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IMPLICATION OF MCS
ON ADLABS
SUBMITTED BY:-UMANG DESAI
RONAK GOELBRIJESH ROKADPRUTHVI RAJPUTNOOR ALI CHAMADIYAHIREN DODIYA
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Founder
Manmohan Shettyfounded Adlabs in
1975
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Introduction
Adlabs was established in 1975 as a processing laboratory
primarily catering to the advertising industry.
Adlabs Films Limited, a member of the Reliance Anil
Dhirubhai Ambani Group, isIndias
fastest growing film andentertainment services company
Adlabs Films also operates India's largest cinema chain with
about 400 screens spread across India, US and Malaysia. It has
a significant presence in the film distribution space with a
nationwide presence across India as well as offices in London,
New York, Los Angeles and Malaysia
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In 2005, Reliance Anil Dhirubhai Ambani Group became a
majority promoter in Adlabs.
Adlabs Films Ltd. has changed its name to Reliance
MediaWorks Ltd. effective October 5, 2009.
Adlabs television venture, Synergy Adlabs, is among the top
players in the television programming industry
There are four separate business run under the banner of
Reliance MediaWorks
BIG Cinemas
Film & Media Services
BIG Synergy
PLOT Magazine
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Goals and Objectives
To maintain the highest standards of transparency in all
aspects of our interactions and dealings
To undertake timely dissemination of all price sensitiveinformation and matters of interest to our stakeholders
To demonstrate the highest levels of personal accountability
and to ensure that employees consistently pursue excellence ineverything they do
To comply with all the laws and regulations applicable to thecompany
To conduct the affairs of the company in an ethical manner
To promote the interests of all stakeholders includingcustomers, shareholders, employees, lenders, vendors and thecommunity
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Impact of Internet or Technological
Innovation on the Company Digital Intermediate Services
Adlabs Digital Intermediate Lab is the only true 4K facility in Asia with real
time grading capabilities. The integrated offerings to clients include Telecine,
Digital Optics, Promo packaging, Complete DI and deliverables (Conversion,
Scanning, HD Recording & Sub titling).
Digital Cinema Services Adlabs Digital Cinema has operated more than 15,000 commercial screenings in
full DCI-compliant 2K cinema and has transmitted over 3K via fiber optic
cables.
With the utilization of this technology Reliance Media Works is able to lowertransportation cost and is able to stop piracy, this is first of its kind in Asia
Mobile Box Office
a GPRS-based application that allows consumers to book tickets on
their mobile phones and easy ticket, the nation's first virtual pre-paid
card in this category.
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6D Formats BIG Cinemas has created iconic destinations such as BIG Cinemas Park in
Agra, a kilometre away from the Taj Mahal, which has pioneered the multi-
sensory cinema experience in India through a six-dimensional show. BIGCinemas is thereby the only cinema chain in India which screens films in both
3D and 6D formats.
Lowry Digital Lowry Digital, an Adlabs subsidiary based in Burbank, Los Angeles is
universally regarded one of the best digital restoration facilities. The companyutilizes proprietary image processing science to deliver superior picture
elements and has developed an unique technology The Lowry Process
which is used to create unsurpassed image quality at every stage of the
workflow for all outputs, including film, broadcast television, commercials,
digital cinema,
Online/telephone Ticket Booking In every city where the adlabs have their multiplex have the facility of telephone
booking. Bigentertainment.com is the website through which we can book
tickets to any shows of any place
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Profitability and its Impact
Year Return on Investment2005 24.12
2006 4.802007 10.72
2008 1.8
2009 0.31
Adlabs's revenues havegrown substantially afterthe acquisition ofcontrolling stake by the
Anil Dhirubhai AmbaniGroup (ADAG) in 2005.From around Rs 110 croreturnover in 2005, thecompany has growntremendously in last threeyears and has deliveredrevenues of Rs 733 crorefor the year ended March31, 2009
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ROI
-10
-5
0
5
10
15
20
25
2009 2008 2007 2006 2005 2004 2003 2002
-6.44
10.9
20.95
8.33 9.61 8.21 7.754.81
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All this expansion and investment has eaten into Adlabs
profits, bringing consolidated net losses of Rs. 513.7 million
over net sales of Rs. 6559.3 million, which has doubled from
revenues of Rs. 3059.7 million in FY 08.
Last year, Adlabs had generated profits of Rs. 474.7 million.
losses rose this year primarily due to its scaling up and high
interest rates.
Net interest expenses and financing charges was Rs. 636million, up from Rs. 148.3 million.
We also remember that Adlabs divested Big FM and its
network of 45 stations to Reliance Unicom, so the results have
not been included in the financials. Expenses shot up to Rs. 5176.3 million from Rs. 2705.2
million in FY08.
http://www.medianama.com/2009/06/223-adlabs-restructures-radio-demerged-digital-cinema-div-transferred-media-bpo/http://www.medianama.com/2009/06/223-adlabs-restructures-radio-demerged-digital-cinema-div-transferred-media-bpo/8/3/2019 Implication of Mcs on Adlabs Final
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Shareholder Value
For year
EndingMarch 2009 March 2008 March 2007 March 2006 March 2005
Face Value5.00 5.00 5.00 5.00 5.00
EPS (6.44) 10.9 20.95 8.33 9.61Dividend Per
Share 2.00 2.25 2.50 2.50 --Operating Profit
Per Share (Rs) 16.04 10.59 32.19 22.80 18.53Net Operating
Profit Per
Share (Rs)38.18 25.99 80.42 58.61 105.20
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Expense Centres
Discretionary Expense
Advertisement
Bank charges
Business promotion
Rent
Rates and taxes
Commission and brokerage
Travelling and conveyance
Labour charges Insurance
HR
Marketing efforts
Engineered Expense
Cost of Application software
Film Production & Distribution
Right
New multiplex in India and
abroad
Attendance and punctuality in
the department
Departmental productivity -response time to complaints
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Risk Involved in the Business
Cinemas
Scheduled implementation of the proposed projects
If the film industry fails to produce content which has widespread
appeal
Anti-piracy laws are not adequately enforced in India
Processing and Exhibition
Advancements in the digital cinema business may affect the demand for
movie prints thus impacting the film processing business.
