MECM90015 History and Philosophy of Media 2012 1. Problems of Periodisation: screen geometries so know thou, I am the origin of this entire world and also its destruction; beyond me there is noth- ing higher, to me this All is linked as a chaplet of pearls on a thread . . . whatever natures are genu- ine, are shining or dark, they are from me, I am not i them, they are in me . . . even the divine illu- sion, Maya, is my illusion, hard to transcend, but those who follow me go beyond illusion Bhaghavad Gita 7.iv, cited in Hegel’s Aesthetics (v.1, II, 1,A,1), 367
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MECM90015 History and Philosophy of Media 2012
1. Problems of Periodisation: screen geometries
so know thou, I am the origin of this entire world and also its destruction; beyond me there is noth-ing higher, to me this All is linked as a chaplet of pearls on a thread . . . whatever natures are genu-ine, are shining or dark, they are from me, I am not i them, they are in me . . . even the divine illu-sion, Maya, is my illusion, hard to transcend, but those who follow me go beyond illusionBhaghavad Gita 7.iv, cited in Hegel’s Aesthetics (v.1, II, 1,A,1), 367
‘Since nothing falls under the concept “not identical with itself ”, I define nought as follows: 0 is the number which belongs to the concept “not identical with itself ”’ Frege, Gottlob (1974), The Foundations of Arithmetic, trans J.L. Austin, Blackwell, Oxford.: 87)
Now “why a thing is itself ” is a mean-ingless inquiry, for – to give meaning to the question ‘why’ – the fact or the existence of the thing must already be evident – e.g., that the moon is eclipsed – but the fact that a thing is itself is the single reason and the single cause to be given in answer to all such questions as why the man is man, or the musician musical, unless one were to answer, ‘because each thing is inseparable from itself, and its being one just meant this.’ This, however, is common to all things and is a short and easy way with the question.Aristotle, Metap[hysics, VII, 17: http://en.wikisource.org/wiki/Metaphysics/Book_VII#Part_17