MAY 2008 Nº. 2 Vol. 4 MAY FEATURED ARTISTS Geraldine Georges § Belgium David Habben § USA Raphaël Vicenzi § Belgium A collective by artists for artists. Tell everyone. MEDIA SERVICES PUBLISHED BY PG 63 ART DIGEST!
Mar 11, 2016
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MAY FEATURED ARTISTSGeraldine Georges § Belgium
David Habben § USA
Raphaël Vicenzi § Belgium
A collective by artists for artists. Tell everyone.
MEDIA SERVICES
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November 2007 • N°2 Vol.1
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Exciting new projects are finally seeing the light of day over here at IC. We are very happy to announce a new Media Partnership with our friend and longtime supporter Toto Gonzalez and his company Fabrika located in Miami.
Iniciativa Colectiva is now in charge of curating Fabrika's new Art Showcase section in the new website which went live just last week. Visit fabrikalink.com and check it out!
We are also working on organizing a new exhibition along with one of Miami's major Art organizations. We will let you know as soon as everything is ready and don't be surprised if you have participated previously with IC, to be called upon to participate on that project.
To Life and Love.
Nicole AndujarEditor-in-Chief
NICOLE ANDUJAREditor-in-Chief
ANA GUAQUETAManaging [email protected]
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SUBMISSION DEADLINE June 20th 2008
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ON THE COVER‘Éclipse’ by Geraldine Georges
Alejandro Mila .............................................................. Spain
Ana Flavia Dias ........................................................... Brazil
Andre Brito ................................................................... Brazil
Annamaria Prezuiso ..................................................... Italy
Cheukman ..................................................Hong Kong/UK
David Habben ....................................................................US
Dondi Fernandez ............................................... Phillipines
Erin Smith ................................................................Australia
Geraldine Georges ................................................Belgium
Justin S. Meyers ................................................................US
Mark Webber .....................................................................UK
Merdanchik ..................................................................Russia
Massimiliano di Lauro .................................................. Italy
Max Montano .................................................................. Italy
Nicole Andujar .................................US/Dominican Rep.
Pablo Alfieri ..........................................................Argentina
Palma Allen .........................................................................US
Raphaël Vicenzi .....................................................Belgium
Trevor Brown......................................................................US
FEATUREDARTISTS
ILLUSTRATION
PHOTOGRAPHY
MIXED MEDIA
ART DIGEST
PAINTING
David Habben __________________18
Geraldine Georges _____________ 36
Raphael Vicenzi _______________ 64
Alejandro Mila _________________ 09
Ana Flavia Dias _________________12
Dondi Fernandez _______________13
Erin Smith ____________________ 30
Justin S. Meyers _______________ 42
Mark Webber _________________ 43
Massimiliano di Lauro ___________ 46
Merdanchik ___________________ 48
Nicole Andujar ________________ 54
Pablo Alfieri __________________ 57
Art Digest ____________________ 63
Andre Brito ___________________ 75
Annamaria Preziuso ____________ 80
Palma Allen ___________________ 82
Cheukman ____________________ 85
Trevor Brown _________________ 89
Max Montano _________________ 93
Credits _______________________ 94
7. how do you see yourself five years from now? how do you see your artwork evolv-ing from now? I would love to do physically larger work. My current work is usually so small; I’d love to create work that just envelops the viewer. I hope my work is always evolving because as soon as it stops, that’s when I’ve lost my desire. On an evolutionary scale, I’m still down in the pond, I can’t wait until I grow some legs and get into the forest.
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T1. what type of medium do you work with and explain how you use it? I try not to limit myself to one me-dium, but my default is pen and ink. Invariably, it ends up in the comput-er getting additional color or edits. Lately, I’ve been into more sculptur-al work and painting on objects, like skate decks. I’ve also just bought my first Munny doll and can’t wait to get started on it.
2. what was your main interest in producing this artwork, or is there a statement you wanted to convey? Its funny, I’ve always thought of art-ist statements as desperate acts. Think of it as a relationship; if things are going well, you don’t have to discuss it. Once you have to define that relationship verbally, it usually means you failed to communicate properly. Similarly, if your artwork is successful, you shouldn't have to tell people what you're on about. The message of my personal work is usually an expression of how I see the world, unique, engaging and, at times, terrifying.
