative law

newspaper chain. On June 30, Price had $9.4 million in cash but a

negative net working capital of $295.7 million.

Osbom's exposure in the Fairmont deal is limited, but the company has

its own headaches. Osborn reported that a Sherman Broadcasting sub- sidiary has defaulted on its promissory note for KKRDIW ichlta. "Due to un-

certainties associated with KKRD's ability to meet its obligations as they come due, the company may ultimately receive less than the note's carrying amount, which cannot be reasonably estimated," it said.

Emmis: NYC Stations Not For Sale

Emmis Broadcasting may be in the grip of a cash crunch, but Exec. VP Randy Bongarten has told the New York Post the company has no intention of sell-

ing WFAN & WOHTINew York. "The company is in the process of repackaging our debt structure. The


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To discuss programming research options for your station contact Vicki Mann or Mike Henry at (303) 922-5600

=- Paragon Research The Research Company of Choice

All telephone based studies are conducted from Paragon's internal WATS facility, The Research Center.

550 South Wadsworth Boulevard, Denver, Colorado 80226

RADIO BUSINESS September 13,1991 RaR11

TRANSACTIONS

Citadel Finds Price Is Right At $12.5 Million

Hughes and Henry Tango Once More In Baltimore

Deal Of The Week: Price Broadcasting Company Stations PRICE: $12.5 million TERMS: Cash BUYER: Citadel Communications Corp., controlled by Lawrence R. Wil- son. His Montana -based Citadel Asso- ciates L.P. owns KCNR & KLZX/Salt Lake City; KKFM/Colorado Springs; KCTR-AM & FM/Billings, MT; and KBOZ-AM &FM/Bozeman, MT. These stations are expected to be transferred to Citadel Communications Corp. SELLER: Price Broadcasting Co., owned by John Price. He also owns KUTR & KCPX/Salt Lake City and WOMG-AM & FM/Columbia, SC. BROKER: Glenn Serafin of Communi- cations Equity Associates

KGA & KDRKISpokane, WA FREQUENCY: 1510 kHz; 93.7 MHz POWER: 50kw day/5 kw night; 56kw at 2380 feet FORMAT: Country

KOOK & KBEEI odesto, CA FREQUENCY: 970 kHz; 103.3 MHz POWER: 1kw; 3410 watts at 59 feet FORMAT: Gold; B/EZ

KOMS & KSHA/Redding, CA FREQUENCY: 1400 kHz; 104.3 MHz POWER: 1kw; 100kw at 1560 feet FORMAT: News/Talk; AC

KROW & KNEVReno, NV FREQUENCY: 780 kHz; 95.5 MHz POWER: 50kw; 60kw at 2270 feet FORMAT: Country; B/EZ

KHEZ/Caldwell (Boise), ID FREQUENCY: 103.3 MHz POWER: 54kw at 2588 feet FORMAT: B/EZ

Arizona KVNM (FM CP)IOro Valley (Tucson) PRICE: $423,000 TERMS: Cash BUYER: Christopher Maloney Profit Sharing And Pension Plan, controlled by Christopher Maloney of Man- chester, NH. He owns KTUCITucson. SELLER: Pueblo Radio Broadcasting Service, owned by Roy Henderson of Seabrook, TX. He owns KMPQ-AM & FM/Rosenberg, TX; KACO/Bellville, TX; KHENCaldwell, TX; and KPXQI Franklin, TX. FREQUENCY: 97.5 MHz POWER: 3kw at 328 feet

Kansas KABI & KSAJlAbllene PRICE: $650,000 TERMS: Cash BUYER: Eagle Broadcasting, headed by John Vanier of Salina, KS SELLER: Warner Stations, headed by Norton Warner. He also owns KRLN- AM & FMICanon City, CO; KSTR-AM & FMIGrandJunction, CO; KWBE/ Beatrice, NE; and KLIN & KEZG/Lin- coin, NE.

FREQUENCY: 1560 kHz; 98.5 MHz POWER: 250 -watt daytimer; 100kw at 443 feet FORMAT: Gold BROKER: Richard Chapin of Jorgen- son, Chapin

Maryland WWIN-AM & FM/Baltimore PRICE: $4.7 million TERMS: Asset sale for cash; escrow payment of $150,000. Buyer is to receive $200,000 for deposit it lost when planned purchase of the stations collapsed last year.

A Healthy Relationship .. .

Your station and Health NewsFeed!

Rely on Health NewsFeed to provide your listeners with the latest health and medical information. Our free one -minute reports are available via Satcom 1R, Associated Press audio and telephone. More than 250 stations have made a healthy choice ... you can, too! For details, call Carol Anne Strippel, 301-955-2849.

HEALTH ..f. iw Il NMI " IN MN r tiA/ \!~ r r a IN IN Alm W vNI amrr RADIO REPORTS VIA SATELLITE

FROM THE JOHNS HOPKINS MEDICAL INSTITUTIONS

BUYER: Almic Broadcasting Inc., owned by Cathy Hughes of Washing- ton, DC. Almic also owns WOL & W MMJ/Viashington. SELLER: Communications Manage- ment National L.P., controlled by Ragan Henry of Philadelphia. Henry owns or has interests in numerous radio stations, including KDIAlOakland. FREQUENCY: 1400 kHz; 95.9 MHz POWER: 3kw at 298 feet FORMAT: Urban COMMENT: Almic initially agreed to purchase these stations in December 1989 for $6.9 million. That deal collapsed one year later.

Massachusetts W FALIFalmouth PRICE: $425,000 TERMS: Asset sale; $250,000 cash at closing with balance via a seven-year


TRANSACTIONS AT A GLANCE 1991 Deals To Date:

$487,426,376 (Last Year: $803,659,918)

Total Stations Traded This Year: 734 (Last Year: 917)

This Week's Action: - $20,198,000 (Last Year: $7,573,000)

Total Stations Traded This Week: 19 (Last Year: 25)

*Deal Of The Week: Price Broadcasting Co. Stations $12.5 million KGA & KDRK/Spokane, WA KOOK & KBEE/Modesto, CA KQMS & KSHAIRedding, CA KROW & KNEV/Reno, NV KHEZICaldwell (Boise), ID

KVNM (FM CP)/Oro Valley (Tucson), AZ $423,000 KABI & KSAJlAbllene, KS $650,000 WWIN-AM & FM/Baltimore $4.7 million WFAUFalmouth, MA $425,000 WDOEIDunkirk, NY & WCQA/Fredonia, NY $650,000 WOBT & WRHN/Rhinelander, WI $850,000

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12 RaR September 13,1991 RADIO BUSINESS

State Department Defers L -Band DAB Decision Continued from Page 6

deal with in -band DAB possibilities. DATA (R&R 8/30) is a research group open to any company that wants to participate. The company Strother has formed to design an in -

band DAB system is Technology Development Inc., with Strother Communications Inc. (SCI) and LLD Communications as announced : investors. Strother also has picked up a major equity investor for SCI itself - Smith Broadcast- ing, owner of KYLT & KZOOIMis- soula, MT.

Satellite CD Radio (SCDR) has

solo an option for one of its propos- ed satellite DAB channels to New World Sky Media, a Glendale, CA company headed by Bryan Kim. His :family owns KAZNlPasadena- Los Angeles. Kim plans Korean - American programming on an SCDR channel covering the west-

: em third of the U.S. No one's saying how much he paid up front to re- serüe the $10 million regional channel.- SCDR previously announced two . option sales to unidentified radio programmers.

TRANSACTIONS Continued from Page 11

promissory note, with an interest rate of prime plus 1.5% BUYER: Cape Coastal Communica- tions Inc., owned by John Aitken of South Dennis, MA and Edward Mor- gan of West Dennis, MA. They own WFXR/Harwich Port, MA. SELLER: Schooner Broadcasting Inc. FREQUENCY: 101.1 MHz POWER: 37kw at 253 feet FORMAT: AOR

COMMENT: WEAL will simulcast WFXR.

New York WDOEIDunkirk & WCOA1 Fredonia PRICE: $650,000 TERMS: Asset sale BUYER: Tri-County Broadcasting, owned by E. Michael Boyle of Allison Park, PA and members of his family. The family also owns the Derrick Pub- lishing Co., which publishes newspapers in Oil City, PA and Franklin, PA and owns WKSN & WHUGIJames- town, NY. SELLER: Chautaugua Broadcasting Corp., headed by Vincent Ridikas. He has interests in WWDRIHardeeville, SC and a new FM station in McClellan- ville, SC.

FREQUENCY: 1410 kHz; 96.5 MHz

POWER: 1kw days/500 watts night; 66 watts at 686 feet FORMAT: Gold; AC

Wisconsin -

WOBT & WRHNIRhinelander PRICE: $850,000 TERMS: Asset sale; escrow payment of $42,500: $300,000 cash at closing; $400,000 payable via a seven- year 10% promissory note. Seller will receive an additional $150,000 for a

non -compete covenant. BUYER: Northwoods Broadcasting Inc., headed by Tom Koser of Rice Lake, WI. He owns WJMC-AM & FM! Rice Lake. SELLER: Oneida Broadcasting Co. FREQUENCY: 1240 kHz; 100.3 MHz POWER: 1kw; 25kw at 385 feet FORMAT: Gold; B/EZ

NRA Gunning Continued from Page 6

for audiences of NEBs," said the NRA. "These audiences, however, exert an influence in public affairs vastly disproportionate to their numbers, and thus are most in need of access to balanced speech." The group offered no data to support its claims about the non- commercial audience.

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DC REPORT Continued from Page 6

stations are not actively for sale. It's hard to say what the outcome of the debt restructuring will be," Bongarten commented.

It's also hard to say who could get financing to buy the stations in the current climate. While WAVAIWashington is about to be sold to Salem Communications, Emmis still can't find a way to unload WCDJIBoston- a deal being dubbed by Its brokers as "shopworn" after being on the market for more than a year. Meanwhile, the Puget Sound Business Journal has urged Emmis Chairman Jeff Smulyan to open the Seattle Mariners to additional corporate marketing tie-ins if the local business community is going to help save the team from financial collapse.

Ackerley Moves To Bolster Stock

Another Seattle radio and sports mogul, Ackerley Communications CEO Barry Ackerley, has purchased 30,000 shares of his company's stock on

the open market as analysts cluck about his company's future.

According to recent SEC filings, the company recently missed four debt payments exceeding $8 million. That's caused banks and insurance companies owed $246.1 million to reclassify his company's debt from "long-term" to "current" status. The stock has plummeted from $12 per share on the American Stock Exchange to about $2 per share.

Ackerley said he won't sell his Seattle Supersonics basketball franchise, but broker Gary Stevens has been tapped to start liquidating radio properties. WBOSIBoston and WAXYIMiami already are on the block for $28 million -a big drop from the $40 million Ackerley paid for the stations.

"It has been a tough year in the advertising business, but we are responding to the changes. Our goal is to keep expenses in line and increase operational efficiencies. We are confident that we will weather the storm," Ackerley said in a news release.

Jacor Mulls Asset Sales

acor Communications may sell more assets if it can't get better credit terms with its lenders, according to the company's latest SEC report.

"The company is hopeful that by next year the availability of credit for broadcast companies will have improved, thereby providing the company with the availability of financing on terms more favorable than generally available now," Jacor said. "In the absence of favorable terms, the company would likely have to sell additional assets .... No such additional sales, however, are presently contemplated."

Jacor has some significant debts on its books. The company's senior debt of $1 12.4 million and subordinated debt of $17.2 million are payable in August 1992, with a possible extension until January 1993. Also coming duenext August are some "puts" on a detachable common stock purchase warrant to the tune of $1.26 million. Jacor must fork over $50,000 through the remainder of 1991 and $500,000 in January for debt it

assumed in connection with the purchase of Eastman Radio in 1988. On top of that, the company said it has borrowed the full $2.46 million available on its working capital credit lines.

In a recent court settlement, the company recovered $1.82 million from a security deposit after failing to buy two Rusk Corp. stations in

Houston and San Antonio. However, former President Frank Wood - who left last year following a boardroom coup - has come out smelling like a

rose. According to the documents, he received $6.27 million from Jacor for his stock and is owed $1.87 million for a non -compete settlement.

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14RaR September 13,1991 NEWSBREAKERS©

WWIN Raises Roberts To Program Director

Two-year WWIN/Baltimore MD Mike Roberts has been elevated to PD. He takes over from Don Brooks, who left to become part- owner/GM of a new Atlantic City FM.

Roberts told R&R, "We're pretty much on course. But my first challenge is to get our name back into the community and let people know there's another Urban FM here. When you mention Urban radio in this market, most people think of WXYV. Years ago, they thought of WWIN first.

"Some people call what we do Black AC. The liner we're using is `Baltimore's Adult Choice,' and we sound somewhat similar to WHUR/Washington. We're playing more uptempo music and really don't play any rap. But we do look at all rap songs on an individual basis."

This is Roberts's first programming assignment. He previously did on -air work at WKHI/Ocean Ci- ty, MD and WFBR/Baltimore (now WLIF [AMI).

CING Gets Toronto Dancing AC CING/Toronto has become

the market's first fulltime FM Dance outlet, adopting the moniker "Dance 108." The switch follows a new Canadian Radio & Television Commission ruling that allows virtually any FM to change format to Rock, Country, or Dance without permission.

Station Manager/PD Con Chung told R&R, "We put the Dance format on the air in October 1989 from 7pm-5am and programmed AC during the day. We became fulltime Dance as of September 1. It's a format that's sorely needed here; the response has been overwhelm- ingly positive."

Making History

o_

4 .4

The Museum of Television and Radio was slated to have opened its doors to the public yesterday (9/12). Located in Manhattan, the new building houses a library, two theaters, two screening rooms, a "scholars' area," a listening room, and gallery space.

T'wat. months before UwitmaB,

1 '.íií /.9.1 _ <_

and all 'cross the lend,

Not a creature was stirring they were all on the sand.

Off on vacations were folks coast to coast,

even Santa himself had deserted his post. Inparks and by pools, folks were 'seeping the heat,

with cool lemonade and something to eat.

But at. Santa's workshop --outpost number three, the folks at TeleProgtems were busy as bees.

Time was a -wasting though the clock said don't worry,

it's An Original Chrlstmae,

and we need you to hurry.

We know it's still hot, but make your plans now,

it won't be too long 'fore the sun turns to snow.

Think Christmas now, please don't delay,

your speedy decision will affect what you pay!

Oops, one

An Original

Why, you may ask, sh

'Cause

,..,

more thing i almost forgot,

Christmas will be very hot_

ould this show be played?

this year, in some markets,

you get it for trade.

Contact Robert U Xavier the little elves that trade this obnoxious rhyme)

800-899-4425

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EXECUTIVE ACTION

Scott To Work With Adult Formats

Veteran programmer Craig Scott is now presiding over Memphis - based Craig Scott & Associates, a consulting firm specializing in Country, AC, Gold, and Classic Rock formats.

"Over the past few years, I've consulted stations on a very limited basis," said Scott. "Recently, I've been approached by these stations and

u others to work with them fulltime. Having an objective partner working with

you on a continuing basis just makes good sense." During his consulting career, the former Plough Broadcasting

VP/Programming has worked in such markets as Oklahoma City and Jackson, MS.

Christy Forms Horizon Group Consultancy

Longtime radio executive Bob Christy has formed the Horizon Group, a Kansas City -based consultancy for broadcasters, investors, and financial institutions.

"If anything is to be learned from the current disarray in radio, it's that we must stop telling people what to do and start teaching them again," said Christy. "Too many organizations are spending inordinate amounts of money ... when, on the station level, they haven't anyone who can get all

this input to come out of the speakers." Christy's background includes executive posts at Fairbanks,

Midwest, and Blair, among other radio companies.

WOGL Wins Phillies F"Y5 RP

N

.l WOGL (AM)/Philadelphia has extended its contract with the Philadelphia Phillies, giving the Gold station exclusive broadcast rights to carry all of the baseball franchise's games through the 1997 season. Finalizing the ó 15 million deal are (l -r) WOGL (AM) VP/GM Stephen Carver, CBS Radio Divi- sion President Nancy Widmann, and Phillies President/General Partner William Giles.

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MUSIC & PI:'r CEPTUAL

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Almost as fast as new music reaches your station, you'll know which new songs you can take to the bank. So you'll be playing the future hits without risking your audience on the duds.

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NEWSBREAKERS. September 13,1991 RaR 19

Unistar Debuts Hot Country

Unistar Radio Networks will begin satellite delivery of a young adult -targeted Country format - Hot Country - beginning next Jan- uary. Hot Country will target 20-

42 -year -olds. Among the artists who will be featured are Garth Brooks, Reba McEntire, George Strait, Randy Travis, and Clint Black.

Unistar currently distributes seven music formats plus CNN Headline News.

WWLV/Orlando Appoints Kelly As Ops. Mgr.

1

.1 Steve Kelly mer WXXL MD Shadow Stevens.

Kelly, who will probably handle an afternoon airshift as well, told R&R, "I'm very impressed with this company [Root Communica- tions]. It has solid backing and is committed to winning in this market.

"We have a tough challenge here: WOMX is a hybrid AC/CHR; WSTF sounds like an Adult CHR; WZTU [formerly WSSP] is a toned -down CHR that plays the hits; WMMO is an AC for males with an AOR presentation; and WMGF sounds identical to what we're doing right now [Carpenters, Barry Manilow, Neil Diamond, and Barbra Streisand]." Hinting a change in WWLV's programming may be forthcoming, Kelly added, "I see a bit of a gap in Orlando's radio spectrum graph."

Former WXXL/Orlan- do PD Steve Kelly has been named OM at Soft AC WWLV/ Orlando (Day- tona Beach), succeeding ex- iting PD Jay Cresswell. Also joining Kelly at WWLV is for-

Back At The Ranch

Atlantic labelmates Foreigner and Marc Cohn were among the performers at the two-day Back At The Ranch concert benefiting the Nature Conser- vancy. Pictured at the Indian Reid Ranch in Montauk, NY are (back, I -r) MTV Networks Chairman/CEO Tom Freston, Atlantic Co-Chairman/Co- CEO Doug Morris, Foreigner's Mick Jones, label VP/CFO Mel Lewinter, and Foreigner's Johnny Edwards; (front, I -r) Atlantic VP Jason Flom, Sr. VP Tunc Erim and VP Fran Lichtman, Marc Cohn and his son Max, and Cohn's guitarist, John Leventhal.

Finley Finds WWWB PD Post Former Gold WMQX/Greens-

born PD Mike Finley has accepted a similar post at crosstown AC WWWB. He succeeds Tom Jack- son, who was recently named GM of neighboring CHR WKZL.

"This station's done very well under Tom the past two years," said Finley. "It's exciting to take over a station that's in very good shape and help it grow. Tom and I competed against each other in our early days as programmers; [the WKZL job] was a good step up for

him. And it's an excellent opportunity for me to follow in his footsteps.

"My initial task is to maintain what we have and make this an easy transition. We'll look at the product and see how we can make it better, but I don't anticipate making any major changes."

In addition to his two years at WMQX, Finley was previously OM/PD at WKIX & WYLT/Ra- leigh and programmed WYYD/ Raleigh and WGNI/Wilmington, NC.

Quest For Success

m

m J 111 4 (11 RI t ̂1.)1,

'

RCA artists PC Quest met with label execs to discuss marketing strategies, profit margins, and Teenage Mutant Ninfa Turtles. Gathering at RCA's NYC HQ are (l -r) the band's Steve Petree, label Sr. VP Randy Goodman, the band's Kim Whipkey, RCA President Joe Galante, band members Chad Potree and Drew Nichols, and label VP David Gales.

UPDATE

Forth Named Superadio VP/GM

Network radio vet Dan Forth has been promoted

to VP/GM of New York -based Superadio Networks. Forth replaces Tom Shovan, who resigned to become Creative Director at CD Media.

Forth had been VP/GM of the company's 24 - hour, satellite -distributed CITY -FM Adult CHR format. _

He previously served as an executive at ABC Radio and the Source.

Superadio also distributes the weekly "Open a House Party." Dan Forth

Wilbraham New GSM At The Beat

Craig Wilbraham

z

Craig Wilbraham becomes GSM at Evergreen Media's KKBT (The Beat)ILos Angeles. He suc-

ceeds Greg McElroy, who joined the L.A. Kings hoc-

key team in an executive capacity.

"It's taken over 10 years to convince Craig to join me," noted President/GM Jim de Castro. "This pro-

ves that good things are worth pursuing."

Wilbraham joins the Urban station after three

years as VP of Barnstable Broadcasting. Before

that, he was GM of WTWV/Chicago and Station Man-

ager of crosstown WLOO.

Testa, Pipolo Join JRS Label

Nick Testa and Pat Pi -

polo have been appointed National Directors of CHR r

and AC/Country, respectively, at JRS Records.

"N ck's experience in

the national promo arena

and his aggressive, relent- less approach to radio sta-

tions nationally will clearly spell out he's second to

none in CHR/Top 40 land,"

stated VP/Promotion Dave

Urso. "Getting Pat to do the national AC job is a coup for our company.

He'll also coordinate all efforts in the C&W arena." Testa formerly worked as an executive at Alpha International,

Enigma Records, and Scotti Bros. Pipolo was most recently VP/Promotion

at MCA Records and previously served at the UA label.

A Nick Testa

,

Pat Pipolo

THE PARC FIFTY ONE HOTEL. SMALL, BEAUTIFUL, UNDERSTATED.

A hidden refuge on Manhattan's West Side for radio & record executives, Parc Fifty One Hotel has 178 large rooms and suites designed in styles ranging from Country French to Art Deco.

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20 RaR September 13,1991 l!IEWSBREAKERSm

Radio JOHN MARIN has been appointed

GM at KQLL-AM & FM/Tulsa. He most recently worked at KLTG & KDAE/Cor- pus Christi.

Ite.1 John Marín

'

Robert DeFelice

ROBERT DeFELICE has been named GM at WGNY-AM & FM/Newburgh, NY. His background includes stints at

WSPK/Poughkeepsie, NY, neighboring WCZX, and the RAB.

MARK BOWKA is tapped as General Sales Manager at WEZK/Knoxville. He

comes from WYYY/Syracuse, where he served as Local Sales Manager.

MICHELE LOGAN is elevated to the newly created National Sales Coordina- tor post at WTMJ & WKTI/Milwaukee. She segues from local AE.

ANTHONY MASIELLO has been tapped as VP/Technical Operations at

CBS Radio Division. He moves up from Director of the department.

JUDITH SIMMS has been appointed Director/Advertising, Promotions &

Public Affairs at KMOX/St. Louis. She held various positions with the station, including Continuity Editor, PD, and

Public Affairs Director.

Records TOD ELMORE is promoted from Na-

tional College Promotion Coordinator to National Promotion Manager/Alterna- tive Music Division at Atlantic Records.

.11

l i

Tod Elmore Harry Fobbs

HARRY FOBBS is elevated to Asso- ciate Manager/Rap Promotion at EMI Records USA.

DAVID ALEXANDER has been hired as Director/Urban Sales Development at PolyGram Group Distribution. He most recently headed sales, creative, and concert promotion at the Entertain- ment Network. Also, PETER MULLEN is named Director/Pop Sales Develop- ment and JIM McDERMOTT is ap-

pointed Director/Alternative Sales De-

velopment. Mullen segues from PGD's Northeast office, where he was Pop Product Development Rep; McDermott joins from Island Records, where he held the National Sales Director post.

MARIO RUIZ is upped from Director to VP/A&R & Marketing, Latin America at EMI Music.

National Radio

WFMTIChicago introduces the WFMT Ideas Network, aimed at News and Information stations. The network will offer three series: "Speakers Cor- ner With Roger Mudd," "The Heart Of The Story," and "City Arts"; (312) 565-5000.

METATECIDISCOVERY SYSTEMS is now distributing "The Lutheran Hour" on CD; (800) 944-3450.

STEROIDS KILL! "TAKING STEROIDS IS LIKE BLOWING UP A BALLOON':.. This exciting, new public service campaign speaks strongly to athletes, urging them to say "no" to all drugs including steroids.

Parents, teachers, coaches and the athletes themselves must become more aware of this new health threat. In the past year alone, the illegal use of steroids has increased by an estimated 20 percent. This is a campaign you can really get behind with support from your community, public schools and health authorities. Build good public relations for your students while attacking the gravest problem to ever hit the field of sports and the highly motivated youths who participate.

60 second and 30 second radio and television spots.

r

_ ..,d.....

TO: American Chiropractic Association 1701 Clarendon Boulevard Arlington, Virginia 22209

Please send me copies of "Taking Steroids Is Like Blowing Up A Balloon" public service spots for:

O Television (One 60 sec. & one 30 sec. on 314" videocassette) Radio (Four 60 sec. & lour 30 sec. taped spots)

I understand the spots will be sent without cost or obligation.

Public Service Director_

Station

Street Address

91-2

City _ . __ Stale _ __Zip___ -

Please Send Me Additional Health Campaigns That Are Available

1

Industry PAUL BERRY has been tapped as

ASCAP's European Director. He had

been Secretary General/International Confederation of Music Publishers.

JODIE RENK has formed Music Forecasting, a research company specializing in new music and artist forecasting. She formerly served as Direc- tor/Marketing Services at R&R. The firm is located at: '9860 Easton Dr., Beverly Hills, CA 90210; (213) 247-0248.

CHRONICLE

Births: Critical Mass Media VP Joel

Lind, wife Sherrie, son Evan, August 9.

WKFMISyracuse air talent Lois Burns, husband Bob, daughter Corrine, August 27.

WMTXITampa GSM Kevin Malone, wife Beth, daughter Mackenzie Anne, August 29.

KATSIYakima, WA Asst. PD/MD Dave Nelson, wife Jan- ette, daughter Karty Ann, Aug- ust 29.

WZZOIAilentown MD Todd Heft, wife Jane, son Nevada Lynford, September 6.

Keymarket Communications VP/Programming Frank Bell, wife WRXRIAugusta, GA air talent Sandy Young, daughter Hilary Lynne, September 9.

Marriages: WCKTIFort Myers, FL MD

Doc Dailey to Melissa Ming- rone, August 24.

KKATISaIt Lake City VP/GM and Apollo Radio VP Dana Hor- ner to former KEGL/Dallas GSM Lindsay Russell, Septem- ber 1.

WNIC/Detroit Asst. PD/MD Bob Kucken to WNIC AE Cheryl RIckle, September 7.

Condolences: WOMF/Louisville air talent

Ron Clay, 41, September 7.

PROS ON

THE LOOSE.

Mike Blakemore - Asst. PD/ nights WKTI/Milwaukee (414) 527-2802

Frank Cipolla - News anchor WNBC & WFAN/New York (718) 447-7000

Ralph Cipolla - PD WUFX/ Buffalo (716) 633-1058

Peter Coughlin - GM WUFX/Buffalo (716) 741-4551

Jim Fox - PD KTHT/Fresno (209) 432-6023

Nancy Grover - PD WGCH/ Greenwich, CT (203) 862- 9712

Joe Mamma - Nights WWCK/Flint, MI (313) 653-4772

Gary Johnson - PD/nights WUSW/Appleton-Oshkosh, WI (414) 722-1523

Bill Knight - Afternoons WEZE/Pittsburgh (412) 934- 3476

Ron Kocher - Nights WWLV/ Orlando (904) 255-6789

Major Tom - Asst. PD/ nights WHHY/Montgomery, AL (205) 270-5871

Chuck Matheson - Asst. PD/MD/nights KZZU/Spokane, WA (509) 535-0478

Shark Man - Nights WORT/ Jackson, MI (915) 646-9415

Scott Stevens - MD KRZR/ Fresno (209) 297-7323

Dave Tyler - Mornings WMMZ/Ocala, FL (904) 344- 5331

Changes Chuck Armstrong joins Katz Radio

as Sr. AE in New York. Gregory Stroud is named AE at Ban-

ner Radio in Dallas.

David Baxter has been named Man- ager of Toronto operations at Peer - music.

JAMES LOUPAS ASSOCIATES INC.

Cordially invites NAB Programmers to, hear the

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22 Rd R September 13,1991

SALES/MANAGEMENT

91

0 ur expanded, second annual Sales/Management Survey includes new questions about hiring, salaries, revenues, and competition, in addition to the basic topics. On these

four pages, you'll find detailed information on:

Spotloads - broken down by daypart and market size Training - how many stations use training and consultants, where they recruit salespeople Meetings - when they're held, how long they last, who attends them Salaries - average commissions, average salaries for GSMs, highest- and lowest -paid salespeople Staff - gender, minority, and age analyses, expense accounts, auto allowances, sales incentives, and strongest competition.

Spotloads

As might be expected, morning drive commands the most minutes per hour with an overall average of 11.6. As in last year's survey, Country continues to pack the most spots into the broadcast hour, while AOR ran

the leanest hours. Below is a breakdown of spotloads by format (all dayparts):

AC - 10.5 minutes per hour

AOR - 9.2 minutes per hour

CHR - 10 minutes per hour

Classic Rock - 11 minutes per hour

Country - 12.2 minutes per hour

NAC - 10 minutes per hour

New Rock - 1 1 minutes per hour

Urban - 9.6 minutes per hour

I Á °S.KvB Do You Lack Intelligence?!

Minutes Per Hour By Daypart, Market Size

AM DRIVE

11.6 / ,,., r ,,.6 ti\s

OVERALL v/. 1-50 51- /\ 100

MIDDAYS

10.8 10.1

OVERALL 1-50

PM DRIIT

EVENINGS

10.5

OVERALL

10.8 9.9

51- 1-50 /.100

OVERNIGHTS

9.7 \

OVERALL f,.

9.6

1-50 I\

9.7

12.1

101 +

10.8

101 +

9.8

51- 100 101+

Monitored Playlists

All the winning stations Find 'High Appeal' titles Long Five -Day Monitors Eliminate 'weak' titles Upgrade your music Scrutinize rotations

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Enjoy... playing -the right music from NoNOISETM Compact

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...STING "LIVE" from the Hollywood Bowl, Dire Straits World Album Premiere, Whitney Houston welcoming the troops home,

the Solar Eclipse Rock Radio Festival, Bob Dylan's Bootleg Tapes, Madonna & Mary Turner talking, Rock in Rio, Paul Simon "LIVE" from Central Park, Janet Jackson with a 4th of July Superjam, Superstars like Eric Clapton & Billy Idol, not to mention The British Invasion, New Faces of Country Music & the BBC Beatles Original Master Tapes. WOW, What a Year. Don't let anyone tell you that nothing happened in '91. For the Biggest events on radio, tune in to Westwood One!

1

R COULD ONLY COME `Á FROM WESTWOOD ONE

September 13,1991 R&R 25

SALES/ MANAGEMENT 7 SURVEY '91

airing

While nearly all stations surveyed conduct in - station sales training, slightly more than half use outside consultants (except in markets

101+, where the number of stations using consultants drops to 48%). And 85% send sales personnel to off -site training programs.

Two-thirds of responding stations recruit salespeople from similar positions, but almost as many also hire salespeople from outside the industry. (Note: Figures total more than 100% owing to multiple responses.)

In -Station Training Outside Consultants

Where Stations Recruit Salespeople

JOB:

108:

OB OUTSIDE

RADIO:

SALES 1

NON -SALES OUTSIDE

p10:

66%

16% RADIO

SAES

NON"SALES RppÍO

3%

56%

Meetings

PDs Who Attend Meetings Almost alli stations (99%) hold sales meetings, mostly in the morning (82%; 5% hold meetings in the

afternoon, while 13% alternate). And although most PDs attend sales meetings, they do so sporadically. Four in ten of those who attend go only once a month, 14% make quarterly appearances, and 8% show up every other month.

Nearly half (49%) of the stations surveyed hold two sales meetings a week. Another 24% opt for weekly gatherings, while 15% meet three times a week, 3% meet four times a week, and 9% prefer to assemble daily.

The Bobby Rich NAB Convention Dialogue Guide (Old Friend) "Hey Bobby, how

yah doin, hows the family, I didn't even know you owned a suit."

(BR) "We're great! Lainés in 4th

grade and Lesley's in Kindergarten.

Debbie is wonderful, she made me

buy the suit when I was a GM."

(OF) "Love your tie!"

(Business Acquaintance) "Hey Bobby, nice tie, how yah doin, what

are you up to these days?"

(BR) "I'm nranelous! Since leaving

KRMX we've been enjoying family

time together, doing some traveling

and finishing off a bunch of projects

on the house. I've been doing some

projects with my company, RICH RADIO, and looking for an

opportunity to program and/or get

back on the air."

(Industry Person) "Hey Bobby,

how yah doin, where did you get that

tie, you still with B-100?"

(BR) "I'm sensational! I left B-100 in

1989 after 10 years as PD and 5 as

morning host with The Rich

Brothers to become VP/GM and do

mornings at KMGI/KIXI Seattle. I

returned to San Diego in February as

PD/Mornings for KRMX to convert

Hot AC 'Y-95' to Oldies Based AC 'MIX 94.9' and resigned in June."

(Interested Person) "Hey

Bobby, what would you like to be

doing?"

(BR) "Thanks for asking! Right

now I'm happy doing some

interesting and fun projects including

talent coaching, market evaluations

and programming consultation. I'd

like to stay in San Diego and

continue having fun but realistically I

could do it anywhere."

(Oblivious Person) "Hey Bob,

when did yah get in, by the way who

are you?"

(BR) "Nice ro meet you, please call

me 'Bobby' and I'm peachy. I've been

in radio for over 20 years. I've

programmed in San Diego (KFMB AM, B-100 FM, KRMX),

Los Angeles (KHTZ, now KLSX),

New York (WXLO, now WRKS),

Philadelphia (W W SH, now W EG X) and Davenport, Iowa (KSTT). I've

jocked in these and other markets,

the last 7 years anchoring morning

teams. I've consulted, done voice

work and been a General Manager.

I'm the only multiple year

consecutive winner of Billboard and

Gavin's Major Market AC Program

Director of the year.

(OP) "Gee that's nice, can I have

your tie?"

(Any of the Above) "I'd like to discuss some ideas, how can I reach you?"

(BR) "619-793-0692,1133 Los Caballitos, Del Mar, California 92014. I'd love to explore any challenge."

COMEDY SERIALS PROMOTABILITY JOKE SHEETS IDEAS TRIVIA FAKE COMMERCIALS REAL PW'_

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LI IVERSAR

-INS

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September 13,1991 R8 R 27

SALES/MANAGEMENT SURVEY

'91 f

Salaries Nearly three-quarters (73%) of the stations that responded said

their salespeople received a draw against commission, slightly more than last year's average of 69%. Fewer people this year

received straight commission (14% in 1991 vs. 17% in 1990) and salary plus straight commission (6% vs. 8%); salary plus draw remained steady at 3% (4% named other payment methods this year). None received a

salary alone in 1991, as did 1% of salespeople last year. GSMs earned an average of more than $70,000 a year. That figure

varied widely by market size and format, however, as did the average salaries of the stations' highest -paid (about $63,000) and lowest -paid

(nearly $22,000) salespeople. While local revenues were up an average of 20.4%, national revenues

showed an average rise of 33.9%. By market size, markets 1-50 showed moderate increases (average revenue growth: 59.2%); by format, AOR

stations topped the chart (130.7%), followed by New Rock outlets (41%).

Highest -Paid Salespeople's Average Salaries By Market Size

81,810

63,267 63,014

OVERALL 1-50

. 7D

44,977

71 1_19

51-100 101+

Lowest -Paid Salespeople's Average Salaries By Market Size

21,946

OVERALL

26,313

1-

20,769

51-100

18,756

101 +

GSMs' Average Salary By Market Size

90,618

70,259 67,969

52,190

1 i .._ i 1:1,1

L -bO 61.100 101+

GSMs' Average Salary By Format

AC.

AOR

CUR

CR

CTRY

119AC

NR

URBAN

$79,164

$66,158

$68,274

$55,000 $65,485

$95,000 $66,666

$64,500

Average Commissions By Market Size

Agency

Direct

Total Average

Ovewll

12.7

16.2

14.2

1-50 51-100 101+

11.3 12.6 14.1

16.4 15.5 16.6

12.7 14.0 16.1

Salespeople's Average Salaries By Format

Lowest -Paid Person Highest -Paid Person

$23,385 AC

AOR

$20,796 CUR

CR

CTRY

MAC

NR_

$19,091 URBAN

$22,833

$18,187

$21,643

$25,000

$21,666

$71,441

$64,526

$56,044 $52,000 r

$60,424 $60,000

$55,166

$60,818

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28RaR September 13,1991

SALES/MANAGEMENT SURVEY)

'91

Stations employ an average of seven salespeople, who have worked at their jobs for about three years. At a majority of stations, more than one salesperson calls on an agency (56%) and the staff is not

separated for retail and agency business (93%). Non -whites make up an average of 11% of sales staffs, although minorities are the majority at Urban stations. By age, more than half of all salespeople are 25-34.

Nearly all stations (96%) have sales contests, an average of 5.5 a year. Cash is the most effective award for a job well done. While 73% of stations offer bonus spots, only 24% have a new business development person and 27% have a co-op person on board. As far as current advertising is concerned, other radio stations and newspaper/print represent radio's strongest competition.

Minority Analysis By Format

AC 9%

AOR 11%

CHR 11%

CR 13%

CTRY 7%

NAC 12% NR 16%

URBAN 65%í

Sales Incentives

CASN

TRAN/

MER

TIME

24%

17%

10%

48%

18-24 8%

Gender Analysis

Age Analysis

Age Analysis By Format

50+ 6%

18-24 25-34 35-49 50+ AC 7% 52% 35% 60/0

AOR 9% 64% 23% 4% CHR 12% 59% 26% 3% CR 11% 53% 28% 8% CTRY 6% 44%, 42% 8%

AC 2% 62% 36% - NR 3% 74% 18% 5% URBAN 8% 50% 33% 9%

Strongest Competition

CABLE:

DIRECT MAIL:

8%

1%

36%

35%

Expense Accounts

Auto Allowances

:s a -

1

RSE TEM.

E

Pierre Bouvard, Vice President and Jon Coleman, President of Coleman Research, one of America's top two research companies.

Most researchers draw obvious conclusions and leave the real work up to you. Enter Coleman Research. Successful radio marketers who create a powerful position for your station and drive it home.

Coleman Research invented the names and launched the stations that use the most powerful marketing handles in radio: Oldies, New York 1981; Lite, Phoenix 1982; Mix, Baltimore 1986 and Variety, Phoenix 1991.

It was Coleman that first conceived the marketing positions: Not Too Hard, Not Too Soft, San Jose 1983 and The #1 Hit Music Station, Phoenix 1984.

Coleman's step-by-step programming, positioning and marketing plans have worked for more than 100 top stations. Give us a call today at 919-790-0000. Then watch the market notice a startling new trend.

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30RaR September 13,1991 OVERVIEW

SIX STEPS

Keeping Key Employees After Recession Ends

Competent employees tend not to quit their jobs during a recession. This is mostly

because competent employees realize they won't be fired because of the value their employers place

' on them. (They also don't want to make a move and then be stuck due to a slow economy.) All this changes, however, once the recession ends.

When the economy bounces back, job opportunities become more abundant for good people, who often are lured away by the sweeter deals that become available owing to increased corporate profitability.

Following are six steps you should take now - during the recession - to hold on to your key employees:

Promote them whenever possible.

Give them raises or bonuses, if possible.

Provide positive feedback often.

Consider offering a contract.

Give them more pep talks, including promises you can keep.

Give them occasional perks, such as dinners or theater tickets.

Source: Robert Half International

Sunny Awards Go National

T he Southern California Broadcasters Association has announced it will accept

entries from all U.S. radio stations for its 1992 Sunny Creative Radio Awards.

Stations from across the nation will compete in the best radio station promotion, public service, and station -produced commercial categories. Deadline for entry is Octo- ber 31. For more information and entry forms, call (213) 466.4481.

%II MEW e Top 10 Frequent -Flier Programs

If you belong to a frequent -flier program, you'd be wise to watch your' airline's bottom line. The Wall Street Journal reports that many ailing carriers are giving away 10%-12% of their traffic, compared with the

typical 5%-8%. Following is a comparison of the 10 largest U.S. frequent -flier pro -

grab's:

Current Members Aldine (in millions)

American 14.2

New Members Per Month

143,000

Travel Awards

Redeemed In 1990

975,ÓÓ0 United 13.3 130,000 1,200,000 Delta 10.1 122,000 -912,000 Continental 9.1 101,000 200,000 Northwest 8.6 87,000 623,00.0 USAir 7.8 76,000 1,000,000 TWA . 6.2 47,000 311,300 Pan Am 1.7 9000 402,000 America West 1.2 21,000 125,000 Midway 0.7 14,000 81,000

Source: Frequent magazine

Hotels Add Extra Phone Amenities

In response to the demands of business travelers, hotels are upgrading their amenities

with regard to telephones. San Francisco's Fairmont, for example, recently spent $600,000 on adding two-line speaker phones, modem links, and voice mail to every room.

Meanwhile, Dallas's Westin Ho- tel Galleria has added two-line phones to 26 executive rooms, and New York's Peninsula (and others) have turned their rooms' phone consoles into virtual nerve centers, featuring touch -sensitive screens that also, adjust the rooms' light, temperature, and television.

How To Lively Up Your Business Letters D. your business letters read as if they were copied directly from your high

school English book? Below are four suggestions for writing better

CBS Radio Representatives Applauds Its Family

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and are proud of the partnership we share with you.

OunEs

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letters, courtesy of "Business Writ- ing Quick & Easy" (AMACOM) by Laura Brill:

Replace old-fashioned phrases such as "per your request" with contemporary ones such as "as you asked."

Use personal pronouns and contractions to make your letters more conversational. For example, replace sentences such as "A

DATELINE September 10-13 - National

Association of Black -Owned Broadcasters Fall Conference. Sheraton, Washington, DC.

September 11-14 - NAB Radio 1991 Convention. Mos- cone Convention Center, San Francisco.

September 13 - Academy Of Interactive Entertainment Arts & Sciences conference. Executive offices, Los Angeles.

September 25-28 - RTNDA 46th International Conference &

Exhibition. Denver Convention Center.

September 29-30 - T.J. Martell Music Row Golf 'N' Bowl. Various locations, Nash- ville.

October 2 - CMA Awards. Grand Ole Opry, Nashville.

October 3-5 - Concrete Marketing's Foundations For- um. Los Angeles Airport Marri- ott.

October 3-6 - Society of Broadcast Engineers National Convention. Hyatt Regency, Houston.

October 11-13 - National Professional Conference Of Women In Communications. Hyatt Regency, Atlanta.

October 14-16 - Broadcast Cable Credit Association's 26th Credit and Collection Seminar. Palmer House Hotel, Chicago.

October 23 - John Bayliss Foundation Dinner. Plaza Hotel, New York City.

report will be sent shortly" with "You'll receive a report soon."

Keep your letters positive. Don't use annoying language such as "you claim that ..." or "you are wrong in thinking ...."

Use words that make the reader feel good, such as "We're happy to tell you ..." or "I understand how you feel."

*October 24-27 - CMJ Con- vention. Vista Hotel, New York City.

October 27-29 - Third Annu- al EPM Entertainment Marketing Conference. Universal City Hil- ton & Towers, Los Angeles.

1992

January 19-23 - MIDEM '92. Palas des Festivals, Cannes.

January 29 -February 1 - Ninth Annual Pollack Media Group Programming/Manage- tnent Conference. J.W. Mar- riott, Los Angeles.

January 30 -February 2 - RAB Managing Sales Confer- ence. Opryland Hotel, Nash- ville.

February 13-15 - Gavin Seminar 1992. Westin St. Fran-

cis, San Francisco. February 25 - 34th Annual

Grammy Awards. Radio City Music Hall, New York City.

March 4-7 - 23rd Country Radio Seminar. Opryland, Nash- ville.

April 13-16 - 70th Annual NAB Convention, Convention Center. Las Vegas.

May 28-31 - AWRT's 41st National Convention. La Posa- da, Phoenix. June 11-13 - R&R Conven-

tion '92. Century Plaza Hotel, Los Angeles.

June 14-17 - BPME & BDA Conference & Exposition. Washington State Convention & Trade Center, Seattle.

R&R CONVENTION 'X . , . j:NE 11-13 IN ClhaW1RY CITY

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32 OUR September 13,1991 OVERVIEW

- S 8c MAR PART TWO

The '92 Budget Challenge: Analyzing Your Needs

Everyone in radio sales, whether they're investors, GMs, or the salespeople on the street, probably will remember

1991 as the year of budget reductions and the year in which achieving past revenue levels became more difficult than ever before.

Few stations have emerged as heroes. By the end of the year, the picture could look like this: One or two stations will have dis- proportionately outbilled the market, one or two will have maintained 1990 revenues, and the rest will have suffered losses - some seeing drops of 30% or more over last year's figures.

This week, in part two of a two-part series, I'll go over a number of budget considerations. I hope this special expanded column will help you determine whether you need more staff, better managers, additional training, or more sponsorship opportunities to win the '92 budget challenge.

Right now we're faced with the dilemma of preparing next year's budget and our war cry is, "Re- duce expenses, increase billing." That's understand- able, especially in light of this year's performance to date. After all, many of those enticed into investing in our business came in during the double-digit growth of the '7Ós and early '80s, when advertising looked as if it would never stop growing.

During that era, stories of the glamorous and lucrative broadcasting business circulated throughout country clubs and meeting rooms: Expenses are rela-

m There's doom and gloom, and then

there's reality. It's been said that

understanding a problem gets you

more than halfway toward solving it.

tively fixed and all revenues except the increasing cost of sales (which is virtually only commission) flow right to the bottom line.

It wasn't unusual for a station to achieve 40% on its bottom line. Except for those who had operated stations in the oil -depressed South and in New England, there were few owners who weren't used to annual growth - if not by double digits then at least by high single digits.

Budgetary Considerations

Last year I predicted this year's sales slump, not because of the imminent war, but because of issues erupt- ing from the client level and the inherent change from an efficiency -oriented advertising environment to a results -oriented one. Many are saying the worst is over, that things will mirac- ulously improve in the first quarter of 1992. The biggest debate seems to be over

By Chris Beck

which month - January or March - things will return to normal.

The signs these optimists are pointing to include the current economic upswing, the end of the war, and 1992 being an election year. Those on the front lines preparing the budgets are being handed copies of these growth reports. They're being told they can meet budget with fewer resources - in some cases through a "no hiring" policy in sales - and if they forecast "conservative" growth.

Now ask yourself what items you take into account when preparing budgets. What are your most important line items? How do you make a better -than - educated guess on your revenue assumptions? What other factors will continue to affect billing besides a turn in the economic environment? How can you ensure that the important items are in place?

There has never been a better time to learn from the past. You have the opportunity to be one of the heroes of the '90s because your strategy is designed to capitalize on the environment rather than be vic- timized by it.

When you get right down to it, this particular column is about human resources - the people, their skills, their resources, and the support they receive.

The Bad News Bearer?

In August 1990, when I forecast the coming of the

_ ING Revenue -Influencing Factors

The advertising and marketing economy you deal with day in and day out - not the national or global economy - will have the greatest impact on your ability to

generate revenue. Other critical factors that play a role include:

More salespeople. Many more salespeople will be vying for advertising and marketing dollars.

More advertising media. There's been a dramatic In- crease in the number of advertising media that clients are considering today, from databases to regional editions of national publications. This trend should continue.

Innovative traditional media. Many traditional ad media are offering advertisers innovative options. Maga- zines in particular are doing a great job of attracting advertiser support through increasingly sophisticated methods.

More marketing -based media. There will be more competition from marketing -based media such as in-store point -of -purchase or direct -marketing options.

Client demand for results. After investing tens of millions in image, creative, and efficiency, clients are de- manding case sales and in-store tangible support. This is playing seriously into the lack of avails from the agency side. Performance and results are becoming more critical daily. Make no mistake - the pressure is to perform.

Fewer people, more responsibilities. On the client side, fewer people with greater responsibilities are seeing more people - in the same amount of time. This is almost universal.

Fewer new businesses. The '90s will see fewer new businesses and more megacorpyrations. Mom -and - Pop operations are now franchises, not independents, creating the need for new staff skills to generate revenue from these operations as well as the need to better penetrate core accounts.

Cost per points remain low. Many markets have seen their CPPs cave in 50%-75% within the past couple of years. History says once they're down, they stay down.

" '91 reality," my office received numerous calls from readers who said I was a doomsayer. It's interesting to note how those calls have subsided. There's doom and gloom, and then there's reality. It's been said that understanding a problem gets you more than halfway toward solving it.

Sales and management skills have never been more critical to success. This may sound trite, but keep in mind that this business has traditionally relegated skills development and management coaching to

one -day seminars or annual corporate getaways. Re- member: Learning a skill requires time, encourage- ment, and repetition to be effective.

Take a good look at your staff. Do you need more people? Better people? These are important questions to consider when preparing a budget. The first step you can take is to determine your station's output per person and compare it with those of similarly ranked or formatted stations in your market.


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34 RaR September 13,1991 OVERVIEW

SALES 8c The 92 Budget Challenge Continued from Page 32

Output Per Person Figuring this requires a

little counterintelligence, information gathering, and guesswork. To get your output per person, divide your total year-to-date sales by your number of salespeople. The hard part is obtain- ing other stations' year-to- date revenues; you can do this by using your monthly market reports. Analyze the stations above and below your billing and use some espionage tactics to figure out which ones they are.

Some markets have opt- ed to go with an additional report that lists the actual billing by a station's rank. From here, it's relatively easy to determine the stations. Find the top two or three and compare them to yours. You might try to figure out their numbers based on last year's figures. Or you could always ask.

Once you make a calcu- lated guess as to the stations' revenue, find out how many local salespeople they have. As competitive as our business is, this feat might take some home- work. After you get this info, divide each station's year-to-date sales by the number of salespeople to get your competitors' output per person.

This valuable exercise will reveal several things about your salespeople as well as those at other out -

Coming Up In the next Sales & Mar-

keting column, I'll show you how to design a model salesperson and take the guesswork out of the hiring process.

lets. It should take some of the guesswork out of the budgeting process and help you determine how to respond in the coming year. Analyze Your Findings

If your staff is outper- forming the other stations' salespeople, expecting a great deal more from your people is unrealistic. You probably need additional qualified staffers to ensure that you increase your numbers.

If your output per person is about the same as those in the market, you're faced with a skills issue. You're all starting from the same point, but the salespeople who are better trained and skilled will outperform their counterparts.

If your output is significantly lower, however, you have a problem. Stations whose output per person is more than 20% lower than that of their competitors probably have more than one problem; likely candidates include a combination of low morale, management deficiencies, or lack of sales skills.

This situation often is a byproduct of a staff that got into the business during its heyday. After paying their dues for a relatively short period, they inherited an agency list and made a tremendous amount of money - not for their sales skills, but for their service skills. It's also a byproduct of a staff whose skills simply don't match the revenue they're expected to generate.

Great Expectations Do you have realistic ex-

pectations regarding the amount of revenue that's possible for your staff to achieve? Managers often

R get into a bind by hiring a salesperson only because he was all they could find (or afford) - and then expecting superhuman achievement.

Here's a good way to better understand this concept. Suppose that after calcu- lating your budget, your billing by account, and your projections for the coming year you put in for a new salesperson. Your company limits the starting salary for a salesperson without a list to $18,000 a year. So you hire someone for $18,000 a year, expecting him to generate $55,000 the first year.

In other words, you're expecting this person to generate three times his in- come even though his skills level won't increase nearly that much. Although it is possible for someone to meet the numbers you'd like to see in this situation, it's highly unlikely for anyone but those in the top 10 %

of the sales profession to achieve.

The majority of people are capable of a 40 % -60 %

increase in skills per year. But how often do we hire people for $18,000 a year and expect them to appreci- ate several hundred percent within 12 months? Whether you use my guidelines or develop your own formula, this particular nu- merical approach is important when preparing a budget and making revenue assumptions.

Running The Numbers If you need an additional

$300,000 a year and you pay 15% commission, chances are you won't meet that goal if you hire someone at $18,000. Even if that person

TINE m

Managers often get into a bind by hiring a salesperson only because he was all they could find (or afford) - and then expecting superhuman achievement.

increases his skills 40%- 60 % you still won't achieve that goal.

Let's say you hire him anyway. Using the upper end of my appreciation guidelines, if he achieves 60% growth the first year he'll make $28,800 (60% of $18,000 = $10,800). With a 15 % commission, that translates into billing of roughly $190,000. Thus - not counting any other vari- ables - hiring this person will cause you to miss your goal by $110,000.

And ... if you're shooting for $600,000 and you hire someone for $25,000, you'd miss by an even greater margin.

Management Matters In some cases, adding an-

other layer of management to the local staff may be the answer to the budget challenge. This step usually doesn't reap the revenue expected. However, there are a few exceptions.

Adding a manager could work if your existing super- visor is managing an area in which he's not experienced; e.g., your GSM has a background as a national rep, yet he's expected to as- similate years of local sales ability (or vice versa).

Unless there's a glaring lack of depth, I believe the manager's salary is better invested in the salespeople - the people bringing in the money. They're the ones who will allow you to increase management to re- duce pressures down the

line. Meanwhile, you may be able to delegate some of your responsibilities to your better employees in order to get through the current crunch.

A ratio of one manager to every five or six salespeople seems to produce the best results. I define a manager as any hands-on person who consistently assists the staff, is able to answer questions, provides guid- ance and training, and is the station's authority in at least one area of expertise. .

It doesn't matter whether that person is a GSM or a national sales manager as long as he or she is available and does in fact assist in the sales operation. The exception comes with stations that have a special sales emphasis, such as sports. In that situation, there's usually a need for at least an administrative manager, if not a hands-on manager.

Next year will be a challenge for almost every station. I hope these ideas have taken some of the guesswork out of your budget planning process - or at least provoked some thought on the subject.

Chris Beck is the President of Beck Marketing Group, an international sales and marketing consulting firm. If you have a

question about a column or a

topic you'd like to see addressed, he can be reached by phone at (818) 594-0851; by fax at (818) 594-5030; by Prodigy electronic mail at ID #

SRTNI5A; by CompuServe at ID # 76066,3334; or by mail at 22900 Ventura Blvd., Suite 340, Woodland Hills, CA 91364.

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36. R& R September 13,1991 OVERVIEW

FILMS WEEKEND BOX OFFICE

SEPTEMBER 6-8

1 Dead Again $4.36 (Paramount)

2 Terminator 2: $3.10 Judgment Day (Td -Star)

3 Child's Play 3 $3.00 (Universal)

4 Hot Shots? (Fox) $2.71 5 Doc Hollywood $2.68

(WB) 6 The Doctor $2.30

(Buena Vista) 7 Robin Hood: $2.10 Prince Of Thieves (WB)

8 Double Impact $1.55 (Columbia)

9 City Slickers $1.47 (Columbia)

10 Boyz N The Hood $1.27 (Columbia)

All figures in millions Source: Esh,b,tor Relations Co.

COMING ATTRACTIONS: This week's openers include "Freddy's Dead: The Final Nightmare," the sixth film in the "Nightmare On Elm Street" series. The movie - shot in 3-D - stars Robert Englund as the title character and Epic rocker Alice Cooper as Freddy's abu- sive father, and features a Metal BladelWB soundtrack (due 9/24) with songs by the Goo Goo Dolls (who perform the first single, "I'm Awake Now"), Iggy Pop, and others.

VIDEO NEW THIS WEEK

NOTHING CAN STOP... PRINCE & THE NEW POWER GENERATION 'GETT OFF' (Warner Reprise) Five songs, 30 minutes. Vid-

eo "EP" features four tracks unavailable on the just -released LP as well as the uncensored Euro- pean verson of the current single, "Gett Off."

DOORS: THE SOFT PARADE -A RETROSPECTIVE (MCA/Universal) Seven songs, 50 minutes.

This documentary, directed by Ray Manzarek, features the band's last televised appearance (on PBS in 1969), behind - the -scenes footage, never- l

before -seen interviews, and private archive footage.

THE FIVE HEARTBEATS (Fox) Feature film starting Robert

Townsend, Michael Wright, Leon, Harry Lennix, Tlco Wells, and Diahann Carroll chronicles the 25 -year span of an R&B band. Its Virgin soundtrack includes songs by the Dells, Patti LaBelle, After 7, and U.S. Male.

MUSIC & MOVIES CURRENT

ROBIN HOOD: PRINCE OF THIEVES (Morgan Creek) Single: (Everything I Do) I Do It For You/Bryan Adams

(A&M/Morgan Creek) BOYZ N THE HOOD (Owest/WB)

Singles: Just Ask Me To/Tevin Campbell Me And You/Tony! Toni! Tone!

Other Featured Artists: Ice Cube, 2 Live Crew, Yo -Yo BILL & TED'S BOGUS JOURNEY (Interscope/East West) Single: God Gave Rock And Roll To You II/Kiss Other Featured Artists: Slaughter, Faith No More, Steve Val JUNGLE FEVER (Motown) Single: Fun Day/Stevie Wonder

RETURN TO THE BLUE LAGOON Single: A World Of Our Own/Surface flBemard Jackson (Columbia:

UPCOMING HOUSE PARTY II

Single: House Party II (I Don't Know What You Come To Do)/ Tony! Toni! Tone! (MCA)

4

IA TELEVISION

TOP TEN SHOWS SEPTEMBER 9-15

1 NFL Monday Night Football (49ers vs. Giants)

2 Married ... With Children 3 Roseanne 4 60 Minutes 5 Cheers 6 Coach 7 Full House 8 Who's The Boss? 9 Unsolved Mysteries

10 A Different World Source: Nielsen Media Research

All show times are EDT/PDT unless otherwise noted; subtract one hour for CDT. Check listings for showings in the Mountain nine zone. All listings sub,ect to change.

Friday, 9113 Heavy D. & The Boyz, "The

Arsenio Hall Show" (syndicated; check local listings).

Eric Clapton, Boz Scaggs, Michael McDonald, Donald Fa - gen, and Phoebe Snow, "ABC's In Concert '91" (midnight).

Saturday, 9114 Mark & Brian and Little

Richard host "Friday Night Vid- eos" (NBC, 1:35am).

Sunday, 9115 "The Adventures Of Mark

& Brian" premieres in its regular time slot (NBC, 7pm).

Monday, 9116 The season premiere of

"The Fresh Prince Of Bel -Air" (NBC, 8pm) features the world premiere of the video "Ring My Bell" by D.J. Jazzy Jeff & The Fresh Prince.

D.J. Jazzy Jeff & The Fresh Prince, "Arsenio Hall."

Tuesday, 9117 Harry Connlck Jr., "Ar-

senio Hall." Bonnie Raitt, "The Tonight

Show Starring Johnny Carson" (NBC, 11:35pm).

Wednesday, 9118 Clint Black, "Johnny Car-

son."

Thursday, 9119 =

A mystery guest who sounds a lot like Michael Jack- son lends his voice to the third season opener of "The Simp- sons" (Fox, 8pm).

Gladys Knight, "Arsenio Hall."

i

m

Another Baby For The Boss?

Is Bruce Springsteen's family tree about to bear more fruit? According to the Star, the Boss

recently purchased a Ford Explorer to accommodate a family that's "getting bigger."

Madonna To Marry? Although the Star reports Madon-

na and Sandra Bernhard have had a falling out (because Lady Madon- na has become fast friends with Bernhard's comedic rival Rosie O'Donnell), the Globe predicts La

Sandra will give Madonna away during the Material Girl's wedding to on -again, off -again boytoy Tony Ward.

Jackson Action LaToya Jackson is being sued

by Bally's Reno for allegedly walking out on a whopping $22,291.48 tab (Hollywood Reporter).

Meanwhile, brother Michael made headlines in the Star by sending his houseboy on a two-day va-

cation to Mexico - because MJ

didn't like the way the servant smelled! The worker, who'd strain- ed his back moving one of Jackson's houseplants, was wearing an ointment that Michael al-

legedly said reeked like "rotten fish and mint."

Express Lines Entertainment Weekly likens

BMG's initial rebate proposal in the Mliii Vanilli legal flap to "offering diners a free meal at a restaurant where they had contracted botu- lism."

CBS head Larry Tisch once denied deposed Columbia Rec- ords chief Walter Yetnikoff a

breakfast bagel at the ritzy Beverly Hills Hotel because it cost too much! For his revenge, Yetnikoff brought a bagel to every subse- quent CBS monthly board meeting (Esquire).

The September M Inc. looks at life at the top by profiling 1991's so-called Power Brokers. Music business moguls to make the grade include (drum roll, please ...) syndicated radio giant Rush Lim-

MINK

IT'S A GIRL! - Linda Ronstadt has become a single parent at age 45, according to People and Star. The singer secretly adopted an In/ant girl, Mary Clementine Ronstadt, earlier this year, but kept mom, er, mum on the subject until now. "It was a personal matter, and I never discuss my personal life in public," Ronstadt said through a publicist.

baugh, Tommy Mottola (whose name is misspelled on the 'zine's cover), David Geffen, Charles Koppelman, Time Warner Inc.

Chairman/Co-CEO Steve Ross, Amy Grant, Madonna, Jimmy Jam & Terry Lewis, and N.W.A.

Jordan Knight of New Kids On The Block almost came to blows with actor Kiefer Sutherland over a pool table at a trendy Holly- wood nightspot. Knight sent his bodyguard to secure the table from Sutherland, who growled, "He can wait like everyone else." Knight decided to exit instead.

Radio Talk Musician -turned- W NCXICIeve-

land air talent Michael Stanley addresses the contrast between making and playing records in the Octo- ber Playboy. "It's like the difference between having sex and watching porno movies," he notes.

R&R doesn't run comic strips, but we do take a comic trip each week through the nation's consumer magazines in search of everything from the sublime to the ridiculous In music news. R&R has not verified any of these reports.

If you're coming to the San Francisco Radio '91

Convention to make programming decisions... Make decisions you can trust.

BONNEVILLE TRUST THE QUALITY

RADIO X91

BOOTH 0931/0933

4080 Commercial Ave., Northbrook, IL 60062,1-800-631-1600 Twenty -One Years of Program Consultancy Custom Format Management Complete AC Libraries on TrueSourcesM CDs and/or Cart ChartBreakers Music Service, a monthly AC update on TrueSourcesM CDs

Four distinctive AC Formats: Soft AC, Lite Rock, AC Mix and Classic Hits Five unique Easy Formats: Ultra, Easy Mix, Classic Easy, Adult Progressive and Vocal Easy

OVERVIEW September 13,1991 RaR 37

L1FEST` Living Arrangements, Marital Status Of America's Young Adults Changing

Young adults' living arrangements have changed significantly in the past

few decades. As more are living with their parents, with room- mates, or alone, fewer are starting families of their own.

A recent Census Bureau report notes that the number of young adults who haven't married has been growing during the past 20

years. Between 1970-1990, the pro- portion of 25 -29 -year -olds who had never married tripled for women and more than doubled for men.

Marriage Prospects The same report says marriage

prospects for younger women are better than for older women. There are 127 unmarried men for every 100 unmarried women in the 25-29

demo, but the ratio reverses beginning with the 40-44 age group.

The median age for first marriage seems to have reversed in the past century. In 1890, newlyweds' median ages were 26 for men and 22 for women. Those figures declined until 1956, when men married at

DOGZ N THE HOOD

How Unmarried Adults Live

Alone -

With other non -relatives

With relatives

With parents

6% F4': /17

0 20

36%

r 21%

22%

29%

34%

30-39 ® 25-29

III 18-24

40 60 80

23 and women at 20. That decline then reversed between 1956-1990,

when the median went up to 26 for men and 24 for women.

Collar Helps Stop Unwanted Barking Does your neighbor's dog keep you up all night - only to stop barking just

as you head out to do your morning shift? If this is the case (and the owners can't be bothered training the animal), there is a humane solution.

Used Car Sales Up

For the first time since 1950 used cars are more popular than new ones, according to

a recent study conducted on behalf of the National Automobile Dealers Association.

Last year, 14.3 million used cars and 13.9 new cars were sold in the U.S. One reason this trend is expected to continue is that Ameri- cans are increasingly unwilling - or unable - to spend money on a new vehicle.

The recession isn't helping the 'nation's new car dealers, either. The National Automobile Dealers Association estimates that dealers will sell 13.4 million used cars and 12.7 new autos this year.

Another reason for the used -car upswing: More late models are available as more new cars are sold to car rental places. Thane cars are then sold within a few months as "nearly new." Last year, 1.5 million new cars followed that route. This year, an estimated 2 million will head down the same road.

Suggest your neighbors invest $50 in one of the "Silencer" dog collars recently developed by Aus- tin, TX -based Canine Concepts and Texas Instruments. The collar sports a microchip that distin- guishes between the sharp, rapid barks a dog makes to sound an alarm from the yelps that signal loneliness or a fascination with the moon.

If the pooch isn't chasing away a potential thief, the collar emits an unpleasant, ultrasonic noise that stops as soon as the dog does. Just like Pavlov's pup, your neighbor's dog will catch on quickly and soon you'll be able to sleep.

Shorts Long On Fashion

Shorts have dominated the fashion scene this year, with tight Lycra bicycle shorts

and knee-length waders among the hottest styles.

Sales of men's shorts skyrock- eted 22% and women's shorts shot up 11% during the first six months of 1991, according to Port Jeffer- son, NY -based research group NPD. And those figures are above and beyond the increases of 1990,

when consumers spent $2.7 billion on shorts.

Among the reasons offered for the surge in popularity are relaxed dress codes and designer attention. One trend consultant says fashion currently is in a leg cycle - and when legs are important, shorts follow suit.

For a look at the living arrange ments of never -married adults in 1990 (by age of head of household), consult the adjacent chart.

111

n111111 .:CIR[

400 -CD Carrying Case Dublin, OH -based Univenture has developed the "DJ Express 400,"

a portable, lightweight - only 33 lbs. when full - case made to hold and protect 400 CDs.

Perfect for on -the -go-go promo types, road trips, and remotes, the DJ Express 400 measures 17'% x 17'14 x 6 inches and sports a removable hinged lid that doubles as a base.

Price: $225 for music industry people; $295 for non -industry folks. Call (800) 992-8262 for more Information.

PUT SOME BITE INTO YOUR RADIO SHOW! The Humane Society of the United States, the nation's largest animal -protection organization, presents its actuality line, Animal "Bites", sixty-second sound -bites on animal topics that will amuse and astound your listeners. The bites change weekly and are suitable for all formats. Call,

1 -800 -HUMANE -1 (1-800-486-2631)

In Washington, D.C., call 778-6141

The Humane Society of the United States

2100 L Street, NW Washington, DC 20037 202-452-1100

38.RaR September 13,1991 OVERVIEW

...' ' OLOY

:.

-O.

Digital Audio `Codecs' Arrive Designed to provide broadcasters with a cost-effective alternative to satellite feeds and dedicated circuits, Comrex's recently unveiled digital audio "Codecs" allow full duplex audio transmis-

sion with a 7.5 kHz bandwidth. The system enables broadcasters to utilize various digital data ser-

vices for audio links in network distribution as well as in studio -to -studio and studio -to -transmitter applications.

Portable & Rack -Mount Versions There are two versions of the Codecs available: the portable DXP

unit (top) and the in -studio, rack -mount DXR unit (bottom). The DXP unit, designed for field use, includes a built-in A/C power

supply, adjustable headphone output, and an input that can be switched from microphone to line levels. List price: $2195.

The DXR provides balanced, line -level input and output. List price: $1995. Call the Acton, MA -based company at (508) 263.1800 for more info.

3-D TV Breakthrough Means No More Colored Glasses

Two Japanese companies - Japan Broadcasting Corp. and Nippon Telegraph &

Telephone Corp. - are developing three-dimensional television systems that don't require special glasses.

Researchers are working on screens that create the 3-D effect through hundreds of special lenses built into the surface. The system works with two cameras (one for each eye), but Japan Broadcasting is experimenting with four cam-

eras to create a greater illusion of depth.

Size seems to be a problem, however. Japan Broadcasting's TV has a 50 -inch screen and measures 10 feet long; to get the best 3-D effect, viewers must sit 15 feet away.

NTT is working on a 15 -inch screen for those with less living room space. But don't whip out your checkbook yet - commercial use of the technology is expected to be years away.

BLUE LIGHT SPECIAL

New Laser Extends CD Playing Time The St. Paul -based 3M com-

pany has developed a proto- . typical blue-green laser

diode that reportedly can triple or quadruple the amount of data - including music - that can be stored on CDs and optical discs.

Semiconductor diodes, often no bigger than a grain of sand, are used to convert electrical signals into laser beams. The tiny beams then cut and insert information into

Industry Chooses Sides In Digital Format War

Several record companies and consumer electronics manufacturers recently have en-

dorsed rival digital music formats, heightening the tension in the so- called digital music war between Philips Electronics and Sony - each of which is hoping to set the next standard in home recording.

EMI, Warner Bros., BMG, and Virgin have pledged their support for Sony's Mini Disc system, a handheld player/recorder that plays 2.5 -inch discs (which can record or play back up to 78 minutes of music). All four labels say they'll release prerecorded music in the new format.

Meanwhile, audio component - makers Yamaha, Sharp, Tandy, and Sanyo have signed prelimi- nary agreements to license Phil- ips's digital compact cassette units (DCC). The format, codeveloped by Matsushita, not only allows users to play and record DAT cassettes, it's also compatible with prerecorded analog cassettes.

Look for the battle to heat up even more by mid -1992, when Phil- ips introduces the first DCC players. Sony's Mini Disc system will follow a few months later.

storage devices (a compact disc, for example). Chips currently in use produce infrared laser beams that notch relatively large pits in CDs.

3M's new chip, however, produces lasers with much shorter and more compact wavelengths, allowing the same amount of information to be recorded in less space -a process that increases a disc's overall storage capacity.

The company says the diode may be commercially available within the next two years (after researchers develop a way to make it work at room temperature). As with the previously reported diode prototype developed by Matsushita (see R&R 9/23/88), the 3M model works only in extremely cold environments.

orwArm am 11 7' - ' . -

W. - ,.. _

Multifunctional Audio Signal Processor

Frankiin, TN -based Valley International has introduced the "Dyna- mite 2," a multifunctional audio signal processor that enables broadcasters to simultaneously (or independently) compress, gate

or expand, and "peak limit" a station's signal. The device also features special linear integration detection circuitry

that's designed to respond like a human ear, differentiating between simple and complex wave forms without arbitrarily compressing the signal.

In addition, the rack -mount unit sports a built-in anticipatory release computer that delivers short release times without familiar "pumping" and "breathing" distortion.

Other features include front panel controls for expander, compres- sor, and limiter threshold levels; a hardwire bypass switch for the unit's two channels; and eight LED gain reduction meters. List price: $435. Call (800) 800-4345 for more info.

The Mother of all radio battles MENTION

THIS AD FOR RECESSION -BUSTER

DEAL

has begun' MOJO Radio vs. Z100...- -

and the Techsonics Production Libraries are the weapons' of choice being used by these two hot competitors! Creative music and high-tech power parts by Techsonics are making the baffle fierce. Call 804-547-4000 or FAX 804-436-5928 for demos of Turbo Techsonics, Techsonics 2 The Music Library, and Chainsaw One. Win your own war with "smart" weapons from

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The Industry's Newspaper

RATINGS STRATEGY REVIEW :A colorful look at winning programming, promotion, and marketing:strategies from the Spring '91 sweep.

PROMOTIONAL BUDGETS

__Reff

,.. 2

; .

Money Spent By Market Size

MUSIC RESEARCH

Callouts Auditorium Tests

Focus Groups

FAVORITE GIVEAWAYS

52.8% aa o% CASH

(49.1%%) (47.2%) 41.7% (47.8%) 31.5% 31.3%

(40.0%) (44. %)

AC CTRY CHR UC AOR

Cash

Trips Cars/Trucks

RADIO'S OUTSIDE DIRECT MEDIA USAGE MAIL USAGE

TELEVISION

65.6% 61.3% (68.7%) (65.7%) 50.0% 48.4%

1 5.3%) (52.1%) 42.8% (52.4%)

CTRY AC UC AOR CHR

......

TV

Billboards Newspapers Magazines Busboards

RADIO'S TV BUYING PREFERENCES

Nets, Indies, Cable

Cable Ad Choices Spot Slotting

Presented By

Format

Breakouts

521% ago)

CTRY 43'1%

(225%1

CHR t0,4°l0 (18.3%1

AOR 181% (15,5%)

UC 1.1% 0.6%1

TOP IMAGING SLOGANS

ALAN II

3URNS Cy Associates.

L

/ é

ALAN BURNS

(ADVERTISEMENT)

INTERVIEW

AC, CHR At Crossroads Alan Burns and Associates' Tracy Johnson and Jeff Johnson Update State Of Formats

En route to the NAB we caught up with Tracy Johnson and Jeff Johnson of Alan Burns and Associates.

Q: Tracy, what seems to be wrong with CHR these days?

Tracy: There are several factors contributing to the apparent decline of the format. Here are four:

1. Core Artists We are experiencing a drought in

CHR-exclusive core artists that drive the format during its most healthy times. In past years, CHR has had the benefit of such pop icons as Michael Jackson, Prince, George Michael, and Madonna to drive the popularity of the format.

As AC gets more aggressive musically, there is less difference between the CHR and AC roster of

We are experiencing a drought in CHR- exclusive core

artists that drive the format during

its most healthy times.

core artists. Michael Bolton, Phil Collins, Mariah Carey, Rod Stewart, Whitney Houston and Amy Grant are as compatible with AC as they are with CHR.

When CHR is at its best, it is powered by core artists who are exclusive to the format. Trace the glory years of CHR and you'll find an Elvis, Beatles, Elton John, Bee Gees, Michael Jackson, or Madon- na setting trends and enjoying hit records.

2. Music Extremes The popular argument is that

rap and heavy metal killed CHR. M.C. Hammer and C&C Music Factory gave us legitimate hit records that happened to be rap in nature. The typically over reactive nature on the part of programmers took a good thing to an extreme by introducing (non -hit) music that happened to be of the same style.

A little salt on your steak im- proves the flavor, but too much ruins dinner. It's the same with music styles. The farther you stray from the mainstream, the greater the risk of alienating your audience. By the same token, a steady diet of mainstream staples such as Bryan Adams, Michael Bolton, and Rod Stewart produces

a bland, uninteresting station. Rap and heavy metal music

alone didn't hurt CHR ... it was our over reaction to them which caused serious damage.

3. Over Reliance On Research CHR has always misused re-

search in a couple of ways: First by removing some positives as well as negatives from the format, second by focusing too much on individual songs to the detriment of the overall sound.

In an attempt to gain greater 25+ shares, stations have researched their markets to determine how to eliminate negatives that prevent upper demos from listening to their stations. By removing these negatives, they have also eliminated some of the positives that make up the very essence of the format's appeal.

The bottom line is that research is an invaluable tool that should be used to help direct your station. However, it should not replace common sense nor should tactical research be allowed to dictate the strategic positioning of your station.

4. Being On The Cutting Edge CHR has lost its edge. To be suc-

cessful, CHR has to be a half-step ahead of the audience ... not so much they can't keep up but always leading and introducing the "next big thing."

The typically over reactive nature

on the part of programmers took a

good thing to an extreme by

introducing (non - hit) music that

happened to be of the same style.

When you stop innovating and moving forward, you lose! When you are on top in your market, you have to ask, "where do I go from here?"

Q: So what's the solution? Tracy: I expect several things to

occur before CHR comes out of its current doldrums:

1. A shakeout In thé never-ending search to at-

tract upper demos, many markets will end up with only one CHR .. .

and four -five AC stations com-

m The format will come out of the down -cycle and

those stations that are properly

positioned will reap huge rewards.

peting for 25-44 year -olds. As the differences between CHR and the other formats becomes more evident, CHR will enjoy a better defined position in the market.

2. The "Next Big Thing" It has been quite some time since

a major musical movement has taken place. The emergence of rap was only a minor trend, nothing on the scale that generates excitement and attracts listeners to a format. More than a decade has pass- ed since music came between the younger generation and their parents. Alternative music may be CHR's savior ... or it may not. But something is bound to emerge and when it does, it will create renewed interest in the station that is positioned to deliver what the audience is looking for.

3. New Superstars The format has always been

song -oriented, but the anchors are the megastars such as George Michael and Madonna who are unique to CHR.

4. Faith Operators have to believe in the

format, and the long-term benefits of being the leading CHR. The format will come out of the down -cycle and those stations that are properly positioned will reap huge rewards.

AC Bandwagon Q: Jeff, what's the biggest trend

in AC right now? Jeff: The biggest trend - and

the biggest danger - is jumping on the AC bandwagon without a clear reason to do so, and without a clear plan for winning. In many markets, we're seeing stations bail out of what they see as a troubled format - perhaps CHR or Easy Lis- tening - and rolling into AC without a plan.

AC Action, CHR Choices Less difference between CHR and AC's roster of core

artists

Rap, heavy metal didn't hurt CHR ... over reaction to

them did

New major music trend, superstars will spark CHR

There are five types of AC stations: Oldies -based, Soft,

Variety, 'A Rock,' Adult Hit

Q: Tell us about the different types of AC.

Jeff: There are five types of Adult Contemporary that are viable right now, depending on the specific market circumstances. They are:

Oldies -based AC This was the "original" AC for-

mat and still works well unless the market has a fulltime oldies station.

Soft AC Variety AC - '70s, '80s, '90s

mid -tempo 'A RoCk,' or mellow rock

That's right, it has 'rock' in its format label, but it functions as an AC ... it's '70s based softer rock.

Adult Hit Radio Basically, an '80s and '90s adult

station, fairly uptempo. Stations thinking of converting to

AC need to figure out which, if any, of these positions make sense in their market before taking the plunge, and then commit to something that will differentiate them in the market. In too many markets, there are three or even four ACs, and no one can tell them apart. In these markets, one or more of the ACs will eventually differentiate ... or will become the market's second country station.

Q: Jeff, if you could pin down the three or four most critical ingredi-

ents to winning in AC, what would they be?

Jeff: First comes the positioning issue - the five positions, or vari- ants, on them. Next most important is marketing. With few excep-

The biggest trend - and the biggest

danger - is jumping on the AC

bandwagon without a clear reason to

do so, and without a clear plan for winning.

lions, AC stations are not extreme enough to generate substantial emotion or word of mouth, so outside advertising is critical. Third, consistency. Over time, you've got to create a set of expectations, and then fulfill them every single time your cume - or new tryer - checks in to your frequency. Final- ly, there's 'stationality.' Don't become so generic that you are easily taken for granted.

S'

JEFF JOHNSON, a consultant for Alan Burns & Associates, has served as Director/Client Services for Jhan Hiber Associates, Research Di- rector for WROXIWashington, and as a member of the RAB Goals Commit- tee working on Arbitron issues. Jeff's been with Alan Burns & Associates since 1987. His first four clients reached #1 (12+) in their markets.

Jeff and Tracy, by the way, are not related to each other.

TRACY JOHNSON joined Alan Burns & Associates in Spring 1989 after successful programming stints in Lincoln, NE, Kansas City, and Jack- sonville. As station Manager of KFRXILincoln, Tracy guided the station to its best ever share and a number one ranking five years in a

row. While at WAPE/Jacksonville, Tracy earned a Gavin award for medium market station of the year. In

addition, he is recognized as having some of the "best ears" around.

RATINGS STRATEGY REVIEW September 13,1991 R&R41

Weathering The Economic Climate

F ollowing the end of the Persian Gulf War, domes- tic economic conditions remained a major source of

station budgetary concerns during the Spring '91 sweep. Among the findings tabulated in- the lates- "Ratings Strategy Review":

Country boosted its usage of auditorium tests and callout research, while other formats made no charge or cut back.

Focus group research was down drastically compared to Winter '91 figures.

Trip giveaways increased in all formats, with concert tie-ins a major incentive.

ESPN usurped CNN's crown as radio's top cable preference

TOP IMAGING )

SLOGANS

COUNTRY TRY

BANTINUOUS COUNTRY TO-BACK

24.1% f

/ t

PromotionalMore than half of stations with populations exceeding 1 million had promotion budgets in

the $50,000-5150,000 range. (Winter '90 percentages are in parentheses.) Owdlets

14.6%

(44N (s.?%)

$150,000+

Markets One Million +

L$50,000 -$150,0001

Worketis Under I Million Q

.....,' :c-

1.6% (1.4%)

56.0% (58.8%)

20.3% (29.4%)

$150,000+ I $50,0004150,0001 $5000-$50,000 UNDER $5000

* CH "so. S-¡p,1lON"

MUSIC

30.9%

C "(BIG) (BEST)

(RIGHT) (BETTER) MIX"

23.8%

ÉLIC kEbt[11111. Here are the percentages

of stations in the five major music formats that conduct auditorium tests, callouts, and focus groups.

FOCUS GROUPS

AOR 30.0%

i rat?1! ji 28.8%

um

7.1%

22.4%

I 21.8%

AUDITORIUM TESTS

AC

CNR

CTRY

29.5%

( 26.5%

25.0%

AOR

uC

15.1% - 7.1%

CALLOUTS

34.3%

32.6%

28.5%

27.2%

21.2%

42 R&R September 13,1991 RATINGS STRATEGY REVIEW

@U MW ZaOQ MISGJW XOM)

Television and bill oa-ds continued their cr 3 -two rrigrx newspapers again oilpaced magazines. Interesingly, 83% of JCs - top newspaper advertisers - traded out their usage, while AORs used newspaper trade in one out of three cases. -alf the .a.,s and CHFs utili- zing magazines also die sc, through trade. (P3rcentages from last spring are in parentheses.)

_BILLBOARDS

TELEVISION

65.6% 67

10L (68.7%)

(E57%) 50.0% 48.4% I i (15.3%) (52.1°'x) 42.8%

(52.4°'0)

r ir -71

r

_ F:

CTRY AC UC AOR CHR

K2% (45. pa) 511)%

46.8% _ (51.35)

(37.5yd :>6.3% o 35.7 /o

h 1 (6a.3°ro) (30.7%)

WE-

HF AC CTRY 40R UC

1411511"1"

It." .14 2'/° ,3ai y0°/o 8.1% (5 lll°l

%°) Sá°pl A°b

Óf0 CHR

Cl" A

ti

(

ameiew~al

)"11.

42.d% NEW, P PERS

(3d`%) 363% 34.0% (?4-,) (31.5%) 28.1%

I CB j -i- 3 7.50/4 22.4% (13.19',)

UC AOR C CTRY CHR

BUSBOARDS

24.4% 24.2% 20.4% (22.9%) 6.5%)

(11.4%) 9.3%7.1% °

(15.6%) (30.7%)

CHR .40R AC CTRY UC

Cable Ad Choices

ESPN 25.3%

e er. CN 24.°',° 0

1fTV 18 6%

TNN ....-_ 9.3°ie

In. USA 8.0%

--- 8 k

TV Buying Spot Preferences I Slotting

I Prime 20.4% Late Night 13.6% Late News 13.3%

I Early News 12.9% Prime Access 11.9%

ROS/Orbit 10.2% I Soaps 6.1%

59.6% 28.3% 11.4% I Morning 5.8% i Network Independent Cable I Sports 5.4%

1 Affiliates Statbns

Radio's Favorite Giveaways Trip giveaways increased in all formats: Concert tie-ins were the im-

petus behind getaways packaged by UCs (66°1°), CHRs (61%), and AORs (59%), while Los Angeles, Orlando, and Hawaii ranked 1-2-3 as favorite destinations. AC was the only format that boosted its cash outlay; AOR, CHR, and UC focused more on cars. (Percentages from last spring are in parentheses.)

UC

0 TRIPS

(44.1%) 42.8% 1, (39.1%)

AOR CHR

40.0% 38.4% (35.5%) (36.3%)

AC CTRY

52.8% 48.0% (49.1%) (47.2%) 41.7%

(47.8%) -

z -. =

AC CTRY CHR

CASH

31.5% 31.3% (40.0%) (44.1%)

UC AOR

ga, CARS/TRUCKS I.

15.6% 15.3% 13.4% (11.6%) (13.0%) (16.3%) 7.1%

(15.2%) 5.2%

{ I

(5:0%)

AOR CHR CTRY AC UC

Z912 U191 13 -[?922 1£12 - Although format standings and percentages stayed basically the same from a

year ago, Country's fascination with this marketing strategy Increased dramatically. (Percentages from last spring are In parentheses.)

bá.

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44.RaR September 13,1991

vo . k :NO

THE DEVIL CAME UP TO MICHIGAN

WHYT - Detroit/MARK JACKSON, PD .11#1 phones-all ages. It's a smash

#18 -8 -HOT

PowerPig - Tampa/B.J. HARRIS "There's a lot of rock product on the charts now - ánd we look for instant reaction records. We saw that in this record wherever it was being played. We researched it and saw the sales

following the airplay. That's when we added it. The familiarity of the hook is

definitely a major factor." ADDED @ #35

KXXR - Kansas City/JACK ALEX "The K.M.C.. KRU record struck us as a potentially strong novelty hit. But it's turning out to have more life than we

projected. It's been #1 on our Top 8 at 8 and has surprisingly strong upper

demo appeal because of the song's familiarity for them."

#36 -23 -21 -HOT

WOKI - Knoxville/CLAY GISH, PD "After 8 weeks what I originally perceived to be a novelty record

has proven to be an ACROSS THE BOARD smash.

#1 SALES #4-3

WNVZ - Norfolk / CHRIS BAILEY "I started out to prove someone wrong on this record. But I put it on and after only 2

weeks, it's the #1 record at nights. They love it - and they remember the Charlie Daniels

song, which makes it even stronger." DEBUT_ #22-20

WCKZ - Charlotte I ERIC BRADLEY "#1 phones for 5 weeks...#2 cassette single sales. A very hot street record and in the

clubs. I absolutely recommend it." #24 -18 -15 -HOT

KRO - Tucson / ROGER SCOTT "An immediate phone record. So blatently

to the audience - how can it miss It's recognizable to adults...and teens love it.

A broad appeal hit!" DEBUT #27-24

KPRR - El Paso / ELI MOLANO O.P.P. and K.M.C. KRU are my two hottest

records. Such a hot record the phones explode when the devil is in the house.

#26-17

JUST ADDED: WDFX WWHT WHHY KWIN WBBO WILN

STREET TALK, KKBQ Trading Cleveland Wheeler For .18 -Wheelers?

This week's developments at KKBQ/ Houston lend a lotta support to rumors that the former CHR powerhouse will

switch from Rock Hits to Country. ST has learned that vacationing morning man Cleveland Wheeler - who replaced John Lander just a few months back - has been bought out of his contract and will not return to the station.

Also missing from the KKBQ airwaves: afternoon driver Ron Parker - although insiders say his vacation's the real deal. But will he be back? ST hears OM M elt:dye Hodges has exited as well. ST also hears that Country consultant Joel Raab -a good bud

Rumors Have the honchos at CHR Hot 94.7/Chicago

imposed a hiring freeze on PD Greg Cassidy? And has he been told that the station's format will be reas- sessed shortly? And is it true that outgoing -GM Kevin O'Grady won't be replaced anytime soon?

What was KHMXIHouston and Naticnwide na-

tional programming honcho Guy Zapoleoñ doing in Boston last week? Were hé and Steve Perun dis- cussing their future?

Is B94/Pittsburgh talking about ari LMA? is

crosstown B/EZ outlet WEZE going to come to Jesus November 1?

Is Z100/NY afternoon driver Elvis Duran being chased for a PD gig? Regardless of what -if anything - goes down here, don't look for an exit 'hi the midday vacancy at Z100 is filled.

Is Power 1061L.A. Asst. PD/MD Al Tavera close to a record promo post?

Is WIIAEEIFt. Wayne PD/morning Tony Rich- ards about to become GM, replacing Waft Steffan? Will APD/MD Jeff Davis become PD?

Is Interscope trying to hire EMI's Chris Baca? KSOLJSF APD!MD/afternoon driver Russ Al-

len is off the air. Is this just Until the statloñ relocates to new studios in December?

Is IRS West Coast regional promo rep Felicia Swerling heading to Charisma to replace. Julie Rae McLeod, who jumped to PLG for Northwest regional promo duties recently?

Is Z104/Madison trying to grab KDWB/Minne- apoiis APD/MO Ed Lambert for its soon -to -be -vacant PD slot?

Will a brand-new Austin New Rock cutlet sign on soon?

Is Bryce Crousore out as PD at KQÓSIDuluth? Is ex-WKOXIChicago GSM Jeffrey Grey

about to replace VP/GM Mort Freedman_at WKKV- AM & FM (V100)IRacine-Milwaukee? -

Has consultant Garry Wall inked WKBQISt. Louis?

1

s f L,R 'r

SPACE ODDITY -To help celebrate the recent CD release of Jeff Wayne's "The War Of The Worlds" album in Australia, Way-FM/Sydney aired live! bulle- tins of a Martian invasion and dispatched the Station's mobile units to broadcast from the site of the alien spacecraft that, as pictured, mysteriously appeared in front of the local Martin Place Amphitheatre. The mates in the white coats are "scientists," who wound up serving breakfast to the appropriately wowed crowd.

of PD Dene Hallam's - may be involved. (Raab denies it.)

Market observers speculate KKBQ could flip as early as Sunday (9/15) or Thursday (9/19) - the latter of which is, of course, the day the fall Arbitron starts. Calls to KKBQ President/GM Don Troutt went unreturned.

In other local news, a jury has ordered former KLOL/Houston afternoon man Moby to pay crosstown KLDE staffer -Helen Stone' -

$255,000 after he tricked her into announcing that Glen Campbell had died.

Back in 1989, Moby - now doing mornings at WKHX/Atlanta - called Stone on - air from a car phone and, disguising his voice, convinced her Campbell had died in a car crash. Stone went on the air with the news, playing "By The Time I Get To Phoenix" in

Campbell's honor. Moby later told ST the spur-of-the-moment

stunt was designed to "teach young broadcasters that they have to check things out." But the jury found his prank intentionally inflicted emotional distress on Stone. Moby plans an appeal.

Wyatt Storm

Who are the strongest possible outside candidates to replace Jeff Wyatt at Emmis's Power 106/L.A.? The names of KMEL/SF PD Keith Naftaly, B961Chicago PD Dave Shakes, KKFR/Phoenlx PD Steve Smith, Power 991


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ilSE YOlK I1EUSIO I USE YIIIIK I[LilSIO II EIIHE1Y NEW AND RTIHEIY SENIIIE tllllM$ PRODUCED RT MIKE CLINK AND DUNK A PORER. -N3tNEERED fly MIKE CLINK. MIMED RY BILL PRICE IN IDLER 9DUND^t. PERRONAL MANADEMENTI DOUG DOLDRTEIN.

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"That 's VI i, it I I i t r" t he Íollow,lup to the :F.rt-tppnl;ís imasles "Baby Baby" aT4t{1' 1 I I eartbeat'

from the plat11,otn11hus album Heart « Motion

`ltlCtlatlt51;la[tÍan for R61{1/ 1'trJigs, 89,,1 % rv,ilo-1r.5° .iiny,Cirant 00.1 1i ,,,

ExcLIZ , .,,t4nÉ and Dire.tiolí II g,+

STREET TALK September 13,1991 RtR47

Continued from Page 44

Atlanta PD Rick Stacy, WBMX/Boston PD Greg Strassell, WHYTIDetroit PD Rick Gillette, KTFMISan Antonio OM Bob Perry, KKLQISD PD Kevin Weatherly, and former Z901SD PD Brian White have already been bandied about the hallways of Power 106.

But will Emmis look outside? One scenario has Hot 97/NY PD Joel Salkowitz - who's been in town all week - making the move to L.A., which would clear the way for Hot 97 Asst. PD/MD Kevin McCabe to settle into that station's PD chair.

Meanwhile, there are rumors that Exec. VP/Programming Rick Cummings is a likely candidate to program Power 106. In any case, don't look for anything significant to take place on the PD front for at least six weeks.

Incidentally, spike that talk about vacationing morning man Jay Thomas getting whacked. If he would leave to pursue his burgeoning TV career, it'd be his call.

And ... where's Wyatt headed once his sabbatical is over? ST hears the first calls into him carne from Pyramid Broadcasting.

Ah, but ST also hears.that Precision Media - owner of WKSS/Hartford - contacted Wyatt about taking that PD gig as a

short-term position while the company pursues Emmis's WCDJIBoston. A decision on the WKSS PD reportedly will be made next week. Meanwhile, another name has come into the picture: Star 105/Dallas PD Bill Pasha.

Rumbles WOFMIMilwaukee GM Kris Foate exits to be-

come GSM at crosstown AC WKTI. Former KISS -AM & FM1San Antonio VP/GM

Reggie Jordan becomes VP/GM at WGCXIMobile. Word out of KIISIL.A. is that late -night person-

ality Wendt will stay on without a new contract.

Meanwhile, insiders report there is now some posi-

tive movement toward keeping Magic Matt Alan in

afternoons with a new contract. Ye olde philosophical differences lead to the

departure of longtime WFYVIJacksonville VP/GM

Yulee Commander. GSM Mark Kanak becomes in-

terim GM. Former KKDJ/Fresno PD Art Farkas lands the

PD gig at crosstown AC KTHT, replacing Jim Fox.

Former KGONIPorttand OM Jon Robbins fills

the PD slot at WAOXJSyracuse. N/T WOKVlJacksonville axes nine staffers, in-

cluding ND Rebecca Turner. WWNKICIncy APD/middayer Steve Bender

becomes PD/morning man at WYAV/Myrtle Beach,

SC. WILN/Panama City, FL ups PD Steve Chris-

tian to OM and APD Todd Shannon to PD.

Alan Burns & Assoc. consultant Tracy John-

son passes on the GM slot at CRB's WAEBiAllen- town. Johnson, however, will continue to consult

WAEB. WHYTIDetroit morning man Michael J. Foxx

and midday dude Dr. Drex switch shifts.

.

5

DEES SHARP OR B FLAT? - As part of an ongoing "Dare The Dees" promotion, KIIS/L.A. morning star Rick Dees accepted a listener's challenge to sing our National Anthem livel at the onset of the Angels - Rangers Monday (9/9) game. Seen precious sec- onds before attempting to negotiate the "and the rockets' red glare ... " passage are (I -r) Reggie Ellis,

Claude Henry, and Augie Johnson - otherwise known as members of local vocal group Flawless - and Dees, who took a page from the Roseanne Barr songbook and apologized on -air prior to his performance.

Bennett For Babineau?

Industry tongues continue to wag over last week's sudden resignation of DGC GM Marko Babineau. After eight years with the David Geffen organization, the colorful promo domo exited "to pursue a personal life," according to President Ed Rosenblatt.

"After nearly 20 years on the promotional battlefield I need to take a break," Babineau explained. "I've promised myself not to even think about 'what's next' for at least six months."

ST hears MCA Sr. VP/Rock Promo & Artist Development Bill Bennett already has had conversations with Geffen about Babineau's old gig.

In addition to the two New Orleans LMAs that became official this week (see Page 1), the buzz on Bourbon Street is

that another set of stations - Clear Channel UC WQUE and Beasley Gold K0LD - will get together on an LMA.

However, 'QUE GM John Rockweiler denied that any deal had been struck, but added, "Clear Channel is looking for possible LMAs in all markets that it's operating in." Stay tuned.

Don & Mike: Done Deal

Rumor turns to reality in DC, where former WAVA morning zoosters Don & Mike ink a multiyear contract with crosstown WJFK to do afternoons, beginning October 1. Former B1041Baltimore morning show producer Diana Sillman will produce Don & Mike.

In order to accommodate its new arrivals, 'JFK will shorten shifts and move current 3-7pm personality Cerphe to 6-10pm and


Protect yourself. Call the Industry's lawyer, At Radio '91 /San Francisco Contact via S.F Marriott.

BARRY SKIDELSKY Attorney -at -Law

757 Third Avenue 26th Floor New York, NY 10017

(212) 832-4800

- . Jasm.ine

``Just Want ,To Hold

'Yoú"

The new

single

from the

album

Jasmine Guy

"Top 5 callout in all demos and a huge request record for us here ! ! Moves to #1* HOT again for the fourth week! A stone muthafunkin' smash! Don't just hold it, play it!" Dave Ferguson, PD FM102/Sacramento (1-1-1-1) HOT

"#1 three weeks straight at PWR102! Say no more...play it!" Renee Roberts, MD PWR102/Fresno (1-1-1) HOT

"One of our favorite records and a #1 smash hit for the second week in a row! If you're not playing this, you're missing out!" Johnny Milford, PD KWIN/Stockton (1-1) HOT

"Our #1 callout record here -totally huge!" Michael Newman, PD KDON/Salinas (2-1) HOT

P7 CHART ® WPC 16=14

WNCI add 33

WHYT deb 24

KS104 2-2 Hot

KKFR 3-1 Hot

KOY-FM deb 28 KKRZ add

KGGI 22-9 Hot

Q106 27-23 KMEL 4-3 H0T977 7-6 WFMF add

KZFM 4-3 Hot KPRR 20-14 Hot KBFM add

Y107 add

B95 2-2 Hot 194 5-5 Hot KLUC 4-3 Hot Z90 12-10 Hot KFBQ add

KQMQ 6-6 Hot

KTMT add

KPSI add

® 1991 Warner Bros. Records Inc.

48 a Ra R September 13,1991

RU Mye

r t IRWIN Belongs

T You

s

N

N

.200.1,

"'My Heart Belongs To You' is a classic sounding song with major multi -format hit potential. The delicate lyrics and powerful production set this record apart from everything else on the radio." STEVE WYROSTOK, PD KRBE/Houston

"This song has all the makings of a monster love song. Phones every time we play it!" JEFF McCARTNEY, PD WAPE/Jacksonville

"Play this song and your listener's hearts (and diaries) will belong to you!" TOM MITCHELL, PD WTIC-FM/Hartford

MOST ADDED CHR! 79/24

WERZ add

FUN107 add

KC101 add

999KH1 add

930 add

WYCR add

WBBQ add

WNOK add

WRHT add

WZYP add

WHHY add

96ST0 add

KQKQ add

WPHR deb 29 WKEE deb 25 WLAN deb 28 WQGN deb 37 195 deb 26

G105 deb 33 KKYK deb 32

WGTZ deb 29 KJ103 deb 35 KKHT deb 29 KRBE 22-20 WNCI 31-29 WHYT KOY-FM Q106

...And Many More!

PRODUCED BY PHIL RAMONE

SBK Records

STREET TALK® Continued from Page 47

7pm-midnight rocker Vinnie Brewster to 1 Opm-2am. Cerphe will host "Cerohe's Progressive Show" and will be given "total" musical freedom, according to GM Ken Stevens.

Arbitron and Birch cooperating? Perhaps. Asked at last weekend's Burkhart/Douglas & Assoc. convention whether they'd consider an IBM/Apple-like agreement, Arbitron's Jay Guyther and Birch's Bill Livek each agreed they'd be open to such an arrangement.

"Everybody deserves a fifth chance," says WEGX/Philly PD Brian Philips, explaining why former 'EGX night rocker Danny Bonaduce has been given a shot to rejoin the station. He's been auditioning all week for a co -host slot with wakeup master John Lander. Expect negotiations to make the pairing permanent to begin soon.

Motown Vs. MCA Update

The fax machines were workin' overtime last week concerning the ongoing distribution struggle between Motown Records and MCA Inc. First, Motown issued a release stating Motown would extend the termination date of its distribution deal with MCA until September 28, and that "MCA has indicated to Motown that it will cooperate in the transition."

Rumbles, = Pt. II

Jeff Young - who joined KDUOIRIverside just six weeks back - exits for mornings at KZFXIHous- ton.

Two Buffalo stations have adopted new mon- ikers: Hot AC WMJO drops longtime handle "Majic 102" to become "0102." AOR WGR-FM switches calls to WGRF.

KLLL/Lubbock MD Jay Richards becomes PD. He replaces Rick Gilbert, who assumes Promo- tion Dir. duties.

KOIZIAmarlllo GSM Danny Alexander is up-

ped toGM. - -

CHR KFAVISt. Louis PD Chris Ling hires WYAV/Myrtle Beach wakeup artist Dan "The Van Man" Hoffman for mornings.

B97/N.O. ND Cami McCormick joins the Mutual -NBC Radio nets as a Moscow:bureau cor- respondent. -

WDFXIDetroit morning man Andy Savage wel- comes local standup comic Mark Ridley as co -host.

01061SD hires Howard Freshman as its new Mktg./Promo Dir.

Former WCTK/Providence PD Dan Meaney is now doing swing/weekends at WXTUIPhiIIy.

WVIC/Lansing PD Kevin Robinson will exit in

30 days. After 51 years on the air, WCLTILIma, OH talk

host Easter Staker has called it quits. The 73 -year - old woman has been baffling cancer for several years.

Zotz Entertainment! To set industry tongues

a-waggin' with word

o' the Strawberry Zotz' new "Love Opera-

tion" EP, the tasty buds at

NJ -based indie Acid Test/ Continuum Records licked

all competition for Promo

Item 0' The Week honors by

sweetening selected pro-

grammers with shrink- wrapped packages that con-

tain CD, cassette, and 12 -

inch vinyl versions of the re-

cording as well as a bio, piles,

clips, stickers, and poster -

packed pre skit.

Taming it up a bit more, the fruits o' the label's labors

features a astom-printed paper bag (pictured) that's wrapped

around a group interview on camette, more stickers, and - of course - ample samples of the original "Zotz" hard candies

from which the band derives its peculiar nom de rock. Zotz

r ''' ",..,.t,"y ..4.i°.

I However, MCA shot back with a release

of its own disputing any claim of cooperation, saying, "MCA has not in any manner consented to the purported termination of MCA's distribution and service agreement with Motown."

The MCA release also stated that the firm would "vigorously pursue" its legal rights against any company that attempts to distribute Motown's product in the future. And the boardroom battle rages on ... including a top secret meeting last week between Lew Wasserman, Sid Sheinberg, Al Teller, and the top Motown brass, at which Sheinberg reportedly said, "No way!" very loudly.

In other Motown tidings, ST hears that Lionel Richie, who owed the label two albums, will now provide three new tracks to a greatest hits package and then seek greener pastures elsewhere.

8104/Baltimore morning show update: The team of Glenn Beck & Pat Gray are temporarily split up. Gray was asked to take a

pay cut - and refused - so he's sitting it out and getting paid. Partner Beck is back on the air with airstaffer Larry Wax. Can we expect B&G to reunite elsewhere in the coming' months? Continued on Page 50

BUILD AUDIENCE

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'BREAK-0PEN S O O

MONEY ..719a ,. - w FRUSTRATE THE COMPETITION

1-800/728-0183 515/225-0009

"Set The Night 0 TO Music"

trA dynamic duct with

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(D Timespace The Best

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Written by Diane Warren Produced_by Aril Mardiri. Arranged by Robbie Kondor Exclusive Agent:rAssociated Booking Córporation, NYC.

