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IMPRESSIONISM (1870s- IMPRESSIONISM (1870s- 1880s) 1880s) 1. Captured a moment in time, 1. Captured a moment in time, slice of life slice of life 2. Interested in fleeting effects 2. Interested in fleeting effects of light on color of light on color 3. Used short, choppy brushstrokes 3. Used short, choppy brushstrokes to capture a moment to capture a moment 4. Avoided use of black 4. Avoided use of black 5. 5. Cropped at edges to imitate Cropped at edges to imitate photography photography 6. Depicted leisure activities of 6. Depicted leisure activities of Parisian bourgeoisie Parisian bourgeoisie 7. Influenced by Japanese 7. Influenced by Japanese woodblock prints woodblock prints 8. Criticized by traditional 8. Criticized by traditional academic painters academic painters
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IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

Dec 21, 2015

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Page 1: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

IMPRESSIONISM IMPRESSIONISM (1870s-1880s)(1870s-1880s)

1. Captured a moment in time, slice 1. Captured a moment in time, slice of life of life

2. Interested in fleeting effects of 2. Interested in fleeting effects of light on color light on color

3. Used short, choppy brushstrokes 3. Used short, choppy brushstrokes to capture a moment to capture a moment

4. Avoided use of black 4. Avoided use of black 5. 5. Cropped at edges to imitate Cropped at edges to imitate

photography photography 6. Depicted leisure activities of 6. Depicted leisure activities of

Parisian bourgeoisie Parisian bourgeoisie 7. Influenced by Japanese 7. Influenced by Japanese

woodblock printswoodblock prints 8. Criticized by traditional 8. Criticized by traditional

academic painters academic painters

Page 2: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

series of paintings showing a subject at various times

Monet

Page 3: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

portraits and slices of French life

Renoir

Page 4: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

cityscapes capture bourgeois life

Pissarro

Page 5: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

dancers, horse races and portraits

Degas

Page 6: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

garish colors, elevates the status of poster art

Lautrec

Page 7: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

American Impressionist, mentored by Degas

Cassatt

Page 8: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

CLAUDE MONET, Saint-Lazare Train Station, 1877. Oil on canvas

Page 9: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

MARY CASSATT, The Bath, ca. 1892. Oil on canvas,

Page 10: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

HENRI DE TOULOUSE-LAUTREC, At the Moulin Rouge, 1892–1895

Page 11: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

EDGAR DEGAS, Ballet Rehearsal, 1874. Oil on canvas,

Page 12: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

POST-POST-IMPRESSIONISM-IMPRESSIONISM-

1890s1890sInfluenced by, but dissatisfied with Influenced by, but dissatisfied with

Impressionism Impressionism Impressionists were too tied to Impressionists were too tied to

natural world--only painted natural world--only painted what they saw what they saw

Wanted to restore line and solid Wanted to restore line and solid colors colors

Page 13: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

•Pioneer of pointillism or divisionism •Theory of optical mixing based on work of Chevreul •Most famous work-A Sunday on the Grande Jatte

Seurat

Page 14: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

•Rejected artistic traditions of Western civilization •Influenced by "primitive" cultures-Tahiti •Used flat planes of color to express feelings

Paul Gauguin

Page 15: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

•Used color and brush strokes to express his feelings •Color reflects moods-for example, yellow is happy •Influenced the Expressionists

Vincent Van Gogh

Page 16: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

•Capture the underlying structure of objects and nature •Restore formal elements: the use of color and shape •Series of paintings of Mont Sainte- Victoire

Paul Cezanne

Page 17: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

VINCENT VAN GOGH, The Night Café, 1888. Oil on canvas

Page 18: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

PAUL CÉZANNE, The Basket of Apples, ca. 1895. Oil on canvas,

Page 19: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

PAUL GAUGUIN, Where Do We Come From? What Are We? Where Are We Going?, 1897. Oil on canvas

Page 20: IMPRESSIONISM (1870s- 1880s) 1. Captured a moment in time, slice of life 2. Interested in fleeting effects of light on color 3. Used short, choppy brushstrokes.

GEORGES SEURAT, A Sunday Afternoon at La Grande Jatte, 1884-1886. Oil on canvas, 6’ 9”x10’. Art Institute of Chicago