3. Tell us about your creative process, do you have any rituals, routines you follow? how does your artwork come together? There isn’t one specific thing I always do; my process is the result of my daily habits. Being religiously minded, I try to include ef-forts in my day to connect to a sense of the Divine. How I interpret that usually finds its way into my work. The piece shown here of the child in the car surrounded by flame-headed creatures is a good example of that. Other works may not show as much of that effort, but I hope its always there to a degree. As far as objects, I usually find dif-ferent papers to work with and the finest pointed pens I can scrounge up.
4. how did you get started with your artis-tic career? I’ve always drawn, but it wasn’t until I got into my under-grad work that I realized the choice I had made. Once you see everyone else with an accounting book and there you are with a sketchbook and paint on your hands, you have to come to terms with what you are. On hard days, I think about that accounting book… and how I’d like to draw all over it.
5. what would you say is one of your great-est accomplishments? I think persevering as an artist is an ac-complishment itself. The real praise for that goes to the family and friends that have supported me though. With so much of life shouting at me to give up, it’s my sup-porter’s voices of encouragement that have come through the loudest.
6. where does your inspiration come from? Or is there any particular movement, artwork or artist you find yourself influenced by? Inspiration’s a hard one to pin down. I feel I’ve been really blessed to see things differ-ently and have the ability to express that visually. My personal work is definitely in-spired by the principle that things aren’t al-ways what they seem and that there’s more to this life than we let ourselves believe. The artists that have influenced me the most are the ones whose artwork looks nothing like mine. Classically, I can’t get enough of Bot-ticelli or Caravaggio. I’m usually more influ-enced by someone’s process or motivation. It’s so much easier to create art in our time and I find that really influences the quality of what we see. Think of the difficulties of the early scriptural artists, illuminating sa-cred texts. Imagine applying hairlines of gold leaf by candlelight. It’s just brilliant. That kind of dedication is hard to find to-day, but there are many artists that embody that spirit. I’d like to become one of them.
DAVID HABBEN
DAVID HABBEN
27 YEARS OLD • USA
MAGIK7INTERVIEW FEATURED ARTIST/MAY/08
www.habbenink.com
iNfORmATiON
‘CARD' BY DAviD hABBEN iC19iC18 fEATuRED ARTisT DAviD hABBEN - ThE mAgik 7 iNTERviEw
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T1. what type of medium do you work with and explain how you use it?I make collages and I draw on these using ink; then, I scan and clean up these with Photoshop or Illustrator. It's a well-balanced mix between these medium but I try to keep in mind "handmade"; I don't want to exclu-sively work with computer's effects.
2. what was your main interest in producing this artwork, or is there a statement you wanted to convey?At the beginning I made these art-works for myself, like a hobby to empty my head after work now nothing has changed except that now it's my job.
3. Tell us about your creative pro-cess, do you have any rituals, rou-tines you follow? how does your artwork come together? First I put together some pictures I have cut out, like a puzzle. After that I try to create a certain emotion with my collages and drawings I use magazines, my own pictures, or I collaborate with photographers.
4. how did you get started with your artis-tic career? I began as a graphic designer in several ad-vertising agencies. After 7 years I quit to work at home as a freelance illustrator
5. what would you say is one of your great-est accomplishments? To be free, work at home, to be my own boss and do what I re-ally love to do: illustration.
6. where does your inspiration come from? Or is there any particular movement, artwork or artist you find yourself influenced by? I find my inspiration in everyday life, all
around me, also into the music. I can't work without music, my favorites are Aurevoir Simonne, CocoRosie, Radiohead, Fran-çoiz Breut, Ms. John Soda… I really love some great artists like Danielle Buetti, In-grid Baars, Mondino, Egon Schiele, Stefano Ricci, Audrey Kawasaki, Mark Ryden… and many, many others
7. how do you see your artwork evolving from now?I don't know yet, but i would like to try new mix media maybe...
GÈRALDINE GEROGES30 YEARS OLD • BELGIUM
MAGIK 7 INTERVIEW/
MAY/08
www.geraldinegeorges.be
iNfORmATiON ABOuT gÈRALDiNE
iC36 fEATuRED ARTisT gÈRALDiNE gEORgEs - ThE mAgik 7 iNTERviEw
To be free, work at home, to be my own boss and do what I really love to do: illustration.