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Co -Written by Jon Bon Jovi & Billy Falcon Produced by Danny Kortchmar & Jon Bon Jovi H.K.Management: Howard Kaufman/ Glen Parrish On Cassettes & Compact Discs Distributed by Atlantic Recording Corporation

"Stop Babv"Some,s here on \our desk now!

M IK E & the mechanics

50.RaR September 13,1991

PICKING UP STEAM! STREET TALK® Illa

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ALREADY ABOARD

FIRST WEEK ACTION

WXKS add :, - . KWOD add KRXY. add 32 WJAD add PWR106 add KMGZ add

0106 add KOIX add K96.7 add KZOZ add

WOW add

PRODUCED BY GEORGE DALY AND BLUE TRAIN

ENIERiIINMENT asfrt Management: George Ghlz/Arthur Splvok

01991 8MG Music. Ail Rights Reserved.

CATCH "ALL I NEED IS YOU" IT'S A RUNAWAY HIT.

x

Continued from Page 48

WSTR (Star 94)/Atlanta has dropped Hot AC (and its nightly "Jazz Flavours" program) in

favor of Adult CHR 'round the clock. PD Bill Cahill and OM Tony Novia upped the station's current percentage to at least 70%.

New WAKS/Ft. Myers PD Jim Corey called the ST "fun -tone" to let our loyal readers know that the station - which recently lost its GM, PD, and other key staffers - was not forced to go satellite. Rather, it's business as usual at the WRCC Partners AOR, which has hired former crosstown WRXK personalities Rick Blade and Allyn Black to shore up its airstaff. Group Manager Bill Verecka is handling interim GM duties.

ST hears Jacor exec Randy Michaels and WEBNICincy OM Tom Owens are doing some free consulting for Venice Broadcasting Classic Rock WXKRIToledo. Why? Well, maybe it's because 'XKR's main competitor - AOR WIOT - is owned by financially beleagured Reams Broadcasting, which also happens to own 'EBN's chief competitor, Cincy Z -Rock outlet WZRZ.

The 1991 Country Music Association Broadcast Awards winners for large, medium, and small markets, respectively, are:

Stations: KNIXIPhoenix; KSSNILittle Rock; KYKZILake Charles, LA. Personalities: Bill Whyte (WUBE/Cincy); Ernie Brown (KVETIAustin); Rick Mize &

Gwen Wilson (WKNNIBiloxi, MS).

Five Uzi -toting masked bandits stormed the Queens, NY offices of Relativity Records Friday (9/6) and stole the label's $14,000 payroll while it was in the process of being transferred from an armored vehicle. With the exception of a maintenance man, who was

n - pistol-whipped, no one was hurt ñ the heist.

Records Arista Dallas promo rep Dave Ross heads to

the Twin Cities as Columbia's new local promo rep.

IRS hires JRS Chicago regional promo rep - and former KSAGISan Antonio PD - Leo Vela for

similar duties. Hollywood hires Island Northeast regional pro-

mo rep James Evans for Boston regional promo

duties, and Sleeping Bag Records Nat'l Promo/Sales

rep Paul Cloth for the Northwest regional promo slot,

based out of Seattle. Alpha International Records and PGD have

inked a distribution/joint label deal. Al had previously

been linked with CEMA:

McVay Media Wins

RADI.O & RECORDS

Gannett transfers Bill Richards and Dene Hallam,

respectively, to the KIIS/LA. and KKBO/Houston PD posts.

Kenny Puvogel elevated to VP/Promo at WB.

Morgan Creek Music formed; Jim Mazza and David

Kershenbaum named co -Presidents.

Steve Hegwood becomes WJLB/Detroit PD.

General Electric sells RCA/Ariola to Bertelsmann. Norm Epstein promoted to KLAC & KZLA/LA. VP/GM.

10

Jim deCastro elevated to WLUP/Chicago VP/GM.

Dave Van Dyke named KGON/Portland PD.

Satellite Music Network debuts the lirst 24 -hour live satellite

net, beaming its Country format to KBRJ/Boise.

E. Alvin Davis becomes WSAI/Cincy PD.

Charlie Kendall joins KZEW/Dallas for mornings.

Palmese named Nat'l Promo Dir. for Arista.

NBC-TV pulled out all the stops this week to promote "The Adventures of Mark & Brian." The net not only aired three episodes, but also saw to it that the KLOSIL.A. stars were interviewed on the "Today" and "Tonight" shows.

The first installment of "Adventures," in

which M&B performed with the Temptations, logged an 18 share in the overnight -rated Nielsen markets.

Don Anthony (Talentmasters) and Dan Vallie (Vallie Consulting) have formed Morningmasters, a separately owned and operated company concentrating exclusively on the training and nurturing of air talent, primarily wakeup artists. Vallie's Randy Lane will be spearheading the effort.

Radio consultant and anti -censorship activist Jeff Pollack will be honored by the American Civil Liberties Union at its annual "Torch of Liberty Awards Gala" October 1.

Don Henley will present the award to Pollack. Also to be honored that night: "Boyz N The Hood" writer/director John Singleton.

(advertisement)

Program Consultants McVay Media, once again post wins at client stations with an 82% victory ratio.

Congratulations to WPNTIChicago, WLTF/ Cleveland, WMTX/Tampa, KLSY/Seattle, WKJYILong Island, WWNKICincinnati, WWLI/Providence, WKLIIAlbany, WMASI Springfield, KMGLIOklahoma City, KWFMI Tucson, WAJI/Ft. Wayne, WVAFICharleston, WYNKIBaton Rouge, WWKLIHarrisburg, KLTD/Austin, WMYIIGreenville, KPYRI Memphis, WHYIIMiami, WWWMIToledo,

WQXKICanton, WYNK/Baton Rouge, WHHY/ Montgomery, and WMLIIMadison.

Special Recognition goes to Mason Dixon at WMTX (Mix 96) Tampa on his return to Tampa Bay and his debut victory over both Q-105 and The Power Pig.

Congrats also to associate consultant Harry Lyles who won big for us at

WDZZ/Flint.

More Winners The complete McVay Media report card is

available by calling Mike McVay at (216) 892-1910.

P1 CHART

.

iLi' J I

"DON'T

WANT Z100 add 27

TO BE KDWB add

A FOOL"

Tr N

AVERAGE MOVE:

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KGGI 6-4 Hot KBFM 26-17 FM102 15-13 B95 29-21

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SUPERADIO i

12 + SUMMER BIRCH RESULTS New York

ár WRKS (UC) 7.57.7 7.7 WQHT (CHR) 5.2 5.5

Los Angeles- County

Chicago Sp '91 Su '91

WNEW-FM (AOR) 4.3 5,3 SP '91 Su '91 WGCI-FM (UC) 9.4 10.6 WBLS (UC) 5.4 4.8 KII -A/F (CHR) 6.4 6.7 WGN (AC) 8.0 8.2 WCBSFM (Gold) 4.3 4.1 KKBT (UC) 6.6 6.0 WBBM-FM (CHR) 8.7 7.4 WHTZ (CHR) 4.0 4.1 KLOS (AOR) 6.3 5.6 WWBZ (AOR) 4,1 5.8 WINS (News) 4.4 4.1 KABC (Talk) 4.6 5.4 WVAZ (UC) 6.7 4.5 WFAN (Sports) 3.3 4.0 KOST (AC) 4.6 5.3 WCKG (CR) 4.5 4.0 WXRK (CR) 3.5 3.9 KPWR (CHR) 5.0 4.4 WUSN (Ctry) 4.7 4.0 WNSR (AC) 3.5 3.3 KROQ (NR) 4.4 3.7 WLUP-FM (AOR) 3.6 3.8 WOR (Talk) 3.6 3.3 KLSX (CR) 3.1 3.2 WXRT (AOR) 3.2 3.8 WPAT-AIF (B/EZ) 3.3 3.2 KWKW (Span) 3.1 3.0 WBBM (News) 3.9 3.4 WQCD (NAC) 2.9 3.2 KRTH (Gold) 2.3 2.9 WNUA (NAC) 3.2 3.3 WABC (Talk) 2.6 2.8 KBIG (AC) 2.5 2.8 WLUP (Talk) 3.2 2.9 WPLJ (CHR) 2.3 2.8 KFWB (News) 2.9 2.7 WMAQ (News) 3.0 2.7 WCBS (News) 2.7 2.7 KQLZ (AOR) 2.6 2.7 WJJD (Nost) 2.4 2.6 WLTW (AC) 4.4 2.7 KNX (News) 2.9 2.6 WKQX (AC) 2.3 2.1 WYNY (Ctry) 2.1 2.3 KZLA (Ctry) 1.6 2.6 WLS (Talk) 2.6 2.0 WNEW (Nost) 1.4 1.9 KTWV (NAC) 3.5 2.5 WFMT (Clas) 1.3 1.9

WSKO-FM (Span) 1.2 1.7 KFI (Talk) 2.8 2.4 WLIT (AC) 2.0 1.9

WQXR-AIF (Clas) 1.4 1.6 KMPC (Nost) 2.0 2.4 WPNT (AC) .9 1.8

WNCN (Clas) 1.7 1.1 KLVE (Span) 3.4 2.3 WJMK (Gold) 2.0 1.7 WADO (Span) 1.4 1.0 KJLH (UC) 1.8 2.2 WBEZ (N/T) 1.2 1.5 WBAB-FM (AOR) .9 1.0 KTNO (Span) 2.3 1.7 WOJO (Span) .8 1.5

KKHJ (Span) 1.5 1.6 WYTZ (CHR) 1.9 1.5 KCBS-FM (Gold) 1.4 1.3 WTAAX (AC) 1.5 1.4

San Diego KNAC (AOR) 1.4 1.3 KGFJ (UC) .8 1.2

WGCI (Gold) .4 1.2 WMBI-FM (Rel) 1.1 1.0

Sp '91 Su '91 KKGO (Clas) 1.3 1.2 WNIB (Clan) 1.1 1.0 KKLQ-A/F (CHR) 8.8 8.1 KUSC (Clas) 1.4 1.2 XTRA-FM (NR) 7.8 7.9 KACE (NAC) .9 1.1 KSON-A/F (Ctry) 8.3 7.8 KLON (Jazz) .6 1.1 KIOZ (AOR)* 3.0 5.9 KXEZ (Gold) 1.2 1.1 XHTZ (CHR) 5.4 5.7 KKLA (CC) .4 1.0 KFMB-FM (AC) 4.9 5.5 Formerly KODJ KGB (AOR) 6.7 5.3 KSDO (N/T) 4.6 5.0 San Francisco KJOY (AC) 2.4 4.0 KFMB (AC) 5.6 3.9 Sp '91 Su '91 KIFM (NAC) 3.9 3.6 KMEL (CHR) 8.5 9.3 KYXY (AC) 2.6 3.1 KGO (N/T) 8.6 7.9 KPOP (Nost) 3.1 3.0 San Jose KSOL (UC) 4.2 4.6 XHRM (UC) 3.0 2.7 KCBS (News) 4.3 4.3 KCBQ (Gold) 1.9 2.3 KIOI (AC) 3.1 3.4 KFSD (Clas) 2.0 2.0 Sp

'91 Su '9

r KSAN (Ctry) 2.8 3.3 KSDO-FM (CR) 3.0 1.9 KHQT (CHR) 8.8 9.0 KFRC (Nost) 2.8 3.2 XLTN (Span) 1.3 1.6 KGO (NIT) 8.9 8.4 KITS (NR) 2.4 3.2 KCBQfM (Gold) 2.7 1.5 KSJO (AOR) 5.9 6.2 KNBR (Talk) 3.2 2.8 KRMX (AC) .4 1.4 KOME (AOR) 5.2 5.4 KBLX-A/F (NAC) 2.8 2.7 KPBS (News) 1.4 1.1 KUFX (CR) 3.2 4.1 KNOT (CHR) 2.4 2.5 XTRA (Sports) .9 1.1 KBAY (B/EZ) 3.4 4.0 KSJO (AOR) 2.3 2.5

Formerly KGMG-FM KMEL (CHR) 3.2 3.7 KOME (AOR) 1.8 2.4 KEZR (AC) 3.3 3.4 KFRC-FM (Gold) 1.9 2.2 KBRG (Span) 2.5 3.3 KOED (News) 2.8 2.2 Nassau -Suffolk KRTY (Ctry) 2.1 3.3 KABL-A/F (AC) 1.4 2.1

Sp '91 Su '91 KITS (NR) 2.6 3.0 KOIT-AIF (AC) 2.8 2.0 WBAB-FM (AOR) 6.0 6.0 KARA (Gold) 3.0 2.8 KSFO (Gold)* 1.9 2.0 WHTZ (CHR) 5.0 5.9 KNBR (Talk) 2.7 2.8 KDBK & KDBQ (AC) 2.2 1.8 WALK -A/F (AC) 4.5 5.7 KSAN (Ctry) 2.6 2.8 KBRG (Span) 1.2 1.7 WBLI (CHR)' 4.7 5.4 KCBS (News) 2.5 2.4 KFOG (AOR) 1.9 1.7 WNEW-FM (AOR) 4.3 5.2 KQED (News) 3.6 2.4 KKHI-A/F (Clas) 2.0 1.7 WCBS-FM (Gold) 5.4 5.0 KSOL (UC) 2.9 2.3 KKSF (NAC) 2.8 1.7 WFAN (Sports) 4.9 4.2 KBLX-FM (NAC) 1.1 2.0 KROR (AOR) 3.4 1.7 WQHT (CHR) 4.5 4.1 KIOI (AC) 2.5 1.9 KBAY (B/EZ) 1.4 1.5 WXRK (CR) 3.9 4.1 KFRC-FM (Gold) 1.4 1.8 KDFC-AIF (Clas) 1.4 1.5 WPLJ (CHR) 1.9 3.2 KKSF (NAC) 1.9 1.7 KJAZ (Jazz) .8 1.5 WRKS (UC) 3.0 3.1 KLOK (Span) 1.4 1.6 KUFX (CR) .9 1.5 WCBS (News) 3.3 2.9 KDBK & KDBQ (AC) 2.3 1.5 KDIA (UC) 1.3 1.2 WNSR (AC) 1.8 2.7 KFRC (Nost) .9 1.5 KYA (Good)' 1.5 1.0 WOR (Talk) 2.0 2.6 KOIT-A/F (AC) 3.4 1.5 KSFO 8 KYA simulcast most WPAT-A/F (B/EZ) 2.3 2.6 KSFO (Gold) 1.2 1.4 of their programming

WHLI (BBnd) 1.6 2.5 KEEN (Ctry) 1.5 1.3 WYNY (Ctry) 2.2 2.4 KDFC-FM (Clas) .9 1.2 WABC (Talk) 2.9 2.3 KKHI-FM (Clas) 1.1 1.2

WDRE (NR) 3.0 2.3 KAZA (Span) .9 1.1 Format Legend WINS (News)2.0 2.3 KSFO sim,Jrasts most of its

AOR-Al- AC -Adult Contemporary, WQCD (NAC) 2.5 2.2 programming w,M KYA

bum Oriented Rock, BBnd-Big WLTW (AC) 3.7 2.0 Band, B/EZ-Beautiful/Easy Listen- WKJY (AC) 2.0 1.9 WCTO (AC) 1.4 1.6

ing, CC -Contemporary Christian, CHR-Contemporary Hit Radio, Clas-

WQXR-FM (Clas) 1.1 1.6 Classical, CR -Classic Rock, Ctry- WBLS (UC) 2.2 1.5 © 1991 Birch/Scarborough Re- Country, Gold -Oldies, Jazz -Jazz, WGSM (BBnd) .7 1.5 search Corp. May not be quoted or Misc-Miscellaneous, NR -New Rock, WPLR (AOR) 1.6 1.3 reproduced without prior written N/T-News/Talk, Rel-Religious, WRCN (AOR) 1.0 1.2 permission from Birch/Scar- Span -Spanish, Sports -Sports, Talk- WNEW (Nost) .6 1.0 borough. Talk, UC-Urban Contemporary.

Switched to AC after rating penal

WESTWOOD ONE PRESENTS

T H E _.

fl

SETTING THE RECORD STRAIGHT The Doors: Setting The Record Straight is a 19 hour audio adventure that features hours of previously unreleased live performances and studio recordings. With new music and interviews with Robby Krieger, Ray Manzarek and John Densmore, plus never -before -broadcast archival interviews with Jim Morrison as well as Jim reading from his own writings. Narrated by author and radio personality Jim Ladd, this is the definitive account of one of rock's legendary bands. Beginning the week of October 14, hear the real story, the right way from the right source. For more information contact your Westwood One representative. In Los Angeles call 213-840-4000, or fax to 213-204-4375. In Canada call S.B.S. at 416-597-8529.

The Doors: Setting The Record Straight. It Could Only Come From Westwood One.

54 R8 R September 13,1991

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FTC Continued from Page 1

national, level. It is unclear why competition in local markets would be threatened by the formation of [national radio groups larger than those currently per- mitted]."

On the local level, the FTC suggested that relaxation of the ownership rules to allow, for example, common ownership of two AMs and an FM in the same market could serve the public interest by saving stations that would otherwise go dark.

Regarding LMAs, the FTC said it is impossible to generalize about the antitrust implications of such arrangements because they take a variety of forms and are used in markets of varying size. However, while acknowledging their potential economic benefits, the agency made clear it will not tolerate their abuse.

"Where an arrangement amounts to price fixing or market division, both of which remain illegal per se, it will not be saved from antitrust liability by claims of efficiency benefits or absence of market power," said the FTC.

ILMA Continued from Page 1

WMXZ GM Rick Francis and two sales staffers were dismissed, but four other members of the WMXZ sales department have been absorbed by B97's sales team, which will now serve both outlets.

"This deal came together just two weeks after first being discussed with Stoner," WEZB & WMXZ VP/GM Marc Leunissen told R&R. "Stoner and EZ have had a history of good relations. We're partners in a tower project here, and we respect and trust each other. We saw WMXZ coming on as the new AC force in the market and have been fortunate enough to strike a deal with a station that can make an immediate and positive impact on the bottom line."

Leunissen said each station's programming department will remain autonomous, with B97 PD Brian Thomas and WMXZ PD Bruce Bond reporting to him. Add- ed Leunissen, "We're working on new studios in our building for the WMXZ airstaff because their lease runs out at the end of the month."

The only remaining Stoner em- ployee is Station Manager Pamela Sharp -Brown, who has the responsibility of protecting the license and ascertaining that all FCC re- quirements are being met.

`Logical Choice' Explaining the Keymarket-

Coastal arrangement, Coastal executive Tac Carrere noted, "This seems to be the logical choice for us. Economic conditions have made it difficult for new stand- alone FM stations to be profitable. We're confident Keymarket has the resources available to handle the programming, marketing, and advertising sales of the station. We will continue to own the station and are responsible for maintaining the license and serving the community."

Keymarket executive could not be reached for comment. But a news release indicated that KNOK's format may be changed.

ASCAP Continued from Page 3

industry has changed the way it does business in the five years cov- ered by our last agreement."

Other changes in the ASCAP license include:

Elimination of the highest one -minute rate formula for all new licensees (since January 1, 1991) electing to use a per program license (PPL), rather than a blanket license. The base PPL fee for incidental music will be 0.24%.

Network affiliate compensation is no longer deductible under the blanket license unless a station is broadcasting 90% or more of the network programs in which spots were fed.

The yearly adjustment in estimated payments is tied to the gov- ernment's Consumer Price Index, rather than the previous fixed increase of 8%.

Wyatt Continued from Page 1

Rose stressed the adjustments would not constitute a wholesale format change. "Power 106 will still be a dance -leaning CHR and will still be called Power 106. But the packaging and presentation will be somewhat different."

Emmis Exec. VP/Programming Rick Cummings told R&R, "The changes have already begun, and there will be more in the next two months or so. We're not going blow up Power 106 and the changes may not be readily perceptible, but they will help us fine-tune the station in order to add a few more minutes of time spent listening."

McClusky Continued from Page 3

In addition, the company has hired WBBM-FM (B96)/Chicago Promotion Director Jon Scott as Director/Radio Marketing & Pro- motion, replacing Andrea Chiaro.

FOUNDER A PUBLISHER: Bob Wilson E0ECUTM VP/GENERAL. IAA/EAGER Dick Kelantan SENIOR via PRESIDENT E EDITOR Ken Barnes VICE PRESIDENT /INFORMATION SERVICES Dan Cole

EDITORIAL

Los *not( s, (213) 5531330, 1930 Century Park West, Los Angeles, CA 90067; VICE PRESIDENT/E%ECUTME EDITOR, Gall Mitchell ANT DIRECTOR. Richard Zumwalt

ENTOe Don EDITOR. Rodrigues

EDITORIAL DIRECTOR Barak Zimmerman AC EDITOR. Mike Woollen AI N EDITOR Harvey Koisn CHI EDITOR. Joel Denver. COUNTRY EDITOR. Lon Helton URBAN CONTEMPORARY EDITOR Walt Love NEWS/TALK EDITOR Randall Bloomqulst RESEARCH EDITOR/ARCHIVIST: Hurricane Heeran EDITORIAL cOOROINAIoR Ann Schnieder*

ASSOCIATE EDITORS John Brake, Krlsti ~chimer', Jessie ASSISTANT EDITORS Anthony Acampora, Shawn Alexander,

Frank Roth, Geoffrey Schackert

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MARKETING DIRECTOR. Mike Lane MARKETING MANAGER Jill Bauhs CUSTOMER SERVICE REPRESENTATNEE, Lea Grubbs HOn&K DIRECTOR Vickie Ocheltree

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Kenton Young, Thomas Yueh PRODUCT DISTRIBUTION MANAGER John Ernenputsch

CIRCULATION

CIRCULATION MANAGER Dianna Seay CIRCULATION COORDINATOR: Kelley Schieffelin

PRODUCTION

PROOUCIION DIRECTOR Richard Agate ASSOCIATE ART DIRECTORS: Marilyn Frandsen, Gary van PHOTOGRAPHY: Roger Zumwalt TYIroGRAPNv. Kent Thomas, Lucie Morris, Bill Mohr GRAPHKS: Teresa Dovldio, Tim Kummerow

ADMINISTRATION

ASSISTANT TO PUBLISHER Karen Blondo CONTROLLER Margaret Beckwith ASSISTANT CONTROELER Debbie Botengan ACCOUNTING STAR: Kathy Koenig, Nallni Khan COO MANAGER Christina Gillis RECEPTION Juanita Newton, Karen Mumaw ass SERVICES: Rob Sparsgo, Matthew Pervis

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WASHINGTON: (202) 783-3822. National Press Building. Washington, DC 20045; FAX: (202)1'83-0260

BUREAU CNEE/WASHINGTON Ki0011. Pat Clawson Ass0CIATV EDrpe Randall Bloomqulst ASSISTANT EDITOR Jack Messmer WO AI /LAGER Deborah White

LEGAL cOEMstt Jason Shrinsky

FA)C RaR EDITORIAL (213) 203-9763

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LOS ANGELES (213) 553-4330; FAX: (213) 203-8450 via PREs10ENT/SALES, wEsarui REGION: Michael Atkinson AOVERTISMG 000R01NATOR. Nancy Hoff ADVERTISING ASSISTANT: Michael Berckart

SALES REPRESENTATNES Jeff Gelb, Henry Mowry, Mike Schaefer MARIDTNG SERVOS DIRECTOR. Jodie Rank MA RIETPLACE sun. Ilse Glanzberg SUES ASSISTANT; Leslie Cutting aAtaiNGTDR: (202) 783-3826

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56. September 13,1991 RR® PERSPECTIVES FORb!AT IN CRISIS

The End Of CHR As We Know It?

The only crisis that's received more headlines lately than the future of CHR is the up- heaval in the Soviet Union. I've never heard more indecision and confusion from top programmers about the direction of a major format in all my years in radio.

What's abundantly clear is that CHR is not only in trouble from a ratings standpoint, but is suffering a general crisis of confidence among managers and owners alike as to its future viability. As with most things, it's impossible to project the future of CHR without a thorough review of the chain of events that has brought the format to the precipice.

Contrary to what you've been reading or hearing, the main problems with CHR do not include the following:

Conservative PDs The quality of music being recorded today Song -driven rather than artist -driven product The audience's lack of interest in new music Too much research, not enough gut in programming today Music that's too one- dimensional, with an overabundance of rap and dance and not enough diversity - as in the "old days" Fatigue with Morning Zoos Decline in dollars to promote and market the format Too much arbitrary dayparting.

Falling Into Traps Yes, all of the above can

be factors in a given situation. But the real deteriora- tion began only a few short years ago, when programmers began feeling pressure to abandon the natural core of their audience to seek greener pastures.

The result has been disastrous, as CHR has fallen into the following traps:

The absurdity of trying to attract adults ip a competitive environment - The single most important factor which has caused

m CHR is not only in

trouble from a ratings standpoint, but is suffering a general crisis of

confidence among managers and

owners alike as to its future viability.

serious audience erosion among CHRs is that in the bid to gain adults, the format has altered what's essentially a 12-24 music mix and blown off much of its core. Despite the desires of your sales department and ownership, a CHR station is in a young people's business. To be simplistic, playing today's most popular hits is a format designed for 12-24s, not adults. To get an older audience in a competitive market, you'd better have someone like Rick Dees doing your morning show.

Inability to sell the format's strengths - Every- one knows the majority of dollars is spent against the 25-54 demos. But being a top station 12+ with a good 18-24 number that can translate into a good 18-34 ranking should be enough. No sales department, regardless of format, is in a position any longer to be an order -taker. Selling the unique sizzle of your station should never be just about numbers anyway, since CHR attracts such an active audience. A CHR format is designed primarily to attract 12-24s, so sell the agencies what you have more creatively and effectively. Don't blame the programmer.

Fragmentation and the squeeze play - Like mainstream AOR, which is being squeezed by Classic Rock on one side and hard -rock- ing AOR on the other, main -

By Jeff Pollack

stream CHR is feeling a similar pinch - with Hot AC on one side and dance CHR on the other. Conse- quently, mainstream AORs and CHRs have become hybrid formats, resulting in the loss of a clear and unique music identity in an environment which demands it. The '90s are clearly a decade of narrowcasting. For either format, attempting to attract a core demo spread larger than 10-12 years in a competitive environment is a hazardous road which leads to disap- pointment.

Don Quixote syndrome - In a busy market, you cannot simply decide you're going to skew older. You may as well chase rainbows or do battle with windmills - and then get prepared to change formats when it doesn't work. A well -established CHR with a strong image carries a lot of baggage in terms of image, which is almost impossible to leave behind. At- tempts to add a lot of '80s oldies in a bid to attract 25-34s simply isn't going to work. It's like casting Dus- tin Hoffman in "Bill And Ted's Excellent Adven- ture" to encourage an older filmgoer to see the movie. Once you have a firm identity, trying to convince potential listeners that you've become something else overnight is a foolhardy strategy that ends up pleas- ing no one.

No. 1 overall isn't good enough - For programmers who have grown up in an environment which has always rewarded someone for being No. 1, this is a time for retrenching and re- focusing. These PDs fully realize a CHR in a competitive market faces an almost impossible task of trying to finish in the Top 5 25-54, let alone No. 1. Again, by definition, a mainstream CHR relies on primarily 12-24 music, so it's a pipe dream to think a station can succeed with these older demo parameters and goals. As a result, it's very discour- aging for today's CHR PDs to be set up to fail.

CHR Repair Kit So, how to fix this format? Here are

10 issues to consider:

0

0 0

4

6

v 8

9

10

CHR can only work when it consists of the hits of today. There is no such thing as Adult CHR. Come to terms with the premise that a

CHR format is designed to attract young people. Wake up and look at your playlist - what adult can listen to even half of what you're playing?

Target and program to the audience which actually likes the music. A 12-34 demo is too wide and not viable. A 10.12 -year demo spread is all you'll get.

Program to the segment which drives the numbers. Be proud you're No. 1 12-24 or get out of the format and into another (if one's still available).

Get used to lower numbers. With the "squeeze play," you won't be seeing double digits again in a competitive market. But you can still be No. 1 overall.

Stop throwing money at the audience. Play the right music to a specific, realistic target. Contesting won't get you adults.

Stop playing a lot of oldies. You can't hope to attract an AC au-

dience by playing a few more '80s cuts. It doesn't fit with today's music, and it isn't going to work. Give that idea up.

Educate your sales department and ownership that there's a lot to be said for being No. 1. I know the station probably has a big debt service, but not being No. 1 in at least one demo is a worse fate. Sales has to be as creative as programming. Taking orders isn't the way it's going to be in the '90s.

Communicate, don't talk at your audience. They get it. They want excitement, not jive. Don't lie to them. They're pretty aware of what's going on.

Don't give up on trying to find a great morning show. It's your only chance to attract an audience beyond the core audience. It can't be done with music.

There isn't room for two stations to do exactly the same thing: two "mainstream" CHRs are no longer viable In one market. If a dance niche is available, take it. An alternative -based CHR can be a very attractive option (especially in light of the success of this summer's Lollapalooza concert tour and the amount of alternative bands that are crossing over). If you're in a weak AC market, take the Hot AC position. But evaluate carefully what's available and make sure you're unique, or you won't make it In a busy market.

Reports Of Demise Widely Exaggerated Is it any wonder the for-

mat finds itself in dire straits? Is it surprising so many recent format evolu- tions from CHR haven't worked, and that the tan- talizing "mix" format hasn't exploded? It's because the basic tenets of success in any busy market always apply: Do what you can to be unique product - wise, and sell the hell out of it.

Is CHR dead? Shake- speare's Henry V could have been addressing this problem when he stated, "The man who sold the lion's skin while the beast still lived was killed while hunting him."

CHR was pronounced dead in the early '70s and early '80s, only to come roaring back with a ven- geance. CHR's widely predicted demise will be pre-

mature as long as the format's done properly. CHR will rebound and survive as long as there are realistic expectations and the performance to match.

OM,

r

Jeff Pollack is Chairman/ CEO of Pollack Media Group (213-459-8556), an

international programming advisory firm, consulting all

radio formats in nine coun- tries. He contributes to this

'section on a regular basis.

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Produced by Mcrcia Hrichison

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58 September 13,1991

° '" o PERSPECTIVES

Music: A Cycle Of Boom & Bust

A friend of mine told me about a short story he once read that described the life of an ant col- ony. The ants had a lifespan of only two weeks, but learned about the world from their elders. The ants born in the summer heat would hear legends from the deep past about ice and snow covering the ground and trees without leaves. But they never believed them.

What does this have to do with the music business? Well, every time we get into a down cycle, it feels like the golden days are merely legends of another era. But the ups and downs are just as much a part of life as the seasons, and they will continue to come around in our business just as they do in everybody else's business. See if these quotes from 1977 sound familiar: "I've never seen the business so bad"; "These are the worst record sales in history"; and "The industry is in the toilet."

Coming Full Circle In my book, "All You

Need To Know About The Music Business," one section is devoted to record industry cycles. It goes something like this:

The music business follows the general economic cycle very closely. Unlike movies, for example, which seem to do better in bad times (because people want a cheap escape), the record industry floats on the waves of our overall economy. If

.

Unlike movies, for example, which

seem to do better in bad times, the record industry

floats on the waves of our overall

economy.

the economy is humming, records sell; if not, they don't. There are, of course, our own minicycles. The fact that there's no good music out means lousy sales. And when an incredible album sells huge numbers, it's great for everyone because it brings people to the stores and pumps up all the companies' sales.

However, the broader trend still rules: the greatest and the most mediocre of albums sell more in good economic times than in bad. And the reason is pretty simple - people don't have as much money to spend on records.

When the economy heats up and business is

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By Donald Passman

good, there's a lot of money for everyone, so the companies spend freely. This also causes a power shift in the industry. Recording artists begin to have much more clout (they're getting richer on the increased sales), and so the record deals get tougher on the artists' side. Also, the companies have lots of money with which to bid each other into a feeding frenzy.

During these times, companies love to put big money into major artist deals because the large sales numbers increase their market share and show a great return (as long as the artist keeps selling at high levels) . Interestingly, however, these big deals can be very fragile; if the artists' sales dip even a little, the company can lose a large amount.

The music business is a long-term major

industry. Don't be discouraged by the doomsayers when

times are bad (or by the doomsayers when times are

good).

This trend moves along elegantly until the economy slams into a mountain, at which point the excesses

Ups and downs are as much a part of life as the seasons, and they will continue to come around in our business just as they

do in everybody else's business.

come home to roost and the big deals start to look like burdens. Executives begin flying business class, the companies rent Chevys instead of limos, and the signing parties move to Taco Bell. This is also the time some companies go belly up or are sold to a foreign power. But the good news about this part of the cycle is it shakes out the ineffi- ciencies of the business and forces everyone to tighten their operations. Also, when times are bad, new artists do better - new artist deals are attractive because they're cheap.

Following the cutbacks, when things have become lean and mean, we're pois- ed to take advantage of the next upturn in the economy. When it starts to turn, records begin to sell again and we start the cycle all over again.

Sky Isn't Falling There's something in the

genetic makeup of humans which makes us feel that whatever cycle we're currently in will last forever. When things are booming, we assume they can only go higher. And when things are down, we can only believe the sky will keep falling.

But now that I've done this for almost 20 years and

lived through several cycles, I'm convinced the music business is a long- term major industry. Music is still one of the cheapest forms of permanent entertainment. So don't be discouraged by the doom - sayers when times are bad (or by the doomsayers when times are good) .

We're going to come through this dip just as we've come through the last few. And keep a record of all the depressing quotes you hear so you can pull them out and comfort yourself the next time the cycle reaches this point.

Donald Passman prac- tices law with the firm of Gang, Tyre, Ramer, &

Brown and has authored the recently published "All You Need To Know About The Music Business."

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60. OUR September 13,1991 RA INGS 8r RESEARCH

A Case For Aided Recall

Now that the great debate revolving around the three-book/four-book issue has been resolv- ed, it's time to address a much more critical and fundamental quantitative issue: the introduc- tion of an aided recall ratings system.

The problem with the radio business is that our revenue does not derive from sets sold. Our ability to profit is a direct function of our skill at attracting listeners to our stations (hard enough) and getting them 'to accurately report the listening that occurred (harder still). If the first part occurs without the second, it's as if listening never happened at all.

The retail analogy is obvious. If your business is selling soap, you count every bar sold at the end of the day. The numbers are absolute. If your business is attracting listeners to your station, you have no idea when and if you've made "a sale." In even the largest markets, you must wait at least 90 days to find this out. And then the results are prone to wide margins of error.

Is this any way to run a business? And why turn the already difficult process of diarykeeping into a guess- ing game?. Why put the station you work so assiduous- ly to build at the mercy of the average respondent who will never be as radio - literate as you'd like him to be? Why, indeed!

Removing Shackles We need a ratings system

that makes it as easy as possible for listening to be properly credited and reported. Lacking an electronic diary, we need some

m As an industry, we should stop playing ratings roulette and start trying to make

the most of the opportunities that

our ratings process affords us.

While an aided recall system would not eliminate all the

guesswork from diarykeeping, it

would almost totally wipe out the need

for ascription.

form of an aided recall system.

When you compare the differences between what a station's listeners can remember top of mind (unaided recall) and what they say they listen to after a roster of stations is read to them (aided recall), these differences are often euphe- mistically referred to as "phantom" or lost cume. I've seen stations with phantom cumes running as high as 50% . And the simple truth is there's no need for it to be that high.

While an aided recall system would not eliminate all the guesswork from diary - keeping, it would almost totally wipe out the need for ascription. There would be little doubt as to the correct reporting of call letters, dial positions, or station slogans. Diarykeepers would be far less likely to flip, switch, or shorten call letters; and dial positions would be accurate. On top of all that, weekly total cume numbers would probably rise as listeners would no longer have to grope for impressions of stations cov- ered. Radio as an industry would remove itself from some age-old shackles.

Radio is the only medium where unaided recall rules the day. Newspapers and magazines have hard subscription figures along with in-depth personal interviews (Simmons). Bill- board awareness is reas -

By Rob Balon

sured using aided recall. Even television, where the diary is still widely used, has aids like TV Guide and the Sunday TV supplement, where all stations are rou- tinely listed and which viewers use to look stations up. Radio has nothing close to that.

No Shortcuts Many radio professionals

have long suspected that ad agencies bring pressure to bear on keeping an unaided recall system. Agencies want to know if an ad can be recalled on its own merits and don't want the respondent to have a roster. But that argument is without merit. Many diarykeepers can remember an ad without having any idea of what station they heard it on.

And that's just the point. Recognition of ad placement and product has virtually no relationship to station awareness. Because for most listeners, the radio station is not an end unto it -

I've seen stations with phantom

cumes running as high as 50%. And

the simple truth is there's no need for it to be that high.

self. It's the conduit through which music, information, and advertising flow. Therefore, it makes perfect sense to give listeners as much assistance as possible in the complicated task of accurately keeping a diary where the sole task is not to evaluate the product but to identify the source.

Stations know there's no shortcut. You can't manip- ulate diarykeepers by such thinly veiled paeans as "write it down." Those just don't have any basis in reality. The easiest way would simply be to make it as ex- peditious for each diary - keeper as possible.

It works in France. Me- diametre, the French

We need a ratings system that makes it as easy as possible for listening to be

properly credited and reported. Lacking an electronic diary, we need some form of

aided recall.

ratings company, uses an aided recall system in its telephone interviews. Re- spondents are taken through the list of stations in Paris twice before they are asked to recall listening. About a year ago, Me- diametre dropped the aided recall stimulus for one report. Overall results: The numbers of all stations tumbled. Not surprisingly, a great hue and cry rose from the client base, and the aided recall element was reinstated.

It works in Australia as well. McNair Anderson uses a roster system in its diaries that is similar to what was used in the old Pulse books in the U.S. So far, Australian broadcasters are most pleased with it.

Logistical Soul - Searching

So how come we don't have it here? Arbitron VP! Marketing Jay Guyther says it's been discussed in the past and dismissed more for practical than methodological reasons. Guyther makes several excellent points:

Each individual diary would have to have a complete roster of stations. In New York, that's 126 stations. Who do you put first or last?

Will the order of listing create a bias in and of itself?

Will that many stations confuse the diarykeeper instead of aiding him?

What happens when a diarykeeper moves and his diary is forwarded to him?

Do you list dial positions and slogans as well?

What happens when a station changes call letters in mid -survey?

Another argument I've heard is that an aided recall system could artificially raise the overall cume. People would just check off stations because they were listed, not because they had listened. Studies indicate

that the majority of listeners don't do that at all. Indeed, a roster of stations helps bring their levels of reported listening up to a point that approaches their real or actual listening. In unaided recall surveys I've conducted, reported listening usually lags considera- bly behind real listening.

I acknowledge that going to an aided system would take a lot of logistical re- working. But the bottom line here is that our industry needs all the help it can get. If we can make it that much easier for listeners to remember what stations they've spent time with, isn't that worth some logistical soul-searching? So it won't be perfect. Show me any type of research instru- ment that is.

But the fact remains that asking a respondent to reflect back over a week or even a 24 -hour period is an arduous process. There's no need to put the average ratings respondent through diary gymnastics. As an industry, we should stop playing ratings roulette and start trying to make the most of the opportunities that our ratings process affords us.

f

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Rob Balon is CEO of the Benchmark Compa- ny (51.2-327-7010), a national market media research firm that advises radio stations on how to convert real listening into reported listening. He contributes to this section on a regular basis.

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62 September 13,1991

THE ÇOMPETI TI VE EDGE JOHN PARIKHAL

Adult Contemporary: All Mixed Up

I'm all "mixed" up. Within the last year, many AC stations across the country have decided to call them- .

selves "Mix" as if the name is salvation. This lemming -like rush is hap-

pening because Adult Contempor- ary radio is chasing finer and finer slivers of an aging Big Generation. What's going on here?

To understand today's AC format, we need to define Adult Con- temporary. Defining adult is easy: Adult simply means 25-54. In our Big Generation -centered society, we have decided that 55+ is no longer adult, but old. We think the hundreds of millions of dollars in advertising that go to 12 -24 -year - olds should be left for MTV and a few CHR stations that aren't joining the stampede to "mix" it up.

The word contemporary, however, has messed everybody up. Contemporary does not mean "new." In other words, Adult Con- temporary is not new music for adults. Rather, contemporary is what is relevant right now. New- ness is not as relevant as it was.

Adult Contemporary is chasing finer and finer slivers of an

aging Big Generation.

10 -Year Cycles When thé Big Generation was

growing up, newness was the most relevant thing, as it still is with today's teenagers. Now that the Big Generation is passing through mid- life, newness is less important. It's not contemporary. Today, contemporary can be everything from a mix of old and new to all -oldies.

For a significant section of the Big Generation, musical life stopped almost two decades ago. They replaced their record collections with CDs, which suddenly made them contemporary. For them, Adult Contemporary includes oldies of all sorts.

Nationwide Communications programming guru Guy Zapoleon reminded me that Adult Contemp- orary tends to follow 10 -year cycles that are spawned by Top 40 or CHR radio. Ten years ago successful AC was a spinoff from "Urban Cow- boy" and Kenny Rogers cross- overs. During this time, Top 40 eroded as a format, added more oldies, became afraid to take chances, and ended up as stations we call Hot AC today.

Adult

25-54 Mostly baby boomers Think young "Memory" -driven

MTV kick-started CHR radio, which returned to currents. Mean- while, Adult Contemporary began the long mutation through the '80s to its current incarnations. Using the aforementioned definition of contemporary, a strong case can be made that there are at least 10 AC formats, including Oldies stations.

Most of ,them share the same goals: increase ratings; play it safe: don't challenge or upset your target audience musically; figure out a way to increase in -office listening so you can artificially inflate real listening because of Arbitron's methodology; and spend tons of money advertising an innocuous product people can't be bothered to remember.

Format Variations Here are the key offshoots that

fall under the Adult Contemporary umbrella :

Hot AC - This is basically CHR for adults. It plays mostly currents and recurrents from the '80s. It's uptempo and tends to keep gold cuts out of the rotation. KFMB-FM (Bloc)/San Diego and KYKY/St. Louis are good examples of Hot AC.

Lite AC - This is an oldies - based, relaxing format that focuses on Lionel Richie, Billy Joel, and other safe, soft sounds. It's one step up from the old Easy Listen- ing formats - modern but with no edge. It could almost be called a decaffeinated Rock AC station. WHTX (Variety 96)/Pittsburgh would fit this bill.

Rock AC - Becoming very popular, this format runs down two distinct sides. One focuses strongly on male listenership; the other more strongly on a female audience. To date, male -oriented Rock ACs are much more common.

For example, WMMO/Orlando has shown great success with 25-44 males. Many stations are jumping on that bandwagon, including

KMTT (The Mountain)/Seattfe and KCDU (CD 107)/Dallas. Not all are succeeding.

On the flip side, rock -based AC for females can work extremely well. KHMX/Houston has outper- formed all expectations by recog- nizing that contemporary for 25-44 females is not the same as contemporary for 2544 males.

Uptempo, Soulful AC - This offshoot is based on two key varia- bles. First, AC stations must be different from each other if they're going to succeed. There's no point in being the third AC if it sounds the same as the first two.

Second, an aging Big Generation doesn't categorize radio stations as black or white. They just enjoy the music they grew up with.

An incredible hole is showing up in Boston, where Joint Communi- cations' research helped WBMX deliver huge 25-54 numbers by providing the correct color-blind balance of old Motown and contemporary soulful music.

Slow, Urban AC -A soulful, relaxing format that's more pas- sionate than a Lite AC. The best example is WVAZ (V103)/Chicago.

Contemporary

Relevant today Mix/blend/variety Adult "hit"

Oldies - These are fragment- ing in so many directions that they could almost be considered a format of their own, except they act as contemporary programming for many adults. Millions of radio listeners live their lives in the present, but have their musical hearts in the past. Oldies formats fragment along three basic lines.

Some are based in the '50s and '60s, appealing to the older end of 25-54. Others are '60s- and '70s - based, appealing to the younger

A strong case can be made that there

are at least 10 Adult Contemporary

formats, including Oldies stations.

*PR

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You can choose only one "Mix."

Broadcasters are finding it's harder

than ever to simply transplant a

successful format from one market to another and expect

it to succeed.

end of the Big Generation. Some have gone even further and decided to be nothing but soft oldies, competing with Lite ACs for office listening.

Oldies -based AC - This format holds a lot of promise. KODA/ Houston, which calls itself Sunny, has successfully attacked CBS's KLTR (K-LITE) by carefully bal- ancing song selection and tempo and focusing on the 35-44 demo.

Classic Rock - It may not sound like AC, but it sure delivers numbers like AC. Increasingly, Classic Rock stations are adding new AOR artists and becoming the oldies AC station for a bunch of graying boomers.

AOR - This isn't what most people would call an AC format. But with the enormous fragmentation taking place, it often performs like one. In the most recent ratings, KISW/Seattle -a very hard -rock- ing AOR station - was the No. 1

25-54 music station and No. 2 overall in the market. Is it contemporary? Is it adult?

Fun Future Everyone agrees that today's AC

stations need heavy marketing, but some need more than others. And broadcasters are finding it's harder than ever to simply transplant a successful format from one

market to another and expect it to succeed. For example, WMMO's great line, "We're true to the music," didn't work as well for KMMK/Las Vegas.

The reason formats are no longer transplantable is simple. Most programmers and managers are smarter than ever before and use market research to block holes as quickly as possible.

What does this say about the future of AC? We'll find smaller, more precisely defined audience clusters than ever before. Market- ing will be essential. Positioners such as "variety," "mix," and "best of the old, best of the new" will pop up in even more places. A decade from now we're bound to hear a station position itself as "The best of the '50s, '60s, '70s, '80s, '90s, and the 21st Century." It promises to be fun.

No. 31 in a series.

w

John Parikhal is CEO of Joint Communications, media strategists who conduct custom research and consulting for over 100 media and corporate clients. He can be reached at (416) 593-1 136.

SHABBA HAS ALREADY MADE THE "HOUSECALL" THE PROGNOSIS IS GREAT!

SR. _BBA R.. _N S

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WYLD WZAK KMJM ..And Many More!

epic

64RaR September 13,1991 MUSIC COMPACT DATA ®

Stop! Hammer Time (Again) M C. Hammer - who recently dropped the "M.C." from his name - is about to hit the streets with his third Capitol LP, "Too Legit

To Quit." The first single from the album will be the title track. Set to reach radio on October 7, the song features a complete horn section and guest vocals by 18 -year -old Houston homegirl Saja (known for her work with B Angie M. Look for Hammer's full LP to follow on October 29.

Incidentally, the single version of "Legit" also will double as the theme to Paramount's forthcoming film "The Addams Family," which is set to open nationally on November 22.

Rock 'N' Role Stars David Bowie and Chris Isaak

have landed feature roles in the big - screen version of director David Lynch's cult fave (but cancelled) TV series, "Twin Peaks," The movie is shooting on location in Se- attle.

SBK has set an October 8 release for the soundtrack to Vanilla Ice's forthcoming movie, "Cool As Ice." Along with Lonnie Gordon's current single, "Gonna Catch You," the platter features four new Ice tunes, including "Cool As Ice (Everybody Get Loose)," which the rapper performs as a duet with supermodel Naomi Campbell.

Look for Danny Elfman to score Tim Burton's forthcoming film, "Batman Returns." Mean- while, Elfman - who scored the first "Batman" movie - is also set to write music for Burton's forthcoming "A Nightmare Before Christmas" and Orion's "Article

,'

Judd Nelson has been tapped to play Crosby,. Stills & Nash's drummer Dallas Taylor in a forthcoming TV movie about the musician and his fight against liver disease.

CS&N 4 -CD Box Coming

Atlantic plans to release a

four -CD box set of Crosby, Stills & Nash material on

October 15. Titled simply "Crosby, Stills & Nash," the 22 -year career retrospective collects tracks from the musicians' various solo and col- laborative efforts, including tunes recorded with Manassas and Nell Young.

Featured on the 78 -song set are many of the group's proven hits a9 well as 27 previously unreleased tracks, ranging from outtakes, demos, and alternate versions of some of their better-known songs to newly unearthed live and studio material.

The accompanying 34 -page booklet sports a "family tree," an

essay by noted rock journalist Chet Flippo, a discography, numerous il- lustrations, and track -by -track cred- its. Carry on.

Flack's Back Roberta Flack's new Atlantic

LP, "Set The Night To Music," is due in early October. In addition to the title track/current single, the disc features cover versions of the

MUSIC DATEBOOK MONDAY, SEPTEMBER 23

1969/ "Paul McCartney is dead" rumors begin circulating when an Illinois newspaper erroneously cites several

"clues" as conclusive evidence.

Born: Ray Charles 1930, Julio Iglesias 1943, Bruce Springsteen 1949

TUESDAY, SEPTEMBER 24

1988/James Brown leads stale troopers

on an hourlong chase through South

Carolina and Georgia.

Born: Linda McCartney 1943

WEDNESDAY, SEPTEMBER 25

1954/Elvis makes his first -and last - appearance at the Grand Ole Opry. A

talent coordinator tells Presley lo re-

turn to truck driving.

1965/The Beatles cartoon series pre-

mieres on ABC-TV.

1975/Jackie Wilson suffers a paralyzing

stroke while performing onstage at the Latin Quarter in New Jersey.

1980/Led Zeppelin drummer John Bon- ham, 32, dies. The band members

decide he's irreplaceable and break

up.

r

John Bonham - bedtime for Bonzo.

q

THURSDAY, SEPTEMBER 26

1989/Paul McCartney begins his first

world tour in 13 years in Drammen,

Norway.

Born: Bryan Ferry 1945, Olivia New- ton -John 1948

Stylistics' ballad "You Make Me Feel Brand New" (co -produced by Atlantic chief Ahmet Ertegun) and the Irving Berlin standard "Al- ways." And ... Quincy Jones lends a rap to "The Waiting Game" and Patti Austin provides background vocal -s throughout. Arif Mardin produced.

That Voice Themes Familiar

B.B. King has recorded the theme song to CBS's fall TV show "Teech." Other acts who've contributed opening themes to forthcoming fall series include the Judds (NBC's "The Torkelsons"), the Roches (CBS's "Princesses"), Art Garfunkel and Marvin Ham- lisch (CBS's "Brooklyn Bridge"), and Leon Russell (NBC's "Flesh 'N Blood").

Groove Juice Former Berlin songstress

Terri Nunn will see her DGC solo debut ("Moment Of Truth") released on October 22. The 11 -song set features "Let Me Be The One" (which ships as a single on October 8), "Fly By Night" (written by Ric Ocasek), and "89 Lines." David Z produced.

The Pixies return with a new Elektra LP, "Trompe Le Monde," on October 8. The 15 -track disc includes a cover version of the Jesus & Mary Chain's "Head On."

Surf guitar legend Dick Dale makes a guest appearance on Psychefunkapus's forthcoming At- lantic LP, adding licks to the song "Surfing On Jupiter." The album, produced by Talking Heads key- boardist/guitarist Jerry Harrison, is due in late October.

FRIDAY, SEPTEMBER 27

1964/The Beach Boys make their first ap-

pearance on the "Ed Sullivan Show."

1986/ Metallica bassist Cliff Burton is

killed in a bus accident in Sweden.

19901 Marvin Gaye is posthumously

awarded a star on the Hollywood

Walk Of Fame.

Both: Randy Bachman 1943, Meat Loaf 1947, Shaun Cassidy 1958

SATURDAY, SEPTEMBER 28

1968/Janis Joplin confirms that she'll soon exit Big Brother & The Hold- ing Company.

1989/Jimmy Buffett publishes "Tales From Margaritaville," a book of his

short stories.

Born: Ben E. King 1938

SUNDAY, SEPTEMBER 29

1976/ Jerry Lee Lewis, aiming at a bottle,

accidentally shoots his bass player.

1989/ Glenn Frey joins Don Henley on-

stage in LA, marking the first time in

eight years the two ex -Eagles have

performed together.

Born: Jerry Lee Lewis 1935

- Paul Colbert

55.1 million households Patti Galluzzi

Director/Music Programming

Weeks On

HEAVY PAULA ABDUL/The Promise OL (CaphveNirgin) ... 6 BOYZ II MEN/Motownphiily (Motown) 12 EXTREME/Hole Hearted (A&M) 10 GUNS N' ROSES/You Could Be Mine (Geffen) 14 JESUS JONES Real, Real. Real (SBK) 6 MARIO' MARK &...iGcod.. (rlerscope/EasIWest) 9 MC SKAT KAT &...Slat Strut (CaptieNirgin) 4 METAWCAA trier Sandman (Eletdra) 8 RICHIE SAMBORA,Ralad 01 Youth (Mercury) 3 VAN HALENAiuraround (W8) 7

EXCLUSIVES

BRYAN ADAMSICan1 Slop This Thing. (A&M) .... 4 BELL BIV DEVOE/Word To The Muta (MCA) 3 MARIAN CAREY/Emotions (Columbia) ADD EMFAes (EMI) 4 MOTLEY CRUERrmal Scream (Elektra) 4 TOM PETTY & THE -.Arno The Great. (MCA) 3

BUZZ BIN

EMFAes (EMI) 4 FARMiGroovy Train (Sire/Reprise) 8 NINE INCH NAILS/Head Like A Hole (TVT) ADD SIOUXSIE & THE BANSHEES/Kiss. (Geffen) .... 11

WHITE TRASH/Apple Pe (Elektra) 12

ACTIVE

ALICE IN CHAINS/Sea Of Sorrow (Columbia) 3 ANTHRAX f/P IBUC... Brxg_. (MegatorceAsard) . 10 BIG AUDIO DYNAMITE %Mush (Columba) 7

TONI CHILDSA've Got To Go Now (A&M) 8 CROWDED HOUSE/fall At Your Feel (Capitol) .. ADD BILLY FALCON Power_ (JambcoMercury) .... ADD CHESNEY HAWKES/rhe Ore Md... (Chrysalis) 3 JOAN JETT & THE... tadiash (Blackheart/Epic) 3 KISS,Ged Gave Roá. (lnlerscaperfastWestl 6 LATIN ALLIANCE IMWAR/Lowrder (Oft.) (Vrgin) 4 ZIGGY MARLEY & THE.../Good Time (Virgin) .. ADD MARnEAiI.ost-Thy WA Be Dore (Columba) 7

NAUGHTY BY NATUREAJP.P. (Tommy Boy) 4 N.W.A./Alwayz Into Somethin (Priority)7 Oily OSBOURNEWo Mae Tears (Epic) ADD BONNIE RAITTSmething To Talk About (Capitol) . 10 SALT-N-PEPA/Let's Talk About Sea (Next Pateau) ... 3

ON

MINO FUNK/Sister Blue (Epc)

BTZ/Tace The Musk (GarAAleprise)

4

ADD SCHOOL OF FISH/3 Strange Days (Capitol) 19

SMITHEREENS/Top 01 The Pops (Capitol) ADD

STRESS

COLOR ME BADDA Adore ML (Gant Reprise) 8 COMMITMENTS/Try A Lille Tenderness (MCA) . ADD DIRE STRAITS/Calling Elvis (WB) 3 RREHOUSEILove Of A Lifetime (Epic) 13 HEAVY D. & THE BOYZMow Thal.. (Uptown, MCAT 13 LL COOL JAi Minutes O1_ (Del Jam/Columba) .... 7 PRINCE & THE NEW_rGett OK (Parsley ParkiWB) .. 5 SKID ROW/Slave To The Grind (Atlantic) 4 TESLAA'dison s Medicine (Geffen)

KARYN WHITERomantk (W8)

ADD 6

HOT NEW VIDEOS

BRYAN ADAM S/Can1 Stop This Thine._ (A&M) .... 4 BELL BIV DEVOE/Word To The Mutha (MCA) 3 MARIAN CAREYIEmotions (Columba) ADD EMF&es (EMI) .4 RICHIE SAMBORL8alad Of Youth (Mercury) ... 3

ADDS

MARIAN CAREYFmottons (Columbia)

N/NE INCH NAILS/Head like A Hole (TVT)

COMMITMENTS/Try A Little Tenderness (MCA)

TESLA/Edeon's Medicine (Geffen)

BILLY FALCON/Power Windows (Jambco/Mercury)

ZIGGY MARLEY & THE.../Good Time (Virgin)

CROWDED HOUSE/Fall At Your Feet (Capitol)

OíZY OSBOURNEMo More Tears (Epic)

SMITHEREENS/Top Of The Pops (Capñd)

RiZhace The Mfrs c (Ganl,Reprise)

YHI .00 iii

41.8 million households Sal LoCurto, VP/Music Programming

Norman Schoenfeld, VP/Program & Artist Development

Weds On

FiVE STAR

GLORIA ESTEFAN/tive For Loving You (Epic) 1

.GREATEST HITS; PAULA ABOUL/Ine Promise 01... (CapbveNirgin) 3 B. ADAMSI(Evenythirg).. (A&MiMagan Creek) ... 11 MICHAEL BOLTON/Time, love And... (Columba) 8 MARIAN CAREY/Emdwns (Columbia) ADD HUEY LEWIS &...AI Hi Me Lrle A... (EMI) 7 BONNIE RAITT/Somethirq To Talk About (Capitol) . 13 ROD STEWART/The Motown Song (WC) 11

HEAVY

EXTREMIEMoIe Heaved (A&M) 8 WHITNEY HOUSTON My Name Is Not Susan (Arista) 3 MARTIKArtove .Thy Wilt Be Done (Columbia) 2 AARON NEVILLE/Everybody Plays The Fool (A&M). 14 ROXETTE6adng Like A Flower (Every_) (EMI) .... 13 LUTHER VANDROSSDon'1 Want To Be A_ (Epic) 5 KARYN WHITE/Romantic (WB) 4 VANESSA WILLIAMS/Running.. (WirgMlercury) 6

WHAT'S NEW FRANCESCA OEGHE/Somethirg About... (S8V) 6 DIRE STRAITS/Calling Elvis (WB) . 1 BUDDY GUY alJ. BECK/Mustang- (Silvertore) ADO CHRIS ISAAC/Blue Spanish Sky (Reprise) ADD SIMPLY RED,Sorrerhirg Ga Me.. (EastWest) ADO CURTIS STIGERSA Wonder Why (Arista) 2 STINGMIad About You IA TM) 3 STEVIE WONDER/Fun Day (Motown) 1

ARTIST OF THE MONTH

TAJ MAHALAJoni Call Us (Private Music) 3

Information current as of September 10.

11.7 million households

Les Garland, VP/Programming Mike Cooper, consunanr

LW 1W

4 1 BOYZ II MENAI's So Hard To Say_ (Moorm) - 2 2 LIVE CREWAaap That Coocne (Lute/Maroc)

1 3 ANOTHER BAD.../ k us GYl (Motown)

2 4 N.WA/AMayz Into Smelhin (Primly)

5 5 NAUGHTY BY NATUREDPP. (Prim Boy)

3 6 M.C. BREED & DFC/Ain1 No... (SDGEAchban) - 7 TKO POSSE Daddy's On_ (Oceanic/Taste God) - 8 PRINCE & THE..IGett on (Parley ParICWB) - 9 SHABBA RANKS IIMAXI PRIESTMo®oll (Epc)

6 10 COLOR ME..,A Adore Mi Arno (Giant/Reprise)

Most requested for the week erldrrp September 6

11~4. ~WM IMIN1 / % i i MOP MI i.

CONCERT PULSE Pos. Artist

Avg. Gross 8n OOOs)

1 GRATEFUL DEAD $1153.3 2 GUNS N' ROSES $617.9 3 JIMMY BUFFETT $425.8 4 JANE'S ADDICTION)

"LOLLAPALOOZA" $411.3 5 GLORIA ESTEFAN & THE

MIAMI SOUND MACHINE $275.5 6 AC/DC $275.2 7 ZZ TOP $262.4 6 JULIO IGLESIAS $252.6 9 DON HENLEY $250.0

10 STEVE MILLER $228.6 11 YES $221.2 12JUDDS $214.7 13 "MUSIC OF ANDREW

LLOYD WEBBER" $198.1 14 ELVIS COSTELLO $172.6 15 SCORPIONS $170.5

New Tours Among this week's new tours:

COLOR ME BADD OMD MEAT PUPPETS PROCOL HARUM GEORGE MICHAEL HENRY LEE SUMMER NAUGHTY BY NATURE WONDER STUFF

The CONCERT PULSE is a weekly compu- terized repon ranking each amsr by then average box office gross reported per venue. Courtesy of Pcestar, a pubicabon of Promoters' On -Line Listings. (800) 344. 7383, or In California (209) 224.2631.

s

:1

1

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PHYLLIS HYMAN "Don't Wanna Change The World"

Urban Contemporary Chart

1 89 UC Reporters - 100%!!

#1 HOTTEST!!

011,1.0,1311-adio1

rbari

from the album PRIME OF MY LIFE

Produced by Nick Martinelli Executive Producers: Kenneth Gamble & Leon A. Huff

Z° 0 EHTERIRIHMEHI

66. RaR September 13,1991 WORLD MUSIC Fripp: King Crimson To Regroup & Record

Former KING CRIMSON leader ROBERT FRIPP, speaking to ROL about the band's forthcoming four -CD boxed set, has revealed that Crimson plan

to regroup and record new material for release in 1992 or '93. The LP will be their first since 1984's "Three Of A Perfect Pair."

"The future involves a continua- tion of cataloguing the band's history and a re-formation of King Crimson," said Fripp. "The band's members are currently fairly committed to their work schedules, so there'll be writing and rehearsing into next year."

Fripp admitted that "phone calls were made three years ago" with a view to the reunion, but wouldn't reveal the exact band lineup. "King Crimson is always the same and always different."

Meanwhile, the boxed set - due in November - consists of three CDs of remastered studio material from Crimson and a live disc of performances from 1969-84, virtually all previously unissued.

Straits Speaking DIRE STRAITS mainman

MARK KNOPFLER gave BBC Radio One an exclusive interview last weekend. Of the band's recently launched two-year world tour, he said: "I'm hoping to write and re- hearse on tour as well, so we can chuck stuff in."

Regarding his NOTTING HILL- BILLIES project, Knopfler said: "It just got a bit too popular. When you play little clubs, you can be- have as if you're in a living room. Tm hoping we'll be able to do another [LP], maybe in about 10 or 15 years."

Brian May - "I've told our manager I

need a deal and a deadline so I can get it done."

Word From The May Queen BRIAN MAY of QUEEN has

been giving ROL an exclusive pro- gress report on his activities in and out of the band. He's working on a new solo project - which he admits he needs some encouraging to complete.

"I've told our manager I need a deal and a deadline so I can get it done."

"Rock Over London" news is a

service of Rock Over London Ltd., which can be reached at 47 Roe- buck House, Stag Place, London SW1 E5813; phone/fax (81) 661-2603.

He also reports that Queen are progressing with the follow-up to "Innuendo." "We have some good material - I think we're about halfway through the next album. It sounds quite a bit different from the last one, a bit more introspec- tive."

Meanwhile, Queen are about to release "The Show Must Go On" as the last UK single from "Innuen- do" and May is set to appear at next month's Guitar Legends event in Seville, where he'll be musical director his night of the five -concert extravaganza.

Cropper's Blues Brothers News

ROL has news from legendary guitarist STEVE CROPPER,

mk,

Robert Fripp - "King Crimson Is always the same and always different."

known for his appearances on many of the classic Atlantic and Stax hits of the '60s and as a member of BOOKER T. & THE MGs, with whom he's been playing live again. Cropper is making a new album for WEA as a member of the BLUES BROTHERS BAND, and tells us it'll include some har- monica contributions by original Blues Brother DAN AYKROYD.

Jack Bruce & Friends Master bassist JACK BRUCE -

also set to perform in the Guitar Legends lineup - revealed exclusive details of his next album (due next year) to ROL last week. As on his last LP ("A Question Of Time"), he'll be reunited with former CREAM colleague GiNGER BAKER, among other notable guests.

"I've got some good folks playing on it," said Bruce. "GARY MOORE and ROBERT CRAY. Good drummers, too. CHARLIE WATTS and Ginger Baker. And

BRITAIN LW TW

1 1 BRYAN ADAtn/(Everything 1 Do) 1 Do Ii For You (A&M) 3 2 PRODIGY/Charly (XL)

2 3 RIGHT SAID FRED/Cm Too Sexy (Tug) 4 4 PRINCE & THE NEW POWER GENERATION/Gett Oft (Paisley ParkWB) 5 5 ZOE/Sunshine On A Rainy Day (AUG) 7 6 ARNEE & THE TERMINATERSA'II Be Back (Epic) 9 7 OCEANIC/Insanity (Dead Dead Good)

19 8 SALT-N-PEPA/Let's Talk About Sex (FFRR/PG)

8 9 MARTIKA/Love...Thy Will Be Done (Columbia) 6 10 PM DAWN/Set Adrift On Memory Bliss (Gee Streelllsland)

18 11 KYLIE MINOGUEiWord Is Out (PWL)

20 12 R9ARKY MARK á THE FUNKY BUNCH I/LOLEATTA HOLLOWAY/ Good Vibrations (Inlerscope/WEA)

14 13 UTAH SAINTS/What Can You Do For Me (FFRR/PG)

17 14 MARC BOLAN & T-REXROth Century Boy (Marc On Wax) 10 15 JASON DONOVAN/Happy Together (PWL)

11 16 COLOR PRE BADD/AII 4 Love (Giant) - 17 ROXETTE/The Big L (EMI) 12 18 EXTREME/More Than Words (A&M) - 19 SABRINA JOHNSTON/Peace (EastWest) - - 20 SONIA/Be Young, Be Foolish, Be Happy (10)

Moving Up CRYSTAL WATERS/Makin' Happy (A&M PM)

STONE ROSES/I Wanna Be Adored (Sitvertone) BRYAN ADAMS/Can't Stop This Thing We Started (A&M) CLIFF RICHARD/More To Lite (EMI)

RUNRIGMearthammer (Chrysalis)

STATUS QUO/Can'! Give You More (Vertigo/PG)

The Network Cheri, courtesy MR/B

my guitar player in my own band, BLUES SARACENO. He's a young kid who's really good."

Music & Movies ROZALLA has reached the UK

Top 40 with her single "Every- body's Free To Feel Good." She's also set to feature on the soundtrack of the new VANILLA iCE film.

Speaking of movies, SPANDAU BALLET's GARY KEMP is about to finish work on his new film, "Paper Marriage." Kemp - who last starred with his brother MAR- TIN in "The Krays" - plays an art student involved with a Polish girl looking for a husband to secure her British citizenship.

Meanwhile, DAVE STEWART is writing and producing a film with '60s guru TIMOTHY LEARY of "tune in, turn on, drop out" fame. The film is titled "Motorcycle Mys- tics" - as is one of the tracks on Stewart's new LP, "Honest" - and

swill be shot in India later this year.

Talk Talk, Wyatt LPs Coming

TALK TALK's "Laughing Stock" LP will be out on Polydor's Verve label next week. The long- awaited follow-up to "Spirit Of Eden" is again produced by longtime band associate TIM FRIESE- GREENE. It features six tracks, including the nine -minute "After The Flood," and the near 10 -minute "New Grass."

Former SOFT MACHINE member ROBERT WYATT, best known for his 1983 version of ELVIS COSTELLO's "Shipbuilding" and an unlikely 1974 UK hit cover of the MONKEES' "Fm A Believer," will return next week with "Donde- stan" - his first album of new material in six years. Wyatt plays all the instruments on the LP, but his former Soft Machine colleague HUGH HOPPER wrote the music for "Lisp Service," and Wyatt's wife, ALFIE, wrote lyrics for half of the songs.

AUSTRALIA LW TW

2 1 YOTHU YINDI/freaty 1 2 DEBORAH CONWAY/t's Only

The Beginning

5 3 TROY NEWMAN/Love Gets

Rough

3 4 MELISSA/Read My Lips

9 5 CROWDED HOUSE/Fall At Your

Feet

6 6 JIMMY BARNES/Love Is

Enough

7 7 KATE CEBERANO/Every Little

Thing

4 8 NOISEWORKSMot Chilli

Woman - 9 BABY ANIMALS/Rush You

10 10 ROXUSBad Boys

Most Added JENNY MORRIS/Break In The Weather

DARYL BRAITHWAITE/Don't Hold Back

Your Love Top 10 Australis', records from pie yksrs of 3 Triple M-FM/Melbourne, FOX-FM/Melbourne, 96 wM/Perth, SA-FM/Adeleide, 2-DAY/Syd- ney, 2 Tnple M-FM/Sydney, MMM-FM/Bns- hene, B 105/Bnsbene, FM-104.7/Canberra, end 2 KIX 106/Cenberre.

.

. _.112

Adeva -a Fair cover version.

Under The Covers The BLUE AEROPLANES will

release their version of PAUL SI- MON's "Graceland" track "The Boy In The Bubble" as a single on October 7. Leader GERARD LANGLEY told ROL recently: "We've got enough cover versions on record now to make a whole album. I think the main difference about this one - why people .ask about it - is that it's the first cover we've done that's a well-known song."

Also due that day is dance diva ADEVA's adaptation of YVONNE FAIR's 1976 UK hit, "It Should Have Been Me." Adeva scored three consecutive UK hits in 1989, and this spring teamed up with British rapper MONIE LOVE for the UK Top 20 hit "Ring My Bell."

Joan Collins's Daughter: Newley Arrived

JOAN COLLINS's daughter has just made her big -league recording debut.'TARA NEWLEY-Collins's 27 -year -old daughter by her marriage to crooner ANTHONY NEW - LEY - is the featured vocalist on E -ZEE POSSEE's fourth single ("Breathing Is E -Zee"), which came out last week.

Newley wrote the lyrics for the song and has spent several years playing and singing on the pub and club circuit. Now she's teamed up with Possee leader JEREMY HEALY, once of HAYS! FANTAY- ZEE.

CANADA LW TW

1 1 BRYAN ADAMS/ (Everything I Do) 1 Do

It For You 2 2 GRAPES OF WRATHA Am

Here

5 3 ALANIS/Feel Your Love

6 4 WEST END GIRLSA Want You

Back

3 5 CELINE DIONMave A Heart

7 6 GLASS TIGER/My Town

4 7 CRASH TEST DUMMIES/ Superman's Song - 8 BRYAN ADAMS/Can't Stop

This Thing We Started

9 9 TOM COCHRANE/Lite Is A

Highway

8 10 WORLD ON EDGE/Standing

Push And Fall

Most Added BRYAN ADAMS/Can't Stop This Thing

We Started

INFIDELS/100 Watt Bulb

TOM COCHRANE/Life Is A Highway

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68 RaR September 13,1991 AIR PERSONALITIES 4

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DAN O'DAY

COMMON FAILINGS

How To Sabotage Your Show In listening to countless airchecks and working with

air personalities of all market sizes and formats, you can hear the same mistakes being made again and again. Here's a quick rundown on the most common ones I hear:

Overuse of music beds. It's possible to sound too slick. Seam- less production values can make the show sound too packaged, not alive enough.

Knee-jerk use of music beds. This occurs when the DJ uses a particular music bed because it has an obvious connection to the show content - even if the musical choice is inappropriate. The morning after Michael Landon died, one morning show talked about how sad they were ... while the theme from "Bonanza" played under- neath. Yes, that TV show made Landon famous. No, that music did not fit the mood of what was being said.

The bland leading the bland. If the DJ is a laid-back, easygoing host who puts callers on the air, he needs callers with verve. Someone has to provide the entertainment factor in an on -air call. Here's a bland air talent talking to a bland phone caller:

DJ: Hi, who's this? Caller: Bob. DJ: What's up, Bob? Caller: Could you play some

George Strait? DJ: Sure thing. Caller: I really like his music. DJ: I do, too.

If a contest isn't compelling to listen to, it shouldn't be aired. A dramatic

contest call is one that either is fun or

has a sense of tension about it.

. m A predictable format with a

predictable DJ. The more rigid the show's structure, the more unpre- dictable the air talent should be. With the proliferation of overlever-

Dan O'Day, author of "Personali- ty Radio," consults a limited number of radio stations and conducts air talent seminars for stations, groups, and associations. He can be reached at {213) 479-1767.

The more accurately

[listeners] can predict what will happen within the

show, the more vital it is for them not to be able to predict how the DJ will

respond.

aged broadcast properties, produced comedy services, and expensive programming consultants, you can travel the entire country and hear the same cookie -cutter disc jockeys. They do the same features at the same times, often using virtually the same words.

With such a show, the listeners rarely wonder what will happen next: First come the celebrity birthdays, then the "suck wall," then the tabloid headlines, etc. The more accurately they can predict what will happen within the show, the more vital it is for them not to be able to predict how the DJ will respond within that struchuré.

Management inflicting someone else's personality on the air talent. The surest way for a PD to suck the creativity out of a show is to insist the air talent do whatever bits and features are working at a sister station in another market. A bit or feature works best when it reflects the personality of the show; too many stations try to bend a show's personality to fit a preconceived bit.

On -air contests without drama. We all know a very small percentage of your audience ever calls in to enter a contest. If a contest isn't compelling to listen to, it shouldn't be aired. A dramatic contest call is one that either is fun or has a sense of tension about it.

A call might be fun because the DJ uses it as an opportunity to play with a listener. A sense of tension, on the other hand, is derived from the contestant's attempt to play the game and win the prize.

DJs who waste valuable airtime with meaningless filler phrases. "Glad to be with you" .. .

"Good morning to you" ... "On your Wednesday evening ...." A disc jockey not speaking at all is

far more interesting than one who speaks but says nothing.

Not knowing how to tease an upcoming element. Here's how one news personality attempted to "tease" her preview of a movie opening that week: "Coming up in just a few minutes, I'll give you my prediction on 'Terminator 2.' I predict it'll be one of the biggest hits ever, and I'll tell you why in just a few minutes."

Not adding one's own spin to an idea. Reading USA Today's "Ques- tion Of The Day" on the air and asking your listeners to phone in their opinions is not creative. It's possible, however, to use that question as an inspiration for one of your own. A creative jock might transform "What is your favorite vacation spot?" to "What famous person would you least like to be stranded on a desert island with ... and why?"

r í

Dianna Kelly (I) and Jonathan Monk.

. . , -+ _ .= ; _

P .1 I,

b. 1.. r

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Creative Cassette Labeling When submitting an aircheck to a prospective em-

ployer, most disc jockeys think they've done all they can by using a new tape and, perhaps, a computer -typeset cassette label.

Here are two very creative methods which can make your tape stand out from the rest. Dianna Kelly & Jonathan Monk, formerly of WTIClHartford, use a simple col- or photograph (above) - inserted into the plastic box in front of the cassette -to show what they look like, suggest an element of fun in their show, and immediately attract a PD's attention. WSNXIMuske- gon, MI talent Dirk Stamm's cassette wraparound (right) includes all of the pertinent information a PD might need.

DIRK SIAM/11

5129 Martin Road Muskegon, MI 49441

'cDRReNTLY wsNx AM/PM

*Music Assistantnus KECON'

MI *Research Director *'Selector'

experience *weekends/Sving-shift

*4 -track experience *high energy

presentation *team player

LOOKING FOR:

*full-time position

Preferably nights Possibly a music or1ented Position

The Sidekick's Role All too often the sidekick isn't given a clear descrip-

tion of his role on the show. This leads to a main air personality and a sidekick who aren't working toward the same goal.

The sidekick is there to help the morning team score as many points as possible, as efficiently as passible. Like a basketball player whose primary job is to feed the ball to the team's lead scorer, a sidekick must be content to rack up plenty of assists while the show's star gets credit for making the actual shots.

Too many sidekicks think their job is to show off. Their real job is to lend consistent, thoughtful support to the lead air talent. On an aircheck I heard recently, for example, the DJ followed a newscast by asking his sidekick, "What's the tackiest thing you've ever seen on a

Before responding to a question or interjecting a

remark, sidekicks should ask

themselves, 'What can I say that will add to the forward momentum of this

break?'

A sidekick must be content to rs ck up plenty of assists while the show's

star gets credit for making the actual

shots.

front lawn?" The sidekick replied, "Oh ... I don't know, really."

The DJ didn't ask because he really wanted to know the sidekick's answer; he simply was trying to segue into a bit. He might have had better luck if he had warned his partner ahead of time so she could think of an answer. But even having been caught of f - guard, she should've been able at least to answer, "Probably those garish pink flamingoes."

Before responding to a question or interjecting a remark, sidekicks should ask themselves, "What can I say that will add to the forward momentum of this break?"

Another major market morning show included a newsperson/side kick who complained she didn't have enough to do on the air. The

Too many sidekicks think their job is to show off. Their real

job is to lend consistent,

thoughtful support to the lead air

talent.

lead DJ didn't want her to be un- happy, so he had her do a daily segment during which she read strange stories from various supermarket tabloids. The segment ran several minutes ... and was dead- ly dull.

The newsperson didn't bring a unique perspective to the tabloid tales. Like most people who use tabloids on the air, she simply touted them as dumb stories, read them verbatim, and then sniggered over them when she finished. Each morning the show ground to a halt once an hour so the sidekick could deliver this feature. She was happy because that additional mike time made her feel more important. And the lead air talent felt good about having generously surrendered some of the spotlight.

But the feature was a tuneout. In other words, everyone was pleased about it except the listeners. Is that the only reason the DJ and the side kick are unemployed now? No. But perhaps the lack of a team purpose it illustrates was an important factor in the show's lack of ratings success.

o_ an e ar

Radio. It's the medium that reaches 96% of all Americans every week. The medium that can deliver a precise target audience through more than 12,000 individual stations.

It's the medium with the Midas touch. Since 1965, Arbitron information has been the currency for the radio marketplace.

From Nationwide to County Coverage, we're supplying the radio industry with the facts that prove the value of radio advertising. So go for the gold. Talk to Arbitron today.

.BITRüN

70 R& R September 13,1991 GOLD LOST 45s UNEARTHED

WZLX Mines A Pot Of Gold WZLX/Boston's seventh annual "Lost 45s Top 100

Countdown" featured hits by the Partridge Family, Carl Douglas, the DeFranco Family, and a host of other music immortals during two September Sundays.

WZLX's :ist was compiled by tabulating approximately 5000 mail -in and phone votes received during late June and July. Promo- tions Director/air personality Bar- ry Scott then took charge of the countdown. The lower 50 songs were played September 1; the Top 50 were unveiled last Sunday (9/8).

Scott noted that the countdown's complexion has changed over the past few years. "There are definitely songs that have fallen out of favor. The No. 1 song the first year [1985] was the DeFranco Family's 'Heartbeat, It's A Lovebeat' [No. 11 this year].

"Some mainstream bubble gum songs like 'Sugar Sugar' [Archies] are gone, and people seem to get tired of novelty songs like 'King Tut' [Steve Martin], 'Convoy' [C.W. McCall], and The Streak' [Ray Stevens]. These songs - at the top of the chart in 1985 - don't seem to survive year after year.

"For the most part, our audience doesn't seem to care for '60s music anymore. There's a totally different sound once we reach the '70s."

Beantown Ties Consequently, early and mid -'70s

songs are gaining in popularity. "[Crosstown Gold] WODS might play Dawn's 'Knock Three Times,' but we get many requests for their 'What Are You Doing Sunday,' said Scott. "There's also a lot of re -

By Mike Kinosian remembered.

"I looked at old [ex -Top 40, now Talk] WRKO charts, and almost every Abba song went to No. 1 - including 'S.O.S.' [No. 23 on this

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TEMPTING OFFER - The Temptations visit with KYA 8 KSFO/San Fran- cisco PM driver John Mack Flanagan backstage before a station - sponsored concert.

sti

THAT'S SHOW BIZ - While celebrating his 40th year in show business, Tony Bennett has been busy visiting stations across the country; (at left) he chats with KAAM/Dallas OM/"Breakfast Club" host Jaan McCoy; (at right) WNEW (AM)/New York personality Jonathan Schwartz spends some time with the singer.

sponse for songs not being played anymore by other stations."

Like most areas, Beantown has produced its share of regional favorites. Noted Scott, "The Wild - weeds are from New England, and 'No Good To Cry' was huge around here. Everything by Abba did well in Boston, and that group's fondly

Dream Vacation WIBM/Lansing recently gave away a "Dream

Vacation." Nearly 100 qualifiers wearing vacation -style clothing attended a station -sponsored party, during which a random drawing produced a winner who walked home with a $4000 package.

During the eight -week promotion, listeners registered to win at partici- pating sponsors. Upon hearing their names mentioned on -air, participants had approximately 10 minutes to call the station and become eligible for one of three vacation prize packages: a trip to Jamaica or Hawaii; a Carib- bean cruise; or a combination Disney World vacation/Caribbean cruise. Each trip also included $941 spending money (frequency tie-in).

-

Winner Linda Lake (second from left) receives WIBM/Lansing's "Dream Va- cation" prize from PD L3ob LaBorde (I) and morning co -hosts Cindy O'Day and Jim Bosh.

year's 'ZLX list]. The Road Apples had a local base, and 'Let's Live Together' also appears on the list [No. 99]."

Artist interviews helped aug- ment the presentation of the Top 100 lost tunes. Commented Scott, "Neil Sedaka talks about 'Bad Blood' and why Elton John sings about it, Jim Stafford discusses why 'Spiders And Snakes' was banned, Albert Hammond tells why 'Free Electric Band' is autobiographical, and Clint Holmes talks about how he was discovered. The interviews helped tie everything together."

Scott also has been spinning records and conducting his own infor- mal research on Wednesday nights at a local nightspot. "We pack in 500-600 adults who dance to this music. I've noticed lately whenever I play the Four Seasons' 'De- cember, 1963 (Oh, What A Night),' [No. 5 on the countdown] people go crazy. They may have bought it when they were nine or 10; now it's incredible to hear again. Some songs like that come into their own as time goes by."

50 Ways To Please Boston Listeners

Here are WZLX/Boston's Top 50 songs from its "Top 100 Lost 45s Countdown":

1. PARTRIDGE FAMILY/I Think I Love You 2. GILBERT O'SULLIVAN/Get Down 3. ALAN O'DAY/Undercover Angel 4. CARL DOUGLAS/Kung Fu Fighting 5. FOUR SEASONS/December, 1963 (Oh, What A Night) 6. BO DONALDSON & THE HEYWOODS/Billy, Don't Be A Hero 7. SWEET/Little Willy

8. BOBBY SHERMAN/Easy Come, Easy Go 9. TERRY -JACKS/Seasons In The Sun

10. PAPER LACE/The Night Chicago Died 11. DeFRANCO FAMILY/Heartbeat, It's A Lovebeat 12. VICKI LAWRENCE/The Night The Lights Went Out In Georgia 13. DEAN FR1EDMAN/Ariel 14. GUNHILL ROAD/Back When My Hair Was Short 15. HENRY GROSS/Shannon 16. DAWN/Knock Three Times 17. BAY CITY ROLLERS/Saturday Night 18. CHER/Gypsies, Tramps & Thieves 19. REUNION/Life Is A Rock (But The Radio Rolled Me) 20. WILDWEEDS/No Good To Cry 21. BOOMER CASTLEMAN/Judy Mae 22. JIGSAW/Sky High 23. ABBA/S.O.S. 24. OSMONDS/One Bad Apple 25. DAVID GEDDES/Run Joey Run 26. SHAUN CASSIDY/Hey Deanie 27. SAMMY JOHNS/Chevy Van 28. COVEN/One Tin Soldier (The Legend Of Billy Jack) 29. VILLAGE PEOPLFJY.M.C.A. 30. BLUE SWEDE/Hooked On A Feeling 31. ANDY KIM/Rock Me Gently 32. REDBONE/Come And Get Your Lbve 33. BO DONALDSON & THE HEYWOODS/Who Do You Think You Are 34. MAGIC/Pilot 35. DAWN/What Are You Doing Sunday 36. SILVER/Wham Barn

37: AUSTIN ROBERTS/Rocky 38. WILD CHERRY/Play That Funky Music 39. HELEN REDDY/Leave Me Alone (Ruby Red Dress) 40. AL WILSON/The Snake 41. NICK GILDER/Hot Child In The City 42. HUDSON BROTHERS/So You Are A Star 43. SUGARLOAF/Don't Call Us, We'll Call You 44. PARTRIDGE FAMILY/I Woke Up In Love This Morning 45. RAM JAM/Black Betty 46. BOBBY SHERMAN/Julie, Do Ya Love Me 47, GILBERT O'SULLIVAN/Out Of The Question 48. CHER/Dark Lady 49. MAXINE NIGHTINGALE/Right Back Where We Started From 50. RUPERT HOLMES/Escape (The Pina Colada Song)

If you'd like to share your station's countdown info, write Mike Kino. sian at R&R, 1930 Century Park West, Los Angeles, CA 90067; or fax me at (213) 203-9763.

Gotham City Favorites On -air solicitations for WCBS-FM/New York's "New

York Top 500 Oldies Survey" began late last month.

GOLD VAULT Management

WWKUHarrisburg promotes midday personality Tom Shannon to PD .. .

WFOX/Atlanta elevates Promotion Di-

rector Tim Johnson to Director/Pro- motions & Marketing.

Air Talent KUDA/Las Vegas PD Amy Daniels

leaves to become midday personal at KQQUMinneapolis ... WWKUHar- risburg adds Chris Andree to middays ... Joining WGY-FM/Albany are Marty Brandon (afternoons); Dave Scott

(evenings); and Brian McCormick (parttime) ... WKLUUtica, NY names Laura Coluzza nighttime personality. She replaces Geoff Storm, who is upped to middays . - . Mike Rivers loins, WOWO/Fort Wayne, IN as host of the "National Oldies Request Show"; Chris Underwood is added to WOWO's parttime staff.

Miscellaneous KCBS-FM/Los Angeles AM drive

newscaster Linda Lambert and night personality Gary Reid won several thousand dollars as contestants on the new "Shop Til You Drop" cable TV game show.

Listeners are being invited to vote for their three all-time favorite songs. Participants will receive a free survey poster after the survey's Thanksgiving weekend broadcast.

It would be an understatement to say the Five Satins' "In The Still Of The Nite" has dominated the survey. The tune has been the top vote -getter every year of the poll's 19 -year history. Besides the Satins, last year's top finishers were the Penguins ("Earth Angel"), Elvis Presley ("My Way" and "Can't Help Falling In Love"), and the Four Seasons ("Rag Doll").

1

PRESENT: 10

0 DICK B A R T L E Y' S

Q cc

DOUBLE m a

1

COLLECTION THE DOUBLE GOLD COLLECTION

The Double Gold Collection represents 2 brand-new, distinctive weekly radio shows- produced and hosted by three -time 0

Billboard Award winner-Dick Bartley. Whether the format is oldies or gold -based A/C; here are 2 shows designed to

dramatically enhance any station's weekend programming. ABC Radio Networks' Double Gold Collection is offered to radio

on a market -exclusive basis. For more information call Patricba Krasner (212) 456-5365 or FAX (212) 456-5449. Outside the U.S.

contact Radio Express 1-213-850-1003.

AMERICAN GOLD ROCK & ROLL'S GREATEST HITS

Contemporary in delivery, American Gold focuses on a Following a format that Dick Bartley successfully developed

powerful mix of music from the 60's and 70's. The founda- and is best known for, Rock & Roll's Greatest Hits is a live

tion of each week's program is the exclusive Top 10 count- all -request gold show. Each week, Dick will host a coast -to -

down from Billboard's official Hot 100 charts of that. era. coast oldies party as listeners from all across America call in

Artist interviews, listener requests and memories, and their favorite songs on our toll -free request lines. The clas-

capsule salutes to the most memorable movies, television sic hits of yesterday meet the digital audio technology of

shows and personalities will round out the program. today, as Rock 8 Roll's Greatest Hits features the best possi-

ble version of each song played directly from compact disc.

..,. t

A1\11IEIIII(A\N GOILD

WITH DICK II

ROCK & RUMS GREATEST HITS

C The Dick }Bartley dhow

72 Rd R September 13,1991 ti CHR MIN

JOEL DENVER

CONTEMPORARY HIT RADIO

/

WBBQ: A Winning Tradition Prevails

There's a lot to be said for tradition, as evidenced by WBBQ-AM & FM/Augusta, GA's spring Arbitron. WBBQ- FM's 12+ rating climbed 21.5-23.0, and the station is No. 1

in every demo but 12-24 (Urban WFXA edges ahead for top honors). WBBQ-FM's Birch was almost as impressive: No. 212+ (20.9-21.0) just behind 'FXA, which notched 21.1- 21.4 for first place.

Augusta native and PD/10am- noon personality Bruce Stevens helped build the tradition when he joined WBBQ in 1974. "I've worked in this area my whole career. The first and only other job I had was at an AM station - WAKN/Aiken, SC - where I was MD. One day [then - local A&M promo rep, now Giant President] Charlie Minor started calling on me and the rest is history. I got started here as a weekender and was MD until three years ago, when Harley Drew left to join [crosstown] WZNY as GM."

Stable Management Despite his small market back-

ground, Stevens is familiar with major market radio. He's had plenty of opportunity to observe what goes on through peers at other stations. "The biggest mistake I see is that there's no commitment to the

0,,,;011

Bruce Stevens

format, PD, and staff for any length of time.

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Daily game tickets and detachable reminder cards from WBBQ's "Lot -O - Dough" direct mail contest lured listeners to call in and win cash when their numbers were called.

m The biggest mistake I see is that there's no commitment to the format, PD, and staff for any length of time. Too many owners and GMs

want 90 -day turnarounds in

Arbitron, and it's just not going

to happen.

"Too many owners and GMs want 90 -day turnarounds in Ar- bitron, and it's just not going to happen. The real growth of a new station takes too long to show in Ar- bitron. We'd better start looking at Birch - especially in CHR. I don't trust someone to remember what he listened to on Friday night when he's filling out a diary three days later.

"Last year, Country WGUS-FM became CHR WOPW for about 90 days. It didn't get the huge impact it expected and changed formats again. Now they're a clone of [Rock/AC] WMMO/Orlando and are still trying to get off the ground.

"If WOPW had stayed with it they'd have made a dent in the younger demos, forcing me to de- fend the upper demos and give up bragging rights to a huge 12+. We were smart and waited them out."

Stevens's own situation is much different. "[Owner] George Weiss put the stations on the air in 1949 and has been the owner ever since. He's absolutely the greatest guy to work for and backs us up as well as any major chain. If it weren't for his support we wouldn't be in the dominant position we are today. Savannah Valley Broadcasting President/GM Birnie Florie and George really give us what we need to take care of business. In fact, George still does a daily shift in one of our four mobile news. cars.

"It's all part of a very close working relationship between the staff and the community at large. To do that you have to have 110% support, and we've got it."

Mtiltiformat Competition Stevens compared Augusta to

other markets that support multi - format - instead of direct format - competition. "If this was true to form to what's happening in other "

markets, then the only Urban

oec.i St.ewn

WBBQ's outdoor campaign supports its direct mail piece.

[WFXA] should be No. 1 by a long mile, the AC [WZNY] should be No. 2, the only AOR/Classic Rock- er [WRXR] should be killing us in upper demos, and the market's only Country [WKXC] just might be a contender also. But we dominate [nearly] every demo, including 12+, and will continue to do so."

With morning man Mark Som- mers in place for over a decade, afternoon driver Dick Shannon at 'BBQ on and off for 17 years, and night rocker Rob Collins holding down that shift for 22 years, the tradition continues. "We've even got some major market talent: Mike Dineen came from WFIL/ Philadelphia years ago. He's Pro- duction Director and handles some weekends. The youngest member of the staff is late -righter Tony Knight, my music assistant. The newest staffer is overnighter Robert Marx from afternoons at WOPW."

WBBQ-FM Music Monitor

" M While many CHRs are stopping

for spots only twice an hour, WBBQ-AM & FM/Augusta, GA still finds that three stops work well: :22, :38, and :51. This allows PD

Bruce Stevens to balance out a

12 -unit load with a quick commercial set. Then it's back to the music. Here's a recent 5pm hour.

BOB SEGER/Real Love DEEE-LITE/Groove Is In The Heart 38 SPECIAL/The Sound Of

Your Voice ARETHA FRANKLIN & GEORGE

MICHAEL' Knew You Were Waiting (For Me)

F IREHOUSE/Love Of A Lifetime BILLY FALCON/Power Windows LENNY KRAVITZ/It Ain't Over Tul

It's Over MADONNA/Into The Groove MICHAEL BOLTON/Time, Love

And Tenderness WINGER/Miles Away HI-FIVE/I Can't Wait

Another Minute TOTO/Rosanna CATHY DENNIS/Too Many Walls MARIAH CAREY/Emotions

National Tastemaker Stevens said the station conducts

basic research using retail and phones. "Tony takes some of the work off me by helping with the research. I'd bet most stations in our market size don't have callouts anymore, with the economy being what it is. That's OK - it lets us use our ears to pick music."

WBBQ-FM is nationally known as a mainstream tastemaker. But Stevens doesn't "care about the national picture on records. That's why we've been able to take some shots. We play what's right for us. We've had some success with alternative product recently and, lucki- ly, never fell into the trap of playing as much disposable music as so many CHRs did.

m I don't care about

the national picture on records. That's why we've been

able to take some shots. We play

what's right for us.

"I've been watching this dance thing with a jaundiced eye and believe the oversaturation not only hurt the format but is still having a serious effect on the rectrrents and gold that many stations are playing. Much of that stuff went from playlist to recurrents to the gar- bage.

"I'm thankful the labels are now helping out with better product. They realize they can't focus on artists without catalogue potential. Programming a winning station properly is a seven -day -a -week job. But I get added energy from our success. I'm excited about the music because there are some new avenues to explore. It's really helped make WBBQ sound better."

Q -Card Cash WBBQ-FM's spring promotional

campaign was anything but small for market No. 109. "The `Q -Card' was a huge success," recalled Stevens. "We had a wheel in the control room which we spun for the cash amounts and then called out a


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Dec mber 21, 1979

determine your playlist and you

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Radio & Records November 17, 1978

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Musical trends come and go, but over the past 2 decades there's been one constant-American Top 40. Listeners

worldwide have had their curiosity about chart facts and music trivia satisfied by listening to AT40, which culminates in the crowning of the # I record each week. Our success formula?

Simple-we play the top 40 hits and only those hits each week as ranked by Billboard Magazine.

American Top 40, the countdown you have been counting on for 21 years

Y

,

P E ICAN * TOP40

WITH SHADOE STEVENS

.4"'A®C °° . -'

74RaR September 13,1991

the farm

v\,

"groovy train"

The new single From the album SPARTACUS 100% Groovy U.K. smash!

PWR99 add KRBE add KTFM add HOT102 add KS104 deb 23 KPLZ on 93Q add WSTW add

195 add G105 add WPXR add KLUC 30-24 KWOD deb 20 KMGZ add KTRS add KTMT 38-32 OK95 add

MTV - BUZZ BIN

® © 1991 Sire Records Company

HOT97 deb 28 KBXX deb 20 KS104 11-11 PWR106 deb 33 FM 102 4-4 Hot KMEL 9-7 HOT977 26-21 Hot WQXA add

Urban Chart 0

WCKZ add KKXX deb 29 B95 18-11 Hot PWR102 30-23 KCAQ deb 40 Z90 deb 28 KWIN 32-23

The new single From the album X MARKS THE SPOT

"why can't you come home"

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9 © 1991 Reprise Records

CHR

WBBQ: A Winning Tradition Continued from Page 72

number. Cardholders called in to win. In addition, we did a direct mail campaign which went to 100%

of the metro households. The mailers had numbered panels which directed listeners to tune in at 7:20am to win $1000 - $5000 on Thursdays. We had about seven hits over 12 weeks; three of them were for $5000. We also did some outdoor and TV to back it all up."

WBBQ-FM's simplistic approach to audience appeal extends to its on -air marketing. Aside from using the TM/Century "KITS" jingle package and some sweepers, "word of mouth is the best way to advertise yourself," observed Stevens. "If your product is great, word gets around. That's why, aside from an oldies hour from llam-noon - which we turn into a request show on Fridays - we don't do a lot of hype or specialty features on the air.

"We don't battle records, we don't have a 'Top Eight At 8,' and no one on the air is named Holly- wood because no one in town knows anyone with that kind of name. That may work well for other markets, but here we're very much ourselves. We've avoided a lot of industry cliches.

"WBBQ is really what we pound home - 104.3 WBBQ-FM. It really works and it's easy to listen to compared with some stations that have so many phrases and liners you can't really identify with any of them."

Visible Impression Stevens makes sure WBBQ-FM

is out and about. "We've been pretty visible this summer with a July 4

event at River Walk - an area that's being refurbished in the heart of downtown. About 200,000

people attended. Also 'Arts In The

No one on the air is named Hollywood because no one in

town knows anyone with that kind of

name. We've avoided a lot of industry cliches.

Heart Of Augusta' was a big at- traction.

"We do just about anything that makes sense from a listener benefit standpoint. Charity concerts have gone over very well. We had Concrete Blonde perform on behalf of the American Cancer Society, Trixter for the American Heart Association, and the LA'S for the

Ronald McDonald House. We give the charity the entire door and a percentage of the drinks.

Stevens also talked about WBBQ-FM's news face. "Unlike a lot of CHRs, we do news every day. In the spring we had a huge flood and used the [mobile news cars] to keep the market aware of the situation.

"[Morning newscasts run] four minutes each half-hour from 5:30 -

Barn. Then we cut back until afternoon drive with four -minute updates at 3:55, 4:55, and 5:55. It's this kind of special attention to entertainment and information that keeps us strong in so many demos.

"What WBBQ does isn't really anything more than what the listeners expect from us. They want the right music, companionship, and to know that we are a part of the community. Those elements have been the basics of radio I grew up with, and they're still working here."

MOTION WPRR/Altoona, PA re-

places PD Scott St. John with midday/promotions man Dave

McCall. Peter Masse moves from overnights

to afternoons at KRXY (KS104)/Den- ver ... Changes at KXXR/Kansas City,

MO: Overnighter Ben Jammin' is

bumped up to Music Coordinator,

Brian Williams (aka Brother Weems) from WLAN/Lancaster, PA joins the morning team, and Jim Allan from

KKRZ (Z1 00)/Portland slides into after-

noons ... KKRD/Wichita places Greg

"The Hit Man" Williams in the night

slot vacated by J.J. Jeffries ... KZI1/

Lubbock morning man Steve Sever has

left to focus on his production corn -

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ANOTHER ELVIS SIGHTING - The folks at KPAT/Sloux Falls, SD

shared some big laughs with listeners by dressing up a 40 -foot "muffler man" as Elvis. Tickling the King's ear is APD Maxx Boogie.

pany. The new wakeup man is John

Griffin from crosstown country KKIK.

KQIYJGrand Junction, CO PD Char- lie Michaels has had a change of heart

and is not heading to KFTZ/Idaho Falls

... WXXL (XL106.7)/Orlando ups

Mark Litton to Promotions Director,

and Kathy Bailes to Asst. Promo Dir.

... Doc Livingston is the new MD at

WBHV/State College, PA as Mike

Maze concentrates on mornings .. .

KHTT/Santa Rosa, CA AM Producer/ middayer Mark Masters from cross-

town KKSR and promotes parttimer Darrell Roberts to afternoons ... WZAT (Z102)/Savannah night jammer Ralphie On The Radio - now called

The Judge - has switched to nights at

WOWI/Norfolk.

WJMO/Cleveland adds Flats Enter- tainment Assoc. VP Rosemary Vinci (aka Madame LaRue) to the morning

team ... WFLY (Fly 92)/Albany ups

Ellen Rockwell to nights, replacing

Jammin' Jim Steele. Ex-WKXX/Birmingham middayer

Jenna Foxx now does nights at

WMTX/Tampa ... WWSF/Fort Walton, FL Mktg. & Promo Dir. Bill Brock be-

comes MD/night rocker, succeeding Rick Daily, who's now doing middays

... WHJX/Jacksonville weekender Tony Mann crosses the street to

WAPE for similar duties ... KMLE/

Phoenix morning producer Steve

Amu' exits for mornings at WTXT/Tus-

caloosa, AL ... KIXY/San Angelo, TX

personality Tab Allen takes mornings

at WYAV/Myrtle Beach, SC.

Hildi Brooks from WYKS/Gainesville, FL joins WXXL (XL106.7)/Orlando for

middays and Just Plain Mark from WVKS/Toledo comes in for nights .. WERZ/Exeter, NH adds parttimer Rob

Walker from WKSS/Hartford KTMTIMedford, OR MD Grant Tressel

exits over budgetary problems ... WKEE/Huntington, WV Asst. PD/after-

noon driver Rick Steele leaves .. .

WTHT/Portland, ME Creative Services

Dir. Steve Schneider departs ... WWGT/Portland, ME middayer Jeff

Webster picks up weekends at

WPRO-FM/Providence KRXY/Denver says goodbye to 24 -year Traffic Man-

ager Virginia Bryant Warden.

1

FEEL L C

1

.rks.

,P_NK. Booth 602 at Radio 91 is the perfect place to win an extraordinary prize. [Provided you're lucky and smart enough

to pick the right question] During the show, if you can stump the MusicSCAN team with a music trivia question, you'll

win six months* of free MusicSCAN software. Just think, flawless music rotations and great sound for half a year at no

charge. We just might make your day. O

AN Music Scheduling Software 1-800-476-0469

'Six months free, upon signing a two-year oontracL New clients only. Any resemblance of the above illustration to any famous movie star is strictly coincidental, and

by the way. MusicSCAN does nor condone the use of firearms. Even in a sales pitch.

76RaR September 13.1991

CHR PICTURE A E 1 y

'

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.

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.

