Top Banner

of 43

Human Factors Course Lec14 Sound Exposure

Apr 06, 2018

Download

Documents

johnndoee
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    1/43

    MeasuringLoudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    2/43

    Loudnessisacomplex

    subjectiveexperience

    relatedtoboththe

    intensityandthefrequencyofthesound.

    Muchresearchhas

    beenperformedover

    theyearstodevelop

    loudnessindices,two

    earlyattemptsbeing

    thephon andthesone.

    Loudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    3/43

    Thephon wasdevelopedbyexperiments

    whichusedpuretonesoundsignalsof

    fixedfrequencyandamplitude.

    Ineachtesttheparticipantpresenteda1000Hzpuretonesoundasareference,

    thenthesoundfrequencywaschanged

    andtheparticipantwasaskedtoadjust

    theamplitudeofthenewsignaluntilit

    wasofequalloudness.

    Byperformingthetestmanytimeswith

    differentfrequenciesanddifferentpeople

    itwaspossibletogenerateasetofequal-

    loudnesscurves.

    Loudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    4/43

    Fromtheequalloudnesscurvesitcanbe

    seenthathumanperceptionofloudness

    variesasafunctionoffrequency.Humansareparticularlysensitivetofrequenciesin

    therangefrom1000to6000Hz.

    Loudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    5/43

    Thephon wasdesignatedtheunitofloudness

    andwassetequaltothedecibellevelofthe

    1000Hzreferencetone. Forexample,alltones

    judgedtobeofequalloudnesstothe60dBreferencetonearedesignatedashavinga

    loudnessof60phons.

    Loudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    6/43

    Thefrequencyweightingnetworksusedin

    soundlevelmetersarebasedonthephon

    curvesdevelopedbyFletcherandMunson.

    TheAandBfrequencyweightingsarethe

    40and70phoncontours,butwithsomeminormodificationstosimplytherequired

    electricalfilternetwork.

    Loudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    7/43

    Phoncurvesprovideinformationaboutthe

    equivalenceofsounds,butnotabouttheabsolutelevelofperceivedloudness.We

    cannotsay,forexample,howmanytimes

    loudera40phonsoundiswithrespecttoa

    20phonsound.

    FletcherandMunsonthereforeperformed

    furthertestswitharatingscalewhichwas

    laternamedthesone.Onesoneisdefined

    astheloudnessofa1000Hztoneof40dB

    (40phons).

    Asoundwhichisjudgedtobetwiceasloud

    asthe1000Hzstandardreferencetonehasa

    loudnessvalueof2sones,asoundjudgedthreetimesasloudis3sones,etc..

    Loudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    8/43

    Thegraphpresentstherelationshipbetweenthelevel

    inphonsandtheperceivedloudnessin sones forpure

    tonesounds.Theperceivedloudnessgrowsrapidly

    withincreasingsoundpressure,particularlyatlower

    levels.

    Loudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    9/43

    Thegraphabovegivesanapproximate

    indicationofthesonevaluesofsometypicalsoundsfromeverydaylife.

    Loudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    10/43

    Theloudnessofbroadbandsounds

    canbeestimatedbymeansofthe

    StevensLoudnessMethod(ISO532A).

    Inthismethodthesoundenergyis

    firstdividedintooctaveor1/3octave

    bands.Aloudnessvalueforeachbandisthendeterminedbymeansof

    aloudnessnomogram.

    Thetotalloudnessisthendetermined

    fromtheindividualbandvaluesbymeansofasummationformula.The

    formulatakesacousticmaskinginto

    accountbyweightingtheloudnessof

    thebandwiththegreatestvalueaboutthreetimesasmuchastheother

    bands.

    StevensLoudness

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    11/43

    StevensLoudness

    TheloudnessnomogramusedintheStevensmethod

    providesaloudnessindexwhichistherelativeloudnessofagivenoctaveorthirdoctaverandomnoisesoundto

    thatofareferenceoctaveorthirdoctaverandomnoise

    bandcentredon1000Hz.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    12/43

    StevensLoudness

    Thesummationformulaforobtainingthetotalsone loudnessvaluefromthesone valuesof

    theindividualbandsis

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    13/43

    Zwicker Loudness

    Anothermethodforestimatingtotal

    loudnessistheZwickermethod.

