Ígor e la luna era nascosta (for ensemble) conductor's score in c

Ígor MICELLI

… E la luna era nascosta...

for ensemble (2012)

Conductor’s score

ii

ÍGOR MICELLI

… E la luna era nascosta…

for ensemble (2012)

Conductor’s score Length: 7’30” c. © 2012 by Ígor Micelli. Tous droits réservés. All rights reserved.

INSTRUMENTS - Flute - Clarinet in Bb (Doubling with Bass Clarinet in Bb) - Violin - Viola - Cello - Percussion: - Vibraphone - 1 Medium Gong (or Tam-tam) - Bass drum - 3 Temple-blocks (or Wood-blocks) - Piano Score in C

Flatt. = Flaterzungue

= Breath sound

Flute Instructions

= Tongue ram

+ = Slap tongue (Just valuable to one note)

Flatt. = Flaterzungue

Clarinet Instructions

NOTICE: Clarinets in real sound (Written in C), Bass Clarinet sounds one octave below.

= Soft mallet

= Medium mallet

= Hard mallet

= Brush mallet

= Hand

Percussion Instructions

m.s. = Metal stick

arco = Playing with a cello or doublebass bow (To this music is asked two of them)

ord. = Ordinary playing, annulates "arco"

NOTICE: Temple-blocks always played with the wood side of the mallets above

0IIIIIIIV

pizz. = Pizzicato

arco = Playing with the bow (Annulates "pizz.")

s.p. = Sul ponticello

s.t. = Sul tasto

ord. = Ordinary position (Annulates "s.p." and "s.t.")

= Snap "Bartok" pizzcato (valuable just to one note)

= Strings

Strings Instructions

al tallone = Bowing on the frog

alla punta = Bowing on teh point

nor. pos. = Normal position (Annulates "al tallone" and "alla punta")

col legno battuto = Stroking with the wood of the bow

coll'arco = Normal bowing (with the horsehair. Annulates "col legno battuto")

vib. = With vibration

n.v. = Without vibration

con sord. = With mute

senza sord. = Without mute

= natural harmonic (real sound)

= Artificial harmonic on a forth (sounds the rounded note two octaves above)

= Al Tallone playing with a very high bow pressure, smashing the strings; ritmicaly propotioned .

Piano instructions

NOTICE: You need a ceramic mug and a blackboard eraser of about 15cm to 20 cm

= on the keyboard

r.h. = Right hand

l.h. = Left hand

= mug

= On the strings

= Regions of the piano strings

= Putting the blackboard eraser on the strings in order to damp them.

= Tapping the strings with the blackboard eraser and let vibrate.

= On the strings, passing a ceramic mug alongside the strings, around the indicated note, beginning the movement very slowly and finishing it very quickly.

up down up and down

= On the strings, in a short moviment, passing a ceramic mug alongside the strings around the indicated notes, following the sense of the arrow. Sign ritmicaly proportoned.

sostenuto or sost. = middle pedal

or = First pedal

l.v.

= Approximative pitch

= Very quick "tremolo", usually employed on fast rhythmics, in order to obtain a dynamic effect

= Changing from a technique to anothre gradually (according to rythmics indications)

= To bend toward down

= To bend toward up

General instructions

Gliss. are proportional to the rhythm

= let vibrate

Adagio (c. q = 45)

Adagio (c. q = 45)

© 2012 Igor Micelli. Tous droits réservés. All rights reserved.

(... And the moon was hidden...)...E la luna era nascosta...

(For ensemble)

By: Igor MICELLI (2012)

Flute

Clarinet in Bb

Violin

Viola

Violoncello

Percussion

Piano

ppp ppp

3

mp ppp

3

s.p.

ppp

con sord. s.p.

ppp

con sord. s.p.

ppp

senza sord.3

pp

pp

Turning the mallets slowly (in due)on the instruments surfaces

Tam-tam

Bass drum

(always slowly)

accel. and cresc. with the turning until

f

l.v.

4

Fl.

Cl.

Vln.