‘hummiNgBiRD’ BY gÈRALDiNE gEORgEs iC37
‘si hE DE iRmE hOY' BY NiCOLE ANDujAR - wORDs: RiCARDO BONiLLA iC55iC54 'Y AL fiNAL' BY NiCOLE ANDujAR - wORDs: RiCARDO BONiLLA
‘ThiNk CREATE AND ENjOY’ BY pABLO ALfERi iC57iC56 'A mi mE fALTA EL AiRE' BY NiCOLE ANDujAR - wORDs: RiCARDO BONiLLA
ART DIGESTH A P P E N I N G S , S H O W S , A RT FA I R S & C O M P E T I T I O N S
6 857
GOT AN EVENT COMING UP? SEND DETAILS TO: [email protected]
1YOUNG
ILLUSTRATORS AWARD 2008
BERLIN, GERMANY With immediate effect it is possible to send
artworks regarding the "Young Illustrators Award 2008". Entry deadline is the 31st of July, 2008.
Transmittals in the categories of illustration, animation and boo kart will be appraised. The 20 winners of the
"Young Illustrators Award" are shown in a separate sec-tion on the Illustrative in October 2008 in Zürich.
The first Winner is, on behalf of the Swatch company, en-abled to draft the new design of the sought after "Limited
Edition" and get the chance as artists to be involved in the international campaign. Further information about
the submission are available here. See the following files!
DEADLINE: JULY 31, 2008 WEB: ILLUSTRATIVE.DE/HOME/
3EVERYTHING /
EVERYDAY : LOMOGRAPHESQUE
PHOTOGRAPHY | FT. LAUDERDALE, FLORIDA
Group show exhibiting photographs in the lomo-graphic style. Habitual discovery and compulsive docu-mentation of the typical and extraordinary. See every-
thing/everyday a different way... there are no rules.
Show runs through June 7, 2008
Celebrate the beauty of Everything/Everyday with local picture takers:
Sam Guss; Paige Place; Nicole Christian; Michelle Bea-sley; Kerry Ball; Ivylise Simones; Duane Hosein; The
Calabrese Family; Bee; and Amanda Magnetta
BEAR AND BiRD gALLERYFT. LAUDERDALE, FL
FIRST CHICAGO INTERNATIONAL POSTER
BIENNIAL 2008 | CHICAGO, IL
While Chicago is well known for its architec-ture, theatre, fine art, public landscaping, and mu-
sic scenes, there is a significant lack of applied visual arts in public spaces.
We welcome your entries into this inaugural design event, and we look forward to bringing the international
design community together in Chicago.
Entries must be no smaller than 42x59.4 cm (A2 size) and no larger than 120x180 cm. Entrants may submit up to six works for each artist / designer. Series of no more than three posters that constitute a single work will be
accepted as a single entry. Only printed posters by offset or silk-screen prints are accepted.
DEADLINE: MAY 27, 2008HTTP://CHICAGOBIENNIAL.ORG/
2YOUNG GUNS 6NEW YORK, NY
ADC Young Guns exists to identify the vanguard of creative professionals who let
loose their imaginations, shattering conventions and breaking boundaries with a dash of brilliance
and personal flair.
Those of you who have set your minds to making a name for yourself, raising new standards from within cubicles, conference rooms, cramped apartments, and studios
across the world—this is your chance to put those battle cries in action. If you’re age thirty or under and have two years of the working life under your belt, we’d like you to
show us what it’s all about.
Ready to join the ranks of ADC Young Guns? Answer the call. Entries are being accepted April 3–June 2;
honorees will be notified in August.
DEADLINE: JUNE 2, 2008WEB: ADCYOUNGGUNS.ORG/
4
THE UPSIDE OF DOWN | PROJECT:GALLERY |
CULVER CITY, CA
The Upside of Down marks the first solo show for both Japanese artist Yoskay Yamamoto as well as the
Los Angeles space, project:gallery.
The concept behind the exhibition rises from an internal conflict with Yoskay's alter-ego "Inskay" ("In" meaning
"dark" in Japanese, whereas "Yo" means "light"). The show consists of a series of acrylic paintings on wood and pa-per, all related to the struggle between dark and light.
The resulting imagery adopts traditional Japanese tech-nique and incorporates American pop culture illustra-
tion. The show is currently open and runs through 24 May 2008.
pROjECTgALLERYLA.COm
AMERICAN GRAPHIC DESIGN
AWARDS | NEW YORK, NY
Presented by Graphic Design USA
The editors of Graphic Design USA invite you to join the thousands of creative professionals who have been recognized by the national design competition over the
last three decades.