    LiketheStevensmethod,theZwicker

    methodisbasedontheuseofoctave

    or1/3octavebandanalysisofthesoundsignal.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    14/43

    Zwicker LoudnessTheZwicker loudnessprocedureismorecomplex

    thantheStevenloudnessprocedurebecause

    maskingeffectsareevaluatedateachstage.

    Maskingoccurswhenasoundisnothearddueto

    thepresenceofanintensesoundatanearby

    frequency.Forexample,a90dBtoneat1200Hz

    willcompletelymaska50dBtoneat4000Hz.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    15/43

    Onetermthatissometimesusedtodescribe

    theeffectsofunwantedsoundisannoyance.

    Annoyanceisasubjectivequantityassociated

    withtheinappropriatenessorunwantedness

    ofthesound.

    Itisimportanttonotethattheloudnessvalue

    ofagivensoundisonlyweaklycorrelatedwith

    itsannoyance.

    Annoyance

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    16/43

    Annoyancecanbecausedbysoundsthatare

    toointensewithrespecttotheenvironmentin

    whichtheyoccur.

    Evenlowintensitysoundscan,however,

    causeannoyancewhentheyareunexpected

    orunusual. Forexample,eveniflowin

    amplitude,apuretonesoundfromafanorair

    conditionercanproducegreatannoyanceifit

    isnotexpectedornotwantedinaspecific

    room.

    Annoyance

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    17/43

    AuditoryEnvironment

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    18/43

    Whendesigningforpeopletheacoustic

    environmentshould:

    AuditoryEnvironment

    avoidhearingloss

    minimisesoundsrelatedto

    annoyanceandstress

    minimisethedisruptionof

    speechcommunications

    transmitdesiredsoundsreliably

    andpleasantlytothelisteners

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    19/43

    TheA-weightedSoundPressureLevelLAisdefinedas

    WherepA(t)istheinstantaneoussound

    pressuremeasuredusingthestandardAscalefrequencyweightingshownbelow.

    SoundLevel

    dBp

    tpLogL

    referecne

    AA

    2

    10

    )(10

    =

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    20/43

    TheAverageSoundLevelLav,T isdefinedas

    whereTisthetimeoverwhichthemeasurementis

    averaged.TheAverageA-weightedSoundLevelLA,Tisdefinedas

    SoundLevel

    dBp

    dttpT

    LogLreference

    T

    Tav

    =

    2

    0

    2

    10,

    )(1

    10

    dBp

    dttpT

    LogLreference

    T

    A

    TA

    =

    2

    0

    2

    10,

    )(1

    10

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    21/43

    TheDay-NightSoundLevelLdn isdefinedas

    wherethefirsttermcoversthedaytimehoursfrom

    7:00to22:00andthesecondtermcoversthenight

    timehoursfrom22:00to7:00.Thenightlevelsare

    takentobe10dBmorethantheyactuallymeasure.

    SoundLevel

    dBp

    dttp

    p

    dttp

    LogLreference

    A

    reference

    A

    dn

    +=

    2

    00:7

    00:22

    2

    2

    00:22

    00:7

    2

    10

    )(10)(

    24

    110

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    22/43

    TheA-weightedSoundExposureEAT isdefinedas

    Whilethe A-weightedNoiseExposureLevelLEA,T is

    definedas

    WhereE0 isareferencevaluenormallytakentobe

    (20Pa)2swhichis(4x10-10Pa)2s

    SoundLevel

    [ ]sPadttpET

    AAT = 2

    0

    2)(

    dBEELogL TATEA

    =

    0

    ,

    10,10

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    23/43

    EffectsofNoiseonHumanPerformance

    Alittlenoiseintheworkenvironmentis

    beneficialasitservestoincreasearousal,whichcanproduceimprovedtask

    performance.

    Beyondacertainlevelofintensitythetask

    performancebeginstodegrade.

    Sudden,unexpected,noisecanproducea

    startleresponsewhichinterrupts

    concentrationandtaskperformance.

    Continuousnoisenormallyreduces

    performanceoncomplextaskssuchas

    visualtracking.Thereductionis

    proportionaltothenoiselevel.

    Psychologicaleffectsofnoisemayinclude

    anxiety,helplessness,narrowedattentionandotheradverseeffectsthatdegradetask

    performance.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    24/43

    EffectsofNoise

    onHumanPerformance

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    25/43

    CriteriaforSpeechCommunication

    Acousticdesignoftenseekstoachieve

    environmentalnoiselevelsthatarelowenoughtopermitacceptablespeech

    communicationbetweenindividuals.