IA

"Set Adrift On Memory Bliss"

KMEL add KSOL add WPGC add 30 KBXX add KRBE add

Top 5 UK Single On Your Desk Now!

o ISLAND

"never stop" NOW ON 44 CHR STATIONS 44/11

WZOU add 31 FM102 add WDFX deb 27 KS104 deb 25 KGGI deb 22 Q106 deb 26

IAX5

HOT97 28-25 WPGC 29-26 KTFM 16-14 PWRPIG 30-28 PW R 106 16-14 KMEL 26-24

PolyGram l abet Group

© 1991 delicious vinyl, inc. QL ISLAND

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FRUITS OF THE LOOM - KKLQ (0106)/San Diego hid tour pairs of Gloria Estefan concert tickets in underwear packages at a local store and challenged listeners to find them. Pictured with the winners on a pile of briefs are AMers Rick Rumble (with microphone) and John Murphy (third from right).

r

_ if i -r- n i 1

G. .

Z100'S EIGHT BALL - WHTZ (Z100)/New York brought out the heavy hitters to participate in Its eighth birthday bash and concert. Hanging out backstage at the Palladium are (1-r) Columbia's Jerry Lembo, President Don lenner, Z100's Steve Kingston, Mariah Carey, the station's APD/MD Frankie Blue, and the label's President Tommy Mot- tola.

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A HITTER WITH POWER - Michael Bolton huddles with the WAPW (Power 99)/Atlanta posse following a station - sponsored charity softball game. Pictured are (back row, l -r) Columbia's Lee Durham and Power 99's Paul Oss- mann and Major Tom; (front row, l -r) WAPW's Rick Stacy and Leslie Fram, Bolton, and station staffers Reggie B., George Lowe, and Rob Kessler.

VINYL

Angel by Nikolaj Steen. Angel by Nikolaj Steen. Angel by Nikolaj Steen. Angel by Nikolaj Steen. Angel by Nikolaj Steen.

This rather redundant message has been brought to you by Imago. When we say we have only one track to work at CHR radio, we mean it. We're committed. We're staying with it. And we'll give you all the support you need when you play it. You

WNVZ

KDWB

WPST 35-33

G105 28-25

WAPE 26-25

-

t e

won't see us coming around with other artists or other tracks this year. But you will see us coming around. That's because we really believe this record is a hit. And if we've said it once, we've

said it a thousand times.

Angel by Nikolaj Steen. Angel by Nikolaj Steen. Angel by Nikolaj Steen. Angel by

Nikolaj Steen. Angel by Nikolaj Steen.

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WRVQ deb 35

KJ 103 24-21

WNYP 32-28 hot WOMP 11-10 hot

KISR deb 30

The Imago Recording Company 152 W 57th St. New York NY 10019

78 RaR September 13,1991

1 AC wa

4 - I

MIKE KINOSIAN

MODESTO OVERVIEW

ADULT CONTEMPORARY

Sunny Catches Fire When Joe Kelly arrived as PD of CHR KFIV/Modes-

to, CA in summer 1988, he flipped the format to Hot AC. "It lasted about a year, but didn't

work," he admitted. "This station had lots of CHR heritage and [after the format change] people perceived us as being a CHR playing wim- py music. We changed calls to KJSN [Sunny 102] and went to a more serious, straight -down -the - middle 25-54 AC approach. We've been doing it for about two years, and it's just now started to click."

Record Cutback The main thrust of Sunny 102's li-

brary focuses on music from 1970- 77. Kelly commented, "The meat of the station - about five cuts an hour - comes from that time frame. It's a comfortable, familiar -sounding station. But our currents and recurrents keep us fresh."

In preparation for this spring's sweep, Kelly chopped about 300 tunes from the base library. "Mo- desto's an overserved male market, and there aren't many radio choices for women. We wanted to superserve 35-44 females by playing music specifically for them. We eliminated lots of titles that might be perceived as Classic Rock.

"It doesn't do us any good to be a 'me too' station. We didn't want to play music listeners could hear on [crosstown rival] KOSO or elsewhere."

Kelly finds himself competing against an old rival at KOSO - PD Max Miller. The two butted heads

KJSN Music Monitor

Noon

10cc/The Things We Do For Love WHITNEY HOUSTON/All The Man

That I Need LIONEL RICHIE/Running With The

Night

EURYTHMICS/Sweet Dreams (Are Made Of This)

MICHAEL BOLTON/That's What Love Is All About

NATAUE COLE wINAT "KING" COLE/Unforgettable

GARY WRIGHT/Dream Weaver SIMPLY RED/If You Don't Know

Me By Now JAMES TAYLOR/Your Smiling

Face LENNY KRAVITZ/It Ain't Over Til

It's Over RIGHTEOUS BROTHERS/

Unchained Melody JEFFREY OSBORNE/You Should

Be Mine (The Woo Woo Song) TOTO/Rosanna PHIL COLLINS/Do You

Remember?

_

Joe Kelly

in Colorado Springs when Miller was at KKMG and Kelly was at KIKX. "He's a very good PD and I have lots of respect for him. But he doesn't worry me that much," Kel- ly said. "I've beaten him once and I'll beat him again.

"It wouldn't be wise for KOSO to come after us because we've already established our niche. We're

the perceived Lite Rock station - we stole that position from them.

"KOSO's sort of the format of the hour. It's heavily dayparted with a zoo -like morning show. It puts the brakes on at 9am and sounds like us during the day. Then it puts the steam on at 5pm and sounds like a CHR at night. We're the same station at 7am as we are at 7pm."

Promotion Ploys According to Kelly, there are al-

so definite promotional differences between the two ACs. "We don't promote for the sake of promoting, which is what KOSO does. Some- times KOSO's sales department programs the station. There are many promotions on the air that probably wouldn't be if the PD had the ability to say yes or no.

"We only do big contests. People don't tune to us for free car washes or movie passes. They come to us for great music. KOSO's always straddled with running high spot - loads. We're locked into 11 total units in three breaks an hour - it's a very uncluttered presentation."

In addition to approximately $30,000 spent on television this

Ratings Race CHR-turned-AC KJSN/Modesto posted a No. 1 spring Arbitron 25-54

victory, as well as formidable No. 2 and No. 3 rankings in other key demos. While neighboring KOSO trailed KJSN in the book (market No. 123), it

performed extremely well - appearing below the line - in the larger Stock- ton (No. 87) survey. The following charts illustrate how KJSN and KOSO fared in Arbitron and Birch. Arbitran TSL figures are shown in minutes per day.

KJSNIModesto KOSO/Modesto KJSN/Stockton KOSO/Stockton

Arbitron 18-34

#2 #6

DNA

#3

KJSNiModesto KOSO/Modesto KJSNIStockton KOSOIStockton

25-54

#1

#5 DNA

#2

Birch

35-64 12+ TSL

#3 #5

DNA

#10

18-34 25-54

#5 #6

DNA

#7

96.0 68.2 DNA

85.6

35-64

#4 #5 #9 #12

#26 #24 #15 #19

(Note: DNA means the station did not appear in that particular demo).

spring, Sunny 102's outside media mix included bus benches. "We had about 150 of them throughout Modesto. We also did a direct mail campaign and gave away lots of cash. KOSO had a ton of billboards up and did plenty of on -air contesting. Both stations spent a consider- able amount of money."

Ratings Game A February power increase (3000:

6000 watts) also enabled Sunny 102 to compete for a share of the pie in the larger Stockton market. That, however, carries its own pitfalls. "We run the risk of alienating Mo-

desto listeners. People in Modesto hate Stockton and vice versa. There's a snob appeal attached to living in Modesto; residents here perceive Stockton as a slum. Peo- ple would wonder why we would bother mentioning anything about Stockton on the air."

Modesto's spring Arbitron results show Sunny 102 holding the upper hand over KOSO (Sunny's No. 1 25-54). "I was actually disappointed we weren't stronger 12+. We won because of superior music and consistency. I know they go crazy over there [at KOSO] whenever we do well."

KOSO's Call For Consistency In recent years, lack of

KOSO/Modesto. "This station's experimented

with Hot AC, Gold -Based AC, and Oldies for about 20 minutes," commented one-year PD Max Miller. "We didn't start putting things together here until about the first of the year."

Describing KOSO's present AC position as upbeat and recurrent - based, Miller remarked, "KOSO could still be doing OK as a Gold - Based AC if it didn't react to market fragmentation. KOSO would always try to outdo new competitors, continuing to change its product and react to the market. The station should've waited for the market to stabilize. [By not doing so] KOSO basically gave up its position."

Miller was brought in to help re- verse KOSO's alarming history of downtrends. "We stopped going down in the fall, and I thought we made some good gains this spring - considering we hadn't kicked in with any outside marketing. Right now, we're superserving 25-34s, which is basically where the hole is."

KOSO's primary spring promo - lion involved a Mazda Miata give- away. "We did a 'Key Song of the Day' and gave away $100 to desig- nated callers when that song was

consistency has plagued

f Max Miller

played," Miller recalled. In addition to the $100 prize, each of the 93 winners (matching the station's frequency) received a key - one of which started the car.

Stockpiling Stats With no local TV in the market,

Modesto radio stations must rely on cable. "That can be a blessing and a curse," said Miller. "It presents an interesting marketing problem because you really can't dominate a market in terms of television just by making cable buys. All stations in the market have a problem promoting themselves."

Ironically, KOSO's 25-54 numbers in the larger Stockton market significantly overshadow its Mo- desto stats. "We're doing very well there [Stockton] because we don't have any baggage; we're essentially a new radio station.

"KOSO's a regional station. When you add Stockton to Modesto, we're the desired radio buy. Our cume was down, but our quarter- hours were up in our female target. That indicates we're healthy and on the right track.

"Our Modesto numbers are lag- ging behind because of our bad image and perception problem. We've been a consistently bad station and have been so many different things with no focus. It's going to take time to get listeners to come back because many Modesto people have basically given up on us."

Bee Sting Miller indicated he was more

disappointed than surprised at this spring's No. 1 25-54 Arbitron showing by crosstown rival KJSN (Sun- ny 102).

"Sunny's strength basically came at the expense of [B/EZ] KBEE, which was playing an in- strumental/vocal mix, then went back to primarily instrumentals. It just died and Sunny was the bene- ficiary of all those numbers. We need an assist from KBEE.

"Sunny came in here with a good focus and managed to steal KOSO's mainstream AC position. There aren't too many ACs that are lite and hip; Sunny has managed to do that.

"It was No. 2 with 18-24 and 18-34

females and it's been driving me crazy. Sunny isn't making many mistakes. [PD] Joe Kelly is a bright guy. I'll have my hands full with him there."

KOSO Music Monitor

Noon

ELTON JOHN/Club At The End Of The Street

STEVE WINWOOD/Higher Love AMBROSIA/How Much I Feel AMY GRANT/Every Heartbeat BOBBY BROWN/Flock Wrt'cha MARIAN CAREY/Someday MICHAEL BOLTON/Love Is A

Wonderful Thing ATLANTIC STARR/Always SHERIFF/When I'm With You LUTHER VANDROSS/Power Of

Love/Love Power

GENESIS/Invisible Touch DAN FOGELBERG/Longer JANET JACKSON/Come Back To

Me

NEIL DIAMOND

IF THERE WARE

NO DREAMS A TIMELESS LOSE SONG FROM

POP MOSIC'S MOST ENDURING ROMANTIC.

ift

R&RAC

BREAKER m! +11 Couversion

Factor

HEAVY ROTATION

WWLI (Hot) KBIG (Hot) KOST (Hot)

WSRS (Hot) WTCB (Hot) WRVR (Hot)

WLTE KOSI WEBE

WGLL KKLO KPAY (Hot)

See Neil Live

On The Tonight Show

Friday, September 20th!

From The Album

LOVESCAPE

ON COLUMBIA.

Single produced by Val Garay. Album Produred bl MI Diamond; Prier Isher;Yal Garay;

Hubei lo Uzi; al ben Hammond; Don Nas

ManagemenI: Galón More) Assodales

a.

1101t4" Ig I1 Li 1 TI NI ILIu bpttlrtt IG III Inl Iuut1 u1 InI ttm [tlrgmmi Ir.

80 RsR September 13,1991 AOR® -raj

J '-11*/

HARVEY KOJAN

ALBUM ORIENTED ROCK

Bruce & Mike's `X'-Cellent Adventure Public Support Gives Reno Rocker New Lease On Life

Considering the depressing stories I sometimes write about format changes, mass firings, and the like, it's par- ticularly rewarding to relate the following saga of KTHX (The X)/Reno.

The X, you see, recently came back from the dead, revived by a small -but -loyal audience that refused to allow yet another adventurous radio station to quietly fade away.

Here's what happened: After enduring nine months of red ink, Olympic Broadcasting decided to jettison the X's eclectic format and simulcast AM News sister KOH. "It wasn't a programming decision," explains combo GM Michael Espinoza. "It was purely economi- cal. The ratings were decent, but Reno is a very tough market for advertising. There are more than 25 stations, but only a handful do really well - one of them being our AM. Everyone else has to struggle for the rest of the pie.

"The war and recession certainly didn't make things any easier. We did our best, but eventually decided we couldn't justify the AM subsidizing the FM anymore. The X was in such a deep hole - the station lost $180,000 this year - that it was hard to ever see any light at the end of the tunnel."

Power To The People Olympic expected to receive

some flack over the change, but was not at all prepared for the intense reaction that followed.

"The groundswell of listener support was unbelievable, and the lo-

THE"X" 101 .7FM K T H X

Sample Hour PAUL SIMON/She Moves On

STING/History Will Teach Us Nothing

BONNIE RAITT/Something To Talk About

LITTLE FEAT/Roll Urn Easy CHRIS WHITLEY/Big Sky Country ERIC CLAPTON/Lay Down Sally

JERRY GARCIA & DAVID

GRISMAN/Thé Thrill Is Gone JOHN HIATT/Memphis In

The Meantime MASSIVE ATTACK/Safe

From Harm NEVILLE BROTHERS/Brother's

Keeper JOHN LENNON/Jealous Guy

C'r,

r

Michael Espinoza

cal media immediately picked up on it," Espinoza says. "There were multiple reports on every television station. When you see that kind of response it turns your head. Listeners took out ads in newspapers, circulated petitions, and actually pledged to support advertisers."

Those pledges were the key factor in the X's return, as the station's AEs were able to turn them into commitments from clients. "It wasn't as simple as saying, 'Look at all of this listener support - now we can go back on the air,"' Espinoza explains. "We still had to get the advertising dollars. People had to put their money where their mouths were.

"So we determined exactly what kind of revenue commitments we'd need to bring back the X. We put together packages that required six-month commitments from all our advertisers, which would get us through till at least the next ratings period. We had different rates for each advertiser, but everyone had to commit for six months. I took everybody off AM sales and put them on FM sales for one week. And everybody came through. It was just incredible."

Two weeks after dropping the X, Olympic completed its about-face and decided to put the format back on the air. "We called the FM staff and asked if they were interested in coming back, which they were. Then I called a press conference and made the announcement. All of the TV stations showed up and put it on their news that evening. It also was on the front page of the paper. We went back on the air three days later, and it was as if we didn't miss a beat."

Ratings -Proof? While a ratings increase in the

fall book would certainly enhance the X's chances for long-term success, Espinoza says the most important factor may be the new bond forged between listeners and advertisers.

"What came out of this whole situation is that the X may almost be ratings -proof. The listeners are so devoted they're willing to support our advertisers just to keep the station on the air, and our clients understand that. I believe the advertisers will continue support- ing the station even if the next book doesn't show a lot of growth.

"This was a great educational process, and I think the radio industry in this market benefited. The listeners came to realize how important advertising really is to commercial radio. People learned that if they like a particular station's programming they'd better support its advertisers.

"Right now things look healthy. Given the press we've received I can't possibly see us dropping in the ratings. I see a lot of people coming out of the woodwork who didn't know the X existed. They're sampling us, and I think we'll have a great book. This was the hump we needed to climb to take the FM to the next level"

m The listeners are so devoted that they're

willing to support our advertisers just to keep the station

on the air, and our clients

understand that. - Michael Espinoza

Roller Coaster Ironically, X PD/morning man

Bruce Van Dyke thought the station had crawled over the hump before the format was temporarily turfed.

"You talk about being on a roller coaster!" Van Dyke says. "When we got the summer book and saw some solid growth in key demos, I thought we were really ready to fly. The day after I called the staff together to congratulate them was the day we got axed. We were com- pletely stunned. We didn't feel at .

IF

PETITIONS

SHOW

YOU LOVED

TO

-4119

882-9253 825-7225

THE A

101.7FM KTHX

PETITIONS ARE BEING CIRCULATED TO SHOW

SUPPORT BY LISTENERS TO RESTORE THE X

THE AIRWAVES.

Rcrd SoundwaveecycledReC.oD. 825826-5044

ARE I Sierra Cyclesmith Cartoon Junction

AT music Land 826-8896

YOUR SUPPORT. TELLA FRIEND! THE X IS ALSO ACTIVELY SEARCHING FOR POTENTIAL BACKERS

FOR MORE INFORMATION 829-9252

Six days after the X was axed, this ad appeared in the local paper, complete with Van Dyke's home phone number.

all like failures. something went wasn't us.

"As we cleared out I told the airstaff, 'Look, we have something here. It would be terrible to have it cut off like this, so I'm going to try to find a new home for us." There are a few FMs in this market that are in worse shape than us, and I figur- ed my best shot would be to convince someone we could just pack it up, move over, and get it back on the air quickly."

Van Dyke says keeping the staff together was no problem. "Olym- pic gave each of us a one -month severance package, so nobody was desperate. And there was no danger of the fulltimers going to any local stations, because we had all been spoiled by doing this for nine months. It's one of those idyllic radio jobs if you're involved in music at all. We wanted to continue doing this kind of eclectic rock radio. So I told the others to sit tight; we weren't going to just roll over and die."

Not Fade Away With his staff intact, Van Dyke

immediately hit the phones. Then the reaction started coming in.

"It didn't take long to see that our audience was pouring it on the station and the local media at a very impressive rate. Letters and petitions started piling up, and things got really interesting. Most of the time when you announce a format change you get a few let -

We felt like wrong, and it

its

Bruce Van Dyke

ters, then the disgruntled listeners fade away pretty quickly. But it became obvious that wasn't the race.

"Baby boomers are commonly portrayed as being pretty apathet- ic. It takes a lot to get them off their asses. And here we had a bunch of folks who represent a choice demographic really getting ornery and vocal, so much so that Olympic started to take notice. They realized they had something that was a bit out of the ordinary. About a week after the change the owners told me they were recon- sidering, and I started to believe we just might come back.

"Looking back, I think the listeners wrote just to express their general dismay. I don't think any


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82 OUR September 13,1991 AOR,

`t

STICKY FINGERS - WLUP/Chicago afternoon driver Bobby Skafish (r) parties with restaurateur Bill Wyman, who owns a popular London estab- lishment called Sticky Fingers. When he's not pampering his guests, Wy- man likes to play in a rock 'n' roll band.

Bruce & Mike's `X'-Cetlent Adventure Continued from Page 80

of them expected any positive results. They wrote because they felt they had to write. It was really gratifying to see we had touched a nerve with an audience that, over time, has gotten a little blase about life."

No Stunt A confirmed cynic might wonder

whether the whole deal was merely an elaborate publicity stunt. "It worked out to be a fantastic publicity windfall," Van Dyke acknow- ledges, "but anybody who knows me knows I'm about as crafty as Jethro Clamped. If we had tried to pull this off it would have blown up in our faces, and we would have looked foolish.

"Olympic was simply smart enough to capitalize on the situation. Once they saw the publicity

epc e

Looking back, I think the listeners wrote just to express their

general dismsy. don't think my of

them expected any positive results. - Bruce Van Dyke

machine in motion and the great reaction from a literate, loyal audience, they started thinking, 'Maybe we can turn this around and take advantage of it.' The whole thing really is kind of amaz- ing. Hell, I never thought we'd be back."

e eV. S

FAMOUS FIRSTS

e

, , x

a PANIC IN ATLANTA - Fifty WKLS/Atlanta contest winners and station staffers joined Widespread Panic for a pre - show party. Ready to rock are (standing, l -r) band manager Sam Lanier, Widespread Panic's David Schools, Capricorn's Jeff Cook, band members John Bell, Todd Nance, and Domingo Ortiz, Capricorn's Phil Walden, and the group's Michael Houser; (kneeling, l -r) WKLS MD Beth Kepple, personality Alan Ayo, and the band's T Lavitz.

. 11 SHADES OF TWO DUDES - Greg Allman (r) visits with WXRK/ New York air personality Jimmy Fink.

ec

CYNTHIA JOHNSON Former Pirate Radio, Pollack Media, KLOS

WHAT WAS THE FIRST RECORD YOU BOUGHT?

C: BEATLES, "Do You Want To Know A Secret?" (VeeJay Records)

WHO WAS THE FIRST PD TO TAKE YOUR CALL?

C: Tommy Hadges, KLOS.

WHEN DID YOU LOSE YOUR VIRGINITY?

C: I went all the way with a boyfriend after an orthodontist appointment.

YOUR FIRST PRIORITY THIS WEEK:

JOAN JETT & THE BLACKHEARTS

"BACKLASH"

nda Daa

Track:

}da NWa

WHFS WBCN WBAB WNEW WMMR WWDC KLOL

WNOR

>ea

KSAQ

KRXQ

KOME

New Rock

}di

epic

epc

}da

SEGUES New WLAV-FM/Grand Rap-

ids PD Denny Schaffer slides into mornings this week; interim 'LAV wakeup man Steve Labenz moves to 4-8pm .. .

CJ AY/Calgary flips to Classic Rock ... KXRX/Seattle personality Gretchen Hart takes nights at WRXURichmond .. .

Kris Rosiensmutek succeeds Kelly Campbell as Program- ming Assistant at KXRX/Seattle ... Harris Communications inks two new AORs: WSFU Coastal NC and WFXX/Willi- amsport, PA ... DeMers Programming/Marketing pens

WMGG/Columbus, OH ... KCDU/Dallas hires Rose Wright to do morning news ... WXLP/Quad Cities, IA

evening personality Len O'Kel- ly heads to WLLI/Joliet-Chi- cago for morning duties.

Coming Next Week

Dear Harv: Readers Respond

- The Rock &Roll Radio- Voice -Over...

Period.

Call us!

JOE KELLY CREATIVE SERVICES

(708) 295-8610

WESTWOOD ONE PRESENTS

AT THE HOLLYWOOD BOWL OCTOBER 2, 1'91 For information contact your Westwood One representative today. In Los Angeles call 213-840-4000, or fax to 213-204-4375. In Canada call S.B.S. at 416-597-8529.

%In. IT COULD ONLY COME FROM WESTWOOD ONE. [[1

84RaR September 13,1991 NEW ROCK

WDRE's Morning Show: Off To A Promising Start

Faced with some of the toughest morning competition in radio, WDRE/Long Island's Howie & Mina Greene are making a name for themselves by serving up topical conversation with the market's only commercial alternative music.

The duo, known to listeners as the Greene Team, are not married or related. They were brought together by PD Tom Calderone. He wanted to inject some personality into 'DRE's music -intensive approach, creating a morning show that would appeal to 'DRE's core audience and expand the Jarad outlet's cume.

"I had to create a show that sounded comfortable," says Cal- derone. "People who listen to this format are a very sensitive type. They're not crazy about hype and that type of radio. So we wanted to put two people on the air who could talk not only about music but also about art exhibits, movies, or something they read in the newspaper."

Of course, ratings were also a motivational factor. "It was basically a numbers problem," says Calderone. "It wasn't that the old morning show was awful by any means; it wasn't. We just needed a fresh approach, a little kick. In- stead of adding and subtracting things, we just decided to start with

m You've got to be a

walking newspaper and music

encyclopedia for your listeners every

morning.

a clean slate. Mornings are important because they get the ball rolling."

Since the Greene Team's debut in March, WDRE's 12+ morning numbers have climbed a half- share (1.3-1.8), and its 18-34 showing has increased two full shares (to just under 5.0). Calderone is cautiously ecstatic: "I'm very happy with the results and didn't expect the success to happen this quickly. We've had one really good book, but the Greene Team has just started. When we went over the numbers they said, 'OK, good, fine, who cares - we've got more work to do.' That was really nice to hear. You've got to have a good attitude about [ratings]."

Calderone says he's pleased with the duo's chemistry. "They're fresh, something new. Howie is one of the most well-read morning show hosts in the market. You can hit him with any story and he'll know about it. He may be opinion- ated sometimes, but at least he knows about it. Mina has a comfortable voice, and she's friendly. Lis- teners feel like they can become part of the show with her there, and she knows the basics and formatics very well."

Elements Of Success Despite the increased focus on

personality, the morning show still provides plenty of alternative music. "We're playing more music now than we did before, eight to 10

ON YOUR DESK NOW

titles each hour," notes Calderone. "However, I think you're selling your audience short if you base your morning show on music alone. It is an important element. But by pontificating about a new album and ignoring what's going on in the world - politics, health, or anything like that - you're not acknowledging that your listeners are interested in other things."

Calderone admits listeners aren't going to instantly turn to a

We're not going to compromise the

intelligence of our audience by doing

lowbrow things. We want to make

people think and react in a positive

way.

New Rock station for news and traffic, but says these elements are nonetheless viable parts of a good morning mix. "We can become news -intensive when the situation calls for it. When news happens, our listeners don't need to run to the AC or News station. We'll give

V

1

ti.

I. p

The Greene Team's Howie (I) and Mina Greene (second from right) are Caught stealing a free moment to pose with the winners of WDRE's "Dress- ed To Steal" promotion.

them that information. One of the mistakes this format has made in the past is that we haven't really taken a news or current -events stance except when a major concert comes to town."

Although Calderone likes having a high -profile morning team, he doesn't think it should operate independently of the rest of the station. "We don't want a morning show that's a separate entity. That's not what the station is all about. I don't want a talk -intensive morning show, and then start music at 9-10am. That wouldn't represent the station.

"I want someone who listens at 6pm to hear the same thing at Gam - from the production elements to the attitude and presentation. I also want people to sample us and say, 'Hey these guys play INXS and the

Greene Team Tactics Encouraged by the initial response to their new morn-

ing show, WDRE(Long Island Greene Team co - captains Howie- & Mina Greene reflect on the keys

to their recent ratings success: .

"We try to stay true to our audience," says Howie. "We're very music - intensive and play more music in the mornings than anyone else. That's what's really important to our audience. Plus I like to keep myself a little controversial. Our audience is a little more socially and politically aware."

"We're also on top of the news," adds Mina. "We do a lot of phone-íns and impromptu things, bantering back and forth with topical conversation."

Show Prep Thorough show prep is also essential. By 4:30am, Howie and Mina

have read the national and New York -area papers, cleared the wire reports, tuned in to other radio stations, and monitored CNN. At that point, they briefly discuss the topics they plan to discuss before hitting the air.

"We don't script anything out because we like spontaneity," says Mina. "We just give each other a rough outline of what we want to talk about. Nothing's set in concrete."

The duo also enjoy spicing up their show with humorous skits and bogus commercials written and produced by an in-house comedy writer and production team. "We also give the Greene Finger of the Week award to the week's biggest shithead," notes Howie.

Ratings Rapture "I'm ecstatic about the ratings," says Howie. "Mina and I have a really

great chemistry. Sure, It was one book, and we have a lot of work to do. But we're obviously very excited, and I want a raise!"

"We're trying not to get too excited," cautions Mina, "but we're very pleased with the way things have been gcing. We've only known each other for a few months, but we get along great."

For Mina, the ratings boost also was a personal victory. "It's an honor, especially since I'm only the second woman to do mornings in New York. There was some speculation in the beginning as to how a female morning show host would do with a male [former] newscaster, but we seem to be doing fine."

Talking Heads. They're not too weird, and they make me laugh every once in a while.' That's important to me. We're not going to compromise the intelligence of our audience by doing lowbrow things. We want to make people think and react in a positive way.

"Our philosophy is to have a morning show that people are going to slowly - but surely - gravi- tate toward. We also want one that'll keep the correct image of the station intact. If Howard Stern, Don linos, etc. weren't here, maybe we would take a different approach. The fact that they are and do a very good job means we need to do a good job, too. Would it really serve the market if we were to hire two wacky people to do comedy bits for four hours?"

Helping Hand Calderone works closely with the

Greene Team, helping them shape the dynamics of their show. "We meet every day when they get off the air. We talk about the day's show and what's coming up for tomorrow. They're still new. I help them come up with different ideas and different ways of presenting things.

"We have to make sure Howie &

Mina are focused on what our audience is all about and what they want in a morning show. It takes a lot of practice. You've got to really work. You don't just come in and switch on the microphone. You've got to be a walking newspaper and music encyclopedia for your listeners every morning. You're the one who gets their day going.

"I've really been happy with the way Howie & Mina have been able to balance current events, comedy, and music. I think it's a pretty original package."

-Shawn Alexander &

John Brake

REVOLUTION Former KGON/Portland, OR

night driver Scott Alexander has picked up the swing shift at XTRA-FM (91X)/San Diego .. WWCD/Columbus, OH parttimer Carey Sutton graduates to overnights.

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VOICE OF THE

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"Monsters and Angels"

New Rock 0-0

poí-vcor

.

MEAT PUPPETS

ANTHRAX Featuring

"Bring The Noise"

Already" Goid

On Toúr This Fall With

Public:Enemy ' Active -Rotation MTV,

Includirig YO! MTV Raps and Headbanger's Ball ~kw

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On Tour This Fall

JULIAN COPE Featuring

"Head And a Collection of

Dance Remixes

On 12C Minutes

PALEFACE Featuring the

_ Anti -Censorship Anthem

"Burn' and' Rob"

BRING TilE NOISE

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WALT LOVE

URBAN CONTEMPORARY

Gridiron Of Dreams Grambling's Football Radio Network Benefits Black Academics And Athletics

At this time of year, UCs around the country feature black college football play-by-play.

Appreciation of the sport and its growing impact on UC radio and audiences is still greater in the South. But national interest seems to be growing. Part of that pro- gress can be traced to Calvin Miles, currently Director/Broad- casting & Coordinator of Grambl- ing University's burgeoning Grambling Football Network.

Ups & Downs Miles graduated from the uni-

versity (home of the championship Tigers football team) in 1980, but returned in 1988 as GM of KGRM, the on -campus student radio station. He explained the history of the network project: "When I came back to Grambling to work with KGRM, I was able to introduce the idea and get approval to put the network together.

"Our first year - 1989 - was really a test year. Several Loui- siana stations and one Chicago UC [ WGCI (AM) ] carried the games. Fortunately, the response was great. Last year, we did our initial coast -to -coast broadcasts of the Grambling Football Network.

"During the network's first year we had a lot of ups and downs. But we did have a pretty good season. We finished eight and three, with a couple of last -second wins to our credit. Plus every time Coach [Ed- die] Robinson wins a game, it's another record being etched in the books [see related story]; we're looking for even more of this during the 1991 season.

"Currently we have 44 stations. However, by the time the season starts we hope to have cracked the half -century mark. We're learning as we go along, trying to build this

A .. Calvin Miles

organization into something solid. We're thankful that we're getting a lot of cooperation from stations and sponsors around the country."

Student Interns Three men will handle the play-

by-play coverage this year: Miles and TBC Sports President Will Tiernan - the radio network was launched in association with TBC Sports - will be in the booth handling color commentary, while George Wheatley will man the sidelines.

Also on board are four KGRM student staffers, who will serve as interns. Miles noted, "These interns will perform intricate broadcasting duties before and during the broadcast. They won't just stand around and have the 'get me a cup of coffee' type of internship that doesn't teach them anything. We're proud of that because they'll learn how to perform under pressure.

"When we run the 'Eddie Robin- son Show' on Thursday nights prior to our games, the students are the technicians, producers, and directors. When Coach Robinson and I are in the studio on -air, they're giving us the cues, directions, and everything else. It's a very good hands-on learning situation for them.

"This broadcast goes across the country - that's experience you really can't buy. The students really take pride in their work and what they can accomplish. Now that KGRM has been granted a power increase to 50,000 watts, we cover most of Northern Iniisiana and Southern Arkansas. We also reach into parts of Texas and Mis- sissippi."

I

Will Tiernan

Peacock Connection Grambling football already has

one foot in the national pond. The university has signed a three-year deal with NBC-TV to televise the Bayou Classic nationally.

According to Miles, "We play all the exciting schools in our division, like Alcorn State, Tennessee State, and Texas Southern - always good games.

"But the biggest black college game of the year is the Bayou Clas- sic, which features Grambling and Baton Rouge's Southern Univer- sity." The Classic is held annually on Thanksgiving weekend at the New Orleans Superdome. Added Miles, "I'm really glad NBC has recognized the power of this type of game. We packed the Superdome last year with over 72,000 fans, and we hope to do even better this year."

Spreading The Word Miles explained another impor-

tant function of Grambling's football network. "We're not only trying to promote Grambling, but also .[the idea] of attending black colleges and playing black college football.

First -round NFL draft pick Walter Dean making it happen for Grambling last season.

We have 44 stations ... and hope to crack the WM

century mark. We're learning as we go

along, trying to build this

organization into something solid.

-Calvin Miles

. m "We've found from our research

that most people still don't know much about black colleges. Thanks to the premier NFL players who came from this league - such as Doug Williams, Jerry Weiss, and Walter Payton - we've been getting press, so people do know about

the colleges. But they don't really have a good understanding of what we do. We're not just athletic fac- tories that crank out superstars in football and basketball. These schools are educating millions of black students around the country. We're a valuable resource more people need to know about.

"That's what we're trying to do with our network - not just expose Grambling State University, but also make people aware of Jackson State University, Howard Univer- sity, Florida A&M, Morgan State, and Texas Southern University. Thus far, all the [network] cities have responded favorably to our mission.

"We want people to know about black colleges and their value to society as a whole. We want them to know there are choices when it comes to higher education - and that black colleges and universities should be considered."

ROBINSON'S HEROES

The Tigers Who Earn Their Stripes

In 1941, when Grambling State Uiiversity hired the young Eddie Robinson to direct its football program, no one could have known what the future held.

But half a century later, Robinson has enough honors under his belt to fill a museum - soon to be built, thanks to a $2 million federal grant. He's also led the team to the most wins in the history of college foot- bal.

The Tigers have become one of the nation's popular collegiate football attractions, having played in almost every city and -stadium in the country. Grambling averaged over 30 000 fans per game last year and was No. 1 in Division I -AA. The team also set a new attendance recxd at Indianapolis's Hoosier Dome by playing in front of an SRO crowd last year.

Under Coach Robinson, Grambl- ing has contributed more than 300

Eddie Robinson

athletes to professional football's ranks. In 1971, Grambling set an NFL record - still unbroken - by sending 43 players to NFL training camps.

MIME 41~1111í

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Stronger Than Words. Deeper _Than Love. Closer Than Close.

Peabo Bryson moves you more deeply than ever with Closer Than Close, his new single

and the follow-up to his Jul R&B sensation,

Can You Stop the Rain.

From his #1 album, "Can You Stop The Rain."

Peabo Bryson On Columbia.

Produced by Walter Afanasieff.

Executive Producers: Jay Landers and D.I.

Management: David M. Franklin and Associates.

ut Pat r-or ,0s.,, Mow[....--...,.r

88. RaR September 13,1991 N W /TALK i

-

1".N ,tiPV 1

RANDALL BLOOMQUIST

A Loopy Take On NewslTalk Does WLUP (AM) Provide A Glimpse Of Talk's Future?

In a recent column on the future of FM Talk (R&R 8/30), I touched on the prospects of a budding format I call - for lack of a better term - Rock Talk. According to some programmers, this hip, laid-back sound, epitomized in some ways by Infinity Broadcasting's Howard Stern show, may hold the key to luring FM listeners to the Talk format.

Ironically, the prototype fulltime Rock Talker is an AM - WLUP (AM)/Chicago. For the past four years, the Loop AM has aired a unique personality -driven Talk sound that largely ignores the issues of the day, pooh-poohs callers, and generally disregards most other elements of traditional Talk radio. The result: AM 1000 finished 10th 25-54 in the Spring '91 Arbitron survey - significantly ahead of crosstown N/T W 1 S and not far behind Talk -oriented WGN. What's more, WLUP (AM) has Chicago's wealthiest audience (median in- come: $50,400), according to Scar- borough.

Secret Of Success The Loop's broadcast day begins

with one of Chicago's (and Ameri- ca's) best-known radio personalities, Jonathon Brandmeier, who does a spontaneous, freewheeling morning show that's simulcast on AOR WLUP-FM. Brandmeier's program includes a full range of wacky stunts, from putting callers through outrageous paces for concert tickets to on -air marriages to celebrity wakeup ends to offbeat remotes. Brandmeier plays roughly two songs per hour from a list prepared by WLUP-FM PD Rick Balls.

Brandmeier, who generated less -than -stellar numbers following his 1983 arrival in Chicago, is now a regular in the ratings penthouse. In

r Larry Wert

the Spring '91 Arbitron, he finished second in 12+ with a combined 7.2 share and first in 25-54 with a combined share in the mid -9s (AM listening accounted for roughly half that figure).

Midday (l0am-2:30pm) host Kevin Matthews, who was an AOR jock in St. Louis, does a comedy - oriented show that includes his impressions and bits featuring a gallery of alter egos, including sportscaster Jim Shorts. Following in the footsteps of Brandmeier, who makes regular concert appearances with his own band (the Lei- sure Suits), Matthews works the Chicagoland comedy circuit and peddles his own line of clothing and other "KevHead" products.

Afternoon Banter Afternoon drive (2:30-7pm) is the

province of two other radio legends, Steve Dahl & Garry Meier, whose wide-open, virtually seam- less program makes Stern's show sound tightly formatted. The duo spend much of the show engaged in stream -of -consciousness banter reminiscent of those Dockers television ads that show a bunch of thirtysomething guys shooting the breeze while they toss a football. The laid-back chatter is laced with meandering babble with sports and entertainment figures (interviews they aren't). Commercial breaks and service elements occur with little (if any) fanfare; there's no "We'll be back after this break" or "We're coming up on news time."

Although their show includes regularly scheduled news, traffic, and sports updates, the pair aren't constrained by them. "We don't try to be the news and information station," says WLUP GM Larry Wert. "If the guys are on a roll, those [service] elements take second place."

Similarly, while the duo are sup- posed to play five to 10 songs per shift (hits from the golden age of AM CHR and currents chosen by Dahl), they often go for days without playing a record. "When I first got here," says WLUP (AM) PD Jack Silver, who joined the station earlier this year, "I thought, 'This show is just two guys yapping.' But it works. Steve and Garry have been in Chicago for 13 years, so people have literally grown up with them. Listeners tune in to find out what's going on in their lives."

Do they ever. Steve and Garry Were No. 125-54 in three of the past

four Arbitron books, including Spring '91 - when they netted a 25-54 share in the low 6s.

'Talent Is Product' Evening hours on AM 1000 are

given to slightly more traditional Talk, including Chet Coppick's sports show and Ed Tyll's topical call -in show. According to Wert,

F

Jack Silver

Tyll's show focuses on "25-54 topics." Recent segments have focused on the difficulty of raising children in modern society, traffic and commuting woes, and the record business. "It's 'Oprah [Winfrey Show'] -like stuff," says Wert.

So, can the Loop's format - and success - be duplicated elsewhere? Maybe, says Wert, assuming a station knows how to find and manage the type of high-powered personalities Rock Talk demands. "In this format, the talent is the product. Period. You're asking people to forego music, news, and information, so you have to offer a very creative per spettive."

Noting that WLUP is blessed with two of radio's top talents in Brandmeier and Dahl, Wert gener-

m We don't try to be

the news and information station. If [Dahl & Meier] are

on a roll, [service] elements take second place.

-Larry Wert

ally agrees with those who say there aren't many personalities capable of executing the Rock Talk format. "True, we found Kevin Matthews doing a music show in St. Louis," he says. "But I just don't think that many diamonds are out there - not even diamonds in the rough. That's why people who can [handle the format] make so much money." (Dahl is in the middle of a five-year deal worth $6.5 million, one-third of which he pays to Meier. Brandmeier's current contract will earn him $6 million over four years.)

Best Rule: No Rules Warns Wert, "Don't think you

can just put a stand-up comic on the air. It doesn't work. This isn't a format where somebody will win rookie [personality] of the year."

Assuming a station can assemble a top-drawer staff, the next challenge is to fully support those personalities during the long period required to attract and build a loyal audience, say Wert and Sil- ver. Both PDs and GMs must understand how to nurture developing personalities (as WLUP did with Matthews) and recognize when not to crowd talented, successful people.

"We've found that the best rule with the talents we have is to have no rules - just broad parameters," says Silver. "I mean, what am I going to tell Steve Dahl about how to do his show?" Perhaps the most important things a station must have before adopting the Rock Talk format are a desire to win and a willingness to take major risks, he says. "It's all about programming to succeed - not programming not to lose."

TALK ABOUT

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the"spike"is evident. Give it a listen, then give us a call.

THE RUSH LIMBAUGH

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America's most listened to radio talk show!

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SöNNY BLOCH A broadcastër:of many abilities.

Which ones will work for you? CREDABILITY Best selling author.

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f

Chevrolet Presents 0-4

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On the

Mutual

Broadcasting

System

Wednesday

October end, 1991

9PM Eastern & Pacific

\

For the ninth consecutive year the Mutual Broadcasting System brings you country music's most prestigous even:, the 25th Annual Country Music Association Awards. Hosted by Reba McEntire, you'll hear this year's bent country music, performed for you by the biggest names in country LIVE from th4 Grand Ole ()pry. Following the ceremonu, Mutual takes you to the backstage party for live interviews with all the winders. cnt,ne tr,,,ayo, can m The ticbthat us

It's the country event you won't want to miss! INI/A_MUTUAL YVBROADCASTING SYSTEM Me QIAmertica is bV'mnim.

COUNTRY September 13,1991 RUR 9Í

LON HELTON

Duels In The Desert KMLE Vs. KNIX In Phoenix; KWNR Vs. KFMS In Las Vegas

KNIX/Phoenix and KFMS-AM & FM/Las Vegas are likely to appear on most people's Top 10 list of formidable Country stations. And it's precisely because of the stations' perceived invulnerability that both have gone virtually unchallenged.

Until recently, that is. Ever since KMLE/Phoenix and KWNR/Las Vegas moved into town to take on their respective market monoliths, both upstarts have racked up re- spectable, steady ratings increases.

The assault against KNIX began in Fall'88, when Shamrock Broad- casting purchased KMLE. At the time, Religious 'MLE ranked last among FMs. Shamrock changed it to Country that October.

KFMS-AM & FM had vanquish- ed an FM or two on its march toward double-digit numbers and had stood alone in the market for quite a while. Then last September 6, Southwest Broadcasting switched ailing AC KWNR to Country.

Market Similarities Perhaps the first thing that

should be noted is the similarities between the market. environments KMLE and KWNR entered. KNIX and KFMS were billing leaders as well as ratings winners. Both had developed and maintained a classy image for Country among listeners and advertisers alike. Thus, the new format entries didn't have to spend a lot of time and energy selling Country. Maintaining the format integrity built by KNIX and KFMS also meant mudslinging was off limits in both markets. Neither KMLE nor KWNR took shots at their competition, according to the i espective PDs.

KMLE's Plan Current KMLE PD Alan Sledge

joined the station in January '91, but had been Asst. PD at Sham- rock's WFOX/Atlanta and was involved in the early KMLE discus- sions. (Original PD Bob Glaseo left in January to join the Rusty Walker & Associates consultancy, of which KMLE is a client.)

Explaining the decision to take on KNIX, Sledge said, "We're competing with all of the stations in this town. The reason we decided on Country is that the Phoenix Coun- try market is so big." KNIX's 12+ shares from Fall '87 -Fall '88 averaged well over 13 points, with a Fall '87 spike of 17.4.

"This market is more like one in Texas than in Southern California," Sledge noted. "By offering Country radio that appealed to a younger audience, we felt we could do well without having to steal all - or even a lot - of KNDC's audience. We market KMLE to the [audience] segment who use Country along with AOR and AC."

Sledge said KMLE's biggest gains have been 21-35. "There's a

Alan Sledge

definite age break between KMLE and KNIX. KNIX has had a huge, loyal audience for a long time. It's really hard to get a person to change from a product he uses almost exclusively. So we went after a movable target."

KWNR's Natural Choice KWNR's switch to Country oc-

curred during a five -way AC race. At one point, KWNR - the No. 2

AC station - had less than a three share, with two points separating all of the ACs.

"It was obvious that five ACs weren't going to survive," said PD Gary Moss, who also programmed the station under the old format. "And at that time, KFMS was always sitting at the top of the heap with double digits. Country was obviously popular with the audience; it seemed like the natural choice."

Like KMLE, KWNR targeted younger demos, using new music as the bait. "KFMS was very broad -based musically," said Moss. "By positioning ourselves as 'new country' we could attract a younger audience and not depend on taking away KFMS's listeners to create an audience for our station."

Musical Parity Sledge said KMLE's music phil-

osophy is to "reflect what the people expect of us. There's a real yearning for current music." He added that recent research has shown a growing need for a wider gold selection because people are becoming interested in the music today's hot artists released within the last five years. "We haven't increased the size of the gold library yet, but we're stockpiling music in case we see the need growing more."

Assessing the difference between KMLE's and KNIX's music, Sledge said, "The difference may be more perceived than real - we're actually very close. KNIX may go back a bit further than we do and play a few older records."

Some highlights of KMLE's musical mechanics:

Morning drive: 10-12 records, four breaks an hour; maximum of 10 units an hour Outside of mornings: 10 in a row every hour; three stopsets an hour, maximum of 10 units an hour Current/oldie ratio: 60/40 Rotations: Heavies, 21 hours; mediums, 31 hours; lights, 6

hours Recurrents: Three categories rotate every 41, 61, and 71-11 hours, respectively Gold library: Only 10% is pre - 1980

Tempo: Medium to medium up. KWNR's Moss said he likes to

focus on new country music from hot artists: "Being 'new country' doesn't mean you have to play all the new music that comes out." He said he's not afraid to jump on something new if it fits his station's sound. Moss, like Sledge, is extremely song -conscious, avoiding records that have an "old -sounding feel."

According to Moss, 85% of KWNR's music is duplicated by rival KFMS. He said the other 15%

of Imo MS's programming is oldies that go back further than KWNR's and currents that KFMS gets on before KWNR.

Ccmmenting on the new music gamesmanship, Moss said, "When we changed to Country, 'FMS became less conservative with its current selection. In the meantime, we've become safer."

A few of KWNR's musical mechanics:

Counter strategy: At least 51

minutes of music every hour to counteract KFMS's longstanding posture as the 12 -in -a -row station. Morning drive: 10-12 records an hour Current/oldie ratio: 50/50 &upsets: Two stopsets an hour at :35 and :51; maximum four units/four minutes Rotations: Heavies, 5 hours; mediums, 6 hours; lights, 8 hours Recurrents: Two categories ro- tating every 12 and 24 hours, respectively Gold library: Around 700 titles: 20% between 1978-85; 80% between 1985 -present; a few pre - 1978 "monster cuts."

On -Air Positioning Both KWNR and KMLE are pri-

marily staffed with personalities who didn't have much, if any, prior Country experience. KWNR retained its entire staff following the AC - to -Country switch. (Since then, af-

Vegas, Phoenix By The Numbers Here's how Arbltron has scored_the Las Vegas battle

between KFMS-AM & FM and KWNR and -the war being

waged in Phoenix by KNIX and KMLE.

Las Vegas -

Sweep 12+ Sp '90 Su '90 Fa '90 WI '91 Sp '91

,KFMS-4M & FM 10.0 11.8 13.4 8.7 8.9 ,KWNR - - 3.6 3.9 4'.7

Phoenix KMLE 4.6 5,1 4.6 .5.6 6.6

KNIX 9.1 9.8 11.0 10.5 10.4

KFMS-AM & FM

KWNR KMLE KNIX

KNIX Ahead Of KMLE

KFMS Ahead Of KWNR

25-54 Rank 1 1

10 2

1 2 1

9T 10 5

6 5 5 2

1 1 1 1

25-54 Share Difference

2.9 __ 5.4__ _ '6.9 _6.4_ 4.1

ternoons and nights have turned over.)

Though all but one of his staffers come from CHR backgrounds, KMLE's Sledge said he makes no conscious decision to hire jocks

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with that background. "KMLE jocks have to have three things: tempo, pacing, and irreverence. To get the style we want we've had to look at the talent pool outside the traditional Country stations."

The overall sound outside of morning drive is personality within a more -music approach. "We season things with as much personality as we can," said Sledge. "Our real key is developing `stationality'; that is, giving the entire station its own personality."

KMLE's stationality centers around an irreverence that begins with the mascot -a "happy cam- el" with a wry smile that, Sledge said, lends itself perfectly to the "good times" feel of the station. "Everything we do connotes a fun atmosphere. We try to laugh at ourselves as well as at what's going on around us - without sounding cocky." Emphasizing that attitude is KMLE's key positioner, "Good times and today's great Country favorites."

Moss said he wants the KWNR talent to be fun, up, bright, have a good time with the music, and talk a lot about it. "KWNR is not liner - card radio," he said.

KWNR's jocks are out of the studio a lot, helping the station make its mark. "Many stations claim

11.1 3.9 2.5

they get out, but we are everywhere," Moss commented. KWNR's key lines are "Today's Country" and "New Country 95.5,

KWNR."

Promotional Savvy Both stations have eschewed big -

ticket giveaways for smaller items. Moss, in particular, wanted to avoid that arena. "Vegas is like no other city in America," he explained. "There are places to win everywhere; it's impossible to compete with the casinos for big - ticket prizes. A pocket full of quarters can turn into a million dollars at any moment."

Tickets to movie premieres and concerts are contest mainstays at KMLE and KWNR. However, T-

shirts and "a lot of small prizes are the norm" at KWNR. "We want to give away the things people want but can't get anywhere else," said Moss.

Although KMLE's Sledge said free dinners and other entertainment -oriented items are popular, the station has also staged some bigger -ticket promotions. Last winter's "Social Security" game yielded numerous $108 winners and five $5000 winners. 'MLE also ran a "humper sticker" campaign during the winter book.

KMLE's spring promotional thrust centered on a concert featuring Restless Heart, Trisha Year - wood, and Garth Brooks, as well as what Sledge called the biggest fire- works display in Arizona history. He said the $4 tickets were limited to 10 per person and sold out in 39

hours. That event was also the first time KNIX ever acknowledged KMLE's existence, noted Sledge. KNIX bought some tickets - reportedly about 100 - and gave them away on the air.

Reportedly, there was some initial bad blood over the incident. But Sledge maintained he's "glad they changed their policy and are now promoting our events. That means we're both addressing the needs of the Country listener."

The Coming Trend , Long-term commitment and the

patience to accept consistent,


. ..... ....,

92 RaR September 13,1991 NASHVILLE THIS WEEK Tales From The Road

Artists often trade stories about their adventures and misadventures on the road. Here are a few that were over- heard recently.

While en route to a Sioux Falls concert, those zany Kentucky Headhunters mysteriously disap- peared for several hours, missing a scheduled interview with local KXRB. Concerned, PD Dan Chris- tofferson called the Headhunters' management, but no one was able to locate the group until hours later. Their explanation? On the way through the Quad Cities, the Heads spotted the local John Deere tractor plant and decided to stop for a tour.

Meanwhile, back at the ranch: Some 4000 cassette samplers for the "Harley Davidson & The Marl- boro Man" soundtrack - contain- ing the Headhunters' remake of "Let's Work Together" - were recently distributed at film screen- ings across the country. The soundtrack will be available commercially in late September.

Matraca Berg pulled a fast one on labelmate and touring partner Clint Black that left him nearly speechless - and her pantless. It seems opening act Berg has been wearing suede shorts while performing. Each night Black compli-

ments her performance, then comments about her shorts. During a recent date, however, Berg short- circuited his routine by hiding behind security guards and fling- ing the garment at him. A befuddl- ed Black followed up his usual "How 'bout those shorts!" with a startled "And there they are now!"

When the Bama Band's Eddie Long (aka Cowboy) left the tour bus to stretch his legs during a stop, he had no idea he'd be stretching them for the next 200 miles. The bus driver unwittingly drove off to the next destination without Long. Carrying no ID or money, a pajama -clad Long managed to call a friend and hitch a ride to the gig, showing up red- faced during the fifth song.

Bits & Pieces By late October, Capitol/Nash-

ville plans to rerelease all 22 of the Chris LeDoux albums recorded on the American Cowboy label. In- creased sales of LeDoux's Capitol debut, "Western Underground," prompted the move. Three of the early LPs were shipped in July; four more hit stores last week.

.Great Plains NEW ARTIST FACT FILE

Label: Columbia/Nashville Current Single/Album: "A Picture Of You"/"Great Plains" Management: Doyle/Lewis Management Booking: Buddy Lee Attractions

Background Members Russ Pahl

(guitarist), Jack Sundrud (lead singer), Michael Young (drummer), and Denny Dadmun-Bixby (bassist) played at one time or another in Michael Johnson's band. Collectively, the quartet has played on sessions or on the road with Mary -Chapin Carpenter, George Jones, Poco, Gary Mor- ris, Kathy Mattea, and Vince Gill, among others.

Of their new role, Sundrud says, "The focus is entirely different now. As backup guys, when it came time to get down to things the artist needed to do, like interviews, we'd hit the pool. There was no real responsibility."

Signing Young, who restores vintage

cars, met producer Brent Maher while rebuilding a car for him. Young pitched the group's tape to Maher, who eventually used the band on several demos for his publishing company and decided to produce them. When Chuck Flood, the group's business manager, gave Sony's Steve Bucking- ham a tape, Great Plains was asked to join the label.

Great Plains

Songs By the time the band was sign-

ed, it had already recorded 14

songs. Nine of these - written or co-writted by Sundrud - are on the self -titled debut album.

"The time is right for our kind of music, our kind of band," says Dadmun-Bixby. "We keep hearing how programmers are looking for new sounds. Since there are so many hat acts out there now, they're going back to old Eagles cuts. I think we'll provide something in that vein, only fresher."

L

LOVELESS HUNT - MCA/Nashvllle sponsored its first annual Road Ral- ly and Scavenger Hunt/Listening Party for Patty Loveless's upcoming album, "Up Against My Heart." Enjoying the festivities were (l -r) label Pres- ident Bruce Hinton, Loveless, manager Larry Fitzgerald, Chuck Flood of Flood, Bumstead, McCready & Sayles, and label Exec. VP/A&R Tony Brown.

Hank Williams Jr. is funding an excavation on his Montana property to shed new light on 1877's Battle Of The Big Hole. The complete dig and study will take 18 months. All artifacts will go on display at Wisdom, MT's Big Hole National Battlefield.

The Judds have recorded the theme for a new Touchstone television series, "The Torkelsons." The half-hour comedy about a single Southern mother trying to raise five children premieres September 21 at 8:30pm EST on NBC-TV.

- Lorie Hollabaugh

¡a'

.1

Dottie West

Dottie West Succumbs

Country singer Dottie West died in a Nashville hospital last week (9/4) as a result of injuries sustain- ed in a car accident. Services were held Saturday (9/7).

West, born Dorothy Marsh in

McMinnville, TN, spent most of her 58 years making country music. She had more than 60 chart- ing records to her credit, including the hit "Country Sunshine," the award -winning Coca-Cola jingle she co -wrote. West also won two Country Music Association awards for her duets with longtime friend Kenny Rogers, and was the first artist to win a country female vocal performance Grammy, for "Here Comes My Baby" in 1964.

Desert Duels Continued from Page 91

steady gains have been part and parcel of KMLE's and KWNR's plans to coexist in the marketplace with Country stalwarts such as KNIX and KFMS.

As Country listenership continues to grow, it's a safe bet that many who have enjoyed an undis- puted reign will soon see direct format competition. KMLE and KWNR are in the midst of proving that when an alternative is offered, the Country audience can expand enough to support another Country station.

For The Record The booking agent for Little

Texas is the Clif Doyal Agency, not the Harp Agency (R&R 8/30).

OTNN THE NASHVILLE NETWORK.

53.9 mi/lion households Larry Pareigis, MD Lyndon LaFevers,

Video Program Administrator

Weeks On

HEAVY

BROOKS & DUNNSrard New Man (Arista) 11

MARY-CHAPIN CARPENTER/Down At The... (Col) 13 LIONEL CARTWRIGHT/Leap 01 Earth (MCA) 10 MARK CHESNUTTMour Love IsA Miracle (MCA) 10 DIAMOND RIOMlirror, Mirror (Arista) 7

ALAN JACKSON/Soneday (Arista) 2 RONNIE MILSAP/Since I Don1 Have You (RCA) 9 LORRIE MORGAN/A Picture Of Me. (RCA) 10 SAWYER BROWN/The Walk (Curb/Cando') 9 RICKY VAN SHELTON/Keep it Between (Col) 5 DOUG STONE/ Thought II Was You (Epic) . . ... 11 MARTY STUART/Tempted (MCA) 9 TRAVIS TRITT/Anymore (WV) 4

TANYA TUCKER/Down To My Last.. (Capitol) 12 B.B. NATSONA.ght At The End... (BNA) 11

ADDS

DeGARMO 6 KEY/famity Reunion (Benson)

HOLLY DUNN/No Ore Takes The Train Anymore (WB)

VINCE GILL/Look Al Us (MCA)

KENTUCKY HEADHUNTERS/It's Ch/Iin'_ (Mercury)

RONNIE MCOOWEWJust Out Of Reacn (Curb)

DOLLY PARTON/Eagle When She Flies (Columba)

Information current es of September 9.

cr bee141.1

14.2 Bob Baker,

Ric Trask,

TOP

LW TW

4 1 MARTIN DELRAYtidIes

5 2 RICKY VAN

3 3 SAWYER

1 4 LORRIE MORGA71/A

B 5 TRAVIS T

2 6 MARY-CHAPIN

7 7 UONEL CARTWRIGHT4eap

10 8 GEORGE JONES/You

rnoN

Manager

White Les (Atlartc)

K Between (Co) Walk (Curb/Cab/of)

Of Me.. (RCA)

(WB)

AL (Col.)

Of Faith (MCA)

GeL (MCA)

.n. 1u.. million households

Director/Operations Program

to

SHELTON/Keep

BROWN/The

Peture

ITT/Arrymore

CARPENTER/0o"

Couldn't - B DIAMOND RIOblera, Wu (Arista) - 10 MARTY STUART/Ternped (MCA)

Weeks On

HEAVY JAMES BLUNDELIJTime On His Hands (Capitol) 3 BROOKS I. DUNNmEran New Man (Arista) . .... 11 MARTY BROWNMph And Dry (MCA) 8 MARK CHESNUTT/Your Love Is A Miracle (MCA).. 14 DAVIS DANIEL/For Crying Out Lad (Mercury) .. .8 LINDA DAVIS/Three Way Te (Capitol) .. 9 DESERT ROSE BAND/You Can Go Home (MCA).... 3 DEAN DILLONiDoni You Even (Think..) (Atlantic) ...4 HOLLY DUNNM0 Ore Takes The Train Anymore (WB) 2 GEORGE FOX/ Know Where You Go (WB) ... .... 4 VINCE GILL/Look At Us (MCA) ..........2 JOHN GORKA/Houses In The Fields (High Street)... 7

VERN GOSDIN/The Garden (Columbia) 7

EMMYLOU HARRIS/Rollin And Ramblin' (WB) 3 HIGHWAY 101/The Blame (WB) 6 ALAN JACKSONSareday (Arrsla) .. . . 5 KENTUCKY HEADHUNTERS N's Chitlins.. (Mercury) 2 SAMMY KERSHAW/Cadillac Style (Mercury) 4 LITTLE TEXAS/Some Guys Have All The Love (WB) 5 PATTY LOVELESSMurt Me Bad (In A..) (MCA) .. 7

S. LYNNE 6 L TAYLOR/The Very first.. (Epic) . 8 MARIO MARTIN Weep It On The Country Side (DPI) 6

KATHY MATTEA/Asking Us.. (Mercury) . ADD/PICK McBRIDE 6 THE RIDE/Game Old Star (MCA) .... 12 NEAL MCCOY/This Time L. (All.) ... BREAKOUT/7 RONNIE MCDOWEWJust Out 01 Reach (Curb) . . . .2 REBA McENTIREña My Broken.. (MCA) ADD/PICK RONNIE MILSAP/Since I Donl Have You (RCA) ... 12 MARK O'CONNORnhowtie (WE) ADD DOLLY PARTONifage When She Fles (Col.) . . 2 COLUN RAYE/AII I Can Be (Is A...) (Epic) 15

DAWN SEARS/rnd Goodbye (WB) ADD RICKY SKAGGSA.ee's Too Long (To Live..) (Epic) ...4 DOUG STONE/ Thought 11 Was You (Epic) 7

80 T/Angel Fire (OCT) 6 PAM TILLISRN Yourself In My Place (Arista) 8 AARON TIPPIN,She Made Memory._ (RCA) .... 12 TANYA TUCKER/Down To My Lasl._ (Capitol) .... 17 K. WHITLEY 6 E.T. CONLEY9rotherly Love (RCA) . 7

KELLY WILLIS/The Heart That Love Fagot (MCA). .8 TRISHA YEARWOODiLike We Never Had,_ (MCA) 6

Breakout Videos and Picks (Pick Hits of the Week) receive

an ern play above heavy rotation per day. All Top 10

videos also receive heavy rotation.

Information current as of September 13.

COUNTRY FLASHBACK

1 YEAR AGO .

No. 1: "Jukebox In My Mind" - Alabama

5 YEARS AGO

No. 1: "Both To Each Other" - Eddie Rabbitt & Juice Newton

10 YEARS AGO

No. 1: "Party Time" - T.G. Sheppard

15 YEARS AGO

No. 1: "If You've Got The Money" - Willie Nelson

MARKETPLACE September 13,1991 RaR 93

AIR TALENT SERVICES

NEWS PEOPLE: Want more money? More airtime? Better station? Bigger market? Want to break into TV? Are they putting a satellite dish in your parking space? Attend powerful full -day career seminar: HOW TO GET A BETTER JOB IN BROADCAST NEWS with Washington media consultant Holland Cooke. Boston 10/5 (617 267 2465), Providence 10/19 (401 274 9330), Washington 10/26 (202 797 5102), New York 11/2 (202 333 8442). Or, order seminar on audiocassette with all handouts $69 + $3 shipping from Holland Cooke, 3220 N St., NW, Washington, DC 20007. Or call 202 333 8442.

MORNING SHOW COACH! How to Get That Major Market Sound Small and medium market morning jocks:

Personal coaching and aircheck sessions with one of America's most successful morning personalities.

Ken Cooper, KZLA-Los Angeles Formerly of KFI-LA, WFVR-Chicago, 8 -97 -New Orleans,

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Becoming the best takes hard work and having the right coach!

AIR PERSONALITIES & PROGRAM DIRECTORS! You'll LOVE The

Whole 0 Catalogue! Books & tapes on radio programming, radio

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AIRCHECKS AUDIO & VIDEO AIRCHECKS -

CURRENT ISSUE (137, WBBM-FM/Eddie 8 JoBo, WZOU/Alan Kabel,

WLUP/Steve 8 Garry, KIIS/Wend,. WJMK/Dick B,ondh, KSOL/Engelman, Gunn 8

Foxx. KFRC-FM/)yon Dingier. OKC's KJYO 8 KZBS. Cassette. $6.50.

CURRENT ISSUE /136, KKBQ/Cleveland Wheeler. KODJ/Real Don Steele,

KFRC.FM/Harry Nelson. 3WS/Merkel 8 Dixon. MOJO/Skye Walker, KKLQ/lo)o Kincaid, WMMS/Jeff 8 Flash, 90 -min. cassette, $6.50.

PERSONALITY PLUS /PP -45, WFAN/Don Imus, KKBT/john London. MARS/B,g

Ron O'Brien, KEGL/Kidd Kraddrek, KKLQ/Ruble 8 Murphy. $6.50.

PERSONALITY PLUS /PP -44, WFBQ/Bob 8 Torn, KPWR/Jay Thomas, KHQTIKelly 8 Kline, KSJO/Lamont 8 Tonell,, KJR/Gary Lockwood. Cassette. 56.50.

ISSUE #S-206. CHICAGO! CHRs 896 8 WYTZ, AORs WLUP, WXRT 8

WCKG, UCs WVAZ 8 WGCI, ACs WKQX, WLIT, WPNT 8 WTMX. Cassette,

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PROMO VAULT /PR -9, promo samples - all formats. market saes! $10.

CLASSIC ISSUE /C-130. KFWB/Wmk Martindale1965. KYA/Tom Donahue -1961, WNBC/Cousn Brucie1974, KFRC/Dr. Don Rose -1977, KHJ/Dr. John Leader -1976, KNDE/Mark Driscoll -1977. Cassette. $10.50.

PRODUCTION VAULT /PV -4, creative local commercial samples. Cassette. $10.

/CHN-8 (CHR NIGHTS). /F -I0 (ALL FEMALE). ICY -17 (ALL COUNTRY). IUC-6 FALL URBAN), IT -1 (TALK RADIO) )2 $6.50 each.

VIDEO /38, Cincy's WLW/Gary Burbank. Chicago's B96/Gary Spears -George

McFly, Indy's WFBQ/Bob 8 Tom. WZPL/Jeff Lewis. Detroit s WKQI/Dick Purtan, Mil. WLUM/Dana London. 2 KILLER hours. VHS or BETA. $20!

CALIFORNIA AIRCHECK Box 4408 - San Diego, CA 92 164 -(619) 460-6 104

OLDIES PROGRAM vf[ RS Rely on our massive archive to be sure how the Top 40 legends really sounded. Send $6 for our famous aircheck catalog and cassette demo.

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Unbeatable) al( CJA tapes $6.00 each, 60 - 120 min. long: MOJO/Z-100 Sampler: all six fulltime shifts plus weekenders; MOJO/Shan- non Summer '91 includes Todd Pettengill; The First 10 Days of Mojo Radio;

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CONTEMPORARY

COMEDY

AIRCHECKS ~...........~.~~........."~

ECA #87-CHR JOX (volume XII) wHTZ-Shadow Steele, Elvis Duran, Jack Da Wad,, Clarke Ingram, WIOQ- Jammer, WDFX-Pete McRae, MOJO- Skye Walker, AJ. Hammer, WXXle Beet of Bubha the Luse Sponge, WQHIT-Jeff llama KKRZ-Jim Allan, WEGX-Spyder Harri n, Jay Beau Jones. WAEB-FM-Cadillac Jack, WMXP- Tony Q. Fors, KQIIS-Stacy Cantrell. 90 minutes, $6.50. Make check. payable to DAVID SCHLEIER, and mail to8734 S.W. 3rd St., Suite 206, Pembroke Pines. FL 331125. 13051437-7507. I need people in the fdkming cities to run airchedca for me (free tape, from my 23 -page eatalo6 in esebangel: DC, Indy, NY, Atlanta. Chicago, a Bosun. ~iwwwomiou~w__eweanaineannom.

MAJOR MARKET AIRCHECKS Cassettes S7 each ...2 or more $6.50 each (Foreign add S1 per tape)

C-15...Countryl KC's new #1 station and CMA Nominee,

KFKF...plus KSON, San Diego

C-9...Country! All Dayparts on Nashville's WSIX, WSM-FM

`C-7...Country! All Dayparts on Houston's KILT, KIKK

'Atlanta Mornings (#64)... AC's WSB-FM, WSTR, WFOX,

WPCH... Urban MEE... AOR's WKLS, WZGC... CHR WAPW

'Atlanta Contemporary (#65)... All Dayparts Power 99, WSB-FM

`NYC Special (#59)... "MOJO" signs on... Shannon's first "MOJO" show... Z-100 reacts... Shadow Steele returns to

Z-100... Bill Lee's last "HOT 97 show *Morning and contemp tapes available for Denver, Philly, NYC, Boston, Miami, Chicago, Seattle, and Houston. 'Country Tapes available for many markets! For catalog and

monthly subscription info, call (913) 492-1711

Hecht Enterprises, P.O. Box 2235, Kansas City, KS 66110

BUSINESS OPPORTUNITIES

Public Company (OTC) Over $700,000 Net Cash

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MARKETPLACE ADVERTISING Payable in advance. Orders must be typewritten and accompanied by payment. VisatMC/AmEx accepted. One -Inch minimum, additional space up to six inches available in increments of one -inch. Rates for R&R Marketplace (per inch):

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FEATURES

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IDs, JINGLES; SWEEPERS

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96.R&R September 13,1991 MARK LACE

GW

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OPPORTUNITIES September 13,1991 R&R 97

OPENINGS OPENINGS

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V TALENT NETWORK 7121 Why does talent we've placed contact us when they're ready to make a move? Our HONESTY - DEDICATION - PASSION FOR PLACEMENT!! We move people Nationwide! When you're ready to move up or find yourself OUT, let us place you fast ... STATIONS - Thanks for calling!

11 407-260-072 I MORNING STAR

Expanding broadcast group seeks talented morning show for pending ac- quisition. If you are a warm, relatable entertainer that truly understands show prep, we'd like to hear your best. To win, we'll need someone creative and innovative with friendly adult appeal. We need a disciplined individual who knows how to apply current issues and lifestyle elements to a bright, lively morning show. Good production skills and outside appearance expertise a must. Radio &

Records, 1930 Century Park West, #357, Los Angeles, CA 90067. EOE

EAST Seeking full and pamime ATs. Contemporary EZ FM, News/ Talk AM. Females/minorities encouraged. T&R: WFRE/ WFMD, Box 151, Frederick, MD 21701. 19/131 EOE

WLYT-FM, 50kw AC seeks full and parttime ATs for future openings. T&R: Bill Gould. Box 9250, Haverhill, MA 01831 19/131 EOE

Immediate voiceover work for announcers with great pipes. Growing production company, New York metro area only. T&R: Mood Creations, 1 Depot Plaza, Ossining, NY 10562. 19/131 EOE

News anchor/reporter sought for upstate NY FM powerhouse. Brand new facility. T&R: WKXZ, Kim Stevens, Box 552, Norwich, NY 13815. 19/131 EOE

AMERICA'S HIGHEST RATED AOR PD SEARCH

(WYMG- bol) WYMG 100.5/Springfield, Illinois' Heritage AOR is interviewing for our next program director. Ex- perience in talent development and strategic planning a must This station has the resources of fast-growing SAGA Communications. If you have a winning track record, send your materials right away to: Steve Goldstein, Executive V.P.

Programming, SAGA Communications, 100 Pros- pect St, Stamford, CT 06901. EOE

Are you quick-witted? Lifestyle oriented? Able to fit in with a creative, fun environment and be part of the team? Can you relate to the 18-49 female? If yes is the answer, we want you. A traffic reporter/co-host is needed for the morning show in a Top Five market. Send tape and resume to: Star 104.5, One Bala Plaza, Bala Cynwyd, PA 19004. Attn: John Cook. Women and minorities encouraged. EOE

Opportunity knocks in the pages of R&R every Friday ... calf (213)

553-4330 to make it happen for you!

SOUTH L

M

M

Employment service seeking GM/PD/news anchor/MD/mom- ings PBP/sportscaster/midday ATs for many Southern stations. T&R: Box 5269, Clearwater, FL 34618-5269. 19/13) EOE

Promotions coordinator. One year experience in radio promotions. On -air experience helpful. T&R: WVEZ, Jeff Leonard, 558 4th Ave., Louisville, KY 40202. 19/131 EOE

WINK radio seeks ND and news anchor. T&R: Jim Casale, Box 311, Ft. Myers, FL 33901. 19/131 EOE

MORNINGS Adult morning show needed in medium Florida market. Strong humor with phones and production. T&R to Radio & Records, 1930 Century Park West, #393, Los Angeles, CA 90067. EOE

Knyl KSSN 96 FM in Little Rock, Arkan- sas is looking for outstanding individual for EVENING ANNOUN- CER/ .,.USIC DIRECTOR. Míni- mum of 2 years on -air experience, country music knowledge, public appearance experience, computer knowledge required. Send tape and resume to: Don Moore, KSSN 96 FM, P.O. Box #96, Little Rock, AR 72203. EOE

r 1 ' AC MORNINGS

Major market AC radio station wants a

voice impressionist/impersonator for our top -rated morning show. Great city, ' salary and company. You'll know who we are. Send tapes and resumes in confidence to: Radio & Records, 1930 Cen- tury Park West, #394, Los Angeles, CA 90067. EOE

L I DYNAMIC AGGRESSIVE GROUP seeking Adult CHR/Hot AC program director and promotion director. Must have great organizational & people skills. Tape, resume & philosophies to: Radio & Records, 1930 Century Park West, #395, Los Angeles, CA 90067. EOE

East Texas Adult CHR

Needs 2 Winners t 1, Program Director to lead and direct an enthu- , slastic staff. Minimum 2 years' PD experience. *

2. Production Director to help the PD make the * air sound sizzle. Both jobs include an airshift. "

Growing group offers chance of advancement. Send samples of your work and resume to Tom

Love, K'FOX 95 FM, P.O. Box 558, Lufkin, TX

75002. EOE

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Discover why more broadcast professionals select our full -service consulting firm for their job -hunting needs.Choose from a diversified portfolio of options including FREE Referral with NO PLACEMENT FEES. We welcome, at no charge, employer listings on company letterhead. m p.o. box 1476 ' in ally palm harbor, II 34682-1476

arkeling 1813) 786-3603

OPENINGS

MIDWEST KMA-AM sseks Country AT for nights. Two years' minimum experience. T&R: Don Hansen, Box 960. Shenandoah, IA 51601. 19/131 EOE

Newspersai sought for establ shed News/Talk station. Experi- ence a must. T&R: WLP/WAJK, Box 215, La Salle, IL 61301. 19/131 EOE

Hot AC KLTA/Fargo seeks experienced midday announcer/ production talent. T&R: Dan Michaels, Box 9919, ND 58106. (9/131 EOE

Experienced news anchor/reporter sought for Oldies FM in beautiful state capital. T&R: WOLX, Ted Houston, 2306 W. Badger Road, Madison, WI 53713. 19/131 EOE

WWOM-FM has immediate opening for evening talent for CHR-styled Country. T&R: Tom Oakes. Box 44408, Madison, WI 53744-4408. 19/131 EOE

WDEK/WLBK seeks ND/morning anchor to run three person newstearr. Experience required. T&R: Dianne Leifhe',t, 711 N. 1st St., Dekalb, IL 60115. 19/131 EOE

Help wake up central Illinois on growing ACI If you live, eat, and breathe radio, call Bob Marlowe, PD, 13091 888-4496. 19/61 EOE

FT AT sought. On airexperience, production, knowledge of Selector preferred, remote and promotions. T&R: Jerry Dug- an, Box 499, Harbor Springs, MI 49740. 19/61 EOE

KMOR-FM Is expanding and seeking ATs to add to our team. T&R: Mark Jensen, Box 532, Scottsbluff, NE 69363-0532. 19/61 EOE

MEDIUM MIDWEST In immediate need of morning co -host professional. Can you create & execute comedy? Can you relate & be entertaining, wit- ty & concise? Also looking for the hottest night jock in the U.S.A., Do you have high energy, monster creativity, good phones, great production and a

team attitude? If you possess these talents (possible management position included) rush current tape, resume, photo to: Ra- dio & Records, 1930 Century Park West, #389, Los Angeles, CA 90067. EOE

AOR Midwest AOR legend seeks morning person(s) yesterday) Rush T&R to: Radio &

Records, 1930 Century Park West, #396, Los Angeles, CA 90067. EOE 14

:::.. ,.........:...... . :-:;. MORNING DRIVE

Large market Hot AC is looking for that special morning show. Must be entertaining, fun, have top of mind awareness, creativity, ability to win BIG 25-44 adults, especially women! Teams, solos, side kicks, male or female, EOE ... Rush tape & resume to: Radio & Records, 1930 Century Park West, #397, Los Angeles, CA 90067. 4

B96 is looking for a Promotions Manager who can help create and manage the execution of some of the most exciting promotions in CHR. Reports to Marketing and Promo- tions Director. Works with a staff of parttimers to take B96 to the streets. Don't hesitate to submit your resume if exciting, fresh and new is important to you. CHR promotion experience is a must! EEO Resumes: Thad Gentry/RR, B96 Ra- dio, 630 N. McClurg Court, Chicago, IL 60611

OPENINGS

NEWS DIRECTOR MORNING ANCHOR

Nationwide Communications' full -service Coun- try FM, WGAR/Cleveland, seeks an aggressive, energetic and dedicated news director with creative writing abilities, strong management skills and engaging on -air presence. Five years' commercial broacast experience is required; experience managing a news operation and a background in Cleveland news is preferred. Please send resume, aircheck and one page summary of news programming and management philosophies to: Denny Nugent, WGAR, 5005 Rockside Road, Cleveland, Ohio 44131. No calls please. Woman and minorities encouraged. EOE

One Year Ago .. .

Matt Hudson took over the reins of a

moribund Z-104 and, in short order, turned it around. (We're talking 180 degrees!) This past spring ... after only eight months ... Hudson killed off the big, bad Fox and restored Z- 104 to its former glory. Now Matt's ready to move on to a bigger challenge (i.e., bigger market, bigger bucks, warmer winters) and we're looking for someone as bright, creative, and dedicated as Matt to take Z- 104 to the next level. Could it be you? We'll never know unless you send us a tape and resume. (By the way, if Joel Denver's correct and Ron Brooks' has a "lock on the job" .. we'll be looking for an APD/MD and afternoon drive talent.) And, we're always looking for great people ... so even if you're not ready for these positions, you might want to drop us a

tape anyway. Like all Midcontinent properties, Z-104 is an Equal Oppor- tunity Employer and encourages women and minorities to apply for this and all positions. Club Midco, 5721 Tokay Blvd., Madison, WI 53719. EOE

Top station small market now ac-

cepting tapes and resumes for mature, experienced program director -air talent and news director -air talent with Adult Contemporary AM and Country FM. Heavy promotion, remotes, community involvement. Nice area, nice people, nice company. P.O. Box 50863, Indianapolis, IN 46250. EOE

KILLER Talk pro needed for drivetime. Outrageous, compelling, hip. If you don't believe in prep, don't bother us. If you can deliver a 30 -45 -year -old audience and create controversy and street talk, we've got the bucks for the right talent and friends in high places. T&R to: Radio & Rec- ords, 1930 Century Park West, #387, Los Angeles, CA 90067. EOE M/F

98 Rail September 13,1991 OPPORTUNITIES OPENINGS

RARE AM drive talent opening at top rated/ award winning Nationwide Communica- tions WNCI! If you desire a career environment of nothing but the best people, call Dave Robbins immediately: (614) 224-9624 (M -F 8:30AM to 5:30PM EST) or send credentials to: WNCI, 1 Nationwide Plaza, Columbus, OH 43215. WNCI/Nationwide Com- munications Inc. is an Equal Opportunity Employer. Females and minorities encouraged.

WEST Parttimers sought for weekend traffic and fill-in at high desert AC. T&R: KRXV, Lance Todd, Box 1668, Barstow, CA 92312.1668. 19/131 EOE

Personality newsperson sought for AM drive at Oldies station on L.A. fringe. T&R: KXBS, 5200 Valentine Road. #230, Ven- tura, CA 93030. 19/131 EOE

Parttime assistant sought for radio syndicate. Filing and typ- ing 50 wpm a must. RESUMES: The Interview Factory, Box 615, Van Nuys, CA 91408. 19/13) EOE

SRO marketing and promotions in Los Angeles seeks to fill an alternative radio promotion position. CALL: C.J., (2131 652- 9002. 19/131 EOE

Parttime CHR talent sought for weekends and vacation relief at KIKX/Colorado Springs. CALL: John Danizer, (719) 632- 5800. (9/131 EOE

AC leader seeks experienced morning host immediately. Posi- tive, creative, localized with some phones. T&R: KRNO, Paul Mitchell, Box 10630, Reno, NV 89510. 19/131 EOE

Personality for airshift/production/Copy- Seeking versatile team player for growing small California market. CALL: Jack, (209) 782-1005. 19/61 EOE

KIK FM Country looking for on -air personalities, remotes and appearancesl No calls. T&R: Craig Powers, KIK FM, Two City Blvd. E, Suite 183, Orange, CA 92668. 19/61 EOE

KLUC in Las Vegas needs a newsperson/sidekick to work as part of the top -rated morning show in

town. We're looking for a person who can write and deliver "lifestyle, USA Today -type" news, in addition to handling our public affairs department. You would not only be news director, but would also be a major player on the morning show. You need to have a quick wit, good sense

of humor, and be able to interact with our morning man. If this is you, rush T&R to: Jerry Dean,

program director, KLUC radio, P.O. Box 14805, Las Vegas, NV 89114. Qualified females and

minorities are encouraged to apply. KLUC is an

Equal Opportunity Employer of Nationwide Com- munications, Inc.

PRO WANTED P3 wants morning pro for beautiful Northwest. Rush T&R yesterday to:

Jay Stevens, 1190 Lincoln Road, Idaho

Falls, ID 83401. EOE

PD SOUGHT California -based group seeks a program director for our small market live -assist Format 41 station. Looking for the opportunity of that first program director's job? We might be just what you want. Round out your experience and learn every aspect of the station's operation from proven broadcast pros. Board shift, production, people skills, team player attitude and community involvement are all part of the job. T&R: Broadcast Opportunity, 2550 5th Ave., 11th Floor, San Diego, CA 92103. Equal Opportunity Employer/ M -F.

POSITIONS SOUGHT

POSITIONS SOUGHT 27 -year Boston market alumni seeks small to medium market opportunity as AT/PD/management to help you shine. Let's talkl 16171 848-4222. (9/131

Program Director/AT for adult CHR/Hot AC/CR. Fifteen years' experience seeks stable small/medium market programming. JONATHAN: (209) 538-3655. 19/13)

19 -year broadcast veteran seeks small to medium market in Southern states/TNNA preferred. CW/AC/Oldies format., JAY: 13131 721-1540. 19/131

Fun. creative, six -year pro seeks OH station where I can utilize my talents. Voices, phones, community involvement. CAPTAIN JACK: 15131 399-2713. 19/131

15 -year pro. AC/Oldies/CR. Talk to me, you won't be disappointed. GREGG: 17031 672 4684. 19/13)

MICHIGAN, MIDWEST; ANTARCTICA...? *

Radio adventurer with 21 + morning Arbitrons and national comedy writing experience wants to put a total *

package together for your AC, CHR,, AOR or Classic Rock daypart. Skill.* ed in news, sports, music, promotions, public affairs, production and the DJ Arts. Call Tim Murphy (517) *

792-6543. a,

Dynamic, exciting, broadcast school graduate seeks entry level position in the Midwest. Tremendous talent and musical knowledge. PHIL DAVIS: (708) 299-5454. (9/131

19 -year radio/TV veteran, award -winning ND, sidekick, OM, promotions, sales, all formats. RALPH SHAW: (919) 852- 3944. (9/131

Seeking a copy cat? Make a feline to your office and get your paws on the phone and call right meow) 18031 771-8830. 19/131

Small market AC/CHR seeking a talented experienced AT? Then you are seeking me. MIKE CHRISTIAN: 1903) 796- 3931. 191131

I'm still available) Best AT ever for most powerful IL CHR. Wil- ling to relocate. CHR/AC/AOR JOHN: 1217) 674-3304. 19/131 N*e**tN

Rochester, Syracuse, Buffalo OM who ac-

tually understands micro, macro, guerilla marketing; actually understands station positioning and understands how to posi- tively motivate staff. Also, knows that the reason radio exists is to make money. Sta-

ble individual looking for serious, long- term position and a move back East.

Specialized in News/Talk and FSA. If you have the tools and the desire, let's build! Confidential inquiries to Ken (309) 698-6220. M1-N

WORKING PRODUCER Looking for a new challenge. Sports ... talk ... morning show .... Have done it all. If you are

looking for a quality producer, with hosting and

interviewing skills, give me a call. Rick (317) 352-0845.

I'm your valentine. Currently on two stations in So. CA with experience in Hot and Soft AC/Gold/Country. SHAUN VALEN- TINE: 18181 789-6214. 19/131

News Anchor, outstanding on either FM or NT. Excellent writer, experienced, good sound, talk sports experience too. D.E.D.: 16191 426-7925. 19/131

J.J. Shannon/Isle 95 The East Caribbean to CHR middays and afternoons, 10 years' medium market experience seeks new

challenge. 13051 721-0582. 19/131

Combine contract engineer and an AT's salary and get an ex-

perienced fulldme engineer/AT combo for your AOR/CR FM.

ERIC: 12191 838-4979. 19/131

POSITIONS SOUGHT POSITIONS SOUGHT

ALAN (FILL JOCK) KABEL

WII

Any format, any daypart. Content or cards. Any energy level or presentation. Just filled 2 weeks WZOU, Boston; 1 week Z104, Madison; 2 weeks KS104, Denver. Former nights WLOL, Z95 Chicago (#1 12+, 12-24P), KDWB Minneapolis (#1 12+, 12- 24P, 18-34W, 18-49W), KS104 (#1 12+, 18-24W, #2 18-34W). 14 years exp.

612-544-5099

PETER DEAN -

MORNING DRIVE 11 YEARS AT BONNEVILLE'S WTMX MIX 102

(FORMERLY WCLR) CHICAGO LOOKING FOR MORNING SHOW

CALL (708) 699-1642

If your station does lively, contemporary talk and seeks to bury your II

I

L J

competition, then I would welcome a

chance to become a pallbearer. Call Jim: (614) 228-8706

(formerly WTVN, WGY, WGR) Team player with news background

also.

CALIFORNIA MAJOR MARKET AT

Seeks fulltime L.A. or San Diego daytime air - shift. Seasoned foreground personality, currently employed as Hot AC programmer & morning drive in Southern CA. FAX confidential inquiries to (619) 673-9487.

Hello Lincoln and Omaha. On -air personality Currently seeking a gig. 14 years' experience in Rock/CHR/Oldies/Country. JON: 14021 464-9305. 19/131

Ten-year programming veteran seeks place with team players. All offers considered. MIKE: (3141 432-1949. 19/131

Your worries are over. Air personality with five years' experience, currently CHR small market as night talent. CHRIS: 13091 342-0296. 19/13)

AT/MD/traffic manager with four years' experience in small market AC/Country combo seeking a place for me to grow. JEFF: 1919) 597-4843. 19/13)

Wherever there's bad radio, send out a call for the Radio Out- law. Bob Green WSB/Atlanta did. Free demo) 1305) 962- 9282. 19/131

Sales booster/production/copywriter with 15 years' AT in the majors. Seeking picturesque Western small or medium market. 1818) 566-6588. 19/131

Experienced Country/AC/Oldies AT anxious to relocate. Also news/sports/PBP. JERRY: 18141 398-8244. (9/13)

Major market experience, AT/PD Currently weekends, and seeking any weekday/night position. Will phone or board op. L.A.Nentura/Orange only. TORY: 1213) 936-2099. 19/131

Triad, NC: 15 -year veteran weekender, talented, team player. SCOTT: 1919) 621-7227. 19/131

Pro newsman/copywriter, educated,

personality. Available for interviews anytime in September. For details/ demo tape, phone me c/o Boye De

Mente, telephone: (602) 952-0163.

Attention PDs, OMs, NDs, GMs Searching for Talent? CALL NATIONAL!

It's Quick ... Easy ... and your only cost is a telephone call ... 205-822-9144. National represents hundreds

of professional broadcasters for all size markets and all formats. Announcers, news, sports, production.

We can schedule a complete presentation within 24 hours of -your call. Call Now - 206-822-9144.

NATIONAL BROADCAST TALENT COORDINATORS

Dept. R., P.O. Box 20551 Birmingham, AL 35218 (205) 822-9144

Production Director with extensive writing, multitrack experience seeks medium/major market. Quality, integrity and pro- fessionalism. STEVE: 12071 774-8482. 19/131

Veteran CT/NY reporter seeks assignment. Ten years' commercial and public radio experience. MARTY: (203) 795- 4927. (9/131

MISCELLANEOUS CHR/AOR station In Midwest seeks record service from all labels. KDAM-FM, Box 38, Monroe City, MO 63456. (9/13)

R&R Opportunities Display Advertising

DISPLAY: $60 per inch per week (maximum 35 words per inch including heading). Includes generic border. Add VI inch and $30 if logo, custom border or larger heading required.

BLIND BOX: $75 per inch per week (maximum 35 .words per inch per week including heading, box number and R&R's address). Add 'fe inch and $37 if custom border or larger heading re-

quired. Rate includes generic border, box number and postage/handling.

Payable In Advance

Display & Blind Box Advertising orders must be typewritten on company/station letterhead and accompanied by advance payment. Ads must be submitted by mail except for credit card orders which are also accepted by fax: (213) 203-8727. Visa, MC, AmEx accepted. Include name as it appears on credit card expiration date and phone number. Blind box responses are sent to advertisers every Thursday by first-class mail.

Deadline To appear in the following week's issue, your ad must be received by Thursday noon (PST) eight days prior to issue date. Address all ads to: R&R Opportunities, 1930 Century Park West, Los Angeles, CA 90067. Fax: (213) 203-8727.

R&R Opportunities Free Advertising

Radio & Records provides free (20 words or 3 lines) listings to radio stations and record coin- panies in Openings. Free listings of the same length are also available to individuals seeking work in the industry under Positions Sought

Deadline To appear in the following week's issue, your ad must be received by Thursday noon (PST), eight days prior to issue date. Free Opportunities listings should be typewritten or printed on 81/2" x 11" company/station letterhead and are accepted only by mall or fax: (213) 203-8727. Address all 20 -word ads to R&R Free Oppor- tunities, 1930 Century Park West, Los Angeles, CA 90067.

Free listings are on a space availability basic' only.

AC A S 8. HOTS September 13,1991 OUR 99

ww.wwlwr y1wwwwJ

NEIL DIAMOND (4) MARIAN CAREY (3)

BEE GEES (2) MICHAEL BOLTON (2)

BOB SEGER (2)

P1 KDKA/Pittsburgh Chuck Dlckemann

MARIAH CAREY Hottest: NATALIE COLE w/NA ROD STEWART

MICHAEL BOLTON ROXETTE

HUEY LEWIS & THE

P2 WSGYIAIbany K.C. Edwards CATHY DENNIS BETH NIELSEN CHAP BOB SEGER Hottest: WILSON PHILLIPS LENNY KRAVITZ BRYAN ADAMS

AMY GRANT

STEWART & DULFER

WICCIBridgeport Stormin' Norman none Hottest: ROD STEWART

PAULA ABDUL AMY GRANT

BRYAN ADAMS

GLORIA ESTEFAN ROD STEWART

WBENIBuftalo Kevin Keenan none Hottest: BRYAN ADAMS

AMY GRANT BONNIE RAITT ROXETTE ROD STEWART

WELT/New Haven GrosslMcCormick

NEIL DIAMND Hottest: BETH NIELSEN CHAP ROD STEWART

HUEY LEWIS & THE MICHAEL BOLTON

CHICAGO

P3 WFMDIFrederick FleselerlYoung

MARIAN CAREY

BILLY DEAN

Hottest: ROD STEWART

BRYAN ADAMS

MICHAEL BOLTON AMY GRANT BONNIE RAITT

P1 WLWICincinnatl Phillips/Wills

MICHAEL BOLTON BOB SEGER Hottest: none

WTVNIColumbus John Lane

none Hottest: BRYAN ADAMS

LENNY KRAVITZ AMY GRANT ROD STEWART

CATHY DENNIS

P2 WOODIGrand Rapids Robb Westaby

ROD STEWART MICHAEL BOLTON Hottest: BRYAN ADAMS

AMY GRANT WILSON PHILLIPS GLORIA ESTEFAN MICHAEL W. SMITH

P3 KFSBIJop1In Robin Wells BEE GEES EXTREME

CURTIS STIGERS Hottest: CATHY DENNIS BONNIE RAITT HUEY LEWIS & THE CHICAGO AARON NEVILLE

HOTTEST BRYAN ADAMS (11) ROD STEWART (11)

AMY GRANT (10) BONNIE RAITT (7)

MICHAEL BOLTON (6) AARON NEVILLE (5) NATALIE COLE (4)

P2 WDBOIOrlando Dan Shatter NEIL DIAEDND Hottest: BRYAN ADAMS

AMY GRANT

GLORIA ESTEFAN NATALIE COLE w/NA LUTHER VANDROSS

WRVA/Richmond Farley/Stevens

NEIL DIAMOND Hottest: PEABO BRYSON

AARON NEVILLE BETTE MIDLER BILLY DEAN

BOB SEGER

P3 WKYX/Paducah Cook/Mlller

BETTE MIDLER NEIL DIAMDND MARIAN CAREY

Hottest: ROD STEWART BRYAN ADAMS

AMY GRANT MICHAEL BOLTON

BONNIE RAITT

W STUIStua rt GrantlFox

none Hottest: ROD STEWART LENNY KRAVITZ MICHAEL BOLTCN BONNIE RAITT ROXETTE

P1 P2 KFMB/San Diego KBOI/Boise Larson/Robertson Drew Harold

BEE GEES GLORIA ESTEFAN Hottest: Hottest: ROD STEWART ROD STEWART AMY GRANT BRYAN ADAMS

BONNIE RAITT CHER

AARON NEVILLE AMY GRANT CHICAGO STEWART & DULFER

KSSK/Honolulu Phil Abbott

PEABO BRYSON Hottest: BRYAN ADAMS

AARON NEVILLE KFOR/Lincoln PAULA ABDUL

Cathy Blythe AMY GRANT NATALIE COLE w/NA

none Hottest: NATALIE COLE w/NA BETH NIELSEN CHAP KENNY G

AARON NEVILLE

KELO/Sioux Falls Scott Jeffries

BONNIE RAITT HUEY LEWIS & THE AARON NEVILLE Hottest: BRYAN ADAMS

MICHAEL BOLTON ROD STEWART CATHY DENNIS BONNIE RAITT

19 Current Reporters 15 Current Plsylbts

Celled In Frozen Pleyllat (1): W STU/Stuart

Did Not Report, Ptayllst Frozen (3): KFOR/Llncoln W BEN!Buftsio W ICC/Bridgeport

Did Not Report For Two Consecutive Weeks, Not Used In This Week's Deta (5): KEX/Portland WHAS/Loulsvilte WIBA/Msdlson W JR IDetrol WROKIRockford

v ti .R

ANIMAL LOGIC

i . u

a

11Y.e ..

"Rose Colored Glasses"

GOING FOR AC ADDS NOW!

Over 100,000 CD's and Cassettes Already Sold!

See The Video On VH- I

tit X2/413106

A- ` ---J G t G;b I At- r-+ rw I s . --. z r - r G 1

SIMPLY RED (13) GLORIA ESTEFAN (8) JAMES INGRAM (7)

DESMOND CHILD (6) BEE GEES (4)

ROBERTA FLACK (4) CROWDED HOUSE (3)

EXTREME (3) DIANA ROSS (3)

W GMTIBurke Mountain, VT

Steve Chlzmas SIMPLY RED

QUEEN

JAMES INGRAM DESMOND CHILD Hottest: HUEY LEWIS & THE

CHICAGO BETH NIELSEN CHAP

CATHY DENNIS BOB SEGER

WEINIFitchburg, MA Jack Raymond

GLORIA ESTEFAN JAMES INGRAM SIMPLY RED ROBERTA FLACK

CRASH TEST DUMRIIE


MICHAEL BOLTON

BONNIE RAITT AARON NEVILLE TRIPLETS

©

WECQIGeneva, NY

Dennis Federico

AMY GRANT


CATHY DENNIS MICHAEL BOLTON

PAULA ABDUL

APRON NEVILLE

WHAI/Greenfield, MA

Deane/Archer

SIMPLY RED D elOND CHILD G,ORIA ESTEFAN EXTREME

Hottest: AARON NEVILLE H'JEY LEWIS & THE CATHY DENNIS BONNIE RAITT BETH NIELSEN CHAP

HOTTEST AARON NEVILLE (15)

MICHAEL BOLTON (13) HUEY LEWIS (11)

BONNIE RAITT (11) ROD STEWART (11) CATHY DENNIS (9)

CHICAGO (7) BETH NIELSEN CHAPMAN (6)

BRYAN ADAMS (4) ROXETTE (4)

BOB SEGER (4)

WAFL/Milford, DE

Lane Jernigan

NEIL DIAMOND

HI -FIVE BODEANS

COLOR ME BADD

ERIN CRUISE Hottest: MICHAEL BOLTON BONNIE RAITT AARON NEVILLE HUEY LEWIS & THE BETH NIELSEN CHAP

WSUL/Monticello, NY

Fred Mulharin

LUTHER VANDROSS CROWDED HOUSE

BEE GEES SIMPLY RED

FRANCESCA BECAME

Hottest: HUEY LEWIS & THE ROD STEWART

CHICAGO

MICHAEL BOLTON BETH NIELSEN CHAP

WSKI/Montpeller, VT Jim Severance

GLORIA ESTEFAN SIMPLY RED

DESMOND CHILD Hottest: AMY GRANT CHER

BRYAN ADAMS

CATHY DENNIS ROXETTE

WTSX/Port Jervis, NY ElliotlFoxx

CROWDED HOUSE DIANA ROSS BODEANS BEBE & CECE WINAN

Hottest: ROD STEWART BRYAN ADAMS

AMY GRANT

CATHY DENNIS CHICAGO

WYKZ/Beaufort, SC RobertsonlKennedy

DAVID FOSTER ROBERTA FLACK

JAMES INGRAM

GLORIA ESTEFAN Hottest: BRYAN ADAMS

AMY GRANT

BONNIE RAITT APRON NEVILLE CHICAGO

W VIO/Blowing Rock, NC Ted Bell


JAMES INGRAM

ROBERTA FLACK COMMITMENTS

Hottest: MICHAEL BOLTON

ROD STEWART BRYAN ADAMS

BONNIE RAITT AARON NEVILLE

WGSVIGuntersvllle, AL Jackson/Mason

JAMES INGRAM SIMPLY RED

PIERCE PETTIS Hottest: BONNIE RAITT ROD STEWART

MICHAEL BOLTON ROXETTE

AARON NEVILLE

WKCX/Rome, GA Randy Quick

GLORIA ESTEFAN DESMOND CHILD SIMPLY RED ROBERTA FLACK BEE GEES Hottest: ROXETTE AARON NEVILLE CATHY DENNIS BOB SEGER BETH NIELSEN CHAP

NODS ÉST WABJ/Adrian, MI Bruce Goldsen BEE GEES SIMPLY RED

RICK ASTLEY

CROWDED HOUSE Hottest: ROD STEWART

MICHAEL BOLTON

HUEY LEWIS & THE CHICAGO BOB SEGER

WCMJICambridge, OH J.P. Feldner

none Hottest: AARON NEVILLE HUEY LEWIS & THE LENNY KRAVITZ BETTE MIDLER ROD STEWART

WFRO/Fremont, OH Larry Ziebold

none Hottest: ROD STEWART BONNIE HAITI MICHAEL BOLTON AARON NEVILLE ROXETTE

KBLOILogan, UT Jackson/White

EXTREME

AMY GRANT DESMOND CHILD JAMES INGRAM SIMPLY RED

Hottest: AARON NEVILLE MICHAEL BOLTON CATHY DENNIS BONNIE RAITT HUEY LEWIS & THE

KAYN/Nogales, AZ Bob Gerhard


ZUCCHERO & YOUNG Hottest: CATHY DENNIS PAULA ABDUL ROD STEWART

MICHAEL BOLTON HUEY LEWIS & THE

22 Current Reporters 20 Current P4eylists

Did Not Report, Playllst Frozen (2): W C MJ/Cambridge W FRO/Fremc m

Did Not Report For Two Consecutive Weeks, Not Used In This Week's Data (1): KATY/Lewis-ton

KTID/San Rafael, CA Bob Gowa

LUTHER VANDROSS BEE GEES Hottest: LENNY KRAVITZ BONNIE RAITT RONNIE MILSAP CATHY DENNIS AARON NEVILLE

KSCOISilver City, NM

Kelsey

CURTIS STIGERS RUSS IRWIN DIANA ROSS

ERIN CRUISE SIMPLY RED

Hottest: BONNIE RAITT MICHAEL BOLTON AARON NEVILLE HUEY LEWIS & THE CHICAGO

KSSY/Wenatchee, WA Busch/West

EXTREME

ANIMAL LOGIC TONI CHILDS CURTIS SALGADO &

Hottest: MARC COHN

BOB SEGER QUEEN

BETH NIELSEN CHAP

SCORPIONS

Associate Reporters are AC stations in unrated markets with aggressive approaches toward new music. Although they do not contribute to the AC chart, their consensus Most Added and Hottest records serve as advance indicators of format hits.

LOO. September 13,1991 i AC

NATIONAL AIRPLAY®

BREAKERS NEIL DIAMOND

If There Were No Dreams (Columbia) 57% of our reporters on it. Rotations: Heavy 12, Medium 32, Light 24, Total Adds 13 including WUSA, WNIC, WENS, WOBM, WTFM, WPEZ, KELT, WKDO, WLHT, KISC. Moves 23-17 on the AC chart.

BETTE MIDLER The Gift Of Love (Atlantic)

52% of our reporters on it. Rotations: Heavy 8, Medium 34, Light 20, Total Adds 6, WWLI, WARM98, WSNY, WRAL, WRMF, KLTA. Moves 20-19 on the AC chart.

LUTHER VANDROSS Don't Want To Be A Fool (Epic)

52% of our reporters on it. Rotations: Heavy 4, Medium 33, Light 25, Total Adds 14 including WLTT, WROX, WOBM, WOK), WSTR, WMAG, U102, WLHT, KKOB-FM, KISC. Moves 27-23 on the AC chart.

NEW RONNIE MILSAP "Since I Don't Have You" (RCA) 57/3 Rotations: Heavy 15/1, Medium 34/1, Ught 8/1, Total Adds 3, WGLO, WKTK. WGNI. Heavy including WWLI, WUSA, WARM98, WLTE, KKMJ, WTCB, WAHR, WRVR, KVKI, 3WM, WFFX, KILT, KIDX, KKAZ. Medium including KXLT, KESZ,

WLEV, WKYE, WOBM, WHYNFM, WZNY, KKMY, WLMX, WDLX, WTFM, WPEZ, KELT. Moves 19-18 on the AC chart.

BILLY DEAN "Somewhere In My Broken Heart" (SBK/Capitol) 56/6 Rotations: Heavy 8/0, Medium 35/2, Light 13/4, Total Adds 6, WALK, KBIG, WBTFM, WFMK, WIHN, KLTA. Heavy; KLSY, WKYE, WZNY, WLMX, WDLX, KVKI, KKLI, KOLH. Medium Including KMMX, KLSI, KESZ, WGLL. WOBM, WHYNFM, KKMJ, KKMY, WTCB, WMAG, WMYI, WAHR, WRVR, WLACFM, 3WM, KRNO. Moves 25-22 on the AC chart.

