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HOW DO WE READ FILM? Between the lines, Beyond the text & Beneath the scenes
22

How do we read film?

Apr 06, 2017

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Page 1: How do we read film?

HOW DO WE READ FILM?

Between the lines,Beyond the text &

Beneath the scenes

Page 2: How do we read film?

THE STORY SO FAR

• https://www.youtube.com/watch?v=sy4Y6H1ucew

Page 3: How do we read film?

ZOOM OUT

• 13.8 billion years ago – Big Bang

• 4.2 million years ago – First Human

• 2 lakh years ago – Written Language

• 4000 years ago – Epics/Stories

• 1878 – First Film/ 1913 – India

• 1931 – First Talkie

Page 4: How do we read film?

Race Horse, 1878

• https://www.youtube.com/watch?v=IEqccPhsqgA

Page 5: How do we read film?

Arrival of a train at La Ciotat (1895)

• https://www.youtube.com/watch?v=RjtXXypztyw

Page 6: How do we read film?

FILM AS FORM

• Moving pictures – a series of photographs • A story or an emotion• Communicate and/or express • Unified by a singular idea/thread• Storytelling > Story• Crafty structuring of sound and image for

impact

Page 7: How do we read film?

FILM AS MEDIUM

• 1600s – Angelo Sala found that silver salt turned black when exposed to sun

• Photography - a recording of light• Light turned silver nitrate to black – Negative –

recording the inverse which could be treated with chemicals to be reproduced on film.

• Black and white first and then colour

Page 8: How do we read film?

GEORGE MELIES & EARLY COLOUR

• https://www.youtube.com/watch?v=8TStZX18lsU

Page 9: How do we read film?

THE NEMESIS: VIDEO

• Live technology in the 1950s for news and TV• Electronic form of recording on tape• 6-8 frames to 120 frames today• 25 frames/29.97 per second – TV standards• VHS – 333 x 480 (NTSC) 335 x 576 (PAL)• Interlaced vs Progressive• Aspect ratios

Page 10: How do we read film?

RESOLUTIONResolution name

Horizontal x Vertical pixels Other names Devices

8K 7,680x4,320 none Concept TVs

"Cinema" 4K 4,096x[unspecified] 4K Projectors

UHD 3,840x2,160 4K, Ultra HD, Ultra-High Definition TVs

2K 2,048x[unspecified] none Projectors

WUXGA 1,920x1,200 Widescreen Ultra Extended Graphics Array Monitors, projectors

1080p 1,920x1,080 Full HD, FHD, HD, High Definition TVs, monitors

720p 1,280x720 HD, High Definition TVs

Page 11: How do we read film?

VIDEO vs FILM vs IMAX

• IMAX 12000, can go up to 18000 lines• 70mm film 12000 lines • 35 mm 6000 lines• Phones today can shoot 4K/6K with apps• Hence, film = video, analog = digital today• So what happens to storytelling?

Page 12: How do we read film?

ANATOMY OF FILM

• Acts: Depending on nature of story• Sequences: Equivalent of chapters• Scenes: INT/EXT, LOCATION, TIME• Shots: Wide, LS, MS, CU, ECU• Elements: Shot breakdown

Page 13: How do we read film?

MEMENTO

• https://www.youtube.com/watch?v=WHhlTXyBxPM

Page 14: How do we read film?

SHOT BREAKDOWN

Page 15: How do we read film?

EXERCISE

• CLOSING AND OPENING SCENES COMPARISON • ROOM, THE REVENANT, THE HATEFUL EIGHT

AND MAD MAX FURY ROAD (OPENING & CLOSING CLIPS REMOVED FROM PPT BUT DIY)

• SHOT DIVISION, WHAT’S CHANGED? SEASON, COLOURS, POINT A –> B OR BACK TO -> A BUT DIFFERENT?

Page 16: How do we read film?

EVOLVING LANGUAGE

• Conventional definitions are changing (Film)• New forms of storytelling being born (Victoria, Taxi)• Technology is reinventing the language (Tangerine)• Split-screen is enabling stories not told before

(Timecode, GNGM)• Visual effects firing up imagination in 3D (Avatar)• Virtual Reality is opening up new possibilities• Interactive Cinema – Personalising the story

Page 17: How do we read film?

FRAME OF REFERENCE

• Representation – Who is represented & how?• Technology – Does it change the story?• Social Relations – How does it engage with the

world?• Context – What happened before and after

this in the bigger picture

Page 18: How do we read film?

STORIES ARE INCOMPLETE

• They have a past and a future• Documents of a place, time and way of life• Text, subtext and context• Heroes and villains change with time • Conflicts are triggers for stories and thoughts• Films need open minds• Ability to read and understand to criticise

Page 19: How do we read film?

FILM AS JOURNEY

• We travel with a bunch of people• Connect with them (or not)• See the world through their journeys• Relate or empathise and sometimes,

transform• But most of all, we also see what they don’t

Page 20: How do we read film?

DOES INTENT MATTER?

• Not to an art critic • Film as communication• All stories are political• The responsibility of criticism• Times of outrage• Medium is the message – meta narratives

Page 21: How do we read film?

THE STORYTELLER’S SOUL

• Commercial and arthouse; happy and angry• Transcends all rules and codes• Films are not always a series of images

through shots, scenes and sequences • Series of emotional beats per moment or a

series of moments that keep us hooked till the end

• Films are like people we meet. Soul shines.

Page 22: How do we read film?

For workshops: [email protected]