The equipment rentals, Digital Cinemas and DI Lab businesses arerelatively new and Studio business is still in the investment phase.
BIG Synergy
Creativity is not a quantifiable resource
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Corporate Level Strategy
At the corporate level, the issues are
1) The definition of business in which thee firm will participate
2) The deployment of resources among those business.
In terms of their corporate level strategy companies can be
classified into three categories
1) Single Industry
A firm operates in one line of business2) Unrelated Diversified Firm
Operates in business that are not related to one another
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3) Related diversified Firm
Operates in several industries, and the business units benefit from acommon set of core competency.
Reliance Media Works is a Related Diversified Firm.
Big Cinema, Big Synergy, Films & Media Services, PlotMagazine are the business are the entity which it operates.
These firms business are connected to each other through
operating synergies
The film producing and displaying motion pictures in the
multiplex halls i.e. the common synergy is Entertainment.
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Business Level Strategy
BIGCinemas
BIGSynergy
Film &
MediaServices
PLOTMagazine
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Balance Score card AnalysisPERSPECTIVE OBJECTIVE DESCRIPTION
FINANCIAL
Sales 4852.68 Million Rs till Mar-09 which is higher compared to Mar-08 Rs 2703million, it is due to success of new ventures so it triggered their sales.Profitability Return on Net worth has been decreased from 6.76 to -5.48 in march-09, it
is due to invested in new technology which is highly costly and increase
in Selling expenses.Prosperity Increase in investment so less revenue available and hence profit is less.
CUSTOMER
Quality ExcellentPrice Customized productsNew products Magaplexes; Digital intermediate services; Digital cinema services; Lowry
digitalSupport Customer satisfaction for all type of customers
INTERNAL
Efficiency in
construction
Reduction in cycle time due to skilled professionals and technologyNew product
introductionLinked in Multiple projects
New business Number of new business per year
INN
OVATION
Technology
leadershipProduct performance benchmarking
Differentiation Client satisfactionMarket leadership 35% market share
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SWAT
Strengths The company is focused in increasing multiplexes across the
country with close to 100 screens in the next couple of years from
the current 33 screens. This will increase the seat size by 3 times
The biggest strong point for the company is the current locationof its theatres. They are mostly centrally located. Also, unlike its
competitors, they have 8 properties with 7 in Mumbai giving free
rental cost (only opportunity cost involved)
The company has a strong experience in building and
construction. They have a premium theatre too. The utilization ofthis could probably indicate the pricing power for the company.
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Weakness
High dependence on distributor for showing films in every
theatre and for every film. This gives a very unstable business
model when one compares with Adlabs which are in the other
end of the value chain
The biggest weakness for any investor, which is mentioned
rightly in the risk factors is the capital structure. It is so unfair for
the retail investor. The bonus issue last year has diluted theearnings in a very big game. Further, there is also an issue of a
preference share issue at no cost. This has diluted the earnings
even further.
The promoters have been investing in multiple business' streams.
The promoters' are willing to enter into many areas with a
motive of profit. The promoters have more than 25 different
companies, partnerships etc and only 4 are operational
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Opportunity
There is a big demand for theatres across the country given the
poor quality currently in existence across places. Also, most
theatres are willing to open in Sec B and C cities and move intosmall towns too
They are willing to work on different model for pricing tickets
depending on time/day
The contribution of Multiplexes has been increasing constantly
and is close to 20%
Threat
Success of theatres are movie specific and this can tilt towards
failure with poor movie scripts
Alternate sources of entertainment such as DTH, DVD can lead
to lower sales
Removal of entertainment tax benefits can risk profitability if
lower pricing power is not passed to the customer
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Bibliography
Books Management Cantrol Systems By Robart N Anthony
and Vijay Govindarajan
Internet http://www.adlabsfilms.com/
http://www.money.rediff.com/
www.adlabsfilms.com/aboutus.asp
www.adlabsfilms.com/magazine.asp
http://www.moneycontrol.com/financials/reliancemedi
aworks/balance-sheet/AF27
http://www.adlabsfilms.com/http://www.money.rediff.com/http://www.adlabsfilms.com/aboutus.asphttp://www.adlabsfilms.com/magazine.asphttp://www.moneycontrol.com/financials/reliancemediaworks/balance-sheet/AF27http://www.moneycontrol.com/financials/reliancemediaworks/balance-sheet/AF27http://www.moneycontrol.com/financials/reliancemediaworks/balance-sheet/AF27http://www.moneycontrol.com/financials/reliancemediaworks/balance-sheet/AF27http://www.moneycontrol.com/financials/reliancemediaworks/balance-sheet/AF27http://www.moneycontrol.com/financials/reliancemediaworks/balance-sheet/AF27http://www.adlabsfilms.com/magazine.asphttp://www.adlabsfilms.com/aboutus.asphttp://www.money.rediff.com/http://www.adlabsfilms.com/8/3/2019 Implication of Mcs on Adlabs Final
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Never a dull moment !
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Thank You