MICHAEL W. SMITH "For You" (Reunion/Geffen) 45/9 Rotations: Heavy 0, Medium 232, Light 2217, Total Adds 9, WALK, KLSI, KELT, KMGL, WRMF, KMJC, WKDO, JOY99, WIHN. Medium including KESZ, KLSY, WGLL, WKYE, WMGS, WDLX, WAHR, WLACFM, KVKI, KGBX, 3WM, WSGY, WNMB,

WFFX, KTYL, WMTFM, KILT, WOLH, WQLR, KIDX, KKAZ. Moves 30-27 on the AC Chart.

GLORIA ESTEFAN "Live For Loving You" (Epic) 38/38 Rotations Heavy 0, Medium 11/11, Light 2727, Total Adds 38, WLTT, 2WD, KYKY, KBIG, KOST, KESZ, KEZR, KLSY, WKLI,

WGLL, WKYE, WHYNFM, WMGS, WZNY, KKMJ, WBTFM, WTCB, WIVY, WTFM, WRVR, KELT, KMJC, WWSN, WMGN, 3WM,

JOY99, WSGY, KEZA, WNMB, KTYL. KVIC, WMTFM, KZLT, WOLR. KKSR, KIDX, KKAZ, KPAYFM. Debuts at 28 on the AC

chart.

PAULA ABDUL "The Promise Of A New Day" (CaptiveNlrgin) 36/5 Rotations: Heavy 4/0, Medium 24/3, Light 8/2, Total Adds 5, WWNK, KLSI, WHYNFM, WIHN, KTHT. Heavy: 8100, WQHQ, KMJC, KSSKFM. Medium Including WYXR, WKOX, WGLL, WSTR, WIVY, KELT, WRMF, KKOBFM, JOY99, WSGY, WKTK,

WNMB, WFFX, KTYL, KVIC, WMTFM, KZLT, WLDR, KMAJ, KKAZ, KCMJ. Moves 29-26 on the AC chart.

CURTIS STIGERS "I Wonder Why" (Arista) 33/10 Rotations: Heavy 0, Medium 11/1, Light 22/9. Total Adds 10, WARM98, KLSI, WLEV, WAHR, WTFM, KELT, KCIX, KEZA, WKTK, WOLR. Medium Including WGLL, WLMX, WMGN, WSGY, WNMB, WFFX, KTYL, KILT, KIDX, KKAZ, Ught including WKYE, WZNY, KKMY, KVKI, KMJC.

DIANA ROSS "When You Tell Me That You Love Me" (Motown) 33/8 Rotations: Heavy 1/0, Medium 13/1. Light 19/7, Total Adds 8, KOSI, KLSY, WKYE, WLACFM, WRMF, WWSN, WFMK, KOLH. Heavy: KPAYFM. Medium including KESZ, KKMJ, KKMY, WAHR, 3WM, KKLD, WNMB, WFFX, KTYL, WMTFM, KILT, WOLF' Light including WKLI, WZNY, WTCB, WDLX. Debuts at 30 on the AC chart.

ZUCCHERO w/PAUL YOUNG "Senza Una Donna (Without A Woman)" (London/PLG) 29/8 Rotations. Heavy 0, Medium 11/1, Light 18/7, Total Adds 8, WWNK, KESZ, B100, WOBM, KMJC, KVIC, WMTFM, KCMJ.

Medium including KXLT, WGLL, WKYE, KRNO. KOLH; WSGY, WFFX, KTYL, KILT, KKAZ. Light including KKMY, WTFM,

KELT, KVKI, 3WM, KKLD, KEZA

RICK ASTLEY "Wonderful You" (RCA) 24/4 Rotations: Heavy 0, Medium 6/1, Light 18/3, Total Adds 4, KLSI, WLEV, KOLH, KIDX. Medium including WAHR, WSGY, WNMB, KILT, KKAZ. Light including WARM98, KESZ, WKYE, KELT, WCRZ, 3WM, KKLD, WFFX, KTYL, KVIC, WMTFM.

Toral Reports/Adds Heavy Medium Light

1 ROD STEWART

f© MICHAEL BOLTON

O AARON NEVILLE

4 BRYAN ADAMS

O BONNIE RAITT

O CATHY DENNIS

7 ROXETTE

8 AMY GRANT

O CHICAGO

HUEY LEWIS & THE NEWS

11 LENNY KRAVITZ

® BOB SEGER & THE SILVER BULLET BAND

® MARIAN CAREY

BETH NIELSEN CHAPMAN

® TRIPLETS

16 DAVE STEWART f/CANDY DULFER

NEIL DIAMOND

RONNIE MILSAP

BETTE MIDLER

20 CHER

21 PEABO BRYSON

© BILLY DEAN

® LUTHER VANDROSS

24 NATALIE COLE w/NAT COLE

25 GLORIA ESTEFAN

a PAULA ABDUL

ff/ MICHAEL W. SMITH

tD GLORIA ESTEFAN

29 CELINE DION

CD DIANA ROSS

108/0 94 12 2 108/1 87 18 3 111/5 76 31 4 108/0 81 22 5 101/1 77 20 4 107/5 56 42 9 97/2 55 34 8 98/0 54 35 9 98/2 52 31 15 94/0 47 42 5 91/1 37 38 16 89/14 24 51 14

86/7 15 58 13 72/5 29 29 14 70/8 17 38 15 63/0 22 29 12 68/13 12 32 24 57/3 15 34 8 62/6 8 34 20 63/O 10 37 16 50/0 11 24 15

56/6 8 35 13 62/14 4 33 25 44/0 7 22 15

36/0 6 18 12

36/5 4 24 8 45/9 0 23 22 38/38 0 11 27 26/0 4 14 8 33/8 1 13 19

GLORIA ESTEFAN (38) ROBERTA FLACK (20)

SIMPLY RED (20) BOB SEGER (14)

LUTHER VANDROSS (14) NEIL DIAMOND (13) JAMES INGRAM (13)

DESMOND CHILD (12) CURTIS STIGERS (10)

MICHAEL W. SMITH (9)

a HOTTEST

ROD STEWART (79) MICHAEL BOLTON (75)

BRYAN ADAMS (70) BONNIE RAITT (65)

AARON NEVILLE (54) AMY GRANT (33)

ROXETTE (31) CATHY DENNIS (30)

CHICAGO (28) HUEY LEWIS (20)

HI -FIVE "I Can't Wait Another Minute" (Jive/RCA) 23/2 Rotations: Heavy 0, Medium 12/1, Light 11/1, Total Adds 2, KYKY, KKAZ. Medium including WLTS, KLSY, WMGS, WSTR WTCB, WAHR, WRVR, KELT, KMJC, KSSKFM, WSGY. Light including KESZ. 8100, KEZR, KKMJ, WIVY, KKLD, WMTFM. ROBERTA FLACK w/MAXI PRIEST "Set The Night To Music" (Atlantic) 20/20 Rotations: Heavy 0, Medium 1/1, Light 18/18, Total Adds 20, WLTT, WROX, WMTX. WUSA, KKCW, WGLL. WKYE, WIVY, 3WM, KKLD, KEZA. WKTK, WNMB, WFFX, KTYL. KILT. WOLR, KKAZ, KPAYFM, WSGY.

SIMPLY RED "Something Got Me Started" (East West) 20/20 Rotations: Heavy 0, Medium 1/1, Light 19/19, Total Adds 20, WARM98, 8100, WGLL. WKYE, KKMY, WIVY, KELT, KVKI, KGBX, JOY99, KKLD, WSGY, WNMB, WFFX, KTYL, KVIC, KILT, WOLF', KIDX, KKAZ. MARTIKA "Love...Thy Will Be Done" (Columbia) 18/3 Rotations: Heavy 0, Medium 10/1, Light 8/2, Total Adds 3, WRMF, WOLR, KCMJ. Medium including WKYE, KELT, KRNO, KKLD, WSGY, KVIC, KILT. KIDX, KKAZ. Light including KLSI, WSTR, KKMY, WNMB, WFFX, WOLH. FRANCESCA BEGHE "Samething About Your Touch" (SBK) 18/1 Rotations: Heavy 1/0, Medium 7/0, Light 10/1, Total Adds 1, KKLD. Heavy: WDLX. Medium: KESZ, WAHR, KRNO, KOLH, WSGY, KILT, KIDX. Light including WGLL, WKYE, KVKI, 3WM, WNMB, WMTFM, WOLH, WOLR, KKAZ. QUEEN "These Are The Days Of Our Lives" (Hollywood) 18/1 Rotations: Heavy 0, Medium 8/0, Light 10/1, Total Adds 1, 8100. Medium: KESZ, WDLX, WAHR, 3WM, KOLH, WNMB, KILT, WOLR Light including KKCW, WGLL, KKLD, WFFX, KTYL, KVIC, WMTFM, WOLH, KKAZ. BODEANS "Paradise" (Slash/Reprise) 16/1 Rotations: Heavy 0, Medium 2/0, Light 14/1, Total Adds 1, WFFX. Medium: WKYE, WSGY. Light including 8100, WGLL, KKMY, WTFM, KELT, KKLD, WNMB, KTYL, KVIC, KILT, WOLR, KIDX, KKAZ.

SOUL FAMILY SENSATION "I Don't Even Know If I Should" (Epic) 15/1 Rotations: Heavy 0, Medium 1/0, Light 14/1, Total Adds 1, WOLR. Medium: WSGY. Light including WARM98. WKYE, KELT, KKLD, KEZA, WNMB, WFFX, KTYL, WMTFM, KILT, WLDR, KMAJ, KKAZ.

BEE GEES "Happy Ever After" (WB) 14/4 Rotations: Heavy 0, Medium 5/1, Light 9/3, Total Adds 4, KESZ, WARM, WZNY, KVIC. Medium including WAHR, WRVR, 3WM, KILT. Light including WTCB, KKLD, WMTFM, WOLR, WLDR, KKAZ.

COLOR ME BADD "I Adore MI Amor" (Giant/Reprise) 14/3 Rotations: Heavy 0, Medium 6/1, Light 6/2, Total Adds 3, WKOX, KS95, KCMJ. Medium including WMGS, KMJC, KSSKFM, KOLH, WSGY, KVIC, KILT. Light including 8100, WGLL, KTYL, KKAZ.

JAMES INGRAM "Where Did My Heart Go" (WB) 13/13 Rotations: Heavy 0, Medium 1/1, Light 12/12, Total Adds 13, KMMX, WGLL, WKYE, WTCB, WRVR, 3WM, KKLD, WSGY, WNMB, KTYL, WMTFM, KILT, KKAZ.

DESMOND CHILD "You're The Story Of My Lite" (Elektra) 13/12 Rotations: Heavy 0, Medium 2/1, Light 11/11, Total Adds 12. KKMY, WTFM, KELT, 3WM, KKLD, WSGY, WFFX, KTYL. WMTFM, KILT, WOLR, KKAZ Medium including WAHR.

RUSS IRWIN "My Heart Belongs To You" (SBK) 12/4 Rotations. Heavy 0, Medium O. Light 12/4, Total Adds 4. WAHR, KELT, KTYL, KIDX. Light including WLMX, 3WM, KKLD, KEZA, WNMB, KILT, WOLR, KKAZ.

MARC COHN "Silver Thunderbird" (Atlantic) 12/0 Rotations: Heavy 0, Medium 6/0, Light 6/0. Total Adds 0. Medium: WMTX, WGLL, KKMY, WAHR, WOLR, KIDX. Light: WLEV, KELT, KTYL, WMTFM, WOLH, KKAZ.

ESCAPE CLUB "I'll Be There" (Atlantic) 11/1 Rotations' Heavy 2/0, Medium 7/0, Light 2/1, Total Adds t, KATF. Heavy WMTX, KKLI. Medium' WROX, WKOX, KLSI, KLSY, WMGS, WSTR, WOMX. Light including KYKY.

SURFACE "A World Of Our Own" (Columbia) 11/0 Rotations: Heavy 0, Medium 3/0, Light 8/0, Total Adds 0 Medium: KKCW, WAHR, WOLR. Light: WDLX, WIVY, WRVR, KELT, KMJC, WNMB, WLDR, KKAZ.

DAVID HALLYDAY "Tears Of The Earth" (Scotti Bros) 10/0 Rotations' Heavy 0, Medium 4/0. Light 6/0, Total Adds O. Medium: KRNO, KOLH, WSGY, WOLR. Light: KKLD. KTDY, KVIC, KILT, KIDX, KKAZ.

CROWDED HOUSE "Fall At Your Feet" (Capitol) 9/4 Rotations: Heavy 0, Mefium 3/Co. Light 6/4, Total Adds 4, KKMY, WAHR, KELT, KVIC. Medium: KRNO, WSGY, KIDX. Light including 3WM, KKAZ.

FIREHOUSE "Love Of A Lifetime" (Epic) 7/4 Rotations: Heavy 1/0, Medium 4/2, Light 2/2, Total Adds 4, WKYE, WMGS, WSTR, KATF. Heavy: 8100. Medium including WKWK, WLDR.

MICHAEL BOLTON "When A Man Loves A Woman" (Columbia) 7/1 Rotations: Heavy 1/0, Medium 3/0, Light 3/1, Total Adds 1, WROX. Heavy: WWNK. Medium: WWLI, WKWK, KATE. Light including 8100, WWSN.

DAVE KOZ "Endless Summer Nights" (Capitol) 7/1 Rotations Heavy 0, Medium 0, Light 7/1, Total Adds 1, WWLI. Light including WARM98, KESZ, WMTFM, KZLT, WLDR, KIDX.

SCORPIONS "Wind Of Change" (Mercury) 6/1 Rotations: Heavy 2/0, Medium 3/9, Light 1/1, Total Adds 1, WDLX. Heavy: WMTX, WMGS. Medium' WROX, 8100, WSTR.

AMERICA "Nothing's So Far Away" (Rhino) 5/0 Rotations. Heavy 1/0, Medium 210, Light 2/0, Total Adds 0 Heavy KOLH. Medium WALK, WAHR Light' WMTFM, KIDX.

WILL DOWNING "I Go Crazy" (island) 5/0 Rotations Heavy 0, Medium 0, Light 5/0, Total Adds O. Light: KKLD. WMTFM, WOLR, WLDR, KIDX.

DESMOND CHILD

//

a

MOST

ADDED

AC!

3 E1ewa Emntainmem

YOU'RE THE STORY OF MY LIFE"

`

.

Julia fordham LOVE MOVES IN MYSTERIOUS WAYS

the theme from the forthcoming DEMI MOORE film

"THE BUTCHER'S WICK^'

as well as the first single from the soon to be rte; "aseá album SWEPT.

GOING FOR ADDS SEPTEMBER 16TH.

MANAGEMENT J.D. MANAGEMENT 01991 WO, Record.

102 RaR September 13,1991 AC A S&HOTS CURRENT -BASED

EAST P1

WALK/Long Island FreeILomoardo

MICHAEL N. 514111 BILLY DEAN

Hottest: ROD STEWART CATHY DENNIS ROSETTE MICHAEL BOLTON AARON NEVILLE

W NSR/New York Bob Dunphy

none

Hottest: BRYAN ADAMS »CLETIE FA NIE MILT CATHY DENNIS

WYXR/Phlladelphla Cook/Gress

AARON NEVILLE TOM PETTY BRAND NEW HEAVIES Hottest: BRYAN ADAMS AMY GRANT LENNY KRAVITZ

MICHAEL BOLTON ROD "THWART

W W LBProeldence Bill George

BETTE MITER DAVE KOZ

LENNY KRAVITZ Hottest: PEABD BRYSON AARON NEVILLE RONNIE MIL -SAP

BRIAN ADAMS NEIL DIAMOND

W ITTIW ashington Chuck Morgan

GLORIA ESTEFAN LUTHER VANLBOSS ROBERTA FLACK Hottest: BRYAN ADAMS

AMY GRANT

AARON NEVILLE NATALIE 071E 0/NA MARC COHN

WROX/Washington Palegl/Sho.lak

BRYAN ADAMS

MICHAEL BOLTON ROBERTA rum LUTHER VANIDOSO Hottest: BONNIE MITT ROSEI TE

NATALIE CBE sr/NA AARON NEVILLE AMY GRANT

P2 WKLUAIbany Knott/Holmberg

GLORIA ESTEFAN Hottest: BRYAN ANDS CATTY DENNIS RID STEWART BONNIE RAITT AARON NEVILLE

WLEVIAINntown Jen Silvers

CURTIS STIGERS RICK ASHLEY

Hottest: ROD STEWART BONNIE RAITT MICHAEL BOLTON ROSTTE BRYAN ADA/6

WEBE/Bridgeport Hanson/Norman

none Hottest:

MICHAEL BOLTON CATHY DENNIS MARIAN CARET NATALIE ODLE 0/110 BONNIE MITT

WGLL/Hagerstown, MD

Burns/Conlon

ROBERTA FLACK

GLORIA ES1EVAN SIMPLY RED

JAMES INGRAM

BINGE. Hottest: MICHAEL BOLTON AARON NEVILLE CATHY DENNIS BONNIE BAIn LEINY KRAVITZ

WKYEJJohnstown, PA Jack Michaels

GLORIA ESTERAN SIMPLY RED ROBERTA FLACK

FIREHOUSE DIANA ROSS

JAMES INGRAM

Hottest: POD STOIARI MICHAEL BOLTON BONNIE MITT CHICAGO BETH NIELSEN CLAP

WOBM/Monrnouth-Ocean Downs/DevWl

LUTHER TAROK/SS ZUCOHERO A YOUNG NEIL DIAMOND Hottest: BONNIE HAITI ROD STEWART

MICHAEL BOLTON AAHOII NEVILLE

CATHY DENNIS

WOHOIOceen City Thom Walsh

LUTHER VANDROSO Hottest: PAULA ABDUL BRYAN ADAMS

CHICAGO CATHY DENNIS ROD STSIART

WHEN-FM/Springfield, MA

Bill Hess

PAULA ABDUL

CARIA ESTELAR Hottest: LENNY KRAVITZ AARON NEVILLE BOteiIE HAITI ROSETTE P OD STEWART

WYYYISynacuae Tom Langmyer

BOB SEER MARIAH CAREY

Hottest: MICHAEL. BOLTON ROD STEWART eyed IF MITT BINAN ADM6 AARON NEVILLE

WINGS/Wilkes Berr. Norton/Marriott

GLORIA ESTEFAN

FIREHOUSE SEAL

Hottest: MICHAEL BOLTON SCORPIONS CANT DENNIS

CHICAGO ROD STdART

WJBRIWIImington, DE

KayelWelldon

none Hottest: ROD STEWART BRYAN ADAMS

AMY GRANT

MICHAEL BOLTN LENNY KRAVITZ

W SRSIW orcesrer Nusseyllore

none Hottest: PAULA ABDUL

MARIAN CARET NATALIE IDLE 0/NA NEIL DIAMOND

GLORIA ESTEE»

WARM/York, PA Kelly West

BOB SEER BEE LEES Hottest: MICHAEL HILTON BRYAN ADAMS

ROD STEWART

AARON NEVILLE

P3 WZIOManchester, NH Torn Kellechey

UTTER VANDROGS Hottest: BRYAN ADAMS

BONNIE RA1n POD STEWART

AARON NEVILLE CHICAGO

WKWKIWheeling, WV Doug Daniel.

NEIL DIAMOND

CATHY DENNIS Hottest: MICHAEL BOLTON ROD STEWART

BRYAN ADAMS

AMY GRANT BONNIE RAITT

KVIL/Dallas Ste. Ebarhari

none Hottest:

MICHAEL HILION BONNIE RAITT ROSE-ITE HUEY LAWS A THE BOB SEER

KLTR/Houaton SCarborOughlMan

MICHAEL BOLTON BOINOE MITT Hottest: STEIARY A MISER BRYAN ADAMS

AARON NEVILLE ROD STEWART

CATHY DENNIS

WLTSINew Orleans Mitchell/Scott

mne Hottest: BRYAN ADAMS STOART & DULFER AMY GRANT PEAK BRYSON AARON NEVILLE

2W D/Norfolk 6111 Cunls

BOB SEER GLORIA ESTEE» Hottest: BRYAN ADAMS

MICHAEL BOLTON AMY GRANT LENNY KRAVITZ ROD STEWART

KMMXISen Antonio Mac MCCI.nn.hen

JA/£S INGRAM DAVID WILOlI Hottest: BRYAN ADAMS

BETH NIELSOI CHAP BOB SEER STEWART & INFER

CHICAGO

WMTX/Y.etpa Mason Dixon

BRYAN ADAMS

ROBERTA FLAN Hottest: BRYAN ADAMS

BOO STEWART MICHAEL BOLTON

BONNIE MITT CHICAGO

WASAIT sot p. Johnny Williams

NEIL DIAMOND ROBERTA FLACK

Hottest: BONNIE HAITI ROD STEWART AMT GRANT

ROSETTE BRYAN ADAMS

P2 W STR/Atlanla Norls/MorrHaon

LUTHER TM/DROSS BRYAN ADAMS

FIREHOUSE BAD ENGLISH Hottest: BRYAN ADAMS MICHAEL BOLTON CATHY DENNIS AARON NEVILLE BONNIE MITT

WOSM/Fayeneellle, NC KNIT/INN Rock Steve Kelly

BOB SEER MARIAN CAREY Hottest: BRYAN ADAMS

MICHAEL BOLTON

AMY GRANT

LENNY ICRAVITZ

CHICAGO

W M AGIGreensboro John Jenkins

TRIPLETS LUTHER VANDRO.SS

Hottest: BRYAN ADAMS

ROD STENART MICHAE7. BOLTON

ROSETTE BOB SEER

WZNYIAugust., GA WIXXlGreenville, NC John Patrick JecksonlAoreland

GLORIA ESTEFAN BEE GEES Hottest: MICHAEL HILTON AARON NEVILLE BONNIE RAITT BETH NIELSEN CHAP

ROD STEWART

KKMJNAustln BurkelBurn.

GLORIA ESTERAN BOB SEER Hottest: HICECO RONIE MILORD

AARON NEVILLE RET 1IELSDI CHAP CANT DENNIS

KKMYIBeeumont, TX Ferris/Brock

SIMPLY RED

CROWDED HIEISE

DE9OND ORAD Hottest: MICHAEL BOLTON

CHICAGO HIEL LEWIS A LYE

CATHY 00011$ TRIPLETS

WBTFMICMrlotte Donovan/Payne

BILLY DEAN

GLORIA ESTEFAN Hottest: BRYAN ADAMS MICMFL BOLTON BONNIE MITI' CHICAGO CATHY TENNIS

SCORPICES Hottest: BILLY DEAR

CATHY DENNIS BONNIE MITT HUEY Lam & THE

AARON NEVILLE

WMYIIGreenellle. SC Sam Church

CHICAGO Hottest: BRYAN ADAMS

AMY GRANT

MICHAEL BOLTON ROD STEWART

BOB SEER

WAHR/Huntsville, AL

Bonny O'Brien

CURTIS STIGERS RUSS IRWIN Lrn.UnJ HOUSE

Hottest: MICHAEL BOLTON

RON S MART BEN NIELSEN CHAP

CE.INE DION CHICAGO

W IVYIJ ecksonrllle Matthews/West

GLORIA ESTEFAN SIrPLI RFD ROBERTA FLACK Hottest: BRYAN ADAMS POD STEWART

STEWART A PILFER MICHAEL TALTON BONNIE MITT

WTFMlbhnaon City WINS/Chattanooga Mark McKinney Danny Howard

none Hottest: ROD STEWART BRYAN ADAMS

BONNIE MITT AARON NEVILLE BILLY DEAN

WTCB/Columbl. Doug Spot.

GLORIA ESTRAN JAPES INGRAM

Hottest: HUEY LEWIS A THE NEIL DIAMOND AARON NEVILLE BETH NIELSEN /NAP CATHY DENNIS

GLORIA ESTEEM/ DESPOND CHILD NEIL DIAMOND CURTIS SINGERS Hottest: BRYAN ADAMS

AMY GRANT STEWART A RIFER ROD STINART MICHAEL BOLION

D102/Knosvllle Larry Trotter

BOB SEER LITTER VANTRLSS Hottest: ROD STEWART

PAEAN ADAMS MICHAEL BOLTON

AE GRANT ROSETTE

ST

WOWS/Chicago Gamblel5huminas

COLIN PE BARD Hottest: BRYAN ADA16 ROD STENART MICHAEL BOLTN BONNIE MITT CATHY DENNIS

K LSI/lcansaa City Tom Land

PAULA ABDUL MICIAEI. W. SMITH RIO! ASI EY OJRTIS STIGERS Hottest: BOYAN ADDIS PEABO BRYSON

BONNIE MITT MICHAEL BOLTON MARIAN CAREY

W MY SIMlhrautM WARMER/Clnclnnall Schafer/Morale. Michael Grayson

BETTE LITER CURTIS $TIGERS SIMPLY RED

Hottest: Ron STAART BRYAN ADAMS

AMY GRANT

BETH NIELSEN CHAP

RONNIE MILSAP

W W NK/Clnclnnatl Manh.w./kAa.wall

PAULA ABDUL

TRIPLETS ZIICOHEDO A YOUNG

Hottest: BRIAN ADAMS

MICHAEL BOLTON AMY GRANT

ROD STEWART

MICHAEL BOLTON

WSNYICoWmbus Ha11.1UNunnally

BETTE. HIDED Hottest: BRYAN ADAMS

HALL A OATES AMY GRANT ROD STEWART

WNIC/D.trolt Bob Ruckert

NEIL DIAMOND Hottest: BRYAN ADAMS

ROSETTE BID SEER

WENSllnden a polls Eagan/Cook

NEIL DIAMOND Hottest: AY GRANT IICAAE. BOLTON ROD STEWART BRIAN ADAMS MINI KRAVITZ

nene Hottest: BRYAN ADAMS

MICHAEL BOLTN BOB! LOUIS A THE AARON NEVILLE ROD STFWAM

K SAS/MinnaepoNl. Dae1aRIAcKNeer

BOB SEER COLOR ME BARD


BONNIE MITT HOD STEWART

JOIETTE »RCM NEVILLE

WI TE/MlnnYpolis Gary Balaban

none Hottest: CHICAGO CATHY DENNIS BONNIE MILSAP AARON NEVILLE BETH NIELSEN CHAP

K YKYISL Louls Greg Hewitt

GLORIA ESTEFAN HI -FIVE Hottest: BRYAN ADAMS

AARON NEVILLE MICHAEL BOLTON BONNIE MITT CATHY DENNIS

P2 W OMXIAkron ChsnyRaYor

none Hottest: MICHAEL BOLTN ROSETTE CHICAGO

AARON NEVILLE RONNIE PUTT

KWC/Davenport Chuck O'Brien

GLORIA ESIFFAN MICHAEL N. RAIN ZUCINERO A YOUNG

Hottest: CHICAGO AARON NEVILLE BONNIE RAIn ROSETTE ROD STOIART

W W SNIDsylon Shelly Jam.s

GLORIA ESTEFAN DIANA ROSS Hottest? BET AN ADAMS

CHICAGO BONNIE MITT BOB SEDER ROD STEWART

WKDOIEeansellle, IN

Klncald/Westrlch

NEIL DIAMOND

14CHAN W. SPIN Hottest: ROD STEWART MICHAEL BOLTON

AARON NEVILLE BRYAN ADAMS

BONNIE MITT

WCRLFIInt, MI

Patrick/Downey

no. Hottest: BRYAN ADAMS ROD STEWART

MIOIAE BOLTON ROSETTE BONNIE Min WLHTIGrand Rapids Dirk.en/Brown

BEN NIELSEN CHAP NEIL DIAMND LUTHER SANDHOGS Hottest: ROD STEWART BONNIE RA117

MICHAEL HILTON BRYAN ADAMS

AARON NEVILLE

W F MK/Lansing Ray Marshall

DIANA ROSS

BILLY DEAN

Hottest: BONNIE MITT ROD STEWART

MICHAEL BOLTON AMY GRANT PEABO BRYSON

W MGNIMadlson O'Nell/Fraem.n

GLORIA ESTEFAN Hottest: BONNIE MITT ROD STEWART NIDIAEL BOLTON

AARON NEVILLE BETH NIHLSOI CHAP

WGLO/Peoria, IL

Jerry -MT

AARON NEVILLE RONNIE MILSAP Hottest: BRYAN ADAMS

maim. BOLTON

AARON NEVILLE ROD STEWART ROSETTE

1(011X/Springfield. MO Baker/Cannon

BETH NIELSEN CHAP SIMPLY RED

Hottest: 901011E MITT

MICHAEL BOLTON ROSETTE AARON NEVILLE CANT DENNIS.

3 W MRoledo Mark Robert.

ROBERIA FLACK

JAMES INGRAM

GLORIA ESTEEM/ DESMOND OND CHILD Hottest: ROD STEWART

CHICAGO BONNIE MITT AARON NEVILLE HUEY LEWIS A NE

P3 WIHN/Boomington, IL

M.rlowelKAnnady

MICHAEL W. 91111 PAULA ABDUL BILLY DEAN

Hottest: ROD STDIART AMY GRANT MICHAEL BOLTON BONNIE MITT

CHICAGO

W MT.FM/Cedar Rapid. W OLR/Kelamaeso, MI Randy Lee lenph.er/Went GLORIA ESTEFAN JAPES INGRAM

DESOLAD CHILD ZUCCHEPO A TONG Hottest: ROD STEWART 5)1111E RAID!

CHICAGO /0 1Y KRAVITZ

BETH NIELSEN CHAP

KATF/Duouaue, IA

Tomrey Alien

FIREIOILSE AARON NEVILZE ROABRANDTS CATHY DENNIS ESCAPE CLUB Hottest: BRYAN ADAMS

ANY GRANT

ROSETTE MICHAEL BOLTON BONNIE Run KLTA/Fargo, ND

Mark Anthony

NEIL DIANND BERE MITER BILLY DEAN

Hottest, AARON NEVILLE BONNIE MITT LARRY KRAVITZ

ROD STEWART HUN LEWIS A NE

KILT/Grand FlAlks, NO

Hannan/EbArta

GLORIA ESTERAN SIMPLY RED

JAMES INGRAM

ROBERTA FLACK DESALAD CHILD

CONITRENTS Hottest: BONNIE MITT CATHY DENNIS HMIEY LEWIS A THE BETH NIELSENN CHAP MARIAN CAREY

WOLHIGreen Bey, WI

Dar. Carew

mre Hottest: BRYAN ADAMS ROD STEWART M)NNIE MITT AMY GRANT AARON NEVILLE

SOUL FAMILY SONSA CURTIS SLICERS GLORIA ESTEFAN MANTISA ROBERTA RACK SIMPLI Ron MIMI NEWTS DESMOND CHILD Hottest: AARON NOILLE BOBBIN BONNIE MITT ROD STEWART

CATHY DD/N1.5

WLDR/NW Michigan Angie Honda


LENNY KRAVITZ MICHAEL BOLTON BONNIE BAIn

BRYAN ADAP6

KKSR/SL Cloud, MN

Dennis Carpenter

GLORIA ESTEEM/ Hottest: ROD SMART MICHAEL BOLTON

BONNIE RAITT AARON NEVILLE BRYAN ADAMS

KMAJRoleka, KS Dare Water.

no. Hottest: I/CXAEL BOLTON BONNIE MITT ROD STEWART

HAJEY LEWIS A NE ROSETTE

Ram seylPollitt

MARIAN CAREY

AARON NEVILLE Hot teat: MICHAEL BOLTON PEA® BRYSON

ROD STEWART ROSETTE

LENNY KRAVITZ

WPEZ/M.con, GA

Lenarren./Franklln

NEIL DIAMND TRIPLETS Hottestt MICAAFI. BOLTON

HUEY LEWIS L THE CHICAGO BONNIE MITT AARON NEVILLE

WRVR/Mem phis Mark Hamlin

GLORIA ESTEFAN JAMES INGRAM

Hottest: CATHY DENNIS BETH NIELSEN DRAP NEIL DIAMOND BETTE MITER AARON NEVILLE

KELT/McAllen Jeff Garrison

MICHAEL N. 9I711 NEIL DIAMOND CURTIS STIGERS SIMPLY RED

DESMOND DM RUSS IRWIN LIICJ.UED HOUSE

GLORIA ESTEFAN Hottest: MARIAN CAREY

BONNIE RAITT ROD STEWART PEABO BRYSON

WLAC-PM/Nashville Bryan Sargent

CATHY DENNIS TRIPLETS DIANA ROSS Hottest: BRYAN ADAMS

MICHAEL BOLTON BEM NIELSEN CHAP

LENNY KRAVITZ STEMAFY A IDULFER

KMGL1Oklahorna City O'Brien/Kelly

MICHAEL W. 911TH Hottest: ROD STEWART

MICHAEL BOLTON PDX= BETH NIELSEN CHAP

CHICAGO

WRAL/RalNgh Scott/Myers

ROSETTE CATHY DENNIS BETTE HITLER Hottest AARON NEVILLE BONNIE MITT AMY GRANT BRIAN ADAMS

MICHAEL BOLTON

KVKIISMevsporl, LA Ryan/Waldon

SIMPLY Ron Hottest: NOD STEWART

KICHIJ7. BOLTON RONIIE MILSAP

CHICAGO AMY GRANT

WRMFIWesI Palm Beach MorlsylFrsnco

MARIAN CAREY MICHAEL W. SMITH CHICAGO MART IKA

DIANA ROSS BETTE 14DIER Hottest:


BONNIE RAITT CATHY DENNIS HUEY LOUIS A THE

P3 WSGYIAIbeny, OA Terry Allred

ROBERTA FLACK CyMIT1e3ITS SIMPLY RED

DESMOND CHILD GLORIA ESTEFAN JAMES INGRAM

Hottest: BONNIE Run NOD STEWART

MICHAEL BOLTON CATHY DENNIS ROIERE

KEZAIFeysttsollle Dennis Snow

GLORIA =VAN CURTIS STIGERSS ROBERTA DAM Hottestt ROD STEWART

MICHAEL MTON BONNIE RAITT HUEY LORIS A NE AARON NEVILLE

WKTK/Gelnesvtlle. FL Nick Alien

RONNIE MILSAP

NEIL DIAMOND

CURTIS STIGERS BEN NIELSEN CHAP

ROBERT& FLACK

Hottest: ROD STBART BONNIE MITT MICHAEL BOLI N

P0IETIE OARNI NEVILLE

KTDYM1AfAyana, LA

Walker/Murphy

none Hottest:

MICHAEL BOLTON ROD STEWART LENNY KRAVITZ

BONNIE MITT AARON NEVILLE

KRLB/LllObock, TX

DoweMell

ROSETTE MARIAN CAREY

BOB SEER Hottest: ROD STEIART BRYAN ADAMS

MOCHAS]. BOLTON

CHICAGO CATHY DENNIS

WNMB/Myrtle Beach, SC Thompson/Adams


JAPES INGRAM

ROBERTA FLAN Hottest: CHICAGO MICHAEL BOLTON ROD STNART MIEL' LEWIS A THE TRIPLETS

WFFXRuscaloosa, AL Sander Walker

DFCOND CHILD ROBERTA FLAG( SIMPLY RED

BOIEANS Hottest: ROD STEWART

MICHAEL BOLTON BONNIE MITT RONNIE MLSM AARON NEVILLE

KTYLITyler, TX Janus Baker


ROBERTA FLAIL!

JAWS IIKIIAM DESPOND CHILD

RUSS IRWIN Hottest: BRYAN ADAMB

ROD STEWART /MY GRANT

MICHAEL BOLTON HONNIE MITT

KVIC/VEcewla. TX

Tony DACI.

PEP GEES ZUCCHEO & YOUNG LUTHER VANDR055

CROWDED HOUSE

SIMPLY RED

GLORIA ESTEPAN Hottest: BRe1IE MITT ROSETTE BRYAN ADAMS

POD STRRART

MICHAEL BOLTON

WONIIWIlmington, NC

FamowRhomas

BONNIE MILSAP LIMNER VANDPGSS

Hottest: BRIAN ADAMS

MIOIAET. BOLTON

AARON NEVI/. E »RETIE ROD STMART

KOSI/Denrer Scott Taylor

DIANA ROSS


AARON NEVILLE LENNY KRAVITZ CHICAGO CATHY DENNIS

KXLT/Danrer Buchanan/Nerd

MARIAN CARET BOB SEER Hottest: BRYAN ADAMS

ROD STD/ART BONNIE MITT ROSETTE

MICHAEL BOLTON

KBIGILos Angeles EdwardaN erdery

BETH NIELSEN NAP GLORIA F_STEF'AN

TRIPLETS BILLY DEAN

Hottest: AARON NEVILLE

CATHY DENNIS CHICAGO NEIL DIAMND BETH NIELSEN CHAP

MOST/Los Angeles Kays/Arnidon

GLORIA ESTEFAR Hottest: LENNY KRAVITZ AMY GRANT

BRYAN ADAMS

STEWART & DUIFER NEIL DIAMOND

KESZ/Pho.nle Carl. Foss

NP GEES

GLORIA ESTEFAN ZIMMIER° A YOUNG


BONNIE MITT BETH NIELSEN CHAP CHICAGO

CATHY DENNIS

KKC W /Portland Bill Mlnckler

CATHY 500115 TRIPLETS ROBERTA ELAM BOB SEER Hottest? ROD STEWART BRYAN ADAMS

AMT GRANT

BETH NIELSEN CHAP

LENNY KRAVITZ

BIRO/San Diego Gene Knight

OUEEW

SIMPLY RED

ZUCCB70 A TONG Hottest: RCO STEWART PICHAEI. HILTON MARIAN CAREY HUN LEWIS A THE FIREHOUSE

KEZR/SAn Jose K irk Patrick

GLORIA ESTEFAN Hottest: BRYAN ADAMS

NCO STEWART AM GRANT MICHAEL BOLTON AARON NEVILLE

KLSYIS.attbe Irwin DBroo0s

DIANA ROSS GLORIA ESTEFAN BOB SEER Hottest: AARON NOILLE ROSETTE BILLY DEAR

MICHAEL BOLTN MARIAN CAREY

P2 KKOB-FMNAlbuguergue ForaytM/Allen

AARON NEVILLE LUHER VANDROSS Hottest: BONNIE MITT MICHAEL BOLTON BOB SEER HUE/ LEIS I THE ROD STEWART

KCtX/Boise.ID Den Jennings

CURTIS STIGERS Hottest: ANY GRANT

SIAIARI A OILIER ROXERE AARON NEVILLE HUEY LEWIS A NE

KKLUColorado Springs Dan Cowen

ware Hottest: BRYAN ADAMS

BILLY DEAN

STEWART A DUIFER ESCAPE aoe AARON NEVILLE

KSSKFMMonolulu Michael Shlshldo

none Hottest? BRYAN ADAMS

AMY GRANT PAULA ABDUL

PEARS BRYSON

AARON NEVVILLE

MATZO/Lae Vegas Scott Keith

BETH NIELSEN CHAP TRIPLETS Hottest: BRIAN ADAMS

MICHAEL BOLTON AARON NEVILLE ROTATE ROD STENART

KV/AV/Monterey Berme Moody

MARIAN CAREY Hottest:

BRYAN ADAMS AMY GRANT


LENNY KRAVITZ

K RNO/Reno. NV Paul Mitchell

none Hottest: AMY GRANT

ROD STFWART MICHAEL. BOLTON

LIRRfY KRAVITZ BRYAN ADAMS

KOLNRRI5.rsiele GeoraTVisgar

RICK ASHLEY DIANA ROSS

BOB SEER KTHTIFresno Hottest: Art Farkas BRYAN ADAMS

AMERICA

CHICAGO

BILLY DEAN

LONNIE MITT

JOROS/Stockton Candy Stephens

SIMPLY RED

GLORIA ESTOFAN KICH01]. W. 94T14 Hottest: ROD STEWART HUE! LHNIS A THE BRYAN ADAMB MICHAEL BOLTON AARON NEVILLE

EKED/Tucson Alan MCL.ughlln

SIMPLY RED

ROBERTA ELAN GLADYS KNIClT DESMOND CHILD JAWS INGRAM

FRANCESCA BOGIE Hottest: BRYAN ADAMS

BONNIE RAITT ROD STEWART AM GRANT

CATHY DENNIS

P3 K IOX/BIIIIngs, MT

Rick Lawrence

PUSS IRWIN RICK ASHLEY

SIMPLY RED

GLORIA ESTEEM/ Hottest: BRYAN ADAMS

AMY GRANT

BONNIE Bun ROD STEWART CHICAGO

K KAZ/CheyenRe. WY Kevin Mee

CMMITMENIS GLORIA ESTER/1 ROBERTA FLAN SIMPLY Ron JAMES INGRAM CRASH TEST DOWIE DESPOND MILT Hottest: MICHAEL BOLTON ROSETTE AARON NEVILLE

TOM PETTY HUEY LEWIS A THE

K AY-FM/Chico, CA Ron Woodward

KGBY/Sacramento Settler/Gercla none Hottest: BRYAN ADAMS

LUTHER RANOROSS NATALIE IDLE WMA

BONNIE Bun CFER

K ISC/Spokane, WA Rob Harder

NEIL DIAMOND LUTHER VANIDOSO Hottest: AARON NEVILLE BONNIE MITT MICHAEL BOLTON ROD STEWART

/SET LEWIS A THE

AMY GRANT

ROBERTA RAC! GLORIA ESTEFAH Hottest:

BOB SEER DIANA ROSS NEIL DIAMND HUEY LEWIS A THE BRYAN ADAMS

LUTHER VARIADOS

PAULA ANION. LOB SEER TRIPLETS Hottest: BRYAN ADAIB AMY GRANT

CHER ROD STMART

MICHAEL BOLT>

K CMJIPaIm Spring., CA Jim Morales

COLOR PR BADD

MARTIXA ZUCOIEIO A YORK' Hottest: CANT DENNIS ROO STEWART ROSETTE

BONNIE RAITT MICHAFI. BOLTON

120 Current Reporters 112 Current Playlists

Called In Frozen Playllst (4): KGBY/Secramento KRNOIReno KTDY/Lafayette WLDR/Northwest Michigan

Did Not Report, Playllst Frozen (4): KKLIIColorado Springs K MAJ/Topeka W CRZIFIInt WOLH/Green Bay

Did Not Report For Two Consecutive Weeks, Not Used In This Week's Data (3): K IZZ/Minot W LTF(Cieveland W SB-FM/Atlanta

KKOS/San Diego North County and KRAV/Tuisa are no longer reporters.

J5: -,J.=.11arIAJz-3 1, : Reports/Adds

1 BILLY DEAN/Somewhere In My Broken Heart (SBK/Capitol) 56/6 2 CURTIS STIGERS/1 Wonder Why (Arista) 33/10 3 ZUCCHERO/Senza Una Donna (Without A Woman) (London/PLG) 29/8 4 HI-FIVE/I Can't Wait Another Minute (Jive/RCA) 23/2 5 MARTIKA/Love... Thy Will Be Done (Columbia) 18/3 6 FRANCESCA BEGHE/Something About Your Touch (SBK) 18/1 7 BODEANS/Paradise (Slash/Reprise) 16/1 8 SOUL. FAMILY SENSATION/I Don't Even Know If l Should (Epic) 15/1 9 COLOR ME BADD/I Adore MI Amor (Giant/Reprise) 14/3

10 DESMOND CHILD/You're The Story Of My Life (Elektra) 13/12

New artists have not yet had an AC Breaker.

44r

f

r

"4_ 1-447

1

"SUNRISE" AC CHART 18 - e 70/8

KVIL/Dallas - Heavy Rotation After One Week! From The CD & Cassette ... Thicker Than Water

Produced by Tony Peluso and Steve Barri for Starsong Productions. Mixed by Chris Lord-Alge. Executive Producers: Steve Allen and Tom Vickers. Managmery: Allen Management.

7

r

i

WWNK KBIG WLTT WLTS 2WD WUSA WARM98 KLSI K:XLT KESZ KKCW KLSY

-MO

.%.

WMGS WBTFM WMAG WNY WPEZ WLACFM WWSN WLHT KGBX KMZQ KISC JOY99

...And Many More!

NETWORK 40: 10*

C

104 September 13,1991 NAC CJ NATIONAL AIRPLAY®

LW iW

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24 30

ACOUSTIC ALCHEMY/Back On The Case (GRP) "Break" "Alchemist"

RIPPINGTONS/Curves Ahead (GRP) "Morning" "Curves" BONNIE RAITT/Luck Of The Draw (Capitol) "Make" "Tangled" WARREN HILL/Kiss Under The Moon (Novus/ACA) "Promises" 'Take" "Maybe" OTTMAR LIEBERTBorrasca (Higher Octave) "August" "Isla" PETE BARDENS/Watercolors (Miramar) "Wonder?" "Profundis" AARON NEVILLE/Warm Your Heart (A&M) "La Vie" "Louisiana" "Everybody" TOM SCOTT/Keep This Love Alive (GRP) "Kilimanjaro" "Keep" DOTSERO/Jubilee (Nova) "Grandma's" "Irrational" JEREMY WALL/Cool Running (Amherst) "Key" "Cool" PHIL SHEERAN/Standing On Fishes (Sonic Edge) "Message" "Grabacab" "Going" ANIMAL LOGIC/Animal Logic II (IRS) 'Through" "Another" KEN NAVARRO/Alter Dark"(Positive Music) "Close" "After" MANHATTAN TRANSFER/The Offbeat Of Avenues (Columbia) "10" "Gentleman" TONI CHILDSMouse Of Hope (A&M) "I've" 'Walk" SCHONHERZ & SCOTT/Under A Big Sky (Windham Hill) "Daydream" "Gathering" PRIDE N' POLITIX/Changes (EastWest) "Crying" "Love" CANDY DULFER/Saxuality (Arista) "Lily" "Pee" BENDIKAX (Columbia) "Say"

WIND MACHINENoices In The Wind (Silver Wave) "Voices" "Millwood" "Post" PHYLLIS HYMAN/Prime Of My Life (Zoo) 'When" "Can't" EKO/Future Primitive (Higher Octave) "Raindance" "Curragh" "Writing" UNCLE FESTIVE/Paper 8, The Dog (Bluemoon) "Jessica" SADAO WATANABE/Sweet Deal (Elektra) "After" "Passing" "Photograph" NATALIE COLE/Unforgettable (Elektra) "Unforgettable" MICHAEL DOWDLE/From The Hip (Altus) 'Worries" "Out" "Old" DYING YOUNG/Soundtrack (Arista) "Theme" "Driving" "Hillary's" BELA FLECK & THE FLECKTONES/Flight Of The Cosmic Hippo (WB) .. "Flight" "Star" FREEWAY PHILHARMONIC/Car Tunes (Spindletop) "Alligator" "Long" DAVID SANBORN/Another Hand (Elektra) "Hobbies" "Jesus"

JJ1J JAíL%J ERIC MARIENTHAL (12)

PORCUPINE (8) ALEXANDER ZONJIC ( )

DAVE SAMUELS (7) RICHARD SMITH (7) BRIAN HUGHES (6) POCKET CHANGE (6)

HOTTEST LP , HOT TRACK ACOUSTIC ALCHEMY (17)

BONNIE HAITI (15) RIPPINGTONS (14) WARREN HILL (11)

PETE BARDENS (10) OTTMAR LIEBERT (10)

JEREMY WALL (9) MANHATTAN TRANSFER (8)

TONI CHILDSA've SPECIAL EFX/Ouiet

NEW _V 'BRIAN HUGHES "Between Dusk...And Dreaming" (Justin Time/Bluemoon) 30/6 Rotations: Heavy 0/0, Medium 11/0, Light 19/6, Total Adds 6, WHRL, WFAE, KCLC, KMXK, KBCO, KJOY. BREAKER this week.

'ERIC MARIENTHAL "Oasis" (GRP) 27/12 Rotations Heavy 3/0, Medium 7/3, Light 17/9, Total Adds 12, WCDJ, WLVE, WHVE, WNWV, WGMC, KKVU, WVAY, WNGS, WMGN, KCLC, KMXK, PS. Heavy: WMGL, KTCZ, JZTRAX. BREAKER this week "MICHAEL POWERS "Perpetual Motion" (Nastymix) 27/1 Rotations: Heavy 2/0, Medium 9/0, Light 16/1, Total Adds 1, KEYV. Heavy KTWV, KKNW. CHART EXTRA this week.

'DAVID WILCOX "Home Again" (A&M) 25/3 Rotations: Heavy 610, Medium 10/0, Light 913, Total Adds 3, KHIH, KIFM, WVAY. Heavy: KTWV, WFAE, KLTR, KTCZ, KMXK, KBCO. BREAKER this week

GUIRE WEBB "New Frontier" (Proxima) 25/1 Rotations: Heavy 4/0, Medium 10/1, Light 11/0, Total Adds 1, WHRL Heavy: KIFM, WNND, KLTR, PS. BREAKER this week ALEXANDER ZONJIC "Neon" (Reprise) 241 Rotations: Heavy 1/0, Medium 6/1, Light 17/7, Total Adds 8, WLVE, KTWV, WGMC, WFAE, WLOO, KKVU, PS, SS. Heavy: JZTRAX.

CHRIS SPHEERIS & PAUL VOUDOURIS "Enchantment" (Music West) 24/1 Rotations: Heavy 4/0. Medium 10/0, Light 10/1, Total Adds 1, WHVE. Heavy: WCDJ, WNUA, WNWV, SS.

NESTOR TORRES "Dance Of The Phoenix" (Verve/PolyGram) 23/3 Rotations: Heavy 1/0, Medium 8/0, Light 14/3, Total Adds 3, WHVE. KBIA, KJOY. Heavy: WLVE. VELAS "Velas" (Voss) 22/1 Rotations: Heavy 4/0, Medium 8/0, Light 10/1, Total Adds 1, KEYV. Heavy: KIFM, WHRL, KXDC, PS.

DAVID BECKER TRIBUNE "In Motion" (Bluemoon) 21/1 Rotations: Heavy 3/0, Medium 7/0, Light 11/1, Total Adds 1, WLOO. Heavy: WNND, KBIA, KTCZ.

0 © © o 5

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DEBUT m [ DEBUT ®

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n 27

26 28

BREAKER a ( DEBUT m

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2 ANTONIO HART/For The First Time (Novus/RCA) "KYH."

BENNY GREEN TRIO/Greens (Blue Note) "Captain"

6 McCOY TYNER/Remembering John (Enja)

e TOUGH YOUNG TENORS/Alone Together (AntillesAsland)

4 CLEO LAINE/Jazz (RCA) "Just"

12 BOBBY HUTCHERSON/Mirage (Landmark) "Nascimento"

10 KENNY BARRON/Quick Step (Enja)

9 REBECCA COUPE FRANKS/Suit Of Armor (Justice) "Afternoon"

7 TERENCE BLANCHARD/Terence Blanchard (Columbia) 'Tomorrow's"

3 DAVID SANBORN/Another Hand (Elekra) "Dukes"

13 GEOFF KEEZERMere And Now (Blue Note) 'There"

1 MICHEL PETRUCCIANI/Playground (Blue Note) "September" "Play"

n NATALIE COLE/Unforgettable (Elektra) "Route"

14 JESSE DAVISAiorn Of Passion (Concord) "Stop"

is WYNTON MARSALIS/Thick In The South - Soul... Vol. 1 (Columbia)

24 WYNTON MARSALIS/Levee Low Moan - Soul... Vol. 3 (Columbia) "Superb"

17 BOB MALACHNood Swing (Bluemoon/Go Jaz) 'Spell"

29 HERB ELLIS/Aoll Call (Justice)

20 WYNTON MARSALISiUptown Ruler - Soul... Vol. 2 (Columbia) "Burglar"

19 TURTLE ISLAND STRING QUARTET/0n The Town (Windham Hill)' 'Smoothe"

16 CASSANDRA WILSON/She Who Weeps (JMT/PolyGram) "Out"

23 SADAO WATANABE/Sweet Deal (Elektra)

FREDDIE HUBBARDBolivia (Music Master)

MANHATTAN TRANSFER/The Offbeat Of Avenues (Columbia) ..."Sassy" "Gentleman"

VARIOUS ARTISTSBluesiana II (Windham Hill/Jazz) "Montana"

JACKIE McLEAN QUINTET/Riles Of Passage (Triloka)

CHARLIE WATTS/From One Charlie. (Continuum)

CLAYTON HAMILTON ORCHESTRA/Heart & Soul (Capri)

STEPHEN SCOTT/Something To Consider (Verve)

°LINER JONES/A Class Act (Justin Time)

'Keeps bullet clue to continued growth.

L_Cd2A=ST LPsiiHOT TRACK.'

WOLFGANG MUTHSPIEL (8) BEBOP & BEYOND (6)

LARRY GALES (6) JASON REBELLO (6) DAVE SAMUELS (6)

ALEXANDER ZONJIC (6)

ANTONIO HART (13) BOBBY HUTCHERSON (13) BENNY GREEN TRIO (12)

DAVID SANBORN (10) McCOY TYNER (7)

TERENCE BLANCHARD (6) NATALIE COLE (6)

MICHEL PETRUCCIANI (6)

No Tracks Qualified

This Week

NEW rJ J .J E 'TONY CAMPISE "Once In A Blue Moon" (Heart Music) 28/2 Rotations: Heavy 2/0, Medium 16/1, Light 10/1, Total Adds 2. WAER, KSLU. Heavy: WSIE, WVPE. CHART EXTRA this week. *JASON REBELLO "A Clearer View" (Novus/RCA) 261 Rotations: Heavy 1/0, Medium 7/1, Light 18/5, Total Adds 6, KATZ. KJAZ, KSLU, WKRY, KTCL, KSBR. Heavy: WDET. BREAKER this week

"CHICK COREA ELEKTRIC "Beneath The Mask" (GRP) 23i0 Rotations: Heavy 1/0, Medium 13/0, Light 9/0, Total Adds O. Heavy. WKRY. CHART EXTRA this week NESTOR TORRES "Dance Of The Phoenix" (Verve) 22/4 Rotations Heavy 0/0, Medium 9/1, Light 13/3, Total Adds 4, WNOP, KJAZ, WAER, KSLU. BREAKER this week DONALD HARRISON "For Art's Sake" (Candid) 20/1 Rotations: Heavy 6/0, Medium 8/0, Light 6/1, Total Adds 1, WEBR. Heavy: WCPN, KSDS, KUOP, WFSS, WTEB, WVPE.

LEEANN LEDGERWOOD "You Wish" (Triloka) 20i0 Rotations. Heavy 4/0, Medium 9/0, Light 7/0, Total Adds O. Heavy: WYJZ, KLCC, WSIE, KWMU. CHART EXTRA this week RIPPINGTONS "Curves Ahead" (GRP) 19/1 Rotations'. Heavy 6/0, Medium 6/0, Light 7/1, Total Adds 1, KLCC. Heavy: KJZZ, WAER, WTEB, KSLU, WVPE, KSBR.

ROLAND VAZQUEZ "No Separate Love" (RVCD) 181 Rotations: Heavy 3/0, Medium 10/0, Light 5/0, Total Adds 0. Heavy: WFPL, WEBR, KSLU.

ALEXANDER ZONJIC "Neon" (Reprise) 171 Rotations: Heavy 0/0, Medium 3/0, Light 14/6, Total Adds 6, WYJZ, WHOP, KJAZ. DSS, KSLU, KSBR. CHARLIE SEPULVEDA "The New Arrival" (Antilles/island) 17/3 Rotations: Heavy 0/0, Median 4/0, Light 13/3, Total Adds 3. KSDS, KUOP, WFSS.

Uncharted Breakers denoted by one asterisk. Chart Extra denoted by two asterisks.

u

WORLD GONE STRANGE ANDY SUMMER'S JOURNEY

INTO THE WORLD OF JAll Produced by Mike Mainieri

featuring:

Mike Mainieri Tony Lenin Mitchel Forman

Chad Wackerman Eliane Elias Victor Bailey

Nana Vasconcelos Manola Badrena

HOTEL LUNA SUZANNE CIANI'S JOURNEY

TO ITALY, THE HOMELAND OF HER HEART

featuring:

Ondine Maremosso ARRIVING THIS WEEK!

Festa & Hotel Luna

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34 Current Reporters 26 Current Pleylists

Called in Frozen Playlist (3): W BGO!Newark W FPL/Louls vllle WSIEIEdwardsvllle

Did Not Report, Playlist Frozen (5): Jazz From The City KWMU/St. Louis WCPNICleveland W DET!Detroit WSHA/Raleigh

Did Not Report For Two Consecutive Weeks, Not Used In This Week's Data (1): W JZZ/Detrolt

WSTR/Atlanta Is no longer a

Contemporary Jazz reporting station.

a religious

experience...

..Be

Delivered!

Messenger Service Chauffeured Limousines CALT-136957 CALTCP801P

Airport Concierge

California (213) 849-2244 (818) 845-1502

Outside

California: (800) 255-4444

FAX

(818) 845-5086

New York:

(212) 736-5405

New Jersey:

(201}_941-8181

Outside NY & NJ:

(800) 421-9494 FAX: (201) 791-7370

FOR MORE INFORMATION, CALL (716) 883-9520 amherst records

106 September 13,1991 URBAN NATIONAL AIRPLAY®

REAKERS BEBE & CECE WINANS

I'll Take You There (Capitol) 65% of our reporting stations on it. Rotations: Heavy 0/0, Medium 7/1, Light 51/45, Total Acids 46 Including WBLK, WUSL, WAFAO, WHUR, WYLD, WZAK, WJLB, WILD, WRKE, WJIZ.

NEW .: J 1:=1

SURFACE "You Are The One" (Columbia) 52/7 Rotations: Heavy 3/0, Medium 21/0, Light 28/7, Total Adds 7, WFXA, Z93, WJTT, 1104, HOT105, WVO', XHRM. Heavy: WJLB, KMJM, K98 -FM. Mediums include: WDAS, WHUR, WJIZ, WAGH, WOMG

YO YO "Ain't Nobody Better" (EastWest) 49/4 Rotations: Heavy 0/0, Medium 23/0, Light 2614, Total Adds 4, WAMO, WOMG, HOT105, WJHM. Mediums include: K104, K97, WEDR, WHOT, WYLD.

MARC NELSON "I Want You" (Capitol) 47/4 Rotations: Heavy 0/0, Medium 13/0, Light 34/4, Total Adds 4, KBCE, WATV, WDXZ, KIIZ. Mediums include: WAMO, K97, KPRS, WFXA, WXOK.

CHRIS WALKER "Giving You All My Love" (Pendulum/Elektra) 45/37 Rotations: Heavy 0/0, Medium 2/0, Light 43/37, Total Adds 37 including WDAS, WUSL. WKYS, K104. KMJQ WEDR, WHOT, WOWI, WZAK, KMJM. Medium: WILD, WEUP.

BARRY WHITE "Put Me In Your Mix" (A&M) 44/40 Rotations: Heavy 0/0, Medium 3/1, Light 41/39, Total Adds 40 including WDAS, WAMO, WKYS, WEDR, WHIT, WTLC, KPRS, KKBT, WILD, WRKE. Medium: WJFX. KJLH.

SOUNDS OF BLACKNESS "The Pressure" (Perspective/A&M) 4421 Rotations: Heavy 0/O. Medium 7/0, Light 37/21, Total Adds 21 including WUSL, WKYS, WYLD, KKBT, WAN, WENN, Z93, WEUP, WJMI, WHJX. Mediums include: WDAS, WHUR, K97, WUJM, WWDM.

ZIGGY MARLEY á THE MELODY MAKERS "Good Time" (Virgin) 42/19 Rotations: Heavy 0/0, Medium 2/0, Light 40/19, Total Adds 19 including WHOT, WZAK, KMJM, 0C104, WXOK, WENN, Z104, WHJX, Z16, HOT105. Medium: K104, WOWI.

PATTI LABELLE "Feels Like Another One" (MCA) 40/40 Rotations: Heavy 0/0, Medium 2/2, Light 38/38, Total Adds 40 including WDAS, WHUR, WKYS, K104, KMJO, WEDR, WHOT, WYLD, WOWI, WJLB.

DIANA ROSS "When You Tell Me That You Love Me" (Motown) 39/10 Rotations: Heavy 0/0, Medium 3/0, Light 36/10, Total Adds 10, WKYS, KPRS, 0C104, WOXZ, WJMI, KIPR, WJHM, WCDX, KBMS, KRIZ. Medium: WDAS, HOT105, WIKS.

TONYI TONII TONEI "Me & You" (Gwest/WB) 39/5 Rotations: Heavy 6/1, Medium 17/2, Light 16/2, Total Adds 5, KJMZ, WHOT, WOWI, WJLB, WOOK. Heavy: WGCI, WILD, WPEG, Z104, U102. Mediums include: WDAS, K104, WEDR, WZAK, WDXZ.

TONYI TONII TONEI "House Party 11 (I Don't...)" (MCA) 37/16 Rotations: Heavy 0/0, Medium 3/1, Light 34/15, Total Adds 16 including WKYS, KMJO, WHOT, WZAK, WTLC, WJIZ, KBCE, WWDM, WAGH, WJMI. Medium: K104, K97.

QUEEN LAT1FAH "Fly Girl" (Tommy Boy) 36/3 Rotations: Heavy 0/0, Median 9/0, Light 27/3, Total Adds 3, WFXM, WOOK, WCDX. Mediums include: K104, KJMZ, K97, WIZF, WPEG.

GARY TAYLOR "Take Control" (Valley Vue) 35/4 Rotations: Heavy 0/0, Medium 3/0, Light 32/4, Total Adds 4, KKBT, WOIS, WJFX, XHRM. Medium: WAGH, WPGA, WMVP.

RANCE ALLEN "Miracle Worker" (Bellmark) 352 Rotations: Heavy 6/0, Medium 19/0, Light 10/2, Total Adds 2, KPRS, WMVP. Heavies include: WHJX, Z16, KIPR, WEAS, K98 -FM. Mediums include: WKYS, K97, WHOT, WGCI, WIZF.

KID 'N PLAY "Ain't Gonna Hurt Nobody" (Select) 34/14 Rotations: Heavy 0/0, Medium 0/0, Light 34/14, Total Adds 14 Including WKYS, WIZF, KKBT, WJTT, WFXE, KFXZ, KIPR, WOOK, WANM, K98 -FM.

RHYTHM "I'll Do Anything For You" (WTG/Epic) 34/5 Rotations: Heavy 1/0, Medium 13/0, Light 20/5, Total Adds 5, KPRS, Z93, Z104, WANM, WNOV. Heavy: K104. Mediums include: KJMZ, KMJO, K97, WYLD, WOWI.

RYTHM SYNDICATE "Hey Donna" (Impact) 342 Rotations: Heavy 0/0, Medium 2/0, Light 32/2, Total Adds 2, WJTT, KFXZ. Medium: Z16, HOT105..

PEABO BRYSON "Closer Than Close" (Columbia) 33/33 Rotations! Heavy 0/0, Medium O/0, Light 33/33, Total Adds 33 including WBLK, WDAS, WHUR, WKYS, WHOT, KPRS, KMJM, WILD, KBCE, WFXA.

DE LA SOUL "A Roller Skating Jam Named Saturday" (Tommy Boy) 31/7 Rotations: Heavy 0/0, Medium 9/0, Light 22/7, Total Adds 7, WBLS, WKYS, WAKE, Z93, HOT105, KBMS, KRIZ. Mediums include: KMJQ, K97, WOWI, WZAK, KMJM.

ALEX BUGNON "Heart Ot New York" (Orpheus/Epic) 31/3 Rotations: Heavy 0/0, Medium 1/0, Light 30/3, Total Adds 3, WDAS, KPRS, WLOU. Medium: WJFX.

LONNIE GORDON "Gonna Catch You" (SBK) 29/1 Rotations: Heavy 0/0, Medium 7/0, Light 22/6, Total Adds 6, WXOK, WDXZ, KIPR, WLOU, WJJS, WPLZ. Mediums include: WOWI, WZAK, WJLB, WUJM, WJMI.

ESCOFFERYS "Look Who's Loving Me" (Atlantic) 28/10 Rotations: Heavy 0/0, Medium 0/0, Light 28/10, Total Adds 10, WOWI, WILD, WEUP, KFXZ, WOIS, WLOU, WOOK, KDIA, KBMS, KRIZ.

PHIL PERRY "Forever" (Capitol) 28/9 Rotations: Heavy 0/0, Medium 3/0, Light 25/9, Total Adds 9, K104, WOWI, WTLC, HOT105, WCDX, KMJJ, K98 -FM, WJFX, WMVP. Medium: WBLS, WDAS, WALT.

HEAVY D & THE BOYZ "Is It Good To You" (Uptown4ACA) 27/12 Rotations: Heavy 0/0, Medium 5/0, Light 22/12, Total Adds 12 including WKYS, 0C104, WFXA, WENN, KFXZ, KIPR, WBLX, WCDX, WPLZ, K98 -FM. Medium: WZAK, WUJM, WALT, KMJJ, WVOI.

VOYCEBOXING "Pain" (GRP) 27/5 Rotations: Heavy 0/0, Medium 2/0, Light 25/5, Total Adds 5, KPRS, WFXA, WUJM, KFXZ, WNOV. Medium: WZAK, WEUP.

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P.C. QUEST "Atter The Summer's Gone" (RCA) 2322 Rotations: Heavy 0/0, Medium 1/0, Light 22/22, Total Adds 22 including WHOT, WYLD, KPRS, KBCE, WXOK, WOMG, WEUP,

WHJX, WOIS, KIPR. Medium: 0C104.

DANNY MADDEN "Facts 01 Lite" (Giant/Reprise) 23/7 Rotations: Heavy 0/0, Medium 0/0, Light 23/7, Total Adds 7 including KBCE, WENN, 293, Z104, WEUP, WJFX, KDIA.

MO .1;irrjr:452-.)

BEBE & CECE WINANS (46) PATTI LABELLE (40) BARRY WHITE (40)

CHRIS WALKER (37) PEABO BRYSON (33)

P.C. QUEST (22) SOUNDS OF BLACKNESS (21)

ZIGGY MARLEY (19) TONYI TONII TONEI/House (16)

KID N' PLAY (14)

HOTTEST PHYLLIS HYMAN (61)

LUTHER VANDROSS (52) COLOR ME BADD (49)

B ANGIE B (48) BRAND NEW HEAVIES (47)

EX -GIRLFRIEND (34) TEVIN CAMPBELL (24)

WHITNEY HOUSTON (20) PRINCE (13)

VANESSA WILLIAMS (13)

rJ 1J RECURRENTS

LW Tw

4 1 GLADYS KNIGHT/Men 3 2 PEABO BRYSON/Rain - 3 B. & C. WINANS/Addictive

1 4 HI -FIVER Can't

8 5 SHIRLEY MURDOCK1n - 6 LISA LISA/Let - 7 VESTA/Special

5 8 PEBBLES/Always

6 9 JAllY JEFF/Summertime

9 10 COLOR ME.../l Wanna

RONNIE DYSON INICKI AUSTIN "Are We So Far Apart" (Society Hill) 23/5 Rotations: Heavy 0/0, Medium 0/0, Light 23/5, Total Adds 5, WDXZ, WMVP, KBMS, XHRM, KRIZ.

NATION FUNKTASIA "Move Me" (EastWest) 22/1 Rotations: Heavy O10, Medium 4/0, Light 18/1, Total Adds 1, KMJM. Medium: WFXA, WXOK, WFXE, WEUP. MARKY MARK & THE FUNKY BUNCH "Good Vibrations" (Interscope/EWA) 21/5 Rotations: Heavy 0/0, Medium 6/0, Light 15/5, Total Adds 5, WRKE, WOIS, WJJS, WFXM, WDZZ. Mediums include: WAMO, WDXZ, WUJM, WJTT, KIIZ.

SEAL "Crazy" (WB) 20/1 Rotations: Heavy O/0, Medium 4/0, Light 16/6, Total Adds 6, WDAS, WJTT, KIIZ, KFXZ, WANM, KDIA. Medium: OC104, WEUP, U102, WJJS.

SALT & PEPA "Let's Talk About Sex" (Next Plateau) 20/4 Rotations: Heavy 0/0. Medium 3/0, Light 17/4, Total Adds 4, WOWI, WPEG, WCDX, KJLH. Medium: KMJO, K97, WNOV.

FREDDIE JACKSON "Second Time For Love" (Capitol) 19/1 Rotations: Heavy 0/0, Medium 3/0, Light 16/6, Total Adds 6, WKYS, KPRS, KFXZ, WFXM, WALT, K98 -FM Medium: WDAS, K97, Z16.

NICE & SMOOTH "Hip Hop Junkie" (Columbia) 19/4 Rotations: Heavy 0/0, Medium 1/0, Light 18/4. Total Adds 4, KMJQ, WPEG, KIPR, WBLX. Medium: WFXA.

GETO BOYS "My Mind Playing Tricks On Me" (Rap -a -Lot) 17/8 Rotations: Heavy 5/1, Medium 3/1, Light 9/6, Total Adds 8, KJMZ, WEDR, WGCI, WJLB, KMJM, KBCE, WPEG, K98 -FM. Heavy: K104, KMJQ, WYLD, WBLX. Medium: WHOT, KFXZ.

MC LYTE "When In Love" (Atlantic) 17/8 Rotations: Heavy 0/0, Medium 2/1, Light 15/7, Total Adds 8, KMJM, WUJM, WPEG, WOMG, Kill, WIKS, WEAS, KJLH. Median: WJMI.

NEMESIS "I Want Your Sex" (Profile) 17/1 Rotations: Heavy 0/0, Medium 5/0, Light 12/1, Total Adds 1, K104. Medium: KMJQ, WJLB, KMJM, WFXA, WEAS.

D'BORA "Dream About You" (Smash/PLG) 16/4 Rotations: Heavy 0/0, Medium 2/0, Light 14/4, Total Adds 4, Z93, WIKS, KBMS, KRIZ. Medium: WOWI, WEUP.

HONEY'S "How Low (Can You Go)" (J&J/Bellmark) 16/1 Rotations: Heavy 0/0, Medium 1/0, Light 15/1, Total Adds 1, WZAK. Medium: WVOI.

LARRY LARR "Confused" (Columbia) 16/9 Rotations: Heavy 0/0, Medium 2/0, Light 14/0, Total Adds O. Medium: K104, K97.

LEVERT "Give A Little Love" (Atlantic) 14/12 Rotations: Heavy 0/13, Medium 210, Light 12/12, Total Adds 12 including KMJQ, WZAK, KMJM, WJTT, 2104, KJMS, WALT. HOT105, WJFX, WMVP. Medium: WHUR, WGZB.

ALTITUDE "It You Believe" (Bahia/ACA) 14,0 Rotations: Heavy 0/0, Medium 0/0, Light 14/0, Total Adds O.

SYBIL "Let It Rain" (Next Plateau) 14/0 Rotations: Heavy 0/0, Medium 3/0, Light 11/0, Total Adds O. Medium: WEUP, WIKS, WCDX.

AUDREY WHEELER "I'm Yours Tonight" (Ear Candy) 13/4 Rotations: Heavy 0/0, Medium 0/0, Light 13/4, Total Adds 4, WZAK, WLOU, WJFX, WMVP.

TYCIE & WOODY "Rhythm Is Gonna Get You" (Elektra) 13/4 Rotations: Heavy 0/0, Medium 1/0, Light 12/4, Total Adds 4, KBCE, WFXM, WALT, WANM. Medium: WPGA.

CECE ROGERS "Thick Girt" (Atlantic) 122 Rotations: Heavy 0/0, Medium 1/0, Light 11/2, Total Adds 2, WJFX, KBUZ. Medium: WPGA.

CHERYL "PEPSII" RILEY "Ain't No Way" (Columbia) 11/5 Rotations: Heavy 0/0, Medium 0/0, Light 11/5, Total Adds 5, WENN, WPEG, WEUP, WPGA, WOOK.

BIZ MARKIE "What Comes Around, Goes Around" (Cold Chfllin/WB) 11/4 Rotations: Heavy 0/0, Medium 3/0, Light 8/4, Total Adds 4, WEDR, HOT105, KBMS, Kill. Medium: WBLS. KIIZ, WEAS.

NATURAL SELECTION "Do Anything" (EastWest) 111 Rotations: Heavy 0/0, Medium 2/0, Light 9/1, Total Adds 1, WZAK. Medium: 0C104, U102.

SOUL FAMILY SENSATION "I Don't Even Know" (Epic) 11/0 Rotations: Heavy 0/0, Medium 2/0, Light 9/0, Total Adds 0. Medium: WTLC, WEUP.

FAMLEE "Love Me" (Def Jam/Columbia) 10/10 Rotations: Heavy 0/0, Medium 0/0, Light 10/10, Total Adds 10, WAKE, WJIZ, WAN, WAGH, WFXE, WFXM, WPGA, WANM, KBMS, KRIZ.

MARGARET BELL "Over And Over" (Reprise) 102 Flotations: Heavy O/0, Medium 1/0, Light 9/2, Total Adds 2, KMJJ, WANM. Medium: WDAS.

1111,7 ff./ART' . TS Reports/Adds

1 MARC NELSON/I Want You (Capitol) 47/4 2 CHRIS WALKER/Giving You All My Love (Pendulum/Elektra) 45/37 3 QUEEN LATIFAH/Fty Girl (Tommy Boy) 36/3 4 GARY TAYLOR/Take Control (Valley Vue) 35/4 5 RANCE ALLEN/Miracle Worker (Bellmark) 35/2 6 RHYTHM/1'110o Anything For You (WTG/Epic) 34/5 7 ALEX BUGNONMeart Of The City (Orpheus/Epic) 31/3 8 LONNIE GORDON/Gonna Catch You (SBK) 29/6 9 DEE HARVEY/Leave Well Enough Alone (Motown) 29/1

10 ESCOFFERYS/took Who's Loving Me (Atlantic) 28/10

New artists have not yet had a UC Breaker.

A CROWN JEWEL IN THEKING'S COLLECTION.

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#2 MOST ADDED .44/40

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WXYVBaltimore Roy Sampson

none Hottest: LUTHER VANDROSS PHYLLIS HYMAN VESTA VANESSA WILLIAMS

BRAND NEW HEAVIES

W ILD/Boston HIII/Hall

BARRY WHITE

PATTI LABELLE

ESCOFFERYS PEABO BRYSON

BEBE A CECE WINAN Hottest: COLOR ME BADD

WIZ II MEN WHITNEY HOUSTON IX -GIRLFRIEND LUTHER VANDROSS

W BLKIBullalo Faison/St. James

(VOL MDE DEE JOHNNY GILL

PEAS) BRYSON HILEN BRUNER BEBE 6 CECE WINAN Hottest: PRINCE LUTHER VANDROSS GLADYS KNIGHT PHYLLIS HYMAN KEITH WASHINGTON

WBLS/New York Mike Lose

FRANKIE KNUCKLES LENNY KRAVITZ MARIAN CAREY DE LA SOUL Hottest: NAUGHTY BY NATURE CHUBB ROCK

TEVIN CAMPBELL COLOR ME BARD

BRAND NEW HEAVIES

WRKSINew York Brown! B ea s ley

0C104/Ocean City Scott Jantzen

HEAVY D 6 THE BOY ZIGGY MARLEY CHRIS WALKER O'JAYS DIANA ROSS Hottest: LENNY KRAVITZ TEVIN CAMPBELL COLOR PE BARD VANESSA WILLIAMS PHYLLIS HYMAN

W1/SLPhlladelphis

Allan/Monet

SOUNDS OF HLACKNE CHRIS WALKER DONNA SURER BEBE. A CECE WINAN NEWKIRK

Hottest: TORY TERRY STEVIE WONDER

HI FIVE LUTHER VANDROSS COLOR NE BARD

WOAS/Philadelphia

Joe Tamburro

PATTI LABELLE BARRY 'WHITE CHRIS WALKER PEARS BRYSON ALEX BUGNON SEAL

Hottest: PHYLLIS HYMAN COLOR ME BADD LENNY KRAVITZ WHITNEY HOUSTON VANESSA WILLIAMS

W AMOIPIttsburgh Dave/Goewey

SHABBA RANKS GLADYS KNIGHT BEBE A CECE WINAN BARRY WHITE YO YO

Hottest: PHYLLIS HYMAN COLOR PE BADD EX -GIRLFRIEND BRAND NEW HEAVIES KARYN WHITE

none

Hottest: WKYS/Washington LUTHER VANDROSS Simpson/Daggs COLOR ME BARD

LISA LISA BRAND NEW HEAVIES DI -GIRLFRIEND

WRKEIOcean City OuartaronelMena

CHRIS WALKER SPECIAL GENERATIO A TRIBE CALLED QE MANKY MARK 6 THE BEEE 6 CECE RINI% DE LA SOUL FAH.EE BARRY WHITE

Hottest:

COLOR PE BARD PHYLLIS HYMAN BOYZ II HEN

MARIAN CAREY '

NAUGHTY BY NATURE

HEAVY D 6 THE BOY DE LA SOUL FREDDIE JACKSON SOUNDS OF E ACKNE KID 'N PLAY

CHRIS WALKER BARRY 'WHITE

PATTI LABELLE DIANA ROSS F.S. EFFECT 0/ CH

TONY TONI TONE READT FOR THE MDR

PEAS) BRYSON

Hottest: LISA LISA LENNY KRAVITZ LUTHER VANDROSS BRAND NBA HEAVIES PHYLLIS HYMAN

WHUR/Washington B.K. Kirkland

PATTI LABELLE BEBE A CECE WINAN PEAS) BRYSON Hottest: BRAND NEW HEAVIES LUTHER VANDROSS JODECI

PHYLLIS HYMEN

WHITNEY HOISTOR

S. [Y W JIZIAlbany Don Allen

BARRY WHITE FAMLEE

BEBE. A CELE WINAN TONY TONI TONE CHRIS WALKER Hottest: PHYLLIS HYMAN LUTHER VANDROSS BRAND NEW HEAVIES EX-GGIRLFRIEND WHITNEY HOUSTON

K BCE/Alezandria

Donnie Taylor

P.C. QUEST BEBE 6 CECE WINAN GETO BOYS PEABO BRYSON TONY TONI TONE TYCIE A WOODY MARC NELSON BARRY WHITE DANNY MADDEN KOOB. MOE DEE Hottest: LUTHER VANDROSS PHYLLIS HYMAN B ANGIE B BRAND NEW HEAVIES TEVIN CAMPBELL;

W VEE/Atlanta RobertsBacote

none Hottest: LUTHER YANOROSS PHYLLIS HYMAN BOYZ II MEN COLOR ME BARD

ANOTHER BAD CREAT

W FXAIAugusta Carl Conner

WHITNEY HOUSTON

BARRY WHITE HEAVY D 6 THE BOY PEABO BRYSON BEBE 6 CEDE WINAN

SURFACE VOYCEBGXING

F.S. EFFECT f/ CI Hottest: LUTHER VANDROSS B ANGIE B PHYLLIS HYMAN TEVIN CAMPBELL BRAND NEW HEAVIES

WXOKIBslon Rouge Melt Morton

P.C. QUEST PATTI LABELLE NAUGHTY BY NATURE BEBE 6 CECE WINAN

LONNIE CORDON CHRIS WALKER ZIGGY MARLEY Hottest: COLOR PE BARD EX -GIRLFRIEND KARYN MITE TEVIN CAMPBELL BRAND NEW HEAVIES

KOXLIBaton Rouge

Chris Clay

none Hottest: LUTHER VANDROSS BEBE 6 CECE WINAN PHYLLIS HYMAN COLOR ME BARD BRAND NEN HEAVIES

WENN/Birmingham Donnell/Starr

PATTI LABELLE ZIGGY MARLEY HEAVY D A THE BOY CHERYL "PEPSII' R

SOUNDS OF B.ACKNE MC BREED

BARRY WHITE DANNY MADDEN

Hottest: E -GGIRLFRIEND

BRAND NEW HEAVIES LUTHER VANDROSS TEVIN CAMPBELL B ANGIE B

W AT VBirmingham Ron January

MARC NELSON BEBE 6 CELE WINAN BARRY WHITE SOUNDS OF d.ACKNE SMALL CHANGE

FA}L£E DAMIAN DAME Hottest: LUTHER VANDROSS WHITNEY HOUSTON B ANGIE B PHYLLIS HYMAN ES -GIRLFRIEND

WDXZ/Charleston Jimmy Mock

PATTI LABELLE.

MARC NELSON GLADYS KNIGHT DIANA ROSS BARRY WHITE JAZZY JEFF LONNIE GORDON DAMIAN DAMP. HERE 6 CECE NINAN RONNIE DYSON f/VI Hottest: PHYLLIS HYMAN PRINCE PRETTY IN PINK TEVIN CAMPBELL IX -GIRLFRIEND

WUJMICharleston Earl Boston

PATTI LABELLE MC LYTE

JAZZY JEFF CHRIS WALKER VOYCEBDXING A TRIBE CALLED VU BARRY WHITE

Hottest: EX -GIRLFRIEND TEVIN CAMPBELL PHYLLIS HYMAN PRINCE WHITNEY HOUSTON

Z931Charleston

CHIN Fletcher

DANNY MADDEN

DE LA SOUL BEBE 6 CECE WINAN SURFACE RHYTHM SOUNDS OF RLACKNE SHEILA E

CHRIS WALKER D'BORA Hottest:

LUTHER VANDROSS COLOR PE BARD LISA LISA VESTA ,

IX -GIRLFRIEND

WGCIIChicago

James Alexander

JOHNNY GILL SPIABBA RANKS GEM WITS Hottest:

TONY TERRY

BEBE 6 CECE WINAN COLOR ME BARD BOYZ II PEN

PEAS) BRYSON

W IZFICInclnnatl LewislTurner

KID 'N PLAY Hottest:

PHYLLIS HYMAN

COLOR PE BADD

TEVIN CAMPBELL

BEBE 6 CELE WINAN BRAND NEW HEAVIES

W ZAKIC leveland Tolliver/Rush

LUTHER VANDROSS UMC'S

ZIGGY MARLEY IICNEY'S

BEBE A CELE WINAN LEVERT GENE RICE TONY TONI TONE AUDREY WHEELER NATURAL SELECTION CHRIS WALKER

Hottest: PHYLLIS HYMAN B ANGIE B

O'JAYS PRINCE COLOR ME BARD

ND/KO/Columbus K.C. Jones

DAMIAN DALE JODECI TRACIE SPENCER

PUDE BOYS

Hottest:

COLOR FE BARD

PHYLLIS HYMAN BEBE 6 CELE WINAN LUTHER VANDROSS BRAND NEW HEAVIES

WAS/Detroit

Steve Hegwood

TONY TONI TONE GETO BOYS BEBE A CECE WINAN PATTI LABELLE SMALL CHANGE Hottest: PHYLLIS HYMAN LUTHER VANDROSS WHITNEY HOUSTON KARYN WHITE VANESSA WILLIAMS

W DZZ/Fllnt Kris McClendon

MARBA MARK A THE NAUGHTY BY NATURE Hottest: LUTHER VANDROSS BRAND NEW HEAVIES TEVIN CAMPBELL LENNY KRAVITZ B ANGIE B

WJFXIFt. Wayne Jeff Phillips

PRINCE P.C. QUEST BABE A CECE WINAN DANNY MADDEN TONY TONI TONE PHIL PERRY GARY TAYLOR SOUNDS OF BACKNE CECE ROGERS SHAMA RANKS ROBERTA FACE WM PATTI LABELLE

AUDREY WHEELER PEAS) BRYSON

LEVERT Hottest: LUTHER VANDROSS COLOR NE BADD

PHYLLIS HYMAN

VANESSA WILLIAMS

WHITNEY HOUSTON

WTLCllndlanapolls WMVP/Milwaukee John sonlButhanon

BARRY WHITE GLADYS KNIGHT TONY TONI TONE PHIL PERRY HELEN BRUNER Hottest:

PHYLLIS HYMAN BRAND NEW HEAVIES TEVIN CAMPBELL B ANGIE B EX-GGIRLFRIEND

KPRS/Kansas City King/Wonder

VOYCEBDXING RHYTHM BARRY WHITE PEAS) BRYSON DIANA ROSS ALEX BUGNON FREDDIE JACASON RANCE ALLEN P.C. QUEST Hottest: BRAND NEW HEAVIES PHYLLIS HYMAN LENNY KRAVITZ B ANGIE B EX -GIRLFRIEND

WHOVIMilwaukee Ernie G.

LEVERT VOYCEBOXING CHRIS WALKER ZIGGY MARLEY DONNA SURER RHYTHM

PEAS) BRYSON PATTI LABELLE Hottest: PHYLLIS HYMAN B ANGIE B

LUTHER VANDROSS BRAND MEIN HEAVIES COLOR HE BARD

Billy Young

LEVER( PEABO BRYSON RONNIE DYSON f/VI ZIGGY MAALEY

AUDREY WHEELER RANCE ALLEN PHIL PERRY Hottest: B ANGIE B LUTHER VANDROSS BRAND NEW HEAVIES COLOR PE BADD PHYLLIS HYMAN

WTLZ/Saginaw

CrocketULamptey

BEBE A CECE WINAN CHRIS WALKER

ERIC GABLE PATTI LABELLE BARRY WHITE .

P.C. QUEST CRYSTAL WATERS KID 'N PLAY Hottest: B ANGIE B TEVIN CAMPBELL PHYLLIS HYMAN BRAND NEW HEAVIES VANESSA WILLIAMS

KMJM/St. Louis Atkins/W ynter

ZIGGY MARLEY GETO BOYS CHRIS WALKER PEAS) BRYSON MC LYTE NATION FUNKTASIA LEVERT Hottest: PHYLLIS HYMAN EX -GIRLFRIEND BRAND NEW HEAVIES LUTHER VANDROSS WHITNEY HOUSTON

W PEGICharlotte Saunders/Darcell

CHERYL "PEPSII" R

BARRY WHITE

PATTI LABELLE

GETO BOYS NICE A SMOOTH KOOL ROE DEE SALT 6 PEPA

MC LYTE

JENNIFER HOLIDAY GLADYS KNIGHT

JAZZY JEFF PEABD BRYSON BEBE 6 CECE WINAN Hottest: LUTHER VANDROSS EX -GIRLFRIEND TONY TONI TONE NAUGHTY BY NATURE BOYZ II MEN

W JTT/Chattanooga LandeckedRankln

KID 'N PLAY PATTI LABELLE

SEAL BEBE A CELE WINAN BARRY 'WHITE

LEVERT SURFACE RYTFM SYNDICATE

Hottest: LUTHER UNCROSS PHYLLIS HYMAN BRAND NEW HEAVIES B ANGIE B

TEVIN CAMPBELL

W W DMIColumbla Andre Carson

PATTI LABELLE

TONY TONI TONE

BARRY WHITE DAMIAN DAME

BEBE 6 CECE WINAN Hottest: LUTHER VANDROSS COLOR PE BARD

BOYZ II MEN

HEAVY D A THE BOY NAUGHTY BY NATURE

W AGHUColumbus Darrell J. Smith

CHRIS WALKER

BARRY WHITE

PATTI LABELLE

TONY TONI TONE FAMLEE BEBE A CECE WINAN Hottest: PHYLLIS HYMAN GEORGIC PRINCE B ANGIE B

COLOR ME BADD

W FXEIColumbus Philip David March

RUDE BOYS

KID 'N PLAY

BARRY 'WHITE

PATTI LrBELLE.

BEBE A CELE WINAN FARE.EE

Hottest: PHYLLIS HYMAN B ANGIE B

LVTAIER VANDROSS

TEVIN CAMPBELL BRAND NEW HEAVIES

KJMLDallas-Ft. Worth Casey/Jammer

TONY TONI TONE

GETO BOYS

JAZZY JEFF

Hottest:

LUTHER VANDROSS COLOR WH BARD B ANGIE B

TONY TONI TONE GEM BOYS

K1041DallasFL Worth

AverylAnderson

NEMESIS NENKIIM CHRIS WALKER

PATTI LABELLE PHIL PERRY NEW VERSION Hottest: LUTHER VANDROSS

B ANGIE B

COLOR ME BADD WHITNEY HOUSTON

GETO BOYS

W VOIIToledo Casey McMichaels

PATTI LABELLE

BARRY WHITE

READY FOR THE NOR

CHRIS WALKER

YOUNG M.C.

CRYSTAL WATERS

P.C. QUEST

SURFACE Hottest: B ANGIE B

BRAND NEW HEAVIES LUTHER VANDROSS COLOR ME BADD PHYLLIS HYMAN

KBUZ/W lchita James McFadden

PATTI LABELLE

PEAS) BRYSON

ZIGGY MARLEY SOUNDS Of BACKNE CHRIS WALKER

LEVERT CECE ROGERS

Hottest: PHYLLIS HYMAN COLOR ME BARD

BRAND NOW HEAVIES

EX -GIRLFRIEND WHITNEY HOUSTON

WZFXIFayatteville

Phil Allen

none

Hottest: BEBE 6 CELE WINAN VESTA BRAND NEW HEAVIES PHYLLIS HYMAN LUTHER VANDROSS

W OMGIOreensboro Sam W

JENNIFER HOLIDAY CHRIS WALKER P.L. QUEST MC LUTE PEABD BRYSON

PATTI LABELLE YO YO A TRIBE CALLED QU Hottest: PHYLLIS HYMAN BOYZ II MEN

COLOR ME BARD

LENNY KRAVITZ BRAND NEW HEAVIES

Z104/Greenville

W alkerIVa lentine

WHITNEY INSIST N

SURFACE RHYTHM PATTI LABELLE DANNY MADDEN ZIGGY MARLEY

BARRY WHITE BEBE A CECE WINAN LEVERT GROUND ZERO f/BCD CHRIS WALKER

Hottest: PHYLLIS HYMAN B ANGIE B COLOR ME BARD

PRINCE LUTHER VANDROSS

KMJG/Houston AtklnsNReynolds

TOM( TONI TONE

CHRIS WALKER

2 LIVE CREW KCCL MOE DEE NEWKIRK NICE A SMOOTH

DAMIAN DAME LEVER(

PATTI LABA) I E

STEVIE WONDER Hottest: COLOR M£ BARD

BRAND NEW HEAVIES PHYLLIS HYMAN GETO BOYS LUTHER VANDROSS

W EUPIHunt sell la Steve Murry

B ANGIE B SOUNDS OF FLACKNE PEAS) BRYSON BEBE 6 CECE NINON ESCOFFERYS CHAMPAIGN

PATTI LABELLE DANNY MADDEN

BARRY WHITE CHERYL "PEPSII" R P.C. QUEST Hottest: PHYLLIS HYMAN

BRAND NEW HEAVIES LUTHER VANDROSS EX-GGIRLFRIEND

COLOR PE BARD

W JMIIJack son ToddlJones

GLADYS KNIGHT BEBE A CELE MINAN PATTI LABELLE

JODECI PEAS) BRYSON DIANA ROSS

BARRY WHITE SPECIAL GENERATIO SOUNDS OF ALACKNE

S.O.S. BAND TONY TONI TONE Hottest B ANGIE B

JENNIFER HOLLIDAY BELL KV DEVOE TEVIN CAMPBELL LUTHER VANDROSS

W HJXIJacksonville Young/Melvin

BARRY WHITE

SOUNDS OF ELACKNE BEBE A CEO; WINAN ZIGGY MARLEY PATTI LABELLE P.C. QUEST Hottest: B ANGIE B PHYLLIS HYMAN

BRAND NEW HEAVIES PRINCE WHITNEY HOUSTON

KilZ/Xiileen

Jimi Canow GLADYS KNIGHT BEBE A CELE WINAN DEE HARVEY KOO. MOE DS SEAL MC LYTE

CHRIS WALKER

MARC NELSON

Hottest: PRINCE LUTHER VANDROSS B ANGIE B

BRAND NEW HEAVIES EX -GIRLFRIEND

KFXZJLalayette

Harrison/Byrd

SEAL

HEAVY D A THE BIT

VOYCEBOXING JOHNNY DILL KID 'N PLAY FREDDIE JACKSON

PROFESSOR GRIEF RYTEM SYNDICATE ESCOFFERYS A TRIBE CALLED W Hottest: BRAND NEW HEAVIES B ANGIE B PHYLLIS HYMAN EX-GIRFRIEND LENNY KRAVITZ

KXZZ/lake Charles Rob Neal

JODECI TONY TONI TONE CHRIS WALKER ZIGGY MARLEY PATTI LABELLE BEBE 6 CELE WINAN

PEARS BRYSON BARRY WHITE

Hottest: COLAR PE BADD PHYLLIS HYMAN LUTHER VANDROSS B ANGIE B

BRAND NEW HEAVIES

WOlS/Laurel

Ron Davis

BOYZ II MEN

ANOTHER BAD CREAT PEABO BRYSON P.C. QUEST SOUNDS OF BLACKNE NAUGHTY BY NATURE ESCOFFERYS MARKY MVO 8 THE BEBE 6 CECE WINAN GARY TAYLOR JENNIFER FOLLIDAY Hottest: BRAND NEW HEAVIES LUTHER VANDROSS PHYLLIS HYMAN WHITNEY YOUSTON

TEVIN CAMPBELL

U102/Leaington

Mack/Moberly

BEBE A CELE WINAN S.O.S. BAND

Hottest: LOOR NE BADD LUTHER VANDROSS WHITNEY HOUSTON BOYZ II PEN IX -GIRLFRIEND

KIPR/LINle Rock

Booker

DIANA ROSS RUDE BOYS NICE A SMOOTH LONNIE GOBDOI BARRY WHITE KID 'N PLAY HEAVY D A THE BOY P.C. QUEST

Hottest: PHYLLIS HUMAN COLOR RE BARD

B ANGIE B LENNY KRAVITZ J.T. TAYLOR

W LOU/Loulsville Maurice Hared

ESOJFFERYS CHRIS WALKER BEBE 6 CECE WINAN PEAS) BRYSON AUDREY WHEELER PATTI LABELLE ALEX BOGNOR SOUNDS OF BLACCNE LNNIE GORDON Hottest: B ANGIE B BRAND NEW HEAVIES

PHYLLIS HYMAN

COLOR ME BARD EX -GIRLFRIEND

W OZBILouisvllle Del Spencer

none

Hottest: LUTHER VANDROSS SAM THE BEAST

NATALIE COW W/NA IX -GIRLFRIEND BOYZ II HEN

WJJS/Lynchburg Lad Coins

MARIAN CARET LONNIE GORDON MARRY MARK A THE PEAS) BRYSON

Hottest: PHYLLIS HYMAN LUTHER VANDROSS TEVIN CAMPBELLLL. IX -GIRLFRIEND BRAND NEW HEAVIES

WFXM/Macon Big George Threatt

BEBE A CECE VINAN

FREDDIE JACKSON MARIO MARK 6 THE TYCIE A WOOD'

PATTI LABELLE QUEEN LATIPAN BARRY WHITE FAILEE

Hottest: B ANGIE B PItILL'S HYMAN

WHITNEY WESTOMN LUTHER VANDROSS BRAND NEW HEAVIES

W PGAIMacon Brian Kelly

TEVIN CAMPBELL SCCMOS OF FAAGDNE BARRY WHITE CHRIS WALKER MBE 6 CECE WINAN PEAS) BRYSON PATTI LABELLE CHERYL "PEPSIS" R

FAMLEE Hottest: COLOR PE BARD B ANGIE B PHYLLIS HYMAN ANOTHER BAD CREAT VANESSA WILLIAMS

KJMS/Memphls HamlltonlSt James BARRY WHITE BEBE 6 CELE WINAN CHRIS WALKER TONY TONI TONE PATTI LABELLE LEYERA Hottest: PHYLLIS HYMAN BRAND NEW HEAVIS TEVIN CAMPBELL EX-GGIRLFRIEND B ANGIE B

K97/Memphis

O'Jay/Bell

none

Hottest:

LISA LISA B ANGIE B PRINCE

LUTHER VANDROSS VANESSA WILLIAMS

W ALTIMeridian Steve Poston

NEWKIBK !CBE 6 CECE WINAN TYCIE 6 WOODY FREDDIE JACKSON PEAS) BRYSON LEVERT P.C. QUEST CHRIS WALKER Hottest: PHYLLIS HYMAN CCAR ME BARD BRAND NEW HEAVIES B ANGIE B IX -GIRLFRIEND

W EDR/Miaml James Thomas

BARRY WHITE PATTI LABELLE GETO BOYS BIZ MARKIE YOUNG M.C. CHRIS WALKER Hottest: LUTHER VANDROSS TEVIN CAMPBELL B ANGIE B

JENNIFER HDLLIDAY VANESSA WILLIAMS

W HOT/Mlaml ISley/Black

TONY TONI TONE BARRY 'WHITE TONY TONI TONE CHRIS WALKER ZIGGY MARLEY P.C. QUEST

PATTI LABELLE PEAS) BRYSON Hottest:

B ANGIE B

COLOR ME BARD BRAND NEW HEAVIES PHYLLIS HYMAN IX -GIRLFRIEND

W BL XIMobile CheatamlSlnclalr PRINCE

P.C. QUEST PATTI LABELLE NICE A SMOOTH BARRY 'WHITE

MC BREED SOUNDS OF B.ACKNE A TRIBE CALLED QU HEAVE D A THE BOY

LISA FISCIER Hottest: BOYZ II PEN

B ANGIE B ANOTHER BAD CREAT EX -GIRLFRIEND TEVIN CAMPBELL

HOT1 0 5/Mon t gomery Steele/May

NEWKIRK PHIL PERRY SOUNDS OF ELACKNE BIZ MARKIE DE LA SOUL MC BREED YO YO CHRIS WALKER LEVERT ZIGGY MARLEY SURFACE P.C. QUEST PATTI U13EL.LE CHUCK STRONG Hottest:

LUTHER VANDROSS B ANGIE B PRINCE IX -GIRLFRIEND PHYLLIS HYMAN

W OOKINa shvllle Paderlck McFreen

NAUGHTY BY NATURE JODECI TONY TONI TONE Hottest: BEBE A CECE WINAN

LISA LISA SOUNDS OF E ACKNE PEBBLES B ANGIE B

WIKS/New Bern

Kirkland/Kenney

BEBE A CECE WINAN ZIGGY HARLEY MC LYTE UMC'S SHABBA RANKS SHEILA E D'BDRA PROFESSOR GRIEF P.C. QUEST CHRIS WALKER Hottest: B ANGIE B

IX -GIRLFRIEND PRINCE LUTHER VANDROSS TEVIN CAMPBELL

WILD-FM/New Orleans Wallace/Ross

PATTI LABELLE P.C. QUEST BEBE A CELE WINAN SOUNDS OF ILACKNE

Hottest: GETO BOYS LUTHER VANDROSS COLAR NE BARD B ANGIE B WHITNEY HOUSTON

W O W IMorlolk Steve Crumbley

TONY TONI TONE CHRIS WALKER PHIL PERRY ESCOFFERYS CHAMPAIGN

SALT A PEPA

DREAD FLIISiONE PATTI LABELLE Hottest: NAUGHTY BY NATURE LUTHER VANDROSS EX -GIRLFRIEND BRAND NEW HEAVIES COLOR ME BARD

W JHMIOrlando Lindsey/Hollywood

VANESSA WILLIAMS DIANA ROSS ZIGGY MARLEY ROBERTA FLACK vM YD YO

YOUNG M.C. BEBE 6 CELE WINAN Hottest: NAUGHTY BY NATURE B ANGIE B CX.OR t£ BARD TRACIA SPENCER JODECI

W OOKIRaleigh Young/Conners

STEVIE WONDER ZIGCY MARLEY ESCOFFERYS KID 'N PLAY BARRY 'WHITE QUEEN LATIFAH PEAS) BRYSON CHERYL "PEPSII" R TONY TONI TONE Hottest: LUTHER VANDROSS COLOR ME BARD B ANGIE B IX -GIRLFRIEND PHYLLIS HYMAN

W CDX/Richmond Aaron Maxwell SOUNDS OF B.ACKNE PATTI LABELLE

BEBE A CECE WINAN CHRIS WALKER PHIL PERRY HEAVY D A THE BOY QUEEN LATIFAH SALT A PEPA

DIANA ROSS Hottest: PHYLLIS HYMAN WHITNEY HOUSTON TEVIN CAMPBELL.