Vla.

Vc.

Perc.

mf

3 3

To B. Cl. in Bb

ppp

senza sord.

al tallone

ff ppp

ord.nor.pos.

mfp

jeté

gliss. ppp5

accel. the turning poco a poco

ff

l.v.

accel. molto

ff

l.v.

To Vib.

mf p

3

Pno.

mf ppp

3

p l.v.

3

2

7

Fl.

B. Cl.

Vln.

Vla.

Vc.

Vib.

mf

Bass clarinetin Bb

mp

5 6

n.v.III

molto vib.

mf sfp

s.p.

n.v. molto vib.

mf sfp

al tallone

sff mp

n.v.

mf

molto vib.

sfp

s.p.

Vibraphone

pp

p

l.v.

To T.B.

Temple Blocks

f3

7

Pno.

mp

f

3

3

9

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.B.

f p

ppp6 5

p

sff mp

al tallone

p

alla punta

mf f

gliss.

ppp

nor.pos.

5 3 35 3

ord.

sff mp

al tallone

p

nor.pos.

ppp mf mp

gliss.

ff

To Vib. arco

Pno.

4

11

Fl.

B. Cl.

Vln.

Vla.

Vc.

Vib.

f

Flatt. pp ff

pizz.ord.

ff

IV

pizz.ord.

ff

III

s.p.

al tallone

sff pp

Vibraphone

mp

arco

f p

l.v.

(motor on)

Pno.

p

mp

3 mp

l.v.3

5

14

Fl.

B. Cl.

Vln.

Vla.

Vc.

Vib.

sfff p f

gliss.3

mp

arco

p

III

(big oscilation)

ppp

p

l.v.

ff

(motor off) To B. drum

Pno.

fsecco

mp

ff mppp

p53 3

6

18

Fl.

B. Cl.

Vln.

Vla.

Vc.

B.d.

p

ff

0

arcos.p.

IIIIV

espress.p

vib.

p

vib.

pizz.

IIIII

arcos.p.

pespress.

vib.

pvib.

(dim. oscillation) (without

oscillation) II

espress.

s.t.

p

molto vib.

n.v.

pp

molto vib.

p

n.v.

pp

Bass drum

f

(gliss. pressing the finger against the instrument's surface)

3

l.v.

Pno.

pp l.v.

7

25

Fl.

B. Cl.

Vln.

Vla.

Vc.

B.d.

/

1 2 3 4

p

2 3 4 5 0

f p

pp

p

vib.

p

vib.

p

vib.

p

vib.

pvib.

pvib.

molto vib.

s.t.n.v.

p ppp

s.p.l.v.

ff ppp

n.v. vib. n.v. vib. n.v. vib.

f l.v.

m.s.Tam-tam

(Gliss. alongside the bodyof the instrument, in a straight line, from the lowest edge till the top)

f l.v.

To Vib.

Pno.

ppl.v.

pp

8

31

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.-t.

ff

gliss.

To Cl. in Bb

( )

Clarinet in Bb3

3

ff

gliss.

p

vib.

IIIII

pp

n.v.

mp

vib.

pp

n.v.

f

p

vib.

pp

n.v.

mp

vib.

pp

n.v.

n.v. vib.

pp mp

s.p.vib.

pp

n.v.

Vibraphone

p

5 5 5 5 5 5 5 5

mf

mp

Pno.

9

34

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

p f

gliss. gliss.

ff pp

ff p

ord.

0II

ff pp mp ff

gliss.

pp

3 3 5 6

3 5 6

Pno.

ff

l.v.

p

ff

10

36

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

mp

ord.

ff

gliss. gliss. gliss.

3

gliss.

ff p

ff

ord.

p

p ff

3

ff

Temple Blocks

f p

mf

3

f

3

Pno.

p

fmf

11

37

Fl.

Cl.

Vln.

Vla.

Vc.

T.B.

mf f

mf

gliss.

p

3 3 5

ff p ff

ord.

p

s.p.

ff p

ff

s.p.

p

p ff

ord.

p

s.p.

mf mp ff

To B. drum

p

3 5

ff

in loco3

Pno.

ff

l.v.

