Illinois State University Big Red Marching Machine Drumline 2018 Audition Requirements All members of the ISU Drumline who wish to play snare, tenors, or bass are required to perform an individual audition. You may choose to submit a video audition or schedule a live audition. In-person auditions will be held on Saturday, May 6. If you are submitting a video audition, your video must be submitted by this date. Video audition guidelines: Video auditions should consist of one continuous take. Perform all of the excerpts below for your instrument, with an audible metronome click at the prescribed tempo for each excerpt. Make sure the camera captures your hands, drum, and entire upper body. Playing on an actual drum is preferable, but if you do not have access to the drum you need, you are welcome to record yourself playing on a practice pad—bass drummers can play on a flat pad snare-drum style. (Tenor drummers will need a set of tenors or a tenor practice pad.) Snare drum (traditional grip): 1) Legatos, play all 6 variations at 120 BPM 2) 16 th -note timing, one repetition at 120BPM 3) Stick control, one repetition at 120 BPM 4) Accent-Tap, one repetition (with repeats) at 120 BPM 5) Double-Triple, one repetition at 120 BPM 6) Triplet Timing, one repetition at 144 BPM 7) Triplet Rolls, one repetition at 144 BPM 8) Walking, D-end (take repeats, take coda after E), 110 BPM 9) SCV Double Beat, A-D, 152 BPM 10) Pepper Spray, All, 132 BPM (play the substitute measure instead of the “fishline” measure) Tenors: 1) Legatos, play all 6 variations at 120 BPM 2) 16 th -note timing, one repetition at 120BPM 3) Stick control, one repetition at 120 BPM 4) Accent-Tap, one repetition (with repeats) at 120 BPM 5) Double-Triple, one repetition at 120 BPM 6) Triplet Timing, one repetition at 144 BPM 7) Triplet Rolls, one repetition at 144 BPM 8) Walking, B-E (with repeats), 110 BPM 9) SCV Double Beat, B-E, 152 BPM 10) Pepper Spray, All, 132 BPM Bass Drums: 1) 16 th -note timing, one repetition at 120BPM 2) Stick control, one repetition of the snare drum part at 108 BPM 3) Accent-Tap, one repetition (with repeats) at 120 BPM 4) Double-Triple, Bass 1 part, beginning-B at 120 BPM 5) Triplet Timing, one repetition at 144 BPM 6) Walking, Beginning-D on a bass drum part of your choice, 110 BPM 7) SCV Double Beat, E-H on the bass drum 2 part, 152 BPM Cymbals: Cymbal audition requirements are still being finalized but will be updated soon! Additional Resources: The ISU Drumline’s basic approach to drumming is largely based on the techniques described in Bill Bachman’s book Rudmiental Logic. Additionally, Bachman’s Quad Logic and Bass Logic books provide excellent descriptions of the techniques specific to those instruments. These books are highly recommended for supplementary practice and study.
19
Embed
Illinois State University Big Red Marching Machine ... Packet 2018.pdfBass Drums: 1) 16th-note timing, one repetition at 120BPM 2) Stick control, one repetition of the snare drum part
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Illinois State University Big Red Marching Machine Drumline
2018 Audition Requirements
All members of the ISU Drumline who wish to play snare, tenors, or bass are required to perform an individual audition. You may choose to submit a video audition or schedule a live audition. In-person auditions will be held on Saturday, May 6. If you are submitting a video audition, your video must be submitted by this date. Video audition guidelines: Video auditions should consist of one continuous take. Perform all of the excerpts below for your instrument, with an audible metronome click at the prescribed tempo for each excerpt. Make sure the camera captures your hands, drum, and entire upper body. Playing on an actual drum is preferable, but if you do not have access to the drum you need, you are welcome to record yourself playing on a practice pad—bass drummers can play on a flat pad snare-drum style. (Tenor drummers will need a set of tenors or a tenor practice pad.) Snare drum (traditional grip):
1) Legatos, play all 6 variations at 120 BPM 2) 16th-note timing, one repetition at 120BPM 3) Stick control, one repetition at 120 BPM 4) Accent-Tap, one repetition (with repeats) at 120 BPM 5) Double-Triple, one repetition at 120 BPM 6) Triplet Timing, one repetition at 144 BPM 7) Triplet Rolls, one repetition at 144 BPM 8) Walking, D-end (take repeats, take coda after E), 110 BPM 9) SCV Double Beat, A-D, 152 BPM 10) Pepper Spray, All, 132 BPM (play the substitute measure instead of the “fishline” measure)
Tenors:
1) Legatos, play all 6 variations at 120 BPM 2) 16th-note timing, one repetition at 120BPM 3) Stick control, one repetition at 120 BPM 4) Accent-Tap, one repetition (with repeats) at 120 BPM 5) Double-Triple, one repetition at 120 BPM 6) Triplet Timing, one repetition at 144 BPM 7) Triplet Rolls, one repetition at 144 BPM 8) Walking, B-E (with repeats), 110 BPM 9) SCV Double Beat, B-E, 152 BPM 10) Pepper Spray, All, 132 BPM
Bass Drums:
1) 16th-note timing, one repetition at 120BPM 2) Stick control, one repetition of the snare drum part at 108 BPM 3) Accent-Tap, one repetition (with repeats) at 120 BPM 4) Double-Triple, Bass 1 part, beginning-B at 120 BPM 5) Triplet Timing, one repetition at 144 BPM 6) Walking, Beginning-D on a bass drum part of your choice, 110 BPM 7) SCV Double Beat, E-H on the bass drum 2 part, 152 BPM
Cymbals: Cymbal audition requirements are still being finalized but will be updated soon! Additional Resources: The ISU Drumline’s basic approach to drumming is largely based on the techniques described in Bill Bachman’s book Rudmiental Logic. Additionally, Bachman’s Quad Logic and Bass Logic books provide excellent descriptions of the techniques specific to those instruments. These books are highly recommended for supplementary practice and study.