BRAND NEW HEAVIES B ANGIE B

W PLLRichmond -Petersburg

Phil.Daniels

BEBE A CECE WINAN CHRIS WALKER ANOTHER BAD CREAT PEAS) BRYSON HEAVY D A THE BOY A TRIBE CALLED QU SMALL CHANCE SPECIAL CENERATIO LONNIE GORDON BARRY WHITE Hottest: COLOR NE BARD B ANGIE B RARE ESSENCE PHYLLIS HYMAN IX -GIRLFRIEND

WEAS/Savannah Floyd Blackwell

TONY TONI TONE MC LATE

P.C. QUEST PATTI LABELLE BEBE 6 CELE WINAN BARRY WHITE Hottest: PHYLLIS HYMAN BRAND NEW HEAVIES ODLOR PE BADD B ANGIE B

WHITNEY HOUSTON

KMJJIShrevepod M.J. Rasool

SOUNDS OF BLACXNE ZIGGY MARLEY CHRIS WALKER P.C. QUEST UMC'S

PHIL PERRY BARRY WHITE MARGARET BELL Hottest:

PHYLLIS HYMAN

B ANGIE B COLOR PE BARD TEVIN CAMPBELL EX-GGIRLFRIEND

WAWA/Tallahassee

Van Wilson

KID 'N PLAY PATTI LABELLE PEABO BRYSON FAMLEE TYCIE A WOODY AFRIKA BAMBAATAA RHYTHM MARGARET BELL TONY TONI TONE SEAL BARRY WHITE Hottest: B ANGIE B

BRAND NEW HEAVIES WHITNEY HOUSTON EX -GIRLFRIEND PRINCE

WTUGIYuscaloosa Al Brown

PEAS) BRYSON Hottest:

EX-GGIRLFRI END

B ANGIE B TEVIN CAMPBELL COOK ME BARD WHITNEY HOUSTON

K98-FMIWest Monroe

Bill Sharp

FREDDIE JACKSON PEAS) BRYSON PATTI LABELLE KID 'N PLAY

CHRIS WALKER PHIL PERRY P.C. QUEST HEAVY D 6 THE WY GETS BOYS Hottest: PHYLLIS HYMAN B ANGIE B J.T. TAYLOR COLOR ME BARD PRINCE

KKBTILos Angeles SlradtordlMonds

BARRY WHITE GARY TAYLOR

GEORGIC SOUNDS OF B.ACKNE KID 'N PLAY

GUY

Hottest:

COLOR IE BUDD HI FIVE LEVERT BEBE A CECE WINAN PHYLLIS HYMAN

KJLHILos Angeles

Lynn Briggs

KID 'N PLAY SALT A PEPA BEBE 6 CECE WINAN F.S. EFFECT f/ CH SHABBA RANKS MC LYTE Hottest: LUTHER VANDROSS LENNY KRAVITZ BRAND NEW HEAVIES COLOR IE BAUD VANESSA WILLIAMS

KDIAIOakland

Jeff Hamson

ANOTHER BAD CREAT PEAS) BRYSON ESCOFFERYS SPECIAL GENERATIO DANNY MADDEN BEBE 6 CECE WINAN BARRY WHITE SEAL P.C. QUEST Hottest: PHYLLIS HYMAN COLOR NE BARD BRAND NEW HEAVIES B ANGIE B LUTHER VANDROSS

89 Current Reporters

83 Current Pteyllete

Called In Frozen Playllat (5):

K97/Menlphie KOXL/Baton Rouge WVEE/Atlente WXYV/Battlmore WZFX/Feyettev Tile

Did Not Report, Playllat Frozen (1): WGZB/Loulevllie

KBMSIPortland

Frank Barrow

GLADYS KNIGHT

BIZ MARKIE HEM 6 CECE WINAN ESCOFFERYS KID 'N PLAY SOUNDS OF BLACKNE DIANA ROSS

DE LA SOUL HEAVY D 6 THE MY ZIGGY MARLEY PEABO BRYSON DONNA SUMMER RONNIE DYSON E/VI

FAMLEE D'BORA

CHRIS WALKER Hottest:

LUTHER VANDROSS PHYLLIS HYMN VANESSA WILLIAMS J.T. TAYLOR JODECI

XHRMISan Diego See/James

GLADYS KNIGHT P.C. QUEST SURFACE BEBE 6 CECE WINAN RUDE BOYS PEARS BRYSON GARY TAYLOR RONNIE DYSON f/NI Hottest: COLOR IE BADS PHYLLIS HYMAN BRAND NEW HEAVIES B ANGIE B VANESSA WILLIAIS

KRILSeattle

Frank Barrow

GLADYS KNIGHT T LA ROCS BIZ HANKIE BEBE A CECE WINAN ESCOFFERYS KID 'N PLAY

SOUNDS OF BACKNE DIANA ROSS DE IA SOUL HEAVY D 6 THE BOY ZIGGY MARLEY PEAS) BRYSOR DONNA SUMMER RONNIE DYSON f/VI FAIA.EE

D' WIRA CHRIS WALKER Hottest: LUTHER VANDROSS PHYLLIS HYMAN

VANESSA WILLIAMS J.T. TAYLOR JODECI

1

1...,..0 ..4...-.

Paisley Park

SIST NT TEVIN CI PBELL "Just Ask Me To" UC CHART: O 86 UC REPORTERS -- 97%

INCLUDING:

ONE OF THE WXYV WAMO KJMZ WYLD WVKO WBLK WHUR KMJQ WOWI WTLC Hot

"----- HOTTEST WBLS Hot WKYS K97 WGCI KPRS

WDAS WVEE WEDR Hot WIZF Not KMJM WUSL K104 WHAT WZAK ...AND MANY MORE!

HIS THIRD "HUGE" -SELLING SINGLE IN A ROW!!!

KARYN WHITE "Romantic" UC CHART:

ONE OF THE

HOTTEST

HER SECOND SMASH HIT!!

89 UC REPORTERS -- 100%! WXYV WAMO Hot KMJQ WGCI KPRS

WBLK WHUR KJ97 WIZF KMJM

WBLS WKYS WEDR WZAK KKBT

WRKS WVEE WHQT WVKO

WDAS K104 WYLD W1LB Hot WUSL KJMZ WOWI WTLC

...AND MANY MORE!

PRINCE and the

Power Generation Getz Off" UC CHART: ® 79 UC REPORTERS -- 89%

INCLUDING:

WBLK Hot K104 WHQT WJLB

WDAS K16 1Z WYLD WTLC

WUSL KMJQ WOWI KPRS

WAMO K97 Hot WIZF KMJM

WKYS WEDR WZAK Hot ...AND MANY MORE!

ONE OF THE

HOTTEST

AS SEEN ON THE ARSENIO HALL SHOW AND THE r AWARDS

110 September 13,1991 COUNTRY NATIONAL AIRPLAY®

3 2

WKS WKS UN 1W

8 7 3

7 5 2

9 8 5

10 9 6 1D

15 11 8 © 12 10 7 O 6 6 1 7

17 13 11 0 19 15 12 0 24 16 14 0 5 3 4 11

20 17 15 e 36 21 17 e 26 18 16 e 40 28 22 e 28 20 18 e 29 23 20

1 2 10 18

25 22 21 e 35 27 25 a 30 26 24 a - 31 28 ® 27 24 23

3 4 9 24

33 29 27 ® 2 1 13 2{6

44 36 31

50 38 32 e BREAKER 0 - 39 33 0 - - 37 ®

23 19 19 32

46 41 35

BREAKER 0 BREAKER ®

48 43 38 0 BREAKER ff/

- - 45

BREAKER 0 - - 48

- 47 43 0 - 48 42 0 - 50 46 e 14 25 30 44

{ DEBUT > 111)

DEBUT

{ DEBUT j 31 32 34 48

47 44 41 49

DEBUT

SEPTEMBER 13, 1991 Totel Reports/Adds Heavy Medium Light

CLINT BLACK/Where Are You Now (RCA) 203/0 199 4 0 LIONEL CARTWRIGHT/Leap Of Faith (MCA) 203/0 191 11 1 DOUG STONER Thought It Was You (Epic) 202/0 182 20 0 GARTH BROOKS/Rodeo (Capitol) 202/0 161 39 2 SAWYER BROWN/The Walk (Curb/Capitol) 202/1 158 42 2 DIAMOND RIO/Mirror, Mirror (Arista) 200/0 151 45 4 MARK CHESNUTT/Your Love Is A Miracle (MCA) 190/0 146 34 10 PAUL OVERSTREETBall And Chain (RCA) 201/0 128 71 2 JOE DIFFIE/New Way (To Light Up An Old Flame) (Epic) 203/0 115 85 3 RICKY VAN SHELTON/Keep It Between The Lines (Columbia) 202/1 76 119 7 RONNIE MILSAP/Since I Don't Have You (RCA) 171/0 100 50 21 MIKE REID/As Simple As That (Columbia) 196/1 64 120 12 ALAN JACKSON/Someday (Arista) 201/0 36 153 12 LORRIE MORGAN/A Picture Of Me (Without You) (RCA) 195/0 53 129 13 TRAVIS TRITT/Anymore (WB) 202/6 21 156 25 DWIGHT YOAKAMMothing's Changed Here (Reprise) 196/1 30 141 25 PAM TILLIS/Put Yourself In My Place (Arista) 198/3 27 138 33 BROOKS & DUNN/Brand New Man (Arista) 128/0 70 41 17 PIRATES OF THE MISSISSIPPI/Speak Of The Devil (Capitol) 174/0 34 113 27 MARTY STUART/Tempted (MCA) 194/10 16 120 58 B.B. WATSON/Light At The End Of The Tunnel (BNA Entertainment) 185/6 14 125 46 KEITH WHITLEY 8 EARL THOMAS CONLEYBrotherty Love (RCA) 193/16 6 105 82 CARLENE CARTER/One Love (WB) 174/0 23 103 48 MARY-CHAPIN CARPENTER/Down At The Twist And Shout (Columbia) 121/0 55 50 16 McBRIDE & THE RIDE/Same Old Star (MCA) 179/4 14 105 60 TANYA TUCKER/Down To My Last Teardrop (Capitol) 112/0 33 59 20 CONWAY TWITTY/She's Got A Man On Her Mind (MCA) 170/12 3 89 78 DAVIS DANIEL/For Crying Out Loud (Mercury) 175/25 0 67 108 TRISHA YEARWOOD/Like We Never Had A Broken Heart (MCA) 177/82 1 38 138 GEORGE JONES/You Couldn't Get The Picture (MCA) 151/19 5 66 80 PATTY LOVELESS/Hurt Me Bad (In A Real Good Way) (MCA) 164/41 1 53 110 MARK COLLIE/Calloused Hands (MCA) 123/0 17 81 25 VERN GOSDIN/The Garden (Columbia) 123/8 5 56 62 BILLY DEAN/You Don't Count The Cost (SBK/Capitol) 150/59 0 32 118 RICKY SKAGGS/Lite's Too Long (To Live Like This) (Epic) 126/25 0 48 78 AARON TIPPIN/She Made A Memory Out Of Me (RCA) 110/12 5 46 59 SUZY BOGGUSS/Someday Soon (Capitol) 123/34 0 27 96 SHENANDOAH/When You Were Mine (Columbia) 113/18 0 44 69 HIGHWAY 101/The Blame (WB) 124/27 0 27 97 LITTLE TEXAS/Some Guys Have All The Love (WB) 117/25 1 27 89 EDDIE RABBITT/Hang Up The Phone (Capitol) 92/2 1 42 49 TAMMY WYNETTE w/RANDY TRAVIS/We're Strangers Again (Epic) 93/1 0 39 54 NEAL McCOY/This Time I Hurt Her More (Than She Loves Me) (Atlantic) 109/8 0 26 83 HAL KETCHUM/Small Town Saturday Night (Curb) 62/0 24 20 18 RANDY TRAVIS/Forever Together (WB) 99/99 3 14 82 JUDDS/John Deere Tractor (Curb/RCA) 106/22 0 27 79 ALABAMA/Then Again (RCA) 96/96 1 17 78 GEORGE STRAIT/You Know Me Better Than That (MCA) 48/0 20 18 10 HANK WILLIAMS JR./Angels Are Hard To Find (WB/Curb) 84/1 1 35 48 ROB CROSBY/Still Burnin' For You (Arista) 99/24 0 17 82

RANDY TRAVIS (99) ALABAMA (96)

TRISHA YEARWOOD (82) BILLY DEAN (59) VINCE GILL (45)

PATTY LOVELESS (41) SUZY BOGGUSS (34) HIGHWAY 101 (27) DAVIS DANIEL (25) LITTLE TEXAS (25)

RICKY SKAGGS (25)

HOTTEST CLINT BLACK (136)

LIONEL CARTWRIGHT (129) GARTH BROOKS (125)

DOUG STONE (76) SAWYER BROWN (70)

DIAMOND RIO (68) MARK CHESNUTT (56) BROOKS á DUNN (30) RONNIE MILSAP (26)

RICKY VAN SHELTON (24)

ReportsiAdds

1 LITTLE TEXAS/Some Guys... (WB)117/25 2 GREAT PLAINS/A Picture._ (Col) .... 52/12 3 KEITH PALMER/Don't Throw... (Epic) .. 42/17 4 RAY BENSON/Four Scores And... (Arista) 29/14 5 ALISON KRAUSS/I've Got_ (Rounder) . 17/17 6 MARIO MARTIN/Keep It On... (DPI) ... 14/1 7 DEBRA DUDLEY/Can't You... (Concord) //// 8 WOOD BROS /Hooked On... (K -Tel) .... 9/1 9 JERRY LANSDOWNE/I Give You... (SOR) 8/5

10 BAMA BAND/Boys Like Me... (Cap.) .... 5/0

New artists have not yet had a Coun- try Breaker or concurrent airplay from 60% of reporting stations, with a minimum of five stations.

MOST ADDED & HOTTEST list those songs achieving the most adds nationally and the songs reported "hottest" compilad from all our reporters. The number in parentheses immediately following the songs In Most Added 8 Honest indicates the total number of Country reporters adding the scng this week or noting that the song is among their five hottest

BREAK S. TRISHA YEARWOOD

Like We Never Had A Broken Heart (MCA) On 87% of reporting stations. Rotations: Heavy 1, Medium 38, Light 138, Total Adds 82 including WXTU, WDSY, WKML, WHLZ, WUBE, KCJB, WMUS, KIK-FM, KUZZ, KRAK, KKAT. Moves 44-29 on the Country chart.

BILLY DEAN You Don't Count The Cost (SBK/Capitol)

On 74% of reporting stations. Rotations: Heavy 0, Medium 32, Light 118, Total Adds 59 including WVAM, WCAO, WSSL, WMSI, KCJB, WTCM, KVOO, KUZZ, KFMS, KZLA. Moves 49-34 on the Country chart.

RICKY SKAGGS Life's Too Long (To Live Like This) (Epic)

On 62% of reporting stations. Rotations: Heavy 0, Medium 48, Light 78, Total Adds 25 including WAJR, WPOR, KEAN, KAYD, WKML, WITL, KZKX, KCJB, KWHT, KKAT. Moves 49-40-35 on the Country chart.

Breakers are those records that have achieved concurrent airplay -at 60% of our reporting stations. New & Active records are those receiving airplay at 30-59% o/ the stations. Records in Significant Action are receiving airplay at 5-29% of the stations. Records do not have to reach Breaker In order to chart. However, once a record charts, it must reach the 60% airplay level within the three following weeks to achieve Breaker status.

SUZY BOGGUSS

Someday Soon (Capitol) On 61% of reporting stations. Rotations: Heavy 0, Medium 27, Light 96, Total Adds 34 Including WDSY, WPOR, WRWD, WTDR, KPLX, WFMS, KEEY, KIK-FM, KASH. Moves 50-37 on the Country chart.

HIGHWAY 101 The Blame (WB)

On 61% of reporting stations. Rotations: Heavy 0, Medium 27, Light 97, Total Adds 27 Including WCAO, WOBE, WWNC, WCMS, WWKA, KZKX, KCJB, KKCS, KYGO, KKAT. Moves 47-39 on the Country chart.

r`

Life's Too Long For This Record Not To Be A Breaker ... So It Is!

RICKY SKAGGS "Life's Too Long (To Live Like This)"

BREAKER m 126/25 ONE OF THE MOST ADDED ON EPIC

'Epic' Rea U.S. Pat. 6 Tm. 011. Marca Registrada./© 1931 Smy Music Entertainment 5r.

COUNTRY NATIONAL AIRPLAY®

September 13,1991.11

NEW --J _.\ _J /- LITTLE TEXAS "Some Guys Have All The Love" (WB) 11725 Rotations: Heavy 1, Medium 27, Light 89, Total Adds 25, WOCB, WAYZ, WTCR, WZPR, WNUS. WXTU, WDSY, WRWD, WSSL, KILTFM, WTNV, WOKK, WWKA, WBKR, WIRK, KHAK, WHOK, WNWN. WTCM, WDEZ, KCTR, KZLA, KWHT, KNIX, KMPS. Moves 48-40 on the Country chart. SHENANDOAH "When You Were Mine" (Columbia) 113/18 Rotations Heavy 0, Medium 44, Light 69, Total Adds 18, WVAM, WNUS, WPKX, WYAY, WCKT, WRNS, WPAP, WODR, WCHY, WTOR, WUSN, WKKO, WMIL, KCJB, WDEZ, KFMS, KKAT, KIIM. Moves 45-38 on the Country chart. NEAL McCOY "This lime I Hurl Her More..." (Atlantic) 1098 Rotations: Heavy 0, Medium 26, Light 83, Total Adds 8, WCAO, WOCB, WAJR, KCYY, WKKO, KIXO, WXCL, KIK-FM. Medium: WICO, KEAN, WSTH, WVLK, KLUR, WAXX, KITS, WTCM, KFDI, KRKT, KEKB, KDRK. Moves 50-46-43 on the Country chart.

JUDOS "John Deere Tractor" (Curb/RCA) 10622 Rotations: Heavy 0, Medium 27, Light 79, Total Adds 22, WOCB, WWYZ, WIOV, WZPR, WHLZ, KTCS, WVLK, KYKX, WSM, KIXS, KJNE, WUBE, WAVC, KFKF, KCJB, WWJO, WOXK, KIK-FM, KUAD, KCCY, KNCO, KCKC. Debuts at number 46 on the Country chart.

RANDY TRAVIS "Forever Together" (WB) 99/99 Rotations: Heavy 3, Medium 14, Light 82, Total Adds 99 including WPOC, WYRK, WWYZ, WYNY, WXTU, WYAY, KPLX, WCKT, WESC, WSSL WAMZ, WGKX, WSIX, WODR, KCYY, WUSN. WGAR, KEEY, KXXY, KWEN. Debuts at number 45 on the Country chart.

ROB CROSBY "Still Burnin' For You" (Arista) 9924 Rotations: Heavy 0, Medium 17, Light 82, Total Adds 24, WHWK, WWNC, WHIZ, WMSI, WTNV, WIVK, WVLK, KNFM, KJLO. WCHY, KIXS, KHAK, WUBE, WAVC, WGEE, KIXO, KCJB, WDEZ, KUZZ, KKCS, KWHT, KUPL. KCCY, KKAT. Debuts at number 50 on the Country chart.

ALABAMA "Then Again" (RCA) 96/96 Rotations: Heavy 1, Medium 17, Light 78, Total Adds 96 including WGNA, WYRK, WWYZ, WRKZ, WYNY, WXTU. WEZL. WCOS. KPLX, KHEY, WGKX, KCYY, WUSN, WGAR, KFKF, WITL, WMIL KEEP, WOXK, KUPL, KKAT, KSAN, KMPS. Debuts at number 47 on the Country chart.

KENTUCKY HEADHUNTERS "It's Chitlin' Time" (Mercury) 77/19 Rotations: Heavy 0, Medium 10, Light 67, Total Adds 19, WOKO, WDSY, WRWD, WHLZ, KTCS, WTNV, KYKX, WAMZ, WSIX, WSM, KIXS, WHOK, WAVC, WYNG, WXCL. KTPK, KRWO, KUPL. KNCO.

GREAT PLAINS "A Picture Of You" (Columbia) 52/12 Rotations: Heavy 0, Medium 3, Light 49, Total Adds 12, WRKZ, WRWD, WWNC, KHEY, KNFM, KIXS, KJNE, WYNG, WWJO, WTCM, KEKB, KDRK. Medium: WWYZ, WKAK. Light WPOR, WCTK, WKML, WYAK, WRNS, WIRK, WOW.

JOHN ANDERSON "Who Got Our Love" (BNA Entertainment) 47/8 Rotations: Heavy 0, Medium 6, Light 41, Total Adds 8, KTCS, WAMZ, KYKS, KIXS, WAXX, KEKB, KSAN, KRPM. Medium: WNY, WOWW, KTTS, WTCM, KFDI, KRKT. Light: WRKZ, WDSY, WYNG, KVOO, KUGN, KMPS, KDRK.

VINCE GILL "Look At Us" (MCA) 46/45 Rotations: Heavy 1, Medium 2, Light 43, Total Adds 45 including WPOC, WAYZ, KMML. WIVK, WVLK, WSIX, WRNS, WNOE, WOWW, WODR, KLUR, WAXX, WFMS, WDAF, WITL, KFDI, KUZZ, KUUY, KEKB, KEEN.

TIM RYAN "Seventh Direction" (Epic) 43/3 Rotations: Heavy 0, Medium 11, Light 32, Total Adds 3, KYKX, KTPK, KUPL. Medium: WWYZ, WRWD, WCTK, WKAK, WXCL, KITS, WTCM, KWOX, KRKT, KVOC, KUUY, Light WHWK, WRKZ, KMML, KASE, WOWW, KMIX.

KEITH PALMER "Don't Throw Me In The Briarpatch" (Epic) 42/17 Rotations: Heavy 0, Medium 2, Light 40, Total Adds 17, WWYZ, WRWD, KTCS, KYKX, WAMZ, WSIX, KIXS. 'WUSO, KBMR, KVOX, WXCL, WTHI, WTCM, KVOO, KUGN, KRWO, KMIX. Medium: WOW. Light: WSM, KHAK.

DON WILLIAMS "Donald And June" (RCA) 35/17 Rotations' Heavy 0, Medium 1, Light 34, Total Adds 17, WWVA, KEAN, KRRV, KHEY, WCKT, WMSI, KLUR, WUSO, WAXX, KVOX, KIXO, WITL, WOW, KGHL, KEKB, KWJJ, KDRK. Medium: WSTH.

DEAN DILLON "Don't You Even (Think About Leavin')" (Atlantic) 34/14 Rotations: Heavy 0, Medium 3, Light 31, Total Adds 14, WWYZ, WRKZ, KJLO, KIXS, WFMS, WOW, WWJO, KV00, KRKT, KUZZ, KOHL, KALF, KYGO, KEKB. Medium: WTCM, KFDI. Light: KMML, WOWW, WAXX, KNIX, KDRK.

RAY BENSON "Four Scores And Seven Beers Ago" (Arista) 29/14 Rotations: Heavy 0, Medium 1, Light 28, Total Adds 14, KHEY, WMSI, WDXE, KJLO, WUSO, WHOK, WKKO, KFGO, WWJO, KFDI, KRKT, KVOC, KUUY, KALF. Medium: WOW. Light: KPLX, KSSN, KIXS, KLUR, ;NIL

K.T. OSUN "Cornell Crawford" (RCA) 29/1 Rotations: Heavy 0, Medium 10, Light 19, Total Adds 1, WNWN. Medium: WCTK, WTVY, WAXX, KTTS. KVOO, KALF, KEKB, KRWO, KNCO, KMPS. Light: WOBE, KRRV, KLLL, WSIX, WOWW, KIXS, WCUZ, KMIX, KEEN. STATLER BROTHERS "There s Still Times" (Mercury) 263 Rotatims. Heavy 0, Medium 5, Light 21, Total Adds 3, WRNS, WAXX, WXCL Medium: WSTH, WTCM, KVOO, KFDI, KRKT Light. WVAM, WRKZ, WKAK, WFLS, KLUR, WTOR, KXXY, WOW, KITS, KTPK, KVOC, KUUY. LINDA DAVIS "Three Way Te" (Capitol) 22/0 Rotations: Heavy 0, Medium 7, Light 15, Total Adds 0. Medium: WKAK, KRRV, WSTH, KLUR, KITS, KVOO, KWOX. Light. WICO, WTVY, WKML, KYKX, KLLL WCMS, KWMT, WDAF, KTPK, KFDI, KVOC, KUUY, KALF, KMLE, KNCO. T.G. SHEPPARD "It's One All. (Do You Know Where Your Memories Are)" (Curb/Capitol) 20/7 Rotations: Heavy 0, Medium 2, Light 18, Total Adds 7, KRRV, WSTH, WDXE, KIXS, WNWN, KFDI, KNIX. Medium: WWNC. Light: WICO, WKAK, WTVY, WFLS WBKR, KLUR, KFGO, KITS, WTCM, KVOO, KWOX, KUUY. WILD ROSE "There Goes M4 Love" (Capitol) 18/12 Rotations: Heavy 0, Medium 2, Lit 16, Total Adds 12, KRRV, WDXE, WVLK, WSIX, KLUR, WUSO, KFGO, KITS, KVOO, KVOC, KUUY, KALF. Medium: WSTH, KFDI. Light KMML, WTVY, WFLS, KRKT. ALISON KRAUSS "lire Got That Old Feeling" (Rounder) 17/17 Rotations: Heavy 0, Medium 0, Light 17, Total Adds 17, WWYZ, WRKZ, WWVA, WFLS, WDXE, WPAP, WODR, WYYD, KLUR, KFGO, KTTS, KVOO, KFDI, KWOX, KUUY, KUGN, KEEN.

MARIO MARTIN "Keep It Oe The Country Side" (DPI) 14/1 Rotations: Heavy 0, Medium 1, Lig-,t 13, Total Adds 1, KUUY. Medium: KVOO. Light: WWYZ, WRKZ, WICO, WSTH, WTVY, WDXE, KLUR, KFGO, WXCL, KTTS, KFDI, KWOX.

LARRY BOONE "It Wouldn't Kill Me" (Columbia) 13/13 Rotations: Heavy 0, Medium 1, Light 12, Total Adds 13, WKAK, KRRV, KMML, WSTH, WFLS, WDXE, KLUR. WUSO, (FOG, WOW, KITS, KFDI, KVOC.

LEE GREENWOOD "Between A Rock And A Heartache" (Capitol) 12/12 Rotations Heavy 0, Medum 0, Light 12, Total Adds 12, WWYZ, WSTH, WFLS, WKNN, WNWN, WMUS, (XXV, WXCL. KTPK, KWOX, KVOC, KUUY.

ANNE MURRAY "Everyday" (Capitol) 12/12 Rotations: Heavy 0, Mecium 0, Light 12, Total Adds 12, WWYZ, WKAK, WSTH, WIVK, KYKS, WBKR, KFGO, KXXY, WTCM, KWOX, KUUY, KNIX.

BARBARA MANDRELL "The Key's In The Mailbox" (Capitol) 11/7 Rotations: Heavy 0, Medium 1, Light 10, Total Adds 7, WKAK, WFLS, WNOE, KFGO, KITS, KTPK, KFDI. Medium: KRKT. Light: WWYZ, WTVY, KUUY.

DEBRA DUDLEY "Can't Yoe Just Stay Gone" (Concord) 11/1 Rotations: Heavy 0, Medium 0, Light 11, Total Adds 1, WOW, Light: WICO, KRRV, WSTH, KLUR, KFGO, KITS, KVOO, KFDI, KRKT, KUUY.

DELBERT &7cCLINTON "That's The Way I Feel" (Curb) 10/9 Rotations: Heavy 0, Medium 0, Light 10, Total Adds 9, WRKZ, KRRV, WTVY, WFLS, KIXS, KLUR, KFGO, KITS, KÚUY. Light: WSTH.

1112LI 1 "lr 1... r,_.

ARTIST/Song Title (Label) A/bum Title

GARTH BROOKS/Shameless (Capitol) Ropin' The Wind DOUG STONE/Burning Down The Town (Epic) I Thought It Was You GARTH BROOKS/Against The Grain (Capitol) Ropin' The Wind GARTH BROOKS/Papa Loved Mama (Capitol) Ropin' The Wind GARTH BROOKS/We Bury The Hatchet (Capitol) Ropin' The Wind CUR BLACK/This Nightlife (RCA) Put Yourself In My Shoes BROOKS & DUNN/My Next Broken Heart (Arista) Brand New Man TRAVIS TRITT/Homesick (WB) It's All About To Change GARTH BROOKS/The River (Capitol) Ropin' The Wind RANDY TRAVIS/Better Class Of Losers (WB) High Lonesome GARTH BROOKS/Burning Bridges (Capitol) Ropin' The Wind LORRIE MORGAN/Except For Monday (RCA) Something In Red TANYA TUCKER/Some Kind Of Trouble (Capitol) What Do I Do With Me EXILE/Somebody's Telling Her Lies (Arista) Justice LIONEL CARTWRIGHT/30 Nothin' (MCA) Chasin' The Sun

SAMMYTKERSH AW, "Cadillac Style"

TEST DRIVE IT TODAY!

On Your Desk Now Report D6te - 9/16

From The Forthcoming Album DON'T GO NEAR THE WATER

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BILLY DEAN

"You Don't Count The Cost" ' He's hot. He's talented. He's one of the most exciting acts I've seen in a long time.' Tisha Fein, Grammy Awards Show

' Billy Dean has got the voice, got the talent, got the charisma..,and he's got the song in 'You Don't Count The Cost." John St. John, KYGO

"Billy Dean -- the beginning of the next wave.' Hits Magazine

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' 'You Don't Count The Cost' is just one more example of why this guy is going to be a big star !" Tim Murphy, KMPS

Ìt brought a tear to the eyes of more than one in our music committee meeting. Just a beautiful song." Mike Meehan, WCMS

'Didn't think it was possible to top 'Somewhere In My Broken Heart,' but damn if he didn't do it." Mickey Dearstone, WINK

"A heartfelt song from a heartfelt singer. Billy Dean delivers his most powerful song yet. Its priceless.' Doug Baker, WSIX

"' You Don't Count The Cost' is something real for anyone who has loved ones. Great message!" Mark Bums, WCTK

"Sounds like another home run for Billy Dean! Won our country challenge three nights in a row." Kelly McCrae, KWJJ

' All it will take is the right person catching Billy Dean's show, then this man will be a multi -media superstar." Kathy Gianonia, Attitudes

' Move over, Clint and Alan. Billy Dean is about to be country's newest hunk.' Sandy Adzgery, Tune In

'You Don't Count The Cost' covers the spectrum on friendship and love. A record for all demographics.' Mac Daniels, KPLX

' We knew Billy Dean had something special the first time we saw him in Hershey. His music gets better and better.' Dandallon, WRKZ

' Billy Dean is one of the most prolific acts on stage and on record to come along in quite some time. 'You Don't Count The Cost' is a must for programming, now!" Jim Asker, WFLS

'This is the best yet from Billy Dean. What a future this kid's gonna have!" Jay Phillips, KXXY

" You Don't Count The Cost' is one of the best songs out this year. Billy Dean makes it believable." Mike Brophy, WXTU

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SuzY BOGGUSS

"Someday Soon"

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' Suzy Bogguss is truly one of the brightest new stars on the country horizon. Her stage presence is delightful and her emotional projection of ballads makes you feel glad you came to see her." Gene Weed, ACM/Dick Clark Productions

"Suzy Bogguss is everything female artistsof the '90s should be. She's a

fun, high-energy performer and a great vocalist who sings substantial songs." Sandy Adzgery, Tune In

"This is it! The Suzy Bogguss single we've been waiting for. Sandwich this between Garth Brooks and George Strait and feast on the greatest voices in country music." Mac Daniels, KPLX

"She has always had a beautiful voice and now it's matched with a

classic song. The result is a hit record.' Mike Meehan, WCMS

"Her haunting and wistful reading of this standard is impeccable." Billboard

' She's the finest female vocalist out there in country today!' Jay Phillips, KXXY

"A pure voice...a pure talent...you should add Suzy 'Someday Soon'." Greg Cole, WPOC

"What a cool idea. This lovely tune is way overdue for a revival, and I

doubt there's anyone reading this who would argue that Bogguss possesses the perfect silvery cowgirl voice for it.' Robert Oermann, Music Row

' Suzy is a lady with a classic voice, doing a classic song. Should be a

home run.' Dave Nicholson, WNOE

"I always thought she was the best female singer in the business and maybe now she will get her due." Mickey Dearstone, WIVK

'Suzy Bogguss has one of the purest voices in country music. She's dynamite waiting to explode on the charts!' John St. John, KYGO

"Suzy Bogguss + 'Someday Soon' x great phones = a hit! No rocket science here, it's a hit!" Cary Rolfe, KMLE

"All she needed was the right song and 'Someday Soon' sounds like the one! She certainly has the talent ! !" Lee Rogers, WQIK

' Suzy's 'Someday Soon' is a hit, a natural for Country radio. We had phones immediately!" Kelly McCrae, KWJJ

"Better than the original. Sweeter -- more punch. Highlights her vocal talents." Mike Brophy, WXTU

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114 September 13,1991 COUNTRY SONG INFORMATION INDEX

A

ALABAMA "Then Again" (RCA 62059-2) Prod: Josh Leo, Larry Michael Lee, Alabama Wr: Rick Bowles, Jeff Silbar Pub: Maypop Music; Lonmar Music A CorpJSllbar Songs (BMI; ASCAP) Mgr: Dale Moms

JOHN ANDERSON "Who Got Our Love" (BNA 62062-2) Prod: James Stroud Wr: John Anderson, Lionel Delmore Pub: Almo Music Corporation/Holmes Creek Music, PolyGram International Publishing/Foggy Jonz Music (ASCAP) Mgr: Bobby Roberts Entertainment

B

RAY BENSON "Four Scores And Seven Beers Ago" (Arista 2340) Prod: Johnny Slate Wr: Danny Morrison, Kerry Kurt Phillips. Andy Spooner Pub: Texas Wedge Music, Pitch 'N' Run Music (ASCAP) Mgr: Benson Vale Management

CLINT BLACK "Where Are You Now" (RCA 62016-2) Prod: James Stroud Wr: Clint Black. Hayden Nicholas Pub: Howlin' Hits Music (ASCAP) Mgr: Bill Ham

SUZY BOGGUSS "Someday Soon" (Capitol 79678) Prod: Jimmy Bowen, Suzy Bogguss Wr: Ian Tyson Pub: Warner Bros. Music (ASCAP) Mgr: Maria Cooper -Bruner

LARRY BOONE "It Wouldn't Kill Me" (Columbia 38 73992) Prod: Steve Buckingham, Marshall Morgan Wr: Larry Boone, Paul Nelson, Tom Shapiro Pub: Great Cumberland Music, BMG Songs, Edge OWoods/ Kinetic Diamond Music/Moline Valley Music (BMI; ASCAP) Mgr: Gene Ferguson

GARTH BROOKS "Rodeo" (Capitol 79383) Prod: Allen Reynolds Wr: Larry Bastain Pub: Rio Bravo Music (BMI) Mgr: Doyle/Lewis Management

BROOKS á DUNN "Brand New Man" (Arista 2232) Prod: Scott Hendricks, Don Cook Wr: Don Cook, Ronnie Dunn, Ks Brooks Pub: Sony Tree Publishing; Sony Cross Keys Music (BMI; ASCAP) Mgr: Bob Tilley

C

MARY-CHAPIN CARPENTER "Down At The Twist And Shout" (Columbia 38 73838) Prod: Mary -Chapin Carpenter, John Jennings Wr: Mary -Chapin Carpenter Pub: EMI April Music/Getarealpb Music (BMI) Mgr: Tom Carrico, John Simson

CARLENE CARTER "One Love" (WB 7-19255) Prod: Howie Epstein Wr: Carlene Carter, Howie Epstein, Perry Lamek Pub: Carlooney Tunes/Chrysalis Music Group, EMI Music Publishing, He Dog Music! Twyla Dent Music; Lamek Publishing/Laughing Dogs Music (ASCAP; BMI) Mgr: Bill Carter

LIONEL CARTWRIGHT "Leap Of Faith" (MCA 54078) Prod: Barry Beckett, Tony Brown Wr: Lionel Cartwright Pub: Warner - Tamerlane Publishing/Long Run Music (BMI) Mgr: Noel Fox

MARK CHESNUTT "Your Love Is A Miracle" (MCA 54136) Prod: Mark Wright Wr: Bill Kenner, Mark Wright Pub: Tom Collins Music, EMI Blackwood Music/Wrghtchild Music (BMI) Mgr: BDM Company

MARK COLUE "Calloused Hands" (MCA 54079) Prod: Tony Brown, Doug Johnson Wr: Pat Alger, Gene Levine Pub: Bak And Beer Music/Forerunner Music, Colgems-EMI Music (ASCAP) Mgr: Don Light

ROB CROSBY "Still Burnin' For You" (Arista 2336) Prod: Scott Hendricks, Tkn DuBois Wr: Rob Crosby Pub: Grand Coalition Music (BMI) Mgr: Smalltime Management

D

DAVIS DAR(EL'"FGr Crying Out Loud" (Mercury 868 544) Prod: Ron Hattkine Wr: Jimmy Compton, Phillip W. Wood Pub: Ivan James Music (ASCAP) Mgr: Ron Haffkine

LINDA DAVIS "Three Way Tie" (Capitol 79797) Prod: Jimmy Bowan, Linda Davis Wr: Mary Beth Anderson, Lisa Silver, Carol Grace Anderson Pub: Ha -Deb Music/MCA Music Publishing (ASCAP) Mgr: Starstruck Entertainment BILLY DEAN "You Don't Count The Cost" (SBK/Capitol 79832) Prod: Chuck Howard, Tom Shapiro Wr: Bucky Jones, Tom Shapiro, Chris Waters Pub: PolyGram International Publishing!McBec Music, Edge OWoods Music, Kinetic Diamond Music, Moline Valley Music (ASCAP) Mgr: Ken Stilts

DIAMOND RIO "Mirror, Mirror" (Arista 2262) Prod: Monty Powell, Tim DuBois Wr: Bob DiPrero, John Jarrard, Mark D. Sanders Pub: Little Big Town Music/American Made Music; Alabama Band Music, MCA Music Publishing (BMI; ASCAP) Mgr: Ted Hacker

JOE DIFFIE "New Way (To Light Up An Old Flame)" (Epic 34 73935) Prod: Bob Montgomery, Johnny Slate Wr: Lonnie Wilson, Joe Diffie Pub: Zomba Enterprises; Forest Hills Music (ASCAP; BMI) Mgr: Danny Morrison

DEAN DILLON "Don't You Even (Think About Leavin')" (Atlantic 7-4169) Prod: Blake Mevis, Dean Dillon Wr: Dean Dillon, Randy Scruggs Pub: Music Corporation Of Amenca/Jessie Jo Music, Labor 01 Love Music (BMI) Mgr: Hallmark Direction

DEBRA DUDLEY "Can't You Just Stay Gone" (Concorde 502) Prod: Bill Walker Wr: Skip Ewing, Don Sampson Pub: Acuff Rose Music; Golden Reed Music (BMI; ASCAP) Mgr: Bill Walker

G

VINCE GILL "Look At Us" (MCA 54179) Prod: Tony Brown Wr: Vince Gill, Max D. Barnes Pub: Benefit Musk/Irving Musk, Hardscratch Music (BMI) Mgr: Fitzgerald -Hanley VERN GOSDIN "The Garden" (Columbia 38 73946) Prod: Bob Montgomery Wr: Bobby Fischer, Freddy Weller Pub: Bobby Fischer Music, Hookem Music; Young World Music, Hooker Musk (ASCAP; BMI) Mgr: Ed Tickner

GREAT PLAINS "A Picture Of You" (Columbia 38 73961) Prod: Brent Maher, Don Potter Wr: Jack Sundrud, Gary Burr Pub: Sony Tree Publishing, Red Quill Music; MCA Music Publishing, Gary Burr Music (BMI; ASCAP) Mgr: Doyle/Lewis Management

LEE GREENWOOD "Between A Rock And A Heartache" (Capitol 79807) Prod: Jerry Crutchfield Wr: Ron Irving. Larry Wayne Clark, David Simmonds Pub: Gleterfish Music (BMI) Mgr: Jerry Bentley

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HIGHWAY 101 "The Bláme" (WB 4944) Prod: Paul Worley, Ed Seay Wr: Cactus Moser, Paul Nelson, Gene Nelson Pub: Call Cac Tunes, Sony Tree Publishing/Warner Tamerlane Publishing: Mister Charlie Music (ASCAP; BMI) Mgr: Chuck Morris

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ALAN JACKSON "Someday" (Arista 2335) Prod: Scott Hendricks, Karel Stegall Wr: Alan Jackson, Jim McBride Pub: Matte Ruth Musick, Seventh Son Music/EMI April Musk Inc. (ASCAP) Mgr: Barry Coburn

GEORGE JONES "You Couldn't Get The Picture" (MCA 54187) Prod: Kyle Lehning Wr: Chuck Harter Pub: Rainhill Music Publishing (BMI) Mgr: Nancy Jones

THE JUDOS "John Deere Tractor" (Curb/RCA 62038-2) Prod: Brent Maher Wr: L.J. Hammond Pub: Radadara Music (BMI) Mgr: Ken Stilts

K

KENTUCKY HEADHUNTERS "It's Chltlin' Time" (Mercury 868 760) Prod: Kentucky Headhunters Wr: Kentucky Headhunters Pub: PRI Musk/ Practice House Musk; PRI Songs, Inc/Three Headed Music (ASCAP, BMI) Mgr: Mitchell Fox

HAL KETCHUM "Small Town Saturday Night" (Curb 76865) Prod: Allen Reynolds, Jim Rooney Wr: Pat Alger, Hank DeVito Pub: Ben And Beer Music/Forerunner Musk, Little tiemo Musk (ASCAP) Mgr: Walt Quinn ALISON KRAUSS "I've Got That Old Feeling" (Rounder 1009) Prod: Berry Douglas, Bill Vomdkk Wr: Sidney Cox Pub: Sidney Lawrence Company (BMI) Mgr: None

L

LITTLE TEXAS "Some Guys Have All The Love" (WB 4967) Prod: James Stroud, Christy DiNapoli. Doug Grau Wr: Porter Howell, Dwayne O'Brien Pub: Nowlin' Hits Music, Square West Music (ASCAP) Mgr: Christy DiNapoli

PATTY LOVELESS "Hurt Me Bad (In A Real Good Way)" (PACA 54178) Prod: Emory Gordy Jr Tony Brown Wr: Deborah Allen, Rale VanHoy Pub: Posey Publishing; Rock,n' R Music (BMI; ASCAP) Mgr: Fitzgerald Hartley

M

BARBARA MANDRELL "The Key's In The Mailbox" (Capitol 79841) Prod: Jimmy Bowen Wr: Harlan Howard Pub: Fort Knox Music/Trio Musk (ASCAP) Mgr: Irby Mandrell

MARIO MARTIN "Keep It On The Country Side" (DPI 5006) Prod: James Stroud Wr: Robert Skillen Pub: Covey Music (BMI) Mgr: Garrett Martin

McBRIDE & THE RIDE "Same Old Star" (MCA 54125) Prod: Tony Brown, Steve Fishell Wr: Terry McBride, Bill Carter, Ruth Ellsworth, Gary Nicholson Pub: Violet Crown Music/Blame Musk; Cross Keys Publishing (BMI; ASCAP) Mgr: Ken Stiffs

DELBERT McCUNTON "That's The Way I Feel" (Curb 76889) Prod: Barry Beckett, Delbert McClinton Wr: Steve Seasick', Mark D. Sanders Pub: Love This Town Music, Mid -Simmer Music (ASCAP) Mgr: Harriet Sternberg

NEAL McCOY "This Time I Hurt Her More (Than She Loves Me)" (Atlantic 7-87636) Prod: Nelson Larkin Wr: Earl Conley, Mary Larkin Pub: Bluemoon Music (ASCAP) Mgr: Dan Herter RONNIE MILSAP "Since I Don't Have You" (RCA 2848-2) Prod: Rob Galbraith, Richard Landis, Ronnie Milsap Wr: Joseph Rock. James Beaumont & The Skytiners Pub: Bonnyview Music Corporation, Southern Music Publishing Company (ASCAP) Mgr: Moress, Nanas, Golden, Peay LORRIE MORGAN "A Picture Of Me (Without You)" (RCA 62014-2) Prod: Richard Landis Wr: Norris Wilson, George Richey Pub: Al Gallrco Music, Agee Music (BMI) Mgr: Moress, Nanas, Golden, Peay

ANNE MURRAY "Everyday" (Capitol 79877) Prod: Jerry Crutchfield Wr: David Malloy, Richard (Spady) Brannan Pub: Irving Music/David Malloy Music Publishing; BMG Songs/Jrm And David Music (BMI; ASCAP) Mgr: Leonard Rambeau

O

K.T. OSLIN "Cornell Crawford" (RCA 2053-2) Prod: Joe Scaife, Jim Cotton Wr: K.T. Oslin, Joe Miller Pub: Risky Tunes/ Mazdu Music; JPM Intemar'onal/Arthia Aaron & Associates (SESAC; ASCAP) Mgr: Morass, Nanas, Golden, Peay

PAUL OVERSTREET "Ball And Chain" (RCA 2459-2) Prod: Brown Bannister, Paul Overstreet Wr. Paul Overstreet, Don Schlitz Pub: Scarlet Moon Music; Don Schlitz Music/Almo Music (BM( ASCAP) Mgr: Bobby Roberts

p

KEITH PALMER "Don't Throw Me In The Briarpatch" (Epic 34 73988) Prod: Bob Montgomery Wr: Chris Waters, Kix Brooks Pub: Sony Cross Keys Music/Edge OWoods Music, Kinetic Diamond Music (ASCAP) Mgr: None

PIRATES OF THE MISSISSIPPI "Speak Of The Devil" (Capitol 79783) Prod: James Stroud, Rich Alves Wr: Bill McCorvey, Rich Alves, Danny Bear Mayo Pub: Great Cumberland Music, Flaw Factor, Bear And Bill Music (BMI) Mgr: Ken Stilts

R

EDDIE RABBITT "Hang Up The Phone" (Capitol 79808) Prod: Richard Landis Wr: Eddie Rabbet Pub: Eddie Rabble Music Publishing (BMI) Mgr: Moress, Nanas. Golden. Peay

MIKE REID "As Simple As That" (Columbia 38 73888) Prod: Steve Buckingham Wr: Mike Reid. Allen Shamblin Pub: Almo Music Corporation/Brio Blues Music.Hayes St. Musk (ASCAP) Mgr: Stan Moress

TIM RYAN "Seventh Direction" (Epic 34 73959) Prod: Paul Worley, Ed Seay, Anthony Martin Wr: D. Lowery, Wayne Newton Pub: Almo Musk/Meropterus Music; Mighty Nice Musk/Add ki Music (ASCAP; BMI) Mgr: Bill Carter

5

SAWYER BROWN "The Walk" (Curb/Capitol 79750) Prod: Randy Scruggs, Mark Miller Wr: Mark Miller Pub: Zoo II (ASCAP) Mgr: T.K. Kimbrell

RICKY VAN SHELTON "Keep It Between The Lines" (Columbia 38 73956) Prod: Steve Buckingham Wr: Russell Smith, Kathy Louvin Pub: MCA Music Publishing; Tilers Tunes (ASCAP; BMI) Mgr: International Management Services

SHENANDOAH "When You Were Mine" (Columbia 38 73957) Prod: Rick Hall, Robert Byrne Wr: Robert Byrne, Gene Nelson Pub: Fame Publishing, Wamer-Tamerlane Publishing (BMI) Mgr: Bill Carter T.G. SHEPPARD "It's One A.M. (Do You Know Where Your Memories Are)" (Curb/Capitol 79799) Prod: Mac McAnally, Watt Aldridge Wr: Bill LaBounty, Craig Karp Pub: Warner - Tamerlane Music/Top Down Music, Logrbythm Music (BMI) Mgr: R. Kaltenbach

RICKY SKAGGS "Life's Too Long (To Live Like This)" (Epic 34 73947) Prod: Ricky Skaggs, Mac McAnally Wr: Dan Wilson, Don Cook, John Jarvis Pub: Sony Cross Keys Publishing, Inspector Barlow; Sony Tree Publishing (ASCAP; BMI) Mgr: Ricky Skaggs

STATLER BROTHERS "There's Still Times" (Mercury 868 892) Prod: Jerry Kennedy Wr: Don Reid Pub: Stabler Brothers Music (BMI) Mgr: Marshall Grant

DOUG STONE "I Thought It Was You" (Epic 34 73895) Prod: Doug Johnson Wr: Tim Mensy, Gary Harrison Pub: Sony Cross Keys Publishing/Miss Dot Music; Wamer-Tamerlane Publishing/Patrick Joseph Musk (ASCAP; BMI) Mgr: John Dorris, Phyllis Bennette

GEORGE STRAIT "You Know Me Better Than That" (MCA 54127) Prod: Jimmy Bowen, George Strait Wr: Tony Haselden, Anna Lisa Graham Pub: Millhouse Music; Sheddhouse Musk (BMI; ASCAP) Mgr: Era Woolsey MARTY STUART "Tempted" (MCA 54145) Prod: Richard Bennett; Tony Brown Wr: Paul Kennerley, Marty Stuart Pub: Irving Musk/Lttlemarch Music, Songs Of PolyGram Music (BMI) Mgr: Rothbaum & Gamer

T

PAM TILL'S "Put Yourself In My Place" (Arista 2268) Prod: Paul Worley, Ed Seay Wr: Carl Jackson, Pam Tillis Pub: PolyGram International Publishing, Amanda -Lm Music; Sony Tree Publishing (ASCAP; BMI) Mgr: Mike Robertson

AARON TIPPIN "She Made A Memory Out Of Me" (RCA 62015-2) Prod: Emory Gordy Jr. Wr: Aaron Tippin Pub: Acuff -Rose Music (BMI) Mgr: Starstruck Entertainment

RANDY TRAVIS "Forever Together" (WB 7-19158) Prod: Kyle Lehning Wr: Randy Travis, Alan Jackson Pub: Sometimes You Win Music, Seventh Son Music, Mattie Ruth Musick (ASCAP) Mgr: Lib Hatcher

TRAVIS TRITT "Anymore" (WB 7-19190) Prod: Gregg Brown Wr: Travis Tntt, JJI Colucci Pub: Sony Tree Publishing/ Post Oak Publishing; EMI Apnl Music/Heartland Express Music (BMI; ASCAP) Mgr: Ken Kragen

TANYA TUCKER "Down To My Last Teardrop" (Capitol 79711) Prod: Jerry Crutchfield Wr: Paul Davis Pub: Paul And Jonathan Songs (BMI) Mgr: Beau Tucker

CONWAY TWITTY "She's Got A Man On Her Mind" (MCA 54186) Prod: Conway Twiny, Dee Henry Wr: Curtis Wright, Brlly Spencer Pub: David 'N' Will Music, Warner Bros. Music/Two Sons Musk (ASCAP) Mgr: Dee Henry

W B.B. WATSON "Light At The End Of The Tunnel" (BNA 62039-7) Prod: Clyde Brooks Wr: Richard Fagan, Kim Williams. Mack Williams Pub: 01 Musk/Sony Cross Keys Publishing (ASCAP) Mgr: Gangwrsch, Arwood, Holleman

KEITH WHITLEY & EARL THOMAS CONLEY "Brotherly Love" (RCA 62037-2) Prod: Blake Mevis, Garth Fund's Wr: Jimmy Stewart, Tin Nichols Pub: Peer IntemationaliTalbot Music Corporation, Milsap Music/Careers-BMG Music Publishing (BMI) Mgr: BDM Company

WILD ROSE "There Goes My Love" (Capitol 79811) Prod: Paul Worley, Ed Seay, Wild Rose Wr: Buck Owens Pub: Sony Tree Publishing (BMI) Mgr: Sharon Eaves

DON WILLIAMS "Donald And June" (RCA 62055-2) Prod: Don Williams. Garth Fund's Wr: Craig Bickhardt Pub: Colgems-EMI Music/Crag Bickhardt (ASCAP) Mgr: Stan Morass

HANK WILLIAMS JR. "Angels Are Hard To Find" (WB/Curb 7-19193) Prod: Barry Beckett. Hank Williams Jr., Jim Ed Norman Wr: Hank Williams Jr. Pub: Bocephus Music (BMI) Mgr: Merle Kilgore

TAMMY WYNETTE w/RANDY TRAVIS "We're Strangers Again" (Epic 34 73958) Prod: Kyle Lehning, Lib Hatcher Wr: Merle Haggard, leona Williams Pub: Shade Tree Music (BMI) Mgr: George Richey; Lib Hatcher

Y

TRISHA YEARWOOD "Like We Never Had A Broken Heart" (MCA 54172) Prod: Garth Fundis Wr: Garth Brooks, Pat Alger Pub: Mapr Bob Music/Mid- Summer Music, Bart And Beer Music/Forerunner Music (ASCAP) Mgr: Doyle/ Lewis Management

DWIGHT YOAKAM "Nothing's Changed Here" (Reprise 7-19256) Prod: Pete Anderson Wr: Dwight Yoakam, Kostas Pub: Coal Dust West Music/ Songs 01 PolyGram International (BMI) Mgr: Gary Borman

e .Xy`3cpaYs 1 FAX

COUNTRY UPDATE rf

3 -DAY ADVANCE on the hottest Country music and radio news,

Street Talk and the industry's fastest chart data turnaround. Call R&iR to try it free!

Sent to your fax Monday evenings.

HOTFAX service available only to R&R subscribers

COUNTRY ADDS 45 HOTS September 13, 1991 RAs. 115

MOST ADDED EAST HOTTEST MOST ADDED SOUTH HOTTEST MOST ADDED MIDWEST HOTTEST MOST ADDED WEST HOTTEST Randy Travis (W8) Garth Brooks (Capitol) Randy Travis (W8) CIIDa Black (RCA) Randy Travis (WB) Clint Black (RCA) Alabama (RCA) Clint Black (RCA) Trisha Yearwood (MCA) Lionel Cartwright (MCA) Alabama (RCA) Garth Brooks (Capitol) Alabama (RCA) Lionel Cartwright (MCA) Randy Travis (W8) Garth Brooks (Capitol) Alabama (RCA) Clint Black (RCA) Trisha Yearwood (MCA) Lionel Cartwright (MCA) Trisha Yearwood (MCA) Garth Brooks (Capitol) Trisha Yearwood (MCA) Lionel Cartwright (MCA) Sawyer Brown (Curb/Capitol) Billy Dean (SBK/Capltol) Doug Stone (Epic) Vince Gill (MCA) Billy Dean (SBK/Capltol) Sawyer Brown (Curb/Capitol)

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116. September 13,1991 AOR ALBUMS NATIONAL AIRPLAY@

3 2

MS MS LW 1W 177 REPORTERS

1 1 1 1 TOM PETTY & THE.../lnto The Great Wide Open (MCA) - - 4 Q. RUSH/RoII The Bones (Atlantic)

- 4 2 3 BOB SEGER & THE SILVER BULLET BAND/the Fire Inside (Capitol)

2 2 3 4 VAN HALEN/For Unlawful Carnal Knowledge (WB)

SEPTEMBER 13, 1991

"Cold" (149) "Great" (27) "Learning" (16) "Dreamline" (167) "Roll" (11) "Ghost" (8) "Real" (125) "Fire" (56) "Chance" (17) "Runaround" (101) "Top" (71) "Right" (16) "Elvis" (154) "Fuel" (23) "Bug" (8) "Sometimes" (154) "Hole" (125) "Words" (1) "Straight" (154)

Reports/Adds

167-/0 168+/3 161-/0 149-/8 162 /9 155+/3 125-/0 154+/5

Heavy

146- 122+ 103- 106- 86 71+

100- 49+

Medium

15= 39- 50+ 33+ 70 71- 22+ 80-

DEBUT 0 DIRE STRAITS/On Every Street (WB)

- - 6 O STEVIE NICKS/Timespace/The Best Of Stevie Nicks (Modern/Atlantic) 3 3 5 7 EXTREME/Extreme II Pornograffitti (A&M) - 13 8 O BAD ENGLISH/Backlash (Epic)

i DEBUT Q EDDIE MONEY/Right Here (Columbia) "Heaven" (162) 162 /28 35 110 8 6 7 to LYNYRD SKYNYRD 1991/Lynyrd Skynyrd 1991 (Atlantic) "Faith" (129) "Smokestack" (3) "End" (1) 131-/1 60+ 57-

14 11 11 METALLICA/Metallica (Elektra) "Sandman" (144) "Unforgiven" (8) "Nothing" (7) 145+/5 33+ 57+ i DEBUT ® JETHRO TULL/Catfish Rising (Chrysalis) "Love" (132) "Occasional" (2) "Rocks" (1) 138 /6 41 73

16 16 14 FOUR HORSEMEN/Nobody Said It Was Easy (Def American) "Nobody" (141) "Rockin'" (1) 142-/2 25+ 77= 13 8 10 14 SCHOOL OF FISH/School Of Fish (Capitol)

'Keeps a bullet due to "3" (117) "Wrong" (1) 120-/1 37= 61-

16 24 19 SCORPIONS/Crazy World (Mercury) conunued frowtn. "Send" (114) "Wind" (9) 120+/17 23+ 78+ 21 18 15 BAD COMPANY/Holy Water (Atco)* "Walk" (120) 120+19 29+ 75+ - 17 TIN MACHINE/Tin Machine II (Victory Music/PLG) "One" (124) 127+/5 16+ 70-

( DEBUT SMITHEREENSBIow Up (Capitol) "Top" (116) "Girl" (1) 119 /22 10 73 21 RICHIE SAMBORA/Stranger In This Town (Mercury) "Ballad" (133) 133+/7 10+ 62+

I DEBUT ) e TESLA/Psychotic Supper (Geffen) "Edison's" (130) "What" (2) "Change" (1) 131 /10 7 47 4 s 9 21 RTZ/Return To Zero (Giant/Reprise) "Face" (63) "There's" (8) "Devil" (3) 74-/0 31- 33-

12 9 13 22 BILLY FALCON/Pretty Blue World (Jambco/Mercury) "Power" (73) "Heaven's" (1) "Girlfriend" (1) 76-/0 29- 36- 6 15 1e 23 ALLMAN BROTHERS/Shades Of Two Worlds (Epic) "End" (36) "Bad" (34) "Get" (3) 71-/10 25- 31- 19 n 24 © 38 SPECIAL/Bone Against Steel (Charisma) "Rebel" (64) "Sound" (19) 79=/6 7- 56+

7 12 19 25 BONNIE RAITT/Luck Of The Draw (Capitol)

- 39 37 SCREAM/Let It Scream (Hollywood) "Something" (41) "Slow" (8) "Good" (2) "Man" (85) "Outlaw" (1) "Need" (1)

52-/0 30- 1=

14-87+/13

24+ 10 7 12 27 FABULOUS THUNDERBIRDS/Walk That Walk, Talk That Talk (Epic Associated) "Twist" (56) "Born" (1) 60-/0 22- 33- 30 27 26 28 JULIAN LENNON/Help Yourself (Atlantic) "Listen" (73) 74-/1 6- 52= 17 17 20 29 VARIOUS ARTISTS/Bill & Ted's Bogus Journey Interscope/EWA) "God" (59) "Shout" (1) "Hell" (1) 60-/1 5- 33- 37 34 34 THUNDER/Backstreet Symphony (Geffen) "Dying" (75) "Dirty" (3) 77+/7 3+ 23= 34 3s 35 43 ALICE IN CHAINS/Facelift (Columbia) "Sea" (57) "Man" (7) 60+/10 4- 14+ 18 26 28 32 OUEENSRYCHE/Empire (EMI) "Jet" (27) "Rainy" (5) "Resistance" (1) 33-/2 18- 7- 32 29 33 33 JOHNNY WINTER/Let Me In (Point Blank/Charisma) "Illustrated" (57) "Life" (1) 61-/1 5- 33-

14 23 34 R.E.M./Out Of Time (WB) "Shiny" (19) "Radio" (4) "Texarkana" (4) 31-/2 14- 12= 9 10 22 35 ERIC GALES BAWD/Eric Gales Band (Elektra) "Sign" (36) 36-/0 7- 24-

33 31 31 36 YES/Yesyears (Atco) "Easy" (52) 52-/2 6- 26- 11 24 30 37 JOE WALSH/Ordinary Average Guy (Pyramid/Epic Associated) "Sudden" (19) "Look" (8) "Ordinary" (2) 27-/0 11- 13-

( DEBUT ) Q JOAN JETT & THE BLACKHEARTS/Notorious (Blackheart/Epic) "Backlash" (47) 48+/8 1= 15+ 38 38 40 ! JESUS JONES/Doubt (SBK) "Real" (20) "Right" (5) 26-/0 10+ 9- 25 25 25 40 PROCOL HARUM/The Prodigal Stranger (Zoo) "Dreams" (31) 33-/0 2- 24-

I in the midst of BIG records

at BIG stations, a little

record is crying out with

BIG requests and BIG sales

D

D

"To Be With You". NEW & ACTIVE 17/7

the little record that's gonna be BIG

S.; DIRE STRAITS

On Every Street (WB) 92% of our reporters on It.

EDDIE MONEY

Right Here (Columbia) 92% of our reporters on It.

TESLA Psychotic Supper (Geffen) 74% of our reporters on It.

EDDIE MONEY (28) SMITHEREENS (22)

SCORPIONS (17) SCREAM (13)

DILLINGER (11) ALICE IN CHAINS (10)

ALLMAN BROTHERS (10) TESLA (10)

BAD COMPANY (9) DIRE STRAITS (9)

JETHRO TULL Catfish Rising (Chrysalis) 78% of our reporters on It.

SMITHEREENS Blow Up (Capitol)

67% of our reporters on it.

HOTTEST T. PETTY & THE HEARTBREAKERS (146)

RUSH (122) VAN HALEN (106)

BOB SEGER 8 THE SILVER... (103) EXTREME (100)

DIRE STRAITS (86) STEVIE NICKS (71)

LYNYRD SKYNYRD 1991 (60) BAD ENGLISH (49) JETHRO TULL (41) `

R ii

L r

i

r

--,

A ' Y `J L L_13 1' r C l , í 1 - I! 1'

L 111IAGIK

Management- Laxly Goetz for LOM 01991 Warner Bros. Records Inc.

\

GREGG ROLIE ROSS VALORY KEVIN CHALFANT JOSH RAMOS STEVE SMITH

R "I'VE GOT A LOT TO LEARN ABOUT LOVE"

-

-

o

- ....__-

. THE STORM L.P.1

= '- IN:STORES 9/17/91 - 191H,) -

THE ST . ,iRIKES WiIiI - ALL THE -THUNDER -OF BIG-TIME RADIO ROCK AND ALL THE LIGHTNING

, 4` S

1

' -- -- _

0.F. A SUPERSTAR MUSIC- IANS', BAND.-GREGG ROLIE (CO -LEAD VOCALS, KEYBOARDS) CO-FOUNDED TWO OF

ROCK'S -MOST SUCCESSFUL AND POPULAR GROUPS - SANTANA AND JOURNEY. AWARD -WINNING BASSIST

ROSS VALORY-A-ND-MODERN DRUMMER MAGAZINE'S BEST ALL-AROUND DRUMMER STEVE SMITH WERE

JOURNEY'S RHYTHM SECTION THROUGH NUMEROUS TOP 10 MULTI -PLATINUM ALBUMS.

BUT THIS IS A DIFFERENT TIME AND THE STORM IS A DIFFERENT BAND - WITH ITS GENESIS IN ROLIE AND

CO -LEAD VOCALIST KEVIN CHALFANT (WHO'S WRITTEN SONGS FOR CHER AND STARSHIP).

PLUS GUITAR ACE JOSH RAMOS. ON ITS SELF -TITLED DEBUT ALBUM ON INTERSCOPE RECORDS. PRODUCED

BY BEAU HILL (WHO'S HELMED MULTI-MILLON-SELLING ALBUMS FOR WARRANT. RATT AND WINGER). THE

STORM HOWLS AND ROARS - AND ROCKS 'N' ROLLS.

C. o

ce W

1 1 PRODUCED & MIXED BY BEAU HILL

Management: Herbie Herbert & Scott Boorey

AOR TRACKS® September 13,1991 Rd R Í 1 9

NEW 3 2

WKS WAS LW 1W 174 REPORTERS

- 5 3 0 RUSH/Dreamline (Atlantic) 3 2 1 2 TOM PETTY & THE HEARTBREAKERS/Out In The Cold (MCA)

rEBUT © GUNS N' ROSES/Don't Cry (Geffen)

- - 9 0 BRYAN ADAMS/Can't Stop This Thing We Started (A&M)

- 10 6 0 DIRE STRAITS/Calling Elvis (WB)

18 7 7 0 STEVIE NICKS/Sometimes It's A Bitch (Modern/Atlantic)

1 1 2 7 EXTREME/Hole Hearted (A&M)

- - 11 0 EDDIE MONEY/Heaven In The Back Seat (Columbia)

22 11 10 0 BAD ENGLISH/Straight To Your Heart (Epic)

4 3 4 10 BOB SEGER & THE SILVER BULLET.../The Real Love (Capitol)

16 14 12 m W ETALLICA/Enter Sandman (Elektra)

2 4 5 12 VAN HALEN/Runaround (WB)

10 8 8 13 LYNYRD SKYNYRD 1991/Keeping The Faith (Atlantic)

19 17 13 Q. JETHRO TULL/This Is Not Love (Chrysalis)*

17 16 15 ® FOUR HORSEMEN/Nobody Said It Was Easy (Def American)

14 13 14 16 SCHOOL OF FISH/3 Strange Days (Capitol)

25 19 19 t¡fj BAD COMPANY/Walk Through Fire (Atco)

31 2s 20 Q) TIN MACHINE/One Shot (Victory Music/PLG)

32 26 21 0 RICHIE SAMBORA/Ballad Of Youth (Mercury)

37 30 23 m SCORPIONS/Send Me An Angel (Mercury) . Keepsa bullet due to

- 33 26 ® LITTLE FEAT/Shake Me Up (Morgan Creek) commmued growth.

- 31 24 ® TESLA/Edison's Medicine (Geffen)

- 35 27 ® SMITHEREENS/Top Of The Pops (Capitol)

- 27 25 a MOTLEY CRUE/Primal Scream (Elektra)

52 50 42 ® VAN HALEN/Top Of The World (WB)

12 12 18 26 BILLY FALCON/Power Windows (Jambco/Mercury)

I DEBUT ® CULT/Wild Hearted Son (Sire/Reprise)

I DEBUT a OZZY OSBOURNE/No More Tears (Epic Associated)

5 6 16 29 RTZ/Eace The Music (Giant/Reprise)

46 44 37 r< SCREAM/Man In The Moon (Hollywood)

_ - 55 ® BOB SEGER & THE SILVER BULLET.../The Fire Inside (Capitol)

33 32 30 32 JULIAN LENNON/Listen (Atlantic)

8 9 17 33 FABULOUS THUNDERBIRDS/Twist Of The Knife (Epic Associated)

9 18 29 34 BONNIE RAITT/Something To Talk About (Capitol)

58 52 43 0 38 SPECIAL/Rebel To Rebel (Charisma)

45 43 38 © THUNDER/Until My Dying Day (Geffen)

20 20 22 37 KISS/God Gave Rock And Roll To You II (Interscope/EWA)

11 24 31 38 ALLMAN BROTHERS/End Of The Line (Epic)

36 37 36 39 JOHNNY WINTER/Illustrated Man (Point Blank/Charisma)

50 49 48 Q ALICE IN CHAINS/Sea Of Sorrow (Columbia)

21 38 40 41 OUEENSRYCHE/Jet City Woman (EMI)

6 15 28 42 ERIC GALES BAND/Sign Of The Storm (Elektra)

38 36 35 43 YES/Make It Easy (Atco)

57 57 50 Q KIK TRACEE/You're So Strange (RCA)

- - 53 3 JOAN JETT & THE BLACKHEARTS/Backlash (Blackheart/Epic)

- 60 54 0 DILLINGERMome For Better Days (JRS)

I DEBUT m DIRE STRAITSMeavy Fuel (WB)

I DEBUT Q TOM PETTY & THE...Anto The Great Wide Open (MCA)

56 54 51 0 STING/Mad About You (A&M)

1 DEBUT Q ALLMAN BROTHERS/Bad Rain (Epic)

27 29 32 51 PROCOL HARUkViI/AII Our Dreams Are Sold (Zoo)

7 21 41 52 R.E.M./Shiny Happy People (WB)

59 59 - ® NORTHERN PIKES/She Ain't Pretty (Scotti Bros.)

58 © PLEASURE BOMBS/Love Takes A Walk (Atco)

- - 59 ® STEELHEART/She's Gone (Lady) (MCA)

23 23 33 56 TYKETTO/Seasons (DGC)

1 DEBUT ® BULLETBOYS/Talk To Your Daughter (WB)

1s 22 39 58 L.A. GUNS/Kiss My Love Goodbye (Polydor/PLG)

42 56 49 59 GUNS N' ROSES/You Could Be Mine (Geffen)

13 34 44 60 JOE WALSH/All Of A Sudden (Pyramid/Epic Associated)

Reports/Adds Heavy Medium

167+/3 121+ 39- 149-/0 127- 19- 156 /156 69 70

165 +/24 62+ 88 - 154+/7 80+ 67- 154+13 71+ 70- 125 -10 100- 22+ 162+/28 35+ 110+ 154+/5 49+ 80 - 125-/0 90- 30- 144+/4 33+ 56+ 101-/0 78- 14=

129-/1 58+ 57- 132 -/4 41+ 68 - 141-/2 25+ 76= 117-/1 36- 60- 120+/9 29+ 75+ 124+15 15+ 69- 133+17 10+ 62+ 114+118 19+ 77+ 108+/16 18+ 69+ 130+19 7+ 47+ 116+120 8+ 71+

120+15 9+ 43+ 71+139 26+ 37+ 73-10 28- 34-

106 /106 2 32

94 /91 5 34

63-/0 28- 27- 85+/13 1= 22+ 56+/33 11+ 38+ 73-/1 5- 52+ 56-/0 22- 29- 41-/0 26- 11- 64+19 2= 50+ 75+/8 2+ 22= 59-/1 5- 33- 36 -/0 22- 10- 57-11 5- 31- 57+/11 2+ 12+

27-/0 17- 6- 36-10 7- 24- 52 -/2 6- 26- 45-/1 1= 14+

47+/8 1= 14+

48+/11 0- 17+

23 /23 4 16

27+123 8+ 12+

37-/0 3= 23= 34+/15 2= 22+ 31-/0 2- 22- 19-/0 11- 6- 34+/7 3= 14+

36+/3 0= 7+ 34+/4 3+ 3= 24-/0 5- 9- 29+/8 0= 4= 22-/0 6- 6- 19-/0 3- 9= 19-/0 6- 11-

/BREAKERS - GUNS N' ROSES

Don't Cry (Geffen) 90% of our reporters on it.

SMITHEREENS SCORPIONS Top Of The Pops (Capitol) 67% of our reporters on it.

Send Me An Angel ( 'ercury) 66% of our reporters on It.

LITTLE FEAT CULT Shake Me Up (Morgan Creek)

62% of our reporters on it. Wild Hearted Son (Sire/Reprise)

61% of our reporters on H.

JIM JAMISON "Taste 01 Love" (Scott' Bros.) 21/5 (17/2) Adcs: WBAB. KWIC, KICT, KEYJ, KZOO. Heavy 2: WWBZ, KBER. Medium 5: WOBZ, WEGR, WHTO, KATP, KZKZ.

JERRY GARCIA BAND "Deal" (Arista) 20/7 (15/1) Adds including WCCC, WBLM, WIZN, WPXC, KCLB, KCOR. Heavy 3: WHCN, WHEB, WGIR. Medium 8 including WECN, WBAB, WNEW, WDHA, KTAL. WKIT, KFMU.

BIG AUDIO DYNAMITE II "Rush" (Columbia) 18/5 (13/1) Adds including WHJY, KXRX, WHTO, KEZE. Heavy 3: WHFS, WBCN, WNEW. Medium 4 including WBAB, KWHL. KZOO

CROWDED HOUSE "Woodtace" (LP) (Capitol) 18/3 (16/3) Adds including KWIC. Heavy 4- WHFS, WXRT, KTCZ, KBCO. Medium 8 including WHEW, KTXO, KKDJ, WKIT, KBOY, KFMU.

STORM "I've Got A Lot To Learn About Love" (Interscope/EWA) 17/10 (7/1) Adds inducing WWDC. WOFM, KSJO, WAPL, KAZY, KEYJ, KZKZ, KRKX, KFMU. Heavy 4 including

WWBZ, KBEH, KFMO. Medium 3: WFBO, KRXO, KTAL.

MR. BIG "To Be With You" (Atlantic) 17/7 (10/1) Adds mclud.ng WCCC, WIOT, KMBY, WCIZ. Heavy 1: KFMO. Medium 5 including KXFX, KZOO.

BOB SEGER & THE SILVER BULLET BAND 'Take A Chance" (Capitol) 17/2 (17/8) Heavy 2' WU2, WIOT. Medium 14 including WDVE, WHJY, KTXO, WCMF, KLBJ, WXLP, KGGO, WKLO, WWCT, KILO.

CRASH TEST DUMMIES "Superman's Song" (Arista) 17/2 (15/1) Adds: WSTZ, WRUF. Medium 10: WBCN, WDHA, WHCN, WRDU, WKIT, WCIZ, KFMO, KBOY, KTYD, KFMU.

D00BIE BROTHERS "Brotherhood" (LP) (Capitol) 16/E (14/0) Adds including KROK. Heavy 3 including WAOX, WEGR. Medium 9 including KYYS, WBLM, KGGO. KMOD, KBOY.

GUNS N' ROSES/Cry (156) CULT/Wild (106)

OZZY OSBOURNE/Tears (91) VAN HALEN/Top (39)

BOB SEGER &.../Tire (33) EDDIE MONEYMeaven (28)

BRYAN ADAMS/Stop (24) DIRE STRAITS/Fuel (23)

T. PETTY & THE.../Great (23) SMITHEREENS/fop (20)

®

ON TOUR: OCTOBER: 4 Detroit

5 Green Bay 6 Montreal

7 Ottawa 8 Toronto 9 Boston

10 New York 11 Atlanta 12 Dallas

17 Los Angeles

RUSHiOreamllne (81) METALLICA/Sandman (75)

GUNS N' ROSES/Cry (60) MOTLEY CRUE/PrImal (35) DIRE STRAITS/Elvls (29)

EXTREME/Hole (17)

OZZY OSBOURNE/Tears (16) VAN HALEN/Runaround (16)

KISS/God (15) JETHRO TULL/Love (13)

BOB SEGER 8.../Real (13) TESLA/Edlson's (13)

10 V

I.R S. X:4/4 13010

110

i20.RaR September 13,1991 REGIONAL AOR ACTIVITY

WI P2 WPLRINew Haven (203) 287-9070

PD: JOW GRIFFIN /0: TOR BASS

Heavy IMITE TRASH

STEE STEVIE Nt u 101 PETTY A

THE HE

WBLM/Portland (207) 774-6354

°I: JOSE DIAZ MD: TED PAPPADWGllll9

heavy DIRE STRAITS

MADE VAN HALES TMPETTY` THE HE

BAD COMM ,

ADATIA BAND

ar..

CUM N. RGS6 Light

CULT L1TLE FEAT

SCREAM .ow JETT

OZZ7 C6RORNE

. roi PerrT BLUES

vELER a APPS HE BOB SEER

a MR. BIG

WKITIBangor (207) 990-2800

FABULOUS TRMDERBI BILLY FALCON

07x710 RTBYRO 199 TIM PETTY I THE H RUSH

BOB STEER DIN ITS

GUM 5' POISES

LAN

Light

/ A S_ J -

Reports p WPYXIAlbany (518) 785-9061 PO: JOIN COMER

1 SCREAM/Man In The Moon (Hollywood) 85 ^ LITTLE

TULL ERIC GALES BAND

L LE a PEAT PD: LOBBY RUSSELL ro: MIND 0xAEA T

2 DILLINGER/Home For Better Days (JRS) 48 RUSH

TTY `` M`' ROB STEEP RASH

Yµ'EESI' ARIA AA RAITT RL"tRH

RBO1R10R

HE STEER

RUSH

BENS x Roes WCIZlwatertown

xea., RICHIE SA1WRA RETAN ADAMS KLBJIAustln

3 KIK TRACEE/You're So Strange (RCA) 45 DIRE STRAITS

LIB 1ST

BILLT EMUISH

óI ñ `

Light CULT

762ó$4O (315)FOUR PD: TLD BILODEAU

.hTWJ TELL MR.. BAD OWED

(512) 832-4000 PD: JEFF G ROLL

JULIAN -t]MRIC1 SMITHEREENS JERRY E06 JERRY GARCIA BAND

APD/10: CARL QIT CRAFT TIN MACHINE ro: LOUIS RAE

4 PLEASURE BOMBS/Love Takes A Walk (Atco) 36 Light . GUL N' ROSES

GUNS N' 1056 SOC. FISH

R H ̂ EWIE MEET DIRE

NETT A THE HE

DIMary NE STRAITS(L)

5 PROCOL HARUM/All Our Dreams Are Sold (Zoo) 31 STNTPD 199

ERA roB92Ex WMEBlportsmouth DIRE STRAITS L T TPD .TNT D 199

STEVIE NICKS R EIULIS1

STEVIE COLSLYIRYRO

14 PETTYA THE Ni!.)

WZZOIAIIentown BRYAN ADAMS

s..1. (603) 436-7300 BRIAN ADAMS

BAD ENGLISH LTMYRD SKYNTRD 199 RUSH

BERNIE WTI

6 JIM JAMI N/Taste Of Love (Scotti Bros.) 21 (215) 821-9559 CUAST TEEN

PD: GRIM STUART ro: 5017 LAUDED

9502L OF 1191 NICKS

GU ARRS

VIII On Vµ HALES(M) bal.

PD: RICE STRAUSS E)DIE MEET

JEDISTEVIE

JETIR) LULL ,

ATR BROTHERS GAINS N. KEW

CHRIS WHITLEY/Living With The Law (Columbia) 21 roe TORO HST RAE TRAVELER

PETTYHea THE HE

DIVE AN!

SCREAM t EmL E MONEY

8 JERRY GARCIA BAND/De,al (Arista) 20 Heavy

DIRE STRAITS.) wzBHlOGean city

STRAITS ESDER LAMED SKY/7RD 199

11tl1R. 'BABE ANIMALS CUR N' ROSES

CUL.T

A LLnE fMQWNS VAN VALOUR) (302) 856-2567

PUT ñ nTELL Light NOISY MAMA

9 BIG AUDIO DYNAMITE II/Rush (Columbia) 18 IIEE NICKS PD: C1PTH MICEAFLS JERRY GARCIA RAND '

10 CRASH TEST DUMMIES/Superman's Song (Arista) 17 FAfols TIRUIERBI

' G R IVY BILL WARNER X-^ ̀ ..TUNS N. ROSES

(409)KWI

(409) 866-1869 PD/10: e MILLS

MR. BIG/To Be With You (Atlantic) 17 MAai:.

' Ta PETTY

`,HE ' LIgU

BRYAN ADAMS

6`L' .CUR N BROTHERS(L) DIRE STRAITS

CULT Heavy

DF BAD EMO.I91

STORM/I've Got A Lot To Learn... (Interscope/EWA) 17 mLT SMITHEREENS

MADE GUAS X ROSES 701 PETTY A THE MOO 0221

E STEV KS

BOIOU. a n91 PGA HORSEMEN

BO11I1: RAPT TIN MACHINE

13 FLIES ON FIRE/Cry To Myself (Atco) 15 R.E.M.

E EN(M)

TOT PETIT & THE H q ETPL

MIND FUNK//Sister Blue (Epic) 15 WKGBBing hamton (607) 785-9925

Ra1 Light

~ANY

WA) ingfield (413) 525-4141

BRYAN NAM LTNTIO SEEM 199

15 BUSS IRWIN/1 Need You Now (SBK) 14 MI TUX TACGMIIII'

RBI ^ EfOle MEET

S lIMAN RISEN

ED: KEITH MASTERS REED

(FROZEN)AHeavy gl/77, *dim

RDA

16 ANIMAL LOGIC/I Won't Be Sleeping (IRS) 13 EOM PETTY THE ro- LBOB

SEGER OOM 9YNYRD 199

JOE WLSH

ROBIN IKKO: PRIER F95 JONES

TOA PETTYOLPETTY\ THE HEIR)

EUROPE JIM JAMISOI

BAT. ROUGE

17 RADIO ACTIVE CATS/Shotgun Shack (WB) 11 _ WCMFIRochesler

Yµ HALES(L) JOE M(L)

MaRh. 'IMUSE

18 MICHAEL McDERVV OTT/A Wall I Must Climb (Giant/Reprise) . 10 SOW. 4 FISH

Gram. YN LLL BROTHER

(716) 262-4330 PD: STAN .1N

Light SILL a Em's BOGUS

GAE

CANDY ºIES

19 STUART HAMM/Lone Star (Relativity) 9 GUNS N. 8125

.4211. LT CU

OIZT ()5®IMNE

APDAO: DATE KANE

Heavy WOURIUtica

P' ALDO NSA

CUULTg E WAVFICharleston

JUIKYARD/Misery Loves Company (Geffen) 9 VAS HALER

EKTHOE IR1 91(N)

(315) 797-0803 PD: PETER HIR901

0021 OR®AIAAE RID RE

Light

(803) 554-4401 PD: DAVE ROSEI

HE SUER(M) cum N'R(M)

RE: ALISE RTAPA KTXOIDallas (214) 528-5500 ELM.

wKLCIChefle5ton DINE NICKS(L) STEVIE MIS(L) PD: ANDY =RIME R.E.M.(L) (304) 722-33308 TON PETTY A THE HE DIRE STRAITS(M) APE: RRDBCAA ID BAD MUSH 10, JEFF DUGM Light

DZ21 ~ UWE

DSSA(L) >T A THE K ea, Ri.

WXTBÍTampa BAD COMPANY

BRYAN AMS

Heavy

NPET

µ HALES BAD

TIN MACHINE

(813) 227-9808 PD: CREA MILL

i. Light

New Artists have not yet had an AOR Breaker. The chart is based en- TOT PETTY & TIE H BILLY FALCON

Light ALICE IN SIAINS(L)

DIRE STRAITS BILLT FALTER Heavy

GUNS N' Roses(L) CULT

tirely on the number of stations reporting airplay on a particular track. Vµ HALES

WEZxIScrBntOn STEVIE ECU Ta PETTY A TIE H

FOB HORSE!. . G11L5 N' ROSE

OZZT OSTEUR E

Week -to -week add patterns are not a factor. !BMNIEGERE BRYAN ADAMS

Mall. (717) 961.1842 BOB STEEP(M)

Vµ MALES

Eli L.A. CUR

GUS N. ROSES BAD ENGLISH PD: JIM RISING

PO: JANE ro1E0.5 RATAN /DAMS

SNRP3015 etALIG(U

MOTLEY CAPE TOA PETIT THE

WRFxICneflOtte Light

Heavy P3 ROSH OIR VALES (704) 338-9970 CULT

BRIAN ADAM GRGBm TONER IMITE TRASH PD: JEFF KENT GUNS 1' ROSES

JETIMD 1U LL MADE GUNS N. ROSES

MIM1I. ALICE II CHAINS Heavy

TETALLICA JEW MIL BAD OCTANT Vµ HALES

P

WRKTIErie EDD-.. IONEY

Tí11 PETTY \\ THE 1E 10 199 FUR

MD erüt9l CUPS.

199 h UDDU9nO1E Á15x

FDDIE MEET OIZT OSBGAW (814) 725-4000

WZXUAIIentIC City (E09) 522-1416

EDDIE PORE ERIC GRIPS BAND

XII TLESSTRAC

SRTrRTRD

^.. A -

P.C.M. s°/a v n9H SNWICES

PSYCHEDELIC FURS RIME 5"®1U LIVING OüA1R

WPM: R. REINE res DIRE STRAITS SILTIMAM=

RR RSI

STEVE A>0: STEVE RAMON°

LITTLE FEAT Lit A CULT

KZ TRACES T 05®IIRNE

RRAI

TOM PETTY N ME HE

EITREE

CARL' A' 80.56 HOARY LEE SEER CmIE MATEY

FOREIGNER JULIAN SAJIICA

MTµ ADAMS

GUNS N ROSES LITTLE FEAT SNA'I06

Heavy PIQUE SWORE SKID ROY(L)

SMITHEREENS ALLIAN BROTHERS

NE]'S AMC DUST

NMI. STEgJffART

PROQOL HARM

Light T01 PETTY A THE H RUSH SMITHEREENS

SMITHS DIRE 9ITS(L) I DIRE STRAITS( L) E'fRAE

T0. TRIMMER

Light SCTFAN

PSYCHEDELIC N0.5 R.E.M.

TIN MACHINEBOB ALICE =PER

STEEP VAN Yµ MALES

HALED T. PETIT \ THE E() KLOL/Houston TIN MACHO. LIgR[

G1R I' Á12S Meat.. Earle man R® SEiiER(L) (713) 526-0855

Magi.. CANTER ME mercer

RILL A TED'S BK.1S Eel & THE PART W

JETHR) TULL STEVIE NICKS V. NALEi(R) PT: TED EPHARDO WMFXIColumbia

GARY OIIL DESURE

MOTLEY CAABRYANADAMS RID R.t LITTLE FEAT

B

KW /4): PATTY MARTIN

(803) 772-4980 MAMA/Philadelphia

(215 ) 581-0933 JAMS TRASH

TIFF WOVFJPIIIsburgh WAOXlSyracuse

472-0200

CDC N. Rose EMIR.

Heavy RlTPf2f. PD: ®u1: DAVE

PR. TRIM: JOE 11.0,0011 .ass Joras

JIBYBATS

(412) 937.1447 (315) 10PD: :DAYS FRISIAS

tax EE le KSAOISan Antonio is.,

HA..y K[RSY 1YCQ1LL

MARY'S DANISH

WEE WE ro: H.S.E.RWTPAIHAITIBDUrg

ea Heavy

RUST

HAM (512) 271-9800 PD:: BILL TOMYM

am STEEP Vµ HALES

DIRE STRAITS GRAS N ROSES BMµ ADAM

MEAT PUPPETS ~ANTS OF VENUS

MILL/TAM mom. WBABILong Island (518) 587-1023 ^ RR

(717) 697.1141 PD: JET KAUFFMAN o0®IE BROTHERS

Tµ xAteRBAD MNR. PA[UlA6 TIAERBt

CCEPPEY

ro: RIK. OLERYIUFZ STEVIE KICKS RR 101 PETTY \THE

µ114N aQMFRS BOIMIE MITT

IQ'] CUU, HAVE PC

Z Q n5N FBI EST IlYIME EH RALPH TEMiERA

EW lE rpm GUNS I' HISS

RUSH(L)

APO: CHRIS JAWS NavyPlAd Ill PERT A ME H STEVIE NICKS

WIZNBurIIn ton 9 (802) 677ó60O

LTIITRR 9EYNTRD 199 BOB STEER

Me.^ GRAS N' ROSES(11) METALLIC.

M DIRE STRAITS

NWT. MERE

TCM PETIT 1 THE H STRAITJACKET FITS TM PETTY A IRE H(M) ROB STEEL A

R PS: STINT NIMIF. JLTORJ TIN MAOP)BE simJE4RT

MsalRa EDLIE MONEY

Light MAN xALES BILLY FAL1A1

TLI TMA011H SICE TAM

R.E.M. .0RP106

BAD DCJ.ISN ALICE NOEL

FGTIE RUSO N. ROSES RE STEER

Light 10: TOI t.µ SANE BAD DIGITS'

DIRE STRAITS RUSH

CATEQ

GUM N' GRATE PLEASURE ®rµ5

LA'S A®1 SOW. 0 FISH

VOICE 0 M ®n VOIDER STIFF FIVE THIRTY

®CIE marnM) RBI .TE1AM Yµ rW.EM(M)KIX L1MRD SKY/1170 199

VW HAI.01 Ileac.

TOR PETTY A THE M Vµ HEES

TIN MACHINE 91Yµ ADAMS

µL"1

RIDIIC SY®RA 9QT®UHLS

N 8025 EIDIE rOET TRAM

STEYIE NIOLS ROC TIN MACHINE

LIC,I ATETICAM RABIC 0.1)

RITRBE STEVIE NIQS

PUB STEEP

STEYIE KICKS W BIG SMITF.FPIAU

DIPS STRAITSA FIALGb TR110EiP: BILLY 'ALOE

SCORPIONS BRYANA Binµ ADI6

CULT TESL.

D APTENOISE RE STRAITS

DIRE SYIYITS(N) BILLT PALCTN

DINE STMAITS(L) SOOG. O FS1

Light CULT WORFIBuHabSTAN JJETIW TE EDDIE MEET

SNAB ADAMS

KNCNICorpus SCORPIONS OUT OSTEORNE

XIMµA R191(N) AlDO RASA D1LLIMER (718) 88115$5 01151íl FEAT

MEE ERICE GALES BAND

OUT mamma Christi BIG AUDIO DYNAMITE

0L1'.µ MAE CULT

STAN ADATAS

SEAL RIME SAIBORA SCUM= S

OUT GSHORNE - PD: JOIN HAGER

TOII?ern A THE MIN) OOZY ISmGNE Light CULT

(512) 269-1 UDD

BOB STEER ERIE MEET

RED MT DELI PEPP

TIVeS) BOB STEER(M) JESUS UaBI

FOUR 131.79I RID Rl1

10: BOB RICMARS RID EUROPE a 701 rem & /n/r. H

PO: TIM PAYER IL: MAR runts/ LLEH ALLICAA

TED'S REM T1LL

G A' HIS MET IL]IIS A THEN

METAL

M mH5.T Yµ 11..01)E SIGER

SOW. OF FISH NamJET11U

BAD ENGLISH

LITTLE LE. EDDIE Ml1E1

JULIAN LOWE a OZLY CRORNP

ALICE IN CHAINS

WCCCIHartIord LnRRD RYMTRT 199 101 PETTY a THE H TTRRAMGIC.UliEHIP WNDRINOr101k

ETPDE GABS N. ROSES

IGNAD. TC ERATT JOAN JETT (203) 233-4426 Alsx(q TEL Melia (804) 386-9900 JET11b TILL

MIITLEY ME PAD MUSH WWDCIWaShln ton

Mµ PWt.vlJOE PD: TAD 9]JÁ5 MALSH CANDY RILLS PD: MU FRIER METALLIC.

701 PETTY \ THE H Light

9 TIN MACHINE APO: MICHELLE POT Rm..

RR E:LO E[R111T IC: HEIDI HESS WKL$IAtle nta RIBA COLT (301) 587-7100

DAVE VP/PIG: DAYS BROWN

MOTPT RFlll'. RR Es, BAD

PAlll Light CULT Heavy (404) 325-0960 MED.

vµ XALES ro: 0677 mPPAf IA BIRD

A

WBC NIBoston VAN HALEY NORTHERN PIKES

JERRY GARCIA BAND VAN P0: 1MIBS

Heavy TEB PETTY A TIE M TOI PE CAE (617) 266-1111 IOM PETTY A THE H

HAf 9ESl

TM PETTY a THE MIL)

BEMMICHAEL

(FROZEN) FIPPLE

ET41R. T

WHJrIProYldenee SNeavONS(L) PRONE CAPE PD: Om IPl6 MA911A15 TrOlERa) JOWLY WINTER

WOOF. A>AMIAS

1A 11 . OM OSEOURME

(401) 438-6110 ROBIN HIRE: PRIOR JETHRO TJLL ro: CARTER ALAN AJ-UUUR Vµ HALER Light

PD: BILL 1E -ST. FETE 101 PETTY A DE H(M)

METILICA(W BIG AUDIO IMMUOTE

BILLY FALCON WPXCMYannis SAME MOs EE DI PETIT A THE HE SCREAMBULLET

OIS Ce:N

PO: PHA RADOM R.L.M. SPECIAL.le

MIES TRAVEL. Ele,., TES ®B STEER WRKIIDanbu ry (508) 778-2888

DI muss DIRE STRAITS

F FIRE

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Continued on next page JUN JETT EMI LOST DAVE SHARP CULT Light STEVIE 11106 TLS -1

REGIONAL AOR ACTIVITY September 13,1991 kW « a

SOUTH LTNTRD 9(M(PD 199 1761'[E RICKS .UETLRO TEL

MINIMMINIM ROB S6LPIM) STEVIE NICKS

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DIRE STRAITS 101 PETTY 4 ME M(M)

MaimMa415a GINS N. ROSES 911MMEML`

PD: RIC LLLIOIT 10: DMMI DANOI

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TV JEiH IL LITHE FEAT

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Mea11a POUR »MM. STORM

XIV 09ECOlNleW 10: TOR TILLIVM VW HA.01 All)aM BPOILERS ERIC GALES BAND

ND: GREG PTTIOEPASD

Ray DIRE STRAITS POtRME BAD ENGLISH

WCiT/PIWia BOB WAR PA HALM RUSH

GUT OSROUME L1t SCORPIOS NORTHERN PIKES

a gRNDN PLPS tlen TON PETIT NE VII N)4M

J AVOW p PAN X;95 PV: BA SLGEP

Mill FALCON (309) 674-2000

not HIRSCHMAN

GUNS ROSES

METALLIC*Mala

S(ORFIOS

'IBS N. ROSES PO-RIIc STUART HAM MM.lAt. IErAiiU

BPI AM ADAMS

Maa1a JAMIE MR{l NDTET QUEDT

ozzY OSBGMME Llt WRUFIOalnearille LENT. MYIR. 199 9DfTIOLS RUSH G116 N. ROSES H'a'n TFSA WIMZJKnOXrllie (815) 525ó000

RO AUDIO DYNAMITE DI

W ROO/Green vllle 904 392-0771 ( BA) ro: HARRY P1^T

JOE YAL9H(L) GUNS N. MOSS(L) DIVE TMITSIM)

SOW. 4 FISH .D:[ WM.

WM*NT "D RO.a

Light OUT OSBDt)NIE

tO1 PETTY & ME REM) iHIWER L.A. LULS

PD: BLAKE WATSON

10: BILL KIW HanDIM WTKXIPanaaCOle

(803) 242-0101 PD: DX 'GOERS MD: BILL WALKER

!O: [IISTI CLAM

Inn., TON PETTY & THE HUM) lnIME

B® SEEM(M) R.9MM) 9lMeNLMLS(U

~law P.E.X.

STEVIE NUNS BOB

BAD EIdISH GR6 N' IOSS

STRAITS

G116 H' RC6S SElP

NtaLla MB S.E FLIES OR FIRE MILD flI6ES

CULT 1 a IMIDMS

POrRME OLLT FALCON

RUSH

LMYRD xMHD 199 EMIE RASTT

DID ROY

ERIC GALES BAND

KII

"Sa . M. MG BOB SEEP F3TRDN

(904) 438-7543 PD: MI[! OCIASES

Man PUSH(5I

R.Nw

P,AN BALD p xOR BAD NeWT

Light

N TL9_A

TOCA MOTLL OW

GUN6 x ROSES VAN HALM

CULT ACTIVE CATS

MM. 199 MX PO: 1D: STHR1Nx STEVIE NICKS

Ice WSTIMAITs

DIRE SMUTS Nd1

GUNS I' xOSEs

B. EM1.I9H PLIES Q FIRE

COZY 15BMIRME

IN CHAINSMltllla WXKEIFL Wayne (219) 484-0$80 (219)

® 5855151

B1LLYTM AfAJM Havr DIREED BOB E" BETA" ADAMS Lltne m PD: RICK NEST

a SOJMICNS SMIí9G®lS

FOUR M1xsO9JR FLtES Q FIRE

DIRE STRAITS GUNS N. ROES STEVIE MICnS

ALIQ IM OIAIMS BONNIE MITT

DUL0L511TOE

JETOO TU LL 0000. Or F191

Light

WXRT/Ch1Uy0 (312) 777-1700

a

TTL FEAT Heavy Light

KXUSISpringllaid (417) 631-9700

STEVIE 5000L (/ FISH pRj Nq,Tn CULT PD: ROM WIMER SORTSAMG FABULOUS THMIERBI .: RICK IOOI¢

EDDIE MOIIEZ TEN MITT & ME XE(L) Pll(L) TOR PETIT iHe IE CLL91 TEST OMO6

10: PWL MAi55ZALM LTMTID xTMTRD 199

G116 N. ROStS BRYAN ADU6

VAN MAAMM) JOE rFETT WOFM/Mllwaukee QTMMf

RUSH WAORISOuth Bend BAD

DIRE STRAITS

BRANSADMs LIITIE FEAT

N a GEl6 Y' ROSLS

WMMSICIeveland 1d ME HE

/MENDED IO6E (414) 276-2040 *11JAN BeO11NiS TOM PETTY a NE HE

(616) 6834123 BAD ENGLISH

Light LITTLE FEAT

EDDIE PONE( ROB SEEP

VAN HALED

CULT Lt VIIE4READ PANIC

KFMXILUbbOCk (806) 7471224

(218) 781-9667 PD: MICHAEL LJUCZAI[

SIgTHFJIETINS DIM TRAITS PAR

PD: J.T. StEVlIIS APO: JIM SMITH

Realm Light

PD: JOIN YANC: OUND: SUE FEEZ

VTR

VAN HALM 5000. 0 FISH

Light BAD (YBANT

PD: JON MLAWHan N): KID RAMIRO

10: BRAD MAMRON ME.M. 4ZC DRIV:x N Cln1M(L)

CULT BAD mF1NY

Ma n BRYAN ADAMS

BRIAN NRA56

T®A CULT WKOOILaXlnqton Han

Heavy M[01AE1 RCM/WTI

® SEEM MJ:CTRONIC

MM. OURS N POSES(L)N141 BRJlT®TS

GAlS N. ROSES DIRE STRAITS TXPETTY NE HE EDDIE

LTIYIDTNT. 199 EY WOMFILoulsWALOUDlle MLTALL[W

(606) 2524694 DIRE STRUTS POTION

PETTY A M! HE

ALOUD 911011.1.1110111110111/011NOM PS'OEDM.IC FURS DOO ºON

A

TTMMETKRi / NE HE HENRY LEE »VER

Dux Me4lla

(502) 896-4400 BILL

PD: PETFA CQlA10 10: TOM TLJOD

FAaRAE IHIxDFABI TO, PETTY A 11¢ HE RTIII's TAN HELEN

DWI! MITT OBIS NIITIET RtHM WI70ROa 1

oLrM1E NID'L)

WXLPIDeVenpoR

GRES I. 104_5 ® SHEPIL) MaGla

Light a CULT

OUT 15ROUNIE

10: MEE PCM: ETER WRDUIRaleigh xaHP Rt91 :IN MACIINE Tu MACHINE YTL4ANNOI(L)

326.2541 LITTLE FEAT

Rary ~ID)

919 876-1081 1 )

PD: BIB YALTRI

Ta Rem A NE MD.) PAM NALM(M)(L) EXTREME

BB E" PAN HALM

MaaOa

PBTQ®EI.IC MRS SAD ENGLISH TEYIE Ras

.e3Ls JONES MAT PUPPETS SEAL

OM ERe a

(319) PD, Off PERRY 1D: MLGPS RUM

LLff1t aLr(L) 5(DRPIOS WNCD/Youngslown

ESTEEM VAN HALM

M: TX GUILD N91(L) BXI 9DM

BAD COMMIT SWFTaS

3RTPl1®tt DIE! STRAITS

MICHAEL MWEIavTY SAN PHILLIPS L.A. GIBS

LINED MM. 199 Han POUR

a 91115®@]6 (216) 652-0106 101 PETTY \ ME HEIM) JO[ YASI DIRE TMITS(M)

Nan UNDO MDR. 199 MT

Mtl1 LIMB

Lien GUNS x' ROSES

0nT

BPTAN AWM MX EDDIE 1p5

ALLAN OBE MWIa

WWI GUT

EDD3 Any 1pTín DIVE

OLZT C6eOMM

ERRFYE RAP HALM DIl86COIE

PD: CJRT JAY b: FRED YDAK

BOB SEER(X) TOM PETE/ I NE HE BILL 1 TED'S ROGNs(1) CCU OSEC1IML MIa1a LITTLE FEAT

RICKIE SAMBA FIREHOUSE WIOT/TOledo HaaT GUMS N' 90901(1) BAD COMPANY

',mewlsTHPDFABI FOUR IDMSMNII

SEEP Light

LLOYD 11.011OU5 T101IQBI 5CU51116

MID ROI

DRIYIN N CRYG M14Oa (419) 248-3377 SAN RA.M

.DIE MINEN BAD EYG1.I91 BOB SEER CULT JOIN LEE ~FM SCFJM Light ro: LM /1ltf BAD 01/1.191

Nadia /MOO tULL

STEVIE COLS DIPF. STRAITS(L) a464739

Beach ; GUMS I' CHAINS

AM

POPKIxS . LIL) a OZZT OiBOUME(L)

EDDIE MNIEZ 10: RCEAFi TO. TOR PETTY A ME M

RUSH

Light OUT OSBUPNE a VHxALM P3 ronO: JG1Mi DIAI a OLZi OSECVIIE LtETOS 910a1

CITRON a OM NIledlR[1SES5

TESA m Han MGT MARLET ME PET7i \ NE HE Light OUT SWARM

GUNS N. ROSES VISIR JAPES

POTMM9: SOW. CO' FISH

XX JACL97 PAUL YELLER E KTCZJMInneapolla WAZU/Dayton SO)RPtOIs

B0B eR GREAT MITE MOIST MAMA

KMJXILittle Rock PYAa 101.01. MAD RIG e ADTNAIGtF. (612) 339-0000 (513) 223-9445

(501) 224ó500 WRXL1Rkhmond

KEYJIAbllene 915 1 ) 6 77-7225

R3010110LYD xTID 199 MD ~ANY

WINO/Columbus (614) 46&9896

FM MU PIOAIO 1. 1BTMAN

PD: LIN BRMPER 1a J. FRLDERICKS01

ro: LISA LYGE APD/10f BRAD HA.IM

PD: TOM WW 10: DAVID A. MS (606) 756ó400 PD: MAMEY JOMF'

MPETERlICA MOSX PD: BOB xP.IMANx

PETER IIINVI NAM CAFTMaO6[ Gem maw

PD: JAI LOPEZ11),MIKE MILLI/XS STEVIE MI2S 10: JO R®D13T LOM1E Boas ARMAL LOGIC a BAD CEMENT

Han 1' ME HE MI

ID: PALL 9AKRIVE Nan DIRE Jemira NU.

STRAITS

JEMRO TILL

I1DT.R SONORA

Y.W .HALM

'TAM RIDGUIT

'+101gICISH TB BANS

BOB SISER

WITLLZ E MITT

EJHIEPN (M) Continued on next page DIRE STRAITS BOMIEPRAITTIN) ERfUR ADAMS MD ENGLISH AIJIUN BIOf1ERt EEC's ATOMIC DUST CRASH TEST »1M16 METALLIG(L)

122 WAR September 13,1991 REGIONAL AOR ACTIVITY MIDWEST (Continued)

WYMGIS rin Ileld D 9KRZRIFresno (217) 548-9000 PD: CIWO STEYEMS

MD: LEA nAnIAN

. RIME SAEDM COLT

KGD$lDUIU(n (218) 728-6421

OUT ERURXE LIPRt

ro1IET ORR MLA

CULT

P83AQS 13100011.1 cola s' RI>zs

JESUS JONES FEAT

NNW SOtTa. 6 RSM

(209) 252-8994 PD: E. MRCS JOIM5911 ro: SCOTT STEVENS

sm?P 0Oa OM 0583.Ne

Light . CULTTULL B JCh110

A

KLPXJTuc son (602) 622-0711 PD: V,PLA SRSDEA OMIIro: LARRY MIND

KWHUAnchora e 0 (907) 344-9622 b: RADIO ROLL ro: [iRI SAVERS

K rlta Barbara (805) 967-4511 PD: DEG INGOD PO: BRIO RECALL,

F an Po: BROCE WEDMORE SCORPIONS

LION Nevy

VAN HAL01 I Nato

(He )

SRVIE MUCKS Hen KOMEISan Jose SMITHEREENS TOI PETIT a TE HE RUSH

BRYAN ADAMS RICKIE SIPORA MOO TALL

TO PETTY & DE K(M)

P3 TQ PETIT & TIE HE(M) SEER(M)

JOE x4511 wail. Light

a TR .CHIMEwalla

TO PETIT A THE :m1 JUL741 'JENNY STEVIE RICKS DIRF. STRAITS(L)

a BRYAN ADAMS

(408) 985-9800 PD: 801 " ro: STONED P40!