    Thedesignmethodsusedforspeechcanalsobeappliedtomusicsincethe

    frequenciesinvolvedaresimilar.For

    example,thetonalrangeoftheviolinis

    from200to8000Hz.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    26/43

    ArticulationIndex

    Speechintelligibilityrequiresthatthe

    listenerreceivesoundthatisabove

    thethresholdofhearingandbelowthe

    regionofhearingoverload.

    Speechintelligibilityalsorequiresthat

    thespeechsignalbestrongerthanthe

    backgroundnoisepresentinthe

    environment.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    27/43

    ArticulationIndex

    Thehearingthreshold,theoverloadregionandthe

    typicalspeechregionforamaleraisedvoiceat1

    metredistancearepresentedbelowasafunction

    offrequency.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    28/43

    ArticulationIndex

    Anarticulationindexof100percentcorrespondstoa

    situationwherethespectrumlevelsofspeechatthe

    listenersearlieabovethethresholdofhearingand

    belowtheoverloadline.Thespeechspectrumlevels

    mustalsobeabovethespectrumofthebackground

    noise.

    Ifontheotherhandthenoisespectrumcoverspartof

    theshadedspeechregion,orifpartofthespeech

    regionfallsbelowthethresholdcurve,thearticulation

    indexislessthan100percent.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    29/43

    ArticulationIndexForanarticulationindexof0.6ormoreconversationwill

    besatisfactory,whileforanAIof0.3orlessthespeech

    communicationwillbeunsatisfactory.

    Thereare,however,otherfactorsinfluencingword

    intelligibilitythereforetheAIcannotbeconsideredthe

    absolutemeasureoftheacousticenvironment.

    AnexampleoftherelationshipbetweenAIandspeech

    intelligibilityisprovidedbythegraphbelowdeveloped

    byNASA.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    30/43

    SpeechInterferenceLevel

    TheSpeechInterferenceLevel(SIL)isasimple

    meansofquantifyingtheeffectofbackground

    noisemeasuredatthelocationofthelistener.

    TheAmericanNationalStandarddefinitionof

    theSILis

    SpeechInterferenceLevel(SIL)in

    decibelsisthearithmeticaverage

    ofthesoundpressurelevelsofthe

    interferingnoisere20Painthe

    fouroctavebandscentredonthe

    frequencies500,1000,2000and

    4000Hz.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    31/43

    SpeechInterferenceLevel

    ANASAdocumentprovidesatablefor

    interpretingSpeechInterferenceLevels.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    32/43

    SpeechInterferenceLevel

    ANASAdocumentprovidesagraphforinterpretingSpeechInterferenceLevels.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    33/43

    SpeechCommunication

    CriterionCurvesCriterioncurvesweredevelopedusingthespeechinterference

    level(SIL).Thecurvesassumethatthetalkerandlistenerare

    locatedinafreefield,andgivethepermissibleSILatthe

    listenerspositionasafunctionofthetalker-listenerseparation

    randthetalkersvoicelevel.

    ThecurvesweredevelopedforanAIof0.5whichcorresponds

    toamonosyllabicwordintelligibilityofatleast85%,andwere

    developedseparatelyformenandwomensincewomens

    voicesareabout4dBweaker.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    34/43

    Non-Verbal

    AuditoryWarnings

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    35/43

    Non-VerbalAuditoryWarnings

    Non-VerbalAuditoryWarningreferstothe

    transmissionofinformationbymeansof

    bells,buzzersandothersimplesounds.

    Examplesincludethebuzzersusedon

    medicalmonitorsandthevariouswarning

    soundsusedtosignalemergenciesin

    buildingsandinvehicles.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    36/43

    Non-VerbalAuditoryWarnings

    Althoughvisualdisplaysareabletotransmit

    moreinformation,therearemanysituationsin

    whichanauditorywarningispreferable. For

    examplewhen

    Theoperatorismobileandhencenotable

    toseeavisualwarninggivenbymeansof

    symbolsorphrases.

    Theoperatorisinahighmentalworkloadenvironmentinwhichvisualsignalsare

    likelytobemissed.

    Aneconomicalmeansofconveyingsimple

    informationtoalargenumberofpeopleissought.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    37/43

    Non-VerbalAuditoryWarnings

    Therearemanysituationsinwhichverbal

    auditorywarningsarenoteffective. For

    example:

    Inahospitaltheuseofverbalwarnings

    whichcanbeoverheardbythepatient

    maybeinsensitive.