°
¢
°
¢
Tenor
1st x
2nd x
3rd x
4th x
5th x
6th x
R R R R R R R R R R R R L L L L L L L L L L L L
R R R R R R R R R R R R L L L L L L L L L L L L
freeze hands over last drum played.
R R R R R R R R R R R R L L L L L L L L L L L L
R R R R R R R L R L R L R L R L R L L L L L L L R L R L R L R L R L
R R R R R R B B B B B B L L L L L L B B B B B B
Bottom dynamic p, top dynamic same as repetitions 1, 2, 4, and 5.
R R R R R R R R R R R R L L L L L L L L L L L L
1x
2x
3x
4x
5x
6x
etc.
3
etc.
etc.
etc.
etc.
etc.
6
4
6
4
6
4
6
4
6
4
6
4
/
Play at various tempos and dynamics,
6 repetitions at each tempo.
Legatos
Stiers
PULSE 2018
/
/
/
/
/
/
/
/
/
/
/
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
O
œ
œ
œ
œ
œ
O
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ œ œ œ œ œ
œ œ œ
œ œ
œ œ
œ œ œ
œ
œ œ œ œ œ œ
œ œ œ
œ œ
œ œ
œ œ œ
œ
œ œ œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ œ œ œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
O
œ
œ
œ
œ
œ
O
œ
œ
œ œ œ œ œ œ
œ œ œ
œ œ
œ œ
œ œ œ
œ
œ œ œ œ œ œ
œ œ œ
œ œ
œ œ
œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
°
¢
°
¢
1x
2x
3x
4x
5x
6x
5
1x
2x
3x
4x
5x
6x
7
4
4
4
4
4
4
4
4
4
4
4
4
/
/
/
/
/
/
/
/
/
/
/
/
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
O
œ
œ
œ
œ
œ
O
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ œ œ œ œ œ
œ
œ œ œ
O
œ
O
œ
O
œ œ
œ œ œ œ œ œ
œ
œ œ œ
O
œ
O
œ
O
œ œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ
Œ Ó
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
Œ Ó
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
œ
O
œ
œ
œ
œ
œ
O
œ
œ
œ
Œ Ó
œ œ œ œ œ œ
œ
œœœ
O
œ
O
œ
O
œœ
œ œ œ œ œ œ
œ
œœœ
O
œ
O
œ
O
œœ
œ
Œ Ó
œ
œ
O
œ
O
œ
O
œ
œ
œ
œ
œ
œ
œ
O
œ
O
œ
O
œ
œ
œ
œ
œ
œ
œ
œ
O
œ
O
œ
O
œ
œ
œ
œ
œ
œ
œ
O
œ
O
œ
O
œ
œ
œ
œ
œ
œ
Œ Ó
œ œ œ œ œ œ œ œ œ œ œ œ
œ œ œ œ œ œ œ œ œ œ œ œ
œ
Œ Ó
Legatos - Tenor2
°
¢
°
¢
°
¢
°
¢
°
¢
°
¢
S/T/B
Cymbals
r l r l r l r l r l r l r l r l r r l r r l r r l r r l r r r r r l r r l r r l r r l r
S/T/B
CYM
r r r r r l l r l l r l l r l l r l l l l l r l l r l l r l l r l
5
S/T/B
CYM
r l r l r l r l r l r l r l r l r l r l r l r l r l r l r l
9
S/T/B
CYM
r l r l r l r l r l r l r l r l r l r l r l r l r l
14
S/T/B
CYM
r r r r r l l l l r r l r l r r l l l r l r r r r r l l l l
18
S/T/B
CYM
r l r/l r l l r r l r l l r l l r r l r l r l r
21
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
2
4
4
4
2
4
4
4
2
4
2
4
4
4
2
4
4
4
2
4
2
4
4
4
2
4
4
4
2
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
2
4
4
4
4
4
/
snares, tenors (drum 2), basses in unison
float LH
float LH
16th-note timing
Gusseck
arr. Stiers
PULSE 2018
/
. . . . ..
.
.
.
.
>>
>
>
/
float RH float RH
/
>
>
ÆÆ
Æ
Æ
Æ
Æ
o +
o +
o +
o +
/
float both hands to the end float both hands to end