TvT

JON '.EE HOOKER

a ETLLLICA KBPIIDenrerEZTREE (303) 534-6200

soon. or VIM FAMINE . ERIC GALE BAN RUSH

Sae N' 5031000 KZRRIAlbuquerque (505) 765-5400 A: FRANK JAEO ro:.0(880 DEAN

am SEER STEVIE NICKS

T TO remLintz 110 HE

Phew GN6 , ROSES

POOR iORSoeo tot PRIT TIE K 30100.4 FISH

KNACKS

BONZE wart JOE yü RE

STEVIE CM SOC. O FISH ALJWI PICIIEPS

WZZOITerre Haute

Light PIffi a

LITTLE FEAT

TON PETTY a ME K vol HELEN

S[TOOE Q RSN

PD: BILL BETTSMoll N1an

S IEuICIa

L14Pt CHE

tat PETTY 4 THE K 0[LI I"L®OINF

CULT

3G0 SEER FABULOUS TINICEPBt Eµ HALO RUSH FALCON

1NOa11a L:t KRNAICedar Rapids (319) 351-9300 (812) 232-5034 GUNS M' ROSES

a CULT RUSH RÚ91

EDDIE QET .A rme EMS x ROSES(4)

a SMITHEREENS a OOZE OSIOUPME

WOOERS -BTIOE

MORSEIOR[S NOR:K. PIKES OMITS PD: NM VOS

re: ROM DE MG. DOD

OM/PD: TOW HOMAN AID: DANNY WANK

a TENDER STEVIE NICKS BRYAN BRYAN ADA S

L.A. GUNS JSRYCXC

BOB DER RL91 a n6 a MLA KBO Y/Medford

Neevy CAME

Heavy BAD =PANT KFMO(Lincoln

MawVµ LINT. LTNT SKSKATE 199

HLLOr PIENDE1

DILLI"aR

KJOT/Bolse (208) 344.3511

VAN 10.01a Rrz ~kmSTI MOTET CUE

ss. s. ECM (503) 779-2244

NOR: 101 CAPM6 HENRY LEE SUMER MAN ADAMS

PROWL HARM DRAIN N CRIES MO: cm CADIELL GUNS a' ROSS ro: MATT ROBERTS

BOB SEEP CUES N' 8045 (402)489-6500 IET4I.ICA COSIGNER FOREIGYET 022i OSBORIME 0401.191D01E BAD G1.1SN

BAD 001Pµn E 'SET BOB SLIPS(M)

PD: RANDY EMT C: JON TERRY

TIN MA -MA -1111« BAD 00LISI1

CUR 1GRSEEE BILL 4 TM's BILLS

4.vy 8854

OILY Light KFMF(Chico DIRE R 9.ITS

MY AN ADAMS TAD ENGLISH 9RTIPEEOLS `KFALLICA JETRRO nu. SCORPIO« (916) 343-8461 LITTLE FLAT JE97S JOG R.HORSEMEN

11110 a LITTLE PEAT

NUT ,M. 9N

JEME TEL E 9331,1010

TIN MACHINE RD SEGER

STUART XAMM ALICE DI CHAIRS

SSOUIe PD: MARR GRIFFIN 1COHAM OTT BOB SCLP

S'0JSART Light a VAN HALE AM A MYES MLA (406) 728-5000 Mory MK CM DIRE STRAITS RUSH

a ALICE 1N CMAISS a CITY r15E11WE

Rn BILLY FALCON

DIME 5TMITS

LEF"

WARRANT

Light BAD ENGLISH SCORPIOS

PD: (ERN ARCH

APD/10: BILL WILLIAMS TO PETIT A TOE NE

RUIN

RAIM) TIRAIDERBI AIM) TOLL

STEVIE COLS RBILTBOTS 001 PETTY L TE HE LITTLE PEAT : CULT BILLY FALCON

KPOI/HOnolulu SAD FDIOLL91 r1Oa1Ra

W 010'1 MOTE IONET 9DTMERLELS

KO SEER P83(11Oa TTARIOEIMI

MIS N. RISG(L) ALMAN BROIIa10

COZY QSOURNEEDD DIRE STRAITS E IONET

(808) 524.71 D0 HST

'TALLICA STEVIE 5105 DIRE STRAITS

CURTIS SALGADO e T MWIRa GUMS I' NOSES

1BA'IEIJN WKLTRrarerse SCOOP IONS RON1:E MITT µT,UL UMW

LIN,tSTEVIE OILY

OZT ~PINE

TOO PETTYI TIE K BRYAN WINS STEVIE NICKS

PO: BILL CIO 1025 DIRE STRAITS MD MUSH

LTNTIN) 580X190 199 BO SEER

TULL

1-1005.UE5

ANIMAL LOGIC RUM%

Si t City

(616) 947-0003 LITTLE RAT DIRE

H

sTMITS KSJOISan Joae M1a1.a

GAMS N. CM a WOOE BROTHERS

Ilan 1O PETIT I riff Yot.) '3TRES

LTMTAD SMTW 199 BOB «GRIT TO PETTY I THE K

-MOD EWIC !DIES

ADAE Vµ NACEN

a Yam.ULETICES 5000. v FI91

4n 25EKsNE BACIflTPD SUSAN

GREAT MITE

PD: DAVE ROME ro: DARATL O MDR

VOmUJO PIKES EDDIE MORN CORM

(408) 453-5400 PD: DANA JAW

a MDT Light

SCREAM

.R^HA TUSL Ran RI4s DIRE STRAITS

tµ HALED BILLY FALCON

a ONE M. ROSES wa1Ra KFMUISteambwt

JOIN 041111 Mn 9P0µ ADAMS limo DILLINER RJSX JESUS J016 a CULTt Springs m 5150(1.) Aa1R. KOJKIModeslo WAWA` 11041 MY a5®oRXE (303) 879-5368 BOB MERLE)

MM PETIT NE HE a GUMS x' ROSES

MOCKS AR TOM PETTY I NE K RIM

Stockton KNAC/Loll Angeles EETA(J,IC1(L) A ERIE .MET

Gum N' row PD: SfDR RAEEY WZNFIChampslgn

ISTKE D I RNpTFRS VAN xLLR(R)

4000. 0 FISH

(209) 889-2594 PD: BEAM 010111JETHRO VER

(213) 437-0366 BBD COWAT TOLL awn (217) 387-1195 wow JCTIDO TILD: BOBEB SEEPIL) !O: RANDY MANW2 GREGG STELE SCORPIONS KROKISanla Marie IO PETTY & NE K

PD: ONE FAKIR lb OBITS HEIL

Henn

GUNS N. ROSES

I.ipit LtdRt

QULT Ma1a

BRYAN ADAMS MD DIRE STRAITS

Mvy SES

a GUNS

SEGEPO

to: BRAN 30001

VAN NLLd(M)

KILO/Colorado Springs

(719) 634-4896

LITTLE RAT BRYAN ADAMS

90NERFLLS FOR 1090001

(805) 922-3312

PO: DAVIDALI sT

TES MEAL LDO/C LTTRD MEAD 199

DIRE STRAITS P.C.M. 908 SEER

LENTRD 9TNT0 199 RTEI.ICA

LISTOS DENRD 199 REr*LLICA

ALICE 1" OIAI(S METAILICa1M)

STE SIR: 8101 MAZE

10: <oEN

SOWS O 805E IM LAMM JO Mn STEVIE 8145

JEIVIE TILL Vµ HE DI RIM STEVIE NI 50WY1, O ins' BILL I TED'S 90005 CRAIG FSTAEE

DIRE STRAITS 4YMG

AIONeo

MC N' ROSS FOR HORSES"

BAD COMPANY11EIOLS FOUR DORMER Hen DMA WM.STEVIEE NICKS EDDIE 11010 OILS R' ROSES GILT TO PETTY I THE I BRYAN ADAMS FOIE SlMEOM

BRYAN ADAMS

BAD COPu1T

a O (EEIMNE a ELT

ATM I'LL JULIAN .,MO, LITTLE FEAT

IO OS

NOES ace

RIME GENERA

TOM TOI PETn 4 THE K Vµ HLL01 -ETHIC TULL DIRE mark; BOB SEMEN) LTNRD S8TIRRD 199

LAW

COZY 05801.01E ow

LICE O

TT2

BOB SEER DLL

LlPlt THOOEN

a Vol HALE4.

LITTLE FEAT

VEER HOES TRAVELER ZIGGE MARLET 4 ME JQEM SWXPIOS

NCITIENEEDS

íx trE THESTORM ~le

-

OLY I'RO ~NINE KATSIYaklma

x5P1RR DMIT 0I1E

V11NIE JAMS pt

0001I1 sal-GA00 4 T SI M

KFMLColumbla ) zE.tT OR ,]ILL (509) 457-8115 KCL&Pelm Springs

a CANDY SIJ.IL5

314 8743000 ( ) LISLE

3B SPECIAL PD: DARREI JOBSOI PDT 01113 0' Ito' CULT Gregg Rolle KAZY000RvRf

OD: DIVE NF35Q (819) 398-2171 MD: TODD RITE [I[ TMaE

Law (303) 759.5600 Mn PD: [ATE NIL.IS KCORI$anta Barbara

MVY CCU OSBORNE WM« Hen (605) 964-7670 R.E.M. BILLY PALO. WIZ P STEM RIM

TIN MAOI:ME JULIAN LENILM

7JERa SCHIE

STORM

W Ross Valory a I STEVE

° ro: LOIS TODD 7n. 9ETTY

C 3 A TB HE

BROAx CADRE

RID UPANT

Dll SRA1TS

PD: RICK UILLIU6

HENRY LEE SLIMS LITTLE FEAT KUFO/Portland DOLI.

L TM 199 DIRE STRAITS R® SEER BAD ~NO BAD 001.1514

a CUSS ' SG

PEAR. JM RICHE S4WRA OM OSCOISE

a LIVING COLOUR L1dRt

(503) 222-1011 VP/PPG: JEJT SAIN

C: 510MT P

Dn.o

Kevin Chalfant Vl a

Josh Ramos w

NUN 4.01()(1.) F8TRoE SID 9PANr

"' RCl4S(L)

MODELS DIRE STPIUTS(M)

wa1Ra Light

G06 a' RCVS

STEYIE MIULS

RDA HD SEER GUE R RCSMS

ROB SEER STEVIE NICKS

a TO PETTY 4 1X1. K BIRO AD/J6 KBCOIDenrer

SCORPIOS E. BIG (303) 444-5800

00 BIG AUDIO DYNAMITE ~

wall. 0!zT DSBOIPIE(L)

CKZT 'wooer LITTLE FEAT rim YAORIME

LISIO PD: DOo CLIFTON C

RIO SAULAW & T FSIRPE(L) Z- CILT GILT MU. SOOT QSEVRK M,7

a JOAN JETT 1111111.11M MD: DOC IFTLET

Ns. DIRE STIT3 KUPD/Phoenl:

TO PETIT I THERE 3B SPECIAL VAN EWEN no

Steve Smith RECORDS-BUL Light 5

KODIIGreat Falls (406) 761-2800

JEW! GARCIA BAND ue TO PETTY A NE R MELAKA0?

MCC/ HOSE a R'L,M-

Light JE JOAN TS

E BOB SEER BONNIE MIT[

(602) 838-3062 P® NEER GINS N' ROM PD: CORP \ELLS

ME LUCE PALSII Á SPECIE, JERRY GAPCIA BAND

CMIS *OEM WRIISD JOHNSON MUM CROWDED KMAPD: J.D. HOLIES JOE +4s: KZEL(Eugene Ilan

KOWB/Fargo MIME MOM O Xeav!

BROTHERS L.A. GUMS (503) 342-7096 DIRE STRAITS

SEEP (218) 238-7900

FISH T. PETTY 4 THE r14ELS a OW 11' ROSS RETALLICA(M)

FOUR UDN4YPN PIXEL HARM %EMI 'u9TIN ?

O: MARK VIQn15 10: R BAMtS

TLL91 TT COMM JULIAN LEMON 5IolAE TOM.

a CULT vlRI11Et1 PIKES

TIN R11OII STEVIE NICKS

FOUR 110.0191 IOTEY CR.: PO[ EMCEE POINT BREW

C: DEBT STARR

Mvy

AAEIQS TRMDERBI 101 PETIT & TIE HE

ACMlawn 199 ACMSTRAITS

177 Current Reporters 170 Current Raylleta

Han ROB SEER

ANIMAL WOIC BLESSING ~DES

BILLS FLLCd VAN X11.01(1) FI ROIXSE

FOREIGNER

FABIL06 1RIMDf"Bt BRYAN ADAMS

STEVIE NIOa BRYAN ADA5 /ETHIC TELL

BANG TANGO

MLA AL25 CODPER

"Rµ ADMwait DIRE STRAITS

EXTREME

Llp\t LITHE FEAT n Iln (3):

OB RR 11tl1RS I

STEVIE x105 Light BAD ENGLISH OZUT E TCM PETIT A THE K a b SPECIAL KaIled TYDIDlSa t rbara TO PETIT A THE K SCHOOL Q P191

AU.3*N BIonE(5 BILLY FmotH

SAD E.IO ALICE 0018[5(1) EDDIE 1511 EDDIE

PETTY0 TON TIT t THE K L.A. :HMS GUNS N' ROSES

VAR HALEN() MOa1R.

a KTA-LICA a s01180 AFRO/Indianapolis DIRE STRAITS

51St TOI 0 HICK SRYfE X145

TOR PETIT ME R BEAN )DAR () TIN

Eaa1R. ITT Mir a DUNS N'

a EDDIE IGET JOIIMY XINTF7 WKLS/Atlanta

CULLS x' ROSES BAD "NE DAVID WANE

FOUR ,OSOND

KRXG/$aCramenl0 CULT CULT CRYRIS SANt'.ADC 4 T

TAN NAL. L100.

PROM, itAIPR1

v0 *11010eDIwE.

a s!oHMKOldD mew (916) 334-7777 a AL,AN TEETHE.

a OUT VEEUllI LIght

a ISM/1Z BALLET L14sc

BD SEtT m ewt KRK X/Bitlings

Not Report, Playllat Frozen (4): KDKBIPItoan . NORTHERN PI]KCS

a 0003 n5EM1IMe UDR AEV:IJ.E CIO

SCREAM

SKID RAN PD: JUDY %NUT(406)

PO: IAIEI.A PRrs vAN HALO

Angeles KOL(213)

245-5000 WAOYB rin Held, MA P 9 TILT * PLEASURE BORIS

COON1E .10[1901 Al READ PANIC

EDDIE'OM.T

JE D w' ICn KRZO/Reno os

(213) 856-4600 KRFXIDenrer PD: MR! KEYS WDHA/Dover, NJ

T L'SO3 ELI» LEMON ,MA ERIC GALLS BANDHANTS (702) 827-0965 PD: CARET CURE.. (303)893-3699 Nt,1.

WIYYBeitlmon

K JKJJGrend Forks

EMIT Nn. HAW LITTLE FEAT

ROALL EwO{r DZIL STARTS Mo101

STUART CAL DIIC1(L)

RR. DIG mum RE

SKIP MD: 91IP NETeuN

to: MARCIA LOCO CM:%JADE ReeQJRE

10084STEVIE

MR 7U1.

Old Not Report FOR Two Consecutive Weeks, 746-1417 SEAL(701)

ZIOGT MEET 4 THE

1 IM

NSIE ST)PPIOS ALTFNM STATE

071 PETIT A SHE E(1.) GLSENSnCK(L) Heavy

RNA, IETLLLIU

MI PETTY A DIE HE

910MTND 199 Not Used In This Wseka'a Data (1):

PD: MICHAEL CROSS

'1511

PAT SIRES [IRST1 wc001

Ra DER RIME S.EORA RAMIE RASA

RKL9HIM)

RIME SAME. S.M. (P R9H

071 PETIT A THE K 300E

G06 x ROSES JAGGED EDGE U.K. .SKID RM

wa1M

a JOE JAM. DIPS 5!111175 EB SEEP

WHEW

WPDNlPouOhkseDsle

S SQ PETTY A 1fE

JP 840 101L NITS KATYDIDS

Rn ERIC OILS BOO SOCRP IONS

'SMALL) RP SEEP DODO STRAITS

010? SWORE a CULT 0.5EI7RMC

LIght01451

LAWTEId PI[E« WGR/BuMsb arrheMs call lettara to WGRF.

MN) MP. BIG

ISH T MITE

PABILDUS TIIMIDE9BI TR H RINFi4T®IILL

VAN HALED 10310

Y ÍLL01 TAT Qlle VAN F.µ XLLEN

KKDJIFrasnO LAW

'058-9 GMAMD

METE RIM JOHNNY CRIED :D MACHI"E ALICE IN CHAINS

BRYAN ADM FLICC IN OLL[E

;AIRY M' MCI LTNTRD arm 099

ate (209) 226-5991 POI ifLDBFY

a q I' Rosa BOB SEEP RAPPSIANA LI d\t MD ~ANY tt,ELLICA YES

ro::IMA M WINSLOW SIFEMART SIITVS IS BAD 0G1I9 BRµ ADAMS PREEN .1046

Light TACT) LYNTIO SITFRRD 199

a RAZES TRAVELER TOAD TE ROT SPOC

NOITRABAND OILY

EDDIE !ORE! ºH

R18015 . Tan ETA a 316 I' Ross a ,esas KGONIponlPndwaliat . DIRE SrM TS

7FOANi T THE RE Ma11a a BRYAN 10116

Light (503) 223-1441

P0: DICE ` FOR HOMIER

GUMS x' ROM END ~ANY

BRGEIS AWNED M 4TRRE .)9V t MIME 199 a BWIE 10"0

SLR 4.1LLRCK1

ro: BOO AMOIETA JETT

a EDDIE 'ORET TO OX a T CBEMATMTILL

t ATMJOAN

KISW/Seattle 101121CroC OE

KMBYIMontereTy 9013

.$M a BATA R[R:E

tEURME

(208) 285-7825 STEVE

DIREH0ESTRAITS

DAM LINY DN 199 RI (406) 649-7500

PD: 8101 WILDS

BAD MASH PLAYLISTS - Artists are listed once per playlist in the highest a OIL

s COLT

m 00 00

ro: MIKE JOSS TO PETTY & TS H<

RUSH

5000 v 841

scazei K.

REEILS

KCALJRiverside- San Bernardino

ro: KLAN US a G MxMENAuRMtS

carMna SLUG. TRAVELER

rotation that any of their album's tracks is reported. For exam- MVT Vol HALER

VI L THE K mt

PETTYPET!

Jt-ME TVIL THROBS

STORM TIN MACHINE

(714) 793-3554 1100 RIME .SAKOM BAD

TOT n pie, if tracks from the same album are reported in both heavy KSOY/Rapid City LIVINGa BRYAN ADAE

ROPELIgh

'B)ro[R P°: RID[

W ro: M.J. MATTHEW

HAGLISH

TO PETTY A 110 *0

TILT TE9A and medium, the artist will appear in heavy,

(805) 348-9877 ME4J.W BAD ENGLE91 ALKIIN RAOIVEG. LINYR S[Im¢ 199 P0: JAWM DANIELS 10: JIM au .s

Mvy

RIME "AIR !RQTLFJIx PIERS RLIC ALICE IN CH11N5 50w v

ERIC GALES BRAD

0.1E " RCS BILL & LID'S EWS LITRE RAT KTALLICA

a 1II .1011 I.IDCü ,ELAN TT 4 Ne HE

a ART° aRIYIN M MIN

NEDSCO

COMPARE

CU M1adds TTIOTTO TIE

KOMP/Las Vegas (702) 878-1480

For all stations, light rotation is condensed to include only g

to the rotation this week. For P-2 and P-3 stations, 000E VAN xLLEx(M) Tot PETIT A TIER

n3H 0110 "' R)SES

511m eWIE 'o1ET STEVIE MICKS

KBERISait Lake City

ALICE IA OHMS $ GUNS N. ROSES

MA4INE MW LITTLE FLT

P0: RIOI40 REM M0: BIG BART medium rotation is condensed in the same manner,

FAMOUSTRIJREEREI 5003. CI FISH

TOWS CI TE AG PEARL Jµ

I0110 S"IPA 11I0110D 50ORPIO« (801) 322-3311 VAN RCM EDDA'OM-T

JEMR CAME BAND Elfin 9[TNT10 199 (` 5C8 SEEP

APD/10: 0010 DRAPER LightEUROPE

a our OSBDRNE BAD COVENTLATE

BOB SFLEPIM) RTALLICA FABMOS TE M A- BI Eµ HLLM a CULT

MOTLEY OWE L>Nt ORS NOSES Symbols: ~es

BILL I TED'S EMUS

R,E,M. WIM00'n®IILL

JlM1al1 WINTER LION.

n HAD ENGLISH QOS N. ROSES

GILT

TRIER

MI PETTY 4 ,11E K IAN MAL.

'a' track is STEVIE RIM 3100 ADAMS a SILT JAGGED MD U.I.KIOZJSan Diego RP. BIGMETY.LIC1 -Album or newly reported.

BAD 55491 EDDIE RESET FOUR KASDPTI J01 0019311 (619) 560-5484

BOB SEEP Jt-1O mu. DOSE mLITS R)

(0T1EY ORE MIND FLAN

a 0101 aU1N[ a O Any 54.GAW & T n O P0, RE STEVENS

watts Light (M); (L) - Other tracks from that album are in those pVSN

aa

CM " OM R BANAD

DIRE STRAITS CULT OUT MOURNE

SCRUM CQUEDI STVET

RI MAIM

RIMII[ ~RA IOTLEO CIOE(M)(L)

KDKB/Phoenix (802) 897-9300

OTT 03.831.11.

rotations (medium or light). CWlE MOST Light

SCORE IONS RUSH PD: JOK 1111115

IÍ?ROZO4DuRm1 .

COZY :MUMKXRXISeettie KLOS/Los Angeles (213) 840-4838

MD KM

COD AMG GUNS v14t

F, uRmM H+n SLACK MN.

KEZE/Spokane (509) 448-8888 A "frozen" list indicated that a current report was not

a EUROPE (206) 283-5979 PD: OX ANTONT TUFT VAN NLLEI CULT TOI 'tin I4 1K 1x111 PD: OUB ILLa

received, and last week's rotations are included in the data Ei9 /BITS BROD KA MAr E. P0: PM DIME N-0

PO: DEAN CARL -RCM Mvy

Tµ HALEY

NACU= LightLIMALIMAa OZT

SKID RN METE RAITf BILLY FALCON

µD1 Ct1R! CARTIER

May Stations which fail to report for two consecutive weeks Mn SOOOL BR PM

SOC (TIE welt Light

DMe a 1rTTS DIRE STLZTS do not contribute any data to this week's charts. KSEZ/Slou" CI City VAN NIL.

001 PITT} A TE K(N)(1MN PETTYI Tat ! I T¢ á(M7 KRORISan Francisco BCNN:E Pun (712) 2584740 BONE MITT

ETON SEER(%) (415) 785-4097 TO PETTY I THE NE PD: 3.01 gun , © fir IC ETIa.:4! 101 ',DRM:NE K IR KLO ugone -r. K. RD: Ta HARRISONn51190 40-;1ÁG RUSH

AN ADAM MT (503) 345-6686 KXFX/Bents Rosa RA RAVIE NICKS PARALLELS Stations by to mar, RIO

O 1191 BCC

LYRE S81ATE 199 4LW BOTPJu PD: DAVE 4011 MD: Al. MIT (707) 523-1369 E. SEEM - arranged market size, according

STEITZ RIM

K. MER00 BO VEEP()

RUSM L)

a GM I ROSES 8001,.

PPOL H m µ'JM

DIRE T,RAIT5(5) SNARL H4« SE TEV Boa Navy

POI IOU. DORPAtl µ M D1 0MI3 IT[

JOE ú, .OTEMO TILL

Arbitron's MSA population figures. P P g HOE PETTY I NE T[ FAN NAIADAEA FAMIg6 TH00EABI

DM 1RAITS01) ROME!

DEAR ADAM

OLIN LLLEw JCTOE 1161 TM MORIT

Tot R:-.'! & THE NE

:: JELM_SMTQIE Rm!

ERµ {0116 ac 9ELI91 T9 E[

THE

XPn LA PERT A NC

NM N00EY VANO0. O F. «X Fµ _ALES

Parallel One: 1,000,000 +. Parallel Two: 200,000 - 1,000,000. BONNIE MAIN[SEGER

BON

ANC a CMS 1

DIREASTRAITS LAM RAT

Roe .IX RQ:NE

101 PETIT A K RUO_

9E<L) 00594 MEMO 195 RJyy "Sr

OUT OSBOURI Parallels Three: under 200,000. MINI ADAMS ..... ENT

J[1LB C 7R-1LL

KIY.LIG 9014/01.10« ®IC 'ESE.' M[ILLLICI

VAN

D T^ Na1Ra

GM V ROM wan

a OOIORN' 03SS ~Am

CULT Light

BIG AUDIO ~On in- Stations at a significant ratings disadvantage to an in- GDM "' ROSES LICE ERIC GALS PAIR

SLICE II MOD MRME SENRA BUD ENGLISH

a CULT(L) a CELT Mc,LeE

PROg1 WOE . EDDIE MME a SCREAM . Y Rr[E JAKE format competitor are assigned a lower parallel.

R-41. P EW ROCK September 13,1991 i23

NATIONAL AIRPLAY®

LW rw

2 0 ROBYN HITCHCOCK & THE EGYPTIANS/Perspex Island (A&M) 1 2 PSYCHEDELIC FURS/World Outside (Columbia)

3 3 CROWDED HOUSE/Woodface (Capitol)

4 4 BIG AUDIO DYNAMITE II/fhe Globe (Columbia)

5 5 SQUEEZE/Play (Reprise)

e Q VOICE OF THE BEEHIVEA-loney Lingers (London/PLG)

10 Q SMITHEREENS/Blow Up (Capitol)

9 0 TIN MACHINE/Tin Machine II (Victory Music/PLG)

Is Q TRANSVISION VAMP/Little Magnets vs. The Bubble of Babble (MCA)

23 C) LLOYD COLE/She's A Woman And I'm A Man (Track) (Capitol)

22 I) BILLY BRAGG/Sexuality (Track) (Elektra)

7 12 NED'S ATOMIC DUSTBIN/God Fodder (Columbia)

13 SIOUXSIE & THE BANSHEES/Superstition (Geffen)

20 co JOAN JETT & THE BLACKHEARTS/Notorious (Blackheart/Epic)

6 15 ERASURE/Chorus (EP) (Sire/Reprise)

26 NORTHSIDE/Chicken Rhythms (Geffen)

DEBUT CULT/Wild Hearted Son (Track) (Sire/Reprise)

17 18 CANDY SKINS/Space I'm In (DGC)

I DEBUT RED HOT CHILI PEPPERS/Give It Away (Track) (WB)

1i 20 WONDER STUFF/Never Loved Elvis (Polydor/PLG)

16 21 MARY'S DANISH/Circa (Morgan Creek)

19 22 ELECTRONIC/Electronic (WB)

18 23 MEAT PUPPETS/forbidden Places (London/PLG)

24 NITZER EBB/Family Man (Track) (Geffen)

14 25 GARY CLAIL/The Emotional Hooligan (Perfecto/RCA)

21 26 MOCK TURTLES/Turtle Soup (Relativity)

DEBUT I) HOUSE OF FREAKS/Cake Walk (Giant/Reprise)

12 28 KIRSTY MacCOLL/Electric Landlady (Charisma)

DEBUT NIRVANA/Smells Like Teen Spirit (Track) (DGC)

DEBUT BLUR/There's No Other Way (Track) (Food/SBK)

, © >e

New Rock chart information is reported by a carefully selected

group of radio's most musically adventurous stations.

®

CULT

RED HOT CHILI...

FIVE THIRTY NIRVANA

'HOTTEST J1Z'G.-.,-.,r,

R. HITCHCOCK & THE...

BIG AUDIO DYNAMITE II

SMITHEREENS SQUEEZE

CROWDED HOUSE


NITZER EBB

VOICE OF THE BEEHIVE MY LIFE WITH THE THRILL...

P1

PLAYL/STS WFN %/Boston (617) 595-6200 Kurt St. Thomas

Huy

BIG AUDIO DTNA0T SIOOSIE S TIE HA Usar NDIEE RIKTTY I\e01L

SERE PSR .IC FURS

EIE.TRDIIIC DAFT CAil FAA9IRE auPTEwa SCHOOL O FISH CANDY SKINS LA'S 1POPS011 TWINS POT'S COIL LOVE

ROME HITCCCCI I ~VI STIFF

EEELS

DIREST DIRE STRAITS Neal,a

CMS JULIAN TOPE

MO ALISAN M VOICE 0 THE EON ICILTA NOD'S ATT OMIN NIC DUST

TIM MACHINE TRIPE MOO TURTLES HILLY BRAGG

CAPES O MATH SD» JETT A TIE B

CA FLUE CAT PUPPETS

BED IOU CHILI PEP

-NAAYISIDI VAMP

LLskt GET a aiLLer LIVC.TA

vie ORB

WDRE/Long island (518) 832-9400 Tom Calderone

NSW JOAN JETT & THE B

IDIIDER STJFF NITER RN Can HOEBE

MWY'S DANI31 SMASHING PIRPNINS

OCEAN B.UE RICHARD TOPS. INNOCENCE HHSSI3 CANDY SKINS PPINC015E MILLTOWN HOMERS SHALE NED'S ATONIC DST VICE G7 NE BEER ROBYN HITOCOCI f TIN MACHINE MISUSE 093 TORTE BILLY HRAGr,

ELECTRONIC Heals

BLAKE BABIES KLEIN MacCOU. AD PSYCHEDELIC NRS GARY 341E LLO(LIB COLE

PEAT PUPPETS SMITHEREENS

S

NOSSIVE ATTACK

STRAITJACKET FITS CRT ROD EDT CHILI PEP

2ELAS L1OIt

ICOMPIET

FIVE E1 If]h TUFTY ALL4T

T h e b a p d f r o © Scotland

THE NEW SINGLE From the forthcoming album

RNA 6711

e P.vc... Ae,.., 01991 POLYGRAM RECORDS. MC

W BR WProviden ce (401) 272-9550 Michael Osborne

HeeNT MIME SEAL

BIG »DIE DTNMOT PSYCHEDELIC FURS ERASURE HECTIC/SIC TIN KCHISB ROBYN HINTER A

51011/3IE a THE BA

EM RFD EDT CHILI PRO

TTIn'ICU 13Nx*SI5[a VOW

INTNJEST S6 MESS' JOKES WS'TE AMCR oaO.9 ATOMIC DIRT TIICEJED NOSE TIMM. TWINS

DIRE STRAITS JON. JETT STIE e

ILL G

BILLY BRAGG

CULT LOOT

WILKE 0 FREAKS MORtl1SSA

W OA YlClncinnali (513) 523-4114 Phil Manning

9O,Mtr[fILS PSYCHEDELIC HMS SICIISIE A THE BA

BIG HMO OTPAEQT ELECT/001C RIOIAW 110W5011 ERASURE CTOWDID MUSE TOAD TIE MT 7A0 ROBYN 11I7010XR &

( IASTY IYAmLL SEAL 9QUEEIE JE3:S JONES LION SSE RED HOT CHILI RP MBE ALISN IOTET BILLY BRRGG

SAM PHILLIPS KAT PUPPETS MUSE Q FREAKS RIM'S ATOMIC DLLST

NARY'S DAAI31 ~la Curren IRB In R FAT LADY SINS MI MACHINE STAN A[D%1NT

.AE JACKSON ELVES mSrE1JO

STRESS .AINAL Id1C

CANDY SKINS VOINf WEAL QQIAED MaRROTY fIMNNLCE MISSION 7QJM B.UE SALIR C11L IMMIX OF AKAICM MISTC Q

L11Int CULT FIVE TX[RR MIDIS LOE AEEOLJIN6 RAS TOIJIH

W WCD/Columbus (614) 444-9923 Kalil Oates

110,7 SIODSIE A THE BA can HILSE TIM MACHINE

BIG AUDIO DTNAMI5 SAM PHILLIPS CMDTRIP NC'S ATOMIC DUST P310ENELIC PUPS ERASURE EECTN.IC MAO'S 001131 ROBIN HITS= A

SCREE= .APIFOTI1SE

0.5. IO.ENAN RED LOT CHILI PEP

Nt TRANSYISIP VARY

MEAD CANDY

LLOYD COLE RENEWER

WONDERMDERa

MARTMR CARTER TE INSTEP

O FA CLAD THE

FAT LADY SDKS MATEBABIES JACEET MILLITJAG3T FITS MTLYDMBROMIC CANDY SLIMTS

CLAM GAO BCE SMISS 96RUC PE S

IMP PRFKt16

MASSEV TSAR

MASSIVE ATTACK

IELPIPE PEAT PUPPETS VOICE v TW WEN ORB

/C ASE FLOT HOUSE LOVE

JO»EN JOAN JETI A NE B

L Rt OCEANMOE BATE AESPL 1ES

GOWN PA10IA1IE[S MA MAR

FREFREAKSBA

TRIP 3W[F_4EARE N IRVANA NIRVANA LAUOIOBE

K JJO/Minneapolis (612) 941-5774 Tony Powers

Heavy PSTNEDE,1C RUNS ERASURE

CIPO© MIME STYLE VOICE O TE EET

BIG AUDIO DTI/MIT ROBYN MIC 3 S

NED'S MOMIA DItT TIN MANINE 003 TURTLES TMITHERFHPS TAANSVISIO TAW LLOYD ODIE

MedlIAN MASSIVE ATTACQ

CANT COIL CANDY PINS PRIMAL SCREAM WAT PUPPETS

BILLY BBL:.; MORTAottE MARY'S DANISH

TIER EHi ITTDIDI TOMES TOWS(N 'MISS TRIP 3W[ESPFARE SMANIF EJPSINS /1 PRIMA MOP HxME Q 'PEAKS RED HUI C3LI PEP CULT MINCE A '1D. NEW

LNRnNC LIAR[

KTMlAC CMIDIWIC FIVE NIFTY CASH SUE

AN TOU H

K DOE/Dallas (214) 580-9400 Larry Nelson

FARM

SEAL ERASURE CART 31 L

RIG AUDI] DTNAIGT JESUS J7E5 MATERIAL IS31E CANDY WINS tax TIrGl}S NED'S ATOMIC DUST

P RSTT IYCG7lL OM LEST (RATITE CRaWDFt MOUSE

SIpU6SI,I A T2 BA

TIN MACIPE Meaüa

SMITHEREENS JOE JAL --301 PSYCHEDELIC PISS SOMME APOLLO 1E IllSIOP APOLLO SMILE TII! E7 DIRE STRAITS CF NITTEP EBB WAT HIPPOS SAM PHILIPS RCeLN JINHODR {

BILLY MAX JOAN ATE I NE e TOPvx MRS TRMSP-5I0 VAR

Om 011 l FIVE norm VOICE DF TIE Cl SUR

OM 110OD0[ TIRES

KTCIIFt. Colllnh Denver

(3038 571.1232 John Hayes

Hem BIG AUDIO MIAMI B IRSTT Mam1L SISASIE I THE BA

PSYCHEDELIC SUMS

9041:m MUSE E EA -MCC VOICE CI TIE BEM

NA M NA

Q f HOTS T'JerLssRTILS

BII_T MAGG

TIN MACHINE RAI JET! A THE I

TOaSYISITW TAW MR'S DA.N131 MASIVE ATTACK

TD COLE

'EXTRUDE NDT RAE'S ATONIC DST STJI!JAIRT FITS

ledtm P RAM

DP AA5

O ANTHRAX

G.M. awns A THEE UNSTOP

SINS PUPPETS

TX MAN JET ALISDI MOM R.TTDIDS SNITIE$E NIC TOWS TWINS nONOCEA BLUE UE SIB

MITER EBB PIMMIM6

IOT PLISEIOWA.

EW

P]UOE OF FTEM6 ND

TRIT 1MSSM!APE COLT

LHASA ron NAND 1

AEROPLANES ant SP

CU AE E ICH 6lJM

O01 PAL1(6 A

CAL MEAD c1! LT TELLS

CROOlLos Angeles (818) 567-1067 Andy Schmitt

HSV7 CULT CROAKED SOUSE MUR 31AKA REIN HITCHCOCK A

BID NIDID 015401 P5T0®dIC HMS SMA9IIF PJW[iIS SIODSIB A TIE BA

9491E REMAS WONDER STUFF VOICE OP TE BEEN

IOC ~one EP BILL! BRAGS

TRANSVISION VAN TIN MACHINE

a DST IE! a m MDT LULL IMP

MNAa NIRVANA

LLCM 0%E NED'S AtOIIC GIST

M PI

MOS

SEAN

CHA

e ACTON IOOEE ALL M

30 Current Reporters 30 Current Playllsta

KUKOIPhoenix (602( 838-0400 Jonathan L Rosen

HSVy MEAT PUPPETS RED MITE CHILI PEP CRINGED MOUSE

ERASURE

TIM MACHINE

CPLER seen PSYNEDO.JC FURS RCBTN HITCHCOCKf =MDT SR NS

90.E EENS ANSVISIO W VA

JOAN JETT A NE II MATERIAL ISSUE MOUSE O FREAKS HOODOO GURUS

CULT POP WILL EAT VISE

ERE

T WSON TRACE VOICE Or T[ NTIN

really NMI CANDELA/ID CANDEfA/ID

OCENI

GRAPES Cf. lE WRATH

TIM M] ODDS

BUE TRAIN

MILLION BROTHERS

CRA PTEGNIDN: e INTERNATIONAL REA

L IRMA

KJONISa1t Lake City (801) 392-9550 Mike Summers

MTE y

rof3 er THE BEEN

LLOYD CUE 710PSUR M6 7 RED 1 ROBYN MAIUlm3 { GARY COIL aa.ED NOSE JAMES MEAT PUPPETS BOAC

ITZER EBB

RIG AUDIO D(NAMIT 941181E1t5 M

JOE JACKSO 9i PSLCHmE.IC FURS

CULT SOO101 C. OF F391 SQUEEZE

. RED CHILI RP JOAN JETT I THE B

P11 WO, EYE

PRIME FARM

VIOLEN STUFF VIOLENT AMES TIN MACHINE N O'S ATOMIC OLLA

TGIF MESS FELLA S S P NEB

SMASHING

O.Y. wroaux RI G P PI C

GRAPAS V MATT SHAVER SHAPES

uM,e

OTRA/San Diego (619) 291-9191 Kevin Staplelord

Heavy DIRE STRAITS SMITa8E]LS JESUS .ONES TIM MATURE STING 911.991 PA

NEW PRINCE A NE

TOS PETTY { TE H

LILY MASA A TN

TWEEZE RILL! BR.GG JOAN JET! I THE R

RF 510331! a THE BA

OCNC D HOSE MT LIFE WITH THE

AD BIG AUDIO JFNAIRIT

CULT RED NOT CHILI PEP EIECTRaIC GUNS N' TEASES

A PSYCHEDELIC SS NOISE FIEMO NIRVANA

LODE OY H O NACE ~SEE

SUDA SKINS PS SWING POP[INS GARY USE

APIGAIL APIA XITC/mOI S

PATEN RB PRIME

MASSIVE ATTACK

}OICS e VOICE

IF TSE WIDI

KITSISan Francisco (415) 512-1053 Richard Sands

Navy BIG AUDIO DTNAEOT

ORIRSIDE InRSEE \ THE BA

ERASURE

JAWS S

FIECTAaIC TRANSVISION TAW

M.4I,s ALISfH MOM a1RSIT 110.cCOLL

mO.IC PSTCH NR1 DE MART'S DANI

ED'S ATOMICC DUST

VOICE O NE PEEN BILL! NOGG IQUICEZE ANTHRAX AMER118 JOAN JET f TIE R

ROM IOTOATOCR CANOED NOSE CANDY MOO DOES

MA EELS

TIN MACHINE

RULER STUMP

7 MC 7 HOE JAUS

JOE JACLSO LLOYD mil .NIRVANA

THIS PICIVBE

WMOK/Peterborough, NH Is no longer a

New Rock reporter.

P2 ADDS A& HOTS

WHTG/Asbury Park (908) 542-1410 ButscheriPinlletd

RED ICY CHILI PEP CRT 1055IALL C1dSHAW SIQLLSIE f THE BA

FIVE THIRTY ALISOM MOTET NIRVANA

POND NP net EMUS NNITLLT TIEMOR7 SISTER [MERE H» WIDESPREAD PANIC FAT TELLS SEVER S11130 03.90 PALOMINOS PALE DIVINE TOOTS Hottest: BIG AUDIO 01500T SMITERNIS SAO

NED'S ATOMIC OUST TRNGISIP VAN

WNCS/Montpelier, VT (802) 223-2396 and/Petersen

AMMO 11.111.

AnF

N

S.LE IV PALE E DIVINEINE

FIVE THIRTY Hottest: DOE STRAITS WIDRSERE PANIC BOB LE ERR

SOUS LEE AAS SOUSE v vtp4xs

W DST/Woodstock (914) 679-7266 Jeanne Atwood

DIRE STRAITS TEXAS DAVE ALVIN HUES TRAVELER SOWER STUFF TIN MACHINE

BCH STAN. JULIAN LIMN

MOOR TOTES 51.90 MOUNDS SIMPLY ND Hottest: SEAL NATMALIE ARCM».

CROWDED LOSE SPUME ROBYN NITOOmQ {

KAC VIAL arillo (806) 371-5227 Jamey Karr

OAT RED 1m CHILI PEP

FIVE TNIRT( E%Ltot: 103(1 CE KISSI3

JOAN JETT A THE e DOVES

9MIT EICFMS

CANDI ºINS

W RA S/Atlanta (404) 851-2240 Jett Clark

03.R P401I10.5 BLUR

SIIE AEPWI4NES

TRIP SHAKESPEARE TWIN FOR ROS SINCE GUN ~RI MATERIAL .1N LEE HOMER REVERSING ION DAS®Mo SAv1D15 PIXIES NIRVANA

Hottest: INSANE JANE K LIFE WITH TE ROBYN HITCHED= A

St1MEM1IC FURS CHRIS A=ET

KGSRIAuatin (512) 472.1071 Jody Danboro

RAN MORRIS. SMITHEREENS MANY HEARIN» TEXAS TORNEXIC fl.03 PALO MINDS

EX AEROPLANE/ Hottest: DIRE STRAITS KIRSR MaoCOL. BONNIE RAIN SAME CHRIS WIER

W RLT1Neshville (615) 242-5600 Jim Eskew

IAS DIRE STRAITS TIN MACHINE

JULIAN LENON 011150EEAS 153110 SALGADO A Hottest: 101 PETITS 111E M

A DAVID (IWE ANMAL TOG IC BIG AUDIO DTNMIT

KBBTiPortland (503) 222.1011 Michelle Dodd

Sq11CAED5 ROIRRSID: LLOYD COLE

CAT CIAPfLNO16F NIRVANA IAODUSE BLUR

Haeest: WEN NI7L1PmOE A

SIDSSIE S TIE BA

VOICE OF TE BEER SIOT11mFHlS FRIISIDE

KBAC1Santa Fe - Albuquerque

(505) 471-7110 Bill Evans

HIES TRAVEL. TEBAS TRIP SIMEWEME BLUE ~LAWS TERRAMCE Sews f OOLDEI PROOFS AKRLCM @SIC 0. RED 10T CULI PEN

SEMI SDKN5 Hottest: MASSIVE ATTACH

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-i` MOST ADDED

ROBERTA FLACK (22) GUNS N' ROSES (20) SIMPLY RED (14) BRYAN ADAMS (10) EDDIE MONEY (10) RICHIE SAMBORA (10)

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HEAVIES (5)

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Morp.nlScoM

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W AENAINntown Comm./C.1111. Jett

JESUS JONES

ROAN ADAIG

CURTIS 3712685 GUNS N' ROSES

EDDIE WART Hottest: SCORPIONS 41 WAR E BADE 10-8 MART MAR & THE 16-13 NATURAL SOPLTIO 17-14 SPUN :ARE. 2416

WAAL1BInghamlon. NY

Morpan/Ornl

NATURAL slut -rice MICHAEL W. WIN GALS N. ROSES (ap) 8ICHIE SABOAA Hottest: MARIAN CARET 15-9 MART LURE A THE 1T-14 YAK SHOW 25-21 BILLY FALCON 26-22 ROTA SYNDICATE 60-35

WKSEBufleo, NY

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ruse H ottest: CATHY DEMOS 2-1 MUTED HOUSTON 6-2 MI -FIVE 4-I SOJi0IO4S 7-6 R.[.M. 20-10

WIKZJCMmbertbur9, PA RIG ANun1r

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INC SINAI (ap) METÁLICA (ap) ROTERrs FLACK (ap) Hottest: BRYAN ADAMS 1-1 FIRLEASE 2-2 BOG II *512-8 W.8 E BADD 10-5 MAR! MAR A THE 18-13

WVSR/CharNelon, WV

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JET-FM/Eno. PA Cool/Sharpe

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E 6-3 SPECIAL SPECIAL 5-4

R.E.M. 8-7 BOB SHIER 13-9

WERLEa.ter, NH

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ROERTA FLACK

RUGS IRWIN B ACK BO. Hottest: BONNIE RAIN 3-1 ROD STEWART 43 P1380SE 5-4

CATHY DENNIS 9-6 EXTREME 10-7

WNNKJIIArrltburg, PA o9^rró INDIA ADAMS

WIND VANUIOSS HY71M 5TIDICATE Hottest: FIROFIJSE 2-7 HI -FIVE 5-4 COLAR E BADE 6-5 POTO II EN 15-12 !STREW 21-16

WKSSM.rtlord. CT W.rdMtnlgnl

ECE PEMIST. TEA BRAND NEW HEAVIES (dp) ROBERTA FUCK (dp) flattest: WIZ II MEN 2-1 OM» E BADD 4-2 HEAR D. 6 THE BO 6-5 NARK! MAR 6 DIE 10-7 KARIM CARES 25-18

WKEEMuntinglon, WV MCFaad.n/MIIMr

BAD CUPAN! Hottest: PAULA A®UL. 3-1 10.08E BADD 7-8 FIREHOUSE 15-11 HI -FIVE 22-16 RUSS IRWIN 0-25

PWR921Juhnslown PA Adamal2.m..

QUILL N. ROSS BRYAN ADAMS

EDDIE MONE! (ap) 01ATI5 STIGERC (dp)

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WLANTLAnCSMS, PA MI0lwlel8.wlan

ROBERTA PLAND

0M6 I' NOSES (dp) RIME SAMBORA

VANESSA WILLIAMS (ap) TRACIE SPEND, (dp) SIMPLY Res ANIMAL LOGIC (ap) B RAND NW HEAVIES (ap) Hottest: CATHY MINIS 3-1 WW1 MARE, A TIE 13-8 MARIAN CARET 15-10 SOTO I1 Eli 18-14 NATURAL seizerI. 28-16

FUN1071New Bedford MA McShay./ m.'

vF ROBERTA FLAG( C.F91IY VA EF_S ROS IRWIN (ap) PR CURTIS STIGEAS (ap)

SIMPLY Res Hottest: :

[I MEMA 1A1

CAC MUSIC FACTO}3 DOLOR E RD B-6 MARIAN 3-O 1410

0E 1 DIEM 1

1(C101MNw /Awn, CT ScwVPolwMn

AARON NEVILLE EDDIE 1ME1 51ORSIE 4 THE BA

RUSS MIN JAMES MOR Hottest: BOTO II EN 41 MUST MAR 4 TIE 7-4 01AR E BADE 147 BO01I1 RAZE 17-14 RAMAL memoir 19-15

WOGNMew London. CT Dae111Jord.n

JESUS JOINC 110110: FLACK SPELT RED

BIG AUDIO DERMOT (ap) RICHE SA/MORA (dp) BILLY FALCON (ap) Hottest: MICHAEL BOLTON 1-1 8012 II EN 6-6

MARIAN CANT 16-10 METALLIC& 38-28 BRYAN GPO 39-29

999101I/Ocean City, MO

Mohan/NMN.

NATURAL SELECTION GUNS N. ROSES BRYAN ADAM

FLACK RUSS IRWIN DF

SAMORA MARS

RACK H BOX

BRAND t HEAVIES Hottest: MICHAEL CNIL. BOLTO2 1.1 BONNIE MITT 2-2 CAT! DENNIS 4.4 MI E 6-5 MARIllA RC LEA 7-6

WTI(TPo.14.ed. ME PtIII1pMS n

AARON 82511)E BRIAN ADAMS

HE Hottest: BRYAN ADAMS 1-1 WIZ II M. 6-3 MART MAZE 4 ME 9-7 Woe E BADE 12-8 5049118/5 16-11

W SPIPoughtMpele, NV

Slew Schantz

FIR3nl6E BRYAN ADAMS Di (ap) IC SILT EAT (ap) Hottest, NMI II EN 3-2 WAR lE BADE 11-5 MET MARE A THE 16.11 MARIAN CARET 27-13 NATURAL SELECT!. 21-14

W WKEPnMaw,c., RI

Bill O'BrNn

MAJO! MAR 1 THE

LUMP TANIBOSS SIOR3IE 1 711E BA

TONY TERRY

ARMY W LAVERS &BMW BAD OEAT (dp) snits RED

R®E8A FUND BIG AUDIO D5MAMI: Hottest: WAR E BADE 1-1 RETO II HEN 3-2 MARIAN CAE! 19-9 HEAR D. & THE BD 13-11 N11IU1111. 38.111IO1 17-12

V102/Reading, PA BurSrWFr.nA

RWERTA FLACK GUNS N. R15E5 (do) BRIAN ADAM EDDIE MONEY

Hottest: MAR E BADE 11-6 NATURAL ELECTION 15-10 MARIAN CARES 26-19 R. 0-23 BOTO II EN 21-26

9ePXY113ocherw, NV

Noy/Collin.

R34PPTA RACK FIRD515 (p) Hottest: SCORPIONS 3-1 ESCAPE CLUB 5-4

MARIAN CARET 9-6 BRYAN ADAMS 20-14 FSTRBE 23-17

9301Syrecues, NY CoONA/Mcn

FMP (ap) ROBERTA FLACK RUSS IRWIN FAR (ap) ANY GRANT

BIG ALUDID °TNAMIT (p) Hottest. ROD STEWART 3-1 PAULA ABRIL 4-2

C & C 14510 FACTO 11-7 COLOR E BADE 12-8 MADE 18-12

WPSTmenbn. NJ D... No.Nel

GUNS A' ROSE. ROOwANDTS FDDIE 'OMET ROBERTA FUCK 81011 SAIBORA Hottest. FIREHOUSE 1-1 BONNIE MITT B-5 513811¢ A TIE M 10-7 BILLY FAIAAN I7-14 MARINO CAREY 30-22

WMCKRJ11u. NV RMtA/Bunon

SIPLY REO

APIO S0BDXA GUNS N. CMG (p) SIOULSIE & TE M Hottest: NOVI II MIN 5-3 LOARE MOD 8-4 MARK! MAR A TE 9-7 K -FIVE 10-8 MARIAN CARET 18-10

WKRZ)Willeaea,U, PA M.d.AP.aa.n

(8140 N. ROM SIMPLY ND IETALICA GENIE :AIBDAA BIG AUDIO D1MAM17 Hottest. CAC MSIC FACTO 5-1 CATO DENNIS 5-2 BOFT II 101 13-10 KARIN WITE 15-13 RTI 24-21

WSrW/Wllrningbn DE

Price/Rogers

IOIBMNDTS GUNS A' ROSES

FAN' SIMPLY RED

Hottest: PAULA oar_ 1-1 38 SPECIAL. 4-2

KARIN WISE 17-12 MARIAN CARET 2414 BOI STEEP 27-20

WOXA/1'wk, PA FwlMrn.yl«

0*-GIRIPRID* RGBERTA F1.Aa (dp) LITTLE (ODIE (p) Hottest: BOTO II EN 3-2 HMV! D. 6 TE BO 6-4 RAIKT MARA 711E 9-7 CCU. E BADD 17-12 MIGHTY BY NATURE D-31

WYCR/Yoni, PA MCCauslenA/CeocNaR

=OR E BARD

MARY NM A TIE EDDIE WAMES

MOAN ADAMS (p) GUNS H' RIMS (p) RUSS IRVIN (dp) ROBERT: Pus (p) a18TI3 SrICHRS (p) Hottest: MIME 3-1 MOD STEWART 2-2

CATHY DONIS 9-3 BONNIE RAITT 15-9 NATURAL SF3P.CTI34 21-15

P3 WPRRIA1oona, PA Da.e MCC.II

emit 1nNE! (ap) MICHAEL W, MITE BILLY 8AA. ,4915 JONES OE -NACRE

.WKS M' NOSES (ap) Hottest:

6E 1-1 WARE BALE 3-2

ABDULalms43 PAULA A 5-4 MARIAN CAREY 21-12

W WFXA9aogo, ME

Coop.r4Rwly

BIG AUDIO 0711APCT (dp) SIMPLY RED

rowers e.t.a fee) ABIMA. IODIC Hottest, COWS E BADE 7-2 BONNIE RAIN 12-10 EXTREME 1412 BOTZ II NW 16-14 MARIAN CAREY 19-16

103CIRB.ptNy, WV Sp.nc.r/D.v1.

RUSS IRWIN ROAN ADAMS

NATURAL SELECTION TANI SHOW

SIMPLE NED

Hottest: PAULA ABDUL 41 MICHAEL BOLTON 5-2 ROD STEWART 6-4 MARIAN CARET 29-15 mot E BARD 30-16

ASK XXBunupron VT

Ben Hamilton

BOY/ 11 EN HEAVY D. a THE BO

MOLE 1p1ET BILLY PA.00 (ap) NIGUAO. W. WITH (p) RUSS IIN10 (p) Hottest! PAULA MAUL 4l MICHAEL BOLTON 2-2 C & C MSIC FACTO 3-3 COO« E BADD A -A CATHY DEALS 7-5

WKPE/Cede Cod, MA

KAHN LAW.

ROBERTA n.AND Kett II Ma (ap) EDDIE MDET USA PI500R (ap) Hottest: BRIAN ADAMS 1-1 5910[015 3-2 COAR E BADD 7-5

I RE0115E 8-8 NATURAL SELECTION 19-14

WNY/Illuc , NY

Tom Sh.rnun

GUNS N' RIMES (ap) RBBBANDIS ROBERTA FUCK SIMPLY RED

Hottest. cube E BALD 12-8 MA8SAN CARET 25-14 TANI Si81Y 28-23 BAD CHANT 33-27 NDKOLI1 STEFW 32-28

BSXILP.,Ner.burg, WV

Lany Hughes

MART MAZE A tE (p) RETO II 710 (p) Hottest: MAN ADAMS 1-1 KCAL. BOLTON 2-2 POD STOMRT 3-3 PAULA :BOIL 4-4 CATHY "IS 5-5

POMP/Wheeling, WV

Bond./P.M

1011ET CROE (p) ROERTA FLACK

RUSS IRWIN BRAID WY HEAVIES DV ;016 I' ROSES (dp) SOFIA RED

EDDIE POET Hottest: TAC SEW 7-5

MARK! MAIK A TE 9-6 KARIN WITE 15-8 AUN. NEVILLE 12-9 NIEOUJ 518211 11-10

WN70/WIIIIampM., PA LN,OOW/WIIIIamt

IILIBERTA 41ACK SIMPLY REL

TOn TERRY

0:4114 TEXTS 5438 N' RIMS (p) Hottest: Fl REHOUSE 1-1 MICHAEL FOLIO; 3.3 SEA. 6-5 1TRDE 12-9 MAR E &ADD 18-10

New A Active Includes songs reported by at least 50 of our CHR reporters Significant Action Includes songs reported by fewer than 50, but at least 10 of our CHR reporters. The two numbers folbwing the

artistARle (label) designation indicate the total number, how many added it for the first time this week. Moves Indicate the type of activity this week: Up for upward chart movement. Same for sideways or

continued uncharted activity, Down for downward chart activity, and Adds for the number is a sampling of individual station activity. Complete activity can be found In the Parallels.

NOTE: Records that lack the required 60% of our CHR reporters to become Breakers may accumulate enough chart points from high chart posklons on those stations reporting them, to debut on the CHR National Airplay/40.

CHR Rotation Criteria - Fulltlme Adds and/or before midnight.

D ayparted Adds and/or Ons: One-two plays In

One: four plays In a 24 -ho or period, three of them

a 24 -hour period, both of them before midnight.

NOTE: "Breakouts" are records not Included In the "Regional Most Added,' but have five or more adds in a region and fewer than 50 stations over a9.

MOST ADDED

ROBERTA FLACK (40) GUNS N' ROSES (33) EMG (19) SIMPLY RED (18) BRYAN ADAMS (11)

BREAKOUTS

RICHIE SAMBORA (9) TRADE SPENCER (6) ANOTHER BAD

CREATION (5) FARM (5)

P2 WBBO/AugueM, GA (Huu Si..... GUNS M' LOS'S SIMPLY RED

ROBERTA Pus 0 FIDIE sprier RUSS IRWIN ErAI.ICA (p) Hottest. 0501*E BADE 41 C A C MISIL PACTO 9-8 B7e1E RAM 13-8 MARIDE 20-15 MARIAN CARET 40.20

13931Au.tln, TX TonpcUAushn

Hottest: BRYAN ADAMS 1-1 III -FIVE 2-2 PAULA AWU. 3-3 MART MARA TE 44 BOTZ II PEW 5.5

K90.71A11r1n. TX AINnMIChAw.

of B AUDIO D15*1111 BLUE E MAIM Hottest: ERASURE I_I I E IE A DIE BL 7-4 WTI 1 'Ell 12-6 J INN! 1411 MARIAN CARET 26-21

WFMF/Ba1on Rouge, LA Johnny An4.n eon

BIOS ADAMS JASMINE. SR ROBERTA MACE BELL BIV DEVOE (ap) Hottest: C A C MUSIC FATO 1-1 I.N.C. EAU 11-7 MART NAM 6 TE 1412 e ars MITE 19-16 FIWl10E 33.23

1(228/Be.umonl, TX Richard Spire.

Eso SIMPLY RED

®EE 'EME: s34ERTA FUND Hottest: MICHAEL BOLTON 2-1 COOP E BADE 5-4 NATURAL SELECTION 12-5 6012 I7 181 13-I1 MARRY HAW A TIE 3}23 195Blrmingnam. AL St. John/Bohannon

GINS N' MOMS

RFZ

ROERLA FUCK FARM

800(8lí: SCORE IONS 3.1 BONIE RAIT7 6-3 COLAR E BADE 3.8 ROTO II EW 11-6 III -FIFE 16-12

WSSFICIMn.sbn. SC OAM,w1DonsM108

1Im01 VAR sons J EWS JOKES Hot Lest: RUNGE MITT 3-1 OAMN1 DEMOS 9-3 WAS E BADD 149 EXTRBE 16-10 MARTHA 23-17

WCKLCher1oTE MC

Mart Shand.

MI0111E. BOLTON

IC .AT RAT TRACE SPECEP EK-:II028I081 TTCIE 6 WOOD! (ap) 0RA1etLSTER SLICE LIMBER BAD CREAK

Hottest: NYE II MEN 54 MARIAN CARET 6-5 cane E BARD 7-A MARY MARK 6 DIE 9-7 Tan TERRY 149

WNaVCaumbl.. SC Ru.NMCK.y

JESUS JONES 1116 M' ROSES

Il GRANT R)`5 IRWIN 11o' test: PARLA ABDUL 1_1

COLOR E BADE 5-3 BOTO II MEN B-6 MARIAN CARET 17-12 HEAVY D. & THE BO 20-15

WCOOKWOmbut, GA Nanl./MECa.a

GINS M' ROSES R(BERTA Ma KISS RTTM SYNDICATE Hottest: PAULA ABDUL 1-1 ROD STEWART 42 BONNIE HAIR 5-4 R.E.M. 8-6 CAM DENNIS 9-7

K ZFWCows. Christi, TX Danny BJD.ncln' 0.1.

ROIERTA RUCK TRACIO VENCER SIMPLE RED

KEITH WASHINGTON CURTIS STI)e1LS

JIMMY D'BOM Hottest:

CATTY DORAS 2-1 JA3IINE GUY 4-3

WARE &ADD 6.4 TOG TERRY 7-6 NATURA. se.scrim 10,8

OIOSIOwIMm-RaMlOn, NC

Patrick/Nan

ROBERTA ELAM FAIR SALT -N -PEP: lap) Hottest: C 6 C MUSIC FACTO 1-1 FIREHOUSE 5-2 PAULA /AWL 6-3 FORME MITT B-4 OGAR E MOD 11-7

RPRR/EI RIMo. TX Ell MdAno

REIMI SYNDICATE SEAL NAUGHT( M! MATJRE (ap) CRYSTAL WATER (dp) ANOTHER MD 74AT (ap) JESUS JONES (do) TRACIE VENCER (p) ROBERTA Pus (p) Hottest: WAIL E BARD 7-5 JASMINE On 2414 KARIN WITE 21-15 MARIA. CARET P4-16 K .M.C. KIU 26-17

WMXFFBTen.rllN. NC

O'Br1.NSlmpe9n

BAD ENGLISH JEWS JONES R®EF78 Fua EDDIE HONEY

Ibtteet. PAULA &MUI. 0-1 K -FIVE 9-7 COLOR E BAD: 11.0 MAMEY HAM 4 THE 13-10 KAREN WITE 20-15

WKSWGreeruboro. NC Ba1NO8M..d.M.

TANG 54 * (op) BAD WPANY (p) ATTA SYNDICATE (ap) Hottest: PAULA MOM 1-1 MI0111. ROL -011 3-2

C A C wow PACTO 7-3 ROD STEWART 6-8 BOTO II 101 13-7

WB8O/GeMne1116. SC

C.tMw100pd.

ROBERTA FUND (ap) SPELT TD OMS M' ROSES (p) 8F A.M.C. OU (ap) Hottest: PAULA ABOU E-1

WAX! E BARD 2-2 KAN! MAR A TE 10-5 ROTO II EN 147 NATURAL 38.001181 15-10

WRNTIGre.nellle. NC RIG SO,

R.ERTA FLACK RUSS IRNIR CRASH test CUM SIMPLY ROD

JESUS JONES 10111 TER( (dp) CUHIT0115

FIREHOUSE 3-1 Hottest:

NATURA CRUET 20-14 NATURAL 22-1834 23-17

NOW 22-IB TAC S

10111154 41x014055 36-26

WZYPIShernaellle, AL ChM Andrew.

BRYAN ADAMS

RETO II 4]I CURTIS ST1:E85 METALLIC.: EDDIE MONEY

RICHIE SAEOM EE RUSS 111WIM

Hottest: FIPna.t-E 1-1 M.A. 7-3

C A C NSIC FACTO AJ DIME 13-6 36 SPEC -IL 149

I4OT951NGeon. MS

LM.MauKrun

DE IC SEAT RAT (p) BAD DIC1.I9! AIEGMER BAD CROAT

801111E RAIN (p) SALT-OROBERTA (p) A®EPTP PLAND ARIA OP LOVERS BRIM YAMS Hottest: SOTO II Eli 1-1 FIR! EOF 16-8 AI ANJIAS 19-10

MARIAN CARET 23-16 TONY DERRY 2418

WAPEJacapnelll.. FL

McC.nneyFranclt

D4 IIONEFTA FLACK GIRE N' ROSES

5I1SLT RED

SIOIR.IEE I THE BA

LUTHER VAN0ROSS Hottest: BOLI [I '01 2-1 FIREHOUSE H B160IE MITT 7-6

COLOR E BADE 10-7 NATURAL SELECTION 9-8

W OUnJMn.on City, TN

Nun/M. nn

RIL7L'E SMBORA KISS (p) mMTEWTS (p) Hottest: PUREil7115E 1-1 38 VECIAL 2-2 arms 13-8 RT1 15-9 STEXIJg:LRr 26-20

WOKAKnosetlle. TN CM!. GIMA

M.E.M. GTR SEMIS WIG N' ROSES

DO SIMPLY RD Hottest. BRIAN ADAMS 1-1 BAEY MAR A THE 3-2 FIREHOUSE 7-4 PARKA A L. 144-7 NATURAL F 7134 16-8

PWR9ASAArngon.KY Foa/Gr.r.s

BRYAN ADAMS

RITE 01I0ICATE MARTIN umml FANDRO.SS ADM .AN G EDDIE PONE"

Hottest: BRIAN ADAMS 1-1 F:RHOI 14-15

W EAR BADE 19-10 NATURAL ION 20_11 BOB SEGER 2540

K K!RAN,N Rota. AR

B IIIPresNy

OMLS N' ROSES

Mg WASTED IENSE CURTIS STIGE25 NATURAL MLFLTION P.C. CUM MICHAEL W. SKIN OR-11MRE (ap) Hottest: PIREIdSE 1-1 EXTRDE 6-2 711AR E BADD 44 BOB SaGRR 18-16 R72 25-25

WDJAJLouleellle. (Y ShaaWMePv

049ET HAAS

WIG N' ROSES

VANESSA WIILIAIG Hottest:

MIGUEL N.N.T. 1-1 Keel RAITT 2-' HI -r -YE 6-3 NANxAL SELECTION 8fi FSTRSf 11.11

WZKS/LouI.e1M KY Sedel/Wlddow.

BRIAN ADM OMS M' ROSES

74941 KNEW

Hottest: W.. E BARD '5 BONNIE MITT 11-6

I71.11A. 52.011108 15-10 MAR:AN JIUí 11-11 DIODE 2418

FM,00IY.rrIp116A, TN C .IeTP.nd.nw.

BAY W ADAMS

LUMP FAOtRO'S R',)ERTA MACK

GU16 N' woe, securer.: 1I31AO. BOE.TQ 2-1 COLAR E BAJO 6-3 BOD STWART 4A HI -FIVE 7-6 NA181AL SELECTION 1411

W AeeAMoelle- AL M.y.elOronNwo

Rl/ SECKILSIEAT,E BA

RERTA FLAG, (ap) GUMS N' ROSE. (ap) Hottest: FI RLE&5E }r PAULA ABDUL 's-2 B OYO II EN 1S -1A MWTIXA 23-2D METALIC8 30-28

WIMY/MOnlpm.ry, AL 9e.nYS;eeen

A.H.C. (R ROBERTA FLAPS(

PUSS IRWIN CURTIS nixes MICHAE. W. 8CT1 GUMS A' moss (eel DM II 'Oa (p) Hottest: MI -RYE 8-6 NTRPAE 14-9 NATURAL 1410 MARIAN CARETAlE! 20.14_I ( CRT MAR 6 DE 21-17

RBEMIMCAIIe- BrwneMlN. TO

Gonn4a/S. n11Agc

TRACIO VFlal RETO II la PRETTY IN IE COZY POMMY. JA91IE GUI SALT -N -PEST (dp) S,tu'la) E7 /p) Hat teat: Ilan II 1-1 MAR! MAIN A THE 9-2 COAT E /ADD 1215 NATURAL SELECTION 15-6 HEARD, TNT ND 16-7

YIO7Mae ,lie, TN

K ep1an/PMp ROBERTA MACK JASMINE f.21 CURS 0' FJSES PRETTY IR PIE Hottest: COLES E BADE 6-1

CADET DEALS 5-2 DM II MEW 8-7 K.N.C. *5 15-13 EXTREME .522 XLIOA7xn.ndo, FL COotO.l, y 0.

FIRLEUg EE mamma MCK (p) BONNIE MITT (p) POCCesA: PAULA ABDUL 2-1 HAM! MAR a TE 13-7 1.1.1. '4-9 MARIAN ,SET 22-13 SCORPIOS 23-20

WAGPM.acol. FL

Berry Rthrd. SPELT RED

WEFTS Pus 0310I5 SEVENS DAVID PALLTDAT GRASA TM DUCE (dp) Hottest: DXAR E BADE 7-1

PAULA ~IL 2-2 BOTZ I. 301 13-6 NATAL SEPCION 15-11 MARIAN CARET 18-12

WRVOEIch,nwM, VA D..IuillCRAy

IeII (a) 5486 N' POSES (dp) BCBERTA rusa Ilotces[: B1M:P RA1TT 2-1 HANKY MAR & TE 4-2 HICHALL 10L701E 3-3 HEARD. & BD 24-16 LA'S 27-23

1192R.twnGe. VA

NAM.NIMICMwt

MINN SYNDICATE ROBERT& RACK Hottest: FIE -OUSE 1-1 38 SPECIAL 1411 0ATARA. SELECTION 20.15 BOB UGER 23-17 C14YE! MOLAS 28-23

Z1O01S.eanneh. GA wlmmwIAlI.n

none Hot bat: 1188.0SE 1-1 PAULA :BOWL 9-9 BILLY PALJN 20-20 M DD74I STEEN 28-28 MARIAN CAREY 29-29

KT9K/Shr.wpon, LA Shepherd/Well

NATURA. SELECTION TOR TERRY

DAVID NNJ.TDAT fee) SIIPLT RED (op) MOAN ADAMS

RICME SAMBORA

Hottest: Wal PE BADE 8-6 AARON NEVILIE 20-9 HAMIAN CARET 26-12 ( .MX. ABU 22-15 CRA91 TEST DUNCE 26-23

WOW/West Peles Beach. FL DeneerMudeon

axis N' ROSS (ap) NATURAL SELECTION BIG AUDIO DTNAMIT (ap) CURTIS OTIOERS ELIE TRAIN lap) ROEPTA FIACR (ap) Hottest: AMT GRANT 2-1

MICHAEL BOLTON 3-2 SWRPI0M5 6-6 MARY MAR A THE 10-9 MAR)AM CARET 19-16

WKZLIWInwonS.Nm, NC No1N.walaMcFlugh

raw Rotten: BRYAN ADAMS 1-1 ROD STEWART 2-2 MARIAN CARET 13-5 MARI! MAID ATE 11-14 EETRBE 27-22

P3 KFOXIA111409. TX My Shannon

AIDS JONES (ap) Femur& Fuca (ap) RIG ALGID DYNA/UT (ap) SIMPLY RD STPIIIEAM (dp) Hottest: FIRL81LLSE 3-2 NATURAL SEJE CTION 5-3 MAW CARET 10.5 SEAL 12-6 EATON WITE 18-14

KOILAmanlo, TX SnIMWAna.rpn

REIIAI SI511CAIE 0145 N. ROSES

cram, muse (ap) QOM. HAKES (ap) Hottest: COLOR E BADE 41 ROD CTM1ARr 2-2 C MUSIC FACTO 3-3 MIGUE. BOLTON 5-4 MARIAN CARET 15-9

WKSFIA.heeI1N, NC

MaMMM7nren1

GUNS N. ROSES (p) RUSS IFNI% SIORSIE 1 THE BA (dp) Hottest: F11000SE 2-1 BOB SBOER B-6 COLLN E BADE 26-12 MARIAN CARES 29-18 stale NICKS 31-20

W JADIAIbeny- Balnbrldge, GA

John Dawson

K ARIN WILE 1116 N' ROSES

BMOC NEW HEAVIES (1p) BLUE 111410 RHERTA FLACK PRETTY II PIE (ap) BIG AUDIO DTKAGT lap) Hottest: PAULA ABDUL 1-1 MART MAR 1 TM 5-2 FI REHOUSE 8-3

C A C MUSIC FACTO le -4 NATURAL SELECTION 20.11

WZKUBIo*I, MS Sp411manB nod..

SIEVIE NICKS CURTIS STIGCR5 ROBERTA FLAG SIMPLY RED Hottest: PAULA ABWL 1_1

C 4 C MUSIC FACTO 4-2 CATHY DOIMIS 5-3 CCAR E BARD B-5

MARIAN CARET 21-14

RMCKF.yMMié, AR Mika ChM.

SIMPLY RED (ap) EE (dp) ROBERTA n -AND (dp) RIO11E SAMOSA (ap) RB®RARDTS BIG AUDIO MIAMI, (ap) Hottest: COLAR PE BADE 1-1 FIREHOUSE. 4-2 MAR(! MARK I THE 9-6 YAM MISTE 12-7 MARIAN CAREY 190

WJMXFbr.nc.. SC MeNnAINn

RIENIE SAE0)M ROBERTA FLACK 511145 M' RAMS (de/ RDBRAMITT D0 (dot) BIG AUDIO OTMAICT (MO Hottest: MICHAEL BOLT. 2-2 FIREHOUSE }3 BONNIE RAISE 6-4 C7.011 E BARD 7-6 IONIAN CARET 23-11

K ISRFt. SIN, AR B AN.rIOrady

6186 M' ROSES (dp) ROBERTA PLAND Obi ere (dp) ANIMA. LUCK (ap) Hottest. '0750E 8-A MARIAN CARET 13-5 WARE &ADD 20-11 STELHEART 23-17 KISS 27-22

WYKS/Oa1rMMeIIN, FL

BAnlaFos

BILLY PAl,9M DE ROBERTA !LAND

CURS 0' ROSES

0187!3 ARLGEBS

IIOtT 1:1117! Hottest: 7100 E BADE 12-6

1410 SOTO II Sol 15-11 11114) 20-14 AARON NEVI LIE 34-27

WMIAZq.In.eeNle. FL McCwNCewMy

HAUIE MITT run Tt54R! (ap) BELL BIT DEVOE

ALBERTA MACK GUNS N. ROSES (p) SIMPLY TEL SIOJLSIE 4 NE BA (p) Hottest: CHAR E BAUD 2-1 HURT MATE & THE 10-6 ROTC II MN 13-8 FIREHOUSE 12-10 R.E.M. 17-14

RSMB/L.I.1eM, U WNaAnlNwson

AARON NEVILE BONNIE MIT BAD COMPANY

0x6 6' ROSES (ap) Hottest: PAULA *11131 1-1 WAR E BARD 2-2 RRLRILLSE 9-7 NATURAL SEE 1181 17-14 MARTIXA 18-16

RZWLubbm:t, TX Luck/Scat

GUMS M' ROES SIORSIE & TE M (ap) Hottest: =DP E BAUD 3-1 CATHY INWNl_ 43 FIREHOUSE 5-4 NATURAL SH.P.CTI. 12-9 R.E.11. 17-11

0101/NMrMNn, MS AnlhwlylVArbo..gn

BFTAN ADAMS 1101E IOMET (p) CURTIS 3711!15 (p) Hottest: FIRL0USE 6-5 R.E.N. 11-8 .ARTO 411TE 13-10

MARIAN CARET 17-12 BOTO II rtW 26-1a

243 Currant Reporters 232 Current Playllsts

Called In Frozen Pleyllst (9: KISN/Salt Lake City 993/Austin Hot 94.7/Chicago W K DD/Akron KWTX/Wsco KFRXA_Ineoln

Did Not Report, Playllst Frozen (5): KXXR/Kansas City Z102/Savennah KKMG/Coloredo Springs 099.5/Sait Lake City KFTZAdaho Falls

KCMKRAidian -OM.u. TX Randy Sheet

SIMPLY RED

Di EDDIE ,OIEY SIORSIE A THE BA

Hottest: FIRFXIISE 41 CCIOR KE BADE 3.3 SCORPIONS 10-4 NI -FIVE 1410 BOTH II EN 18-14

KNOEJMonrOl. LA Mitchell/Redden

SIMPLY RED

OMS N' ROSE, AMINA4. IAGIC RI)IBRIJIDTS 1N.BERTA neck ef RICHIE SAHOM Hot Lent a

PAULA A&LUL 41 COLOR E BADE 15-5

MARIAN JAM.T 1015 NATURAL SELECTION 24-20 BAD ~ANY 31-24

W BPRIMynN Beech. SC

Zane/Kelly

ROBERTA FLACK SIORSIE A 711E M (dp) BAD memo (00) SIMPLY ME: HN.tstI coop E BARD 3-1 C & C MUSIC FACTO 6-1 FIREUSE 10.7 MARIAN CARE! 13-9 R.E.M. 15-11

WILNPAMrru City, FL

Chrl.tlanlBIMa

BAD 80I.I3H HENRY :JE WISER RUSS IRWIN C.V.C. OII (ap) CROWDED RUSE VANESSA YIWA6 TOO TERM! Ibttest: CATTY DENNIS 7.A COAR E BADE 9-6 KART. MITE 16-9 ECU II ICE 17-12 NATURAL 5ESI34 21-13

KIXYrsan Anew, TX SeMpWEMman

ETDIE MONEY (p) DE (p) WE N' MOSES fay) RIIERtA FLACK RUSS IRWIN SI.ESIE & THE BA (p) Hottest: DOLOR E BADE 2-1 WTI II Id 10.5 RRLüSE 9-7 RARTM WILE 12-8 IIAItIAN CARES 22-10

WF/RneIMIM.a.e, FL R.ynolde/AuatM

*3815101 PAD GOAT (p) ROBERTA ITAa (ap) TRACIE SPENCFII tap) P.C. ORS Hottest: HI -FIVE 1-1 PAULA ABDUL 2-2 WAR E BADD 3-3 MIaAO. mime 6-A MARY MAX A ME 16-9

K WTX/Wece. TX Chnwopfwib..

none Hottest. Res STEWART 1-1 MICHAS. CLTON 4-4 K -FIVE 6-6 MADE 11-11 CATHY MOOS 12-12

KNIN/WICHM Fell.. TX J.J. McNey

GUMS N' ROSES RICRIE SAQAM (ap) DE (]p) RDERMIDTS SIMPLY RED (p) Hottest; RO;NIE RNI1T 9-4 P.E.M. 12-5 EVADE 13-9 BILLY FA.m1 19-14 ETAULICA 26-20

WVBS/WIImUTgon. NC

CAt.y(Ytwk

aKS N' ROSES (dp) RUSS IWIM 1pTLT ME (ap) ROBERTA MACE Hottest: PAULA ABDUL I-1 PIAE001SE 2-2 C A C MOSIC FACTO 5-5 1E/TRW 13-9 MAMEY MAR A IC 20-17

Note: WT1C-FMlHarttord felled to call In a new playllet for the second consecutive week, therefore their playllst has been temporarily removed from our database.

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i28RaR September 13,1991 CHR ADDS 8. HOTS - + h,-; '4

22021.011... IL

DN,yw,IBty WOCIt/80I. ~IL MI

DwPNFHy y

WTB[M16629. MN

BIII KYatN p KPOCIRocMMI«, MN

mN.I, AdN D

KF96104, ID

INur SMM 11C/111C/1011C/10/0.4.KRORucon, Venture CA

AE DWYDt1.

MIRK/Les Knee NV Drw10'Nn

A. I PRINCE WC 6 N AMPS ) NORMA PLACE SIMPLY D Rry 11.006 E YW ND ED IEtY1L5 5 mai. -.::F ,.::.J:

e.e....,S < . -

-

219BmAN ADAMS MKTM w11C OP) EtOtE MOIIEl Of (4) WY 011 LAVERS lIO2SlE A THE M (Op) GU16 I' ROSES

~PTA esa F.DEI! PONES

tBERA PLEB (Op) BILLY FALU« (BD)

MRT MAR & TM (BD) Hottest:

SI3RSIE 4 7HE M (dP) GUM x' ROES (Op)

60mRlNmS STEMMA. (Op)

11900114E 06-11-IO61

Korean: 1101I II M)1 1-1

RSERYA RATE EWE A XOCOf

- ,

MOST ADDED IMHWIDTS Mbttestl

IETC MEDICATE (Op) MOIAO. W. SMTI (2)

ROD STELAE 2-1 11600103E 42 6.E.n. 1411

Hottest: DIME 9-5

1130311 A TIIE B/.

3116 M. ROSES (ap) NAUGHT} m xDAN1[ COLOR r

EWE e TODD 6-3

BCINIDIg T

GK165FIM, MI

SI. MIc1wE.rCenp.r MOWE 5210* 1_t ROD STENART 2-2

ST IIJfJR (OD) HotteseH BILL/ FALCON 18-15

IIJP K BADE 22-16

AARON ERI E 13 6 COL. K BADE 16-9

bttt:LIMP mAl ME BADO 5-3 lbttatm NATURA. Se1lLTI. 13-9 1A.01 K BADD 5-1

GUNS N' ROSES (26) 366 x' PS PAULA ABDUL 5-3 X 11RO1 Et11E 9-0

mat . Lux MARE MR 4 TIE1B-2 C I C MUSIC FALTO 6-M WRFMIwmtoo MI

1101.10 61117 1612 MARIAN UPE 22-14

11.1./1. 13-9 SAM wtre 111-11

1B-14

COLOR K BAD 6-1 ER 11 IE11 5-3

MART MAMAREA THE 9-0 MMIAN CARE 2'1-15

ROBERTA RAU( (16) ALE EIOQE SMImM

1112201152 10.9 WERE NEa 28-16 AnNanyNNlMln 916GISNIeu. KS

111T/64, 4ElELTI. WRn3 STIGEK4 3LL29 EMI D. THE ® 10-8 LATINW.t 72-3016Q

EDDIE MONEY (13) STEYIE RIM. I S WOG/pint. MI

Rlc BNDn« 1461110E 0.26

BRYAN ADAMS K .y/J.n.M. LAnE YJ1All2 21-13

BRYAN ADAMa (121

EMF (12)

6N-dN 5M111

CI011CtaHottestt10114

RR

WE/p161p«nI ' l Ro0qn4lLaupnNn

RUNIC 3ANo11A (ap) !IKLT ED (0p) R,BAICf3 (,)

Df 10KRTA MOt (ODI SI32SIC A THE BA (ap)

61610Coor40o . CO K wNZJR«n. NV KIuu1Crtw

NMOtI/twxPton. ID

HwnMCNes

RYTHM SYNDICATE (12) SIMPLY RED (12)

OAP K BAW 2-1 EOT2 II Md 5-\

3A6 X' NODE 3I3IISIE 1 TE M(BD)

IE-ºIs JONES O1RfI3 STIGLRS

6R1PTMTtl LwTLICATE (ap)() 5.1.1 /ED Hap)

DE^

eTtM SE« O1L 7 c1L()R14s OD) 36BX RC (av) NAVEL SOERl. 7-6 NOCUEStt GU x' 11OSLS (ODI

RIDE 1RVIN (ap) RCKC 6AmM (ep) of Hottest: SIMPLY RED (Op) SALT -M -PEPA 14-7 38 SPECIAL 2-2 CATE 0061115

Hot Hottest: P®F:R11 MQ (MD) ®T2 II RM 7-4 BIGOT/Anchors..AI( Df (Op)

BREAK MMIAN CAllm 15..8 AU:ML9tTdC 3-3

EQUAL mI.TM 10-5 Hottest: MICHAEL ®LTVI 41

FIRM01 1-1 NCO STOOP? 5-4

-TREE

WNW 14-9 MMIw CARET 22-15

BIO AUDIO mHAMT (OV) Efdi[ SAIWM (Op)

E2 11-7 MAKT MAK A TAE 12-0

Merl Murphy LVEIHI FAHMOSS (Op) EMI STD7UT6 (Op)

WMEEJFt Wet., IN

Jen DON MD IIIfMT 9-7

KK MISpna9tYM, MO

EtM7EtSF 6-3 38 SPECIAL 114 MODE 1}10

El -5ODILE

K7BADD 12-7STEEJfART ACIDIC MITI 21-1

25-21 GREATTWHG4I

IX lf D-35

K NAT EAT (Op) xolwt: CSAI K BADE }1

E3T6DE 16-11 03d K BARD 17-11

JESUS AlIES 111011E111011EIE SAImM .tñENTA PLACE

RREMAI6f 41 NACHEEL CAW 94 REMBRANDTS (10)

RICHIE SAMBORA (9) OJO X' ROES ROBERTA R.1Q

AMunM«RNYesn Rn 16-14 WAiYneley.ne IN

SYtiófeny.n KO9315ou. Clty, A An0«,nrtMd11M

MOUE IIX.1TA1 2-2 C1ra DOMIS 6_3

6 W0013gm«to, CA SmUtY ICop.e

Df NA.Aa H. OEM Hottest:

NIL7 FAILON 11-9 C A C 10SIC PACTO 1410

METAUJCA (5) Hottet: PAULA M®3. 2-1

RAEmA RACK SIKLT ED

26211/13ImmRnplon IN

Am Ceron HOD /MOST 5-4 REHOUSE B-5 RRM ME A K BADE 6-3

MARIAN CARET 28-22

JMMMS 11102/111102/1B60070112 RIO R BRIM DA16 ADA16 Df 2

OR

FACTO 6-5 C E C 0161CK COL. K BAD° 94

Rbttest: MK.. BSI,. 1-1

TAN ADU6 PAD MfLISH

RAERTA FLACKY EWSE ENE

EDDIE ET KEY SCAT CUTE

KKMO/Cu4«4No

50122 CO L1E TRAIN TAI SEW

MO. MARE 1 DIE 16-14 MMIAN CARET 2417

Slew

BDR II Id 12-9 BONNIE w7T 6-4 sacs K BAD 7-5

3A6 11' RODS 9ITN SOCKET.

OIItTi! STI0LR5 GUS M' ROSES (OD)

SEVIe RQS WPM SYNDICATE

SHwneMYw SML7 RD G36 N EGGS 1>

NATRLL sawn. ZI-20 Df SIMPLY RED 142 wORDrorrq RpIM,. Y

Brien LM4toplw BARIA/1 unE 1410 BOB EP 15-12

REdIE SAMnM Mq[est:

OP-11

C 1tC SITIIJIFARI () 1E96 JOKES Notest:

Hottest: E.B.N. 41 VYM49.

AK NA.AR. 1*JR6 TO

2.9111E OJT

GUS N ROSES ItHTKIBt LNNE MO C 4 C MUSIC FICTO 7-3 BOTZ II WA 184

MUSIC FATO B-3 COLE K BARD 144

!M-MOME (OD) Nottest.

BRYAN ADC 1-1 WTI II WEN 2-2

StO031E A THE BA 8-7 JEWS JOWLS 94

Jason 6M BAWD ER HEAVIES

Df (Op) ENE LEE SUM

ErMpm4MllvecN FIR0016E 13-9 NAIMLL SCII3EI. 36-18

FTMHE 20-11 BOf2 fI M3 22-16BIG PAULA ABOUL 44

IART MAR 4 THE 7-5 JAZZ/ JESY 4 FNES JTAM SEA. 6-6

AUDIO oTHAIT D.1\ MULE TEST 3AMIE 27-17

WS RITN MEDICATE

CU6Tf3 SALADO J16 N' ROSES WKDDIA4M, ON

CM,XMNIpM,

non

CT491E IIAIfES (NO BOWIE min

IODIC POET

qoWO. d)1.1OI RBRA MC6 (Op) 1.1~ BAD CELT (Op)

MEMO D. A ME FD 0.M

WCILJCr6wg41. L

MM1AN CARET 31-IB

Awn.OR KMGZn b KNhEw'r«

MMIAi C1RE 10..6 MAINIA. SEHT 1. 11-9 WAVY D. D D. { I 1}10

MT11tf ODIE XMA t}13 W KDOBeNn4

onre Mwy, G

BAD C344NT (Mp) «attest: RRMODE 3-3

ECRU SAW ORA Hottest: FI,E1016E i-1

Hottest: Hottest: BEL. EY DEVOE (Bp) Tony WnNu, FOx4, SD K5IXDIEtp«w. ON N4wm.nmqMw.y

CATE TOADS 6-4 MTRLL ELEM. 11-9

CQd ME BAW 5-3 SCORPIO. 1-1 COLOR K BCD10-0

TAM CITE 2414 Rotten:KPATISbu. REM INM6 1-t TAXI 911. (aDSIMPLYI® S2 ,ECGu1rYCdlln RUNSon

SET -6 -PEPA MMI\X CAREY 1412

EITRME 7-5 TW 3101 10-6

38 SPECIAL 22 C A C M6IC ECM 6-6 C.X.C. EA 3021 C E C M66IC FACTO 43 3A6 E' RODS (Op) R36F7A FLAX

BLUE MAIN C

WELT RD Hottest: NFAR D. !:ME m 23-19 611161E MITT 11-7 ROD 4TOWR 7-7 MO01Y1 'MISS 16-16

TAI SACO 35-30 RMEAN CARE 3431

MARE MAR 4 THE 10-5 COLORK BADE 9-7

Mott..., MEANADA16 1_1

F. P.C. DUET (Op)011-11-162HoEEeyt:

4 M6IC FACTOn.4RY /21.1 MAK 4 TE (1D) JA1IK Gm 2-1 COLT. K 620 7-3

6BOZA9o«Mn, YT VI4cN«Mrut« ZFAMIYorow, D

WTI II le. 11-9 NOT II M3 2-2 MOTLT f,70E (OP) (]11RIS SndILS (OD) GIA6 N' RODS HI -FIVE 12-9 NI-ITYE 5-5 CummMpMNW

wROK/CAn1on..I HupIwIVMM

W1E[/OMwn BE. 11/1

Sor,ICr4M IU WROTOMO, OH NATURASOFLTId 5-3 CREW 144 Mottesl:

K COLOR B100 1-1

(Mp) XotttY[t MOTU. 17-13

:1E1E HAW ES 19-15

AARA YVIl1E. ,410 16111216111611124.AR SELECT'. 23.21

SAS x' ROSES MISS IMVIx

3114LT RED

OURS 6' ROES WON MEILIE BanswNllMy IETAlICA 10.14 MART MR 1 TE 6-4

PAULA WED 2-1 F1RtltMt4E 5-\ 6101.252A TIE BA 22-17 IMT99ISn L.A. CM. 0T

CURIS STIfAt 6ET11 MEDICATE ON -11-01E

1113DtE NEE GUNS N. ROSES (op) ECRU SA®M (4P) WIKWIC1Ymplp^.Il R.E.M. 6-5 P.C.X. 10-0 MAIM LIRE 2619 Summ«/O,BrNn MIdAl Y. SKIN R00PINIRS (2)

Of 91CH30 YV®M

EDU[E MJK.I .R33 mI(ERS

GUNS x' ROSES (Ip) awns EIGLRS (00)

McCann/Co. MRIN CITE 10-6 MART3[A ,410M MARIAN CART 17-12

MARE IIAK 4 THE 22-16 B95IFrMes. ClCA

CROMD[0 106E HotWtt 31B E' 1656 (OD)

Hottestl Hottest: BCC SE:ER 10-5

Hottest: IIAl01SE 1-1

Hottmt: MdAM. ELT. }1

INTM DNl` mTN SYNDICATE (np)

NFN[M1lntcMV NE Wdw1Apl tC ^p leIO. IL

0«I Per. Hottest: ME H: BADD 1-1MEE COLOR ME BAO° 7-1

4 C M62L FACTO 2-2 FIRMOVSE 1_1

1I-0 RILL! 1A.QlM 16-11 5301IE91E 1 THE M 21-16

PAULA AI011L 10..2 MICHAEL BATON 6-3

ICE MEYER 41 CAM DOMES ,0.3

arms RIQ65 (OP) ®IE MELT

Sonny V4Nn,lne MopeM1cey GAS N' ROSES CAWS

IfA SALT -1104*

C I C 16610 FACTO 6-6 LA'S 16-16

13RM01SE 43 R] !ST{ 18-10

EMI II MN 15-12 MARET MAR 1 SHE 2120

BEM ADAMS 27Oat. METYL.ICA 262 K NM C3 21-15

Ki ME 4 TIE 15.20 WOE II MO 11-9 21111 MA BACO BAIO 112

Hottest: DENNISAD CATHY 1-1

one Notlestl PAULA A®tR 1-1

ENGLI91 QOIOfD HO6E (Op)

I

ROBERTA RACE ®R II MN 19-19 MRT MUE A THE 22-22

BOfi II MEI 3724

KTRSIC4p«, WY

MEAyIG 3725

Iq7M7/CMFa4e. LIICNAO. B7l.TM 6-3 CATHY LDMI3 2-2 lottest: WEEK LANAN

099.615.11 W4 Clty knoplNMMtw14 Sprlrpt. CA

4n/Dwr Gregg C4,4Ny

WVICnan4lrp, MI

Roqn,orlNr« K107RWu. OR

1Kn Cornell ®Ti II MEN t2-5 MId1d K6.TA }3 C 41

SODKl 1-1 Md10. ®1.1. 22 COLOR 1E B1DD 1-1 Sump1«/S1NA0

I 9 ^me_ BRIAN ADAMS MwrTIM

C 1 C M61C /ALTO 17-9 4 C M67C FACTO C¢AI K 6A0 6-6 PtI10nSE 43

C 4 C M63C FACTO 6-0 .141111E GUT 2-2 MAREE MAK 6 THE 7-5 Df

BEAM ID1M5 RE 51121.0BP/

BEIl BIT DEVO! (OD) JAMIE GUT

HEAVY D. 4 TI. ® 6-6 REYt! Hm M] -EPEE

AMT CAM` IT[

KIVVAuDwue. A Doug Collins

WSMKMAM MI eQOn'

XANP11 SELECTION 16-13 Q-GIPI*9:pD 18-11 DI EVIL 36-19

911®RMNDTS (GO RIFT

TEYOEmou

RCQm1 RACK test:

ICU t/ 'Cl 5.2 01JE1 K BADD It -It EAR. wiR 12-12

BD OR.15X KTALICA (0)

Hbttmt: PIMA DIM 3-1 HEAVY D. A THE m (OD)

YonMrMA1cG111 KFMw1WeYrbo, IA EOBEtTA Mot (OD)

Hottest: BIG AUDIO DINWT (Op) FAR

mpl IE MIX) 64 MARIAN CARET 22-14

MARIAN CARET 20-20 MRTM Wire MICHAEL ALTR 2 sIMLY RD II -FIVE (Op) Mar4 Hen,en rWR1H/F1Mno. CA /LULU! CARE 19-13 1151 n910U WET MR A TIE 1/3-15

SALT-N-RVA 21-21 Hottest: RWQSE 11-5 BD ENGLISH Hottest: MKS x ROSES DMNRo6erM EARN WHITE 1614 Hottest: SW6PI06 3D-21

WWNTICqumW4, ON FIR006E 4 CATHY MEE 9-3

TE TI TZ II M3 14-7 MMIAN CARET 20.10

RTTM STICICIre MICHAEL

ERIOS[ 3-3

RC RICHIE SAMOM DE

RYOF.

M-FI } VE 218 F[TROE X-19

NA d ® AEt LT. 22 COLO

Morr1.M11.I ANOTHER BAD MAT (Op)

1}5 MRIN CAR. 15-7 KMVZJTUIu. OK

JESUS F53KR

STEVIE EMS DQ1331}7-5

AA. ,EVIL12 2'3-11 WW2.,BELLBIV Hottest:

PRECE IN P1,1fNAUCATTY

BT 7 BRYAN ADAMS 0.26 DONIS }53 MARIAN CARE 25.16

K2021Sn LW OOIpo CA

ET1C STIDUCAre m10116 ®1.t. 2011 Yy«,/Sr1tIM Mottest' MO,AL V. 9(1711 19-13 EERAIE 10-7 IC SAT Mi 29OSn (Rego, CA 011-6/06E4024 JcNpVArM.w.

11.11.1. 661.1 (OD) 1lorlest: M-FIYE 2-2

21010112EI4m. WI

HuttoNAeooAM 6I011E .SACOM JE915 ECM (Op)

NANPA SEtECTI. 164 TAXI SK1 19-11 BEAN ADAMS 0.20 KGGGM01.1pM CE1y, SD

®B SEOEE 16.10 BAD 0341M 19-16 OR1 TEST IAIINIE 22-17 [ISS 2120

CECE 4J1tSla

ECM HOSE

TM,DrruNOrw

NDDET R 447111E

RFBO/CH4yenn..WY MNNwIWCg1M4 MKSx ROTE S (do)

O.UE TRAIN 310 BASS 9-7

IW115X CARET 14-8 dEtS STItyRS (OD) DUNS X' ROSES Hottest:

MEANT(np) BAD MEANTL.1.1.239-2L.1.1.2AwT P.C. CREST 40.30 WIFCIWuuu, W1

K IACRS Hottest:

ER II Y3 DJ JO ®DIE WET MISS IRIIM

ROMA DACE (OD) SALT-M-PFPA 16-12 ®1 BIT OEOf 20.1\

ROBERTA Ma (Op) GULS x WISES (OpI

WI1R1Nf 2-1 L9S EWES 42 KZIOMulutn. MN

RENle wTT Of DunMnlo4 JAIINE tN 1-1

03A1 IE BDD 24 Hottestt CUAI K BED 6-5 1BIIDGHTRS Ibtte4t:

PAULA AWOL 61 04 (Op) ROIEre }3 Y4NN,Rommy B MlTAL1G (OD) ROBERTA R.1QMOL\p. M3{ 17.11 NATMLL *LEMUR 10-9 N. SMTI

LOOP le BADE 6-2 WPCMD4twrtpon. M Hottest. PUE'G46 6-5 Hottest: MCHAEL DMMIM »KAN CARE 25-15 JA1IK GUT 12-10 GUMS N ICGG (ap) DE YOU II 'Cl 915 AuNIM«9u,m PAULA 12.1. 6-1

0106K BADD 104 TRIITE3 6-7 RRMPANUTS (Op)

111T1N SYNDICATE (OD)

PAULA ADU1. }1 Maude BU.T.2 4

ROW/AVIS 11í01[WARM SA

DJ JQ 23-17 MARE KM4 TIE 16-15 TCE TEARY 2420 JASMINE GUT

NETT 13-9 WART n1RIT MR A ME 0.13

!WW1 ADA6 MARI (Bp)

ETREIE 12-10 KIYEIE MITT 19.11

KKRDIWknM. KS Rop61nWE1114m

STEIE NICKS (OD) Ho., SCORPIONS 5-3 FIEEOUS[ 6.4

Hottest: CATE DOOM 2-1

UwdRlulu, K Wes FrMMy KN7iI5.n4 RoN. CA

Hottest: ABDUL1-1 V97/Sarna Barbers. CA

0116 H' RODS (2)MXIM RR IbttesR:

CARE 23-17

RJIOLOAMN,mt CNy, OK HFJR D. A WE 20(ap) ROBERTA MU

PARA UM 3-t ...IS NET} 43 C A C MUSIC FACTO 81-7

RODSTFIIAR 8-7 WEE 3-2 PAULA .SOUL 4 3 FIREHOUSE SA

RAND MU HEAVIES SEAL

TM 19.4MLLE BRAND ND HEAVIES

K BIDE 12-4 E2 18 -It .TREE 2621

110.11/Bee

2-92 JONES RR)OIDE 41 W.LoyMM M SIISLT 11® FE6E) TE 11-9 'MET MAK I t2-10 Not: NO..: STEREO IC'S (Op) BOB 56.M 31-28 CROWD MOUSE ROD STEIIAR 6-3 E3TP0E 8-4 ItnLRIA M. Df (TO

GUM N' ROSES (Op) XURT MAR 5 111E 1411 NI -FIVE 2-2

l[®T 3-3 BmM ADAMS

OIIITIS MUMS Junqbn. CO GU16 H 110S611001/044n0

MELT MD NATURAL MIDI 12-11 MM

WGTZJMybn, OH

19.1E119.1E1HAMSS

3I14Lf l ED 4) BILLY FALO. (Op) .

Hottest: COL. K MOD 11-2 FIRM. 715

213122/. CO. WI L./JohnsonL P ULA MBTAIL 6-6 C01011 1E MAW 7-7

Hatt.: C 4 C /WIC FACTO 1-1 03106 4E BAW `52

CIur1M MKMwI.

40410 RED

AM A f0/FAS Hottest:tNATURALSELECTION149

C A C 14210 FACTO 42 _ .1111111111

Ba1Malln4Moe.

~UPS MOIAO. M. 3M111 Hottest: 0106 K BAND 1-1

MARIAN CARE 21.16 01E15 STI(I 32y-.._. 01E15RS 21 BOWIE WTI 33-79

CHICAGO ,TiF>i

METW.iG (OD)

.,..: N . MMIW CARET TT -12 EARTH Mflre 2}17

SALT -x -PEPA (Op) EIAII M011Ci (BD)

021.1)0 K BADE i-4 Ben II 19151 11-7}11 NATURAL S O,RTI. 1

G1116 N. ROSES ROBERTA R.AR

F15M016 E 52 MEN } B0í2 II M3 WHOT4 o Oun9swn, O11

Htest: Hottest: PAULA AL ,_t

ILL... Vtp4,. MV

DesnRMMne 226po WA Kw AnE MOWED HOSE AOBERA RACE

TRAIN

MARIAN C 155-12

11511101.1lO.BCT1. 10-7 Crick Thompson 0H0.91ET HAMfEE 16-12 MOST ADDED estd 0195RnL9494. WA PAULA AKIIIt. 3-1 SFJI. 23-20 MMIAN CARE 23.15 Weal11.1.4Ka11.1.4

51022fó A 1,E BA AIM. 1-1 Paul

6 C MUSIC FACTO 6-5 CODEE K BAW 12-9

KOKO/OmMM. NE

EOwr0/AOam,

COIL MMET SD4L7 FED

SALT-N-PEP1

p SETER 21-17 BRYAN ADA6 12-25

ROBERTA FLACK ZD) (

401211111 RACE5IXR.T ote4eI WE MANEA 111E 2-1

QAB M' ODDC:16)PAULA InD

09 410110 5AM4OM (OD)

C3LP K MOD 7-3 C A C MUSIC FATO 5.4 11.E.M. 13-10

erred ADAMSC

Ix *AVM 3lLYT1. 15-10

MRN01Ce. Yalrw, IA CMS M. ICGES NESS tRXIN

3IffiIFJRf Hottest: COLOR

YDeMArpo. ND

.cN Lundy GUNS N' ROSES (15)

EMF (14)

.1491112 GUT4-3 21LI1 ME BD° 12-7

,WRY MAR 4 TIE (ep) 1 THE m(np)

NATJn11 sE1STI. 241e

KOY0M«RltAlu. R

FARM DAVIDHLLLIIMf

RE KnIpNUAunn Hottest:

RMH016f 2-1

K BADE 21 C A C MUSIC FACTO 4s MICHAEL ®I.TM }t BEM WE SIMPLY RED (12) KK61BIA16ur9wr9w NY

MA6EAN CARE 21-11 4TM11 93ELTI. 2419

«RAotcuD. rA1TA ABM 1.1 AAAMMMn

pIIWLEOIO DTMMIT

ROBERTA FLEE BD OJ4M} ENE I*I 9ME6 C 4 C M16fC FACTO 7-6 CATHY TOADS 6-5

SIOOSfE A TIE M MKRA PLACE

n REMBRANDTS \ ) JeyâNMAC M4. FM104AAo0a.ro NA011EI. ®R.TUI 22

UMW 1412 TIMTT T. (Op) cUS N' RSS (R) Nottmt:

BM II MEII A.E.M. 94 1TIp1 K BOO 10-9

90E2 II Ell 8-6 FSOIC MMF.T (Op) (OP)

S,ocllm CA EwM«aneynMmn

NARTRA 16-13 I1061 MELE (ep) Ho test: FITROE 17-10

EA6IM WHIR Hottest: R6M01SE 6-1

f3TR1E 12-10 wB11AM0R

.