3

12

38

Fl.

Cl.

Vln.

Vla.

Vc.

B. D.

/1 3 4

p

2 3 4 5 0

mp

f p

n.v. vib.

sfp pp

molto vib.

III

f p

n.v. vib.

sfp pp

molto vib.

III

f p

n.v. vib.

sfp pp

molto vib.

Bass Drum

mp

mp

Tam-tam

l.v.

Vibraphone

fp

ff

gliss

.

To B. Drum

ff

l.v.

(tapping the string)

mf

(gliss. alongside the string, slowly))

fp

mp

3

13

40

Fl.

Cl.

Vln.

Vla.

Vc.

B. D.

mp

33

ff

To B. Cl. in Bb

3

IV

ff

ord.

3

II

f

sfp

jeté

Bass Drum

(rubbing the hand on the instrument's surface)

ff p

(rubbing from on side to another)

subito

f p subito

Pno.

(gliss. alongside the string, slowly)

mp (tapping the strings changing the pitch)

p

mp

gliss.

(From here, starting gliss. slowly alongside the string.)

mp pp

14

43

Fl.

B. Cl.

Vln.

Vla.

Vc.

B. D.

3

ff p sfp

Flatt.

Bass clarinetin Bb

mf

3

m.s.

(playing on the side of the instrument)

Tam-tam

pp l.v.

Temple Blocks

p

3

(tapping)

mp

(tapping)

p

3

(gliss. alongside the string)

fp mp

15

46

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.-t.

p mf p

Flatt.

mf

7 3

ff

pizz.ord.

IIIII

ff

pizz.ord.

III

pizz.

ord.

ff

Tam-tam

pl.v.

To T.B.

Pno.

(tapping)

p

ff

l.v.

f

l.v.

16

49

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.B.

ff

Flatt.

f

p

Flatt.

pp mf

f

arco

ff

ff

III

III

0

Temple Blocks

ff

fff

Pno.

ff

l.v. (gliss. alongsidethe string.)

p

17

54

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.B.

mf

p

Flatt.

p

3

mpmf

3

f

pp

3

Pno.

l.v.

mp3 3

18

59

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.B.

f mf

3 ff

To Cl. in Bb

3

f

Tam-tam

Turning slowly (non accel.)

pp

l.v.

To Vib.

ff

3

Pno.

19

63

Fl.

Cl.

Vln.

Vla.

Vc.

T.-t.

mp ppp

ff sfff

Clarinet in Bb

p

sfp

s.p.jeté

3

con sord.

s.p.arco

sfp

jeté

con sord.

ord.

II

pp

III

arcocol legno battuto

sf mf mp p pp

Vibraphone

(motor on)

p

(death stroke)

Pno.

f very dry

r.h.f

3

p l.v. p

20

66

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

mp mf p

ord.pizz.

p

s.p.arco

III

pp

vib. moltovib.

p

n.v.

senza sord.

s.p.

pp

vib. moltovib.

p

n.v.

senza sord.

5 3

p

coll'arco

pp

n.v. n.v.

mp

vib.

3

Pno.

p

p

f

ff

3

21

71

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

pp

pp

p pp

II

pp

0II

p

ord. I

pp

pp

( )

f

gliss.

p ff

pp

I

ff violent

arco

p

fff

22

77

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

ff

To B. Cl. in Bb

subito

sfp pp

s.p.

(oscillanting a little, diluitioning)

ord.

p

gliss.

sfp

ord.

pp

s.p.(oscillanting a little, diluitioning)

p

s.p.

pp

II

gliss.

sfp pp sfp

jeté

pp

s.t.

p

(oscillating a little, diluitioning)

ff

l.v.

Pno.

f very dry

ff

23

80

Fl.

B. Cl.

Vln.

Vla.

Vc.

Vib.

Bass Clarinet in Bb

f fp f

3

jeté

ff

3

(motor off)

Tam-tam

mp

l.v.

