IBAFF Experimental Section Programme 2016

EXPERIMENTALSECTIONBLANCA

2016 March 4-5-6

www.ibaff.es | www.aadk.es

IBAFFEXPERIMENTAL SECTION

BLANCA

IBAFF opens this year its experimental cinema section -curated by AADK Spain- as well as a new location that decentralizes the Ibn Arabi International Film Festival by incorporating in its tour the town of Blanca.This section will take place on the 4th, 5th and 6th of March at theatre Teatro

Victoria, Centro Negra and Fundación Pedro Cano.The selection made by Abraham Hurtado is based on the three research lines of AADK Spain:

body, spatiality and territory. Thus, shows how film approaches to these concepts, the different paths of entering the experimental cinema, either through its narratives, composition

and/or ways of production.

www.aadk.es | www.ifbaff.es

IBAFF EXPERIMENTAL SECTION

BLANCA

Since 2012 AADK Spain has been working on the territory, inviting art-ists from around the world to explore our surroundings, giving us in re-

turn their particular vision. The whole shooting of the two proposals were made in the region, two very different stories which shows a landscape

with a strong poetic and narrative potential.

www.aadk.es | www.ifbaff.es

teatro victoria territoryf r i day ma rch 4 2016 / 9 pm

THE LOST COLOR Kr i s L imbach (ge rmany )

The Lost Color (2016). Feature film. 60 minCreated and directed: Kris Limbach (Germany) Co-produced by: AADK Spain

A dysfunctional tourist couple tries to buy a huge property in the Spanish countryside and become a driving force towards a dystopian world. But there are other obscure figures distracting them from their enterprise. There is distrust, misunderstanding and hidden forces behind people’s behaviour. But there is also a primitive state getting revealed, a pre civilisational state of life glimpses through the dark night.“The Lost Color” comes along as a narrative film, and over and over again abandons the story in favor of pure imagery association.

Limbach graduated in applied physics from Freie Universität Berlin and his physical knowledge merges into his sound and art work. His emphasis is always on exploring sound and image in an experimental way. Al-though his focus is on sound, he is also involved in film projects since 1998, exploring constantly formats and aesthetics of cinema.“The Lost Color” is after “Music for dysfunctional airports” Kris Limbach´s second film shot in spain that deals with the economical and spiritual european crisis.

CastLisa Müller Trede, Jochen Arbeit, Lea Walloschke, James Farrell, Selu Herraiz, José Hortelano VillegasCrew ;Production assistant and 2nd camera: José Hortelano Villegas ; Costume design and 2nd camera:Lea Walloschke; Production sound and titles: Julia Bränzel ;Sound Design: Kris Limbach Make up: Jesi Hook ;Music by:Jochen Arbeit, Miguel A. Garcia, Hopek Quirin, Pierce Warnecke, Rieko Okuda, Juan Antonio Nieto (Pangea), Ketev.www.krislimbach.com

Saldremos de la crisis pero habrá que sacrificar

una generación

S i l v i a Rey ( spa i n )

Saldremos de la crisis pero habrá que sacrificar a una generación (2016). Shortfilm. 1.55 min Created and directed: Silvia Rey (España)Co-produced by AADK Spain

Sacrifice: Death ritual in which one or more people are killed by a third person or an institution, usually being offered up to a deity or, generally speaking, a spiritual body that is considered superior in one or more aspects, even if its nature is perverse.

Silvia Rey is filmmaker and film programmer being part of Documenta Madrid.Degree in Audiovisual Communication Sciences from the Complutense University of Madrid and Master in Creative Documentary by the Pompeu Fabra University in Barcelona. “Dios sabe” (2012) is her first film and was screened at festivals like Festival Márgenes, FIDBA Independent Cinema Visual Lima or Newest. “Puerto No / Not” is her second film and is the work where she began to have a more experimental character. “Saldremos de la crisis pero habrá que sacrificar a una generación” (2016) is her latest short film and is the first time that will be shown.www.aadk.es

IBAFFEXPERIMENTAL SECTION

BLANCA

In this section the “body” is represented in a broad spectrum of possibilities. There is the body as a space for experimentation with all it potential -where the movement exceeds the foresee-able and all conventions. But there is also shown its fragility and disappearance, either as an

organism that becomes ill, or while navigating in the virtual world - where identity disregards the bodily presence.

www.aadk.es | www.ifbaff.es

centro negra body sa tu rday ma rch 5 2016 / 7 .30 pm

Novaciéries (2015) Shortfilm,16 min. Created and directed by : (LA)HORDE (Canada)

“Novaciéries” is a combination of cinema, performance, and home video that transcends dance films and presents a choreographed and metaphysical portrait of the post-industrial world by reinterpreting post-internet dance.

(LA) HORDE is a collective of three artists: Marine Brutti / Jonathan Debrouwer / Arthur HarelThey develop their practice through the staging, filmmaking, video installation, choreography, and performance

Director: Marine Brutti, Jonathan Debrouwer, Arthur Harel, Céline Signoret ; Cinematographer: Kaname Onoyama ; First assistant camera: Maëlle Lavillauriex Steadicam Operator: Guillaume Quilichini ; First assistant director: Flore Silly ; Gaffer: Hugo Paturel ; Best boy: Adrien AnquetilSound mixer: Baptiste Marie ; Sound: Richard Frances, Maxime Daoud, Adrien DaoudOpera singer: Eve Coquar ;Editing: Edouard Mailaender Costume Designer: Lily Sato ; Unit Manager: Arnaud Gaujon ; Interprétation: Valentin Basset Rodolphe Berger, Eve Coquar, Garance Coquart, Ylva Falk, Hugo Hermanvillier, Kevin Martinelli,Théo Michallet, Edgar Scassa, Loïc Vinciguerra, Nadir Zarougui. Production: Cité Du Design, Biennale Internationale du Design de Saint-Étienne, Saint-Étienne Métropole, Commune de Saint-Chamond, (LA)HORDE.