PIRFl016E 2-1

Mbttest: NM lí EN 2-1

ATJ6AL ELEM. Z}17

RwIN/SbcX,on. G MI -FIVE 2-1 mDN K DOD 5-3

EARTH MIME 32-17 nA9EAN CARET 3B -te w ERre WILSON H

ETiHE 16-13

6293I.wU. L WnMrSNm P3 7YU 90K 4-4

01EBE 6-5 BREAKOUTS J OE6 2 QtAI 4 BDD 5- 6ICMC SYNDRA JONnny MIMO PEA® BRTSUI 44 JA9I12 UfI 6-6

E1S J.Fi 3}2z ME4IICA 40-33

M01AN CARET 19-15 BEAN ADAMS 2622 EDGIE EKE

MTUP11 SELECT). tp.b 38 SPECIAL 149

BLUE TRAIN

DARN WITS 9-1 E,E.M. 13-10

GEC 1P

Hottest: RBRIM RACEWONNEILIL 19.12 XíFYlYYMR, WA

9MSTOE.4nyIIN. IN

Wltlepopnerc« lY BRYAN ADAMS 1-1 KOHTMnrW FtwA, M

(6)

CROWDED HOUSE 6 M«NW KEN/Be. CA

ME ITA 1

01 BOO 5.2 M K P.C. ST CRYSTAL RCM KZ9EgFa1.MD

slewnMIII« Grp AOOmsMMes[:

KV/t/A14m«tN. MO MUTA AL 22 M.AI. Bx.T. 5-3

MurpNrW411.12llem. (6) NAUGHTY BY

W4I11Y BIII PAULA A011. 7-3 RO STRIART 4J 6.11.C. CC()

Hottest: ROBERTA PLACE BAD .GLI91

w EcUXNNy

GUS 04 ROSES Elf (Op)

Oct STHIAm 7-6 FIRMED. e-7

Im\ M. BEM ADAMSROBERTA MEfALICA NATURE (6) MR

A1011HI BD CRMT

HST6AE 11-9 JUDE OUT 1-1 R[U6 K BARD 4-3

1e Hottest: SI)4LT RED If (2) TAM 9QI STEIE RIMS (Orr)

SII4LT ED Df SIMPLY MD

QA6 x' ROS- (ap) RICHIE SAMBORA (6) Hottest: P K B1D0 4,

MI\fT MR \ T6 54 WAN ADAMS -1 PAULA 48011E }3 RLS5 Iwlx

RLSS SRMEN .

Hottest: PAULA MOM 2-1 M1TN Wire 22-14 MMIAN CARET 26-15

MKS x' ROES P.COlE WE Hottest: PAULA WM. 1-t TUC 9O1 3-2 pTHf 19-15

Hottest: BOYAN D116 1-1 NO K BADD 42 020106E 9-7 BUZ Il M3 22-15

BRAND NEW

HEAVIES (5) MART MAR A THE 11_9 JASMINE JT 12-11 310 BASS 15-12 P.C. 00P -ST 18-13

wax WETGRI [T116-8 M RY MK.LRt TQ 2-24 WTI II MEN 31-31

N>lR M[ BAND 3-t HUE D. 4 THE ®,0.9 NATURAL SEZERIOI 20.13 ROTC Il MIN 214 MARIAN CARET 25-16

HEAR D. 4 THE HO 3023 BILLY MOM 20-16 C I C Y6IC FALTO 20-17

JESUS JOMES 1429 RATRAL Sel*ITI. 22-1T

Available Now!

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The Sound Effects We All Love 1 AkbuMs

232 EFX'

NOW AVAILABLE ON CD'S! CD LIBRARY PRICE: $200 PLUS TAX

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P EJ ALLELSI September 13,1991 OUR 129

Please note, frozen playlists are Indicated with an "Ir" next 10 the previous week's chart position.

R&R's CHR reporters are chosen on the basis of location, ratings, and ability to report current, timely music information.

Parallel I Reporters: Selected stations that are format -dominant and/or exert significant national influence, in major markets with a metro 12+ population, according to Arbitron, of 1 million or more.

Parallel 2 Reporters: Selected stations that are format -dominant and/or exert a significant local or regional influence, in secondary markets with a metro 12+ population, according to Arbitron, between 200,000-1 million. Parallel 3 Reporters: Selected stations that are format -dominant and/or exert a significant local or regional influence, in smaller markets with a metro 12+ population, according to Arbitron, of 199,999 and below.

243 REPORTS

A BRYAN ADAMS Can't Stop This Thing We... (A&M) LP: Waking Up The Neighbours

Total Reports 184 76%

et) Parallel.

Regional Reach Reach P1 52%

S 8/% BREAKER P3 93% 1t 84% u 56% Chart Smeary

Pm P1 P2 P3 Tot 1 0 0 0 0

National 2-5 0 0 0 0 Smeary 6-15 0 1 0 1

UP 47 16-40 17 59 46 122 DEES 75 Ora 2 10 10 22 SAME 23 Adds 3 14 4 21 DOWN 0 Ch Adds 6 4 8 18 ADDS 39 Total 28 88 68 184

eAR

100 2725 2100 25-20 1fLn 28-25 1394 4-26 PROW/ 0-28

RKA a-25

ECM

OWL 0-31 PYR95 a25 U M 25-20 1100 a-25 897 a wv2 a -p 0105 29-25

DO967

8102 35-33 PP113 a-19 0901 32-30 0PL 425 rJtA at 101102 008 26-22 1400 2725

WEST

K07 a-31 n1S 4-28 001-911 4-30 KO2 1I91 a1 fr KIZ 023 8tlff 29-26

1151 88.57

11292 0-34 WA® 4-30

WAAL 8-38 11112 4-21 WS3 on JET -P8 421 8O2 027 wta a WEE 3.-29 1131392 4-40 WAN 39-32 978107 35-32 1(101 024 WG0 3929 997312 a W7RT a WE 7102 98P0 20-18 931 a-29 057 c-30

WRIT 3-40 307 38-34 167W 37-28 RICO a

W®0 a-37 813 a

028 0-28 I95 4-28 1051 0-23 WA 3829 NIX 0-40 0105 4-30 WA on 061 m wale 0-36 111,117 40-19 411'P a 1029' PAPE 30-24 00M 37-31 POLI 4-28 109945 4-30 1R70 E -3o WA 4-38 WAS a-35 812

RAW 0-38 WV 0-32 1107 0-32 1.1067 m WIC 0-37 W00 an 192 at 2102 m fr 87R1 a WOW 0-27 a71. 0-33

40111W.4T

YPOI 27-22 OPIO 140'Z 30-25 OW 26-22 96070 40-34 02105 38-30 WET 0-26 104E 0-37

W111 26-23 mCa 2104 0-33 1J103 a-32 8G10 28-27 8293 2724 5)1E a-30 MC 3128

41190 8-31 1107 35-29 072 m KOo 8-33 007 0-25

WEST

095 39-36 1IC/ 28-22 11531, or1 411104 027 011Z on 401949 a-28 099.5 30 fr GOT a 1220 0-33

EASY

WPRR 4211 11411 40-36 103013

95700 0-30 06E 024 WE an 9511L a-31 WIMP 0-38 1.1.17) 37-29

SOUTH

1692 33-28 612 0-28 RCSF m WAD 33-31 5711 a-40 on a-31 WW1 a-33 R(SR 023 VIS 8-30 890.a25 1211 an 0101 ROO a-33 IOW 0-37 431111 0-25 ma a-35

11 Ca 38-31 I411 on fr 10018 35-29 was 8-33

WIDEST

u83 a-39 170 0-39 WW1 29-26 v1/d6 ICIL a1 8E* 0.T9 4-20 1¢10 a-36 w22 3.25 794 4-26 80R a-20 V91 e-33 WW1 a-30 vazi a-34 IOW 0-33 InI on fr 0900 0-26 KCMG 27-22 000 4-34 998G on 1095 a-29 11,41. 27-25 VOW 35-32 174V 37-25 41PC 3-32

I6T

1077 35-30 I(113 027 1®2 40-30 1T15 a-40 09a an 11111 40-35 0óRmfr 001 an KM 4-38 78N E-31 12Lz 0-39 197 0-32 0295 -35 1F7M 38-30

B BAD COMPANY Walk Through Fire (Arco) LP Holy Water


Parallel Regional Peach Reach P7 217E

E 59% P2 67%

S 72% P3 92%

N

8 441; 411 Chart 33a>loary Pos P7 P2 P3 Tot

1 0 0 0 0

National 2-5 0 0 0 0

Suusar3 6-15 2 4 0 6

UP 116 16-40 9 66 63 138

DEW 18 Ora 0 5 1 6

SAME 16 Adds 1 2 3 6

DOWN 0 Ch Adds2 1 0 3

ADDS 9 Total 14 78 67 159

EAST

894 2928 PRO -M 4-32

PW95 a-27 KM 12-10 WA 26-22

81011-9I

0102 28-255 PIER 2421 111.3 29-27 8nR37R CIE 0-25 H®0 23-13

*PST

KRIS 26-20 1(91 29 fr KW*

PAR

FLT92 31-30 1AAL 30-27 101 34-31 555R 34-30 JET -111 17-15 wen 30-25 w49 2923 WEE PWR92 35-32 H1J1 27-22 4031 27-24 999011 3026 1102 0-30 98017 2423 930 m 0ST 33-27 WRa 30.25 14012 30-26

W5?* 21-18 1MC8 2320

9781111

WPM 36-32 893 32 fr 1229 31-26 I95 2421

WSW 2421 WEE 34-31 lerA 35-29 0105 32-26 8906 an 1901 a P®c 36-33 WET 0-31

BAD ENGLISH

Straight To Your Heart (Epic) LP: Backlash


Parallel Regi

1

Reach Reach

1 Wí01

Pi w% S 61% P3 88% N 64%

W 35% Chart S1.4tuary Pm PI P2 P3 Tot

1 0 0 0 0 National 2-5 0 0 0 0 Statuary 6-15 1 2 0 3 UP 71 16-40 5 50 38 93 OEBS 23 One 1 10 21 32 SAW 34 Adds 0 3 3 6 DOWN 0 Ch Adds 1 0 2 3 ADS 9 Total 8 65 64 137

WIT 30-22 RAPE 27-23 IQ7f 27-21 KC 41-24 81TR 29-19 1BUI 3829

WAS 26-24 411100 30-26 RAW 39-32 08Tf 29-26 7107 26-23 11J1.0 28-26 118013 an 192 m I10227 n` [T7 32-26 VRD. 20-21

PDX 27 fr Riglt 17-15 18,011 30-27 RCR 29-26 16019 a -n 96.570 32-27 09105 25-20 wits 3o-27 5M 28 WU a1 551C 4-21 2104 28-25 1J103 4-33 ROM 2221 1293 29-26 171E 30.26 8129-T Ken 17-15 0121 2928 11m 2625 002 2126 000 28-25 e07 2423

vest

1995 29-26 8122 30-26 811104 18-16 1w2 4-34 099.5 20 fr 0429 36-32

ILLST

8109 24-20 wit 31-27 10E111 029 95127! 29-22 *PE a27 1WTP 33-77 104 0-39 14110 4-35

SOR11

O 9I 27-22 1012 2824 14L9' 34-27

WAD 30-28 Win a-33 049 30-23 114 39-35 IISR 26-24 WRS a-34 H90 2724 19M Q II 27-20 0101 29-27 14a 31-24 oIDE 3124 WW1 a WILE 2725 1117 33-29 81I7I 31 fr 1019 24-22 vac 37-30

1aD1r-9r

wan a-40 107 24-19 VIM 20-16 YaM d-33 W01L 34-34 H11R a24 O .79 39-27 8210 36-32 0BI2 20-19 194 25-19 1047 a24 1181 31-26 W1(111 20-18 Wan 33-30 O 112 25-20 On a1 fr R510 20-18 80oG 35-35 OM a-33 996 36-33 8G95 2620 CAT 26-23 V/BR 2724 011 19-16 WPC 29-26

11197

1001 60-34 16IR a W A 36-32 8Ta5 37-23 090 3229 61I 32-26 O 72 35 fr 001 38-35 1187 22-16 7110 a-35 1702 3024 0895 34-24 K7M 40-36

111 10.509 994 26-24 PRO8 4-35

scam

Pw95 2423 090 IT -15 0105 0-30

800057

03E0 0-31

WEST

On 3021

4057

11.192 2925 W AAL 2825 WSR2 0-34 5558 35-32 JET -411 23-20 WIC 4-29 014192 8-37 448 33-27 401187 a-34 17101 25-20 4021 2523 999141 34-32 0102 8-25 98P0 15-13 930 an WPS1 an 0a 36-30 um 32-29 wsn 34-30 Wí43 2221

SOUTH

VW a-39 196.7 37-35 RUB 0-39 17 29-25 WHa 31-28 WSA 38-32 0105 3428 090 a P® 0-39 WET on 0!P 38-29

10/95 a RAPE 29-27 807 31-27 81M945 32-29 KTI1 34-28 10JI 4-36 vABB on Y01f 33-30 3.1067 4-29 2102 40 fr 1701 a-31 W94 m

1405D O fr 1799 25-20 *1110 32-28 96670 39-36 28105 34-29 wain 0-38 win m WIC 2104 35-32 8oc0 23-22 V2 18-14 000 on WRa1 4-30 8107 29-26 1RRD a1 MOT 2524

11157

1195 40-37 4>a m

161 m an 8101 25-22 nIz a-33 42211 38-35

UST

071R 30-24 55n 33-29 103014 m 951n 32-29 4191 m W1.^ 34-31 95111 32-30 101P 37-35 Y1}0 35-32

smell

001 3D-26 1012 on WS, an

W an 0-39 Ala 37-34 431E a-39 1IS4 19-16 VfRS an WO an I9M 26-24 1¢21 a1 ptol m 100 33-28 C10E 39-36 nix a-34 I10 37-32 awn m fr aIN 29-26 551u 39-36

xi00-97

*8n an 1iTT 35-31 W811 2724 W W1 a

141.111 a25 10.19 a 2210 m WI2 25-23 794 30-25 1a7 2721 W704 35-32 1463 m wan 4-31 f 4C7 39-36 K9R on fr 1340 425 802 33-28 012 3430 9910 3.-40

An 2528 1088 4-35 1P1a1 23-18 nvc 33-30

was -

107T on Im02 35-34 1176 on 8P87 a1 MIX a-38 KT2m1r fltE 17917 34-29 7101 m 1202 38-34 a7 m 0911

BELL BIV DEVOE

Word To The Mutha (MCA) LP: WBBD BOotcity The Remit Album


Paral le Regional Reach Reach (Ni A) F139s E 29% P2 27% S 27% P3 12% N 11% W 37% Chart Statuary

Pm P1 P2 P3 Tot 1 0 0 0 0

National 2-5 0 0 0 0 Statuary 6-15 5 1 0 6 UP 27 16-40 14 24 2 40 DE ES 17 One 0 2 4 6 SAW 8 Adds 2 4 3 9 DOWN 0 Ch Adds 0 1 0 1

ADDS 10 Total 21 32 9 62

EAST

WAS /9-26 VID0 3022 10297 31-29 11102 22-12 006 3.-30 P RO -Fit 8-3' 11PGC 12-9

SO7H

PW99 29-2' On 13-13 108E 26-23 CT8 8-30 P44E10 27-21

01)057

896 25-22 4210 3'526 Hin

WPM

6104 15-12 P1R106 a APR 4-28 111102 17-15 090. 19-17 107977 4-28

use

F0.T92 V053 a 101s5 4-27 0911107 33-28 401:1 29-27 999011 8-37 840 31-27 IKnA r28 S0Ví14

893 31 rr WE a WIZ 32.26

12211 4-34 1P8R 0-27 WIT on 147795 0-30 KIWI 4-36 0107 a-33 1.1114 36-35 YT'v at

8í030T

mart 20-14 02105 Tí28 42411 4

REST

ASS e-21 04n 2927

995 27-38 10102 4.22 194 19-18

11281 25.23 1700 0-33 COI 2326 290 3.27 1414 21.20

PAR

o la m Wea 1110E m 8741 .1-32

20137

ROrt a RP67

170.5 130 0-19 K51 797 an


Rush (Columbia) LP: The Globe


Parallel. Regional Reach Reach NiA) P1 7%

E 29% P3 2 S 23% n 16%

u 24%

National Statuary UP 3 DEBS 7

SAW 27 DOWN 0 ADDS 18

Chart Smeary Pm P1 P2 P3 Tot

1 0 0 0 0

2-5 0 0 0 0 6-15 0 1 0 1

16-40 0 8 3 11

Ons 1 12 12 25 Adds 2 6 8 16

Qt Adds 1 1 0 2 Total 4 28 23 55

WAAL on HJ.1 4-36 RC101 26-22 WO: van 932 0951 an VPa m tiAt a vS16

500TH

P®0 a1 893 36 rr 196.7 4-40 I95 4-30 0WJ 0-40 va 8-38 VAR an 11.11.0 37-36 R702 an ROW

001 8-27 1471947 fr 8111 m

VI=

1an 1*O0 3.-16 107949 at 099.5 an fr MU on

1110 6AR

gm 0-33

01.111 00P an 11173 39-39

1aa 99I W 3AD

ma 314111

8158 on RIM an

480057

Win an 07T an 068 an 0C2 2924 1010C on 9022 m

MICHAEL BOLTON Time, Love And... (Columbia) LP: Time. Love & Tenderness


Regicnal Reach E 86% S 86% R 91%

W 63%

National Slal®ry UP 87 DEW 0 SAW 64 DCYN 46 ADDS 3

o Parallel

Reach P7 65% P2 81% P3 96%

Chart Sucanry Poe P7 P2 P3 Tot

1 2 12 3 17 2-5 11 44 38 93

6-15 17 28 21 66 16-40 4 9 8 21

Oros() 0 0 0 Adds 1 1 0 2

Ch Adds 0 1 0 1

Total 35 95 70 200

P.47

B104 6-7 was 10-6 41110 5-4 2100 3-9 89LI 6-6 994 5-5 R10-18 14-13 090L 2322

10899 7-15 KLL 15-13 5595 20-17 91196 1100 5-5 897 7-4 4192 3-2 2.61 1G 15-16 ]105 9-6

K OG4T

0102 43 1.110 13-10

SOUTH

*w3. 3-6 196.7 11-7 8181 10-6 020 2-1 I95 7-5 1091 1-7 WQZ a-8 Ina 2-2 120 3-3 8211 23-16 1105 410 006 6-3 am 3-2 WIRE 3-8 W M 8.4 161? 5-5 40795 412 VAR 8-15 WW1 5.4 10985 8-4 0411 7-6 1DJI 61 Rus 2-2 8100 2-1 WARM 7-6 Wit 7-12 0($N 2(423 0107 H

eAsr

111,14 2-10 091 8a 103C13 5-2 9520E 2-2 Y6E 43 14/TT 10-11 9582L 2-2 ta11E 3-3 woo 3-3

091 1-4 4912 S-4 1951 7-11 WAD 13-17 PM 2-4 DOA 3-10 V.170 2-2 W11s 5-3 WE 3-2 EWE 43 1721 2-2 0101 2-2

Manah Carey Continued

MHR 3-2 *ICI 2-2 no 22-20 win 615 }L 1-I

col 9 fr NOT/ 02 18-13 on 1-6

19H11 4.12

idler

E LT'.

10.792 1-7 RA® 6-5 WA9 2-2 It's. 16-16 WIZ 9-8 WA 2-1 J12 -454 1-2 0032 12-10 WAS 17-17 Itff 5-3 184192 1-1 HNN 43 1671107 9-9 04101 12 18(:0 1-1 999011 1-1 CIO 10-5 ICJ'I 14-33 *xI 15-25 1102 1-3 98PIT 2-3 931 5-3 wPST 4.4 mac 3-5 5Q2 17-15

V61V 16-16 4143 5-5

3.1067 12-12 100p 3-3 192 21-19 2102 8 fr 00 1-13 1I027 3-2 wad 3-3

8013037

19m 3 fr 401947 14 R 1124 12-8 H.T2 2-2 1810 15-14 96970 7-7 C1105 11-10 1144 3-2 wam 3-2 1121 6-3 WC 20-11 2104 9-7 RJ103 2-4 1aG 5-4 8293 5-3 R4a 1-1 4100 10-5 CWT 1-1 oim 1871 3.1 [107 4.2 16]E 2-1 war 3-3

1695 44 1II1 2-2 00C 8 fr 153E 6-6 1WC 2420 111104 3-1 1780 8-13 012 8-5 W TI 7-5 020 2-2

100 5-16 11111E 2-7 V iN 6-22 KM 5-13 WC 8-4 WA 4 fr aIM e-27 5500 4-3

419V67

van 12-8 1777 9-7 1811 41 8aM .4 ICIL 10-10 It. 6-3 KW 2-2 1210 6-6 W822 3-2 794 11-10 109? 5-5 5rB8 6-4 411311 23-23 SAZ! 2-2 CCZ 8-7 Kn3fr Cl! 12-5 102 4-2 10100 2-13 996 2-1 695 6-21 OAT 1-2 HUM 2-2 VAC 1-6

WEST

1071 3-1 1108 2-2 IO02 6-7 1T15 2-2 K90 2-6 IKII 2-2 100 23-21 O 775 fr 1730 13-12 D M 94 MR 32 21111 4-3 1051 15-12 8ID2 5-23 797 7-13 0195 3-2 06911 2-2

BOYZ II GLEN

Motow iphilly (Motown) LP: Cooleyhighharmony

Total Reports 188 77% Parallel

Reglora. Reach Read) pi 85% E 78% P2 79% s 85% P3 67% M 73% 5 70% Chart Smeary

Poe P1 P2 P3 Tot

National 2-6 13 21 7 41 Spry 6-15 19 41 19 79 UP 132 16-40 9 18 16 43 DEBS 4 Ora 0 0 4 4 SAW 11 Adds 0 2 2 4 DOWN 15 Ch Adds 0 1 1 2 ADDS 6 Total 46 93 49 188

164r

6104 a-19 WAS 3-2 *IA11 2 2 10797 4--8 00 13.11 2190 11-8 0LI 31 02 16-17 994 23.11 PRO -10. 1.1 REA 2-2 1900 a24 SOUTH

P099 1-1 1!&L 416 16495 8-6 111a 7-12 1015 18-15 PW96 8.6 997 L'-17 092 12-9

E 7P8 52 POEG 5-3 01055-3

800BT

896 B-5

0102 32-29

W110 6-5 11418 1412 11111 3-6 WIT 1-1 1raL 149 MD. 23-18 AR 2 fr 1107102 7-2 ewe I11-15 16C 10-6

Vise

6104 822 107-5 4-4 244 636 6-9 131-8 2-1 W . 17-10 ®1 1-2 8112 7-9 010. 2-7 401677 8-10 CPU. 143 Corr 16-13

119 x119'

rt.192 6-3 1A® 12-10 RAY. 21-19 wet. 17-15 W112 12-4 WEE 11_7 11111 15-12 WCa 2-1 1CY 20-14 H_.N 18-14 00N100 1-1 8C101 41 111LR 6--6

51141 6-3 vsP1c 3-2 va x 32 T102 27-26 930 15-13 *3a 5-3 a5 13-10 1(IIA 32 vTCR 2419

900TH

*®0 16-17 993 5 fr 196.7 12-8 131f 16-15 OM 1 3- 11 I95 11-6 164 2-2 no 5-4 wa 8-6 *00.1 40-29 121111 1-7 2105 15-13 KW/ 2-2 1916 15-12 161 13-7 P® 147 *8147 52 WIT 10795 1-1 RAPE 2-1 WII 28-23 819945 21-16 K0 12-9 1E.13 71-26 WAS 20-17 RA® 15-1 W11 a KIWI t-1 0107 8-7 11.1067 11-6 *AA 13-6 080 2220 192 15-9 2102 5 fr 11o99 13-12 V4m. 35-32

117947 10 fr 8W7 3-1 1P R 424 1472 2623 1E 0 4-29 96570 13-10 28105 5-4 WEE 12-9 501D 13-10 WIC 21-15 w 103 3-3 IMO 15-14 8293 17-14 1f/At 8-25

1211112 11-9 1301 11-9 1107 147 11143 15-10 007 8-6

west

ass 2-1 MO 32 095 25-22 MC 2 fr 190 30-25

194 1-1 KILO 11-8 1CÁ0 5-3 nee 7-4 1021 1-2 1107949 10-7 099.5 19 fr 290 3.3 rent 8-7 8220 35-28 Do 1-1

6.Lsr

WIT 16-14 95411 A-23 1468 95120 a 1011 27-20 wet 27-19

0080

001 25-25 WAD 19-12 501 149 WIGS 15-11 W e 138 194 109 1211 24-22 0101 25-19 Ma 18-14 840E 1413 warp 30-29 WI1N 17-12 110 10-5 8140 6-10 W TI m fr 105 11-6

810037

53.0 14-18 *BM 18-8

18101 2-2 10.03 12-5 O 79 3434 1210 29-23 13.7 22-15 WAIT 22-16 4202 23-19 1711 m fr WPC 0-21 00IC 31-24 Mc an 9900. 10-7 1095 19-12 5580 21-18

WW1

ROOT 5-4 moat 1002 3724 0B0 20-17 07231 fr 178 7-5 2219 15-12 OM 5-2 RID: 9-5 197 11-7 O 911 23-14

c C & C MUSIC FACTORY

Things That Make You Go...(Columbia) LP: Gonna Make You Sweat


Parallel Regional Reach Reach P1 78% E 75% P2 85% 5 88% P3 78% N 77% u 85% chart Sa mart'

Pce PI P2 P3 Tot 1 1 6 0 7

Naticral 2-5 20 35 21 76 SA/Wary 6-15 18 45 23 86 UP 104 16-40 3 13 12 28 DERS 1 Ono 0 0 0 0 581E 61 Adds 0 0 0 0 DOWN 31 Ch Adds 0 0 1 1

ADDS 1 Total 42 99 57 198

use

W16 6-4 VIM 9-8 110797 10-12 70.10 7-6 2100 6-21 *9L1 2-3 B94 2-2 *CO 9.4 PR0-8 14-9

WAVA 7-4

311711

P4R99 11-10 KEEL 10-9

P14195 6-4 1019E 4-3 PWR96 7-13 997 5-13 Mv2 8-7 ma 2-1 p8119 1G 4-6 0105 12

1GW-R

996 2-2 0102 5-5 *.R11 4-6 10n H 14r0 4.4 Kn. 7-3 1210 3 fr 4)I102 21-16 611fi 3-3 WE 2-2

8$104 4-4 MS 9-9 10106 5-4 0071 7-7 6T -n1 6-5 tpa S2 12I 12-13 0106 9-15 D 918-0 101477 13-18 1012 3-11 C3a 9-6

8857

41.792 2-5 WA® 9-9 vAAL 3-3 OSE 3-3 v11I2 13-11

55SR 3-2 wM 6-6 190s 3-3 1@E 12-9 ?W92 7-5 P08107 3-3 6101 5-5 9991011 13 -II Wn1r 11-10 W5P1 1-6 eau 1220 0102 6-5 98P0 13-12 931 1t-7 *Ra 2-1

140z 3-I 60.71 B-6 4143 13-6

501711

we0 9-4 993 13 fr 196.7 18-14 8178 1-1 1270 21-18 195 9-23 13.51 6-4 1122 11-11 WE 32-36

21-17 128 5-5 0105 1-1 1083 8-8 1106 3-2 1092 7-3 Rao 9-13 wee 10-20 RATE H 022E 16-16 Ia[I 2-5 108945 13-7 WIT 10-8 1X1 12-19 CAM 12-12 971003.-39 0498 6-3

YOM H 188 10.1 0107 73-11 3.1067 3.3 WIA 002 1411 192 6-5 2102 10 fr 111 7-5 8100 7-5 0171. 15-15

8003051

OmD 6 fr 1107947 9 fr 11R 6-6 088 11-10 WA 6-5 OM 23-26 96570 6-6 021053-3 WEE 6-5 laE 6-4 1/11 11-9 wIC 12-9 W103 26-23 11710 7-6 8293 9-0 *2a 7-6 4211 4-3 Pwx 6-7 101E 12-7 00 4-2

0S[

OMS B-0 MCA 6-6 095 8-7 IDC9Tr 151D 7-5 P0102 5-3 I94 4-4 o13C 20-17 1,104 8-5

1CÁ0 2-5 K1f7 31-27 1D4I 8-7

807949 5-3 099.5 6 fr 290 1-1 On 1-I 1220 5-ó MI N 3-7 00 14-15

PA67

Sn3 17-19 103010 13-7 95002 3-3 9521L 10-8 lao H 33E111

1R91 8-0 1022 3-3

14LSP 1724 WAD 19..4 11212 42 4214[ 8-14

15 8-7 W82 4-4 1984 6-5 cm 11-7 1a11 13-9 810E 17-17 WTI 8-4 0LM 3-2 1I1n32 W00 9-6 WA 25 fr 5595 5-5

40D03T

1MK 6-4 wan 7-3 WC1L 16-13 Wad 17-9 IL0 27-28 8210 8-7 11117 28-17 WT81 25-21 W0.'1 8-3 AC2 7-18 RFn 4 fr 1011 26.24 102 10-9 8ElC 18-17 9910 48 8095 8-7 KAT 4-18 10114 6-6 v1PC 17-13

REST

RON 9-7 RPRR 17-17 1972 2-2 17R5 11-9 0T0 11-7 1011 5-4 10242 2422 i717 I7 1TRK 3-2 O 49 14-10 AA 12-10 AEI 13-11 8ID23-3 797 42 1118 4-4

MARIAH CAREY

Emotions (Columbia) LP: Emotions


Parallel Regional Reach Reach P1 98%

E 98% P2 95% S 99% P3 99% N 94% W 981 Chart S1m®ry

Pce P1 P2 P3 Tot 1 0 0 0

National 2-5 1 2 3 6 Smaxary 6-15 34 46 36 116 UP 223 16-40 18 63 33 114 DEW 0 Ose 0 0 0 0 SAW 12 Adds 0 0 0 0 DORM 1 Ch Adds 0 0 0 0 ADDS 0 Total 53 111 72 236

EAST

B104 17-14 005 20-17 WOJU 22-12 10197 19-11 10.70 19-16 2100 19-15 8L1 22-20 000 9-8 994 16-14 WO 94 PRO -P8 21-18 PAVA 25-23 04C 2421

021710

PW99 12-11 EEL 26-19 15995 13-11 IffiI 1418 O ff 10-7 0v896 22-18

11O0 18-13 977 20 40192

25 -

AIM 30-24 R9PIG 1411 0105 21-14

996 19-15 0102 30-28 Y110 16-7 51X8 11-7 141CI 20-11 101 19-14 WIT 17-11 wt. 20-15 ® 16-12 0204 4 fr 401102 32-23

VPa 18-80 010 31-27 16711 24-18 Pan 31-27 vTCR 20-16

W®0 4020 433 24 fr 896.7 2621 89M'2721 O W 16-14 I95 18-14 VSSI 21-13 Waz 6-5 war 17-12 020 28-20 I(7P8 3324 0105 2924 O AR 2416 00P 27-25 1951 23-18 YB3 28-20 WO 20-18 1701 33-24 190955 23-16 PAR 19-13 8PR 32-25 1RI 22-18 P90945 29-26 AR11 33-23 YUI 3027

V71L5 17-11 1,100 28-23

PABB 32-23 WV 20.14 1180 38-23 1107 27-28 1.1067 22-13 YJIA 18-12 0V0 29-27 192 2421 2102 29 fr 070 26-12 14779 19-16 I97L 13-5

0420 3124 IMO 19-8 190 25-19

E157

WA 8 21-12 HFI 19-16 103CIR 29-15 95111 17-11 4496 21-15 VIIP 25-14 95111. 2415 101P 34-33 Yf1O 21-17

sun 091 10-5 1012 15-9 WRSr 29-18 WAD 23-10 VW 21-14 007 19-8 d.00 23.11 1154 13-5 *í1L5 22-18 09e 15-11 0481 20-18 1211 22-14 0101 17-12 ROO 28-19 040 10-8 110911 13-9 VIN 22-15 811T 22-10 3118 30-13 K IM 19 fr 1815 25-18 Ves 32-22

810997

vox 22-20 OTT 29-20

Continued On Next Column Parallels Continued on Page 130

130 RaR September 13,1991 PARALLELS® Michael Bolton Continued

KO" 19-13 wBO 20.16

111583!

Wt2U 22 fr IFST 108947 20 92

*WrT 14-8 D07 19-9 W01 25-19 6104 16-14 H.TZ 25-17 KITS 16-12 IOOQ 19-15 820106 2822 96680 26-15 10E11 24.22 18105 15.8 821-00 25-18 MEE 2340 A32 30-23 6-n0 34-31 NGI 17-16 VIII 15-14

733102 13-11 WIC 15-7 KISV 15 rr 2104 23.17 9106 11-9 031103 16-12 nEl. 13-9 KM 19-18 801977 2741 K293 20-16 KPL2 23-16 lam 19-14 K1118 19-14 DOrT 14.10

iill 0710 25-22 10106 2423 1101 20.10 ROD 21-16

E AST 480r 14.11

Pt.192 20-12 41 -sr sus 24-16 WAAL 15-9 101SS 12-11 I/LSE 26-26 RIII 20-14 11102 21-18 K175 27-17 W21 29-8 KIII 12-7 *012 26-13 MG z6 92 4415 16.13 1680 28-19 WLZS 25-18 995 17-10 MaE 23-17 767102 25-15 4092 29-16 I94 17-16

6L1N 15-10 MAX 2141 308107 14-10 114104 21-17 KC101 15.11 IfJA 24-16 10EN 16-10 KM 34-31 99961 15-13 11001 2623 *7112822 4019*9 19-13 6576 27-13 099.5 23 n- 16811 19-9 290 29-26 1102 26-19 6717 17-12 98711 9-6 930 2420 WPST 3622

Ne'«, 31-26 9888 33-14 16L 28-23 11.RW 20-15 an 12-5 6I0 2722 61512 23-15 194 21-17 [art 14-12 1100 29-22 WOT 15-13 WAZT 31-18 10E2 21-15 MX 24 rr 163I 18-16 KOOG 20-17 DEC 22-14

99KG 22-15 109510-6 VAT 17-12 VDBe 18-15 nP3 2623

MT/

1001 26-17 VIR 16-12 um 26-16 (70.5 25-16 1997 27-23 0111 26-17 6q0 9-10 o n 27 92 ITRI 27-15 04: 28-22 (MZ 31-22 ZPIY 25-17 115I 22-14 1202 22-14 191 15-12 1895 38-18 0718 25-16

MARC COHN Silver Thunderbird (Atlantic) LP: Marc Cohn

Total Reporta 54 22%

Reglorlal Reach E 18% S 22% N 31% W 17%

NIA Parallel

Reach PI 6%

P2 22% P3 34%

Chart Smeary Poe P1 P2 P3 Tot

1 0 0 0 0 National 2-5 0 0 0 0 Summary 6-15 0 3 3 6 UP 34 16-40 2 19 18 39 DEBS 0 Oro 1 4 4 9 SANE 19 Adds 0 0 0 0 DOWN 1 Ch Adds 0 0 0 0 ADDS 0 Total 3 26 25 54

Dos 20-20

61421St

MC1 18-íB

VFST

Q91m 92

WALL 38-37 JET -433 11-I1 WER2 2523 78892 *751 37-36 *576 39-39

KW 29-20 6306 2221

¿OE on 62711 23-23 wan 29-23 KKT0 2724 FM100 20,25 w90 30-28 2102 31 fr 61R 12.11

MIDIFST

IMO 2992 WIC 28-27 W1ú 2827 0.1103 2815 IW17 1p-6 6107 on

WEST

095 2423 KM 27-25 099.5 m fr KZ211 33-30

eAsr

4RR1 2723 NIT 23-22 IMF 16.13

semi

13I2 an *GO 39-38 61103 2B -n 6rR3 on 096 2422

iGD1E41

FTTT 2523 WCIL on CAT 33-26 0210 2624 18112 14-14 194 24-23 Ma 3428

1.1211 2522 K11% 27 92 l0IC 23-19 99106 33-29 1095 29-26 "Ad 11-9

4127

ROU1 on DDZ 36-35 O 785 29-29 04: 29.25

COLOR ME BAD() I Adore Mi Amor (Giant) LP: C.M.B.


Parallel Regional Reach Reach

11131 P1 96%

E 94% P2 92% 5 96% P3 96% M 92% W 96% Chart Summary

Poe P1 P2 P3 Tot 1 11 12 11 34 National 2-5 20 36 27 83

Summary 6-15 16 43 22 81 UP 192 16-40 4 15 10 29 DEBS 3 Oros 0 1 0 1

SANE 32 Adds 1 0 0 1

DOWN 1 Ch Adds 0 1 0 1

ADDS 2 Total 52 108 70 230

111 EAST

6104 6013 9-7 87DÚ 11-4 10197 1-1 1610 12-9 2100 5-2 ASS 16-14 100 6-5 B91 21-19 WARP 3-3 PROM 9-5 VAYA 10-6 WCC e-3

3302.

Pw99 10-9 IML 13-10 PW95 14-12 an 2-1 am 13-12 26996 6-4 1100 21-16 697 4.3 48TW2 6-4 KTFT 5-4 PwPN 6-4 9105 7-5

Cr B96 10-9 0102 21-18 640 7-1 61.1411 9-5 we= 12-5 *DPI 52 W7T 10-7 WZPL 17-12 KM/ 17-15 IMP IO fr 107102 14-7 RIDB 10-7 4400 28-26

;Awl' 19-17 Wm 8-4 1811Z 25-22 MIA 17-12 WTa .-27

sorts

IRBp 4-1 893 6 h 096.7 18-13 W1RP 13-10 028 5-4 195 5-4 1650 14-9 *181 7-6 w0- 5-3 11vA 12-10 101186-4 1105 11-7 RPRO 7-5 W® 11-8 W6I 17-12 WO) 2-2 M6rT 7-3 WEEP 18-13 18/795 10.3 wAPE 10-7 WII 24-20 19111995 19-10 tom a-4 WAX 15-12 622 9-5 831100 6-3 YOB 10-9 414111 6-3 IHF11 12-5 1107 6-1 0.1067 8-5 6.1112 7-1 MO 20.17 K92 as 2102 4 fr RTI4 8-6 HOW 21-1T MII. 10-9

MIDWP-ST

«DO N rr

Km 52 IZIl1 32-25 2*1N 4-3 AN 0-3

UM'

VPRR 32 64111 72 10330 30-16 9510044 4887E 7-5 wTP 12-8 95111 6.23 140 2-2 111110 18-10

S3m1

008 28.26 1012 4-1 IMF 26-12 9JÁ0 16-6 ¿CI 11-5 013 1-1 (*230 7-6 0WSR X1-11 6713.7 12-6 820. 2-1 691 2-2 021I 3-1 0101 B.7 1010 3-3 1xP 6-5 VI LAR 3-1 *11* 9-6 1107 2-1 lirvir 3-3 171 16 fr 02856-4

Wm831

"XI 7-1 cm 6-4 OK 23-21

Color Me Badd Continued

VEST

85104 1-1 KI2S 3-3 718106 1-1 MA 10-5 ROT -FM 12-9

00RZ 9-1 ROGI 2-1 41102 2-2 K131 3 fr 0106 3-1 DLL 2-1 101977 3-1 IOU 42 K UBE 4-1

EAtt

41192 18-10 van 10-8 *AAL 18-18 1aSE 10-7 V1[2 10-5 M'SP 8-5 ¿CO 3-17 M04. 6-5 «SS 42 HOt 7.4 WY 5-4 30N10/ 8.6 KC101 14.7 11091 5-5 999101I 10-9 Ví11 12-8 a6PK 11-5 WW1 1-1 T102 11-6 98701 14.11 930 12-8

1101941 11 1133

V48n 0-23 WI) 19-16

Y6T2 12-9 IR10 20.19 96310 15-11 31105 2-1 Ma 9-8 MaD 10-8 WIII 21-15 WIC 22-16 2104 10-8 IJ103 I-1 I180 10-9 1293 13-10 6rl[lt 255-17 AOn 7-5 KM 9-7 HEt71 14-12 R107 24-18 MC 11-2 W07 2-1

415 5-4 Km 4.1 1095 5-3 KIII 3-1 RAG 11 h Ia*D 15-12 895 1-1 7111302 22 194 7-7 ELK 12-7 833104 5-2 KCAO 6-1 8081 17-12 Ata 7-3 11079*9 32 099.5 1 re 290 8-5

6060 15-7 11[33. 6-5 wow 16.13

0.1W 5-4 MO 22-14 194 18-20 Ian 4-2 WTEB 22-16

18671 12-7 YA2i 14-4 IOW 2-1 1711 6 fr WSW 16-15 1030 9-8 KRUC 16-9 9500 9-6 1095 26-18 VAT 23-21 605R 17-14 N1PC 13.11

1427

KG" 6-3 IPIR 8-5 AI)Z 7-1 [785 5-3 O 7A 12-4 KOII 7-3 RCM 5-3 K iTZ 6 fr 111111 5-1 RI40 21-17 Mr 5-3 710N 13-11 V51 6-4 Ir7DZ 6-2 197 5-4 1895 8-5 KITM 3-1

D CATHY DENNIS Too Many Walls (Polydor/PLG) LP: Move To Thts


Parallel Regional Reach Reach O P1 76% E 90% P2 82% S 88% P3 93% II 84% W 741 Chart Summary

Pos P1 P2 P3 Tot 1 0 3 2 5

National 2-5 7 36 29 72 Summary 6-15 21 63 29 93 UP 135 16-40 12 13 7 32 DEBS 2 Ono() 0 0 0 SAME 41 Adds 0 1 2 DOWN 24 Ch Adds 0 1 0 1

ADDS 3 Total 41 96 68 205

PIST

0100 11-10 vías 11-18 WmW 7-S 160 11-10 2100 9-6 Kw 17-15 094 13-13 41111 22-21 7RO-F9 5-3 YAYA 20-20

Sturm

181399 2-12 KIEL 1822 P6195 15-15 18296 27-25 1100 10-6 B77 8-7 wiz 4-3 WRPIG 8-12 0105 6-4

611NESI

896 22-19 0102 2724 0200 22-17 117511 12-9 INC 15-3 ó01t 25-22 HLR. 15-11 1180 D OB 8 92 401102 12-10 Dire 5-4 3300 8.20

ROn 9-12 K11S 17-16 7w106 11-11 MT 28-26 NT -n1 5-4 410 10.7 115M 14 fr 0106 10.10 (/M/ 7-7 N18 10-7

EAST

n.792 5-11 WE8 15.12 *AAL 11-10 WLSE 2-1 8102 20-17 w511 4-3 tERi 9-6 WOO 4.3 *6S 13-11 wan 11-7 Pw92 5-8 M.IN 3-1 FVN107 12-12 KC1a1 3-3 4Ga 3-3 99901I 4-4 61111 15-12 WIT 8-7 WMx 11-10 7102 5-4 98701 4-2 930 14-11 WSf 7-6

vita 12-11 MI 52 WT6 5-3 WAIA 19-18 WILT 9-3

SOWN

W®0 10-11 B93 11 fr R96.7 4.3 WE1E 2-2 K21B 9-8 I95 8-7 02252 9-3 wa. 2423 *370 9-7 O 211 2-1 1105 2-5 VRR 6-18 w0 7-5 1161 14-0 W HO 4-3 wart 12-9 6ZTP 12-8 10795 2-5 62.1 -30 700945 7-3 60JI 5-5 MS 3-3 F11100 10-8 WABB 8-7

M110 5-5 RBn1 19-19 T107 5-2 0.1067 42 WLO 9-0 WRWO 7-13 192 3-3 2102 16 fr Erin 5-3 tall 9-7

MD2092 1101987 22 fr *MIT 5-3 wTt 5-3 MC 24-20 96510 8si WE 8-7

Ma10 7-6 V10I 13-12 wIC 9-3 2104 17-21 62103 16-13 K M 14-13 0293 12-1t MK 14-12 Dm 15-13 Mot 10-5 1107 9-11 101D 9-6 W67 6-5

VEST

IP95 7-5 KIII 6-3 COL 1 rr ISIO 9-8

11.110 3-2 M104 2-0 I089 7-4 Rw2 20-20 K C" 15-14 099.5 3 fr e RI 15-27 102U 11-10 MIN 26-26 100 9-10

EAST

*027 5-5 10326 6-3 95000 7-5 480E 9-6 1841? 11-9 95313. 5-5 wow 8-7 4810 5-4

Sarni

KI9I 22-19 ( 0a 7-6 4830 19-14 WAD 10-19 brat 5-3 q qt 6-4 6J10 9-7 113R 42 *105 7-4 wa 7-5 IStIt 5-4 4711 4-3 0101 5-4 K00 7-6 120E5-4

*BPR 6-6 nu1 7-4 K107 6-3 *4n 15-15 Drrl 12 Cr I6I8 723 w83 0-7

11016'-57

vim 10-9 KM 6-25 MIEO *8215 52 AM 20-21 IAN 7-1 1217 15-15 1230 2-5 WIZ 5-3 794 13-13 1011 16-13 *AZT 9-7 D GZ 9-9 OR1 2 fr VSNIt 13-7 A02 11-10 MG H 9920 13-12 1095 3-3 APAT 4-3 1050 6-5 WPC 2-1

*EST

UM 10-10 KPIB 6-4 KID2 8-4 KM 9-5

80 7-18 101[ 6-5 1211z6fr RiM 11-10 041 12-11 01187 6-11

21VN 7-5 13101 10.16 K292 7-7 197 10.10 1895 7-6 0741 6-5

E EMF Lies (EMI) LP: Schubert Dip


Regional Reach E 141 S 26% M 19% W 26%

NiA Parallel

Reach P1 6%

P2 24% P3 29%

Chart Summary Pos P1 P2 P Tot

1 0 0 0 National 2-5 0 0 0 Summary 6-15 0 0 0 UP 0 16-40 0 0 0 DEBS 0 Ons 0 0 0 SALE 0 Adds 2 26 1 46 DONN 0 CT Adds 1 2 6 ADDS 52 Total 3 28 21 52

BüT

1189 11010 a-27

WEST

Kn2

110 EAST

n.T92 a 30H107 a 9991311 *n7r WOO

930 a

5370

[96.7 a-31

(228 I95 a *180 1217 181895

WADE 14íI KM 111067

MIDWEST

disiAl a25 96310

2104 KM a

VEST

I(755 1100 K18r2 KM) I0794 a

EAST

131P a

SOUTH

E10( 1L01

Kan O 1100

KM O 110

MIDWEST

K M a *522 103G -34 9911 a low a-37

WEST

1001 K7B0 ICII 8-40 RFQ RTC a 0115 a KEEN

EXTREME Hole Hearted (A&M) LP: Extreme II Pornogratitti


Regional Reach

S 85% N 88% W 50%

National Sim® UP 165 DEBS 8 SANE. 12 DOWN 0 ADDS 2

Parallel Reach

P1 46%

P2 79% P3 95%

Chart Summary Pos P1 P2 P3 Tot

1 0 2 0 2 2-5 3 5 9 17

6-15 9 46 32 87 16-40 10 40 28 78

Oro 1 0 0 1

Adds 0 0 0 0 Ch Adds 2 0 0 2

Total 25 93 69 187

EAST

5104 13-12 8000 7-5 too a-20 2102 a-26 WELT 29-26 691 124 PROM 16-15

Sam

70099 17-14 KILL an 78295 19-16 DX 6-4 OBE 19-17 11662 2721 º105 20.17

Cr 0102 24-15 mill a28 wCi 11-10 tan 29-24 R189 12-8 OIIR3492 4500 5-3

91S

1030 16-15 K315 29-21 121.2 17-12 TUBE 23-21

8192 24.21 WIEB 30-26 VAAL 14-13 336E 25-24 8102 19.16 WSR 23.18 JE7-49 6-3 tut 10-7 8243 21-16

WYE 0-27 78092 10-3 M.TN 16-11 300107 13-11 12101 13-9 4931 17-14 9990II 11-10 16111 40-35 1102 21-17 98112 23.17 932 18-12 HEST 20.18 WAX 15-13 1402 16-14 85111 9-6 4TCR 3-1

3075

W®2 20.15 893 34 fr 196.7 29-23 9114 0-32 K2Z5 24-21 I95 13-11

1601 16-10 MICE 18-14 109 11-9 0105 -15 HOOF 30-26 1862 a26 wean 19-14

WW1 14-0 *77P 13..6 40195 329 YAPE 14.11 A 7113-0 I43I 23-19 331945 31-28 OOK 6-2 3611 18-11 VAS 24-18 33100 a27 82262 2421 448! 14-9 1107 25-22 13.1067 26-23 *112 26-24 6RW0 23-21 892 29-24 2102 14 h MIX 16-0 6098 20-25 lm. 27-22

IDDHsr

LEDO 11 92 *Rnt 1-1 401997 23 92 WAR 8-4 WT2 16-12 CM 16-13 96570 11-8 31105 20-16 MEE 18-14 W1D 21-15 WIII 14-10 WW1C 13-5 2109 12-10 62103 21-16 1000 12-10 1793 22-18 Wa8 31-27 VIM 15-10 MT 16-13 81424 15-13 1107 15-13 Ora 2524 610D 14-1/ 480r 16-15

WM

1195 20.15 6Q 17-13 6510 20-16 FM104 11-9 Iw2 16-11 001949 24-19 099.5 21 fr 1011T 24-21 MU 14-12

LIST

WRIT 4.3 6933 14-12 10348 3-21 95121 18-16

WE 23-20 WTI S-5 95111 20-17 WO 18-15 wan 12-9

001 21-18 10212 2420 WrSP 14-0 WAD 9-7 16a0 2622 RACK 17-13

WAX 20-14 (ISR 8-4 Was 20.14 W40 21-18 E.9E 22-'9 103I 30-28 0101 15-14 K0n 21-18 1II0E 13-12 1111 18-16 1717 21-15 10147 a-34 13171 11 h RNIN 13-9 "BS 13-9

MEW=

Imo 30-24 1711 19-15 *ºAO 13-10 WBw 23-17 *Q3. 14-0 600* 19-16 D.TW 24-18 8110 11-9 *BIZ 13-10 194 6-5 K art 10-9 8792 13-10 6,211 7-5

WAIT 20-12 0GZ 18-16 K M 21 h 690 4-4 ROL 21-18 - 9-5

90400 14-9 1095 17-15 1217 11-9 w5R 20-17 171Y 10-7 *WPC 3-2

WEST

1007 155-12 MR 26-22 MI 18-10 I711t5 16-11 O 11 2621 Mil 23-19 0TL 18 fr 100: 26-23 11111 7-5 Z30N 11-8 UN 25-19 191 20-23 1895 17-10 e" 22-1S

F BILLY FALCON Power Windows (Jambco/Mercury) LP: Pretty Blue World


Regional Reach

E 411 S 471 M 55% W 37%

National Summary UP 71 DENS 7 SAW 25 DOWN 0 ADDS 8

EAST

vats 28-25 Wan on 2100 18-16

tan. 30-29 12t9 24-22

WEST

K IM 21 92 RP12 on

WAAL 26-22 0039 17-13 JET -46 18-16 VER2

15892 26.15 MS 31-25 WEN a 9991341 19-18 *1ST 17-14 1882 2726

saris

WNW 27-22 822B 29-25 NSA 17-11 1/CF 4-28 *10n 35-32 MP 32-25 *APE a-29 WOVr 14-12 024:1 12-10 008 16-15

m Parallel

Reach P1 19% P2 38% P3 77%

Chart Sawnry Pos P1 P2 P3 Tot

1 0 0 0 0 2-5 00 0 0

6-15 0 10 8 18 16-40 6 24 34 64

Ono 2 9 10 21 Adds 2 2 4 8

(T Adds 0 0 0 0 Total 10 45 56 111

iras 34-31 711100 11-9 W41 º6 1107 a-35 WW2 26-26 110220 fr 010 24-18

1800 o11 fr WNW 16.11 44T2 on a105 33-32 tQII 20.19 U103 I180 21-20 693 16-17 r..qr a-33 K M on

10011/ 26-25

VEST

IaII an ILS141 an 118104 19-18 407969 3026 099.5 on rr QM 17-14

EAST

*PPP "FI 27-25 103c1R 23-22 95II1a IBPE 0-29 WYE 4-32 1.09 on afro 2624

san. ROIZ on

YAW 32-25 003 39-37 ion 32-27

KLSR 16-13 VMS a 11º1B 2928 1211 an 9101 am O 10E 29-25 VILV 23-21 ( 1I1 34-30 (*Tx an IT ININ 19-14 6WBS 35-32

MGOWST

wen (M 20-16 "IL 17-15 óaf 30-27 VC1L 31-30 O .79on mo on 611112 22-21 194 22-21 W TB1t 18_15 4400 30-28 14427 26-24 0872 27-22 MI 29 92 K OOG 17-16

6NOC o1 9M0 18-14 EA AT 24-22 YDBB on 6F144 15-13 61PC 32-29

WST

N OT 23-22 IPIR 3029 1(8íz 31-27 128S 6-37 an 37-32 1012 37-33 RITZ 19 fr O LE 11-9 4M 17-12 721)0 28-22

O1M 32-31

FIREHOUSE Love Of A Lifetime (Epic) LP: Firehouse


Parallel Regional Rea YT

1111 561 E 78% P2 79% S 85% P3 93% 14 89% W 56% Chart Summary

Pos PI P2 P3 Tot 1 2 16 12 30 National 2-5 7 22 29 58 Smary 6-15 13 35 26 74

U? 123 16-40 7 12 1 20 DEBS 1 One 0 2 0 2 563E 43 Adds 0 3 0 3 DOWN 17 Ch Adds 1 2 0 ADD` 6 Total 30 92 68 190

EA.T

B128 14.11 160 18-15 2100 14-11

1FLK 24-23 B94 18-15 7R0.M 17-16

SOmI

8899 14-7 KILL 21 -It 7118950 12-10 0030 1-1 618 7-5 7100 .28 097 27-16 den 134 0105 14-9

MIDWEST

0102 1-4 87118 6-4 *CI 16.15

VZ21. 4-2 1009 8-6 Cap 22 fr

1871122 35-27 K W8 6-5 WHO 1-1

WEST

1011 20-10 (21-911 29-23 240 11-8 K ISH 4 fr [PIS I-5 GIBE 20-15

EAST

FLT92 4-2 0AEB 8-6 *ALL 5-4 026E X12 WIIZ 2-2 8858 5-4 JET -4.11 2-1 wine 5-4 6184 2-1 332E 155-11 PM192 2.7

.LAN an 11)0101 17-14 30101 14.13 6309 14.12 999011 *-5 VIET 32-27 eSP8 11028-0 9871 932 9-6 687 1-1 vita 7-6 437 1-5 1671 13-11

S01704

*HA 37-38 893 37 rr

977E 3313 6229 10-9 195 24 MCC 22-18

TrM 104

R 40-35 1105 52 W02 10-9 MSI 12-9 WfeO 12-6 10117 3.1

WEIR 1-1 82795 16-8 WZE 4.4 t1007 1-1 *XI 7-4 7WR945 14-8 an( 1-1 tDJI 21-16 VMS 6-4 41100 13-10 VY1B 3-1

51461 1-2 (0118 23-32 111067 6-22 ILEA a-20 WRWO 9-10 K 92 1-1 2102 1 fr 1110 4-2 60WW 12-10 ttD. 8-12

WIC *0D 5 f5- WSW 4.6 101947 16 fr *008 4-1 Cow 6.1 96170 5-4 WEE 15-12 I06D 9.7 WWII 1-1 WIC 4-1 2101 2-6 12103 5-2 11802-1 1293 6.7 Wont 10-9 8106 1-1 0x7 991 010 26-23 w14.6 1-2 1107 11-5 011Z 12-9 610 7.55 WIO1 11-10

*EST

095 15.12 CM 8-5 16x0 3-3 1260 RIM. 22-18 107949 6-4 099.5 1a Cr W IT on 6Z2U 9-7 K W 8-30

11;1 UST

*PRR 1-1 Ain 4-4

103011 10-6 9590! 104 MPE 8-8 wTP 1-2 95311 12-11 War 14-14 8210 1-1

93711

O 91 3-2 ( 012 9-8 6001 2.1 WAD 8-3 WM 13-12 /XX 4-2 *210 3-3 WT55 10-9 820 12-10 1313 9-7 I211 54 0101 6-5 100 4-1 00E 32 MIPR 10-7 n-0 2-1 K M 9-7 IHTo 10 fr K NIN 1-I 085 2-2

ARREST

W9101 17-12 1177 7-6 ME 6-3 Ewe 13-9 6CZL 4-( 028* 11-12 87.29 17-17 610 1-2 Ian 2.4 194 2-1 E NT 9-7 6700 4.2 609 I-1 um 5-9 O 02 15-12 MI h Ian 3.3 N OG 6-4 1ROC 8-3 998o 1-3 1095 2-2 VAT 5.4 6087 4-3 @733 1-1 *WPC 5-4

WEST

(OO7 9-2 VIP 3-3 10102 4.3 Oras 7-6 090 15-13 1010 10-9 VTZ 2 fr 048 4-1 17117 2-1 711)0 1-1 ®Z 11-6 797 6.8 1895 4.3 ATM 7-6

USA FISCHER Save Me (Elektra) LP: So Intense

Total Reports 61

Regional Reach E 25% S 30% N 11%

W 35%

National S1m®ry UP 16 DEBS 14 SAW 28 DOWN 0 ADDS 3

NIA

25%

Parallel Reach

P1 26% P2 25% P3 25%

Chart Spry Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 0 0 16-40 9 20 2 31

Oro 4 9 14 27 Adds 0 0 2 2

Ch Adds 1 0 0 1

Total 14 29 18 61

11357

40197 0-27 1102 8-25 IMP 0-29 MTA 18-16

scam

wWZ 3n ran an 7w7N 23-22 0105 an

81291237

6110 a-39 VZPL 0-28

WEST

Ks104 01102 29-27 am- 25-23 108977 a-34

LAST

MJ19 0-37 6291 30-25

999011 31-30 *r47 33-31 *M3 6-34 VRa 6a

SOUTH

1728 3 H02 26-23 Me 34-31 OPP a-26 W® co

110g 71 16)11 4-38 1107 30-27 WLO 40-40 1:1110 35-28

MImES7

"HT 6-24 a105 an RJ103 on

O.SS 6n Ma 328 81195 on CAL an 995 34-26 760102 0-34 8CA0 4-37 D R7 2722 161* 2724

e,uT

9111 an WIPE "hap SCUT.

MIDWEST

W811 an VAT on

ROBERTA FLACK & MAXI PRIEST Set The Night To Music (Atlantic) LP. Set The Night To Music


Parallel Regional Reach Reach NIA PI 261 E 43% P2 45% S 54% P3 45% M 28%

W 37%

National Summary UP 0 DEBS 0 SAW 0 DOWN 0 ADDS 100

Chart Sumary Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 0 0 16-40 .0 0 0 0

Ons 0 0 0 0 Adds 13 48 33 914

Ch Adds 1 5 0 6 Total 14 53 33 100

EAST

*06 a

S37.

RE GL IRM a 1100 wWZa 0105 a

MIDWEST

107102 1DWB a

WIaT

U M a-30 83104 Ms IKIT 1P12 RU18: a

elsr

111112

"SR a

YETI W.SS a 7W192 WwN 30M107 a WC. a-39 999131I a WKx 7102 a 98PtT 24 930 a M5T KM WICK

SWm

WefO a Welt 1277 a 195 a Wm0 a RLM 0105 4-35 RPRR WO 6f® "HT a 10795 11.1PE

33100 a 1.1418 Mf7 a 1107 a A.1o67 61.11.0

W RWO

192 *l/W a

111161157

WIZ WE.F.a 2104 a 12103 AT" MIT a WTI 000

WEST

DIC K1IIa B95 0-38 CM

K C40 1101919 a ( 1619 a-39

L1.4í

K 'MP 1.4110

901721

OUI WAD 62.4 012 Y.114 RISK VTILS

110E 11188

CIII

vá 810 8821 6M 394 WAIT

Orr 9930 VIP[

torsi

RTC KO10 0T0R 0202

VPM

Continued On Next Column

PARALLELS ® September 13,1991 R&R 131

G GUNS N' ROSES

DonY Cry (Geffen) LP: Use Your Illusion I

Total Reporta 96 40%

Parallel Regional Reach Reach N&A P1 191 E 39% P2 42% S 451 P3 511 N 44% W 28%

National Suo mary UP 0 DENS 0

SAWS 0 DOWN 0 ADDS 96

Chart Summery Poe Pt P2 P3 Tot

1 0 0 0 0

2-5 0 0 0 0 6-15 0 0 0 0

16-40 0 0 0 0 oro D D 0 0

Adds 7 41 31 79 Ch Adds 3 8 6 17

Total 10 49 37 96

P1/R99

ML 11695 4-29 11W

111111137

0102 6117 1.010 21 11PST

K3E

3929 AL

WIZ 653 JET -P3 03192 -35 626 99900 a 1102

MT

6901 1092 WSN 63119

30139

39

36

9Ic 6811 423 8903 4 WTI 96510 -38 0105 442 1E Wet VIII 2104 1010 4-30 603 4-25 31916

K332 laRD

92111

19Yi 331104 K412 131100

12211

EAS[

WAR

YMTP

Vb0' W410

5011n1

WIZ 4-30 6LM 4A0 4-34

L ISP WT16 64Q K51e Kilt

11II MI9 -35 w35

111 NEST

MT Way

Wa19 33CIL

111111(

17411

KKK IPAT 60611 -30 1906 -33

VEST

1607 -38 K17y 1783 1Xz 171? 2F1/11

1910Z 197 a 0195

N CHESNEY HAWKES The One And Only (Chrysalis) 10-' The One And Only


Parallel Regional Reach Reach P1 201 E 39% P2 41% S 51% P3 73%

M 56% W 33% Chart S1m1ary

Poe P1 P2 P3 Tot 1 0 0 0 0

National 2-5 1 1 0 2 Su1®ry 6-15 1 8 7 16 UP 81 16-40 7 30 43 80 DEES 9 Ons 1 3 2 6 SATE 14 Adds 1 5 1 7 DOWN 0 Ch Adds 0 1 0 1

ADDS 8 Total 11 48 53 112

EüT

6mU c-35

WWI

P1e99 16-6 010 19-16 WTz m

3IDIf3T

64113 23-22 W77L KEEP 7-5 ®1 29 fr 1471102 6-29 IINB 2-19 1SW 22-16

WGST

EAST

31.192 WAIL 102 607 22-20 1192 30-33 6.6 2-17 AN107 W019 19-19 99901I 38-39 WI 15-13 4111 35-32 10RZ 12-9

161W 32-29 21CP 11-8

5039

993 29 fr IZID 26-24 M11 39-18 KW on 2911 30-27 W ZTP 3928 10795 3-28

6011 7.6 MK 31-29 6110 62I6 4_37 16132 19-17 1107 an WIA 2523 192 28-23 2M 3021 14121. 33-27

3001 8801 5-2 6013 2423 11360 19-17 03305 16.15 tom 621 OR 12103

WOK 3229 tan 25-25 ME 22-21 0100 19-1e 100 3-30

6TT

1795 29-27 111121 6-29 190 19 -IS 9M104 24-21 301949 25-22 17ZU 20-15

east

60% 26-23 103Q8 an 95111 30-25 YCPE 4-30 war 26-25 63ro 19-16

50139

0012 869 21-16

1614.9 38-31

01Q 29-25 WJ10 2-20 IIS3 10-8 919s o-33 We 29-26 8530 Z126 1211 0n 80a 3-26 nee 28-27 63211 32-30 6u21 19-16 1m 16-3 1030 26 fr K9IN 10.16 was 23-20

3I0T 6®1 33-29 1171 16-13 PINO 22-17 WQL 4-22 0.96 7-6 1ZI0 17-13 6912 16-12 6[119 4-35 1110 29-27 91327 4-33 O M 30-27 Ma 32-29 9900 26.23 1595 35-31 1.163 33-30 O 06 13-11 WM 20-16

tote

13811 34-33 1T35 36-33 K790 10-27 1730 38-34 O TZ 38 fr 0Q 3-31 KT1a 16-10 mom 19-16 K20Z 24-21 197 33-29 1095 4-37 K819 30-26

HEAVY D. & THE BOYZ Now That We Found Love (MCA) LP: Peceful Journey


Parallel Regional Reach Reach P1 59%

S 59%

P3 45% M 41% W 67% chart SimixorY

Pos P1 P2 P3 Tot 1 1 0 0 1

National 2-5 7 7 0 114

Summery 6-15 13 22 10 45 UP 84 16-40 9 35 17 61

DEES 8 Ons 1 1 4 6 SAWS 26 Adds 1 2 1 4 DOWN 9 Ch Adds 0 1 1 2 ADDS 6 Total 32 68 33 133

EAST

W06 4-3 1ím0 3-3 131197 2-4 341.0 22-19 2100 15-13 2FLK 20-12 603 3-3 MOP 12-11 3110-F9 20.24 YAYA 16.13 rex 6-7

20n11

1199 024 19E1 on ME 4-27 Ptw96 13-8 61913 19-16 963911 2-2

3I01GST

896 1-1 9311 2-4 6191 25-23 4741 13-8 wall 9-9 KIM 16 fr 309302 39-15 8198. 23-18

VEST

6104 7-7 101.5 15-14 910106 9-7 1180 143 1M2 23-16 107977 10-B /XI

east

11.192 26-22 WEB 18-17 19.5E 29-27 3112 426 215R 2729 W43 4-26 1865 6-5 IVE 2924 381107 5-4

6101 30-25 9991011 26.23 VISIT 14-13 WSPI 10-16 1Q 13-11 930 4-25 VW/ 22-19 Wu 6-4

teW 12-12 993 20 rr 4416 26-22 195 an 602 10-10 W11 20-15 Ka11 17-15 0305 26-22 KP111 5-4 661 22-19 tram 27.23 we 1-6

110f95 13-6 1111 26-22 1W1 31431 6313 30.25 31Aa 30-26 weft 2620 1013 16-7 3107 9-9 011067 19-16 821.0 16-15 660 24-16 492 22-18

11127 20-16

101917 6 fr WIT 3-5 96610 30.23 60490 19-18 WIC 16-10 O 319 16-16 auto wan 17-17

Mt 5-4 16195 38-35 1101 2439 Mc 12 fr

1630) 29-23 945302 4-6 194 B-8 LUX 10-9 1CA0 10.8

we 3-35 11E8 24-22 1127949 16-16 099.5 33 fr 290 2-2 10177 16-11 17312 41392 7-6 110 10-11

GR

95218 4-29 900' 31-27

9039

WAD 29-25 9031 20-19 3281 23-19 819$ 29-26 MC 22-19 1211 an 110E 25-22

80118 14.11 We 4.8 8855 17-15

AIM=

890 3-6 6e6 4-26 11T9 6AZ1 30-26 090 an fr 100 15-12 MX 4-35 1195 13-10 6833 2421 WPC 15-15

NMI

1037 3025 1Ia/ 23-19 1832 20-17 1735 32-25 1rW

on 102I fr 118R 12-11 72u9 an 1251 16-13 397 a-3 6F19 10-9

RUSS IRWIN My Heart Belongs To You (SBK) LP: Russ Irwin


Parallel

Nat" PRei s P2 35% P3 44%

Regional Rach E 35%

M 28% W 20%

National Suallary UP 5

DERS 17

SAME 33

DOWN 0 ADDS 24

Chart Amery Poe Pt P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 0 0 16-40 3 11 8 22

Ons 3 17 13 33 Adds 0 13 10 23

Ch Adds 0 0 1 1

Total 6 41 32 79

Ea3t

sons

ME 22-20

0119607r

6334 4-29 WWI 31-29 WIT de

M'ST

103-113 an 3106 m

LIST

653 on 1e71Z a 60t 3-25 624 428 88M107 6101 4100* .37 99919[

We on W811 an 2101

5079

YEW 196.7 10-36

Ca an I95 e-26 W11 NSA 0105 4-33 tE5i on war an We a WIT 1A431. m O M 4-32 6f( 7107m KU on IM on

111IAPST

1012 429 96S7O 11105 39-37 12103 4-35 1730

m WOK 16M 4-29 Mx a0 11AD m

WEST

103C21 9400 law 4110 4-37

30/I11

1610I 4-34 101Z on 10SSP

WAD 35-13 lam an 0111 4-40 W332 on 3191 on 6a on 01z an 211r9 4-34

111121

I027 WVaS a

100 ?

27n 00 8930 4-30 794 a0 W09 11G2 4-39 99110

16T

1003 on Kan -3 01310 443

1J03 an 1032 1r71!

J JESUS JONES

Real, Real, Real (SBK) LP: Doubt


Para _lel Regional Reach Reach P1 50% E 671 P2 70% S 82% 23 841 N 66% Y 61% Chart Summery

Pon Pl P2 P3 Tot 1 0 0 0 0

National 2-5 0 0 0 0 Summary 6-15 1 6 1 8

UP 101 16-40 20 57 49 126 DE BS 26 Ons 3 9 4 16

SAME 23 Adds 1 5 5 11

Do" 0 Oh Adds 2 5 2 9 ADDS 20 Total 27 82 61 170

11111 rasr

612S 4-33 P00 29-27 2100 4-30 WW1 30-27 99 26.25 wee 20-19

Sam

P3299 25-22 IWL 31-29 99195 23-22 81W 16-14 KAa 23-36 1100 4-26 IN60 29-27 9105 an

100HP-ST

061 24-22 8p1 26-23 an on 30M 32 fr 307102 0-30 K C88 19030 25-23

la -ST

IIIS an 1o1 -P3 2422 100 4-28 0106 26-25 K21Z 25-21 KW 29-25

31892 32-26 WA8 a-29 33121 0-40 12121 32-29 651 429 4143 71-22 116192 40.34 WL6 17-12 8811107 29-24 1105N -38 999011 33-27 6141 4-38 W3PK 4-36 7102 m 98827 18-15 930 29-21 W9s1 39-31 2203 33-27 602 23-20 1612 14-10

W1CR 1B-13

3039

6a0 3-34 993 17 fr

196.7 28-24 2P0' 32-29 11121 25.22 195 30-27 We 91.01 -37 6031 25-23 0105 23-21 KP8R 9311 651 on We60 38-31 WTI V27P 34-26 10195 on 0231 25-21 102127 39-35 WI 25-21 969905 4-34 1Kn 32-26 O a 37-34 BUS 31-26 39300 29-24 3118e an waif( 31-26 0.1067 21-18 01.0 34-32 9870 32-30 2102 33 22 11121 29-20 806 29-26 9321. 29-23

100131ST

101947 26 fr 1613 325 3E72 24.21 96510 34-29 1105 36-33 119E 26-22

W0m 31-25 VIII an 0304 36-30 12303 3430 1030 a9 6m1 a-34

V[12'í on K910 27-25 1992

V6T

KISS 424 095 33-24 K18Z 20-15 1351113 on 095 28-23 191104 26-26

11NZ 9-29 11800 9.8 307909 29-25 199.5 25 fr Orr an 1201 37-31

ñ aST

WPM 20sí 3430 953 4-21

WTP 0-33 95I1. a-33 20E 20-16 Wrt0 33-26

3031

0720 1011 29-25 66r 4-34 NM 3-36 war 3-21 9Jt( en 11511 18-15 V11LS 3-35

111971 4-30 0101 a,29 K00 8-34 11119 36-32 31eP8 2823 61r 30-28 II27 35-33 wart 34-31 1212 an fr 17119 27.24 61&4 29-23

1¢21ETT

933211 38-36 riff 37-33 9290 4-31 9096 31.28 9aL 27-26

W1.19 m a16 1200 4-36 9912 3026 194 3-27 1130 30-27 619 3-29 0G2 3126 1a1C 29-20 9911 3-34 moos FPO 20-17 YJOA 31-28 1P181 21-19 WPC 4-34

wee'

1001 -39 1rIP 29-20 1602 19-36

KTR5 3528 112111 5-27 17T2 fr 1161 1-33 0A m 17t11 29-26 Z811N 4-32 1P5I 4-31 K202 36-30 197 1195 33-22 0A9 36-34

M MURKY MARK & THE FUNKY BUNCH Good Vibrations (lnterscope/East West) LP: Mu9Ic Pot The People


Reg 1anal Reach E 82% S 77% M 63% W 83%

National S1m®ry UP 145 DEES 7 SAE 25 DOWN 1

ADDS 6

o Parallel

Reach p1 871 P2 78% P3 63%

Chart Summary Poo Pt P2 P3 Tot

1 5 2 0 7

2-5 18 16 5 39 6-15 20 48 23 91

16-40 4 20 15 39 011N 0 1 1 2

Adds 0 2 2 4

Ch Adds 0 2 0 2 Total 47 91 46 184

LIST

3100 8-00 1606 2-1 60712 1-1 10197 3-2 100 2-1 2100 6-4 I19:í 102 8003 3-I 994 4-22

1.011 2-1 P30-28 2-2 9W71 43 6901 7.8

50119

36199 9-4 1WL 3-3 1®1 8-0 1AE 6-4 1195 3-2 997 16-10 6122 7-5 1791 13-8 912210 10-7 0105 13-11

B96 3-3 0102 2622 Wry 5-2 WPW1 7-3 w1 0.9 WTI 3-3 12221. 25-20 1301 TI !r 103102 20.14 111a 17-11 11110 '6-8

6304 12-9 1114 66 410106 10-8 001 6-4

6129107 7-5 KC10t 7-4 11009 4-4 9996I 0.7 61311 9-7 11526 16 -II 1193 0-16 0102 29-28 930 4-23

WINK 9-7 8112 33-30 444 9-7 21113 a-29

Me 25.19 9)3 fr 1196.7 39-33 0319' 14-12 MD 3323 I95 23-22 6032 9-7 6103 6-4 13722 19-12 0105 16.1a 16111 6-7 M@' 13-10 IQI 15-11 W® 10-5 318M 9-5 311(95 3-2 P 00 3.2 9e945 27-23 KM 20-17 40I 10-10 626 1 -14 2699 9-0 11011 21-17 1039 92 7107 11.10 0.3067 13-7 1112 24-22 665 42 192 9-7 1001 10.9 1ica 38-34

1830 26 r7 30[947 I fr

1181102 11-6 191 30-9

BLOC 2-1 1180 9-6 18602 12-9 8D31 27-25 101949 11-51 099.5 22 fr -90 16-15

11ffT 9-0 RIIU MIN 5-4 CO 6-4

gas -1

6929 3431 1021111 4-30 99111 11410 91T0L we 9-6

971711

4I2 16-13 WAD 52 112110 12-10 1X21 9-6 9116 17-1S 9900 t0-6 1903 13-10 1211 an 3101 1-I1 00131 3431 ME 16-14 APR 12-10 2138 8-5 WY 11-9

19117 16-9 /90s 20.37

QIREST

2m1 62 a17 31-31 1Qí0 11411 6130 WIT 4-28 OM 6-4

Manly Mark Continued

101-61 10-7 1MZ 20-14 1011 3-3 111102 3-3 010642 O 91. 7si 401977 1412 362 18-13 KUE 13-10

EAST

11192 13-9 VAF21 16-13 VAAL 17-14 dr_SE 9-8 YtI2 18-13 WS/ 1411 IEn2 an 11104 21419 8115 10-7 WEE 25-16 619 13-8

WIT 11-10 6923 446 WI/ 18-14 11105 6-5 WEE 16-10 WED 16-12 VIII 25-20 WIC 23-12 12103 19-18 1730 25.29 92.3( 16-13 15/I1 10-5 898 13-1' 11a 16-13 114177 10-9

1255 6-b K130 11-9 1295 12-8 10G 15 M Wm 295 7-5

una 2523 OIOC 26.25 991[0 12-11 1095 7-5 1111.7 22-16 619C 12-10

VtT

1101 16-14 1PM 22-16 1®z 22-15 MS 22-20 8730 23-20 O T1 24 I3 Kn3 9-6 11G1 33-26 7.196 27-20 MI 18-15 97192 4-13 T97 21-14 111711 12-11

MARTIKA Love...Thy Will Be Done (Columbia) LP. Manika's Kitchen


Parallel Regl oriel Reach Reach

di) PI 65%

E 82% P2 78% 5 86% P3 84% M 61%

W 78% Chart Summary Poe P1 P2 P3 Tot

1 0 0 0 0 National 2-5 0 0 0 0 Summery 6-15 3 16 11 30 UP 154 16-40 26 68 48 142 DEBS 8 Ono 4 4 2 10

SAM 19 Adds I 0 0 1

DCWN 1 Ch Adds 1 3 0 4

611110 5 Total 35 91 61 187

K AS7

4m3.5 19-15 6236 25-23 PDX 25-22 11110 27-23 162 18-16 891 327 6a3 an

e0n11

0GL 89095 28 8303 30-29 6117 21-17 1-19 on 6142210 20-19 0105 26-23

111tesi

YJ10 111

1P132 29-25 waCi 23-21 WOr7 21.18 1360 30.28 O 09 28 fr 301102 33-2n Me 16-14 1100 30-28

61ST

MT 1413 111,104 17-16 KITS an 6199306 31-21 009 27-25 101-811 22-24 1302 27-25 219027 fr 0106 20.21 .01977 32-31 1832 21-19 1UE 2723

81192 17-11. WEB 22-20 VAL X1-17 11.5E 23-22 1e12 31-26 8652 26-23 0132 27-22 4111 25-20 dap 30-26 61092 2521 13.66 16-13 3121357 16-15 10301 2403 WON 10.1' 999111 74 61111 31-23 1611 32-22 WAS 22-37 1102 18-14 98601 17-16 933 27-26 6277 2921 YR3 20-31 31MZ 20-17

E378 30-27 VICK 26.23

90119

9a0 19-13 60323f5 1961 35-29 6E 30.27 1720 23-20 195 21-19 1154 23-17 2Q2 on 4101 25.21 4000 32-27 172M 4-37 0105 19-17 1188 6-24 400 22-19 1031 29-25 91160 31-24 OW 32-24 I01P 36.27

110395 18-9 Y4PE 21-20 43121 20-19 11915 -32 111111 26.21

trO.S 25.20 11100 4-29 02.88 23-20 W13T 22-19 K033 an 1'107 19-17 61067 20-19 1AII.0 22-16 6870 4-34 K92 26-22 2102 17 fr 8067 23-20 8021. 19-16

MIDWEST

307997 24 fr 16111 21-16 1132 28.24 96510 2824 01105 22-13 W 8D 36.33 2101 25-23 10W 18-17 1293 16-13 8m13 35-31 1041 13-11 KIM an 1107 -30 KM 25-21 ll0f on

03ST

1IS5 11432 095 16-13 K IZI 15.14 MG 26 fr 15*D 17.13 995 2520 1SUC 4-29 660 31-23 K992 35-32 099.5 17 fr 290 26-25 011T 25-23 12L1 16-13 00 19-17

EATT

YP98 20-16 W 1 21-19 103018 0K 95III 22-19 WEE 26-22 48YP 21-18 95001, 22-18 10rE 30.37 102IO 22-20

So1n1

16122 17-13 1012 22-18 3951, 28-21 ILIAD 17-0 KM 7123 00 20-15 8214 29-26 Küe 12-9 V11LS 35-26 we 2521 19® 18-16 1Z11 4-27 3101 24-20 10a 2421 WOE 40-35 663 18-15 01r 32-29 1007 27-23 697 22-16 MIB 28-25 WEa 31-26

111DIGTT

Vat 20 -al 1111E 29-25 WTI 4-31 4.18 on 1210 38-34 194 15-14 WAIT 32-27 0G2 1410 MI 22 tr WOG 32-26 MCC 20-18 996 21-17 1095 3434 1093 34-31 AFC 16-12

wST

1301 24-21 602 25-23 1135 28-19 1090 29-22 10[0 25-20 11140 13-14 1312 28 fr 1193 23-17 17303 36.33 r01 15-9 7382 30-29 05I 29-26 1202 21-15

T97 33.25 0295 4-36 061 27-25

EDDIE MONEY Heaven In The Back Seat (C)lumbia) LP: Rlgtr. Here


Parallel Regional Reach Reach ÍÑaA P1 13í E 471 P2 38% S 34% P3 551 N 481

W 20% Chart Spry Pm P1 P2 P3 Tot

1 0 0 0 0 National 2-5 0 0 0 0 sham 6-15 0 0 0 0 UP 8 16-40 3 14 14 DEES 23 Ons 2 13 11 26 SAM 26 Adds 2 13 13 28 DOWN 0 Ch Adds 0 4 2 6 ADDS 34 Total 7 44 40 91

195 4-29 WOW on WE We an KTP

-32 11111945 a-35 1171 0-31 31249 an 11970

WD an fr 911 0.29 96970 4-37 2ORD

WIII 1106 4-35 1740 2928 1293 a-29 WOK 801 on 810 632

14113

39304 0-25

sans

19.Man 2201 on 111x 6.39 11.11.0 011

6T6 on 0101 100 0yE on 1303 10.01 4-32 6BSS 4-38

01316213

Mt MC 30.27 W CIL an 1.933 62I0 4-29 394 809 on WAZT

002 0-40 117ZG 37-33 nix 99K5 m 1095 0-33

Regional Reach E 941 S 86% M 80%

W 89%

National Summary UP 174 DEES 14 SATE 14 DOWN 0

ADDS 9

Eddie Money Continued

11112 4-35 WSR111 J67-61 022 1ER2 an 191092 a WAN 60-33 KC101 11013 40-35 1102 last 6911 on 4312 39-35 0-1vm 003 4-30

]0131

NMI 1220

1W2111 099.5 a0 fr 123U a-38

UST

WPP8 601 4-39 95230 4-35 213 952IL 4-32 429P WIG 4-36

6811 an 17181 38-26 IarC 4-33

laST

1r90 1012 0II3 1I1fT 4-40 Ma on 1202 4-40

N NATURAL SELECTION Do Anything (East West) LP: Natural Selection


Parallel Reach

0-1 831 P2 89% P3 85%

Chart S1mmºry Poe P1 P2 P3 Tot.

1 0 0 0 0

2-5 8 2 2 12 6-15 12 49 27 88

16-40 22 47 32 101

Ore 0 1 0 I Adds 2 2 1 5

Ch Adds 1 3 0 4 Total 45 104 62 211

EAST

Ills 16-16 10KS 17-N 87DÚ 21416 11/197 1010 15-13 2100 22-IB 161 4-28 0103 26-20 994 24-18 601 30-9 130-3113 23-19 YAYA 13-11

34199 143 19LL 11-8 34195 7-5 ME 20-19 997 28-26 6172 19-14 17711 -3 388900 7-5 5105 15-12

ele 996 4-29 4102 23-19 wino 23-16 YnP *CI 104 WI 2-21 1221. 21.1B 1R10 4-29 1IIR5fr 307102 26-16 KDWa 2-2 460 26-10

6104 3-3 LILS 4-29 NIP 106 32-26

KKPP 15-13 107-61 19-17 012 26-22 MCI 16-14 KI50 26 fr 0106 5-4 103977 33-23 16112 22-15 KUE 25.22

LST

6.392 33-27 WEB 17-14 BAAL 4-39

AWE 27-18 6112 33-30 67313 22-19 8080 8-26 WE 17-14 19.55 2624 WESE 2723 611192 21-9 11.6 28-18 116107 25-16 6101 19-15 W310 9-8 99101I -16 2r9T 21-16 6.MK 21-14 31W0 17-12 1102 15-10 98011 21-19

933 22-19 01151 4-29

61610 25-18 80AZ 40-36 use/ 33-25 421 16-11

1RC8 21-15

901311

Y8W 35-25 B93 18 fr 196.7 33-27 101E 22.19 1228 12-5 195 10-10 9SS2 024 142 17-13 e01 15-13 WOW 4-35 0222 10..6 0105 4-32 1s91 1410 6a9 2624 11101 25-21 wino 1510 2991 23-17 31112 21-19 30395 22-17 6A2E 9'e 41I 16-8 8911945 20-11 KIM WWI B-6 3171.S 15-10 23100 1411 6A® 28.25 607 16-10 1®19 15-6 1107 1412 21.1067 16-11 URA 15-11 192 20-15 2102 25 fr KrR 4-33 WTI 81m. 11-8

130121.12.77

101947 17 fr 6013 14-9 1072 15-10 111010 26-24 96510 27-21 Of105 7-6 WE 21-19 won 17-11 1011 8-6 wIC 4-19 2104 32-29 12103 10-7 1730 16-15 1293 26-23 V7ü3 13-11 0n4 14-12 We 32-29 00m 18-14 609 19-16

161

KISS 10-9 1000 30-26 095 18-14 10II 13-11 106 27 1r 151N 4-29 a95 3-3 381102 14-10 094 3-21 1128 29-19 1M104 23-19 6a0 13-10 11182 an

1101 23-21 901919 13-12 290 10-9 ern 13-9 1203 23-0 1400 20-15 110 13-9

4TT

3.211 12-6 Wl 26-24 1030113 95271 26-14 wit 19-14 95IIL 27-22 eME 16-11

Vf1O 25-23

90119

Kr10I 5-3 1012 21-14 1.5r 16-10 W AD 20-11 V211 24-17 0Q 18-12 8.0a 27-22 6105 21-11 WE 1412 69e 17-14 11711 12-9 C00 26.22 0A7E 20.20 WA 16-14 81121 21-13 KM 17-11 WET 23-20 W95 25-19

3I0e_Sf

8820 26.24 1TT1 22-17 was 26-18 6CIL 5-3 19.22 421 8.n 16-0 1210 21420 194 10-6 11217 4-25 6T30 27-23 10421 29-22 0G2 16-11 090 20 fr 10m5 18-13

MOC 19-16 9111 23-19 0095 11-9 1861 13-11 052 16-13 80rC 25-22

M6T

1309 2720 1721 11-9 602 19-12 KT35 2722 090 28-26 11111 2418 CMG 7-7 O 1'2 30 ff / 703 20-13 0R 40-30 2nJ9 34-29 I09I 26-22 11112 23.16 197 13-11 019` 328 O 79 20-13

AARON NEVILLE

Everybody Plays The Fool (A&M) LP: Warm Your Heart


Reg1 oral Reach Reach P1 50% E 71% P2 74% S 88% P3 96% M 69% W 70%

Poehr P1Samar, 0-3 tot 1 0 0 0 0

National 2-5 2 3 3 8 Stmmery 6-15 6 23 27 56 UP 132 16-40 16 52 38 106 DfBS 8 Ons 1 5 1 7 SAME 29 Adds 2 1 0 3 [054 a Ch Adds 0 2 1 3 ADDS 6 Total 27 86 70 183

V.97

600 27.29 100 20.26 2100 29-24 6100 3029 990 25-23

6A61 11-9

90419

314199 4-31 ME. 426 1100 24-18 897 3-5 6111 15-12 5305 2624

9102 33-27

Parallels Continued on Page 132

102 on 91030 13-13 1223 14.11 0105 12.41 081 30-29 601 2120 IOt 28-24

WE*0 23-21 MIT 26-21

VITA 17-12 90295 14-23 802E 38-17

11007 8-15 11zI 9-14 96945 24-19 KM on 1031 19-17 6212 2321 13300 16-14 33A88 20.38 wa9I 23.22 KE13 an 1107 20-18 0.1067 20.29

WTP 20-20 9riIIL 2620 1098 12-9 YI10 20-18

5039

0321 20-17 1-012 2521 912S9 12-13 WAD 15-13 W9Q 19-16 0O3 21-18 W.na 10-8 1153 11-10 80K.S 3427 1190 23-20 e6B 11-29 MI 4-30 0101 16-15 1011 16-12 0111: 1-3 WPP 11413 Wlul 25-23

Continued On Next Column Continued On Next Column

132 RaR September 13,1991 PARALLELS ®

Aaron Neville Continued *02 6-6 nod m We 26 fr 802102 25-20 [The 25-23

WEST

OUT 6-3 13104 10-10 a13 26-22 10012 29-27 (131 13 fr 0106 (!061 17-13 1107977 25-25 [UBE

BAST

11.792 3432 WAA1. 32-30 81112 2124 1.941 19-17 W7r2 1412 haw 22-IB WEE 26-21 P9892 15-11 WEN 10-9 [C101 4-29 999011 21-21 WR1 a

W ( 30-26 WWI 3D-74 7102 10-9 930 20.18 457 23-20 4(6 26-23 Ian 2623 WIN 28-31 1218 1413

SO /171

WOO 5-5 B93 14 fr w3í 8-5 C78 1-7 I95 19-16 1640 1311

9319 12-10 4090 19-19 (92 1410 2102 19 fr ( 7119 20-9 02163 24-21 Yí71 24-17

023T 3091 3-32 106'2 on 96310 38-35 W m 29-26 (III 426 WIC an 2104 20.16 30103 33-29 (40 26-25 093 15-12 47111 9-8 IIOTT 5-3 net 4-27 1107 13-12 000 20-18 4107 18-18

VCS?

[1SS 19-15 0295 21-19 [702 23-20 (91D a-28 1,81102 35-30 194 21-20 CAP 28-25 (W2 4128 I001 14-10 017! 2220 1®1 21-18 O 918 19-17

EAST

wee 6-5 NWT 9-7 103Q4 17-14 95X01 20-18 466 2721

1337 21-21 9MT 12-12 Awn 32 fr [N1N 16-15 WB5 12-11

02290257

veil 29-27 1777 12-12 9906 1413 vale 28-24

102.1. 26-25 4.01 22-19 ( LIV 25-22 CIO 19-15 WI 19-16 U HT 12-11 9700 9-12 (AZT 25-19 1202 5-3 MU 14 Tr 1020 23-11 ran 19-14 (0012 13-6 9980 16-16 1095 25-23 (PAT 15-13 ata 29-26 WPC 21-21

[O3T 22-IB CPU 3331 I®Z 2422 [rims 20-15 IOTQ 13-10 x02( 29-25 0.713 19-12 Oil 14 fr 6100 30-27 00K 19-18 an 2320 2iVx 20-19 CPS! m 4171. 19-16 797 18-16 495 4-38 [F19 24-23

STEVIE NICKS

Sometimes (It's A.) (Modern/Atlantic) LP. Timespace/The Best Of Stevie Nicks

Reg lOnal Reach E 37% S 4$ M 39%

W 33%

National S1eary UP 35 DEBS 19 SAM 31 DOWN 0 ADDS 8

Total Reporta 93

N&A

38%

Parallel Reach

P1 6%

P2 39% P3 60%

Chart &unary Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 0 0 16-40 0 29 27 56

Ons 2 14 13 29 Adds 1 2 4 7

Ch Adds 0 1 0 1

Total 3 46 44 93

BAST

SOOr9

7995 ®0 1101847

(11xmfr WEPT

EAST

iL792 (AAL on MP on JET -19 22-19 we 4-29 1911192 0-38 WAN 29-24 999011 m 4PST a-39 989: on We 4-37 16111 4-35 (OCR XI -28

9M0 On Wa 39-35 WO'q 36-34 1m' 4-29 W®0 on V9R m 120P 6-31 144195 430rt 36-30

4ai 3026 KK1m 33-27 WAU 36-33 1700 29-23 7107 34-31 2102 37 fr au 34-27 WW 2724

000181!

113011 24-19 96510 (6105 a-34 811a 29-28 WICa 2104 34-26 Me 2720 AO on [00 a-34 1007

W95 4-38 FM104 4-29 m1f2 an 09.5 29 fr O 111 on Ian on

e1LST

4910 31-25 1/w1 37-33 95100 3331 am co warp 39-34 4fN 30.27

In 0600 31-20 WAD An

Y401a owe 4-36 MIX 0-38 [156 24-20 117113 on 031e 2827 4211 on (7WE 23-21 PN18 32-28 YYHS 4-35

00PE4f

1111 39-35 990 26-23 [LTY a 1210 a 094 on freer on aFTm 002 on OW on 991G 4-37 4095 a ViT an F31[1 3022 laPC 34-31

lam

an 35-34 Ms o-39 010 3-39 1013 13112m fr KIOr 32-29 61614 35-31 7N1 4-40 am2 4-38 197 an 495 4-40 0219 37-29

o OR -N -MORE Everyotherday (EMI) LP: Or -N -More


Parallel Regional Reach Reach N&A P1 33%

E 45% P2 411 S 45% P3 59% M 41% W 50%

National Sums ry UP 33 DEES 23 SAME 41 DOWN 0 ADDS 12

Chart Spry Pos P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 0 0

16-40 9 29 21 59 Oros 7 14 17 38

Adds 2 4 4 10 Ch Adds 0 1 1 2

Total 18 48 43 109

LoT

SUS 4-33 vl011 29-26 10697 32-31 094 a W06 on

1103 B97 0-27 17ePIG 28-23

11Ui8ST

896 6-30 9.80 37-29 80446 m W77 ca 1111 38 fr 1177102 an

910

196.7 4-39 470' 35-33 I95 on 1®19 1005 33-27

*Si en Veer 4-40 10395 on 019( IQn 39-35 Bus 33-30 400 0-35 (919 an 2.1067 6-30 7102 38 fr (7111 6-32

6I19S!

107917 27 fr 111 22-19 (61Pa 4-36 1293 m MID at

WIP on Ip1P 33-30

90m1

2017 m WAD 26-23 11T01 m (Ma 4-33 9JMl 011

87(S on 1W2 a1 CII on

[MOP 37-34 la0x 4-40 MT 4-36 11P11 m MO 4-40

2103[

109M on KM 38-36 87L m a79 6-37 1210 0-40 794 m

WC4i

6KFT1 4-30' (IS8 an fr 1~7 co

USf

Or N More Continued

WAEB a-27 WSR e-25 W 6 30-26 W8S5 0-2B 11092 WAN 34-26 P1511107 32-30 w1.31 31-26 99901I 37-34 an 35-30 16P11 34-27 wax 0-32 WRO m

wST mat í0c2 38-35

(LSS an (M0 24-20 03 19-16 1910C 35-32 (P95 6-39 0095 60M 0n LW 4-29 PW102 41BR 26-23 294 18-17 1101 31-27 KUC 22-26 F11104 m WEST

RCAO 87194[11 4-27 31 an

099.5 fr (T65 40-24 290 30-29 (QII 4-37 0177 0n [2106 on

Ill 01-2mfr KTR( 36-24 ma own' m

EAST 51TN 4

T97 an WA W19 4-40 INFO 38-34 95011 35-33

P P.C. QUEST After The Summer's Gone LP: P.C. Quest (Headliner/RCA)

Reglonal Reach E 27% 5 42% M 16% W 50%

National Sugary UP 44 DES 7 SAME 25 DOWN 1

ADDS 5

Total Reports 82

Ni" 34%

Parallel Reach

P1 26% P2 33% P3 40%

Chart Summary Pos P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 1 2 1 4 16-40 10 32 18 60

Ons 2 3 8 13 Adds 1 1 2 4

T1 Adds 0 1 0 1

Total 14 39 29 82

G4f

WQP 26-25 (AMA 2321

KIM

71996 29-23 W92 25-25 1(TP1r 26-22 ~PIG 32-32

6I1R02S7

9.247 38-28 1H77 WI 31 fr

90104 19-13 [IIS KM on [MN 28 fr 801977 39-32

EAST

10138 on 10184 24-19 W AN 20-19 F118107 30-26 0C101 4-27 999011 23-20

1LSP[ 31-31'e. wxm

Sltrnl

(®0 3333 B93 fr [22b 39-34 1.33 23-20 welt 37-33 0729 35-27 [PAR 2521 10QE' 28-27 11947 31-28 410795 2924 au a vAs arl WABB 4-37 401 3029 K977 28-18

11341 3028 40O 8-6 2102 30 fr 1E3E51

[3103 22-19 Due 0-35

WEST

0005 17-16 (OQ 18-13 KM 25-23 (JOC 21 fr 1395 4-37 09102 32-27 294 4-22 1171949 4-30 399.5 27 fr mnT 29-26 WIN a-0

141 WPM 33-30 103026 m WfTP on Y1MP 28-25

900m1

KOI2 an 8711 36-34 O 01 22-17 W1v 36-31

EX 39-32 2OE 3433 WW1 17-17 130 4-38 Wn1 a

M1P6ST

11a¢ 39-37 KM 36-34 (LTV 40-30 (1c2 a m

[GO7 on K f ó on 1610 40-36 1Q11 30-29 K006 10-9 1772 on fr ROW 25-18 OM 31-26 ZFVN 31-34 797 m 16178 33-33

R R.E.M.

Shiny Happy People (W8) LP: Out 01 Time


Parallel Regional Reach Reach ® P1 63% E 861 P2 79% S 86% P3 93% M 80% W 67% Chart Suaaary

Poe P1 P2 P3 Tot 1 0 1 1 2

National 2-5 0 6 6 12 51e30ry 6-15 18 60 46 124 UP 161 16-40 16 25 15 56 DEBS 1 On., 0 0 0 0 SAME 26 Adds 0 0 0 0 DCWN 6 Ch Adds 0 1 0 1

ADDS 1 Total 34 93 68 195

e7sT

0104 15-13 (105 12-9 8000 21-19 K.O0 13-12 2100 13-10 lax 15-13

and 2922 AYA 11-10

ME 12-11 P995 9-9 1090 10-9 W 9 17-16 ít00 27-17 1397 1624 *NZ 11-10 0105 16-16

WIRIEST

0102 3432 WWI 10.10 141CI 14-12 WWI 12-11 4877 16-16 402I. 26.21 a90 18-17 CUR 15 fr 407102 23-17 ads 1521 11®p 4-29

an ( 110 13-11 [D1 -F77 16-15 11R2 18-12 [106 16 fr 0106 22-22 05Z 11-6 ( U9 22-19

UST

11.192 2421

W®0 18-7 B93 19 fr 1196.7 3-2 1/11i 18-14 CZB 19-13 I95 17-15 16i1 22-16 W(6 13-9 N(2p 8-6 0105 13-12 WO6 16-13 last 26-23 V90 16-12 4B47 29-23 tan 7-3 40795 13-7 911.119 12-9 411 12-11 43xt a27 010945 16-13 MO 1310 WWI 23-21 lAs 13-13 19100 27-22

vABB 16-15 wort 15-11 7107 18-16 d1067 14-9 11.11.12 1413 0390 6-5

K92 13-13 2007 11 fr (117I 2322 43rI M 2622 11C1. 2319

611A0ST

800 23 fr 104211 3.9 407947 B fr wax 16-12 4370 6-6 96510 9-9 406F. 17-15 (Ia 32-11 2104 11-9 1.1103 1411 K42 9-8 (293 10-9 VfOI 11-10 a11T 12-14 011 16-14

U4f

471R 10-9 YWFx 13-11 103C1R 2820 9500 11-9 am 15-12 WTP 6-3 95711. 29-26 101P 40-36 4R0 9-7

011 1310 O OI2 1412 VKSF' 14-9 840 15-11 043 14-9 11J100 16.13 [138 9-7 V([5 1410 9¢ 17-14

[.0106 15-11 CII 17-11 0101 11-8 1083 15-11 oar 12-10 Well 15-11 111V1 12-8 (ER 19-17 W71 20-11 O M 28 fr [LAIN 12-5 VYBS 16-12

001A02ST

WO 25-21 [777 17-11 MO 12-9 Wa0 22-12 400L 21-20 WItl 15-10 W V 11-7 12I0 10-8 1/812 11-9 O 01 It -10 la0x 14-11 1461 10-10 wan 139

R.E.M. Continued 48E3 19-22 843 17-16 10c2 3-5 eAAL 12-11 1107 23-20 0290 11 7r 060E 20-10 (0112 13.9 CMG 13-11 1112 17-15 47170 5-1 WSR 13-10 4137 99(G 6-4 JCr-19 B-7 (095 2317 1662 15-9 A65 13-10 VAT 10-8 WWt 9-7 0195 13-9 07741 3-3 WEE 19.19 0001 10-9 WQPC 7-5 PW92 8-6 KSND 11-11 M.18 9-6 am 18-16 WCTr 61(4107 22-19 19104 17-15 2C101 10-8 [CAQ 16-12 (GOT 1411 1038 8-7 [042 30-26 0206 1414 999421I 9-0 (v00 41 0IDz 9-9 la11 25.24 107989 12-1C 614 15-12 0( 20.15 019.5 16 fr (1210 22-19 0102 1311 (801 30-25 nil 1310 989803 10-10 1221 10-9 0.19 10 fr 937 16-15 K1106 18-16 (PST 12-16 MX 23-21 90(6 1412 (1147 21-17 1432 28-28 3111 24-21

W,'111 6-4 (051 24-19 8008 30-28 (732 1411 WC74 6-4 T97 24-18

3(95 10-8 071W 8-7

BONNIE RAITT

Something To Talk About (Capitol) LP: Luck Of The Draw


Regional Reach Reach

65% P2 68%each

P1 48%

S 82% P3 89% M 78% W 50% Chart Summary

Par P1 P2 P3 Tot 1 0 3 1 4

2-5 3 13 9 25 6-15 5 23 27 55

16-40 16 38 24 78 Ons 0 0 1 1

Adds 0 3 1 4 Ch Adds 2 0 2 4

Total 26 80 65 171

National Summary UP 138 Dms 8 slue 17

DOWN 0 ADDS 8

PAST

8104 20-18 423 1412 1n,m 2421 PIa-FN 27-23 90111 a-17

P8099 3026 01L 29-26 P1095 21-18 K KK 3-3 7100 15-12 1íf12 4-29 0105 19-13

'011114[

0102 29-26 8611P 22-16 WW1 4-31 OZPL 4-30 IUS 5-3

19 fr JOB 4-26 410 15-11

8037

MIT 2-2 O 103 28-26 mu 25-21 0291 6 fr 1912 20-18 OBE 24-20

LOT

Pt092 7-4 40A 25-23 9ML 13-12 8102 30-20 8156 2630 2ET-19 7-5 We 3-1 WW 11-8 113 2822 74:92 27-22 WN 11-7 KC 01 17-14 WGN 10-9 999011 2-2 0102 a-29 98PI7 19-18 932 e-77 Ids 8-5 WROt 28-24 1618 11-8 WCR 15-9

X411B

M®0 13-8 O 93 26 fr [96.7 21-17

w7ff n-34 1328 I1-10 195 6-3 8553 3-1 Wot 2320 11CTQ 5-4 G105 B-4 N31u' 18-17 1131 (1-27 4790 2419 111117 16-11 1.12711 19-14 40795 4APE 7-6 43A1 6-5 218945 11-6 ant 15-13 1W3 2-2 WAS 11-6 19100 23-1B 4A® 21-19 1100 19-16 0107 2319 0.1067 a KILO 19-14 (74Yp 2-1 ( 92 2-2 2102 3 fr cox 40-7 WYM 14-13 41I21. 25-18

0011102!