The competition is open to everyone in the community - ad agencies, design firms, corporate, institutional and
publishing inhouse departments.
It honors outstanding new work of all kinds - print, packaging, point-of-purchase, internet, interactive and
motion graphics.
DEADLINE: JUNE 6, 2008WEB: WWW.GDUSA.COM
ANTIKULTURE suBjECTivE ChARm
MIAMI, FL
A Solo Exhibition featuring new works byTatiana suarez
Curated by Robert Gimek
Come in on Friday, June 6, 2008 for a sneak preview and reserve paintings in advance. By appointment only.
Available times: 7pm-11pm. Call 305.479.7462 to schedule an appointment.
grand Opening ReceptionSaturday June 7th 2008
7PM-till late
Closing ReceptionSaturday June 14th 2008
7PM-till late
ANTikuLTuRE.COm
ANNO DOMINI PRESENTS...
"fim DO muNDO" u.s. DEBuT sOLO ExhiBiT
BY sTEphAN DOiTsChiNOff AkA CALmA
Looking to Brazilian folklore and Baroque religious im-agery, as well as Alchemical and Pagan symbols, Stephan
has created his own unique language and style which embraces his influences and lets them evolve naturally into
his own autobiographical work by combining them with his roots in urban art and Pop culture.
Exhibit on view through june 21st, 2008
gallery hours:Tues. - Fri. Noon - 7pm
Sat. Noon - 5pmhttp://www.galleryad.com
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1. what type of medium do you work with and explain how you use it? I work mainly with Photoshop for the drawing part, Illustrator for the typography and finally water-colors to tie everything up into a new illustration.
2. what was your main interest in producing this artwork, or is there a statement you wanted to convey? I just want to express ideas that are dear to me. I also try to con-vey a certain form of social critique. We’re definitely going to a cultural death as a whole so I am doing my best to make it look good and ugly while at the same time naively hop-
ing that some people when watching my works will think twice at what is going on around them and inside of them.
3. Tell us about your creative process, do you have any rituals, routines you follow? how does your artwork come together?I try to come up with a good subject first or a good phrase that will start the illus-tration. I scan lots of stuff, create typogra-phy from old sources or make up new ones and dig the web for pictures. It can take a good while before an idea comes together, I scrape a lot of things. It would be easier
if I just did things for the sake of doing something looking good but lately with-out a strong desire behind the illustration it just go to waste.
4. how did you get started with your ar-tistic career? I stumbled upon it but the desire to make art was always there, I just took the long way around. I hope it will be a lasting career.
5. What would you say is one of your great-est accomplishments?I don’t know. I am super glad to have been included in the second Illusive book though. I did not think I’d ever be in it. On second thoughts I’d say to have built a strong rela-tionship with my wife and to have a kid.
6. Where does your inspiration come from? Or is there any particular movement, art-work or artist you find yourself influenced by? I read a lot of books, I go to Sott.net everyday to keep in touch with what’s real-ly going on in the world, I keep an eye open to new inspirations, I am really inspired by painters such as Anthony Micaleff or Illus-trators like werke.pl and Banksy off course. I do like many many other artists. I just picked the ones I had in my head.
7. How do you see your artwork evolving from now? I hope for stronger ideas with better imagery.
RAPHAËL VICENZI35 YEARS OLD • BELGIUM
MAGIK 7 INTERVIEW/
MAY/08
www.mYDEADpONY.COm
iNfORmATiON ABOuT RAphAËL
‘fEAR CLOuDs EvERYThiNg' BY RAphAËL viCENzi iC65iC64 fEATuRED ARTisT RAphAËL viCENzi - ThE mAgik 7 iNTERviEw
‘ThE DECEiT’ BY RAphAËL viCENzi iC69iC68 'TAkE BACk whAT hAs BEEN sTOLEN fROm YOu' BY RAphAËL viCENzi
‘wE ARE ALL vAmpiREs’ BY RAphAËL viCENzi iC71iC70 'ThE LEACh ThAT BEARs YOuR NAmE' BY RAphAËL viCENzi
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All Content Copyright 2008. Iniciativa Colectiva. All rights reserved.
Published by:Chixink Media Services, Nicole Andujar and Ana Guaqueta.
Copyright Notice:All work contained within this issue of Iniciativa Colectiva is the property of the respective artist.
No reproduction of any content is allowed without proper written permission from the artist.
Magazine Illustrations by Nicole Andujar.
Thank You:To all the participating artists and for their continued support.
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