www Ho Words Arrange O Based on the The PraiseCharts Worship Band Series is a uniq These arrangements are geared towards a cont medium-sized orchestra. The core parts (rhyth Parts included Lead Sheet (SAT) – for worship leader and vocal Rhythm – a more detailed chart for keyboard, gu Core Worship Band instrumental parts (wriTrumpet 1-2 Alto Sax Trumpet 3 (double Trombone 1-2 Tenor Sax 1-2 (dou Additional Orchestral parts (these en Bass TromboneBari Sax (doubl Horn 1-2 (Frenc Flute/Oboe 1-3 Clarinet (doublIndividual string String ReductioRhythm section: The Rhythm part is for the section plaor drummer) with all the specific rhythms and chords nece arrangement. The Lead Sheet is a combination rhythm and the vocalists, worship leader, or rhythm player needing mPiano, Vocal part includes a full piano part in “songbook fo comfortable with playing from a chord chart. When playin band the pianist would be advised to simplify this part in o the way". Vocals: We include both an SAT Lead Sheet and a SATB V When using the SAT part (soprano/alto/tenor), the bariton the melody (soprano) down an octave – any exceptions arWhen the part is written in unison, the men should sing it may be done as a solo. This method provides a contempor to-learn fashion. Written with core brass Written as a section Written as a section To contact us: Email feedback@ praisecharts.com or call (800) 695-6293 w.praisecharts.com ow He Loves s & music by John Mark McMillan ed by Dan Galbraith and John Carlson Orchestrated by Dan Galbraith e popular recording from the Eddie Kirkland album “Orthodoxy” que and growing series of arrangements by some of todatemporary “R&B horns” praise band sound, but at the sam, vocals, and brass) may be enhanced with the other pd in the PraiseCharts Worship Band Serie team Piano/Vocal (SATB) – includes written-out itars, and drums. Ac. Guitar – modified Rhythm part in apprtten as a section): s Alto Sax) ubles Trombone) hance the arrangement, but the Worship Band parts ma /Tuba Percussion 1,2 (Timp es Bass Trombone) ch Horn) es 3 rd Flute) g parts - Violin, Viola, Cello-Bass (note, all multi-note parts are n – string parts condensed for keyboard synth yer (pianist, guitarist, essary for the d vocal chart meant for ore vocal cues. The ormat” for those not ng with a complete order to "stay out of Vocal/Piano score. ne/basses should sing e listed on the score. down one octave or it rary sound in an easy- Alternate keys: There is at least one accommodate either a keyboard-based the orchestra a more playable key, or to accessible if necessary. Other notes: Rehearsal numbers are “3”, providing the easy use of finger sig want to make impromptu changes duriverse of the song, “2” is the chorus, and there are exceptions. When a section iarrangement, it is labeled “1a” or “2a”, clearly notated to facilitate these impro instrumental part includes Lyric Cues to place. A note on brass stylings: For most titlinterpreted with jazz articulations and infbeen notated very carefully to aid the play’s top new arrangers. me time are scalable up to a arts in any combination. es piano part and SATB vocals opriate capo keys ay also stand alone): pani, Bells, Sus. Cym., etc) divisi) alternate key included to band or a guitar-based band, to give o make the vocal range more given in the form of “1”, “2”, and nals by the worship leader who may ng worship. Normally, “1” is the d “3” is a bridge or other section, but s repeated in its entirety later in the etc. All endings and repeats are omptu changes. Finally, each o aid the player in keeping their es, the brass parts should be ections in mind. They have yer in this interpretation.
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Transcript
www
Ho
WordsArrange
O
Based on the
The PraiseCharts Worship Band Series is a uniqThese arrangements are geared towards a contmedium-sized orchestra. The core parts (rhyth
Parts included
Lead Sheet (SAT) – for worship leader and vocal tRhythm – a more detailed chart for keyboard, gu Core Worship Band instrumental parts (writTrumpet 1-2 Alto Sax Trumpet 3 (doubleTrombone 1-2 Tenor Sax 1-2 (dou
Rhythm section: The Rhythm part is for the section playor drummer) with all the specific rhythms and chords necearrangement. The Lead Sheet is a combination rhythm andthe vocalists, worship leader, or rhythm player needing moPiano, Vocal part includes a full piano part in “songbook focomfortable with playing from a chord chart. When playinband the pianist would be advised to simplify this part in othe way".
Vocals: We include both an SAT Lead Sheet and a SATB VWhen using the SAT part (soprano/alto/tenor), the baritonthe melody (soprano) down an octave – any exceptions areWhen the part is written in unison, the men should sing it may be done as a solo. This method provides a contemporto-learn fashion.
