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Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

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Page 1: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

http://michelangelo.syr.edu

Page 2: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Marcello Venusti, Portrait of Michelangelo, after 1535

Page 3: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Leone Leoni, Portrait Medal of Michelangelo, 1561

Page 4: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Psalms 51:13: “Then will I teach transgressors thy ways, and sinners shall be

converted unto thee.”

Page 5: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.
Page 6: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

1. Michelangelo was largely self-taught and owed very little to the artistic example of others.

MYTHS ABOUT MICHELANGELO(largely invented by the artist

himself)

Page 7: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Domenico Ghirlandaio, Tornabuoni Chapel, Santa Maria

Novella, Florence

Page 8: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Studies of Three Nudes, 1531-32

Page 9: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Head of Leda, 1529-30

Page 10: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Bernardo della Volpaia, Studies of Ancient Monuments, Codex Coner, c. 1510-15

Michelangelo, Studies after the Codex Coner, c. 1515

Page 11: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Studies of Roman monuments, c. 1515

Page 12: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Sacrifice of Isaac, c. 1535

Filippo Brunelleschi, Sacrifice of Isaac, 1401

Page 13: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

1. Michelangelo was largely self-taught and owed very little to the artistic example of others.

2.Michelangelo’s ideas came to him fully formed.

MYTHS ABOUT MICHELANGELO

Page 14: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Sonnet 151, c. 1538-41

“Not even the best of artists has any conception that a single marble block does not contain within its excess,and that is only attained by the hand that obeys the intellect.”

Page 15: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Sacrifice of Isaac, c.1535Michelangelo, Sacrifice of Isaac, c. 1535

Page 16: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Study for a Christ in Limbo, c. 1530--3

Page 17: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.
Page 18: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Studies for a cornice and for nudes for the Sistine Ceiling, 1508-9

Page 19: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.
Page 20: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.
Page 21: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

1. Michelangelo was largely self-taught and owed very little to the artistic example of others.

2. Michelangelo’s ideas came to him fully formed.

3.Michelangelo painted the Sistine Ceiling laying on his back.

MYTHS ABOUT MICHELANGELO

Page 22: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

“I’ve grown a goiter at this work, like the cats of Lombardy…”

Page 23: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

1. Michelangelo was largely self-taught and owed very little to the artistic example of others.

2. Michelangelo’s ideas came to him fully formed.

3. Michelangelo painted the Sistine Ceiling laying on his back.

4.Michelangelo was a melancholic who did not have much of a sense of humor.

MYTHS ABOUT MICHELANGELO

Page 24: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.
Page 25: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

“You have a face sweeter than boiled grape juice, and a snail seems to have passed across it, it shines so much, and it is more beautiful than a turnip.”

Michelangelo, Sonnet 20, c. 1523

Page 26: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

1. Michelangelo was largely self-taught and owed very little to the artistic example of others.

2. Michelangelo was the ultimate solitary genius, who largely worked alone.

3. Michelangelo painted the Sistine Ceiling laying on his back.

4. Michelangelo was a melancholic who did not have much of a sense of humor.

5.Michelangelo did not appreciate female beauty.

MYTHS ABOUT MICHELANGELO

Page 27: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Head of

Leda, c. 1529-30

Page 28: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.
Page 29: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Contract for the Vatican Pieta, 1498

Page 30: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Head of

Leda, c. 1529-30

Page 31: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.
Page 32: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Se dal cor lieto divien bello il volto, c.1544

“If by a happy heart the face is made beautiful and by a sad one ugly…”“…it would be good for both to paint her with a happy heart and a dry face: it would make her beautiful and me not ugly.”“Of divine things one

speaks on a blue field”

Page 33: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

1. Michelangelo was largely self-taught and owed very little to the artistic example of others.

2. Michelangelo was the ultimate solitary genius, who largely worked alone.

3. Michelangelo painted the Sistine Ceiling laying on his back.

4. Michelangelo was a melancholic who did not have much of a sense of humor.

5. Michelangelo did not appreciate female beauty.

6.Michelangelo was the ultimate solitary genius, who largely worked alone.

MYTHS ABOUT MICHELANGELO

Page 34: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Sketches of blocks of marble for the tomb of Julius II, c. 1516

Page 35: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Sketches of blocks of marble for the tomb of Julius II, c. 1516

Page 36: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Notice to Master Andrea, 1524

‘Master Andrea, those men whom I have not called to work and whom you have not called either, will

not be paid for the day’s work.’

Page 37: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Plan for San Giovanni dei Fiorentini, 1559-60

Page 38: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

1. Michelangelo was largely self-taught and owed very little to the artistic example of others.

2. Michelangelo was the ultimate solitary genius, who largely worked alone.

3. Michelangelo painted the Sistine Ceiling laying on his back.

4. Michelangelo was a melancholic who did not have much of a sense of humor.

5. Michelangelo did not appreciate female beauty.

6. Michelangelo was the ultimate solitary genius, who largely worked alone.

7.Michelangelo was a poor man, often underpaid for his work.

MYTHS ABOUT MICHELANGELO

Page 39: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Michelangelo, Study of a Gate (Porta Pia?), 1561

Page 40: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

Marcello Venusti, Portrait of Michelangelo, after 1535

Page 41: Http://michelangelo.syr.edu. Marcello Venusti, Portrait of Michelangelo, after 1535.

http://michelangelo.syr.edu