WmD 21 fr W.T2 22-20

110 21-1B 96370 31-25 C1105 31-25 WE 28-24 1 .['Im

Y301 9-9 2104 13-11 12103 32-28 [06O 2726 1293 19-15 131111 29-23 MIT 6-4 81171 20-19 1107 19-17 0112 11-12 081e 3329

won

[F95 17-16 K in 19-16 alb 5-4 P9104 /5.19 1142 27-29 (BTT 4-28 UM 19-16

[AST

WPRP 22-15 891 12-10 1031311 9-5 95110 21-17

144011 2-1 woe 25-23 VI10 15-11

minx 29-23 [2I2 17-15 ü sF 6-5 vAx 25-21 Kra 16-11 11.190 6-4 aL5P 5-3 au 19-16 W2 190 -30 RIIl 2524 0101 18-16 mix 11-13 01pE 9-9 99R 25-21 Z. 20-17 WI 23-20 1821 17 fr

ON 9.4 14I13S 19-16

IC01ETT

WW1 20-16 1770 10-8 WO 10.7 48la 24-20 IQL 13-12 0208 25-20 m.TY 2621 [II0 4-3 8012 9-5 094 903 1, 1 WO 8-8 Y(Sil 21-17 (An 23-17 0342 11-8 01U 17 fr O 11E a27 0AW 16-12 9990 15-13 [095 15-13 W AT 19-14 W)Ex 1311 [F7.1 7-6 W PC 10-8

WEST

11G7r 19-15 e a 28-23 (902 16-13 TM 1410 !010 5-3 90I1 19-16 16f2 25 fr O 4( 20-16 01Mí 11-7 7.1119 9-6 1202 13-9 T97 20-15 495 1B-12 W19 21-19

RTZ

Face The Music (Giant/Reprise) LP: Return To Zero


Parallel Regional Reach Reach PI 20% E 53% P2 55% S 54% P3 79% M 69% W 41% Chart Spry

Poe P1 P2 P3 Tot 1 0 0 0 0

National 2-5 0 0 0 0 Sugary 6-15 0 2 3 5 UP 78 16-40 9 41 44 94 DEW 14 Oros 2 10 11 23 SAIi 29 Adds 0 9 0 9 OWE 1 Ch Adds 0 2 0 2 ADDS 11 Total 11 64 58 133

CAST

8015 30-28 0328 30-29

WW1

(097 2221 law m

6IIaaVr

0102 31-30 WW1 25-23 WW2 23-22 (92. 26-24 [060 2728 1®0 19-17

807!

WPC on 412117 15-9 OM 28-25 WIT a van a-38 was 401 35-33 7107 3128 30`q 2102 34 fr AT11 33-29 10t2. 32-28

OnIxEST

WD on fr Wigt 22-18 wxR VOf2 27-30 9651/ 29-26 (6135 29-27 WRD 25-24 Mtn 6-30 491C 25-19 [3103 4-34 (a0 m Ytat 8130 a-20 Mgr 18-16 414.8 27-26 [107 a 1110 22-19

Sate

1012 30-26 WKP 2723 WAD on WO on Oat 36-32 8831 4-90 O 150 22-18 (10508 1494 on O 11 29-25 0101 an 1010E 30-28 laud 49-33 W7 4-37 [01 27 rr 1111 2321 ¿Rs 36-31

Ií® on inn 31-28 4910 16-14 W. 4-35 0.rn 6-39 I230 on 9012 28-26 T94 19-16 K 01 2823 V1ffi 2624

RTZ Continued 89.82. 35-34 (EST W6R 22-20 Via 35-32 Wan 4-35 21/574 4-39 1655 A1112 31-28 ,;R -PM 12-10 1695 23-21 W6I 30 fr IERZ 24-21 11700 on KWr. 36-36 W. 28-2

4 re ria 30-27 P92 36-33 477108 4-20 9910 32á 80 0219 33-30 (0342 m 1(095 32-28 1118107 099.5 an fr 40e74 30-27 A00 22-17 I320 30.27 (Ml 17-15 9991911 28-25 laFC 22.18 7102 4-23 wsT 28-26 (PST vR(6 40.38 4012 24-21 f{gT MOT 4-38 16111 29-24 MR 31-28 WGR 26-25 lawn 1411 R>02 33-33

vw71 25-20 6TR5 39-32 war 13)a11 m MO 33-30 mom 4-33

Vf 702

39-36 r (136O 3227 WTP m [96.7 30-28 4904 26-22 100 3-40 40-37 14R0 31-26 32-28

195 39-38 4020 18-16 KIDZ 3431 WOP m 0095 29-16 4® 4-38 cue m 49ef on We 25-18

RYTHM SYNDICATE Hey Donna (Impact) LP. Rythm Syndicate


® Parallel

Reach P1 521

P2 63% P3 64%

Regional Reach E 575 S 70{ M 42{ W 76%

National Statuary UP 44 DEBS 40 SAW 37 DOWN 0 ADDS 28

Chart Sol®ry Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 2 0 0 2 16-40 14 46 26 86

OIls 5 18 10 33 Adds 5 6 9 20

Ch Adds 2 4 2 8 Total 28 74 47 149

YüT

lams an rcou 4-33 00I0 428 8100 24-15 894 311-29

000P 2726 P00-19 4-34

sum

011899 32-29 0LL on ant a26 1,41020 19-15 0105 427

91X831

896 0102 43111 31-27 801)8 30-26 W CI 26-24 WI on fr 102102 Rile

(Csi 139a 041106 4-34

(1011 on ( OI-1111 30-27 16u2 4-30 8106 29-28 101917 4-33 W1zm

FLT92 4-31 84103 4-26 4AAL 40-35 11VSR on 141141

eR05 311-26 71092 WAN 36-35 4vR107 4-33 999191 4-39 1011 26-19 16PK 38-29 WWI 4-31 7102 on WICK 4-35 4402 4-39 WIA m

(100 4-36 993 23 fr ( 96.7 38-34 470 3431 RIB 37-30 Y(62 on 3n

[I19 36-28 0105 3529 MP 4-26 MOW on WS1 WOO 34-29

WIBT 0-31 KIP 4-33

B APE2m W2I 6-29 PW945 a-31 OM on W011 4-37 W1e6 on 14921 on 0989 a1 7107 3330 0.1067 29-26 9.aD 33-29 092 4-30 2102 35 fr 481. 0-31

~MST

1107987 m fr We a WTI on 4105 2724 406E 4-30 2104 0-34 O 173 4-28 ( 011 31-2B 40T on

MSS 422 995 37-34 au 427 3203435h lalm an 1195 3)-25 F71x102 0-31 194 m ( UK 4-28 19104 a [CA0 38-32 [112 on ( DON 29-27 800949 20.24 WIT on (22U a-34 KRa 29-26

FA4I

8408 4-27 49Fx 36-32 95IIC 34-32 W46[ 4-28 434ff 3628

91xIT9

(41(1m ( 0I7 4-29 WAD 25-22 940 4-37 era 38-35 We on W¢ e-29 [3e on 13I0 426 MIX 4-35 (110F. 4-39 4804 34-26 411M 39-32 aIIT a-35 WFMT on WP9s 4-34

0029-40

WJ7W

1210 CIO 794 429 1066 9102 on 9993 o-36 9195 a

1/6T

(COT 32-27 MR 4-35 [TRS 4-34 167>om Ma 4-39 6007 an 0T7 39 fr CM 40-29 Mk MR 37-30 21118 a [PSI on 0102 on T97 4-29 M195m W. 39-35

s SALT -N -PEPA

Let's Talk About Sex (Next Plateau) LP: Black's Magic


Parallel Regional Reach Reach N&Ai P1 441 E 141 P2 201 S 20% P3 10% M 20% W 35% Chart Sleary

Pas PI P2 P3 Tot 1 0 0 0 0

2-5 6-15

16-40 Ons

Adds Ch Adds

Total

National. Spry UP 28 DELIS 7 SALE 7 DOWN 0 ADDS 12

O 0 0 0

5 3 0 8

14 11 3 28 O 3 3 6 2 5 1 8

3 1 0 4

24 23 7 54

EMT

arm 29 -Ir 11012 4-22 Wee 28-22 1/PGC 21-18

án9 MX 11-7 (R9 27-22 (7711 428 2.111011 a-26 0105 4-29

41Ais!

996 12-10 U10 2822 4Mw 21-15 an 20-15 W77 7-6 1<1T102 41B0 4-30

94r

16104 2321 M1106 34-29

O 6I 19-16 001-414 20.16

111102 Q106 21-16 O a 31-28 007977 29-22

W51 FAST

IaCSS 2722 111113 32-28

YWCA 0-32

90InB

096.7 34-30 0105 (POR a23 41310 on 801r 33-29 11395 luS (B19

107947 21 fr ART 16-12 (6105 14-7 11107

WO 4-23 011 21-15 B95 4-34 1141102 3124 194 m ( 1x0 a 290 20.16 nil N 3332

GST

Sarni

MX on 03707 6-33

211RfST

8®00 on ( CZ on

w -+-T

( 0II a ( 006 a -n ( 7P[ 38-33

BOB SEGER

The Real Love (Capitol) LP: The Fire Inside


Parallel Regional Reach Reach P1 20% E 47% P2 50% S 58% P3 77% n 61% W 351 Chart

Pos Smeary P1 P2 P3 Tot

1 0 0 0 0 National 2-5 0 1 0 1 Story 6-15 1 5 6 12 UP 99 16-40 9 46 46 101 DEBS 9 Ors 0 6 4 10 SAME 16 Adds 1 0 0 1

DQM 0 Ch Adds 0 0 0 0 ADDS 1 Total 11 58 56 125

11.57

8104 112.5 0-32 IRpa 26-25

(6L 32-30 (I(B) 14-12 WYZ 28-26

MIDIIST

407 21-20 (906 28-26 c00 33 h.

VCS[

YAAL 22-20 2953 0-33 JET -19 13-9 1Ea1 29-24 FI992 31-24 11.18 2623 4118107 4-35 1063N 2319 999011 22-17 0102 on mPs! 26-23 8000 29-26 WW2 35-31 16111 2720

scum

4930 4-35 [228 32-27 19506 4000 2624 406 m weer 37-34 1(270 26-20 (APE 22-19 Wa7 24-17 MCI 20.17

1101945 25-20 (070 18-16 4n1x 3330 WAS 26-22 P11100 2520 8488 a-40 40n 2625 YJ1.0 2725 47440 31-29 092 2317 0102 22 fr [71M 21-17 W2. 31-26

Y[DD on fr WO 10-5 80R. 31-29 96470 37-33 4105 21-18 (am 33-32 WIxI 19-18 WIc 17-13 2104 2924 ad 4-35 Amer 15-12 9W41 25.24 11107 2534 1030 2724 401 15-14

VEST

1995 36-33 2732 e-30 1.9280 An 477101 16-13 [102 al W .ZU 39-36

UST

lawR a28 ewe 3026 103C18 27-19 943 31-26 W0P 22-21

11D9 35-32 win 24-22

W IZ 2123 W SF B-6 v4tl 40-35 0114( 3328 WROI 33-28

um 17-14 4125 on Y10Q on CII 20.15 0101 2825 an 19-15

O R06 21-19 9BPP 35-32 CM 30-28 P M 23 fr 01I11 21-17 W65 34-29

11a6s?

(WQ 40-38 [M 33-29 89q 24-19 41140 32-29

1011- 23-16 (LTV 32-25 [210 40-35 4812 21-17 194 12-11 IIBn 29-25 (0'11 22-24 01c2 35-29 0111 25 fr 4900 22-20 O 00G 3431 MX 31-28 99KG 36- 11095

3o

[PAT 30-28 ( FR( 16-10 laFC 2825

WW1

6®2 32-28 ( T65 3421 (F90 31-28 [013 3330 WR 38 fr pa 4-38 (7Mf 24-19 731a on ( 7O2 31-29 797 35-26 495 39-27

SIMPLY RED

Something Got Me Started (East West) LP: Stars

Total Reports 56 231

Parallel Reg i ma Reach Reach LNaA( P7 71 E 271 P2 211 S 24% P3 37% n 19% W 22% Chart

Pos Smeary P1 P2 P3 Tot

1 0 0 0 0 National 2-5 0 0 0 0 Statuary 6-15 0 0 0 0 UP 0 16-40 0 0 0 0 DEBS 0 Ono 0 0 0 0 SALE 0 Adds 3 24 27 54 DOWN 0 Ch Adds 1 1 0 2 ADDS 56 Total 4 25 27 56

+9:I 4-32 401102

mt_sr

EAST

W56 0.441 a 11111101 W01 0

(a a 14312

06001 a

Men

hareo 6228 [Z19 wira mart 987E MCI

ñrt 1001641

[3103 (19rr a K M MOT

WEST

1695 16N0 MOD a 10211

UST

wR1 103E18 W TP 1W9 a 1[110

SIOUXSIE d THE BANSHEES Kiss Them For Me (Geffen) LP: Superstition

Total Reports 103 1420

Parallel Regional Reach (NIA Pp 3i% E 43% P2 39% S 50f P3 51% M 31% W 441 Chart Spry

Par P1 P2 P3 Tot 1 0 0 0 0


Sumn4rY 6-15 2 2 0 4 UP 42 16-40 14 23 18 55 DEBS 15 Ons 0 11 10 21 SATE 24 Adds 3 7 8 18 DOWN 0 Ch Adds 1 2 1 4 ADDS 22 Total 20 46 37 103

PES[

518.5 4.22 WOU 4-29 W9:1 23-21 (110 2323

On a01 37-33

16-111 20-17 WCP 2722

scum

4®11 30-18 B93 22 fr 996.7 7-4

MST

(PIP 29-22 4031 4-38 We 23-21 410 29-25

Continued On Next Column Continued On Next Column Continued On Next Column Continued On Next Column

PARALLELS ® September 13,1991 RaR133

Regloral Reach E 31%

S 38% M 55% w 28%

National Summary UP 50 DEBS 13

SAME 26 DOwN 0 ADDS 5

SOME

Pm99 0-32 K69L 0-33 PW95 23-21 DX 24-23 O BE

WIZ 30-28 4105

NIPFST

16F11 16-10 IA1?T 15-14 1121. 047

K W 24 fr 13[102 28-22 60113 a-27

NEST

TIIS 25.24 RO1-I11

0106 a-30

VCR on WRZ an í1W 0-3] PW92 0-39 I1.18 32-29 F9007 34-27 10101 994011 25-22 Ain a-29

dPST 10-7

SIPUxsle Continue

195 II -20 N SA on 62M 0-38 VRED on VARE

N411 a-39 eAm 1107 C-36 111067 m 9.31.0 32-30 m90 a1 Era 0-35 0099 029

1001031

91010 21-16 e13947 on fr (37105 2921 62103 31-27 Im MST

ROSS on 1'95 a 2127 m CND 22-17 IL11C 5-30 0[1 10400 8-7 807949 20-17 099.5 an fr 272.11 29-26 37

1012 on W_F LIJAD 24-21

0.330 40-36 RIBO 25-21 WO 13943 01I 100 1349 33-29 n8 KW REIN on Was 33-26

R31EST

wBU 36-34 SQL 25-24 194 a-30 21P71 m 0G2 on 00C 99E0 RPat on 101Y 33-32

mS17

Ki85 on Sao an 6000 16-;1 17101 2623 E71 33-27 ZOO on 1P91 a-35 097 on 0195 36-30 1ü111 19-27

MICHAEL W. SMITH For You (Geffen) LP: Go West Young Man


Reach P1 13%

P2 26% P3 36%

Regional Reach E 31% S 22% M 34% IF 19%

National Summry UP 20 DERS 10 SAW 20 DOWN 0 ADDS 14

N1f1A

Chart SEerery Poe P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 1 1

16-40 6 17 8 31 Ono 0 8 10 18

Adds 0 5 7 12 0l Adds 1 1 0 2

Total 7 31 26 64

eAsr

33172

110195 ..26 7101 824

MINES?

3102 0-31 MCI 22-20 WI 4-26 4193 2924

967

SKIT 31-25

0Á1r

VAAL

Vila 4-33 21/SR WEE 0-28 PW92 on Nut 38-34 9531 34-30 99910 4-40 710248 VPST 34.28 Mat 36-32

9130 m 093 10 fI 4312 39-36 KITE MNT 7107 2926 81390 33-31 292 31-17 2102 e' fr

10301351

KIM 25-21 31105 .-39 VIII m WIC 21-17 62103 3293 on 0017 29-23 1107 34-28

VEST

1195 35-32 140112ZU

co

EAST

VPRR wan a1

10320 on 95Mt 5. WIT) 36-30

SOME

801.036 N.R0 on RISR m 117,E on

RIOT m

NIPFST

V813 1171 40-37 OM 28-25 D.T9 WIZ 2724 794 m wrB6 6-34 mull on 9418 19-13 º911G 4-3º

VEST

1048 1®Z 1715 0-27 323 R000 a1 CO 40 fr

STEELHEART

She's Gone (Lady) (MCA) LP: Steelhean


Parallel Reach

P1 2%

P2 38% P3 66%

NiA]

Chart Summary Poe P1 P2 P3 Tot

1 0 0 0 0 2-5

6-15 16-40

oro Adds

Ch Adds Total

1 0 0 1

O 1 1 2 O 29 33 62 O 13 11 24 O 2 3 5 O 0 0 0

45 48 94

eAST

9012E

111811157

1®0 13-5

MST

LIST

8AAL 31-28 WSR on .32-111 0.25 wE82 0-30 Pm92 38-28 K AN a1 27101 m Ma 26-22 9992E1 39-36 9PS 36-34 WIZ 2925

9112E

9880 a1 11310 27-25 0105 0-34 MaF an 9® a1 91017 39-36 v2TP 35-30

APE 0-30 MR 26-20 K (TEm WIZ 39.38 17120 0-30 VW/ on W. 2644

1019P_'Y

MfDO m fr 41170 12-10 m1R 28-22 96470 36-32 31105 26-17 win m 2104 30-27 KJ103 30-26 100 0-29 2321( 34-29 40m 20-16 001T 23-22 V14111 23-22 KIM on WOT

1111,S1

1195 KW an 81104 30.30 099.5 m fr KM 40-37

EAST

mR6 1513 N1FR 35-31 WIPE m N1TP on YAM 32-31

SOUTH

MIX 12112 0-217 WSF 4-32 we 34-32 1100 3-29 woe( 38-34 KISR 23-17 1ZII m

0101 a1 MX 0-38 40I8 35-31 TI21 m 31I8 22-19 9995 26-24

1016s7

wen 1771 34-32 SQL 32-27 art on am 0-39 mlI 29-27 194 23.18 1317 on 9121 32-29 WYE on 01.2 40-34 091 m fr 1m5 2525 UGC on 9405 2521 1295 111347 0-30 0580 28-25 0110 26-23

NEST

15aí 34-32 MA 32-30 17115 0-38 K290 39-33 072m fr 1100 a-39 111 26-18 1119 40-36 120Z 40-36 0195 2726

CURTIS STIGERS I Wonder Why (Arista) LP: Curtis Shgers

Total Reports 111

Regional Reach E 51% S 461 M 411 w 46%

National Su®ry UP 15 DELIS 24 SAW 45 DOWN 0 ADDS 27

46%

Parallel Reach

P1 221 P2 43% P3 67%

Chart Summary Pce P1 P2 P3 Tot

1 0 0 0 0 2-5 0 0 0 0

6-15 0 0 0 0 16-40 4 20 17 41

0119 4 15 24 43 Adds 3 15 7 25

Ch Adds 1 0 1 2 Total 12 50 49 111

BASt

Iml.S m 1RSa .-29 PRO -FE 35-30

9LI1f

W92 on

81196ST

0102 0-34 215111 m W4 2125 K71B

VEST

021 RI91 30 fr f332 RUBE

119 LAST

11.192 un VAAL 36-33 WS8 on 1ETz a28 II.SS a.29 1xM92 (1l,N 37-31 1112119 TC101 0.30 11001 35-32 9991011 40.26 1.1712 0-34 930 0-30 ma on WRZ 31-38 VIM 33-30 nC0

Sam 3N21

SEW m 1012m 1228 m WSF an W01 2724 WAD m

115.0 0-39 wm 17211 047 8-38 V® 0n 11II4 a1 nTP (I3R 2-28 eAPE 0-28 MS 1131 We on VARO on 17.I1 8-29 101T 3101 . RIOT on OWE 38-31 W14 wen 4-33 2102397r 111E'. on K IM 6.34 3mf on fr 95V9 AKIN 0-33

8636 on 8I190ST

x101EST W2 an VIII KITT on 2104 V93 1360 m VBM 0-34 1293 on 11918 MKT 30-21 4812 on 01421 796 028 6Pat 32-27 nBK a1

WAIT V1tiT 03.2 4-37

KIM on fr 2295 3429 KROC m 1610 m 9915 an F1004 ar K095 31-22 1107969 m 18AT 099.5 on 7r 02T 7EST [22U m 31 93-27 1C01 0-40

1®Z 0-40 0A5 4-36 1717 a1 8300 m

EAST ara m h ITW 4-39

9M11 4-37 ME 39-36 95121 on 21M1 m W TP 0-34 29 an SW a1 RmZ on INTO on 0795 an

0774 4-n

HENRY LEE SUMMER Till Somebody Loves You (Epic) L P; Way Past Midnight


Parallel Regional Reach Reach P1 131 E 43% P2 42% S 43% P3 78% M 64%

w 33% Chart Spry Pce PI P2 P3 Tot

1 0 0 0 0 National 2-5 0 0 0 0 Sumary 6-15 1 3 7 11 UP 88 16-40 6 39 47 92 DEUS 3 On., 0 5 2 7 SAME .18 Adds 0 1 0 1

DOWN I Ch Adds 0 1 1 2 ADM 3 Total 7 49 57 113

eAST

sets 10®0 2322

10121231

6102 22-20 111916 19-17 del 1514 VZPL 18-17 I®] 25-23

11127

310 2142

Ev.

11292 2726 8112 29-27 4958 33-33 .367-111 25-24 INW 18-17 P21192 32-29 (1141 19-16 I13C0 2421 999101 3535 1102 on YP5T 2729 4Ra 3-39 Y[RZ 22-19 61Td 16-13 WICK 25-24

931111

1111143 34-30 1138 35-29 NSA 19-18 0105 24-23 11305 23-21

VIOff a-33 n?P 24-17 KIM 16-13 11111

12080 24-20 9715 32-28 18817 24.21

[M on

16-16

301707?

WDD 17 fr 4942 .28 96411 2419 MEE 20.18 1W VIII 23-22 WIC 6-6 64303 m 4293 2342 Vim 23-18 ROR 2627 41076 21-20 1107 3347 KAM 26-23 Mar 2322

VP=

1395 33-31 17íI 628 118100 2241 21/CL m 12011 26-22

ILO

W1R 19-17 991X 2421 1032R 25-25 95III 2724 16,71 30-30 Imp 32-31 14170 23-21

122E 3533 WA 30-27 1200 31-26 KM 22-19 115K 21-19

VMS 33-29 M4 26-23 1:398 25-23 [III 26-21 0101 7126 1011 22-20 1010E 2726 v9R 33-31 nut a-36 WO 20 fr SKIN 7-13 4948 2725

1007241

11Tí 2724 MC 25-20 08* 25-22 4311 33-33 WAS 21-22 O .11 36-35 010 3430 WIZ 18-18 194 17-15 277º 21-20 aryl, 16-14 62Á2T 19-15 1x2 2421 VII fr 1901 1515 O0C 17-15 MG 30-26 1195 33-21 MAN 23-20 181 1412 401 23-19

VEST

1037 31-29 112 29-26 K 785 33-33 1120 3431 16111 3128 112 32 fr KTW 37-35 000 on [í1R 2624 Z81x 32-30 1202 2928 3695 31-23

T TAMI SHOW The Truth (RCA) LP: Wanderlust

Total Reporta 132 54 Parallel

Regi mal Reach Reach PI 19% E 391 P2 51% S 64% P3 95%

M 59% w 50% Chart Smm ary

Poe P1 P2 P3 Tot 1 0 0 0 0

National 2-5 0 1 4 5 Smeary 6-15 0 10 15 25 UP 82 16-40 6 36 37 79 DEBS 8 a o 3 9 3 15 SAW 31 Adds 1 4 2 7 DOWN 3 Ch Adds 0 0 1 1

ADDS 8 Total 10 60 62 132

easy

B96 on

902E

. 72 23-23 12711 m PWP10 31-31

NIPF_S7

11PNR 0-30 SCR K99 4-32 ®1 36 1r 901102 m

msT

1191 26 3r

11517

VAAL 25-21 482 WW1 30-28 0192 21-19 PI0192 20-17 20101 on 999117 16.1' 1102 30-27 MS7 16-15 ma 32-29 Cl 18-16 1119 36-32 81CR 19-18

SCUIE

9m] 0-40 O W 29-25 4228 36-32 M1a 30-30 11000 2422 E WE 3126 Mm' 8-30 WSI IMO 39-37 Y82 22-18 M7P 22-16 113195 on

1017? 11.10 1xTE m

TONY TERRY

With You (Epic) LP: Tony Terry


Parallel Regional Reach Reach [N11/131P1 37% E 18% P2 26% S 31% P3 15% M 11%

w 41% Chart :xmmry Pos P1 P2 P3 Tot

1 0 0 0 0 National 2-5 2 1 0 3 Sure 6-15 8 5 1 14 UP 31 16-40 6 17 3 26 DENS 5 One 1 4 4 9 SAW 15 Adds 2 2 3 7 DOWN 1 Ch Adds 1 1 0 2 ADDS 9 Total 20 30 11 61

SUB 40-34 WNT m 7107 28-25 W tp 23-21 092 on 2102 16 7r K M 27-24 H21 on

800217

SOO 19 fr 4891 6-6 100947 m fr MP 2743 96110 31105 1-2

(11811 3530 VIII 17-21 2104 16-14 1.1103 35-31 VIII 21-19 4036 17-12 1327 m 1807 22-21

VEST

395 11-10 1131 2221 D oc m fe 141 27-26 89104 12-11 1362 28-23 0100 2001 32-29 101949 22-20 099.5 8 h 1220 12-11

LIST

NPRR 16.16 VEX 15-13 103[10 9971 2641 1002 28-23 101 7-5

908E

0116 a-32 1012 23-19 WISF 33-29 WAD 21-18

2710 28.28 000 26-22 1114 19-15 RISK 15-12 OTI.S 2825 WO 28-27 191B an all 15-13 0101 25-23 104 32-25 010E 15-15 0015 23-20 8110 15-14 CM 31-26 1012 1022 29 fI 069 10-8 WIC 24-21

13í6T

893 23-22 1377 32 Sac 029 tau 0.79 19-11 01020-16 V811 15-13 794 1- VMS 11-13 lÁ10 17-16 Dc2 33-30 180 15 fr MC 12-10 910 19 -IR 1095 22-19

AT 24-26 41(81 22-19 1111 5-5 4010 11-7

VEST

K KR a-32 ISOZ 36-29 KT85 23.17 EFBp 19-15 1020 21-23 101 m 072 15 fr I1RK 4-36 Du 37_34 IIM 13-6 291 16-14 2237 21-25 797 a-31 3695 2621 0111 16-17

LAST

13397 X35 2700 11.11 SPEC 2-2

30911

21099 31-28 MU 6-6 101E 28-24 IT79 7-6 136270 33-27

xI1a6T

896 MMT 25-23 000 an fr

VEST

1119 a P5,106 23-18 Rag 9.9 MOT -27 2725 IOGI 6-4 11102 1513 0106 18-14 O 0. 5-6 1101977 9-7

IA4T

WAN m 9994311 2724 w2 -33 111N a-36 42 26-23

9720

vmG 36-26 11IZ 14-9 81x3 34-33 K2711 7-6 OAP 13-11 9® m 91627 I10795 24-18 v4e8 4-36 1911 26-17 7107 35-29 KM0 176ST

Max a1 fP 1131927 an fr N92 17-15

WEST

133 8-26 01C 29 fr e95 2921

P36102 6-I 194 14-12 WC O 39-35 1731 19.16 290 24-20 RIN 30.25 0K a20

CUT

2120

33172

0C2 a1

mm

I1T 1 34-26 176I 3432

V LUTHER VANOROSS Don/ Want To Be A Fool (Epic) LP: Power 01 Love


Parallel Regí onal Reach Reads P7 54% E 67% P2 62% S 771 P3 78%

M 44% w 72% Chart Summary

Poe PI PP2 P3 Tot 1 0 0 0 0


5ur1111,? 6-15 10 8 2 20 UP 104 16-40 13 48 46 107 DEES 17 Oro 2 10 8 20 SAME 27 Adds 1 4 1 6 DOWN 0 Ch Adds 2 2 0 4 ADDS 10 Total 29 72 57 158

uST

VACS 33.30 VII7U 16-14 10197 27.24 100 26-23 I100 -27 1000 21-9 MaP 24-23 PRO -FE 22-21 8PGC 14-11

301101

[010 5-3 3642 18-15 619 m P29110 17-14

14011177

(10D 33.23 11114 m WTI 14-13 U11 25 fr CAR

VLST

w an 8-6 4221 23-21 PNP106 a-31 12711 16-15 1a2 2826 rn'02 6-6 ( 111 23 fr 0ILL 1514 137977 30-29 1812 0-24 111I 26-24

V37

Rt792 23-20 n® 29-25 9Au. 33-32 ASP 31-26 OTT 20-16 OW MSS 19-15 PW92 m la. 22-20 82107 31-25 12101 8-28 402'11 21.16 999111 24-11 r xi .-32 1102 28-20 8M11 38-33 wend 31-26 1301 21-19

sane

9®0 26-16 196.7 33-25 V81 31-28 1228 22-19 9551 1102 20-16 M01 26-25 wow 16-15

12811 27-21 0105 21_18 M03 on 1[3S1 0-28 Mr 33-28 9P12 36-26 MIT 21-15 13195 26.20

VAPE 111945 a-33 KEW on 90.31 26.24 V'J7S 27-27 P11100

4ABB 38-33 WHY 36-31 111111 39-35 7107 17-15 111067 8-27 VILO 36.33 IMO m 0102 26 fr 171.17 2519 133931 0-30 111x. 34-29

allAIEST

WO m f3- 617 1513 2105 2419 3610 on 28103 on 321 on 1107 26-23 1300 4-36 MOT on

1000 25-24 1195 22-20 LW 2924 1R96 31 fr 895 19-14 N11102.26-21 1ILC 025 [CAP 36-29 KWZ on Z90 21-18 3117 0-30 MIN 15-13

LOST

WAR 26.21 48PT 32-28 103aÁ 8-29 95110 24-20 ¿ITT 19-1T MAP 30-29 12170 16.14

531111

1191 a1 1010 26.22 13E7 co WAD 22-20 471I 34-29 100( 27-21 WM6 34-30 1136 8-25

910.5 6-31 *VC 3028 1923 23-21 Kill 26-18 9101 22-1B O W 37-30 0113 20.18 VER 24-19 9118 2420 Q11 32-27 MR 18-17 n'8S 3027

xID121t

ma 34.32 1211 30-26 9918 0-31 dQL a1 am 35-32 010 m 194 29-22 0121 28.26 YAM 33-29 /832 u-18 313mfe 9910 m 1095 8-32 WC 0-35

NS -1

ROOT 36-33 S PIN 29-26 1®02 28-25 ITES 38-26 1190 0-34

10111 m QR 37 fr 13W 39-37 on 17111 20-15 011x 1P5I 8-28 1202 33-27 797 22-19 3195 4-39 1'Y9 3432

W KARYN WHITE Romantic (WB) LP: Ritual 01 Love


Regional Reach

98% 3 88%

el 88% W 94%

Nat Taal Summary UP 199 DEBS 4

SALE 12 DAN 0 ADDS 7

Parallel Reach

P7 93% P2 91% P3 89%

Chart Samery Poe P7 P2 3 Tot

1 0 0 0 2-5 1 2 0 3

6-15 16 44 27 87 16-40 31 58 35 124

Ors 0 1 0 1

Adds 2 1 2 5 CT Adds 0 1 1 2

Total 50 107 65 222

LAST

8104 111115

nDU 11197 21-13 1010 20-16 2101 21-17 MxR 21-19 2107 17-14

98P6T 11-9 931 25-22 11027 1411 4811 17-14

181311 15-13 wend 17-12 1001 2026 nE 16.12

3120

8917 2414 89315 fr

43949 I8-14 099.5 28 fr Z90 22-19 KIM 23-17 [22U 27-20 MIN 10-5 111 2320

41;1 EAST

W. 11.7

Continued On Next Column

Karen White Continued

894 19-16 MQp 16-15 1110-211 19.17 SAYA 21-19 VPOC 26-25

90127E

PW99 21-18 0xf. 22-20 11195 11-8 ERE 2421 7100 25.21 897 2422 W9Z 14-11 2111 24-17 PWPIO 12-9 0105 18-15

142.2 -ST

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VANESSA WILLIAMS Running Back To You (Wing/Mercury) LP: The Comfort Zone


Parallel Regional Reach Reach P1 431 E 49% P2 40%

S 36% P3 33% M 16% O 59% Chart SO0Mary

Poe PI P2 P3 Tot 1 0 0 0 0

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riv EAST

9733.5 31-27 610911 15-11 53.197 16-15 8100 19-19 MCP 25.24 PR0-89 32-27

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MET

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7 1

, Parallels Continued on Pace 134

"SALES STRATEGY"

A Radio Management Handbook For The 90s... by R&R columnist Chris Beck

Call R&R to order your copy.

(213) 553-4330

134 RaR September 13,1991 PARALLELS®

A ANOTHER BAD CREATION Jealous Girl (Motown) LP Coohn' At The Playground Ya Know

270 CM 6-2.

]101111

IMP 1G 4-29

Cr 1196 28-26

NR

0102 21-17 Cr' 0-29

26102 23-19

9011111

1102 ORR 10195

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rs. 4221 695 X-22

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267

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995 20-33 IM102 ICN

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raj UST

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0711

Rí96 149 901110 X33

Cr 996 13-12 6.30 30-22

204.

631 22-20

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822 m m7 36.32 61067 27-25 Cr I0947 on 11

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Fantasy (RCA) LP: Dreamland

1ER

09102 m

931613

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9019

0996 m Mv., m

BLUE TRAIN

All I Need Is You (Zoo) LP The Business Of Dreams

c.4r

1P2 99901 MU

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it's So Hard To Say... (Motown) LP. Colleyhghharrnony

D 25-23 107-19 0-29 0106 23-19 DEL 3-2

EAST

1-07

267

BRAND NEW HEAVIES Never Stop (Delicious Vinyl/Island) LP. Brand New Heaves

YJPD on 201

26r 0-27

010. 0-25 09106 16-19 Id1 0.22 71102 . 9106 a-26 DEL 26.29 I0M7 19-19

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CRASH TEST DUMMIES Superman's Song (Arista) LP: The Ghosts That Haunt Me

331711

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Fall At Your Feet (Capitol) LP: Woodface

33n9

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par 990 4-35 Ow 22-17

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D N DJ DUIK Tonight (Profile) LP: Oink Is The Name

90779

1830 17-16 1719 2927

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072 13-12 1lcI 8-6

212102 9-7 IOe97'1 .

900711

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E EX -GIRLFRIEND Why Cant You Come Home (Reprise) LP X Marks The Spot

2WP102 23-17 190 . M41 29.28 I 900111

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Groovy Train (Sire/Reprise) LP: Spanacus

9.tr

30161

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G LONNIE GORDON Gonna Catch You (SBK) LP: Cool As Ice

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JASMINE GUY Just Want To Hold You (WB) LP: Jasmine Guy

LL37

100 2927 290 16-14

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022 19-18 7100 m xrz m D:71 9-9

Cr 6G -33 291 622

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DAVID HALLYDAY

Tears Of The Earth (Scott' Bros) LP: Daod Hanyday

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JOMANDA Got A Love For You (Big Beat/Atlantic) LP: Someone To Love Me

LOT

104 13-13

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996 7-7 107102 17-12

226106 17-30 1001 20-20 107977 15-15

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K KISS God Gave... (lnterscope/East West) LP: "Bill & Ted's Bogus Journey" ST

lux m 999031 on 2237 34-35

2M IRI 9-16 IM a1 IGW 0.28

7.07

261. 39-36 .1-1-26 19-18 70192 6-31

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K.M.C. KRU The Devil Came Up To... (Curb) LP: Genlm' Smooth With

rho 4-40 2x1 21 18-8 m7 23 rr

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6 Minutes Of... (Def Jam/Columbia) LP: Mama Said Knock You Out

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M ZIGGY MARLEY 6 THE MELODY MAKERS Good Time (Virgin) LP: Jahmekya

61.27

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MC SKAT KAT

Skat Strut (Captive/Virgin) The Adventures Of MC Skat Kat 8 The Stray Mob

>10/19

17711

13241

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22-97

107977

METALLICA Enter Sandman (Elektra) LP: Metalllee

LLR

7M92

702e9

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30169

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September 13,1991 'Mel 3 5 PARALLELS®

SIGNIFICANT ACTION MICHAEL LEARNS TO ROCK

My Blue Angel (Impact)

UST

vllll (6L e-32 e®

'3X13

u®c m 91335rr 195 m

G 31-31 1E895 an WPVO a1

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GMT

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MOTLEY CRUE Primal Scream (Elektra) LP: Decade Of Decadence

WILL n191 0-29 40tlm 81 IN 38-37 W IN e-3.

N trncsr

794 002 6-38 Off on

9st COX 0-36 nPla 27-25 1077 m rr iota 35-32 roe . in. 0-39 3595m KM, on

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195P m JET -F1/ In.M m

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11Urrm 1220 4-32 40X5 a-33 11591 on

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MIC MURPHY Give Me Just A Little More... (East West)

66m

901m

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Angel (Imago) LP. Nrkdlaj Steen

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1101 eJm

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Ballad Of Youth (Mercury) LP Stranger In This Town

2100 -29 00417 9-33

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1661 99101. 11PS7

WICK Mae 37019

TRACIE SPENCER Tender Kisses -(Capitol) LP Make The Difference

cm mac WC 0135 (Y01

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Too Young To Love You (Quality) LP. Time After Time

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80101

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TKA

Louder Than Love (Tommy Boy) LP Louder Than Love

141 6677

vnx W. 0-35 51070 Vin 4-3. 1111A 31-31

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'3X95 0-40 K>º m

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140 UST

92871.1

uaL7r

lrJr

CHR REPORTER INDEX

P1 EAST

B94 (W/22)PlttsbuyA, PA

8104 WBSI(faKlmore. MD

HOW (WONT)Me. York, WI

MOJO (WPU)Mo Torn NY

PROPIM IWPRO) Providence, RI

MAYA/Washington DC

WEGX PhllaMip6is, PA

W10Qfhlladtdhla, PA

WMX^Pmaburge PA

WPOC/Watnington DC

WOW Bruton MA

W00111oston MA

2100 (WNTZ)Me. York, MY

SOUTH

897 'WE1I)11u Odeon.. LA

KEGLM.Yt-FL Worth . TX

U DC. Houston TX

KK&9Moutton. TX

KRI2 Hmston, TX

KTFMS.n Antonia, TX

PWRPIG (WFLI)/TSmp., FL

MISS (K1111)Mellas, TX

PW1.96 (WPOW)Mlaml, FL

PWR99 (WAPW) Atlanta, GA

0116 (W11e0)/Tampa. FL

WNW Norfolk. VA

TICS IWNT1)MIamL Ft

MDWEST

891/ (W136MfMWtNocago IL

N OT102IWLUM)Mll.aokae, WI

KBMAansas Clly, MO

KOW6IIIMneepolls. MN

KXKR Kansas CHI, MO

0172 )WKRO)/tlnonnMl, OH

WIFXMetroK MI

WiYTAetroO, MI

W 1MO01.ee0nd, O8

WIBO/SL Louts. MO

WNCl/Colombut OH

W'NR/tNaeMnd. OH

W2Pt IndlantpoNn IN

WEST

F4102 (ESFM)Sacremento. CA

110T977 (19014 San Jose CA

IGGIRIIenat, CA

XIS -FM Loa Angeles, CA

MIN Sae Lake City, UT

II1FR Phoenix. Al MKR2 Portland. OR

K MEL San Frenchco, CA

IOY-FM Phoenix. Al IFLZ/Sean1, WA

ERX1 Denver, Co

105104 (EMS) Denver, CO

108E Seattle, WA

'WRIA8 )KPWR(,tos Angeles CA

2106 (EKLOISan Diego, CA

P2 EAST

930 IWNTO)SYracusa, MY

9gPXY (WPXY)Rochester, NY

999(81 (WKNI)Ocean City, MO

F1.192 (11191.1) Albany, NY

FUN107 (WFHN)N.. Bedford, MA

JE1.FM (WJET),Erle, PA

K C101 (WKa)MeW Nevin. CT PWR92 (WGLU)Johnsto.n, PA

TIC -FM IWT1C)Mtrlloro. CT

WAALAIUIpkamlon NY

wAEB AM11lo.n, PA

WERZ Enler, NH

WIK2Cham0enburg, PA

WIFE Huntington WV

WERZ.FM Wllket (lane, PA

WISE gu8ale. NY

WKSSMCMoro. CT

WLAN-FMLansasler, PA

WMM1ManIt89ry, PA

WPST/Trenlon. NJ

WOGNMe. London Cl WOXA/Forl PA

wACAAIIca. MY

WIPK PuuOn/aepKM. NY

WSTW IWllmtngton. 9E WTHTPortland, ME

WVSRtharMslon, WV

WWKX Providence. RI

WYCR/Tork, PA

1102 (WRFY)Reading PA

SOUTH

893 (K81S) Austin. TX

FM100 (WMC-FM(Menlpnts, TN

G105 (WOCG(Durham'Ralegh. NC

#0195 (WOHTI/J.ckam MS

195(WAP1(9Amlogham, AL

K92 (WXLK)Moano4, VA

096 7 1111491) Austin, TX

(BF M McAllen Brownsville. TX

KE/K/tmle Rock, AR

KPRR.EI Peso. TX

KTUX/Ihreveport LA

KIFM torput Christi. TX

K2211 Beau Mont. TX

PWR945 (WIAP)te.ington. KY

WAB6 Mobile, AL

WAP6Jackaonr111a, FL

W13130Wreenrllle. SC

WBBO Augusta. GA

WCOO Columbus. GA

WCKZMkar1tte. NC

WOJX.4ouisvllle, KY

WFMF Salon Rouge LA

11111148 Montgomery, AL

W ill Pensacola, FL

WXSI Greensboro, NC

WKZLAVlnslm-Salem, NC

WMXF,fara0erllle, NC

W1101 -FM Columbia, SC

WOKI Kwn1111 TM

WOW Meet P.O. Bean FL

WOUT/Johason We. TN

WRIT Greenvale, NC

WRVO Richmond. VA

WSSX Chari nlon, SC

WOKS to0neale, KY

WZYPMunhviII. AL

XL1067 (WXXLfM(OrleMo, FL

1.1117 Msalnille. 111

2102 (WZAT)Sav.nnah. GA

MIDWEST

96010 I W I TO )/E annllle. IN

CK105 (W1VC6(fibt MI

NOT941 (W1TZ) ChNago IL

#107 (IUTg/Fu4a, 0K

EMTX/St. Louis, MO

K1103 (1J10) 01t.Aoma City, OK

KENTSpringlleM, MO

101110 Wichita, KS

KMFZRuMa.OK KOKO Omaha NE

19N00.. Memel IA

£293 (WEZW(Pwrla, IL

MIX( Appa3on-0ah1°56, WI

WGRO Grand Raptos, MI

VJGT2Mellon. 011

WHOT/Youngslo.n. ON

WIOG Seyona., MI

WKDD Akron. OH

WMEEñI Warne, IN

WPXRMnenport. U WROK/Canlon, ON

WROM/Toled°, ON

WVIC Lansing. MI

WWIT tolembut, ON

WZOKRoctlord. IL

Z104 (WZEE)MMIson, WI

WEST

095 IK1105)bnsno,CA FM104 (KNOP( Modesto. CA

1401949 (K2NT)ba0 LOU Llly, UT

194 (KIKI)MonoleM, NI

KCAOOxnardVenbn. CA

E0011 St9nec, CA

11E95 )KFXO1 Sole. ID

KMTTSanta Rosa. CA

EIKX Cobrado Springa. CO

KKMG Colored° Spnngs. CO

KESSAMuperqlla, NM

6KXXAlskarslleM, CA

KLUCLsa Vepas. NV

KRO(KR00)Ruuon AZ

KIND 'Eugene. OR

(WINSloclton CA

6WN2 Reno, NV

'MOO Sacramento. CA

KZ2U Spokane WA

PWRI02 (KOPW(rfresno. CA

099.5 (#1110)See Lake Clty, UT

290 (XMTZ)7San Deap. CA

P3 EAST

ºSOIL IWXIL)Partenbury. WV

93008 (W30/1)9antnyton, VT

100CIR IWCIR)9ec1M3, WV

WNTO/Wlllt.mtporl, PA

WKPE Cape Cod. MA

WNYPAIh.ce. MY

WOMP Wheeling. WV

WPRRAAoma, PA

W W F X Hanger, ME

SOUTH

KCNX/Mlolano-00essa TX

EFOXAbilene. TX

KISR,F1 S1n091. AR

KIX15an Angelo. TX

KMC6,fayeOnlW, AR

KNINAVcnna FM, IX KNOT ¡Monroe. LA

#OIZ/Amanlln. TX

KIM/talayelb. LA

6WTX Waco. TX

11211AabAocl TX

0101 (W100)Meridian, MS

Wen Myrtle Beach, SC

WFNTRauahastee FL

WRMlhnama Clty, FL

WJAD9alnbrldge GA

WAX Florence, SC

WISE Asheville, NC

WMM2Warnetvvllle, FL

WVBSWipnlogton, NC

WY(SWalnesvllle, FL

W2KX91lo.L MS

MIDWEST

9910 (KSkG)SNlna KS

KFMWAYalerloo, IA

KFRX0.3coM, NE

KG95 (KGU)Srou. City, IA

KGGGRapld. City, SO

KON1Grand Forts, MD

KLYV Dubuque. IA

KMG2 Lawton. OK

( PAT Sion Fath. SD

KROC Rochester, MN

KTTTItsnunl NO

E2100.lem, MN

WADYt.by.Ile, IN

W1112E.0 Claire. WI

WINO Bloomington. IL

WAWA 91uomingtm, IN

WBXXRa01e Creel MI

WC14CarbondaM,Il WC/HA S9rlogII.M IL

WIFCAVntalr WI

WKFRA4lema2m. MI

WLRW Champaign. IL

WSNXMuslaqon. MI

WT98Mobbing. MN

Y94 (WDAY)F.ryo ND

WEST

6002 Hangman, MI £ 9110 Cheyenne, WY

KFFM/V.A1ma. WA

KFT230.h° Fella. ID

KOOT Anchorage, Al KM OK Lewiston, ID

KPSIPekn Springs. CA

6PXR0Ancllorege. AK

KOIX Grind lundmn. CO

KOMO Honolulu. HI

KTMTM.dtord. OR

KTRS tatptr, WY

17RKLn Vegas, NV

KZOZ San Loh 0011M, CA

0195 (KIOK)Rrl-CNles. WA

197 Sant. Barban. CA

ZFUN (KZFN)Moscoo, 10

DEBUT

DEBU

136. September 13,1991 PARALLEL CHART ANALYSIS CHR NATIONAL AIRPLAY®

P' Major Markets

LW TW

1 0 COLOR ME BADD/1 Adore Mi Amor (Giant/Reprise) 5 Q MARKY MARK á THE .../Good Vibrations (Interscope/EWA)

6 0 BOYZ II MEN/Motownphilly (Motown)

e O MARIAN CAREY/Emotions (Columbia)

3 5 C & C MUSIC FACTORY/Things That Make You._ (Columbia)

2 6 BRYAN ADAMS/(Everything I Do) I Do...(A&M/Morgan Creek)

4 7 PAULA ABDUL/the Promise 01 A New Day (CaptiveNirgin) 1 8 HI -FIVER Can't Wait Another Minute (Jive/RCA)

1t O KARYN WHITE/Romandc (W8)

9 10 CATHY DENNIS/Too Many Walls (Polydor/PLG)

14 (D NATURAL SELECTTONA)o Anything (EastWest)

to 12 MICHAEL BOLTON/Time, Love And Tenderness (Columbia)

16 ® SCORPIONS/Wind Of Change (Mercury)

13 14 R.E.M./Shiny Happy People (WB)

17 It) HEAVY D. & THE BOYZ/Now That We Found Love (MCA)

20 4) FIREHOUSE/tove 01 A Lifetime (Epic)

19 ROD STEWART/The Motown Song (WB)

1s 18 KLF/3 A.M. Eternal (Arista)

12 19 AMY GRANT/Every Heartbeat (A&M)

18 20 SEAL/Crazy (Sire/WB)

24 ® MARTTKA/Love_Thy Will Be Done (Columbia)

30 Q BONNIE RAITT/Something To Talk About (Capitol)

26 a LUTHER VANDROSSA)on't Want To Be A Fool (Epic)

31 e) EXTREMEMoIe Hearted (A&M)

29 ® AARON NEVILLE/Everybody Plays The Fool (A&M)

23 26 ROXETTE/Fading Like A Flower (Every Time You Leave) (EMI)

21 27 LENNY KRAVITZAt Ain't Over Til It's Over (Virgin)

35 SALT-N-PEPAA_et's Talk About Sex (Next Plateau)

25 29 HUEY LEWIS & THE NEWSAt Hit Me Like A Hammer (EMI)

33 Q TONY TERRY/With You (Epic)

36 ® JESUS JONES/Real, Real, Real (SBK)

34 ® VANESSA WILLIAMSAiunning Back To You (Wing/Mercury)

© BRYAN ADAMS/Can't Stop This Thing We Started (A&M)

32 34 ESCAPE CLUB/1'11 Be There (Atlantic)

37 ® JASMINE GUY/Just Want To Hold You (WB)

40 0 BELL BIV DEVOE/Word To The Mutha (MCA)

22 37 D.J. JAllY JEFF & FRESH PRINCE/Summertime (Jive/CA) 27 38 NATALIE COLE w/NAT COLE/Unforgettable (Élektra)

Q SIOUXSIE & THE BANSHEES/Kiss Them For Me (Geffen)

RYTHM SYNDICATEMey Donna (Impact)

54 REPORTERS

T

DEBUT

Eft_t,1. HOTTEST ROBERTA FLACK (14) GUNS N' ROSES (10) BRYAN ADAMS (9)

NAUGHTY BY NATURE (7) CECE PENISTON (7)

RYTHM SYNDICATE (7)

COLOR ME BADD (33) MARKY MARK & THE... (29)

BOYZ II MEN (18) MARIAM CAREY (14)

NATURAL SELECTION (13) SCORPIONS (13)

DEBUT

P2 Secondary Markets

iw TW

5 0 COLOR ME BADD/I Adore Mi Amor (Giant/Reprise) 1 2 PAULA ABDUL/The Promise Of A New Day (CaptiveNirgin) 3 3 MICHAEL BOLTON/Time, Love And Tenderness (Columbia) 4 4 C & C MUSIC FACTORY/Things That Make You... (Columbia)


14 0 MARIAH CAREYEmotions (Columbia)

e Q FIREHOUSE/love Of A Lifetime (Epic)

9 O BOYZ II MENMtotownphilly (Motown)

1 9 ROD STEWART/The Motown Song (WB)

11 m R.E.M./Shiny Happy People (WB)

2 11 BRYAN ADAMS/(Everything 1 Do) I Do It... (A&MAVorgan Creek)

13 ® MARKY MARK á THE FUNKY.../Good Vibrations (Interscope/EWA

is () KARYN WHITE/Romantic (WB)

20 NATURAL SELECTION/0o Anything (EastWest)

19 ® EXTREME/Hole Hearted (A&M)

12 16 HI -FIVER Cant Wart Another Minute (Jive/RCA)

23 m BONNIE RAITT/Something To Talk About (Capitol)

to 18 SEAL/Crazy (Sire/WB)

24 10 AARON NEVILLE/Everybody Plays The Fool (A&M)

25 Q MARTIKA/Love...Thy Will Be Done (Columbia)

1e 21 HUEY LEWIS & THE NEWS/It Hit Me Like A Hammer (EMI)

17 22 SCORPIONS/Wind 01 Change (Mercury)

26 ® HEAVY D. & THE BOYZiNow That We Found Love (MCA)

16 24 AMY GRANT/Every Heartbeat (A&M)

21 25 KLF/3 A.M. Eternal (Arista)

30 CT BAD COMPANY/Walk Through Fire (Atco)

32 t JESUS JONES/Real, Real, Real (SBK)

22 28 ROXETTE/Fading Like A Flower (Every Time You Leave) (EMI)

33 a LUTHER VANDROSSADon't Want To Be A Fool (Epic)

31 Q TAMI SHOW/The Truth (RCA)

® BOB SEGER & THE SILVER BULLET.../The Real Love (Capitol

® BRYAN ADAMS/Can't Stop This Thing We Started (A&M) 3s © HENRY LEE SUMMER/Till Somebody Loves You (Epic)

36 Q CHESNEY HAWKES/The One And Only (Chrysalis)

RTZ/face The Music (Giant/Reprise)

36 38 SPECIAL/The Sound Of Your Voice (Charisma)

s BAD ENGLISH/Straight To Your Heart (Epic)

O RYTHM SYNDICATEMey Donna (Impact)

Q VANESSA WILLIAMS/Running Back To You (Wing/Mercury)

O BILLY FALCON/Power Windows (Jambco/Mercury)

116 REPORTERS

W.1 -~i1:111,29 HOTTEST ROBERTA FLACK (53) GUNS N' ROSES (49)

EMF (28) SIMPLY RED (25)

BRYAN ADAMS (18) RICHIE SAMBORA (18)

COLOR ME BADD (67) MARIAN CAREY (47)

BOYZ II MEN (43) MARKY MARK & THE... (34)

NATURAL SELECTION (33)

P3 ' Smaller Markets

DE

DE

nv iw

1 1 PAULA ABOUL/rhe Promise Of A... (CaptiveNirgin) 3 O FIREHOUSE/love Of A Lifetime (Epic)

2 3 MICHAEL BOLTON/Time, Love And Tenderness (Columbia) 7 0 COLOR ME BADDA Adore Mi Amor (Giant/Reprise)


4 6 ROD STEWART/The Motown Song (WB)

9 Q R.E.M./Shiny Happy People (WB)

it O EXTREMEMoie Hearted (A&M)

16 0 MARIAN CAREY/Emotions (Columbia)

13 c BONNIE RAITT/Something To Talk About (Capitol)

12 ) C & C MUSIC FACTORY/Things That Make You... (Columbia)

14 AARON NEVILLE/Everybody Plays The Fool (A&M) 6 13 BRYAN ADAMS/(Everything I Do) I Do It _ (A&M/Morgan Creek)

to 14 HUEY LEWIS & THE NEWSAt Hit Me Like A Hammer (EMI) 19 ® KARYN WHITE/Romantic (WB)

20 (D NATURAL SELECTION/Do Anything (EastWest)

to m HI -FIVER Cant Wait Another Minute (Jive/RCA)

e 18 SEAL/Crazy (SireANB)

n TAMI SHOW/The Truth (RCA)

25 a MARTIKA/Love_.Thy Will Be Done (Columbia)

26 ® BOYZ II MENANotownphilly (Motown)

27 © MARKY MARK & THE FUNKY.../Good Vibrations (Interscope/WA) 21 23 38 SPECIAL/The Sound Of Your Voice (Charisma)

33 e) BAD COMPANY/Walk Through Fire (Alto) 28 ® HENRY LEE SUMMER/Till Somebody Loves You (Epic)

29 CHESNEY HAWKES/The One And Only (Chrysalis) 31 5 BOB SEGER & THE SILVER BULLET.../The Real Love (Capitol) 15 28 SCORPIONS/Wind Of Change (Mercury) 32 Q BILLY FALCON/Power Windows (Jambco/Mercury)

36 Q LUTHER VANDROSSiOon't Want To Be A Fool (Epic)

17 31 AMY GRANT/Every Heartbeat (A&M) 40 ® JESUS JONESAieal, Real, Real (SBK)

BUT Q BRYAN ADAMS/Can't Stop This Thing We Started (A&M) 37 Q RTZ/Face The Music (Giant/Reprise)

24 35 KLF/3 A M. Eternal (Arista)

BUT Q BAD ENGLISH/Straight To Your Heart (Epic)

38 5 HEAVY D. & THE BOYZ/Now That We Found Love (MCA) Q STEELHEART/She's Gone (Lady) (MCA)

m RYTHM SYNDICATEMey Donna (Impact) C STEVIE NICKS/Sometimes (It's A Bitch) (Modern/Atlantic)

73 REPORTERS

DEBUT

DEBUT

DEBUT

HOTI EST GUNS N' ROSES (37) ROBERTA FLACK (33)

SIMPLY RED (27) EMF (21)

EDDIE MONEY (15) REMBRANDTS (15)

COLOR ME BADD (44) FIREHOUSE (32)

MARIAN CAREY (30) EXTREME (25)

PAULA ABDUL (22)

PERFORMING WHERE PLAYED Artist/Song/Lobe/ Reports

BAD ENGLISH/Straight To Your Heart (Epic) HEAVY D. & THE BOYZINow That We Found Love (MCA) RTZiFace The Music (Giant/Reprise) TAMI SHOW/The Truth (RCA)

BOB SEGER/The Real Love (Capitol) HENRY LEE SUMMER/Till Somebody Loves You (Epic) CHESNEY HAWKES/The One And Only (Chrysalis) BILLY FALCON/Power Windows (Jambco/Mercury)

OR-N-MOREIEveryotherday (EMI) SIOUXSIE & BANSHEES/Kiss Them For Me (Geffen)

VANESSA WILLIAMS/Running Back To You (Wing/Mercury) STEELHEART/She's Gone (Lady) (MCA)

STEVIE NICKS/Sometimes (It's A Bitch)(Modern/Atlantic) P.C. QUEST/After The Summer's Gone (Headliner/RCA) MICHAEL W. SMITH/For You (Reunion/Geffen) BELL B1V DEVOENIord To The Mutha (MCA)

TONY TERRY/With You (Epic) LISA FISCHER/Save Me (Elektra)

+SALT-N-PEPA/Let's Talk About Sex (Neil Plateau)

JASMINE GUY/Just Want To Hold You (WB)

BRAND NEW HEAVIESMever Stop (Delicious VinytAsland)

METALLICA/Entér Sandman (Elektra)

KISS/God Gave Rock 'N' Roll To You II (Interscope/EWA) K.M.C. KRUA)evil Came Up To Michigan (Curb) 32

137 133 133 132 125 113 112 111 109 103 94 94 93 82 64 62 61 61 54 46 44 40 34

Report % Conversion % Top15 %

56% 72% 39'o 55% 92% 49% 55% 76% 5% 54% 83% 27% 51% 91% 11% 47% 93% 10% 46% 88% 18% 46% 74% 22% 45% 56% 0% 42% 62% 9% 39% -7-1% 19% 39% 69% 5% 38% 61% 0% 34% 799'0 6% 26% 53% 3% 26% 76% 13% 25% 74% 38% 25% 52% 0% 22% 74% 20% 19% 74% 56% 18% 57% 8% 16% 58% 13% 14% 50% t2% l3% 78% 40%

PERFORMING WHERE PLAYED is a weekly listing of those records in New & Active and Significant Action which have a total of 25 or more reports with at least 50% of the airplay converted to chart that have not lost more than 5 stations from the previous week's total airplay. Note: See Parallels for a complete picture of all station activity. New records with large add totals won't show in Performing Where Played until those adds convert to chart numbers.

1 -77: JJr-.l.r!".11.:. Reports

1 HEAVY D. & THE BOYZ/Now That We... (MCA) 133 RTZ/Face The Music (Giant/Reprise) 133

3 TAMI SHOW/The Truth (RCA) 132 4 CHESNEY HAWKES/The One And Only (Chrysalis) 112 5 BILLY FALCON/Power Windows (Jambco/Mercury) 111

CURTIS STIGERS/I Wonder Why (Arista) 111 7 OR-N-MORE/Everyotherday (EMI) 109 8 SIOUXSIE & THE BANSHEES/Kiss Them For Me (Geffen) 103 9 STEELHEART/She's Gone (Lady) (MCA) 94

10 P.C. QUEST/After The Summer's Gone (Headlinerecords/RCA) 82

Note: See Parallels for a complete picture of station activity. New records with large add totals won't show in Performing Where Played until those adds convert to chart. Top 15% is determined by dividing a

song's total Top 15 reports by its total charted reports. New artists have not yet had a CHR Breaker.

ZZ,,® e p

1

,Z.41.

St,

WORLD WORLD VIDEO PREMIERE "Fresh Prince Of Bel-Air"mBC 8pm/7pm Central DEBUT LIVE PERFORMANCE "The Arsenio Hall Show" U JlVERSAL 9 11:30pm/10:30 Central

both on MONDAY SEPT. 16

"RUNG MY BELL" The follow up to the #1 Urban, #1 Rap, Top 5 Pop smash Platinum single,"Summertime". From the Platinum album, "HOMEBASE".

Direction/Management: JaRola Management & Camelot Entertainment

Report Date CHR/Urban 9/23

IV "Ring My Bell" Produced by :

D.J. Jazzy Jeff for A Touch Of Jazz, Inc., and Hula & K. Fingers and Mr. Lee for Zomba Recording Corporation

138. September 13,1991 / CHR NATIONAL AIRPLAY®

BREAKERS. BRYAN ADAMS

Can't Stop This Thing We Started (A&M) 76% of our reporters playing it. Moves: Up 47, Debuts 75, Same Including WAVA, Y100, WZPL, HOT102, KRXY, KOY-FM, KKRZ, debuts at number 30.

RYTHM SYNDICATE Hey Donna (Impact)

61% of our reporters playing it. Moves: Up 44, Debuts 40, Same Including PRO -FM, 896, 0102, HOT102, KDWB, KIIS, WNNK, Parallels', debuts at number 38.

NEW _I

23, Down 0, Adds 39 WZYP. See Parallels,

37, Down 0, Adds 28 WCGO, WWHT. See

BAD ENGLISH "Straight To Your Heart" (Epic) Reports: 137. Moves: Up 71, Debuts 23, Same 34, Down 0, Adds 9 including PRO -FM, WMXF, HOT95, WVIC, WILN, KLYV, KRXY 30-27, JET -FM 23-20, WLAN 33-27, KC101 25-20, WRCK 36-30.

RTZ "Face The Music" (Giant/Reprise) Reports: 133. Moves: Up 78. Debuts 14, Same 29, Down 1, Adds 11 including FUN107, 195, WDJX, WZKS. WABB, WRVO. WPXR, WZOK, WIOG, JET -FM 12-10, WZYP 25-18, WOUT 15-9, WWFX 25-20. See Parallels, debuts al number 37 on the CHA chart

HEAVY D. & THE BOYZ "Now That We Found Love" (MCA) Reports: 133. Moves: Up 84, Debuts 8. Same 26, Down 9, Adds 6, KUBE, WIKZ, KKK/. KZZU, 95XXX, KLYV, WXKS 4.3, WEGX 20-12, PWR96 13-8, B96 1-1, WDFX 13-8. See Parallels, moves 23-22 on the CHR chart.

TAM! SHOW "The Truth" (RCA) Reports: 132. Moves: Up 82, Debuts 8, Same 31, Down 3. Adds 8, WDFX, WIKZ, WKSI, 96STO, KWOD, 103CIR, WCIL, KPXR, Y102 30-27, KZFM 31.26, KF95 11-10, WOMP 7-5. See Parallels, moves 34-31 on the CHR chart.

BOB SEGER & THE SILVER BULLET BAND "The Real Love" (Capitol) Reports- 125. Moves: Up 99, Debuts 9, Same 16, Down 0, Adds 1, 8104, KRXY 24-19, JET -FM 13-9, WERZ 29-24, PWR92 31-24, WOGN 23-19, WSTW 27-20, WZYP 28-20, WOUT 24-17, WROK 10-5. See Parallels, moves 37-32 on the CHR chart

HENRY LEE SUMMER "Till Somebody Loves You" (Epic) Reports: 113. Moves: Up 88, Debuts 3, Same 18, Down 1, Adds 3, KRNO, WGRD, WILN, WLAN 19-16, WKRZ 22-19, WSTW 18-13, WBBO 34-30, KZZB 35-29, 96STO 24-19, KZZU 26-22. See Parallels, moves 35-33 on the CHA chart. CHESNEY HAWKES "The One And Only" (Chrysalis) Reports: 112. Moves: Up 81, Debuts 9, Same 14. Down 0, Adds 8, WZPL. FLY92, FUN107, WDJX, WZKS, WORD. KJ103, KOIZ, PWR99 16-6, KBE() 7-5, KDWB 24 19, WAAL 10-8, WROK 5-2. See Parallels, moves 36-34 on the CHA chart.

CURTIS STIGERS "I Wonder Why" (Arista) Reports: 111. Moves: Up 15, Debuts 24, Same 45, Down 0, Adds 27 including WEGX, KDWB, KKRZ, KUBE, WAEB, FUN107, KZFM, WZYP, PRO -FM 35-30, WLAN 37-31, 999KHI 40-28.

BILLY FALCON "Power Windows" (Jambco/Mercury) Reports: 111. Moves: Up 71, Debuts 7, Same 25, Down 0. Adds 8. KKBO, WNVZ, WOGN, KJI03, WPRR, 95XXX, WYKS, WBXX. WAAL 26-22, WVSR 17-13, PWR92 26-15. WLAN 31-25. See Parallels, debuts at number 40 on the CHR chart.

OR -N -MORE "Everyotherday" (EMI) Reports: 109. Moves: Up 33, Debuts 23. Same 41, Down 0, Adds 12 including 894. Y100, PWR92, KKYK, CK105, KCAO, WAD'. PWRPIG 28-23, WJMO 37-29, WNNK 30-26, WLAN 34-26, WOGN 31-26.

SIOUXSIE & THE BANSHEES "Kiss Them For Me" (Geffen) Reports: 103. Moves: Up 42, -Debuts 15, Same 24, Down 0, Adds 22 including KRBE, 0105, KOY-FM, 0106, KC101, WWKX, WABB, WIOG, KLUC, KRO, WDFX 16-10. WPST 10-7, WBBO 30-18, K96.7 7-4.

ROBERTA FLACK w/MAXI PRIEST "Set The Night To Music" (Atlantic) Reports: 100. Moves: Up 0, Debuts 0, Same 0, Down 0, Adds 100 including WXKS, KEGL, KRBE, Y100, 0105, HOT102, KDWB, KRXY, KS104, KITS, KKFR, KPLZ, KUBE.

GUNS N' ROSES "Don't Cry" (Geffen) Reports: 96. Moves- Up 0. Debuts 0, Same 0. Down 0, Adds 96 including WEGX. 894, PWR99, KEGL. PWR95, KKBO, 0102. WHYT, WKBO, KUBE, 195, WDJX, FM100.

VANESSA WILLIAMS "Running Back To You" (Wing/Mercury) Reports: 94. Moves: Up 50. Debuts 11, Same 28. Down 0, Adds 5, WDFX, WHYT, WLAN, WDJX, WILN, WXKS 31-27. WZOU 15-11, HOT97 18-15, PWRPIG 24-20, HOT102 34-28, KMEL 12.10, FUN107 28-23. See Parallels, debuts at number 39 on the CHR chart.

STEELHEART "She's Gone (Lady)" (MCA) Reports: 94. Moves: Up 50, Debuts 13. Same 26, Down 0, Adds 5, WHOT. KF95, KFOX, WBXX, KG95, WKBO 13-5, WAAL

31-28, PWR92 38-28, WOGN 26-22, WZYP 35-30, WOUT 26-20. KFBO 39-33.

STEVIE NICKS "Sometimes (It's A Bitch)" (Modern/Atlantic) Reports: 93. Moves: Up 35, Debuts 19, Same 31, Down 0, Adds 8, PWR95, 96STO, CKI05, WVIC, WZKX, KLYV, KZIO, KG95, JET -FM 22-19, WLAN 29-24, WNOK 39-35, WOUT 36-30.

EDDIE MONEY "Heaven In The Back Seat" (Columbia) Reports- 91. Moves: Up 8, Debuts 23, Same 26, Down 0, Adds 34 including KEGL. KDWB, WAEB, PWR92. KC101, Y102, WYCR, WBBO, PWR945, WORD, WPHR d-20, WLAN 40-33.

P.C. QUEST "After The Summer's Gone" (Headlinerecords/RCA) Reports: 82 Moves: Up 44, Debuts 7, Same 25, Down 1, Adds 5, WHYT, KKYK, KWIN, WFHT, KMGZ, PWR96 29-23, KTFM 26-22, WJMO 38-28, WKSS 24-19, KZFM 35-27, KBFM 28-18.

RUSS IRWIN "My Heart Belongs To You" (SBK) Reports: 79. Moves: Up 5, Debuts 17, Same 33, Down 0, Adds 24 including WERZ. FUN107. KC101. 999KHI, 930. WYCR, WBBO, WZYP, WHHY, KOKO. WNCI 31-29, K96.7 40-36.

MICHAEL W. SMITH "For You" (Reunion/Geffen) Reports- 64. Moves: Up 20, Debuts 10, Same 20, Down 0, Adds 14 including PWR95, WAAL, WVSR, KKYK, WHHY, CK105, KJ103, WPRR, WKBO 29-24, KRXY 31.25, WLAN 38-34, WPST 34-28, WVIC 24-17.

BELL BIV DEVOE "Word To The Mutha" (MCA) Reports: 62. Moves: Up 27, Debuts 17, Same 8, Down 0, Adds 10. WDFX, PWR106, FLY92, WVSR, WFMF, KHTK, PWR102,

WMMZ, KTRS, KPSI, WZOU 30-22, W100 22-12, WPGC 12-9, PWRPIG 27-21, WWHT 20-14.

TONY TERRY "With You" (Epic) Reports: 61, Moves: Up 31. Debuts 5, Same 15, Down 1, Adds 9, HOT97, B96. KITS, WWKX, WRHT, KTUX, WHTO, WMMZ, WILN, KRBE 28-24, KTFM 7-6, PWRPIG 33-27, PWRIO6 23-18, KGGI 6.4, 0106 18-14.

LISA FISCHER "Save Me" (Elektra) Reports: 61. Moves: Up 16. Debuts 14, Same 28, Down 0, Adds 3. WJMO, WKPE, KTRS, WOGN 30-25, KZZB 38-33, WCKZ 28-23, KZFM 34-31, 095 34-26, KHTT 27-22.

SIMPLY RED "Something Got Me Started" (EastWest) Reports: 56. Moves: Up 0, Debuts O. Same 0, Down 0, Adds 56 including WMXP, WNVZ, WNCI, HOT102, WVSR, FUN107,

WWKX, WKRZ, W880. KZFM, WBBO.

BIG AUDIO DYNAMITE II "Rush" (Columbia) Reports: 55. Moves. Up 3, Debuts 7, Same 27, Down 0, Adds 18 including WZOU, KKBO, KUBE, WOGN. 930. K96.7,

WOW, WWFX. KFOX, KCIO1 26-22, KMGZ 29-24.

SALT -N -PEPA "Let's Talk About Sex" (Next Plateau) Reports 54. Moves: Up 28, Debuts 7, Same 7, Down O. Adds 12 including W100, PWRPIG, 0105, HOT102, FM102. G105. HOT95, KBFM, WHOT. KBXX 11-7, KRBE 27.22, 896 12-10, WDFX 20-15.

MARC COHN "Silver Thunderbird" (Atlantic) Reports: 54. Moves: Up 34, Debuts 0, Same 19. Down 1, Adds 0, WOUT 29-23. KJ103 28-25, KKHT 10-8, KZZU 33-30, WNYP 16-13, KLYV 33-26, WTBX 34-28. KROC 23-19, KFMW t t-9, KMOK 29-25.

EMF "Lies" (EMI) Reports: 52. Moves: Up 0, Debuts 0, Same 0. Down 0, Adds 52 including KBEO, WKBO, KPLZ, FLY92, FUN107, 930, WB80, K96.7.195, WAPE, XL1067.

Wr C -01J3 JASMINE GUY "Just Want To Hold You" (WB) Reports: 46. Moves: Up 20. Debuts 4, Same 14, Down O. Adds 8, WNCI, KKRZ, WFMF, KBFM, Y107, KFBO, KTMT, KPSI,

KKFR 3-1, KGGI 22-9, FM102 1-1, KMEL 4-3, HOT977 7-6, KZFM 4 3, PWRIO2 1-1.

BRAND NEW HEAVIES "Never Stop" (Delicious Vinyl/island) Reports- 44. Moves: Up 13. Debuts 10, Same 10. Down 0, Adds 11 including WZOU, FM102, WKSS, WLAN, 999KHI, 194,

WOMP, KYRK; HOT97 28-25, WOGN 36-31. KZFM 39-33, B95 37-29.

ZIGGY MARLEY & THE MELODY MAKERS "Good Time" (Virgin) Reports: 42 Moves: Up 4, Debuts 4, Same 28, Down 0, Adds 6, KRBE, PWRPIG, PWR92. KCAO, WYKS, KOMO, WJMO 40-31, WWHT d-22, 095 38-30, KDON d-30, KTMT 39-33.

METALUCA "Enter Sandman" (Elektra) -

Reports: 40. Moves. Up 16, Debuts 6, Same 9, Down 0, Adds 9. KBEO, WIKZ. WKRZ, WBBO, WZYP, WVIC, WBIZ, KOHT,

KGGG. WOGN 38-28,195 26-18, WOUT 40-34. CK105 23-14.

ROBERTA FLACK (100) GUNS N' ROSES (96)

SIMPLY RED (56) EMF (52)

BRYAN ADAMS (39) EDDIE MONEY (34)

RICHIE SAMBORA (34) RYTHM SYNDICATE (28)

CURTIS STIGERS (27) RUSS IRWIN (24)

REMBRANDTS (24)

HOTTEST COLOR ME BADD (144)

MARIAH CAREY (91) MARKY MARK & THE... (81)

BOYZ II MEN (80) FIREHOUSE (73)

NATURAL SELECTION (65) EXTREME (59)

PAULA ABDUL (56) MICHAEL BOLTON (48)

C & C MUSIC FACTORY (44)

MICHAEL LEARNS TO ROCK "My Blue Angel" (Impact) Reports: 38. Moves: Up 7, Debuts 8, Same 22, Down 0, Adds 1, KTMT. KEGL d-32, FLY92 d-35, WSTW d-38, WVIC 0-20, KWOD 29-23, KMGZ d-38, KGOT 39-36, KMOK 35-32. DAVID HALLYDAY "Tears 01 The Earth" (Scotti Bros.) Reports: 36. Moves: Up 5, Debuts 5, Same 23, Down 0. Adds 3, WJLO, KTUX, 01(95, KKBO 21-19, WOUT 30-26, KYYY d-40, KFBO d-40. KTMT 0-39, KFFM d-39.

JOMANDA "Got A Love For You" (Big Beat/Atlantic) Reports: 35. Moves: Up 14, Debuts 0, Same 15, Down 6. Adds 0, PWR96 20-16, HOT102 17-12, WSPK 22.19, KZFM 11-10, WDJX 35-32. KBFM 35-22, XL1067 25-21, WFHT 33-30.

RICHIE SAMBORA "Ballad 01 Youth" (Mercury) Reports: 34. Moves: Up 0, Debuts 0. Same 0, Down 0, Adds 34 including Z100, PRO -FM, KEGL, WNVZ, KPLZ, JET -FM. WOGN, WKRZ, WZYP, WOUT, CK105, KMYZ, KZZU.

FARM "Groovy Train" (Reprise) Reports: 34. Moves: Up 2, Debuts 2, Same 18, Down 0, Adds 12 including PWR99, KRBE, KTFM, HOT102, 930, WSTW, 195, 0105. WPXR, KS104 d-23, KLUC 30-24, KWOD 0-20, KTMT 38-32.

KISS "God Gave Rock 'N' Roll To You" (Interscope/EWA) Reports: 34. Moves: Up 10, Debuts 4, Same 15, Down 1, Adds 4, WCGO, WOUT, CK105. WIOG. KKBO 15-11, WAAL 39-36, WPST 38.35, WOKI 19-16, KISR 27-22, KMGZ 37-32, KFMW 27-20.

K.M.C. KRU "Devil Came Up To Michigan" (Curb) Reports: 32. Moves: Up 16, Debuts 3, Same 6, Down 1, Adds 6, WDFX, WBBO, WHHY, WWHT, KWIN, WILN, WHYT 18-8, WFMF 11-7, KPRR 26-17, HOT95 7-4, KTUX 22-15, CK105 18-12, WGRD 30-21. MOTLEY CRUE "Primal Scream" (Elektra) Reports: 32. Moves: Up 3, Debuts 8, Same 17, Down 0, Adds 4, JET -FM, WOMP, WVBS, KMGZ, WKRZ d-40. WPXR d-31, CK105 0-40. WPRR d-35, WKSF d-31, KNIN 33-30, KTMT 40-35.

LONNIE GORDON "Gonna Catch You" (SBK) Reports 32. Moves: Up 11, Debuts 2, Same 19, Down 0, Adds 0, WXKS 24-21, WZOU 27.24, WJMO 39-34, WDFX 0-25, WLAN 25-21, WWKX 29-26, WOXA d-35. WJAD 32-29.

CROWDED HOUSE "Fall At Your Feet" (Capitol) Reports- 30. Moves: Up 1, Debuts 4, Same 13, Down 0, Adds 12, WNVZ, KRXY, KPLZ, KKYK, CK105, KOIZ, WILN, WDBR, KBOZ, KFBO, KOIX. Y97, WLAN d-38, KWOD d-27, KFOX 0-31, KTMT d-37. 3RD BASS "Pop Goes The Weasel" (Def Jam/Columbia) Reports- 27 Moves: Up 11, Debuts 0, Same 8. Down 8, Adds 0, WZOU 8-7, WMXP 7-6, KTFM 23-20, KS104 20-18, FUN107 23-17, WOXA 4-3, WWHT 9-7, KKXX 15-12.

PRETTY IN PINK "All About You" (Motown) Reports: 26 Moves: Up 6, Debuts 3, Same 10, Down 0, Adds 7, PRO -FM, WHYT, KKFR, KBFM, Y107, PWR102, WJAD, WI00 0-28, PWRPIG 22-17, FM102 19-16, KMEL 28-25, 895 39-32. BLACK BOX "Fantasy" (RCA) Reports: 28. Moves: Up 2, Debuts 3, Same 18, Down 0, Adds 3. WZOU, WERZ, 999KHI, WXKS 32-29, WJMO d-37, KZFM d-40. WJLO 0-39, WILN 34-30.

REMBRANDTS "Save Me" (Atco) Reports: 25. Moves: Up 1, Debuts 0, Same 0, Down 0, Adds 24 including KBEO. WPST, WSTW, WGTZ, WZOK, KKHT, KF95, KWOD, HOT949, KMCK.

TKA "Louder Than Love" (Tommy Boy) Reports: 24. Moves: Up 12, Debuts 1, Same 5, Down 3, Adds 3. B96, WKSS, 895. PWR106 30-25, WWKX 27.19, WOXA 32.29. KZFM 37-30, KPRR 12-9, KBFM d-39, PWR102 33-25. NAUGHTY BY NATURE "O.P.P." (Tommy Boy) Reports: 23. Moves: Up 7. Debuts 3, Same 2, Down 0. Adds 11, MOJO. Z100, KTFM, B96. KITS, KKFR, 1401977. KPRR, PWR102, KCAO, Z90, WPGC 1.1, WHYT 23-18. 0106 16-5.

EX -GIRLFRIEND "Why Can't You Come Home" (Reprise) Reports: 22. Moves: Up 10, Debuts 6, Same 4, Down 0. Adds 2, WOXA, WCKZ, 140197 d-28, KBXX d-20, PWR106 0-33. KMEL 9-7, HOT977 26-21, 895 18-11, PWR102 30-23. KWIN 32.23.

JAMES BROWN "Move On" (Scotts Bros.) Reports: 21. Moves: Up 2, Debuts 1, Same 16, Down 0. Adds 2, WHYT, KC101, WXKS on, WZOU on, B94 on, WPGC on -Op, WPHR on-dp, WCGO d-38, KTUX 31.25.

RIFF "If You're Serious" (SBK) Reports: 19 Moves: Up 9. Debuts 2, Same 6, Down 0, Adds 2, WJMO, HOT949, KS104 9-8, KMEL 18.15. WLAN d-40, WCKZ 31-29, PWR102 d-32, KWIN 37-34, KOMO 25-20. TIMMY T. 'Too Young To Love You" (Quality) Reports- 17. Moves: Up 0, Debuts 4, Same 12, Down 0. Adds 1, KOMO, W 100 on, KISN on-dp, HOT977 on-dp. WFMF d-35, WZYP 0-34, KF95 0-40. 095 0-39. 099.5 on.

ANOTHER BAD CREATION "Jealous Girl" (Motown) Reports 16. Moves: Up 4, Debuts 2, Same 0. Down 0, Adds 10, WXKS, PWRPIG, WWKX, WCKZ, KPRR, HOT95, WWHT, KHTK, KKXX, WFHT, W100 d-24, KS104 21.17, KKFR d-29, FM102 23-19, 895 35-22. ARMY OF LOVERS "My Army Of Lovers" (Giant/WB) Reports: 16. Moves: Up 3, Debuts 3. Same 3. Down 0, Adds 7, HOT97, WJMO, WWKX, HOT95, PWR102, KCAO, Y97, PWR99 24-21, KZFM d-39, 96STO d-40, WGRD 0-36, B95 40-33.

L.L COOL J "6 Minutes Of Pleasure" (Columbia) Reports. 16. Moves: Up 8, Debuts 1, Same 6, Down 1, Adds 0, WDFX 23-19. WOXA d-33, KKSS on. B95 22-15, PWR102 27-19, WBXX on, KYRK on.

MIC MURPHY "Give Me Just A Little More Time" (EastWest) Reports: 16. Moves: Up 3, Debuts I, Same 12. Down 0, Adds 0, KRXY 28-24, KISN on, FLY92 on, WWKX on. KBFM on, WJLO on, WPRR 32-29, WJAD 0-35.

BG THE PRINCE OF RAP "This Beat Is Hot" (Epic) Reports: 15 Moves Up 9, Debuts O. Same 4, Down 1, Adds 1, PWRPIG, WXKS 26-23, WIOO 5-4, WPGC on -Op, PWR96 14-9, WJMO 30-24, KZFM 38-32.

NIKOLAJ STEEN "Angel" (Imago) Reports: 15. Moves: Up 7. Debuts 2, Same 5, Down 1, Adds 0, WNVZ on, KDWB on-dp, WPST 35-33. 0105 28-25, WAPE 26-25, WRVO d-35, KJ103 24.21, 099.5 on, KZZU 22-21, WNYP 32-28, WOMP 11-10, KISR d-30. CRASH TEST DUMMIES "Superman's Song" (Arista) Reports: 14. Moves: Up 4, Debuts 1, Same 6. Down 0, Adds 3, WNVZ, WRHT, WJLO, KPLZ on. KTUX 26-23, KWOD 27-17, KMCK on -0p, 99KG d-35, KFMW 22-17.

HI -C "I'm Not Your Puppet" (Hollywood) Reports: 14. Moves- Up 10. Debuts 0, Same 1, Down 2, Adds 1, 0106, KBXX 10-9, WDFX 27-24, KS104 5-5, FM102 12-10, KKXX 22-18, B95 9-7, PWR102 17-11.

CECE PENISTON "Finally" (A&M) Reports: 13. Moves: Up 1, Debuts 2, Same 0, Down 0, Adds 10. WZOU, HOT97, WPGC. KTFM, B96, PWR106, KKFR, WKSS, KBFM, PWR102, W100 d-30, KMEL d-33.

DJ QUIK "Tonight" (Profile) Reports: 12. Moves: Up 9, Debuts O. Same 1, Down 0, Adds 2, HOT977, 290, KKFR 13-12, KGGI 8-6. FM102 9.7,1395 36-19, PWR102 23-17.

JINNY "Keep Warm" (Next Plateau) Reports. 12. Mcves: Up 8, Debuts 1, Same 1, Down 0, Adds 2, PWR99, KZFM, HOT97 24-19, KTFM 27-23, B96 15-14, PWR106 26-23, K96.7 16-11, KBFM d-40.

BLUE TRAIN "All I Need Is You" (Zoo) Reports: 11. Moves: Up 0, Debuts 0, Same 0, Down 0. Adds 11, WXKS, KRXY, PWR106, 0106, K96.7, WOW. KWOD, WJAD, KMGZ, KOIX, KZOZ.

TRACIE SPENCER "Tender Kisses" (Caphol) Reports: 10. Moves: Up 0, Debuts O. Same 0, Down 0, Adds t0, WPGC, KBXX, KKFR, WLAN, WCKZ, KZFM, KPRR, KBFM, WFHT, KYRK,

MC SKAT KAT "Skat Strut" (Virgin) Reports: 10. Moves Up 0, Debuts 1, Same O. Down 0, Adds 9, KTFM, WJMO, H01977, PWR92, WSPK, WCKZ, HOT95, KIKX, PWR102, KYRK d-40.

BOYZ II MEN "It's So Hard To Say Goodbye To Yesterday" (Motown) Reports: 10. Moves: Up 5, Debuts 0, Same 1, Down O. Adds 4, PWR99, KOY-FM. KBFM, Z90. WHYT 11-10, KS104 13-6, KKFR 25-23, 0106 25-19, KMEL 3-2,194 on.

STING "glad About You" (A&M) Reports 10. Moves Up 1, Debuts 1, Same 8, down 0. Adds 0, KRXY 25-23, KISN on, WLAN on, 999K1-11 on, KWOD 11-25.

WNYP on, WHTO on, WJMX on, WVBS on. KLYV on.

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411 . It's done. Thank you radio!

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Written by MartYur and Prince Produced by Presley Part Addltlu.wl Production by Malibu 07nr=lit: Marti Marrero IOr Magi iNr.aeentent

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1

1 THE BACK PAGE®

NATIONAL AIRPLAY OVERVIEW

SEPTEMBER 13, 1991

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DEBUT (5)

[ DEBUT ) Q

COLOR ME BADD/1 Adore Mi... (Giant/Reprise) PAULA ABDUL/The Promise Of A New... (CaptiveNirgin)

C & C MUSIC FACTORY/Things That Make... (Columbia)

MICHAEL BOLTON/fime, Love And Tenderness (Columbia)

MARIAN CAREY/Emotions (Columbia)

CATHY DENNIS/foo Many Walls (Polydor/PLG)

BOYZ II MEN/Motownphilly (Motown)

MARKY MARK &.../Good Vibrations (Interscope/EWA)

FIREHOUSE/Love Of A Lifetime (Epic)

BRYAN ADAMS/(Everything I Do)._ (A&M/Morgan Creek)

KARYN WHITE/Romantic (WB)

R.E.M./Shiny Happy People (WB)

ROD STEWART/The Motown Song (WB)

NATURAL SELECTION/Do Anything (EastWest)

HI -FIVER Can't Wait Another Minute (Jive/RCA)

EXTREBREMole Hearted (A&M)

BONNIE RAITT/Something To Talk About (Capitol)

SEAL/Crazy (Sire/WB)

SCORPIONSNVind Of Change (Mercury)

AARON NEVILLE/Everybody Plays The Fool (A&M)

MARTIKA/Love...Thy Will Be Done (Columbia)

HEAVY D. & THE BOYZ/Now That We Found Love (MCA)

HUEY LEWIS & THE NEWSAt Hit Me Like_. (EMI)

AMY GRANT/Every Heartbeat (A&M)

LUTHER VANDROSS/Don't Want To Be A Fool (Epic)

ROXETTE/Fading Like A Flower (Every Time...) (EMI)

KLF/3 A.M. Eternal (Arista)

JESUS JONES/Real, Real, Real (SBK)

BAD COMPANY/Walk Through Fire (Alto)

BRYAN ADAMS/Can't Stop This Thing We Started (A&M)

TAMI SHOW/The Truth (RCA)

BOB SEGER & THE SILVER.../The Real Love (Capitol)

HENRY LEE SUMMER/Till Somebody Loves You (Epic)

CHESNEY HAWKES/The One And Only (Chrysalis)

38 SPECIAL/The Sound Of Your Voice (Charisma)

D.J. JAllY JEFF & FRESH.../Summertime (JiveATCA)

RTZ/Face The Music (Giant/Reprise)

RYTHM SYNDICATEMey Donna (Impact)

VANESSA WILLIAMS/Running Back To_. (WingMiercury)

BILLY FALCONA'ower Windows (Jambco/Mercury)

NSA Pg. 138; Piayllsts Pg. 124; Parallels Pg. 129; Parallel Chart Analysis Pg. 136

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ROD STEWART/the Motown Song (WB) MICHAEL BOLTON/Time, Love And Tenderness (Columbia)

AARON NEVILLE/Everybody Plays The Fool (A&M)

BRYAN ADAMS/ (Everything I Do)... (A&M/Magan Creek)


CATHY DENNIS/Too Many Walls (Polydor/PLG)

ROXETTE/Fading Like A Flower (Every Time...) (EMI)

AMY GRANT/Every Heartbeat (A&M)

CHiCAGONou Come To My Senses (Full Moon/Reprise)

HUEY LEWIS & THE NEWS/It Hit Me Like_ (EMI)

LENNY KRAVITZAt Ain't Over Til It's Over (Virgin)


MARIAH CAREY/Emotions (Columbia)

BETH NIELSEN CHAPMAN/All I Have (Reprise)

TRIPLETS/Sunrise (Mercury)

DAVE STEWART I/CANOY DULFER/Liy Was_ (Arista)

NEIL DIAMOND/If There Were No Dreams (Columbia)

RONNIE MILSAP/Since 1 Don't Have You (RCA)

BETTE MIDLER/The Gift Of Love (Atlantic)

CHER/Love And Understanding (Geffen)

PEABO BRYSON/Can You Stop The Rain (Columbia)

BILLY DEAN/Somewhere In My Broken... (SBK/Capitol)


NATAUE COLE w/NAT COLE/Unforgettable (Elektra)

GLORIA ESTEFAN/Can't Forget You (Epic)

PAULA ABDUL/The Promise Of A New.. (Captive/Virgin)

MICHAEL W. SMITH/For You (Reunion/Geffen)

GLORIA ESTEFAN/Live For Loving You (Epic)

CELINE DION/The Last To Know (Epic)

DIANA ROSS/When You Tell Me... (Motown)

New S Active Pg. 100 Adds b Hots Pg. 99

Associate Reporters, Full -Service Pg. 102

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PHYLLIS HY V AN/Don't Wanna_. (Philly/Zoo) COLOR ME BADOA Adore Mi Amor (Giant/Reprise)

BRAND NEW HEAVIESMever Stop (Delicious VinylAsland)


VANESSA WILLIAMS/Bunning Back To._ (Wing/Mercury)

EX-GIRLFRIEND/Why Can't You Come Home (Reprise)

WHITNEY HOUSTON/My Name Is Not Susan (Arista)

TEVIN CAMPBELL/Just Ask Me To (Owest/WB)

B ANGIE B/So Much Love (Bust It/Capitol)

KARYN WHITE/Romantic (WB)

LENNY KRAVITZAt Ain't Over Til It's Over (Virgin)

PRINCE & THE NEW POWER...,Gett Off (Paisley ParkMB)

O'JAYStKeep On Lovin Me (EMI)

BOYZ II MENAt's So Hard To Say Goodbye (Motown)

J.T. TAYLORA.ong Hot Summer Night (MCA)

MARIAN CAREY/Emotions (Columbia)

JENNIFER HOLLIDAYA'm On Your Side (Arista)

LISA FISCHER/Save Me (Elektra)

GUY/D.O.G. Me Out (Uptown/MCA)

BELL BIV DEVOE/Word To The Mutha! (MCA)

STEVIE WONDER/Fun Day (Motown)

NAUGHTY BY NATURE/O.P.P. (Tommy Boy)

S.O.S. BAND/Sometimes I Wonder (Tabu/A&M)

TRACIE SPENCER/Tender Kisses (Capitol)

PRETTY IN PINK/All About You (Motown)

ANOTHER BAD CREATION/Jealous Girl (Motown)

JODECl/Forever My Lady (Uptown,rMCA)

DAMIAN DAME/Flight Down To It (LaFace/Arista)

DONNA SUTAMERNVhen Love Cries (Atlantic)

SHABBA RANKSMousecall (Epic)

GEORGIO/Rollin (RCA)

JOHNNY GILL/I'm Still Waiting (Giant/Reprise)

RUDE BOYS/Are You Lonely For Me? (Atlantic)

GLADYS KNIGHT/Superwoman (MCA)

SMALL CHANGE/fear Drops (Mercury)

NEWKIRK/Small Thing (Def Jam/Columbia)

LISA LISA/Let The Beat Hit 'Em (Columbia)

BEBE & CECE WINANS/Addictive Love (Capitol)

GENE RICE/You're A Victim (RCA)

VESTA/Special (A&M)

Keeps butter due to continued growth.

New 8 Active, TOP 10 Recurrent, Pg. 106

. L.iJ1s._ LW TW

2 0 1 2

3 3

4 4

s 5

8

to 0 9 0

15 0 23 11D

ROBYN HITCHCOCK 8.../Perspex Island (A&M) PSYCHEDEUC FURS/World Outside (Columbia)

CROWDED HOUSE,Woodface (Capitol) BIG AUDIO DYNAMITE II/The Globe (Columbia)

SOUEEZE/Play (Reprise) VOICE OF THE BEEHIVEMoney Lingers (London/PLG)

SMITHEREENS/Blow Up (Capitol) TIN MACHINE/fin Machine II (Victory Music/PLG)

TRANSVISION VAMP/Little Magnets vs. The Bubble... (MCA)

LLOYD COLE/She's A Girl And I'm A Man (Track) (Capitol)

Complete TOP 30 New Rode Chart Pg. 123

1111 LW TW

1, 0 ACOUSTIC ALCHEMY/Back On The Case (GRP) 2 0 RIPPINGTONS/Curves Ahead (GRP)

s © BONNIE RAITT/Luck Of The Draw (Capitol) 8 0 WARREN HILL/Kiss Under The Mcon (Novus/CA) 3 5 OTTMAR LIEBERTBorrasca (Higher Octave) 7 0 PETE BARDENSNVatercolors (Miramar) 9 O AARON NEVILLE/Warm Your Heart (A&M) 4 8 TOM SCOTT/Keep This Love Alive (GRP) 6 9 DOTSERO/Jubilee (Nova)

12 m JEREMY WALL/Cool Running (Amherst)

Complete TOP 30 NAC Chart Pg. 104

../J J r _.1 /Jrf...dJ iJJ .? 1-.i 1-~ LW Tw

2 0 ANTONIO HART/for The First Time (NovusiRCA) 5 © BENNY GREEN TRIO/Greens (Blue Note) 6 McCOY TYNER/Remembering John (Enja) .

8 TOUGH YOUNG TENORS/Alone Together (Antilles/Island) 4 5 CLEO LAINE/Jazz (RCA) 12 0 BOBBY HUTCHERSON/Mirage (Landmark) to O KENNY BARRON/Quick Step (Enja) 9 0 REBECCA COUPE FRANKS/Suit Of Armor (Justice) 7 9 TERENCE BLANCHARD/rerence Blanchard (Columbia)

3 10 DAVID SANBORN/Another Hand (Elektra)

3 2

WKS WKS LW TW

- 5 3 Q 3 2 1 2

BREAKER© - - 9 0 - 10 6 0 18 7 7 O

1 1 2 7

- - 11 Q 22 11 10 0

4 3 4 10

16 14 12

2 4 5 12

to 8 8 13

19 11 13 Ds

17 16 15 ® 14 13 14 16

25 19 19 m 31 25 20

32 26 21 4) BREAKER Q

EAKER - 31 24 ©

BREAKER® - 27 25

52 SO 42 ® 12 12 18 26

BREAKERS LDEBUT 0

5 6 16 29

46 44 37 '

ss

33 32 30 32

e 9 17 33

s t8 29 34

58 52 43 0 45 43 38 0 20 20 22 37

1t 24 31 38

36 37 36 39

50 49 48 Q

RUSH/Dreamline (Atlantic) TOM PETTY & THE.../Out In The Cold (MCA)

GUNS N' ROSES/Don't Cry (Geffen)

BRYAN ADAMS/Can't Stop This Thing We... (A&M)

DIRE STRAITS/Calling Elvis (WB)

STEVIE NICKS/Sometimes It's A Bitch (Modern/Atlantic)

EXTREME/Hole Hearted (A&M)

EDDIE MONEY/Heaven In The Back Seat (Columbia)

BAD ENGLISH/Straight To Your Heart (Epic)


METALLICA/Enter Sandman (Elektra)

VAN HALEN/Runaround (WB)

LYNYRD SKYNYRD 1991/Keeping The Faith (Atlantic)

JETHRO TULL/fhis Is Not Love (Chrysalis)'

FOUR HORSEMEN/Nobody Said It Was... (Del American)

SCHOOL OF FISH/) Strange Days (Capitol)

BAD COMPANY/Walk Through Fire (Atco)

TIN MACHINE/One Shot (Victory Music/PLG)

RICHIE SAMBORABallad Of Youth (Mercury)

SCORPIONS/Send Me An Angel (Mercury)

LITTLE FEAT/Shake Me Up (Morgan Creek)

TESLA/Edison's Medicine (Geffen)

SMITHEREENS/fop Of The Pops (Capitol)

MOTLEY CRUE/Primal Scream (Elektra)

VAN HALEN/Top Of The World (WB)

BILLY FALCON/Power Windows (Jambco/Mercury)

CULT/Wild Hearted Son (Sire/Reprise)

OZZY OSBOURNEMo More Tears (Epic Associated)

RTZ/Face The Music (Giant/Reprise)

SCREAM/Man In The Moon (Hollywood)

BOB SEGER & THE SILVER.../fhe Fire Inside (Capitol)

JULIAN LENNON/Listen (Atlantic)

FABULOUS THUNDERBIRDS/fwist Of The... (Epic Assoc)


38 SPECIALATebel To Rebel (Charisma) ,

THUNDER/Until My Dying Day (Geffen)

KISS/God Gave Rock And Roll To You II (Interscope/EWA)

ALLMAN BROTHERS/End Of The Line (Epic)

JOHNNY WINTERAllustrated Man (Point Blank/Charisma)

ALICE IN'CHAINS/Sea Of Sorrow (Columbia)

Keeps bullet due to continued growth.

Complete TOP 60 Tracks Chart Pg. 119; LP Chart Pg. 116

3 2

WKS WKS LW TW

8 7 3 Q CLINT BLACK/Where Are You Now (RCA) 7 5 2 0 LIONEL CARTWRIGHT/Leap Of Faith (MCA)

9 8 5 0 DOUG STONER Thought It Was You (Epic)

to 9 6 0 GARTH BROOKS/Rodeo (Capitol)

15 tt 8 0 SAWYER BROWN/The Walk (Curb/Capitol)

12 10 7 0 DIAMOND RIO/Mirror, Mirror (Arista)

6 6 1 7 MARK CHESNUTT/Your Love Is A Miracle (MCA)

17 13 11 0 PAUL OVERSTREETBall And Chain (RCA)

19 1s 12 0 JOE DIFFIEMew Way (To Light Up An Old Flame) (Epic)

24 16 14 m RICKY VAN SHELTON/Keep It Between... (Columbia)

5 3 4 11 RONNIE MILSAP/Since I Don't Have You (RCA)

zo 17 15 ® MIKE REID/As Simple As That (Columbia)

36 21 17 ® ALAN JACKSON/Someday (Arista)

26 18 16 C) LORRIE MORGAN/A Picture Of Me (Without You) (RCA)

4o 28 22 ® TRAVIS TRITT/Anymore (WB)

28 zo 18 f) DWIGHT YOAKAMMothing's Changed Here (Reprise)

29 23 20 C) PAM TILLIS/Put Yourself In My Place (Arista)

I 2 to 18 BROOKS & DUNN/Brand New Man (Arista)

25 22 21 0 PIRATES OF THE MISSISSIPPI/Speak.. (Capitol)

35 27 25 C) MARTY STUART/Tempted (MCA)

BREAKERS BREAKER Q TRISHA YEARWOOD/Like We Never Had A... (MCA) BREAKER C) BILLY DEAN/You Don't Count... (SBK/Capitol)

BREAKER I) RICKY SKAGGS/Life's Too Long... (Epic)

BREAKER ffl SUZY BOGGUSS/Someday Soon (Capitol)

BREAKER 0 HIGHWAY 101/The Blame (WB)

DEBUTS ( DEBUT 0 RANDY TRAVIS/Forever Together (WB)

[ DEBUT Q JUDDS/John Deere Tractor (Curb/RCA)

I. DEBUT > 31 ALABAMA/Then Again (RCA)

j DEBUT Q ROB CROSBY/Still Burnin' For You (Arista)

Complete TOP SO Country Chart Pg. 110; Country Song Information Index Pg. 114 Complete TOP 30 Contemporary Jazz Chart Pg. 104

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