I 6 and V 6. BrainTeasers 1. Spell Incomplete V7 using scale degrees (bass first). 2. Spell Complete V7 using scale degrees (bass first). 3. With normal.

I6 and V6I6 and V6

BrainTeasers

1. Spell Incomplete V7 using scale degrees (bass first).

2. Spell Complete V7 using scale degrees (bass first).3. With normal voice leading from complete V7-I, what doubling in I results?

4. What is the usual alternative to the normal voice-leading, in contexts where a complete I is desired?

5. Which scale degree is never doubled in dominant-function chords such as V, V7, V6, etc.

6. Which doubling is incorrect?^1^1^1^3 ^1^1^3^3 ^1^3^3^5^1^1^1^5 ^1^3^5^5

7. Using only I V and V7 what’s the best harmonization of ^1-^2-^3 ?

8. What is the only scale degree that we cannot harmonize given the chords in our vocabulary (I, I6, V, V7, V6)?

9. Using “our chords” harmonize ^3-^4-^5

10. When using V, V7, or V6 in minor always ___________.

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2.

I V8-7 I V I I V7 I

I V8-7 VI V6 I I6 Susp. V7 I

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II. Functions

A. Expands Tonic, usually via I-I6

B. Substitues for Tonic in V(7)-I (rare)

I. BasicsNotes/Bass Tone/Supports/Doubling/Voice-leading

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1. Original Root Position Harmonization

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I6

II. Functions

A. Expands Tonic, usually via I-I6

B. Substitues for Tonic in V(7)-I (rare)

C. Intermediate Chord in arpeggiation progression I-I6-V

I. BasicsNotes/Bass Tone/Supports/Doubling/Voice-leading

D. Begins cadential progression I6-V6-I

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3.

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II. Functions: Nearly always leads to I!. Why?A. Expands or prolongs dominant “family”

B. Substitutes for V(7) at Cadences (V6-I)

C. Prolongs Tonic Harmony via I-V6-I (NN motion)

I. Basics

Notes/Bass Tone/Supports/Doubling/Voice-leading

D. Dominant chord cadential progression I6-V6-I (IN)

1. Original “Root Position Harmonization

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