    Inmanyemergencysituationsthereis

    notenoughtimetoconveytheproblem

    throughspeechsignals.

    Inmanyworkenvironmentsthereare

    highlevelsofbackgroundnoisewhich

    makespeechsignalsdifficulttointerpret

    correctly.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    38/43

    Non-Verbal

    AuditoryWarnings

    Therearetwomainrequirementsforan

    effectivenon-verbalauditorywarning

    system:

    Itneedstobeheard,butshouldnot

    betooloud.

    Itneedstobepsychologically

    appropriate.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    39/43

    Non-Verbal

    AuditoryWarningsSettingthesoundlevelofauditorywarningsrequires

    knowledgeofthebackgroundnoiselevelsforthe

    environment. Oncethebackgroundlevelsareknown

    thewarningscanbesettolevelssuchas15-25dB

    abovethebackgroundwhicharehighenoughtonotbemasked.

    Asanexamplethegraphbelowpresentsdataforthe

    flightdeckofaBoeing727aircraft.Thelowerlinesare

    measuredbackgroundnoisespectrainvariousflight

    conditions.Therangeofappropriatelevelsforauditory

    warningsisgivenbytheshadedregionatthetop.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    40/43

    Non-Verbal

    AuditoryWarnings

    15-25dBabovethebackgroundlevelisatypicaldesign

    guidelineforauditorywarning.Severalproblemsoccurof

    warningsaresetattoohigh:

    Thereisthepotentialforhearinglossifthewarnings

    areactivatedfrequently.

    Loudwarningsleadpeopletoswitchthemoffandnot

    turnthembackonagain.

    Inmanyenvironmentsaloudwarningmaydisturb

    people.Thisisespeciallytrueinahospitalsetting

    wherepatientsmayalreadyhavealowtolerancefor

    noiseduetoillness.

    Loudwarningstendtobeturnedoffbeforethesituationtheyaresignallingisattendedto.Inmany

    situationsthetimerequiredtoturnoffthealarmmay

    becritical.

    Loudwarningsoundsproducestartlereactionswhich

    hinderconcentrationatatimewhenthismaybeimportant.

    Loudwarningsoundshinderverbalcommunication.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    41/43

    Non-VerbalAuditoryWarnings

    Somesoundsaremoreappropriatethanotherfor

    indicatingaparticularsituation. Ifasoundcanbe

    chosenwhichhelpsthelistenertounderstandthe

    natureofthewarning,learningtimesareminimised

    andconfusionavoided.Thetablebelowlistssome

    potentialsourcesofconfusioninauditorywarnings.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    42/43

    Non-Verbal

    AuditoryWarningsSometraditionaldesignguidelinesare:

    Usefrequenciesbetween200and5000Hz,especially

    from3000to5000Hzsincetheearismostsensitivein

    thismiddlerange.

    Usefrequenciesbelow1000Hzwhensignalshaveto

    travellongdistances(morethan200metres)because

    highfrequenciesarerapidlydissipatedinair.

    Usefrequenciesbelow500Hzwhensignalshavetobendaroundobstaclesorpassthroughpartitions.

    Usemodulatedsignals(1to8beepspersecond)since

    theyaredifferentenoughfromnaturalsoundstodemand

    attention.

    Usesignalswithfrequenciesdifferentfromthoseofanydominantbackgroundnoisetominimisemasking.

    Ifdifferentwarningsignalsrepresentingdifferent

    conditionsareused,eachsoundshouldbeidentifiable

    fromtheothers.

    Wherepossible,useaseparatecommunicationsystem

    forthewarnings.Examplesincludehorns,bellsand

    loudspeakers.

  • 8/3/2019 Human Factors Course Lec14 Sound Exposure

    43/43

    Non-VerbalAuditoryWarnings

    Severalstudieshavemappedtheperceived

    urgencyofwarningsoundstotheirfrequency

    contentandtemporalpattern. Inonestudythe

    StevensPowerLawwasusedtodetermine

    urgencyexponentsforthespeed,numberofrepetitionsandfrequencyofthewarningsignal.

    Thehigherthevalueoftheexponent,themore

    Speed 1.35

    NumberofRepetitions 0.50

    Frequency 0.38