www.collectiflahorde.com

novacéries (LA ) HORDE (canada )

“BEFORE WE GO” (2014) Feature film, 82 min.Created and directed : Jorge León (Belgium)

Brussels, La Monnaie Opera House. Three people near the end of their lives meet with chore-ographers, actors and musicians. They take part in a unique experience which involves music, dance and silence. Their journey becomes a tribute to the fragility of the human condition, be-tween reality and representation, tragedy of the body and freedom of the spirit. Together they question their own relationship with death. Réalisation /Directing - Jorge León; Scénario /Screenplay - Jorge LeónImage /Photography - Rémon Fromont, Jorge León, Thomas SchiraSon /Sound - Quentin Jacques ;Montage image / Film editing - Marie-Hélène MoraMontage son/ Sound editing - Marie-Hélène MoraMixage/ Mixing - Benoît Biral ; Musique/Music - Liesbeth Devos, Walter Hus, George van Dam, Alexander Verster Voix/ Voice Production - Julie Freres / DERIVESCoproduction - RTBF / Unité de Programmes Documentaires, CBA / Centre de l’audiovisuel à Bruxelles, Present Perfect, Les Films du Fleuve, Pillarbox a division of New ImpactAvec l’aide de / with the support of - Centre du Cinéma et de l’Audiovisuel de la Fédération Wallonie- Bruxelles et de VOO, Tax Shelter du gouvernement fédéral de Belgique, Cinéfinance Tax Shelter, De Munt – La Monnaie, TOPAZ, NV Lloyd, La Ville de Bruxelles

before we go Jo rge León (be lg i um)

BACK DOOR PARTY- IBAFF

Party with DJ Visionario Excéntrico, visuals and late short film projection.

Back door is a program that inserts the Clubbing Culture into spaces dedicated mostly to contemporary art.It is clear that this mass culture imagery based on electronic music, design and fashion affects the contemporary artistic creation and the other way around. The intention of this program is to bring art to new audiences and break the boundaries between production for institutional spaces and specialized audience, and the sound and visual repertoire created for these other spaces opened to a wider audience.

GOLFA SESSION 23:00 p.m

For this session there have been selected a series of proposals that expand or move the boundaries of visual language and the conventional exhibition channels, using internet as space for dissemination -free and accessible to anyone interested.On another hand there is a selection of music videoclips or videos produced for the fashion they have a strong cinematographic and/or experimental character

back door party ibaff

golfa session

IBAFFEXPERIMENTAL SECTION

BLANCA

“Spatiality” is understood as the relationship established between individuals in the ways of taking up the space. In both pieces, the space is not only a container but also a scenario that

strengthens one or another behaviour among the individuals who will have to inhabit it.

www.aadk.es | www.ifbaff.es

fundación pedro cano spatiality sunday ma rch 6 2016 / 12 pm

REARRANGED (2014) shorfilm, 9.39 min.Created and Directed by: Ewa Górzna (Poland)

“Rearranged” is a calmly flowing journey through the space submitted to an unexpected transformation. It reveals a surreal moment when the wild enters the conventional rearranging the established order according to unrestrained turbulent rules.

Ewa Górzna (1982. Poland) is a visual artist working in the field of moving image.She creates short films as well as multichannel video installations. She completed a Master of Fine Arts Degree from the Nicolaus Copernicus University in Toruń, Poland and the Finnish Academy of Fine Arts in Helsinki. Her works have been shown and awarded at various art exhibitions and international film festivals. Currently she lives and works in Helsinki, Finland.

Director, screenwriter, editor: Ewa GórznaCinematographer: Katarzyna MironProducer: Ewa Górzna

www.ewagorzna.com

rearranged Ewa Górzna (po l and )

La Ciudad del Trabajo (2015) - Feature film, 61.24 min.Created and Directed by: Guillermo G. Peydró (Spain)

La ciudad del trabajo (2015) - Feature film, 61.24 minCreated and directed by Guillermo G. Peydró (Spain)

The Universidad Laboral of Gijón, together with the Valle de los Caídos, are the greatest exam-ple of monumental architecture during the Franco autarky. In this “socio-educational laboratory” was put into action, in the form of a boarding school for a thousand children, the desired to shape the future of the New Order. Through appropriation of audio footage from films of the first two decades of the dictatorship, the film tests complementary ways to reveal the implica-tions of this building-city, its ambiguous position between utopia and dystopia and its unique architecture, riding between Piero della Francesca and Piranesi.

Guillermo G. Peydró (Madrid, 1981) is a filmmaker and a PhD in art history, programmer of the international film festival PuntodeVista and external advisor of the Museum of Modern Art in Mexico DF (MAM). In his thesis discusses ways of critical dialogue between film and visual arts, as well as its aesthetic, academic, political uses. Author of a dozen short films about art, his first feature, La Ciudad del Trabajo premiered at the 2015 festival FID Marseille.

www.guillermopeydro.com

la ciudad del trabajo Gu i l l e rmo G. Peyd ró ( spa i n )

AADK SpainCENTRO NEGRA

BLANCA MURCIA SPAIN

Abraham Hurtado Artistic Director

[email protected]. +34645959374

Elena AzzedinResidency Program Director

[email protected]. +34647479338

Kotryna ValiukeviciuteDirector Manager [email protected]

Juan ConesaProduction Manager

[email protected]

Organize:

Organize and curate Experimental Section:

Collaboration: