Top Banner
Image formation CS 178, Spring 2009 (part 2 of 2) Marc Levoy Computer Science Department Stanford University
15

Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

Jun 27, 2020

Download

Documents

dariahiddleston
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

Image formationCS 178, Spring 2009

(part 2 of 2)

Marc LevoyComputer Science DepartmentStanford University

Page 2: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Announcements (from whiteboard)

2

Page 3: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Exposure

✦ H = E × T

✦ exposure = irradiance × time

✦ irradiance (E)• controlled by aperture

✦ exposure time (T)• controlled by shutter speed

3

Page 4: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Shutter speed

✦ controls how long the sensor is exposed to light

✦ linear effect on exposure until sensor saturates

✦ denoted in fractions of a second: • 1/2000, 1/1000,...,1/250, 1/125, 1/60,...,15, 30, B(ulb)

✦ normal humans can hand-hold down to 1/60 second• rule of thumb: shortest exposure = 1 / f• e.g. 1/500 second for a 500mm lens

4

Page 5: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Main side-effect of shutter speed

✦ motion blur

✦ halving shutter speed doubles motion blur

5

(London)

Page 6: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Aperture(contents of whiteboard)

6

Page 7: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Aperture

✦ irradiance on sensor is proportional to• square of aperture diameter A• inverse square of distance to sensor (~ focal length f )

✦ aperture N is thus defined relative to focal length

• f/2.0 on a 50mm lens means the aperture is 25mm• f/2.0 on a 100mm lens means the aperture is 50mm∴ low F-number (N) on long zooms require fat lenses

✦ doubling N reduces A by 2×, hence light by 4ו going from f/2.0 to f/4.0 cuts light by 4ו to cut light by 2×, increase N by √2

7

N =fA

(London)

Page 8: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Example F-number calculation(contents of whiteboard)

8

Page 9: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Main side-effect of aperture

✦ depth of field

✦ doubling N (two f/stops) doubles depth of field

9

(London)

Page 10: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Depth of field (briefly)

✦ a point in the scene is focusedat a point on the sensor

✦ if the sensor moves too far,the point blurs too much(circle of confusion)

✦ this allowable depth of focuscreates an allowable depthof field in the scene

✦ halving the aperture diameterdoubles the depth of field

✦ this figure is not quite right...• we’ll fix it next week

10

depth of focus

circle ofconfusion

1/2× 2×

(London)

Page 11: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Halving the aperture diameter(contents of whiteboard)

11

Page 12: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Trading off motion blur and depth of field

12(London)

Page 13: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Recap

✦ H = E × T

✦ exposure = irradiance × time

✦ irradiance (E)• controlled by the aperture• lowering by one f/stop doubles H• lowering by two f/stops doubles depth of field

✦ exposure time (T)• controlled by the shutter speed• doubling exposure time doubles H• doubling exposure time doubles motion blur

13

(London)

Page 14: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Sensitivity (ISO)

✦ third variable for exposure

✦ film: trade sensitivity for grain

✦ digital: trade sensitivity for noise• multiply signal before analog-to-digital conversion• linear effect (200 ISO needs half the light as 100 ISO)

more in noise lecture

14 (dpreview)

Page 15: Image formation - Computer Graphics...© 2009 Marc Levoy Slide credits! Steve Marschner! Fredo Durand! Cole, A., Perspective, Dorling Kindersley, 1992.! Kemp, M., The Science of Art

© 2009 Marc Levoy

Slide credits

✦ Steve Marschner

✦ Fredo Durand

✦ Cole, A., Perspective, Dorling Kindersley, 1992.

✦ Kemp, M.,The Science of Art,Yale University Press, 1990.

✦ Hecht, E., Optics (4th ed.), Pearson / Addison-Wesley, 2002.

✦ Renner, E., Pinhole Photography (2nd ed.), Focal Press, 2000.

✦ London, Stone, and Upton, Photography (ninth edition), Prentice Hall, 2008.

✦ D'Amelio, J., Perspective Drawing Handbook, Tudor Press, 1964.

✦ Dubery, F., Willats, J., Perspective and other drawing systems, Van Nostrand Reinhold, 1972.

✦ Kingslake, R. Optics in Photography, SPIE Press, 1992.

✦ http://dpreview.com

15