Pno.

mpl.v.

24

83

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.-t.

f fp f

3

ff

jeté

mf

ord.

mp

jeté

p

ord.

al tallone

f

molto

3

mf

l.v.

Bass Drum

p

l.v.ff

Pno.

l.v.

3

25

86

Fl.

B. Cl.

Vln.

Vla.

Vc.

B. D.

f ff

gliss.

p

3

fp f

3

pp mp f

s.p.

jeté

p I0

pp

jeté

p

pp

al tallone

ff

molto

3

3

Tam-tam

f l.v.

p

3

Pno.

fff

26

91

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.-t.

f ff f ff f ff

Flatt.

mf7

Flatt.

3

p f

73

sfp

jeté

gliss.

7

mp

ord.

pp

s.p.

mp pp

pp

l.v.

Pno.

ff

27

94

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.-t.

f

Flatt.

subito

pff

p 7

mf p mfp

3

pp

sfp

jeté

pp

gliss.

6

sfp

jeté

pp

gliss.

5

pp

m.s. (on the side of the instrument)To T.B.7

Pno.

28

95

Fl.

B. Cl.

Vln.

Vla.

Vc.

T.B.

pp

sffp ff

7

p

mf

s.p. ord.

pp

II III

p ff

6 5 3

ff

ord.

p

Temple Blocks

f p

Vibraphone

(motor on)

pp

f

mf ff

3

Pno. p

7

29

97

Fl.

B. Cl.

Vln.

Vla.

Vc.

Vib.

mf

p mp

6

To Cl. in Bb

mfp

pp p ff p

s.p.

p ff

ord.

p ff

mfp ff

gliss.

p ff

p 5 3 3

Pno.

3

3

30

99

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

mf f

Clarinet in Bb

( )

mf

gliss.

ff

sfp

jeté

mp

III

mf mfp

III

mf mfp

p

( )

7

Pno.

7

f

31

100

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

/1 3 4

f

2 3 4 5 0

sffp

ff

3

f

mf

ff

s.p.

p pp sfp pp sfp ppsfp pp

gliss.

ff

III

p ff p

ff p ff

0II

p

f

pp

ff

Pno.

mp

6

32

103

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

mf f

Flatt.

p

6

ff

p

mfp

s.p. ord.

7

mfp

7

mfp

7

p

p

3 3 3 3

Pno.

3

33

104

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

mp ff ffp sff

mp mf mfp mfp

pp

mf ff

sonorousmf

IVIII

mp f

ord.

pp

s.p.

mf ff mf

sonorous

IIIII

mp f

ord.

pp

s.p.

mf ff mf

sonorous

III

mp f

ord.

pp

s.p.

ff

Tam-tam

mf

l.v.

ff

l.v.

7

Pno.

l.v. 7

f l.v.

34

107

Fl.

Cl.

Vln.

Vla.

Vc.

T.-t.

/

1 2 3 4

p

2 3 4 5 0

ffmp

f7

mf p

mp ff f

3 3

ff

s.p.

p

ord.

mf p mf p

ff

s.p.

p

ord.

mf p mf p

ff

s.p.

p

ord.

mf p mf p

l.v.

Pno.

ffl.v.

f l.v. mfl.v.

35

110

Fl.

Cl.

Vln.

Vla.

Vc.

T.-t.

mf f ff

3 5

mp mf

5 3

ff mf f

ff mf f

ff mf f

ff

l.v.

To Vib.arco

p

fff5 3

Pno.

3

36

112

rall.

rall.

Fl.

Cl.

Vln.

Vla.

Vc.

Vib.

p

Flatt.

ff6 5

mf

s.p.

ppp

(oscillating and dilutioning till the end)

s.p.

ppp

(oscillating and diluitioning till the end)

s.p.

ppp

(oscillating and diluitioning till the end)

Vibraphone

arco

pp ff

l.v.

Bass drum

ppp

ppp

Tam-tam

turning slowly (in due)

Pno.

ffl.v.

37