Top Banner
Ibsen: Hedda Gabler (Volume E)
11

Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

Dec 21, 2015

Download

Documents

Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

Ibsen: Hedda Gabler (Volume E)

Page 2: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

Henrik Ibsen (1828–1906)

• Skien, Norway• university, Christiania• “well-made play”• realism

Page 3: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

Realism

• Norwegian middle class

• bourgeois corruption• ordinary language• unveiling hidden

motives• emotional and moral

truth• hyper-realism

Page 4: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

“HEDDA: I was just looking at my old piano. It really doesn’t go with these other things.

TESMAN: As soon as my salary starts coming in, we’ll see about trading it in for a new one.

HEDDA: Oh no, don’t trade it in. I could never let it go. We’ll leave it in the back room instead. And then we’ll get a new one to put in here…” (p. 789).

Furniture

Page 5: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

HEDDA: “So I’m in your power now, Judge. You have a hold over me from now on.”

BRACK: “Dearest Hedda—Believe me—I won’t abuse my position.”

HEDDA: “But in your power. Totally subject to your demands—And your will. Not free. Not free at all. No, that’s one thought I just can’t stand. Never!” (837).

Domestic Life

Page 6: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

HEDDA: “But it so happens that George Tesman and I found our common ground in this passion for Prime Minister Falk’s villa. And after that it all followed. The engagement, the marriage, the honeymoon and everything else. Yes, yes Judge, I almost said: you make your bed, you have to lie in it.”

BRACK: “That’s priceless. Essentially what you’re telling me is you didn’t care about any of this here.

HEDDA: “God knows I didn’t” (p. 805).

Hedda

Page 7: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

HEDDA: “But God have mercy—People just don’t act that way!” (p. 838).

Lesson

Page 8: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

Influences

Page 9: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

How is Hedda Gabler similar to other female protagonists of Realist works? Think about characters like Emma Bovary and Anna Karenina—do these women represent a feminist crisis taking place in the nineteenth century, or do they represent universal problems that all humans face when bored of domestic, middle-class life?

Discussion Questions

Page 10: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

What role do material objects play in this drama, and how does their importance relate to your relationship with your own possessions?

Discussion Questions

Page 11: Ibsen: Hedda Gabler (Volume E). Henrik Ibsen (1828–1906) Skien, Norway university, Christiania “well-made play” realism.

Visit the StudySpace at:http://wwnorton.com/studyspace

For more learning resources, please visit the StudySpace site for

The Norton Anthology Of World Literature.

This concludes the Lecture PowerPoint presentation for

The Norton Anthology

Of World Literature