Written with core brass
Written as a section
Written as a section
To contact us:
Email feedback@
praisecharts.com or call
(800) 695-6293
w.praisecharts.com
ow He Loves
s & music by John Mark McMillan ed by Dan Galbraith and John Carlson Orchestrated by Dan Galbraith
e popular recording from the Eddie Kirkland album “Orthodoxy”
que and growing series of arrangements by some of todaytemporary “R&B horns” praise band sound, but at the samm, vocals, and brass) may be enhanced with the other pa
d in the PraiseCharts Worship Band Serie
team Piano/Vocal (SATB) – includes written-out itars, and drums. Ac. Guitar – modified Rhythm part in appro
tten as a section):
s Alto Sax) ubles Trombone)
hance the arrangement, but the Worship Band parts ma
/Tuba Percussion 1,2 (Timpes Bass Trombone)
ch Horn)
es 3rd Flute) g parts - Violin, Viola, Cello-Bass (note, all multi-note parts are n – string parts condensed for keyboard synth
yer (pianist, guitarist, essary for the d vocal chart meant for ore vocal cues. The ormat” for those not ng with a complete order to "stay out of
Vocal/Piano score. ne/basses should sing e listed on the score. down one octave or it
rary sound in an easy-
Alternate keys: There is at least one accommodate either a keyboard-based the orchestra a more playable key, or toaccessible if necessary.
Other notes: Rehearsal numbers are “3”, providing the easy use of finger sigwant to make impromptu changes durinverse of the song, “2” is the chorus, andthere are exceptions. When a section isarrangement, it is labeled “1a” or “2a”, clearly notated to facilitate these improinstrumental part includes Lyric Cues toplace.
A note on brass stylings: For most titleinterpreted with jazz articulations and inflbeen notated very carefully to aid the play
y’s top new arrangers. me time are scalable up to a arts in any combination.
es
piano part and SATB vocals opriate capo keys
ay also stand alone):
pani, Bells, Sus. Cym., etc)
divisi)
alternate key included to band or a guitar-based band, to give
o make the vocal range more
given in the form of “1”, “2”, and nals by the worship leader who may ng worship. Normally, “1” is the d “3” is a bridge or other section, but s repeated in its entirety later in the etc. All endings and repeats are
omptu changes. Finally, each o aid the player in keeping their
es, the brass parts should be ections in mind. They have yer in this interpretation.
? 86 .œ .œC
.˙Pno. solo
Moody Rock q. = 50
p.˙ .˙ .œ .œAm7
.˙ .œ .œ.˙ .œ .œCG
.˙ .˙ .˙? ..
7
.˙Fma9
...˙̇̇.˙ ...˙̇̇ & jœ œ œ .œ œ œ
C
He is jea- lous for me.W.L. or All
1 Verse1x - Piano only - simile2x - All in
p-F.œ Œ . œ œ œ œ œ œ .œ
Am7
Loves like a hur - ri- cane,
&12
œ œ œ œ .œ ‰I am a tree
œ œ œ œ œ ≈ rœCG
bend - ing be-neath the
œ œ .œ .œ .œweight of His wind and
’œ œ .œFma9
mer - cy.
’ Œ jœAnd
&17
.œ œ œ œ œ œC
all of a sud-den
œ œ œ œ œ œ œ œI am un - a- ware of these af -
œ œ œ œ .œ .œAm7
flic - tions e-clipsed by
œ œ .œ Œ œ œglo - ry. and I
&21
.œ .œ .œ .œCG
real - ize just how
œ œ œ œ œ œ .œbeau - ti - ful You are and how
œ œ œ œ œ œ .œFma9
great Your af - fec - tions are
.œ .œ Œ .for me.
&25
.œ Œ .C
Oh,
.˝2 Chorus 1x - Add E.Gtr.
2x - Bass & drums outP.œ .œ .œ .œ
how He loves us
.˝Jœ œ Œ .
Am7
so.
.˝ .œ .œ .œOh, how He
.˝ œ œ .œ .œGsus
loves us.
.˝ .œ .œ .œ .œHow He loves us
.˝
&31
1 - Repeat to Verse
’jœ œFma9
so.
1x - Band in - med. grooveSn. on 2
F’ ’ .œ .œC
E. Gtr.
.˙ .œ .œAm7
.˙ .œ .œCG .˙
& ..39
.œ .œFma9
.˙to 1 2
jœ œ Œ.Fma9
so.
.˝ .˝ .œ .œC
Full band groove
Inst.
f ’.œ .œ .œAm7
Lead Sheet(SAT) Key: C
How He Loves(based on the recording from the Eddie Kirkland album "Orthodoxy")
www.praisecharts.com/5615 John Mark McMillanArr. by Dan Galbraith and John Carlson